(gentle music)
(liquid sloshing)
(glasses clinking)
(ominous orchestral music)
(static hissing)
(ominous orchestral
music continues)
- You have no idea
where we are, do you?
- We took a wrong turn, Megan.
We'll look for the road
and we'll flag a car down.
- Okay.
(Megan grunting)
- Hey.
Sorry.
It's gonna be okay.
- Okay.
(ominous orchestral
music continues)
- Do you have any service?
- No, my phone died an hour ago.
- Same.
Hey, look.
Slow down.
(ominous orchestral
music continues)
(knuckles rapping)
(knuckles rapping)
I don't think
there's anyone home.
- See if there's a phone inside.
(man sighing)
(doors clicking)
(doors clicking)
(man gasping)
(ominous music)
(camera whirring)
(door creaking)
(dial tone humming)
(tones ringing)
- [Automated Voice] Your
call did not go through.
Please try your call again.
(ominous music)
(floorboards creaking)
- Damn.
(distant banging)
Someone here?
(distant banging)
(ominous orchestral music)
(ominous orchestral
music continues)
(footsteps thudding)
Hello?
(distant banging)
(ominous orchestral
music continues)
(voices whispering)
(door creaking)
Hello?
(voices whispering)
(intense music)
(static hissing)
(doorbell buzzing)
- [Abby] sh*t.
(footsteps thudding)
- Oh, hey.
- Steve.
What are you doing here?
- Got a job in the
city for a few days.
Laura said I could stay here.
She didn't mention
you'd be here too.
- Yeah.
Well, that's what
sisters are for.
- Foster sisters.
- You gonna rat me out?
- [Man] Oh, hello.
- Hi, I'm Steve, Abby's brother,
- Foster brother.
Steve, this is...
This-
- I am leaving.
- And I thought you'd
never settle down.
- So what's this job anyway?
Some wife wants proof
that her husband's not
actually here on business.
- You know, I'm actually
glad you're here.
You remember a while back when
you asked me if I could look
into your biological parents?
Well, I couldn't find anything,
but then after some digging,
a lawyer contacted
me looking for you.
Think you should call him.
- Hi, yeah.
This is Abigail Becker.
Okay.
- Like I said, this is a
highly unusual situation.
I have here a last
will and testament
dated August, 1994.
- Yeah, I, I grew
up in foster care.
I never knew my parents, so-
- Yeah, I know, I know.
Sorry.
No, what makes this unusual
is that in a case like this,
the bank should have taken
the house and sold it by now,
but it looks like it's
just been sitting in limbo.
Now that you've been
identified as the beneficiary,
(phone buzzing)
well, let's just say you're
a very lucky young woman.
- Yeah.
- [Lawyer] Just need you
to sign a few things.
- [Steve] Sure you don't
want me to just drive you?
If you can wait
another week, I can-
- Thank you,
but Laura called
and she never calls,
so can only mean one thing.
(phone buzzing)
- [Steve] Hey, Laura, I-
- [Laura] So I just
talked to my neighbor.
Guess who's been
squatting at my place
for the last two months.
- Laura, I-
- This is so typical.
You know, we do so much for her
and then she just takes
and takes and takes.
Sure the whole place
is like a sh*thole now.
Don't even get me started on
the money she owes me, us.
- Laura, I'm with Abby.
You're on speaker.
- Hey, sis.
- [Laura] You know what?
I don't care.
What is wrong with you, Abby?
I don't know what to do.
Get outta my place.
- Look, I'm, I'm sorry, okay?
I'm leaving today and
I'm gonna pay you back.
I inherited a house upstate,
so I'm gonna head up there
and fix it up and sell it, okay?
- [Laura] You're not just
going there to get f*cked up
and then come crawling home
when you can't sell it?
- No.
- [Laura] Fine.
No excuses.
- I love you.
(dramatic music)
(Abby grunting)
Don't worry about Laura.
She'll get over it.
You know how she is.
- No, she's right.
Just, I've always wanted to
know more about my family.
I can wipe the slate clean.
- Let me know when
you get there.
- I will.
- Hey, Abby, I'm your family.
Okay?
- I know.
