01x06 - Episode 6

[bunniefuu]

This programme contains strong
language and adult humour

♪ Searching for something

♪ Searching for you

♪ I'm looking for you

♪ Now that I found you

♪ I'm seeing this through

♪ I'm seeing this through

♪ Tell me a story

♪ I'll make it true

♪ I'll make your dreams true

♪ I'll be there for you... ♪

Hey, Aston.
Yeah, I'm leaving the beach now.

I'll pick Noah up on the way, OK?

PHONE VIBRATES

Pick up, pick up, pick up,
pick up, pick up.

HE REJECTS CALL

Bobby Sohrabi? Yes?

Eloise Bernard. Hi.

My mother was Vivienne Moreau.

Yes, yes, um... She rings a bell.

She was a senior member of
the Deuxieme Bureau.

Oh, wow. Oh, my gosh.
That's, that's great.

Shall we chat afterwards,
cos I'm just...

During the Occupation of France, she
fell in love with a n*zi officer.

Otto Huber. They had a child.

Me.

A Little Death is my mother's story.

I told Pierre about it when we were
at film school together.

I wanted to make it, but I could
never get my film funded.

In the end, I became a teacher.

So, you see, this film is stolen.

It's my story. And my mother's.

But not Pierre's or yours.

What was your name again?
Eloise Bernard.

The thing about art, Eloise,
is, is that it's,

it's sort of everyone's and
no-one's. You take things,

like a magpie,
you put a bit of this,

a bit of that, and, and you,

you're just weaving
a story together.

So, this is just about two people
who fall in love

with the wrong person.

That's all it is.

But it was really good to meet you.

JAZZ MUSIC PLAYS

WHISPERS: Bobby, you're here.
The Q&As are next.

Thanks. It'll be great.

Hi.

Hey. Where've you been?
I've been calling you.

Um, my phone was switched off,
I was in La Jolla, fishing. Oh.

With some friends.
I didn't know you did that.

Why would you?

I love you, Otto, and I want you.

And it's k*lling me, because you're
everything I stand against.

You're the reason my life is broken.

APPLAUSE

And, more importantly, it's about
the conflict of the, the,

that women have frequently,
which is

the tension between what they
believe and their values and, and

how they feel emotionally, er,
inside.

And I, I, think this film is a,
is a good example of that.

And hopefully makes for
a good movie.

Yes, you in the polka dots,
what was your question? Bobby,

Pierre was known for his failed
marriages and infidelities.

And there are credible accusations
about his behaviour on set.

How do you square that with
your feminist credentials?

Well, I didn't really know him that
well to comment on that. Um,

it was a very brief meeting,
and, you know,

the conversation was purely
professional in nature.

Cameron, you had a much longer
relationship with him.

Er, yes, yes, I did.

Er, we can move on. Bobby, can you
tell us what you're working on next?

Yeah, certainly. It's a movie
about vampiric women

who are strong and, er,
sexually fluid.

And it's got a great Gothic
backdrop, um...

And ostensibly it is a fantasy,
but it's, er,

it's an expression of something.

It's, um, a history of women
and blood.

And, er, I think subliminally
there's a really important message

about, um, menstruation. Um...

And, um, you know, blood is,
is a life force.

I understand they also
have superpowers.

They're able to lift things up,
like trucks and stuff.

And that, er, middle-aged,
rich men can watch lesbians

69 each other, and by your reckoning
at the end of the movie,

she'll have turned them
all into card-carrying feminists.

LAUGHTER

Um, yes, you, you've had
your hand up for a while.

What's life like... Sorry, um...

I didn't answer your
question truthfully.

Er, this is, this is bullshit.

This is all bullshit.

This film was stolen.

I'm sorry. Thank you.

This film A Little Death
was written, directed

and stolen by a probable
sexual deviant

and it was produced by
a misogynistic enabler,

who received a complaint about
sexual harassment on his set

and chose to do nothing.
Didn't you?

Er, yes, that's correct.
Yes, I didn't. Yes, that's correct.

Why didn't you? Because I thought it
was better to make an enemy of

a young, insecure actress

than a respected, award-winning
film-maker.

That's me, um, what about you?

You seem to have never made
any mistakes.

Oh, no, I've made a mistake. I mean,
I've made a gigantic mistake

getting into bed with you.

You didn't,
you got into bed with Rick.

LAUGHTER
Well, thank God for that.

Thanks for the beach house.

Sorry about Rick's d*ck.

Who's Rick?

He is.
LAUGHTER

Thank you all for coming to this
screening of A Little Death.

We really appreciate it.
Thank you to...

