House on Haunted Grounds, The (2026)

[bunniefuu]

(film reel clicking)

- [Cop 1] Two more then I

say we get something to eat.

- Yeah? What are you thinking?

- How about taking spot?

- [Cop 2] I don't know.

They changed the seasoning on their fries.

They going with that Cajun crap now?

Anyway, what do you

think of the Irish place?

- [Cop 1] Nah, they used too many onions.

- Fair enough.

Alright, how about you talk on this one?

- Thanks.

(knuckles rapping)

Bayview Police.

We're canvassing the neighborhood

looking for a missing girl.

Just wanna ask a few questions.

I can't see d*ck in here.

- Yeah, everything's blacked out.

That's pretty strange.

You wanna take a look around back?

- Real quick.

- All right.

- [Cop 1] Got an open door in front.

- [Cop 2] That ain't good.

- Bayview Police.

Hello?

(girl screaming)

- Dispatch, got a possible

10-62, requesting backup.

- [Dispatch] Ten four.

Units in the area respond.

- [Cop 1] Hey.

Stack, stack, stack, stack, stack.

(tense music)

(heels clacking)

(coughs) f*ck. You smell that?

- [Cop 2] Yeah. Where's it coming from?

Got blood.

(climatic tense music)

- [Cop 1] Jesus Christ.

- [Cop 2] Over there. Over there.

- [Cop 1] Lemme see your hands.

- Put down the knife.

- On your knees, m*therf*cker.

- [Cop 2] Put down the knife.

Put the God damn knife down.

(blood squishing)

(g*ns firing)

- Welcome back, ghost hunters,

to another spine chilling

episode of "The Otherside."

- For those of you who

are just joining us,

I'm Tony, your guide to the paranormal.

- And I'm Amy, your navigator

through the unknown.

- Tonight we have

something truly terrifying

in store for you.

- We're here at the

infamous Lockwood house,

home of one of the most

grizzly m*rder sprees

in recent history.

- Not only are we entering this house,

we are committed to stay the entire night,

no matter what we encounter.

- We might be the first

and only ones to have been in this house

since the night the k*ller lost his life.

- So what are we gonna find?

- Paranormal presence, lost souls,

something more sinister?

- Tune in and find out...

- As we venture into the other side.

Ever since I was little, (dramatic music)

I could feel a connection

with the paranormal.

When I was growing up,

I had numerous paranormal

experiences within my house.

Some people called it a curse,

but I think it's a gift.

And today, with the help of my team,

I will use that gift to seek out

and document the paranormal.

Welcome to "The Otherside."

- Alright, you ready?

- Yeah. Everyone, please

put your phones in the van.

- Why?

- Phones can mess with the readings.

- Plus the service out here is garbage.

- Yeah.

- Tony, let me keep the keys.

- Why?

- In case I need to move the van.

- So you can back it up into another tree?

f*cking hilarious.

- [Brad] Seriously.

- I'll tell you what, if you

need to move the van, radio me,

I'll come out and I'll move it for you.

I'll even show you which pedal means stop.

Have fun.

- f*ck this place.

All right, losers, I'm

looking good back here.

Let's get started.

- [Tony] It is way bigger than

I thought it was gonna be.

- [Amy] Yeah.

- [Brad] All right, video

monitors are set here.

Camera feed looks good.

We're all set up on my end.

- [Tony] I know there's a few entrances,

but most of them are

boarded up unfortunately.

- All right, time to find a way inside.

Looks like the front is boarded up,

but there might be a way in the back.

- Perfect.

Kate, let's not wander off, please.

Okay.

(cardboard door thuds)

(soft tense music)

- [Brad] All right, team,

feeds are looking good.

No audio or video interference.

We're, we're set to keep going.

- [Amy] This place is perfect.

Damn, we got lucky with this one.

- Yep. Creep value is definitely outta 10.

They should have burned

this place to the ground.

- [Amy] It's set to be

bulldozed next week.

We're gonna be the last

people inside this place.

- Isn't that fitting for

our final episode, huh, Amy?

- [Kate] f*cking weird.

- It's reproduction

value. We can't complain.

- So much energy here.

- All right, good work,

everybody, we're inside.