(gentle orchestral music)
(train rattling)
(people chattering indistinctly)
(gentle orchestral
music continues)
(brakes screeching)
(Abby grunting)
(bell ringing)
(Abby grunting)
Hi.
Is there a taxi service
or something around here?
I just got off the train.
- There's no taxi service here.
- Oh, really?
Okay.
That's not good.
I'm trying to get
to 38 Miller Road.
Any chance someone here
is headed that way?
I, I can wait.
- I suggest you get back on
that train and head back home.
- No, I, I, I have,
I have a house and...
Look, does anyone
wanna give me a ride?
I'll, I'll buy you a beer,
two even.
Well, I have nowhere to go,
so guess I'll have a beer.
- Hold on, I'll take you.
Sorry about those guys.
- Yeah, not the
most welcoming crew.
- I think, I think you just
reminded them of somebody.
(car doors clicking)
- Thank you.
- You need me to come inside
just to make sure it's safe?
You know, I don't think
anyone's actually been
inside this place
in like 20 years.
- I think I'm good.
I was told they were
getting the power
turned on this morning, so...
- All right.
Well, I'm bartending
tomorrow afternoon.
You know, the place
we just came from.
If you want to come by, if
you get bored, there's Wi-Fi.
- Thanks, Kyle.
- Thanks...
- Abby.
- It was nice meeting you.
I hope to see you soon.
(door clicking)
(engine revving)
(thunder rumbling)
(door creaking)
- Oh God. (coughing)
What the hell is that?
Thank God
(dramatic orchestral music)
(dramatic orchestral
music continues)
(dramatic orchestral
music continues)
(door creaking)
(distant banging)
(Abby gasping)
(ominous music)
(door creaking)
(ominous music continues)
(sheet whooshing)
(thunder rumbling)
(ominous music)
(ominous music continues)
(phone buzzing)
sh*t.
(camera shutter clicking)
(phone ringing)
- Hey, you made it.
- Yeah.
Hey, I'm here.
- So I ran into an old
friend getting coffee
after dropping you off.
She's a real estate agent.
She says, she says city
people are always looking
to drop money into
places like this,
especially since lockdown.
She said just sends
some pictures.
She can see if she can help.
- Steve, I told you
that I got this.
- It was just lucky.
I'm not trying to take over.
- Fine, yeah.
I'll send, I'll
send some photos.
- Okay.
Be safe.
Let me know if you
need anything, okay?
- Thank you, Steve.
(intense music)
Let's see if this
thing still works.
(camera whirring)
(static hissing)
- Hey, honey.
- Jesus.
(laughing) Oh, you scared me.
- [Jason] Sorry.
- Oh, what is that?
- [Jason] Take a guess.
- How much was it?
- [Jason] I got a good deal.
- Mm-hmm.
- [Jason] I just
thought it'd be nice
to have some home videos.
Everything going on, you know,
something for you to look back-
- Stop, stop it, stop it.
I'm not, I'm not going there.
- Okay, I'm sorry.
I also thought that it'd be
good for your sessions, right?
You said that that could
be helpful, you know?
(static hissing)
- Thank you.
Good news.
- Hmm?
- Public Health
Clinic in Del High,
they said they'll
bring patients here.
- So you're telling me our
house is about to be overrun
with homeless psychos?
- Stop it.
- Okay. I'm sorry.
I'm just...
That's great.
I love you.
- I love you.
- What do you say we start one
of those home videos right now?
- No, no.
Not a chance in hell.
- Your sessions, right?
You said that that could
be helpful, you know?
(static hissing)
(camera whirring)
(tense music)
(intense music)
- What the f*ck?
(Abby breathing heavily)
(static hissing)
(Abby gasping)
- Your sessions, right?
You said that that could
be helpful, you know?
- Good news.
- Hmm?
- [Cameron] Public Health
Clinic in Del High...
(static hissing)
- Mmm.
Ah.
- You really got those abs...
Can you stop it? (laughing)
- [Jason] I like it.
How are you feeling?
Tell the camera so we remember.
- (laughing), Um, I feel happy.
- [Jason] Come on.
You're a psychologist.
You can do better than that.
- Mmm.
Okay.
