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01x02 - Fear and Fame

Episode transcripts for the TV show, "Secrets of the Krays". Aired: May 13, 2021.*
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In-depth look at the most famous gangsters in British history.

01x02 - Fear and Fame

Post by bunniefuu »

The twins

They were two different people.

There was the beast

and there was the gentleman.

They were split personalities.

You could take 'em home

to meet your mum,

and they'd be perfectly polite.

I'd like to have a bit

of family life now, you know?

I intend to get married

in the near future.

Well, I'd like to go abroad

for a short while,

and then I'd like to be left alone.

But something inside their brain

clicked like that,

and they turned into something

so destructive.

They were dangerous people.

The Kray twins had such power

at the time in the East End.

It frightened people.

Reggie asked him

one or two questions,

and, with that,

he's pulled out a flick knife

and striped the man

right across the face.

By this time, the whole Kray

publicity caravan was in full flow.

Photographers were always ready.

They were criminals,

and they felt it was perfectly OK

to court publicity,

because nobody could touch them.

But it didn't last.

You see, one part of me

really loves 'em.

They're my cousins, you know,

but there's a side

that I just think is sort of

I can't comprehend it.

These were people who'd got into

the deepest end of violence -

m*rder.

Why would you wanna do that?

I don't I don't get it.

I don't get what they did.

There was a code in the underworld

that you didn't

talk about these things.

But they wanted the world

and their brother to know

just what they'd done.

They really had no limits

any more.

Here were people

who were willing to k*ll,

willing to take on

the establishment.

Willing to do anything.

The Krays were out control.

The reason the Kray twins

have become that much-overused word,

"iconic", is because

they were the first villains

to understand celebrity.

Celebrity had just kicked off.

So, you've got mini skirts

music, dope, Black immigration.

All that is happening,

and, suddenly, celebrity matters.

And I think, when they

realised that, they joined in.

Ah

I was voted

"England's most popular singer"

by the New Musical Express in 1961.

Er, I'd al

I was famous overnight,

unbelievably famous.

And, when I met them,

they were big celebrities.

They They were on the level

of Jess Conrad.

They were beautifully dressed,

and they were celebrities,

like the rest of us.

They just fitted into the picture.

They love publicity.

If the Krays were around now,

they would be on Big Brother,

they would be on

Celebrity Come Dancing,

they would be on

all of these things,

because they craved publicity

and they were actually good at it.

They loved it, and every time

they had a decent photograph,

it raised their opinion

of themselves

and other people's opinions

of who they thought they were.

I think celebrities

liked being with the Krays

because they had become big stars

and they drew so much publicity.

Barbara Windsor Joe Louis

They loved all that.

Diana Dors,

she did like a naughty boy.

So, to have the two naughtiest boys

in England at one of her parties,

she loved it. They were icons.

They were just overwhelmed by

by the whole celeb thing.

For them, it meant they'd arrived.

They'd crossed over

into another kind of culture.

But they weren't prepared

to compromise on the villainy.

NEWSREEL: 'The West End

has 500 nightclubs -

'a breeding ground for protection.

'They are the centre

of recurring violence.

'It could be a petrol b*mb

through the window,

'it could be a visit

from hired th*gs.'

They were making their money

from extortion.

They took protection money

from clubs.

Going after them

with threats of violence.

The twins They were volatile.

They were dangerous.

They were out to make a reputation.

You didn't mess about with 'em.

They'd beat people.

They used knives, bayonets

hammers.

They would stripe people

with a razor at the drop of a hat.

They shot people in the legs

on numerous occasions.

These were a couple of serious guys.

Their modus is to make it clear

that, for a payment,

they will look after

that pub or club.

For the most part,

they only preyed on other criminals,

dealing with people

who had some connection with crime.

They would be very wary

of upsetting straight people

cos straight people

could go to the police.

Of course, many of the people

that ran clubs

were straight people, as well.

They were being extorted,

losing their livelihood.

It was a big problem.