Why don't we go ahead and

head down to the basement.

It looks like that's

where everything happened.

So it's where we're gonna start.

- Copy that, van boy.

(soft tense music)

(door creaking)

Holy sh*t, you guys,

this is it.

This is where it happened.

- [Brad] Oh hell, yeah.

Okay, let's get set up in that

room for some Lester lore.

That'll be perfect.

- [Amy] Oh God, it stinks in here.

- [Tony] Yep.

A lot of nasty stuff

happening in this room.

- [Amy] Yeah.

- All right, everything

looks good set up in here.

Coming in clear and audio is crisp.

- [Tony] Yeah, maybe don't

touch anything in here, guys.

- [Amy] Wasn't planning on it.

- [Brad] And we are clear to roll.

So let's get started

with the Lester segment.

Okay, everybody? Lester segment.

- We've made our way into the house

and we were immediately

drawn to this area.

- This spot is where a

six month reign of terror

finally came to an end.

- Lester Morgan was a recluse.

He kept to himself, but that all changed.

- Starting in May, Lester

abducted his first victim.

- Ashley McKenna was

walking home from work

when Lester pulled up in a

van, drugged her, and took off.

- And this shocked the local townspeople

because it seemed like she

just disappeared overnight.

- But it didn't stop there,

another girl went missing.

Then another and another.

- This sparked a statewide manhunt

as one of the most high profile

abduction cases in history.

- Police were baffled.

The town was on edge.

- [Tony] And the horror

finally came to an end

one cold October night.

- Two police officers canvassing the area,

entered the house after hearing a scream,

- They came to this very

corner and ended his life.

We are standing in the exact spot

where Lester took his last breaths.

- [Brad] Great work, everybody.

That is a wrap on the intro scene.

Let's go ahead and grab

the camera equipment

and go ahead and explore the house.

Cameras one through four are live.

Let's go ahead and set up a

REM pod in the living room

and get started on the ghost hunting.

(REM pod whistling)

All right, REM pod is set.

Let's keep going though, don't slow down.

- [Tony] This guy definitely

was serious about his mirrors.

- [Amy] Yeah, you can say that for sure.

- [Tony] You know,

I was thinking that if

this episode takes off,

I don't know, maybe we can

do another season or...

- Tony, can we not talk

about this right now?

- [Brad] Perfect.

Let's set up here and go

through how Lester snapped.

- So what made Lester snap?

- Why would a relatively

normal man just go crazy?

- A man with no criminal

history or violent past,

seemingly the perfect citizen.

- The police reports indicated

that leading up to the abductions,

Lester was acting manic.

- He would talk to himself

or to another person

as if there was a presence he could see,

something insidious.

- Was this presence telling

him to do these evil things?

- And the obsession with mirrors?

- A gateway to the afterlife?

- It was rumored that

he kept them all covered

since he didn't wanna see himself

committing these heinous acts.

- So then why have mirrors at all?

Was there something

more paranormal at play?

- REM pod, Rem pod above the

fireplace, it's going nuts.

- That's the REM pod.

It's picking something up.

(REM pod whistling)

- Lester, is that you?

If you're here with us,

do me a favor and touch

this little device.

It'll let us know you're

trying to make contact.

f*ck.

If that was you setting off the REM pod,

can you please do it again?

Or you can give us a knock,

move something, touch one of us.

We're not here to hurt you,

we just wanna know what's

going on in this house.

(glass shatters)

- Jesus Christ, are you guys all right?

- [Tony] Everybody good?

- [Amy] Yeah. What the f*ck was that?

- [Tony] Where did that even come from?

- [Amy] I don't know.

- God.

Maybe Lester is here.

- [Brad] Great, team.

Okay, let's get the rest

of the equipment out,

put it in the house.

I think the kitchen would be

the best place to store it.

(case thuds)

- All right, make sure

you have your camera

and the EMF readers.

- [Kate] Got it.

- Oh, and keep the Polaroid on hand.

We're gonna need it soon.

- Okay.

And make sure you stay outta Tony's way.

He doesn't really have

much patience anymore,

and he gets frustrated if we have to cut.

- Of course.

I'm just super excited

for this opportunity.