Tell the camera how you
are feeling, Mr. Green.
- How do I feel?
(both laughing)
What you doing?
- Nothing.
(gentle orchestral music)
- [Jason] How do you feel
about getting outta here,
paying somebody else to
take care of our dishes?
- Mm.
- Mm.
- Okay, one condition.
- [Jason] What's that?
- [Cameron] Camera's
not invited.
Do you have to, all the time?
- [Jason] It's
just for evidence.
- Evidence of what, Jason?
- Memories.
Okay.
It's not for me, it's for you.
- [Cameron] Jason.
We moved out here
so you could focus
on getting better.
- [Jason] I know.
- [Cameron] You're not
giving up on me, right?
- [Jason] No.
- [Cameron] Promise me.
(indistinct)
- I will not give up on you.
(Cameron laughing)
For real, ever.
(gentle orchestral music)
(ominous music)
(floorboards creaking)
Where are they?
- They were over there,
all just like
perching on the grass.
Do you, do you have
to, all the time?
- [Jason] It's
just for evidence.
- [Cameron] Evidence
of what, Jason?
- [Jason] Memories.
- [Cameron] We moved out here
so you could focus
on getting better.
(light piano music)
- He was sick.
(insects chirping)
(gentle orchestral music)
(camera shutter clicking)
(camera shutter clicking)
(camera shutter clicking)
(water running)
(ominous music)
(ominous music continues)
(ominous music)
(floorboards creaking)
Hello?
(ominous music)
(floorboards creaking)
(ominous music continues)
(ominous music continues)
(lock clicking)
(birds chirping)
(leaves rustling)
(tense music)
(phone buzzing)
(engine rumbling)
Hey.
Thanks for getting me.
- Of course.
- Can I, can I
ask you something?
What exactly happened
in that house?
I mean, based on everybody's
reactions so far,
I feel like there's something
you're not telling me.
- I think that's probably
something you should
look up yourself.
- Standing outside the home
of Jason and Cameron Green,
two weeks after the horrifying
discovery of the bodies
of at least 13 people.
This comes several months
after police investigations
into several missing
persons cases.
We are now learning after an
examination of dental records
that the remains of
Jason and Cameron Green
were found on the property,
their bodies having been
burned in the backyard,
while the whereabouts
of their newborn
daughter remain unknown,
police have stated that
they're expecting the worst.
And finally we just got a
quote from the police chief.
He says, "We send our
thoughts and prayers
to the victim's families.
As the investigation continues,
we hope this town can
grieve and heal together."
(Abby sobbing softly)
- Leave!
Nobody wants you here.
There's the f*cking door.
Go!
Are you deaf?
Get outta here!
Go!
- Hey, hey.
Stop it!
- Kyle, get her outta here.
She's bothering the customers.
(Abby breathing heavily)
(ominous music)
(door bell ringing)
- I am so sorry.
I didn't, I didn't know,
and I shouldn't, I
shouldn't even be here.
- It's not your fault.
You didn't do anything wrong.
Those people, they're,
they're just stuck.
That man's son, he...
I should have warned you.
You okay?
- Yeah, I think so.
I don't know.
Um,
I have booze in the house.
So, be honest.
You think there's
actually any chance
of me selling this place?
- Not to anybody around here.
I've actually always wanted
to come inside this house.
Nearly as spooky as I
thought it would be.
Thank you.
Your mom is actually
the reason why my dad
drank his feelings and
never went to therapy.
- What do you mean?
- Well, that's how
they found the bodies.
Most of them were
your mom's patients.
- Yeah, but didn't she die too?
- Yeah, she burned out back.
She was a witch.
She burned you and then
your dad and then herself.
Or when your dad figured
out what she was doing,
he had to burn her
because she was a witch,
then he accidentally
burned himself.
Not sure how you
survived though.
Too much?
I'm sorry.
I realize I'm probably being
way too frank about this.
- No.
It's fine.
I asked.
I just, I don't see it,
my mom doing that.
I don't know, I just don't.
- Look, what's it matter, right?
I mean, you barely knew 'em.
- I didn't know them at all.
I mean, I grew up going from
foster home to foster home,
and I always wanted to
know who my parents were,
but it feels like the
more that I learn,
the less I actually know.
