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m*rder of Rachel Nickell, The (2026)

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m*rder of Rachel Nickell, The (2026)

Post by bunniefuu »

Dad?

[man] Yeah?

Are you up here?

[man] Mm-hmm.

Dadda, can you help me draw Mummy

on this piece of paper?

Alex, look at me.

When you saw the bad man,

was he in front of you like I am?

Or was he on this side,

or was he on that side?

- He was in front of me.

- He was right in front of you?

- Mm-hmm.

- Did Mummy see him?

I don't think she did.

No? Did you see him first?

Yeah, I saw him first.

Did he have a bag?

Yeah.

And did he open it,

or was it already open?

He opened it.

And what did he get out?

A knife.

- What did he do to you?

- Knocked me over!

- He knocked you over?

- Yeah.

The bad man was

sticking his things in her.

What was he sticking in her?

A knife. There's his knife.

Did you see it?

Yeah, I saw the knife.

Did you see all the times?

I saw it Yeah, I saw it all.

[ominous music playing]

[man] My son witnessed

his mother's m*rder.

But nobody could have possibly known

how long it was gonna take

to find the person who did this.

[ominous music continues]

[music fades]

[birds calling]

[gentle instrumental music playing]

[woman] Oh!

What What have you got?

- [man] I've got a camera.

- What for?

[man] Take pictures of you.

[Rachel] Cuddles.

Hmm?

[indistinct speech]

We don't like those much, do we, Alex?

- Oh! [chuckles]

- [Alex giggles]

[man] Rachel and Alex were,

you know, they were a unit.

He was the center of Rachel's attention

every day.

She wasn't at all

drawn to the sparkly things.

She just really enjoyed

the simple things of life.

Enjoying the company

of the people she really cared about.

This was someone

who could really squeeze fun

out of the simplest of things.

[character on TV] Can't wait.

[character sighs, yawns]

Sleep. Need

[Rachel] Give Molly a nice stroke.

Lie down and give her a nice stroke.

[Andr] At the time, I went to work

five days a week as a dispatch rider

and travelled all over the country.

So I was down getting my bike out,

ready for the day.

And, uh, even though

we'd already said goodbye,

they both appeared.

Came down the stairs

and, uh, waved me off.

That's my lasting memory,

yeah, of them smiling.

Standing on the steps, hand in hand.

You know, Alex completely relaxed

and Rachel looking lovely.

[birds singing]

It was their routine

to visit Wimbledon Common.

It's always had

a reputation of being a safe place.

And, uh, Alex, he needed

as much exercise as the dog did.

Otherwise,

they'd both be bouncing off the walls.

[ominous string music playing]

That day, I happened to be in London,

and I was sent to the outskirts.

It's pre-mobile phone.

So a couple of times a day, I'd phone in

to make sure everything was all right.

[ominous music intensifies]

Late in the morning, I stopped,

found a phone that was working.

- Rang the number.

- [phone rings out]

[music continues]

[phone ringing]

[music intensifies]

[phone ringing]

[music stops]

A man's voice answered the phone.

And my blood ran cold.

I just knew immediately

that something was seriously wrong.

[poignant music playing]

He said, "I'm a policeman."

So I said, "Where's Rachel?"

And he said, "There's been an accident."

I said, "Is she dead?"

He said, "I can't tell you that."

I said, "You just did."

And I asked, "Where's Alex?"

He said, "Alex is safe.

He's at the hospital."

He said, "Stay where you are.

We'll send a police car to you."

The moment I put the phone down,

I collapsed to the floor and broke down.

[Rachel laughs] Andr,

I'm right up on your stomach.

Press pause.

[Alex] Hey, I don't

I don't know what you say.

[Andr] We like that bit.

- You like that bit?

- [Andr] Yeah.

Every belief I had about, you know,

the firmness of reality disappeared.

I was in a state

which you can only describe

as bordering on the edge of insanity.

[tense music playing]

[man] 15th July '92,

I was informed that a body has been found

on the common by a a dog walker.

It it's our job, um,

to, to deal with these situations

as, as a professional.

To stand back

from what you see as a fellow human being.

I was walking through grass,

and then I sort of turned right

into a small, um, glade.

It really was the worst crime scene.

It it just looked like a frenzied attack.

The victim had been attacked, dragged,

stabbed 49 times

in and around the neck and chest area.

And she lay with her hands

sort of up in front of her face,

as if she was

still trying to protect herself.

It was monstrous.

The detectives told me

that Rachel had been attacked from behind.

She'd been [hesitates]

stabbed multiple times

and that she'd been assaulted.

That Alex had been found

clinging to his mother's body.

And that they had to

basically prize him away

to attend to him.

Alex had been taken to this hospital.

When I got there,

they said that they would like me

to speak to a psychologist before

before I saw Alex.

[Alex chatters]

[Andr] The psychologist said,

first of all, children are resilient.

They can get through the worst of things.

He said they need to know

that this is definitive,

that this person is not coming back.

[poignant music playing]

Alex came out in the arms of a nurse,

and he looked incredibly subdued.