I have been a big fan for so long.

- Well, good.

There's been a lack of

excitement around here recently,

so hopefully you can change that.

If you need any help, just let me know.

If you do well here tonight,

I think I'll have another

opportunity for you in the future.

- [Kate] Okay.

- Come on, Dylan, let's get some B roll.

(floorboard creaking)

- [Kate] Amy?

Amy, is that you?

Amy?

Amy?

(climatic sharp music)

- Holy f*ck.

- [Amy] I heard screaming.

What the f*ck is that?

- Let me show you.

Okay, so horrible room.

- [Amy] Right.

- Mannequins.

If you come over here

though, that's the best part.

Ready?

Take a look at this guy.

- [Amy] What's the deal

with all these masks?

- Well, police thought it was similar

to the mirror thing, right?

Wear a mask,

it's almost like you're not

the one doing the killings.

- [Amy] Huh.

- Also, I think I have a plan.

- Okay?

- Now, Lester, he liked

younger women, right?

So what we do is we use

Kate as bait, right?

We have her out in the open,

and then maybe Lester will show up.

- Tony, can you not joke

around about sh*t like that?

- Amy? I just...

Why is she even here?

Does she not know it's the last episode?

- Ah, don't ruin her night.

Okay, she's a huge fan of ours.

You should just go and talk to her.

Come on, do it for me, please.

- [Tony] Fine.

- Thank you.

- So I hear you're a big fan.

- Yeah.

- Cool.

So you must be pretty bummed out

that the show's ending then, huh?

- The, the show's ending?

What do you mean the show's ending?

- You know, if you say Lester's name

in the mirror three times,

he'll show up and he will get you.

- He's a serial k*ller.

He's not Bloody Mary.

- [Tony] Okay, let's

test that theory then.

Lester.

Lester!

- All right, Kate, come help me set up.

This is not what I had in

mind when I said talk to her.

- Lester.

- f*ck.

(keyboard clacking)

I'm getting interference

here, hold on a sec.

Alright, that's enough of that.

Let's move on to the next segment.

We gotta keep moving here.

You guys hear that?

(toy clanging)

There's some sort of audio interference.

Katie and Dylan, can

you go check that out?

(clanging continues)

That's very funny, guys,

can we please keep moving?

Stop with the f*cking jokes.

- [Dylan] Dude, don't touch that.

- What? It's a souvenir for Bradley.

No?

Okay.

- All right, now's a

good time to get set up

with the LED lights.

Let's get the Falcon eyes, the

EMF reader, and the Polaroid,

and let's get ready.

- [Amy] All right, we're

gonna need the cameras

to get set up.

- Okay, got it.

This is so sick.

What the f*ck?

- [Brad] Hey.

Hey, hey guys.

Guys, I lost the light here.

I think the batteries are dead.

Dylan, go and check the D-tap.

- [Kate] Can you guys hurry up?

- [Brad] Dylan is on it.

Just give him a second.

- [Kate] I can't see anything

down here. I don't like this.

- [Amy] Come on, Kate,

hurry up, we're ready.

- [Kate] I'm coming.

- Okay, start the Polaroid

segment. Move to the living room.

That's where we're gonna

get the best stuff.

- Tonight we have a

special piece of equipment

for our investigation.

- Alongside our digital gear,

we're bringing back a

classic, the Polaroid camera.

- Now you might be wondering

why use an old school Polaroid

when we have all this high tech gear?

- Well, the Polaroid

camera holds a unique place

in paranormal investigations.

It's about capturing

instant physical evidence.

- See, with digital cameras,

there's always the risk

of technical errors

or doubts and authenticity.

With the Polaroid, what

you see is what you get.

A photo develops right in your hand.

- And there's more to it.

The instant film process of a Polaroid

can sometimes capture energy forms

and spectral phenomena that

a digital camera might miss.

- And this is because the Polaroid

is sensitive to different light spectra,

possibly even beyond our normal vision,

almost like a window into the unseen.

- So tonight, this Polaroid is

going to be our tangible link

to the paranormal.

Who knows what we might capture

on this little piece of history?

- [Brad] Great work on the Polaroids.

Keep snapping pictures.