Nipper Read is a career copper,

and, by 1964, he's got promoted,

and he's got a good reputation.

A copper's copper, and

he's called up to the office,

and he's the man that they think

can bring in the Krays.

So, Nipper Read knows that the Krays

are involved in

a number of criminal activities

because, in the newspapers,

journalists were writing articles

about protection rackets

and these criminals running free.

The Krays have been given a free run

from '64,

when the police lost

in the Lord Boothby case.

He's a genuine policeman

trying to put away the bad guy.

So, he set up a small team

to get the Krays.

INTERVIEWER:

What sort of a man was Nipper?

Lovely. Obviously, I'm biased.

Husband - great.

He wanted to do his best

for the police force.

It was his life, in fact.

And he didn't want to be beaten.

He wanted to go out

and get the bad men.

Nipper goes round to see

nightclub owners,

were they paying blackmail

to the Krays?

But no-one will come forward

and say,

"Yes, the Krays are leaning on me

for money."

"I'm having to pay protection."

It was awkward,

trying to talk people round

into telling the truth,

and they were worried.

They didn't want to go to court

and stand up in front of the Krays.

Oh, people were frightened

of the Krays, obviously,

because they were

such violent people.

They shot people,

they stabbed people.

Some people who were actually shot

never even came forward,

because they was still frightened

of the repercussions.

So, Nipper Read has six months of

banging his head against the wall.

He knows that what they're doing

is ill*gal,

but he cannot find any witnesses.

By this time,

the failure of the police

gave them this sense

of invulnerability.

Both Ronnie and Reggie,

they thought they were untouchable,

and, in a way they were, but they

just pushed it a little bit too far.

Make yourself comfortable.

The inquiry's fizzling out

when Nipper gets a call

to say that

a man called Hew McCowan,

who owns a nightclub called

The Hideaway in Gerrard Street,

uh, is willing to tell him that

he is being leant on by the Krays,

who not only want money,

but they actually

want a share of the club.

So, Nipper Read interviews McCowan,

interviews his assistant manager,

Sydney Vaughan,

thinks McCowan's OK, but

Sydney Vaughan is a good witness.

Nipper Read goes to McCowan,

and he says,

"Are you sure

you wanna go through with this?"

And he says,

"Yes. This is despicable,"

"and I'm willing to testify."

He's delighted, obviously.

This is gold at the end of the road.

Ronnie and Reggie are arrested.

My name's Ivan Lawrence,

and I was junior counsel

in defence of the Krays

in a number of their cases

in the 1960s.

I had no idea who the Krays were

In fact, until I, erm

appeared for them at court,

and there was this crowd

of photographers

and journalists outside,

erm, brought home to me

that they were actually

very important people

in the criminal world.

The allegation was that the Krays

were muscling into The Hideaway,

demanding money by menaces -

threats which leave the recipient

of the threats unable to,

erm, make any other decision

than to accept.

The charge of demanding money

with menaces

resulted in about 14 years

in prison,

so the Krays would have been put

away for a very long period of time.

When they were arrested in 1965,

Violet was in a terrible flap.

Typical mother, crying and saying,

"Why have they been arrested?"

Someone said,

"They were demanding money."

She said, "Well

why would they demand money?"

"They've got plenty of money -

more money than anybody round here,"

"so that's another lie, isn't it?"

Hew McCowan made a statement

to the police

that Ron and Reg

had threatened him

..that if they didn't, erm,

get an interest in The Hideaway,

they would see the place smashed up.

Well, I have here my notebook,

which is dated January 15th, 1965.

Oh, this was obviously, er, McCowan.

"Ronnie suggested we draw up

an agreement to protect me.

"In return for the protection,

I would give him 50%.

"I said I thought

it was a pretty high percentage.

"Ronnie said

it would well be worth it.

"There would be no trouble at all

at the club.

"I said I didn't expect

any trouble, anyhow.

"I said I thought

it was a lot to ask

"as we were just opening up.