It's like if I can figure
out what happened here,
then I can, I don't know.
- I know what you mean.
Makes sense.
Also, if you do come up
with a logical explanation
for what happened here,
it'd probably go a long way
and help you sell the place.
- Can I ask,
why did you help me at the bar?
- I just, pretty girl
walks into the bar
and I thought, hey,
why not be nice back?
(indistinct)
- Maybe.
But here's the thing,
I'm not that nice.
(tense music)
(Abby moaning)
(tense music continues)
(door clicking)
(floorboards creaking)
(static hissing)
(high pitch
frequency resonating)
(ominous music)
- Abby, whatever this
is, I'm not into it.
(ominous music)
I gotta get the f*ck outta here.
(static hissing)
(ominous music)
(voices whispering)
(ominous music)
(flesh squelching)
(ominous music)
- Oh, well.
(dramatic orchestral music)
- [Kyle] Well, that's how
they found the bodies.
Most of them were
your mom's patients.
(dramatic orchestral
music continues)
- [Cameron] Hi there.
Thank you for agreeing
to being filmed.
- Hey, sure.
No problem.
Thank you, thank you.
Hey, listen, this,
this is just for your,
your records, right?
I really don't, I really
don't want anybody else
to know about this.
- [Cameron] Oh, of course.
It's just for my own review.
- It's funny, I didn't know
there was even an office here.
I used to do this
route every day.
I'm, I'm a mailman.
Well, I'm your mailman.
- [Cameron] Oh, wow.
I had no idea.
It's nice to meet you.
And this, this is
actually my home office.
You are my first patient
since moving here.
- Okay, great.
That's great.
(dramatic orchestral music)
(camera whirring)
(static hissing)
(Kevin breathing heavily)
- [Cameron] How are you today?
- I'm, I'm not well.
- [Cameron] Okay.
Can you tell me your name?
- What is that?
- [Cameron] It's,
it's a camcorder.
I'm just, I'm recording our
session so that I can review it
to make sure that I give
you the best care I can.
- How did I get here?
- [Cameron] It's okay.
You're safe.
Social services
brought you here.
Can I ask, are you in pain?
- Yes.
- [Cameron] Where?
- Everywhere.
Everywhere.
He's, it's, it's inside of me.
He's inside of me, but he
doesn't like it in there.
He wants to get out.
- [Cameron] Who?
(Kevin sobbing)
- The devil. (screaming)
- Hello, Dr. Green.
- [Cameron] Who
am I speaking to?
- Call me whatever you'd like.
- [Cameron] Can
I call you Kevin?
- It's thrilling, isn't it?
- [Cameron] Excuse me.
- It's a girl.
- How would you know about...
(ominous music)
- She's beautiful.
- [Cameron] Who?
- She looks just like
you. (screeching)
(ominous music)
(static hissing)
(Abby gasping)
(phone buzzing)
(line ringing)
- Hey, how's it going?
I just got off the phone
with Rebecca, the
real estate agent.
Some, some really dark stuff.
- [Abby] Yeah, I
know all about it.
- You do?
- Yep.
- Okay then.
She said, you know,
it's not impossible,
but obviously it makes a sale.
- Can I ask a favor, Steve?
- Sure, anything.
- I found some stuff in the
house, a bunch of names.
If I send you the info,
can you look into it?
- Maybe.
I'm a PI, not a cop.
- I know you know people.
Just, I, I think something
else happened here.
- You believe in like
the devil and ghosts
and curses and sh*t like that?
- What are you
talking about, Abby?
- I found a camera.
I think it's evil.
Steve?
- [Steve] I, I think you
should come home, Abby.
- Yeah, okay.
You think I'm crazy.
- No, I think this
is a lot for you.
I think this would
be a lot for anyone.
Just come home.
We can finish the
case from here.
- No, I, I need to finish this.
- [Steve] Why?
- Because it's
where I came from.
- No, it's not.
Whatever is in that house has
nothing to do with you, Abby.
Abby?