Let's try and capture something spooky.

(camera whirring)

(camera whirring)

(camera whirring)

(camera whirring)

(camera whirring)

Great, yeah, keep checking the footage.

See if we got anything cool.

Anything real, anything we can use.

- Anything?

- Not really.

What the hell?

- What?

- The mirror.

There's, there's a shadow or something.

- [Tony] It could just be bad film.

- [Amy] I don't think it was the lighting.

- [Tony] Ah!

What the f*ck?

- [Amy] What happened?

- [Tony] Just cut my

finger on something. Oh.

- [Amy] I think you'll live.

- [Brad] All right, one

through five are live for us,

but six is kind of bugging out.

Dylan, go up there and check it out

and tell me what to find.

- [Dylan] I'm on it.

Stupid f*cking cord's loose.

How about now?

(static buzzing)

- [Brad] There's still

nothing there, Dylan.

- [Dylan] Nah man, it's

this f*cking cord. Hold on.

- Alright, cool.

Just see if you can gaff tape it.

Yep, you got it. Good job.

Let's move on to the next segment.

Time to introduce the

spirit box, everybody.

- Tonight we're going to introduce you

to one of the most fascinating tools

in our paranormal investigation

arsenal, the spirit box.

- Now, this little gadget

might not look like much,

but it's incredibly important.

The spirit box was designed

to rapidly scan through radio frequencies.

- The idea behind it

is based on the theory

that spirits can manipulate

these frequencies

to create words and sentences,

essentially communicating

with us from the other side.

- As it scans through these frequencies,

you'll hear a mix of white

noise and normal broadcasts,

but occasionally, a clear

voice will break through.

And that's what we're listening for,

potential communication from spirits.

- And the most exciting part,

sometimes these messages

are direct responses to our questions,

making it a two-way communication

with whatever might be out there.

- And it's not just radio snippets,

we're looking for relevance.

We're looking for

answers to our questions.

Anything out of the

ordinary from your natural

or normal radio chatter.

- It's an essential tool for us.

Tonight, we're hoping the spirit box

can help us uncover the mysteries

hidden within these walls.

(keyboard clacking)

(plastic crackling)

Now, let's calibrate it and

start asking some questions.

(static buzzing)

Is there anyone here with us?

- If you're here now,

can you give us a sign?

- What the hell?

- You're gotta be f*cking kidding me.

I just put batteries in this thing.

Dylan, can I get your...

(high pitched radio wave whistling)

Jesus. f*cking thing.

- [Brad] Well, what the f*ck was that?

I can't tell if that's radio

interference or something.

(indistinct distorted voice talking)

- Who are we speaking to?

Identify yourself.

(indistinct distorted voice continues)

- No, it's not coming

from any of our equipment.

Are you guys doing something?

(loud knocking)

Everybody hears the knocking, right?

- [Amy] What's doing that?

(loud knocking continues)

- It's coming from in there.

(static continues buzzing)

Anything?

- It's very creepy.

- It's cold as f*ck in here.

- [Tony] Lester, if that was you knocking,

can you do it one more time?

That way we know for sure it's you.

(static continues buzzing)

(loud knocking resumes)

- f*ck, yeah.

- How you holding up? You okay?

- Yeah.

It's, it's just...

Is this normal?

I've, I've watched all your videos

and I've never seen

anything like this before.

- Yeah, this place is different.

It has another level of energy,

dark energy.

- But we're not in any danger, are we?

- [Tony] Break's over, guys?

- [Brad] Alright, come on,

let's get back to work.

We've only got seven hours until sunrise.

Everything looks good. All set up.

Equipment has enough battery.

We really need to get rolling though.

Tony, could you do like

a little bit more for me?

Put a little bit more into it.

- I'm sorry, what?

What do you, what do you mean a bit more?

- Act better. Like, I need more emotion.

The footage is great. It's great.

Except for, except for you.

- You know what, Brad, you want

to come in here and do this?

- I will if I have to.

Damn sure do it better than you would.

- Just keep your eyes on the monitors

and leave it to the f*cking pros.

f*cking nerd.

Kate?

- Yeah? Coming.

What's up?

- [Tony] What? What? What

are you, what are you doing?