He had cuts under his eyes.

He had bruises on his cheeks.

And, uh, he had

an intense look in his eyes, you know,

like a a very old person

in a very young body.

And I picked him up and basically recited

what the psychologist said.

There's been an accident,

that Mummy's dead,

that she's not coming back.

And he just kept staring.

He didn't ask any questions.

But it was clear that he was telling me,

"I already know that."

You know? "That's something

you really don't have to explain to me."

[Rachel] Alex, turn around and wave to me.

Wave.

He never asked again

where his mother was. Not once.

- [music fades]

- [birds singing]

[indistinct chatter on police radio]

[reporter] Police sealed off

Wimbledon Common

moments after the woman's

half-naked body was found by a passer-by.

Detectives say she'd been m*rder*d

in a frenzied attack,

which was witnessed

by her two-year-old son.

[woman] The news editor called and said,

"We've just read on the wires

there's been some sort of fatal stabbing

on Wimbledon Common."

"We need you to go with a crew now."

Wimbledon as a place,

it's very affluent, very beautiful houses.

Wimbledon Common is

something like 1,100 acres of parkland,

literally right on the edge

of Central London.

The m*rder happened in broad daylight,

and police say they're certain the k*ller

would have been heavily bloodstained.

Eve Richings, Sky News.

It was palpable how shaken

the police officers on the scene were.

A passer-by found her half-naked,

and clinging to the body was a small boy.

Superintendent Bassett,

who was, um, the lead officer

in charge of the investigation,

he was the one

that gave the first briefing.

The small boy was caked in mud and blood,

the blood possibly coming from the mother.

I was a detective sergeant

and, at the time of the inquiry,

was John Bassett's right-hand man.

When we arrived at the scene,

I could see

that she had suffered horrendously

during this attack.

When we looked closely at her body,

her body was in a not-natural position.

Her clothing had been ripped from her.

There was moistness

in and around her body.

That indicated there's possibly

a sexual connotation to this.

It was frightening to think that somebody

who could commit that sort of crime

was on the loose.

Obviously, if you've got

somebody who's gonna do this,

then that's likely to happen again,

and the pressure is on to get this man,

uh, before he does it again.

[reporter] Police teams spent a second day

combing 1,000 acres of Wimbledon Common

for clues to the savage k*lling.

[Paul] The size of Wimbledon Common,

straight away, I realized

that we had a difficult job on.

Normally when a m*rder breaks,

you probably get 10, 15 officers.

On this, I think we had about 40.

And it was quite obvious from the start

that this was gonna be a big one.

[reporter] They officially named

the m*rder*d mother as Rachel Nickell.

Her body was identified today

by the father of her small son.

[Eve] To see pictures of Rachel Nickell,

to see what she looked like,

she sort of shone with vitality.

People could project themselves

into that life.

They could remember being 23

or remember being a new parent.

We were getting a love story

in the pictures that they released.

[poignant music playing]

[Andr] It was an instant connection.

It was You know,

I'd never had that experience before,

and I've never had it since.

We were inseparable. We did feel

that we just bonded completely.

This is the experience that people,

you know, they they dream of having.

You know, falling head over heels in love

and feeling so complete with someone.

So we both felt blessed to have that.

When Rachel became pregnant,

it was a shock.

I was 25, and Rachel was 19.

She was very much on the track

of, you know, getting studies finished,

getting a career, getting a good job.

But the moment

that Rachel could see I was committed,

she could see

that we could make this work.

So we just went for it.

That first time

that you pick up pick up a child

and see them breathing,

it's it's supernatural.

It's absolutely supernatural.

You can't not believe in magic

if you've seen a child being born.

Rachel was a natural mother.

She was She was, uh, breathtaking.

The two of them

were so passionate about each other.

They were so fulfilled with each other.

I think it's a human reaction.

You wish it had happened to you

rather than it happened to them.

The detective suggested

we pop back to the flat

and pick up a few things.

I was throwing Alex's favorite stuff

into a bag, you know.

His favorite teddy bear, you know,

shorts and T-shirts, his pajamas,

and the sheepskin that they slept on

since he was, uh since he was first born.

We never lived there again.

It felt like

a space that had been violated.

The boyfriend of Rachel Nickell,

the young mother m*rder*d

on Wimbledon Common

in South London yesterday,

has appealed for help

to track down her k*ller.

- [cameras clicking]

- [indistinct chatter]

[Andr] I wasn't prepared when I walked

through the door into that room.

There must have been

a hundred press present.

So it was cameras, telephoto lenses,

TV cameras all pointed towards you

like a an enemy battalion.

Everyone wanted to see

what Rachel's partner was like.

Somebody must know something,

um, from the ferocity of the attack.

They couldn't have walked down the road

and not be noticed.

And I would say to anybody

who does know this person,

no matter how they feel about them,

please come forward

before he destroys anybody else's life.

But also everyone really wanted to know

what had happened to Rachel's son.

It was just so shocking.

He hasn't said anything. Um

I don't know how he's gonna be

in the future, but he's not too bad.