"It was proposed

that if I did open the club,"

"I would have trouble."

There was a determination

by the police

to make this a prosecution

that stuck.

So they went for trial

at the Old Bailey.

McCowan just feels

that he can cope with this.

That they're not all that,

and that, maybe,

if somebody stood up to them,

then maybe they would go away.

I would suggest that's quite naive.

At the trial, the witness

didn't substantiate the allegation

that the Krays had threatened him

and had demanded money with menaces.

So there was no evidence

that the Krays

had done either of those things.

The assistant manager,

Sydney Vaughan, recants his story.

He's Nipper Read's best witness,

and he has swapped sides

and says that what he said

about demanding money with menaces

wasn't true and he was instructed

by McCowan to say that.

They've got to

Nipper Read's main witness,

basically working on fear.

There was threats of violence.

There was witness intimidation.

It's what goes on.

The twins

..they could convince you it was

in your interest to let go.

And, unfortunately, the whole thing

was brought to a standstill.

And the jury acquitted the Krays

of the allegations of blackmail.

The Krays have won.

They believe they're untouchable.

The newspapers

are reporting something similar.

Nipper Read has been told

to back off

and is sent off to another division

to, er, forget about the Krays.

He said they were vicious -

excuse the language - b*stards.

And he knew they'd done something

wrong and they'd got away with it.

They were welcomed back to

the East End as conquering heroes.

The police had allegedly

tried to stitch them up,

but they'd got off with it.

This added to this sense of

they could do whatever

they wanted to do.

There was such a day

in Vallance Road,

and there's all those lovely

pictures of 'em shaking hands,

the neighbours came out.

See, everybody in the East End,

all the neighbours -

what we call

the "normal" East Enders -

they were so happy

that they was acquitted.

Because, again, they thought,

"One to the Krays, nil to the law."

One of the very few times I've seen

Ronnie Kray what I call happy,

really happy, erm

really smiling.

He very rarely smiled.

He had this little sort of Mm-mm.

..sardonic grin

that went up to the side.

He was the happiest probably

that I've seen him, was that day.

Do I think that justice was done

in the case of blackmail?

I, as the barrister,

could only go on the evidence

as it was adduced in court.

But, erm, I'm as suspicious

as everybody else is, I suppose.

By this time, the whole Kray

publicity caravan was in full flow.

Photographers were always ready,

and they had a famous interview

with the BBC at this particular time

about their life in clubland.

My investment in the Kray twins

began essentially

when I joined the BBC.

I invested in them journalistically.

I was interested in the rise

and rise of the Kray twins.

I think they must have thought that

it might be useful

to have friends in the press,

and I certainly thought

it would be useful

to have friends

in the world of gangsters.

And when they were found not guilty,

I knew them well enough

to invite them

to BBC Broadcasting House.

A lot of people have got

the impression from this trial

that clubland, London,

is very tough.

Do you think it is?

Well, in all clubs, you get

an occasional drunk, you know,

and, sometimes,

they have to be slung out,

and that's why

there's doormen there, but, erm

I suppose it's like clubland

all over the world, really.

It's just the same as

I don't suppose it can be that bad,

or else people wouldn't go to 'em,

really, would they?

What do you think

about clubland in London?

'Well, I think most clubs

are very respectable'

LAUGHS '..and I don't think

'there's any trouble at all in 'em.

Except occasionally.'

It shows me quietly

having my trousers taken off

by two very clever people.

How much has this trial cost you?

It's cost us roughly £8,000.

And how do you feel about that?

I don't suppose anyone

likes the idea

of spending that money

for no reason at all, you know?

Does it leave you broke, or

How does it leave you?

Doesn't leave us broke,

but, at the same time,

it's a lot of money

to have to pay out

when one is innocent, you know?

Both of them looking like

hurt victims of justice.

You know, they couldn't understand

why they'd been arrested.

And they answered it, er,

just taking the mickey, really.

What are you going to do

now that it's all over?