..Cameron and Bobby, and,

thank you.

Bobby! Bobby!

Bobby, I can't let the last thing
you say to me be "Rick's d*ck."

How about "I never want
to see you again"?

How about "you're the worst thing
that's ever happened to me"?

That's better. How about "meeting
you was the biggest mis..."

I don't want to do this. Bullshit.
You screw people over.

That's what you do.
I've seen you do it.

You screwed over Lark and you
screwed over Pierre

and now you're trying to screw over
me. Guilty, all right?

But that's who I was.

That's before I met you.

And I'm sorry for what happened
to you.

OK?

I knew people like that guy,
you know.

I used to laugh at their jokes and,
you know, I sometimes think

if I'd said something,
maybe some other girl might've

been spared what happened
to you. But I didn't.

All right? I did nothing.

I did a whole lot of doing nothing.

And I'm sorry. I'm very sorry.

Why are you telling me this?
Because I love you.

Oh, for God's sake.
There, I've said it.

What, you've fallen in love with me

and now you're a completely changed
man, is that what you're saying?

Yes, essentially.

Well, thank you for saying that.

It would never work.

Why?

Lots of reasons. Give me three.

I don't think you'd make a good
father. I think you're too selfish.

OK, one's enough.

And I'm married.

And I have a kid.

And we both know you'll end up
leaving me for a 20-year-old

with a less pointy chin.

And I'm just tired of all this.
I don't even know what all this is.

And I want to get home
and I want to eat Persian rice

and tahdig and cardamom cake.

And I want to make films
about real people.

Real films that probably
no-one's going to watch,

but I'm going to sleep like
a f*cking baby.

I'll watch them.

Some of them.

I don't know what I'm doing.
I don't know what I....

I don't know why I'm wearing this.
I don't know what this is.

I don't know who I am. I don't know
why I'm wearing a suit.

I don't know why I'm standing on
this street corner.

I don't know why I'm wearing
a leopard print shirt.

I, I don't know who I am.

You know, I mean, I've changed,
I know I've changed.

Let's go on an adventure, we can go,
we can both go...

..looking for each other. I can help
you find you, and you can help me

find the part of me that I still
haven't quite located.

Come on.

I'm sorry.

Bye, Cameron.

PHONE MESSAGE: Hey, Cameron.
Jean here.

They tried, but I'm back, baby.

You probably packing up your sh*t
right now. Give me a call.

Oh. Hey, Christian.

Hey, Cameron. You all packed up?

Er, very nearly, yeah.
What are you still doing here?

I thought you were all done.
I just, er, came to make sure

the offices were all cleared out.
Help set up.

Set up for who?

For me.

HE CHUCKLES

By the way, it's Chris now.

I think you're
going to do very well, Chris.

Thanks, buddy. Hey, any tips?

Yeah, er...

Be careful who you hire.

He's so tired.
It's been a long morning.

It's been a long year. I'll say.

Do you think I should put him down?
Yeah, we have time.

How long have we got?
About 20 minutes.

I need a wee-wee. What, baby?

I need a wee-wee. Wee-wee?

He needs a wee-wee.

I'll take him.

WHISPERS: Quickly, come.

ANNOUNCEMENT: Ladies and gentlemen,
Flight 2106

to Heathrow London is now boarding.

INAUDIBLE

You OK? Yeah, yeah.
Have you got the passports? Yeah.

I've got to meet someone.

I have no checked baggage.
I'm sorry, sir. The gate is closed.

Snack? Nah, thanks. Snack?

It's all I'm carrying. No, I'm
sorry, sir, the gate's closed.

The plane's right there!
I understand, sir,

but the gate is closed.

There's a problem, sir,
with this sign.

Um, I don't...

There's a problem, er...

Er...it's not clear.

What's not clear, sir?
Well, it doesn't,

the sign doesn't, is not effective,

because these six are clear.
Knife, g*n,

Taser, pliers,
screwdriver, scissors.

But what's this? What's this?
What's this? Nobody knows! Sir...

Sir! Security! Security!

Can I get security at Gate 7,
please.

We have a breach. We have a breach.

THUD

WOMAN: My God, did you see that?

Some crazy guy on the tarmac just
threw a cake at the window!

MAN: What are you talking about?
Out there.

This crazy guy just threw a cake
at the window.

Come back, sir!

Sir!

Somebody Taser the b*stard!

FASTENS SEAT BELT

♪ We used to play out in the rain

♪ Your mother scolded us

♪ She said that we were bad

♪ I thought I better go on home

♪ You watched till I was gone

♪ Ooh, girl, you looked so sad. ♪