- I'm just setting up the

lights like you told me to.

- You still playing with that

nose? You should put it back.

Don't mess with the stuff in this house.

Come on, we're almost done setting up.

- What? What are we doing next?

- It's time to find out whose

presence is here with us.

- It is time for our fan

favorite now, everyone,

the Ouija board.

Let's get started.

All right, all the cameras are set up.

Whenever you guys are ready,

let's start the Ouija board.

- All right, now we are

going to try to communicate

with the spirits in this house.

This can be extremely dangerous

as we don't know exactly who

we are going to be speaking to,

the victims of this

house or Lester himself.

- We have to be very careful.

Don't try this at home.

We are seasoned professionals.

- We understand how to properly

communicate with spirits.

- But if you wish to

attempt this on your own,

you have to remember

when you end the session,

just say goodbye.

- If you fail to say goodbye,

the gateway remains open,

and you are inviting the

spirit into this realm

until you close it.

- Got it?

Good.

Let's begin.

- Are there any spirits in this room

that would like to make

their presence known?

- Are there any victims whose

lives were taken from them

who wish to communicate?

- It may take them a while

to become comfortable with our presence.

These victims are most likely confused

due to the violent nature of their deaths.

- It's possible they're stuck

in what we call the nether,

a realm between life and death.

- Is there anyone here

who would like to communicate with us?

Did you move it?

- No.

Are you a victim?

- Don't f*ck with me, Tony.

- I'm not doing that, Amy.

- Hey, it's not fun to watch

you guys bickering, okay?

Who cares if he's moving it.

Hell, move it even more. I don't care.

All right, the footage looks good.

Let Amy do her thing, okay?

- Wow, Brad, for once,

can you let us work here?

We have it under control.

- Tony, what are you doing?

Don't break the connection.

What the f*ck?

- Holy sh*t.

Okay, um, we need to

stop. I don't like this.

- Whoa, whoa, whoa, whoa, whoa, whoa.

- Tony, do something!

- [Tony] What do you want me to do, Amy?

- Tony, you saw that, right?

- Of course, I f*cking saw that.

- What the f*ck is going on?

f*cking Jesus.

(furniture thuds)

Bradley, please tell me you got that.

- You f*cking bet I did. Whole thing.

Jesus f*cking Christ.

Did you guys put that together?

- [Tony] Are you crazy?

Of course that wasn't us.

- I told you we should be careful.

This is not something to mess with.

- Guys, this is it.

This is the proof that

we've been looking for.

This is the real deal.

- [Kate] Guys?

Guys, I think there's something back here.

- Wait, lemme see. Lemme see.

Watch out.

There's a room.

- [Amy] What?

- [Brad] Tony, see if you

can make that hole bigger.

- [Tony] Okay, yeah, there's

definitely a room in there.

- It just keeps getting better.

See if the GoPro will fit through.

We can see what's in there.

- [Tony] Okay, Brad, what are you seeing?

- [Brad] Just kind of looks like a room.

Some sort of like workshop kind of thing.

- What else? Do you see a way in, or?

- [Brad] Pan to the left a little bit.

Signal is weak.

- What about now?

- [Brad] Now I'm not getting a signal.

f*ck. No, the signal's

all out. I can't see sh*t.

- Now? I, I can't go any more left.

- [Brad] No, dude, the signal's

out, I can't see anything.

(climatic sharp music)

There's gotta be another

way in that room, okay?

We need to find it

and we need to do a spirit

box session in there

or something.

- Maybe there's a latch or something.

- [Kate] Over here.

This board's loose.

- [Tony] Watch out.

- [Amy] What the f*ck is this place?

- [Tony] I think this is the k*ll room.

- [Amy] It f*cking stinks in here.

- [Kate] Yeah, and it's also freezing.

- Really? It seems about

10 degrees hotter to me.

- [Amy] What the f*ck? What the f*ck?

- Jesus f*cking Christ,

this place is perfect.

Alright, let's, let's

get all of our equipment

that's available in there stat, all right?

People love this hidden room sh*t.

So let's get our EVPs, spirit box.

Let's get the GoPros,

static cams, everything.

f*ck yeah. People are

going to eat this sh*t up.