Well, I'd like to go abroad

for a short while,

and then I'd like to be left alone.

I think their decision

to give that interview

was, er, the beginning

of real fame and power for them.

They were known from one end

of this country to the other,

and the police couldn't touch 'em.

They were at a new a new level.

They had a talent for two things

and that was violence and publicity.

They did crave it.

They liked the idea of being

the bosses of London's underworld,

and they wanted

the photos to prove it.

These are supposed

to be top gangsters,

but they're having

their photos taken

by the most prominent

society photographer of the time,

David Bailey. Quite amazing.

INTERVIEWER: So,

what are your memories of that day?

CHUCKLES Christ.

It was a long while ago. Er

It was just another day at the

studio, really, with Ron and Reg.

I thought

they weren't very intelligent,

being that they'd let me

photograph them,

cos I thought, "If I was a gangster,

I'd want to be a secret gangster."

"I wouldn't want to be

known as a gangster."

But they liked

having their picture taken.

They liked the glamour of the '60s,

I think.

Well, Reg was all right.

Reg wasn't frightening.

Ron was.

I was really careful with Ron

what I said,

because I knew that

he couldn't control

..his emotions.

Ronnie was bad news.

He was a dual personality.

He was going to this doctor

every f*cking day,

getting more pills, more pills,

more pills, and that

He just couldn't control himself.

The dominant twin was,

of course, Ronnie.

I don't think there's any doubt

that Ronnie was psychotic.

Reg was nervous of him

and just sort of always

He was always looking to his side

to make sure that Ronnie was OK

and wasn't setting off

about anything.

Reggie had a different character -

much more sober.

Ron, I wouldn't care less

if I never saw Ron again,

and Reg, I sort of became

kind of fond of him.

He was kind of like

a lost soul, in a way, Reg.

He said to me once, "Here, Dave"

You know, everything's a secret.

"Here, here"

I said, "What's up?"

Reggie said, "Er, you know, Dave,

"I wish I could have done it legit,

like you."

I think Reggie wanted to be

a businessman, no fighting,

no extortions,

wanted to get on that way.

Reggie would have been, er

far more successful without Ronnie,

I think.

It was Ronnie pulling him away

all the time, that was the problem.

If he wanted to go left, Reggie,

Ronnie would pull him to the right.

No he never had a chance.

And you can't

you can't live like that, you can't.

You've got to have

a life of your own.

I'd like to have a bit

of family life now, you know?

I intend to get married

in the near future.

I did before this case,

but it's put back over the case,

and, erm just get married

as soon as possible, you know?

Frances Shea was a very

ordinary, working-class girl.

She was with Reggie on and off

for eight years.

They were both from the East End,

and that really worked for Reggie,

because he really wanted

an East End girl on his arm,

and the girl that was gonna be on

Reggie's arm had to look stunning.

Part of the image.

I first met her

when she was in Vallance Road,

in Mrs Kray's. Erm

Lovely dark brown eyes, red hair.

Quite slim, but very vulnerable.

Reggie was able to persuade her

to marry him and she agreed.

I was in the house in Vallance Road

on the morning of the wedding,

and, er, they had

the most horrific argument,

the twins, Ronnie and Reggie.

And, in the end, he said,

"Well, I'm not going

to the bloody wedding."

And Reggie said, "Well,

you've got to come to the wedding."

"You know, you're my best man."

"Well, if you're not coming,

I can't get married,"

which probably would have pleased

Ronnie Kray.

He was very jealous

of, erm, women that liked Reggie,

because he always thought a woman

would come and take him away.

And when it did happen,

that's why he didn't like Frances.

I mean, I loved him, he's my cousin,

but if he didn't like someone,

he'd make their life a misery,

and I can imagine

he was quite nasty towards her.

Ronnie hated Frances.

One of his favourite tricks

was to say,

"Don't she have horrible legs?"

in front of her.

He didn't like her at all, Ronnie.

Jealous.

He was always having little pops

at her, you know?