He wasn't injured, thank God.

And the most fortunate thing

is that they tell me

he's small enough

that he won't remember much.

We went back to the common

to leave the rose for Rachel

to say our farewell,

and we were now front-page news.

There was a full color picture printed

of Alex in my arms,

completely identifiable.

They were identifying

the only witness to his mother's m*rder,

and there was a possibility

that some deranged person may come back

to try and dispose of

the only witness to his crime.

I knew from now on,

if we weren't in danger before,

now we were in the gravest of danger.

Two-year-old Alex Nickell

is said to be bearing up,

but in a state of deep shock

after his ordeal.

[woman] I think a two-year-old would have

no concept of death at all.

[man] How long could this trauma last?

Well, it could last a lifetime.

[Rachel] Down came the rain

And washed the spider out

[Andr] We were able to find

some sanctuary at my mother's home.

Alex, he's had nightmares,

terrible nightmares.

If he could sleep soundly

through the night, for the last hour,

he'd be you know,

he'd be in a difficult place.

So whatever I was feeling,

I had to swallow it, put it away.

You deal with it later.

You can't deal with it now.

No matter how, you know,

how terrible my circumstances were

in that particular moment,

our child's needs came first.

[siren wailing]

[reporter] The police effort to hunt down

the m*rder*r involves 54 detectives.

What name is that, then?

[reporter] This is one

of three special incident rooms.

There have already been

1,500 calls from the public.

Every one has to be assessed and acted on.

It was a very complex case

to to put together.

[phone ringing]

Morning, incident room.

We had to go through this chaos of

getting as much information as possible.

The telephones are ringing.

[officer] You've seen

the photographs of Rachel.

- [man] Yeah.

- Yeah?

- Had you seen her before up here?

- [man] No.

[Paul] On the common,

we were taking statements.

Surely somebody must have seen the person

coming towards the m*rder scene

or going away from the m*rder scene.

[indistinct speech]

Lots of pressure was on to find a witness.

That's the Rachel Nickell m*rder squad

at Wimbledon. You've already been stopped?

[John] We are responding

as quickly as we can.

We do have a backlog.

I will not deny that.

But we eventually

will get round to see everyone.

It's left to me and it's left

to the officers I have working for me.

We will catch him.

[Ron] Samples were taken

from the crime scene

and submitted to the lab for DNA analysis.

And I just kept hitting a wall.

The biologist was saying,

"We're getting nothing."

And I thought, "What do you mean nothing?

What about her DNA?"

"No, we're getting nothing."

And I'd never encountered that before.

That was kind of strange.

And so the scientist was saying,

"Well, we'll look at it again

from a different aspect."

But still nothing.

There's a feeling of hopelessness

because this person had to be traced ASAP.

And here we were

two or three weeks down the road

and no nearer that

than we had been on the day.

There we had a m*rder scene

with no witnesses,

with no forensic evidence.

And that was it.

Where do you go from there?

[pensive music playing]

[Andr] The situation

being as dire as it was,

the police then wanted to talk to Alex

about what he'd seen.

Because our greatest concern

is that we find this person,

but more than anything,

that we stop it from happening

to anybody else if we possibly could.

We had to be very careful

how we dealt with young Alex

because this was obviously

a traumatic incident that he witnessed.

Therefore, we were obviously

taking advice as to how to do that.

[indistinct chatter]

[man] How's it going?

[Paul] The advice was

that we should deal with that

through a child psychologist.

[Andr] Will you show Jean

your dinosaur book?

[indistinct speech]

[man] I like the pterodactyls.

[Alex] Yeah.

[woman] I was a child

and adolescent psychiatrist.

And this was unique in our experience.

This is the only case

I've ever worked with

where the child was the only witness

to a crime of violence.

[Alex] Look, my dinosaur book.

[man] Yes, I like these ones,

the flying ones.

[Alex] But I like all of them.

[man] You like all of them, yeah.

[Jean] I said we could use my home.

And, uh, the first interview,

there was a policeman there,

Andr and myself and the little boy.

The police were intensely hopeful

that this child, young as he was,

could give them more information.

I had no experience

of how this piece of very intensive work

could affect a small child.

And yet the rational part of my brain

fully agreed that it was important

to try and prevent further killings.

So there was a dilemma there.

It was a very, very hard call to make.

So I was just trying to be

as vigilant as possible.

If I felt we'd crossed a line,

we just had to stop.

[Andr] There was a scary bit yesterday,

wasn't there?

[Alex] Mmm.

[Andr] What was that like?

[Alex] The dinosaur was that big one.

[Andr] There was

this huge dinosaur on the ground.

The three little ones

were eating it, weren't they?

- [Alex] Yeah.

- They were covered in blood, weren't they?

[Jean] Covered in blood?

That must have been difficult.

[indistinct speech]

[Alex] They're not going to see that.

The decision was made

that it would be best

if her questions came through me

to get Alex to respond

as naturally as possible.

[Jean] Alex had blood on him, didn't you?

You had blood on you.

[Andr] All your clothes were

covered in blood, weren't they?