Let's go ahead and run

a spirit box in there.

- Lester, are you there with us?

Lester, we are in your k*ll

room. We are close to you.

Can you give us a sign

that you were here with us?

We wanna find out why

you k*lled those girls.

Was it you who did it?

Or something, something

evil make you do it?

- Looks like we got our answer.

- Lester, what made you do it?

Can you give us another

sign that you are here?

Can you give us another sign

that something made you do it?

(board thuds)

- [Kate] What the f*ck was

that? Did you guys see that?

- [Tony] Dylan, did you get that?

- [Dylan] Yeah, f*cking

board was standing up.

- [Tony] Now what is that?

- In the corner, you'll see a VHS player.

See if we can plug it into our power bank.

If we have enough charge,

let's get it running.

- This is how he kidnaps them.

(soft eerie music)

- This is a f*cking snuff film.

(eerie music continues)

- Turn it off.

Tony, turn that sh*t off!

- Sorry.

- Back up the tape.

We'll add it to the cut when

I get back to the office.

- You got it.

Kate, pack the tape. It's coming with us.

- [Kate] Are you sure

we should be doing this?

- Pack the tape.

You doing all right?

- Yeah, it's just tough to

watch that kind of stuff.

- Yeah, it's, it's f*cked up.

It's coming for a great episode though.

You good to go?

- Yeah, I just need a second.

- [Brad] Okay, enough of that, guys,

let's just head upstairs and

see if we can find anything.

- Kate, while you're at it,

grab the rest of the gear.

- [Brad] REM pod, it's going nuts.

(REM pod crackling)

(girl screams)

Kate?

Kate?

Kate, what the?

Kate, are you okay?

Kate!

- Okay. Okay. Okay. It's okay,

- Bradley, it's not that hard.

Just play back the footage

and let us know if you saw anything.

- [Brad] It's pretty f*cking

hard when I'm not seeing sh*t.

- I swear to God, I saw

something down there.

- She swears to God she

saw something, Brad.

- [Brad] Okay, well, she

could swear to Satan.

I don't have the f*cking footage.

- f*ck!

Okay...

Amy, it's time.

- No, it's too early.

- Amy. Amy...

- I don't feel-

- There's something

here. We are this close.

We have to do it now.

- I don't like this. There's

so much dark energy here.

I can feel it's pressure.

- Then I'll do it.

I can handle it.

- You haven't done it in a while, Tony.

Okay, you, you don't, you can't.

- If there's something here, I'll find it.

- [Kate] What is he talking about?

(keyboard clacking)

- We're looking good over here, everybody.

Let's get set up for the Estes method.

- Alright, we're about to begin

our most powerful communication technique.

- Yes, we've been getting

unusual readings and anomalies,

but we need a stronger, more

direct line to the paranormal.

- We're going to be

using the Estes method,

a technique designed to heighten contact

with the other side.

Its primary purpose is to

establish clear communication

with spirits during our investigation.

This is more than just a tool.

It's a bridge to the other side.

- And we can't forget the

motion detection lights.

There are objective eyes

capturing any movements

that might occur during the session.

- After the session,

we analyze everything,

the responses, the timing, the lights.

It's a puzzle and we're

putting the pieces together.

- The Estes method isn't just a technique,

it's a journey into the unknown.

It bridges science and the paranormal,

pushing the boundaries

of what we understand.

This method is risky,

so we urge no one to try this

without proper experience.

We are trained professionals.

- So with that being said,

let's begin.

- Alright, we're, we're looking good here.

The salt's down, candles are lit.

Estes method is ready.

- All right, let's begin.

Are there any souls that

wanna communicate with us?

- Skies.

Around.

Still sit.

Onward.

It's like...

- There's nothing of note so far.

It may take some time

for the channel to open.

We have a channel open.

Talk to Tony. He's here for you.

- Sam?

- Are there any souls who lost

their lives that wanna talk?

- Over in.

- You must be feeling emotions.

Are you scared, lost, angry?

- It's like...

- We're here to help.

- Girl.

- Let us know.

The responses can sometimes be random.

In order for them to be

classified as evidence,

they need to be timely and relevant.

- Hide.