(ominous music)
(ominous music continues)
(Abby breathing heavily)
(Abby breathing heavily)
(ominous music)
(ominous music continues)
(door creaking)
(switch clicking)
(Abby breathing heavily)
(ominous music)
(floorboards creaking)
(Abby breathing heavily)
(static hissing)
(Abby gasping)
(intense music)
(knuckles rapping)
(tense music)
- Hey.
Sorry.
I knocked, nobody answered.
- Who the hell are you?
- I'm Kyle's sister.
But he didn't come call
last night or this morning?
He sent this to his
friends last night.
(tense music)
I'm sorry.
He's such a d*ck.
I just wanted to know
if you knew anything.
- No, sorry.
You should not be here,
by the way, in this house.
I've heard about some (sighing)
stuff that your family-
- Look, I don't know
anything about what happened
to your brother, okay?
- Okay.
Can I at least have
your number just in case
you find something out?
- Yeah, okay.
(ominous music)
- Is that-
- What?
- Nothing.
It's nothing.
- Good luck.
(tense music)
- [Cameron] Dr. Franklin,
can you hear me?
- [Franklin] Yes, yes.
I'm here.
(ominous music)
(door clicking)
(floorboards creaking)
(Franklin chattering
indistinctly)
- [Cameron] Is it okay if
I, if I record this call?
- [Franklin] Of course.
- [Cameron] Were you able to
take a look at the materials
that I sent over?
- [Franklin] Yes.
I've had some time
to examine them
and confer with some
of my colleagues.
If what you're saying is
true, it's quite astonishing,
the idea that inanimate
objects could possess
some supernatural qualities.
Many cultures believed
that an image of a likeness
would take a little
bit of your soul.
Others believed that these
images offered glimpses
into another world,
a parallel universe stuck
in a single moment in time.
The photo of the
man you call Kevin
is a particular concern.
On the left side of
his neck is a symbol,
almost burned into his skin.
That symbol is an
ancient demonic mark,
a symbol of the
possessed, the damned.
If the events you describe
are indeed accurate,
my fear is that this Kevin
brought the possession
into your home
and transferred it to
this camera of yours.
(footsteps thudding)
- [Cameron] What can we do?
- [Franklin] Have you
filmed anyone else since?
- [Franklin] No, no,
I haven't, but, well-
- [Franklin] Listen
very closely.
There can be no more
patients in that house
until you get rid of the camera.
- [Cameron] My, my
husband, he's, he's sick,
and the camera-
- [Franklin] What?
- [Cameron] I think, I
think it's talking to him.
(ominous music)
(camera whirring)
(intense music)
(woman screaming)
(keys clacking)
(ominous music)
(footsteps thudding)
(ominous music)
(Abby breathing heavily)
- [Franklin] Listen
very closely.
There can be no more
patients in that house
until you get rid of the camera.
(static hissing)
(ominous music)
(static hissing)
(ominous music)
(static hissing)
(Adam whistling)
(static hissing)
(ominous music)
(static hissing)
(Abby breathing heavily)
(ominous music)
(static hissing)
(Abby gasping)
- what the f*ck?
(ominous music)
- [Jason] Cam, cam, where is it?
Where is it?
- [Cameron] What?
- [Jason] The f*cking baby.
I'm not stupid.
Where is it?
- [Cameron] So many people gone.
- [Jason] Where is it?
- [Cameron] They needed help
and you brought them
here under my name.
- [Jason] Honey, we
could have it all.
I'm okay now.
It worked.
- [Cameron] By trading
their lives for yours.
It will never stop.
You will never stop.
- [Jason] I swear
to f*cking God,
I'll point this
camera right at you.
- [Cameron] (laughing) Go ahead.
- [Jason] Where's
my f*cking baby?
- [Cameron] They
heard me screaming
and they came.
They took her.
She, she's safe.
- [Jason] Don't make me do this.
- [Cameron] You will
never, ever see that baby.
(ominous music)
(Cameron screaming)
(static hissing)
(Abby breathing heavily)
(tapes clattering)
(match striking)
You're still in there.
(keys clacking)
(ominous music continues)
- What the f*ck?
(ominous music continues)
Oh no.
(ominous music continues)
(crickets chirping)
(ominous music)
(Abby breathing heavily)
(Abby breathing heavily)
(Abby gasping)
(ominous music)
(ominous music)
(Abby gasping)
(line ringing)
Come on Abby, please pick up.