[Alex] Yeah.

[Andr] When you were with Mummy that day.

Hmm?

[Jean] Mostly, I was just trying to focus

only on Alex and to observe him.

He'd had few words at this point.

He was reluctant to look at people.

But I think he was he was showing stress

after a very, very extreme trauma.

His whole body language,

every movement he made showed that.

I think you know now

that terrible things suddenly happen.

I think you're very frightened.

From Jean's point of view,

she thought it was better to push.

So when you saw the man standing there,

was he looking at you,

or was he looking at Mummy?

[Alex] Mummy.

- [Andr] So he didn't say anything to you?

- [Alex] No.

[Andr] He didn't shout at you?

- Did he shout at you or not, Alex?

- [Alex] No.

[Andr] As my questions

led more towards the incident,

you could see there was a change in him.

He was tensing up.

- Alex, did he hit you?

- [Alex] No.

- [Andr] With his hand?

- [Alex] No.

My concern wasn't how much information

we could get out of a small child.

It was, you know, what sessions like this,

what distress they were gonna cause

and what damage

they were gonna do to his recovery.

[Alex] Well, I can't tell you that bit.

[Andr] No, it's really painful

to remember it, isn't it?

[Jean] You're saying,

"I can't tell you that bit"?

- [Alex] I can't tell you that bit.

- [Andr] No?

There was a mystery

about just how much he might have seen.

I wish that he hadn't seen any of it,

you know?

That was a hope,

that he'd been pushed away

and all this had taken place out of,

you know, out of his, uh,

recognition and understanding.

You know when Mummy was lying

on the ground and the man had gone?

- Did you say anything to her?

- [Alex] No.

- [Andr] Did you talk to her at all?

- [Alex] No.

[Andr] Were you scared?

[Alex] Mmm.

- [Andr] Did you think she was asleep?

- [Alex] Mmm.

- [Andr] Did you?

- [Alex] Mmm.

[Andr] Did you want her to wake up?

Did you want her to wake up?

[Alex] Mmm.

[Andr] Did she wake up?

[Alex] No.

[Andr] It was pretty intense.

Every few days, there was another session.

This was going on over several weeks.

Alex was able to again show

the incredible recall,

you know, of a small child.

The events, how they unfolded,

where, you know,

the bad man came out from,

you know, from behind them

and, uh how afterwards, he moved away,

washed his hands in a stream,

and then disappeared.

[man] Alex, the man who hurt your mummy,

what type of trousers did he have?

- [Alex] This one.

- [man] That one?

[Andr] And then

Alex started to describe this person.

- [man] What color were they?

- [Alex] Blue.

[man] What color were his shoes?

[Alex] That color.

We got a description from him

of a younger white man,

white shirt over blue trousers,

brown shoes.

But the most significant item of all

was Alex remembering he was wearing

a belt over his white shirt,

almost like a butcher's apron.

[Paul] Alex's description

was similar to one from a woman

who'd seen a man

walking towards the m*rder scene

ten minutes before the m*rder,

wearing a white top, dark trousers,

carrying a sort of bag.

So we we came to the conclusion

that of all the people on the common,

that was most likely to be the suspect.

Now we just had to find him.

Superintendent, would it be fair to say

you've made very little progress

in reality so far?

Yes, uh, that is a fair assessment.

Uh, I'd have hoped by now

that we'd have had the man in custody,

uh, but when you see the enormity

of my problem here on the common,

you'll understand why.

[reporter 1] In the absence of evidence,

police turned to criminal psychologists

to help build up

a profile of the attacker.

At the time, we're seeing films

such as Silence of the Lambs

We're interviewing

all the serial K*llers now in custody

for a psycho-behavioral profile.

where criminal psychologists work out

who their suspect was

through offender profiling.

I'm interested in it.

Uh, as I say,

the Americans have a lot of success.

[reporter 2] One expert they've consulted

is Robert Ressler, a retired FBI agent.

Ressler has interviewed many

of America's most notorious sex K*llers,

like Jeffrey Dahmer.

He says the man who m*rder*d

Rachel Nickell is disorganized.

The first thing people think about

is this is a serial k*ller.

Are we gonna see this again,

uh, within days or weeks?

We're dealing with

a disorganized, uh, frenzied,

possibly mentally disordered individual.

[Paul] Although John Bassett

had met Bob Ressler,

that was basically a flying visit.

But it was thought that we probably should

progress the offender profiling idea.

And so

the most important offender profiler,

who'd worked with the police before,

became involved in this inquiry

as an advisor.

When the police ask me to come and help,

it's usually because things have stuck

in some way.

And I'm quite sure this was true

with the m*rder of Rachel Nickell.

[reporter 3]

Leicester University's Paul Britton

has worked on some of the country's

most notorious crime cases.

[Paul Britton] In each case,

the police, they say,

"What I want from you

is something that will help me

to identify a perpetrator."

[reporter 4] Dennis Nilsen, interviewed

in prison by psychologist Paul Britton,

preyed on homeless young men.

"Something that will take me closer

to preventing this person doing it again."