So like you say that to someone

who's already quite

you know, fragile,

it's it's not good, is it?

It's not nice to do that.

He really did not want

that wedding to happen.

But then he's thought to himself,

"Well, I better go.

"There'd be all the attention

and everybody there,"

"and all the photographs."

Ronnie didn't want to be there,

because he didn't want this

to be happening,

but they also knew

it was brilliant publicity for them.

MUSIC: 'Chapel Of Love'

by The Dixie Cups

Goin' to the chapel

And we're gonna get married

Gee, I really love you ♪

So, the wedding was also

a publicity event,

as far as they were concerned,

because that's what

they were about then.

Which, when you consider

they were criminals,

was quite ridiculous.

Well, the wedding

Oh, how can I put it?

I mean, we was only kids.

It Everything looked staged,

do you know what I mean?

It was sort of

It was all done perfectly,

but, to me,

it weren't an happy event.

It was false.

They were married

in the full glaze of publicity,

with David Bailey taking the photos.

Goin' to the chapel of love. ♪

I remember she looked a bit lost.

Reg looked worried.

He looked really worried, Reg,

and Ronnie just looks like Ronnie.

If I was captioning it,

I'd say, she's thinking, "What"

"What have I got myself into here?"

She doesn't fit in

with the two of them.

I don't think

she was happy that day.

I think there was a lot

of pressure from her parents,

obviously, not to get married.

They certainly didn't want

Reggie Kray as a son-in-law.

Her parents

were against the whole thing,

because they realised

what the Krays were.

Frances' mother turned up

all dressed in black.

Everything black -

even a ring with a black stone.

We was sitting in the pews,

and me brother, he was going,

"Who's that Who's that woman

all dressed in black?"

And she went, "That's her mother."

"That's her mother, that is,"

like that.

And, you know, she was, like,

dressed up for a funeral.

Done it as a statement,

I think it was a statement to say,

"I don't agree with it."

But, of course, by then,

it was too far gone.

So she married him,

and they went on a honeymoon

to Athens.

The honeymoon proved

to be a disaster.

Most nights,

Reggie would go out and get drunk

and leave Frances in the hotel.

It was not a good honeymoon.

They were away for a week.

They came back,

and they had a drink

with Micky Fawcett.

In came Reggie with Frances,

and she said, "Do you know,

he hasn't laid a finger on me"

"in all the time we've been away.

He hasn't touched me."

I don't remember being surprised.

Let me put it that way.

He couldn't make love to her.

We knew Ronnie was totally g*y,

but but Reggie, erm, you know,

I heard a couple of girlfriends that

he had that he actually slept with,

but I don't think

it was to his pleasure.

Reggie was g*y,

but didn't want to be g*y.

He wanted to be one of the chaps,

one of the boys.

I think he probably thought

he'd go on holiday with Frances

and do the business,

whatever needed to be done,

and to prove it to her

and the rest of us.

And, er, he just froze

and couldn't do it.

I know he was embarrassed

by Ronnie's overt h*m*,

because, in those days, you know,

it still wasn't a great thing

to be g*y, publicly g*y.

Reggie Kray was was g*y.

He had many, many boyfriends,

which people didn't know about.

He got married - waste of time -

to make it look like it was kosher,

but it wasn't all that kosher.

She married him, not knowing the

real measure of living with Reggie.

She'd never lived with him.

She'd never shared a room with him.

He'd always insisted

on separate rooms.

But the worst thing that Reggie did,

and it really was the worst thing,

was to move them to a flat

underneath Ronnie's

flat in Cedra Court.

Every night, Ronnie

was having parties with young men,

orgies, all kinds of stuff going on,

and Reggie would go up there

and leave Frances in the flat,

night after night.

INDISTINCT CHATTER,

MUSIC THUMPING

God knows what I can imagine

what he's doing up there.

And then she'd have to

listen to that.

She'd be in her bed down below,

having to listen

to what's going on up there.