Run.

He's coming.

Run.

Cold.

Run.

Hide.

Clown.

- [Brad] Hey. Hey, Tony.

- Lester! Lester!

Amy, k*ll Kate. Lester.

Lester! Lester!

- [Brad] Hey. Hey, Tony.

(bulbs exploding)

What the f*ck? Is he okay?

Guys, we need to stop.

(bulbs exploding)

- [Tony] Lester. Lester. Lester.

- [Amy] Okay, we need to stop.

f*ck, what's wrong? Tony!

- Amy.

k*ll Kate.

(bulbs exploding)

Lester. Lester.

- Please, we need to hear now.

Lester. Lester. Lester.

- [Amy] Tony, oh my God.

Tony, what's going on?

Tony, can you hear me? Are you okay?

- Is Tony having a seizure right now?

- [Amy] Tony? Tony?

No, no, no. Tony, wake up. Wake up.

Tony, wake up. Wake up. Wake up.

Oh my God. Oh my God. Are you okay?

Oh my God. Are you alright?

- Yeah. I, I think I, I just blacked out.

- [Amy] Well, you just had

a seizure. Are you okay?

- I'm fine.

- [Amy] No. Get up. Come on.

We're getting out of here.

- Just, just wait a second, okay?

I mean, you, you really wanna do this?

- We did our job. We can leave.

- We can't f*cking back out now.

I, I mean, this is what you wanted, right?

- It's not safe anymore.

- No, I think we should stay.

- What? Are you serious?

- You just had a seizure, Tony.

I mean, look at yourself.

You need medical attention.

- Ssh.

If this is our last show, our last chance,

then we need to stay.

- Tony, it's not your call.

- I said I'm f*cking fine, you guys.

- I'm not leaving you here.

You're coming with us.

What the f*ck is your problem?

- You are my problem, baby.

All this time we wanted

proof and now we have it.

And you just want to bail.

- I'm not playing with our lives.

This isn't a game, Tony.

Okay, it's not worth it.

You can sit here and wait.

I'm getting the others in the van

and our equipment out of here.

And I'm not leaving you, okay?

We're a team. We'll always be a team.

So get your sh*t together

and let's get out of here.

- Guys, guys, we cannot

back out now, okay?

We can get more footage,

but we cannot leave.

- What do you want me

to do, Brad? Stop them?

- Yes, f*cking stop them, okay?

We don't have nearly enough.

We have to finish what we started.

- [Amy] What the hell, Tony?

- Look, Amy,

this whole time you've

wanted me to believe, right?

To share in your passion.

Well, guess what? I believe now.

- It's too late.

- So what?

You're just gonna leave

everything that we've worked for.

Leave everything behind.

- That's not it.

- Then what is it, Amy?

Jesus f*cking Christ.

Okay, we have everything

here that we need.

What's the f*cking problem?

- Fine. Do you wanna do this?

You wanna know what my f*cking prob-

No, my f*cking problems.

You wanna know what my

issues are with you, Tony?

Where do I even start?

Your attitude, your arrogance.

You don't share my passion.

Your head hasn't been in the right place

this entire f*cking time.

The reality is, I don't need you anymore.

Okay? I'm done.

- When did you become

such an ungrateful b*tch?

Don't you walk away from me.

- [Brad] Hey, Tony, what the f*ck, man?

- Amy, Amy, I'm sorry.

I'm sorry.

I, I didn't mean that. I didn't mean that.

- [Amy] Okay, okay, I'm gonna go pack up.

You just meet us upstairs.

- Amy?

(soft tense music)

- [Brad] Tony, you all right? You hear me?

Guys?

(loud bang)

- [Kate] Tony, you in here?

Hello? Tony?

- All right, we're good.

Get Tony and we can leave.

- I don't know where Tony is.

- What do you mean?

- He just vanished, Amy,

I've looked everywhere.

- This can't be happening.

Bradley, what the is going on?

Where's Tony? This isn't part of the plan.

- [Brad] No, I, I don't f*cking see him.

I am looking everywhere.

I don't see him anywhere.

- sh*t.

- f*ck.

f*ck. Where the f*ck is he?

Tony? Tony, come the

f*ck in. Where are you?