[reporter 5] Paul Britton,

a forensic psychologist,

says the Wests aren't as unique

as people might believe.

He's certain

there are other mass murderers at large.

I was asked to come along

and look at this case

between three and four weeks

after Rachel had been k*lled.

And what they wanted from me

was my opinion,

a psychological analysis

of who might have done this.

[ominous music playing]

I have the crime scene materials.

I have the video.

I have the maps of the common.

But what I need to do

is to actually make a visit

to the scene itself.

There's a car park by a windmill

on Wimbledon Common.

We parked there,

and we walked across to the crime scene.

[ominous music continues]

What the offender would be looking at

is a place where he can find

a victim of opportunity.

It's somewhere

where he would be able to observe,

to monitor.

He waits to find whoever it is

that's closest to his preference,

and it happens to be poor Rachel Nickell.

He was able to look and watch

because he's a watcher. He's a surveiller.

[music intensifies, ends]

And so very often,

and I speak plainly, if you don't mind,

you would have this

"That b*tch

would look down her nose at me."

"I'm not having that."

"I'm gonna have her."

What you have is a very focused intention

to obliterate this young woman.

[poignant music playing]

But Rachel Nickell, she would not likely

just give herself up to death

without there being some response.

But if someone is basically saying,

"You do what I want now

or I'll hurt the child,"

that changes everything.

The child is there as a hostage.

The child is there

as a bargaining counter.

She knows that she's giving up her life

for her child's.

[poignant music continues]

I was able to be absolutely clear.

He will k*ll other people.

This is just not a static picture.

This is just a frame

in a film that's carrying on.

[soft, sorrowful music playing]

When you got back to Mummy,

was she standing, or was she lying down?

[Alex] Huh. I can't remember that bit.

Don't keep asking me

these questions, Daddy.

[Andr] You're doing very well, Alex.

You're doing very well.

The days are turning into weeks.

Weeks are turning into months.

And we reached a point

where it was just becoming

heavy and repetitive.

And that was a point

where I felt, "This is"

"We're playing for diminishing returns.

What more can he possibly give?"

- When you got back to Mummy

- [Alex] I'm fed up.

- You're fed up?

- [Alex] Yes.

- One last question, Alex.

- [Alex] No. No more.

Okay, all right, that's fine. Come here.

[man] You've done well.

You've done really well.

[Andr mutters reassuringly]

Talk another time about the rest, huh?

[Alex] No.

No, I I would be still fed up.

- [Andr] You'll still be fed up?

- Yes.

[Andr] We won't talk anymore.

[Jean] The police wanted to try

one last throw of the dice.

Came up with

this still more desperate idea

that perhaps we could go

to Wimbledon Common and relive that.

They hoped, I think,

that seeing the actual site of the k*lling

would trigger yet more memories.

I thought it was a very long shot,

but I didn't feel

I could forbid them to do it.

[man] All right.

[Andr] So now, okay,

it's not another repetitive session

in the same in the same environment.

Maybe there is some value in it.

And when we got there, he was

actually reluctant to get out of the car.

The thing that was bothering him was

the presence of all these unknown adults,

because the police had turned up.

It wasn't just the detectives

he was used to.

There were several other officers.

We eventually got out of the car,

and we started walking.

Once we started walking, he was happy.

We were walking down that path.

We just started running,

Alex and I, for the fun of it.

He was having a good time. But we had

a bunch of coppers running behind us

and a psychologist running behind us.

[Jean] The police were taking us,

but I could see that the little boy knew

where we were going

and was remembering things.

We were getting nearer and nearer

to the site of the crime.

I was aware

the child was stiffening and stiffening,

and I'm pretty sure he was remembering.

[Andr] Alex?

The man who k*lled Mummy, where was he?

Was it here?

When did he start talking to Mummy?

Do you remember?

You said to me once

that he was talking to Mummy

before he k*lled Mummy.

Do you remember

where he was talking to Mummy?

Hmm? Down by the pond?

[Alex cries]

And then there came a point

when he stumbled and fell forwards.

[Alex sobs]

[Jean] And he howled and sobbed.

[Alex wails]

[Jean] And that's the point

when Andr had had enough.

[Andr] This is f*cking stupid.

[Alex cries]

He was crying, and, uh, I snapped.

That was enough for me. I had enough.

This was This was, uh,

taking too heavy a toll on on on him

and too heavy a toll on me as well.

[Andr shouts] Go! Let's f*cking go!

So I picked him up

and just headed back to the car.

[Alex cries loudly]

We, you know, we drove off at full speed,

left them in our dust, basically.

But, uh, I was in no fit state,

so I pulled up as soon as I could,

found a quiet spot.

And, uh, I really burst into tears,

and I just I just couldn't stop.

I just couldn't, uh prevent myself.

I couldn't be strong at that point.

And I knew he was watching me.

He was calm by then.

But, uh, I just had to let it out.

And then, you know,

once I got myself together,

I said that I said that I was sorry,

and, uh, we head back to Grandma's house.

So we pulled away.