You know, it's it's not right.

'Her diary revealed so much

that she had to put up with.

'She'd written it down,

'and there it was,

in black and white.

'Her life had turned into

a nightmare.'

"Staying in a dark room,

barely any furniture,

"his suits hanging round the wall.

"On my own until four,

five in the morning,

"when he came in drunk.

"Always swearing and shouting at me.

"My nerves were terrible."

"Talks to me like a pig.

"Mental cruelty.

"Shouting, swearing, aggravating,

provoking, threats.

"Habitual drunkenness,

knives and g*ns,

"and had a r*fle

by the side of the bed, loaded.

"Brother used to torment me."

"Swearing and abuse.

'Shut your mouth.'"

Ronnie was always

on his case to leave

and spend more time with him.

I heard him say many times,

"I dunno what you got married for.

What are you married for?"

You know,

"You don't care about the business."

"I have to do everything."

Ronnie always wanted

Reggie with him.

Wanted him standing by his side.

Wanted him at his beck and call.

And Frances got in the way of that.

She was like

a rose between two thorns, er,

and she was crushed.

She couldn't handle it.

It sent her into a spiral

of nervous breakdowns.

She started taking

different kinds of drugs

that psychiatrists would prescribe.

She was in a desperate state.

And the consequence was

that she left,

and she went back to her family.

And there is a separate sheet

of paper, torn from a notebook,

which is clearly a letter to Reggie.

"I've finished with you forever,

"and don't come crawling back,

guttersnipe.

"Have the decency

to let me live my type of life,

"and you can stink in yours,"

"unless you want

a ghost to haunt you."

The marriage for Reggie was a way

of separating himself from his twin,

but I don't think he understood

his own psychology enough

to realise that he couldn't

get away from his twin.

Reggie also wanted to protect Ronnie

from his illness.

Ronnie was diagnosed

as schizophrenic in the '50s,

and he was ill.

In 1966, his mental health

was deteriorating

because he wasn't getting

the right treatment.

He could go off into these rages

that you really think

he could k*ll everybody,

Reggie included.

With Ronnie and his mental problems,

sometimes, he found it difficult

to separate, you know,

fact from fiction.

Reality from fantasy.

He thought he was a character

in a Hollywood gangster film.

Ron was always living out

his gangster fantasies,

right from being a young boy.

He wanted to be the Colonel, the

man in charge of this gangster army.

And extreme violence

was very much part of that fantasy.

He'd had the g*ng fights,

he'd cut people's faces,

he tortured people,

but here was another step

in the gangster career

..to m*rder someone.

Cos that's what gangsters

do on-screen.

The tension was building up.

Ron Kray's mental illness

was building up.

His obsession with violence

was building up.

Someone had to die.

George Cornell and Ron Kray -

now, they had history.

Cornell had had a fight

with Ronnie Kray and beaten him.

So that wasn't good

for his reputation.

Georgie Cornell strong as a bull.

Very, very strong man.

One of the best street fighters

in London.

Georgie gave Ronnie Kray

a good hiding in a club.

Cornell had also, in the past,

called Ron Kray "a fat poof".

Your reputation in Bethnal Green

and the East End of London mattered,

and if you were insulted,

somebody called you a "fat poof",

you know, that could not go

without revenge.

He had a grudge against Cornell,

but he also had a thing

about violence generally.

You know, he was a very violent man.

He liked weapons, he liked g*ns,

so the next step for him

was to was to k*ll,

and here was an ideal opportunity.

He hated him. He said to me nan,

"I'm gonna do summat."

So she said,

"What are you gonna do?"

She said, "You be careful.

Don't get yourself in trouble."

And he said to her, "See, some

people, they don't respect you."

"They don't show you no respect."

He said, "They got to be

taught a lesson."

Even got me granddad

to clean a g*n for him.

It was 1966 when George Cornell

went to The Blind Beggar's

to have a drink,

and he was off his manor,

and he was on the Krays' manor,

which they didn't like.