- [Abby] Hey, this is Abby.
Can't come to the phone
right now, so leave...
(Abby breathing heavily)
(ominous music continues)
(ominous music)
(Abby gasping)
(ominous music)
(Abby breathing heavily)
(Abby breathing heavily)
(Abby gasping)
(Abby grunting)
(line ringing)
- Abby, come on.
- [Abby] Hey, this is Abby.
Can't come to the
phone right now,
so leave a message at the beep.
(voicemail beeping)
- Abby, please, please,
please pick up the phone.
Abby, you gotta get outta
the house right now.
(ominous music)
(Abby breathing heavily)
(Abby grunting)
(Abby retching and coughing)
- Oh God.
- I did some digging
into the cases.
Eight years ago
they made an arrest.
He was a John Doe.
He was admitted into
a mental hospital
and two years ago he escaped.
(ominous music)
Abby, John Doe is your father.
He faked his death.
He left all of his teeth
with one of the bodies.
Abby, you've gotta get out.
He's been living in the house.
(ominous music)
(Abby gasping)
(Abby breathing heavily)
(Abby breathing heavily)
(door thudding)
(ominous music continues)
(voices whispering)
- I'm all better.
(ominous music)
(intense music)
(Abby breathing heavily)
(Abby gasping)
(Abby screaming)
(person gasping)
(Abby grunting)
- Over here.
(indistinct)
(door thudding)
(Abby breathing heavily)
(ominous music)
- [Jason] (breathing heavily)
I'm in love with you.
So long.
- What do you want?
- [Jason] To show.
- I don't understand.
Please, what is going on?
What did you do to my brother?
(ominous music)
- Please.
Please.
- [Jason] You'll have to know.
- Somebody help me!
Somebody, help!
Somebody!
Help.
(camera clicking)
(Abby screaming)
(voice whispering)
(intense music)
(flesh squelching)
(Abby screaming)
(flesh squelching)
(static hissing)
(knuckles rapping)
- Help!
(Abby screaming)
- Abby!
(Abby grunting)
Abby?
Abby?
(ominous music)
Abby?
(ominous music continues)
(floorboards creaking)
(intense music)
(punch thudding)
(crickets chirping)
(Abby groaning)
(ominous music)
(Abby grunting)
(Abby grunting)
(Abby grunting)
(ominous music)
- f*ck.
(ominous music continues)
(knife clacking)
Steve.
Steve.
- Stop.
- [Abby] Don't, don't.
(ominous music)
(Steve screaming)
(Abby gasping)
- I love you.
(both chattering indistinctly)
I will not give up on you, ever.
(Jason breathing heavily)
- Please, dad.
(indistinct)
(voices whispering)
- [Cameron] My
sweet guy, my baby.
It's okay.
You can do this.
(ominous music)
(Steve screaming)
For me.
I'm sorry,
but you're not my
f*cking family.
(static hissing)
(ominous music)
(voices whispering)
(Jason groaning)
(flesh squelching)
(intense music)
No!
(dramatic orchestral music)
(Steve gasping)
Okay.
Okay.
Okay?
(fire crackling)
- He orchestrated this whole
thing once he found you.
- He was sick and
he had a disease.
It's genetic,
and the camera, the
deaths kept him alive.
And my mom,
I saw her.
She wanted me to do it,
to sacrifice you,
to save me.
You were right.
Nothing here has
anything to do with me.
(dramatic orchestral music)
- We'll figure it out.
- I love you.
- I love you too.
(dramatic orchestral
music continues)
- We should go.
I'll get the keys.
- I'll be here.
(dramatic orchestral
music continues)
(door clicking)
(Adam whistling)
(ominous music)
- Steve!
(voices whispering)
No, no.
- [Cameron] My baby.
(ominous music continues)
My honey.
- God, no, please, no. (sobbing)
No! (sobbing)
(ominous music continues)
No! (sobbing)
(ominous music continues)
(static hissing)
(dramatic orchestral music)
(dramatic orchestral
music continues)
(dramatic orchestral
music fades)
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Capture (2026)
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