[Jean] That was

the last time I ever saw them.

I'd done what I could.

I wasn't very happy with what I'd done,

but I'd tried and, um

Sadness. And

just awareness that it was an attempt

that hadn't worked.

First, a notorious crime

that, two months ago,

made headlines all over Britain.

On Wimbledon Common in Southwest London,

a young mother, Rachel Nickell,

was waylaid and repeatedly stabbed.

It appears to be a random k*lling,

which, of course,

makes it extremely hard to solve.

Tonight, detectives are putting

all their cards on the table,

and they're appealing

for the nation's help to name the k*ller.

We came to a stage in the inquiry

when we were quite satisfied

that the description we had,

there's a good chance he was the m*rder*r.

So that was time now to go to the media

to see if anybody

could come up with any names

as to who that person might be.

[host] The man

was in his twenties or thirties.

He was tall, more than five feet ten,

and had short brown hair.

He had a white shirt with buttons

and dark trousers, possibly blue,

and was carrying a small, dark bag.

Curiously, his belt was over his shirt

rather than round his trousers.

Now, from this point,

let's add some informed conjecture.

A consultant clinical psychologist is

drawing up a likely profile of the k*ller.

[Paul Britton] What they got from me

was a point-by-point

psychological analysis of the k*ller,

in my view.

[host] The k*ller is under the age of 30.

He lives locally.

He has few friends

and has solitary hobbies.

He may have an interest in martial arts.

He likes p*rn*graphy.

He doesn't have a steady girlfriend.

If he's had previous girlfriends,

they'll have found him unsatisfying,

sexually inexperienced

[Britton] I told them this is an offender

who wouldn't live very far away.

This is someone who knew the common,

who knew his way around.

He would have been travelling on foot.

The telephone number to ring

[Paul Penrose] After Crimewatch,

a lot of telephone calls came in.

As far as the Rachel Nickell m*rder

is concerned,

90 calls here to the studio

the last time I spoke to the team.

Ten of them are very interesting.

One man has gone straight to the top

of their priority list.

[Penrose] We were getting phone calls

from two or more local people,

saying that the artist's impression

looked like a man called Colin Stagg.

[tense music playing]

And they indicated that they thought

he was the type of individual

that could have carried out this k*lling.

And he admitted having been on the common

around about the same time

as Rachel was found.

The lady who saw

a man walking towards the m*rder scene

then later picked Stagg out

of an identification parade

as that person.

[reporter] Police say the man was arrested

around midday yesterday.

He's still being questioned.

[Penrose] Stagg lived near to the common,

so when he was arrested,

his flat was searched.

It was a very strange set-up in that flat.

I remember when we arrived,

there was something on the front door.

It said, "Christians beware,"

or words to that effect.

And there was one room

where the sort of signs of the Zodiac

were painted on the floor,

and there was gothic images

all around the place.

It was just a bizarre place.

One of the officers found a cupboard,

and in the cupboard,

there was some survivalist equipment.

There were knives.

There was also a club

with a ball on the end of it.

And it certainly indicated that this just

wasn't a normal member of the public,

that there was something odd about him.

Plus, of course,

he fitted to a tee the offender profile.

But there was a problem.

Despite the fact

that he fitted the offender profile,

we just didn't have enough evidence

to link him with the m*rder.

He admitted that he would sunbathe naked

on the common,

and he was charged with indecent exposure.

But then he was released.

[music fades]

It was obviously disappointing,

because not only was he a good suspect,

but he was the only suspect

from the whole inquiry.

So we needed to work out, "Is he our man?"

And without forensic evidence,

we didn't know.

[soft, sorrowful music playing]

[Andr] After they released Colin Stagg,

the press were on our doorstep.

Alex was the only witness

to his mother's m*rder,

and whoever had perpetrated that

was still on the loose.

So he was in danger.

That's when I knew

we really weren't safe here,

and I had to take him away.

[tense music playing]

We didn't have a lot of trust in anybody.

So we just took every precaution possible

not to be followed, not to be tracked

and head off into the dark.

And we, you know, headed to the coast

to put as much distance between us and

and a k*ller on the loose

and a press pack

that was willing to stop at nothing.

And we left friends and family.

We left everything material behind.

We left the home that we'd shared.

It was only what we could literally carry

with us that we took forward.

We crossed the frontier

and, uh, entered a new world.

[music softens]

[birds singing]

[music fades]

[Alex babbles]

[gentle music playing]

Rachel and I had always talked

about moving to France.

I'd spent a lot of time in France

when I was a teenager.

Played a lot of tennis

and, uh, hitchhiked around,

so I knew the country pretty well.

We were in a small village,

just a few miles from the coast.

Pulled up outside the front door

for the first time

with the keys in our hand,

opened the door,

just had a wonderful feeling

of something new starting.

[indistinct speech]

I've only got two.

You've got about 50 over there.

Look under

It was absolutely idyllic.

A lovely little house.

A view out of the courtyard.

There were chickens in the run.

There were puppies running around.

And, uh, we really could finally stop

and and take stock

and feel some peace and quiet around us.