Ronnie Kray, who always knew

everything that happened

in his patch,

was told that George Cornell

was in The Blind Beggar.

He actually

walked into The Blind Beggar.

He walked up to the bar,

where George was sitting.

George said, "Look who's here."

And he pulled out the g*n.

GUNSHO

He shot him in the head,

and that was it.

And walked out

as calmly as he walked in.

Ronnie Kray's right-hand man

apparently fired a few shots

into the ceiling of the pub

and said, "Everybody here",

"you keep your mouths shut

if you know what's good for you."

And they turned round,

and they walked out.

I was shocked.

There was a code in the underworld

that you didn't talk

about these things,

but Ronnie Kray

had done this blatantly,

in front of people -

there was a crowd of people.

You know, it's just

it's just madness.

There is no logical reason

for sh**ting George Cornell.

This wasn't an instrument or act

that was going to further

his gangster career,

that he was gonna make money from.

Why did he k*ll him?

Because he's raving mad

and he wanted to be in the action.

That's it.

He didn't need any logic, though,

Ronnie.

Just his insanity.

When I spoke to Ron, you know,

about the k*lling of George Cornell

in The Blind Beggar,

Ronnie actually said to me,

"I'd never felt so f*cking alive."

So there wasn't remorse.

They wanted publicity.

They wanted the world

and their brother to know

just what they'd done.

In no time, everyone knew

throughout the East End

who had committed this crime.

I was still at school at the time,

and I can remember people

talking at school

about the sh**ting

in The Blind Beggar pub, er

talking about it

like it was a football result.

It was something

that the Krays had done.

We were sitting in the kitchen,

Violet and me, and she said,

"There's lots of people

saying things are happening"

"round the East End about Ronnie."

She said,

"Well, people are very jealous.

"They're always talking

about my twins.

"Always saying that, you know,

it's cos they're successful,"

"or their sons are not success

which I think is a lot of jealousy."

But everybody in the East End

knew it was Ronnie Kray.

The moment you sh**t someone dead

in a London pub

in front of other people,

the law are gonna come for you.

The police knew within

a matter of hours who it was,

and they go down to The Blind Beggar

and start inquiring

as to who was there.

The principal witness

was the barmaid,

who saw the k*lling,

who also knew Ronnie Kray,

so there was no question of her

making a mistake with the g*nman.

This is an extraordinary document.

This is an unpublished manuscript

from Ronnie Hart.

Now, Ronnie Hart

is the cousin of the Krays,

and he's then a member of the firm.

Ronnie Hart writes about

the George Cornell k*lling.

"The following evening,

"Ronnie began boasting about

k*lling George Cornell.

"And I said,

'Fancy going into a pub,

"'just like that,

and sh**ting a man.

"'Aren't you worried about

the other people who were there?'

"He said,

'No, they won't say anything."

"'Otherwise, they will go as well,

and they know it.'"

The Kray twins had such power at

the time in the East End of London

that if you were told not to speak

about them, you wouldn't.

They shut people's mouths,

and family members were threatened.

People were terrorised.

They arrest Ronnie Kray.

They put him in a line-up.

The witnesses that turn up

do not identify Ronnie Kray.

They know that Ronnie Kray

walked into a pub and shot somebody.

Therefore,

he is not scared of anything,

and if he can do it

to George Cornell,

he can do it to them.

And Ronnie Kray is released.

By now, Ronnie believes

almost that he is impregnable,

certainly when he's not picked out

on the identification parade.

For the police, the attempts to nail

the Krays have gone west.

They know that

they're doing protection rackets.

They know

they're threatening people.

They know they're k*lling people,

but they don't have any witnesses.

These were people who, now,

had got into the deepest end

of violence.

m*rder.

Who were they gonna do next?

At the beginning of 1967,

Reggie was still hovering.

He wanted Frances

to still be part of his life.

She was already separated

from Reggie.

She wasn't living with him.

She tried her best

to remove herself.