(static scratching)

f*ck, he's walkies's broken.

- [Amy] We have the whole

damn house wired up, Bradley.

Find him.

- Gotta be here somewhere.

He was in the garage last.

Go down and check there.

- [Dylan] I'll go upstairs.

Kate can take the basement.

- Just f*cking find him

and let's get out of here.

- f*ck, f*ck, f*ck, f*ck, f*ck,

f*ck, where the f*ck is he?

- Bradley, find him.

- I'm f*cking trying, okay?

(static scratching)

- f*ck.

All my cams are down. Hello?

- [Kate] Tony? Tony, you in here?

Come on. Tony?

Where'd you go?

Tony?

(faint scratching)

(Kate screams)

(Kate breathing heavily)

(door shuts)

(Kate screams)

(heels clumping)

(Kate screaming)

- [Brad] Kate?

Kate?

Kate, what the f*ck?

(static scratching)

(Kate choking and gasping)

(neck cracking)

- [Amy] Bradley, what

the f*ck is going on?

- f*ck.

- [Dylan] f*ck.

(climatic sharp music)

- Guys, what the f*ck?

All my sh*t is failing.

What the f*ck did you do?

- [Amy] Bradley, we need to

get the f*ck out of here.

- [Brad] What are you guys doing?

I, I lost all my video feed.

(Amy crying)

(cutlery clanging)

(Amy screams)

(eerie music)

(Amy shrieks)

- Guys? Hello?

(static continues scratching)

What the f*ck are you

doing? I can't see sh*t.

- [Dylan] Yep, we need to

get the f*ck out of here.

- [Amy] Look, dude, I saw

something. Where's Kate?

- I don't know.

- Bradley, did you find Kate?

- [Brad] No, I have no f*cking video,

but I have audio coming from the basement.

(Tony screaming)

- It's Tony.

Tony?

Are you okay?

What happened?

What?

He's not well. Dylan, come on,

help me get him to a table.

Bradley, we up here. Do you hear me?

We need to get outta here.

- Guys?

- Bradley, do you hear me?

- Bradley, we need to

get Tony out of here.

- [Brad] f*ck. Okay, fine.

Just, just get him sitting up

and I'll pull the van around back.

- f*ck man, are you all right?

Tony, are you good? Can

you say something, please?

Amy, can we speed this up?

(loud clumping)

(loud clumping continues)

- Guys? Guys, what do you do-

I've lost all the cam footage. Hello?

(static scratching continues)

f*ck!

(clumping continues)

- [Amy] No, Tony, stop.

No, Tony, stop. What are you doing?

Stop. No.

- Tony isn't here.

- f*cking k*lled him.

We all part of this.

I gotta get the f*ck outta here.

(Amy panting)

Hello? Hello? Can somebody

f*cking answer me?

Where the f*cking keys?

Where the f*ck are the keys?

f*cking Tony! f*ck!

(soft eerie music)

(Amy continues panting)

- [Amy] Please, you have help him.

Dylan, help him.

Please.

Please, Bradley, you

have to help me, please.

God damn it. (Amy crying)

- f*ck. Okay.

Okay, I'm coming inside.

Just...

hide in there

and I'll be in there.

I'll get you out.

(static scratching continues)

- [Amy] You can do this. You can do this.

- [Brad] Okay.

There's the door. Come

on, Brad. Come on, Brad.

Amy?

Amy?

Tony?

Guys, where are you? Hello?

Guys?

Hello?

(Brad screams)

Oh, Jesus, f*ck.

(Brad gasping)

(climatic sharp music)

Tony. Tony, please. f*ck,

Tony, it's me. Stop. Stop.

Please stop. Please don't.

(blood squishing)

(eerie music)

(Amy panting)

(climatic sharp music)

- [Amy] I need to get,

I need to go back where Bradley got it.

You can do this. You can do this.

Please, help me. Please, help me.

(Amy breathing heavily)

(climatic sharp music)

(Amy screams)

(Amy gasping)

(Amy shrieks)

(Amy screams)

(Amy screaming and crying)

(eerie music)

(eerie music continues)

(blood dripping)

(eerie music continues)

(eerie music continues)