Alex, calm down.

- Calm down.

- [Alex giggles]

You're gonna get a tummy ache

if you eat like that.

What it felt like is that we'd left

a great deal of the evil behind us.

You know, it felt like

we were in a place of peace.

[indistinct speech]

Finally, it seemed like things were

things were going in our direction.

It was, uh, absolute bliss.

You know?

Just to have that anonymity again.

Good evening. The detective leading

the hunt for the k*ller of Rachel Nickell,

the young woman m*rder*d

on Wimbledon Common a year ago,

says the inquiry may be

scaled down within weeks,

unless there's a major development.

I would think if nothing crucial

comes to light within the next two months,

then I would say that will be

the end of the investigation.

John Bassett was telling the press

that there were no new leads,

that the inquiry,

we'd gone as far as you could,

and it was winding down,

whereas all the time

there was something going on.

[intriguing music playing]

[woman] It said, um,

"I've enclosed a fancy letter,

and if you don't want to read it,

then you don't have to."

Um, but curiosity got the better of me,

and I had to read the letter.

[Paul Penrose] We received a phone call

from a woman

who'd seen Colin Stagg on the television,

and she said, "That man

is a man who I've had

a lonely hearts club exchange of letters."

"And they're very strange letters."

[woman] Every word,

he uses the most filthiest,

vulgar words you can use.

He asked if I liked the letter

that he'd written to me.

Um, I said

I wasn't impressed by it, basically,

and that he said

he'd written me another one

and would I like him to send it to me,

and I said no.

If I did get another letter from him,

I was gonna give them to the police.

[Penrose] She sent those letters to us,

which gave us some insight into the way

that Colin Stagg was thinking.

Then John Bassett asked me

to go upstairs to his office,

and I was introduced to

this female police officer.

Bassett said,

"This is my detective sergeant,

and I want him to know what's happening."

And then it was explained to me

that there was gonna be

an undercover operation

to discover

if Colin Stagg's sexual fantasies

would reveal some information

about the m*rder

that only the m*rder*r would know.

The police came to me

and asked if I could help them

with an undercover operation.

The way that it would work

is that the undercover police officer

would write a letter to Colin Stagg

with the fake name Lizzie James.

She's trying to get him to write to her

about his sexual fantasies

so that if he wrote back

in a way that was similar

to the way that the k*ller

of Rachel Nickell might write back,

then you had the basis

for further investigation.

And Colin Stagg did write back.

[Colin] Dear Lizzie,

I'm so glad you like my letters

and that you are as broad-minded

and uninhibited as me.

I want to dominate you.

The things I'm going to do to you

will literally make your eyes water.

You will be left humiliated and dirty.

[Britton] The police were very excited

at the first sexual elements

that came back from Colin Stagg.

They're now feeling justified

in their operation,

that there was more to know,

and that they hadn't wasted their time.

[church bells ring]

[Andr] One day,

after we'd been there for maybe a year,

Alex and I were doing

pretend sword fighting.

[indistinct chatter]

And, uh, he said,

"This is like when the bad man came."

And I tried

I caught myself,

and I tried to carry on

as naturally as possible.

So, um, one morning,

I just sat down at the little red table,

put the put the

put the camera up, and, uh.

and, uh, just attempted

to talk about what happened.

Alex wanted to draw,

and he wanted me to help him

with the drawing.

Dadda, can you help me draw Mummy

on this piece of paper?

[Andr] As we continued with the drawing,

Alex came up with information

which made it absolutely clear

what he'd seen.

Did Mummy see him?

I don't think she did.

No? Did you see him first?

Yeah, I saw him first.

Did he have a bag?

Yeah.

And did he open it,

or was it already open?

He opened it.

And what did he get out?

A knife.

There's Mummy. There's the bad man.

[Andr] Where's the knife?

- What did he do to you?

- Knocked me over!

- He knocked you over?

- Yeah.

The bad man

was sticking his things in her.

- What was he sticking in her?

- A knife. There's his knife.

Did you see it?

Yeah, I saw the knife.

Did you see all the times?

I saw it Yeah, I saw it all.

All of it.

[Andr] He'd been there,

seen it all, had had

assimilated all of this, you know,

survived nearly a year,

basically withholding this in his head

on his own.

- Did you see everything pretty much?

- Yeah, I saw everything.

Did you look the other way?

Yeah, I looked that way.

I looked that way to see

if anything else was happening.

- Did you?

- Yeah.

Was it really horrible?

Yes, it was really horrible.

[Andr] It was very hard to hear.

You know, this is your child.

This is your baby.

He was there.

Rachel was there. I wasn't there.

I tried to imagine that

all the way through that year,

over and over, night after night.

I wanted to know what they'd been through,

because I wanted to be able

to do something about it

or share in some way.

And here, you know,

I was getting confirmation

of exactly what, you know,

what took place, what Alex had seen,

and, uh it put me right back

in a state of imagining

what that must have been like

for for for both of them.

And then a couple of weeks later,

well, the news came

that they were gonna charge Colin Stagg

for Rachel's m*rder.