He didn't want her to be able

to talk to other people about him,

because people were so scared

of the Krays now

that he actually wanted

to keep her on side,

so he would go round there

every Friday

with an envelope stuffed with money

and put it through her letter box.

He wouldn't go into the house,

because the family wouldn't have him

in the house.

She was in a pretty nervous,

frail state.

She was seeing psychiatrists.

She wasn't in a good way.

She was trapped by the circumstance

of being married to a Kray.

She'd made up her mind.

She wanted out.

She'd had enough.

On the 7th of June, 1967

..her brother, Frank,

goes to wake her up in the morning,

puts the cup of tea by the bed.

She's asleep. He goes away.

Comes back a few hours later.

She's not asleep. She's dead.

She's k*lled herself

with an overdose of barbiturates.

She's gone.

He was sitting at my mum's house,

and someone got in touch with him,

and they said, "I think

Frances has k*lled herself."

I've never seen anyone

as devastated like that.

I mean, even as a young kid,

I can remember him sitting there,

and he'd just look into the fire

the whole time, and I went to him,

like, you know, typical kid,

"Do you like my doll?"

And he went, "Yeah, yeah, yeah."

And I went,

"I'm gonna name her Frances."

And he just pulled me to him

and hugged me, like that, you know?

And I remember that,

and even makes me go shivery, like,

thinking of it now

because I remember how sad he was.

When I saw Reggie a few days after

Frances had committed suicide,

erm, he was in a terrible state.

I went round to Vallance Road.

He came down, and I saw him crying,

and I all you could say was,

"I'm very sorry, Reg.

She was a lovely girl."

Cos you daren't say anything else.

I couldn't believe that I'm looking

at Reggie Kray crying like this.

And that's the only time

I ever saw him cry.

Me mum went to the funeral

and she said he was inconsolable.

Trying to throw himself

in the ground and everything.

He was trying to get in with her.

As if he wanted to go in with her.

And once she was gone,

nothing mattered any more.

He didn't care about anything

no more.

I think he thought he loved Frances,

but he wanted to possess her,

and that's not the same

as loving someone.

But I don't think he understood

because possession and love, to him,

were the same thing.

Her family were distraught.

Of course, they blamed Reggie Kray.

They felt that

they had k*lled her.

I never heard Violet blame, er,

Reggie of anything

to do with Frances.

I think she just blamed it

on Frances' state of mind

and thought that Reggie

was a good husband.

This is all I ever heard from Vi.

She wouldn't hear no wrong

about either of them.

It was such a short time

between marriage and death.

It seemed so sad, really.

I think

she was caught between two people

who squeezed the life out of her.

The suicide of Frances Kray

had a big impact.

Reg completely went to pieces.

He was using drugs. He was drinking.

He was mourning the loss

of his young wife,

despite the peculiar relationship

that they obviously had.

Reg lost his business-like,

smooth, club-owner facade

and became someone

who was increasingly unpredictable.

When Frances committed suicide,

I thought, "Pfft,

don't wanna to get anywhere near."

"Whoa, he'll be in a terrible state."

"Keep away from him."

Ronnie would ridicule him.

He wasn't giving him any,

erm, consolation

or put his arms around

his brother and say, "Never mind."

Ronnie's screaming at him

after his wife's death.

This is all to a man who's just

sitting there, crying, drunk.

He was in such a bad way.

I mean,

he wasn't right after Frances.

Ronnie now could get control,

because Ronnie knew

his brother was vulnerable and weak.

In his manuscript,

Ronnie Hart writes,

"Ronnie was always talking

about his k*lling of Cornell.

"He was very proud of his m*rder

and was constantly getting at Reggie"

"and asking him

when he was going to do his."

Ronnie said,

"Then we're together, then.

"Then it'll be,

like, twins together."

"We've both done it."

So, the pressure was on him to do

to do his m*rder.

Ronnie was shouting out to Reggie,

"I've k*lled mine,

now you k*ll yours!"