Scotland Yard says Colin Francis Stagg

was arrested at 5:30 this morning

at his home in Roehampton

in Southwest London.

[reporter 1] The address

where the arrest was made

is within a mile or so of the spot

on Wimbledon Common

where Rachel was k*lled

just over a year ago.

[reporter 2] Police spent the day

digging up his garden

and scanning the ground

with metal detectors.

Colin Stagg was arrested, uh,

and brought to Wimbledon Police Station,

uh, as a suspect for m*rder.

[reporter 3] His detention followed

an undercover operation

involving a woman police constable.

She struck up

a close relationship with Stagg.

[man 1] Would you like

to introduce yourself formally?

[woman] Yes, I'm a serving police officer.

For the purpose of this interview,

I'm known as Lizzie James.

[man 2] If I were to show you

some 30 or 40 letters

that you've exchanged with Lizzie James,

would you have anything to say

concerning your desire

to have sexual intercourse

and sexual practices

on Wimbledon Common and in open woodland

involving the use of knives

No comment.

where blood is caused to flow?

No comment.

[Paul Britton]

During the undercover operation,

Colin Stagg met

with the undercover policewoman,

and what he did was hand her a letter

which introduced the notion of knives

and all sorts of other things

that were present

in the fantasies of the k*ller.

[Lizzie] Do you remember

this letter now, Colin?

No comment.

[Lizzie] "The man then goes over

to his pile of clothes

and produces some string and a knife."

What the k*ller of Rachel Nickell had

was a series

of very specific elements in their fantasy

that are not that common.

And now Colin Stagg seems to have

exactly that same set of fantasies.

[man 2] We have to look at the fantasies

as they've progressed

as you've written to Lizzie James.

The increasing deviance,

the increasing domination,

the increasing violence.

The need to humiliate and dominate.

There was just so much pointing

towards him as being the m*rder*r.

[man 2] I think what happened

is you walked off down the windmill path,

and you sat down

on a little patch of grass.

I think you actually described it

in one of your letters to Lizzie James.

The fact that you see

this gorgeous blonde woman

approaching from a distance.

- Is that what happened to Rachel?

- No comment.

[man 2] You looked down

from your vantage point and spied her.

And you rushed down, and you ambushed her.

And you pushed the little boy face down.

Pushed the little boy face down

into the mud.

- No comment.

- [man 2] Then you stabbed Rachel 49 times.

No comment.

On 15th July 1992, on Wimbledon Common,

you m*rder*d Rachel Nickell,

causing her death by multiple stab wounds.

No comment.

[indistinct chatter]

[reporter] After being held overnight

at a police station nearby,

Colin Stagg was driven quickly

into Wimbledon Magistrates Court,

charged with the m*rder of Rachel Nickell.

Magistrates remanded him in custody

until next week.

[Penrose] The Crown Prosecution Service

were consulted

with all the evidence relating

to the letters and the interview,

and it was decided

that there was enough evidence

to charge him with the m*rder.

With Colin Stagg off the streets,

as far as I was concerned,

this was all finished.

So I decided that it was a good time

to go for something else.

So I left the investigation.

The fact

that Colin Stagg was now in custody,

it gave a certain

certain feeling of relief.

But we'd learned really early on,

I knew that if you'd been through

a situation as we'd had,

you're constantly protecting yourself,

and you have a wait-and-see mentality.

[crickets chirping]

[quiet, tense music playing]

Police in South London hunting the k*ller

of a four-year-old girl and her mother

say it's one of the most shocking cases

they've ever had to investigate.

I'm Mummy. [laughs]

[reporter] Close friends of Samantha

and Jazmine Bisset

are still trying to take in what happened.

What has shocked police

is the ferocity of the murders.

A senior officer said

Sam Bisset's injuries were horrific.

[man] I mean,

I consider myself fairly hard,

uh, not affected much,

but [sighs]

even now, it makes me think,

"Christ, what on earth went on there?"

I mean, it was horrendous, you know?

Micky Banks was

my detective superintendent.

He was the senior investigating officer,

and he actually

I remember he put his arm around me

and said, "Rog," you know,

"just brace yourself, son."

"This is the worst one I've ever seen."

I remember that to this day.

And then we went in together

with the forensic team

and went through the flat.

It was a small flat. It was one-bedroomed,

and we understood

that Samantha Bisset lived there

with her four-year-old daughter,

but they had to share a bedroom.

She was a single mum,

probably didn't have much money.

There were lots of toys in the bedroom,

lots of Jazmine's paintings on the walls.

It seemed to me that they were very close.

Uh, and when we walked in,

it became apparent that Samantha had been

possibly stabbed to death in the hallway,

dragged through to the living room,

and placed on a large cushion

in, like, a star formation.

And she'd been mutilated.

Uh, an attempt had been made

to remove her legs,

and the body had been opened up.

When we walked back down the hallway,

the bedroom was at the right-hand side

near to the front door.

And we went into the bedroom,

and there was a little girl's head

peeping out of a underneath a duvet.

You could just see

these tousled, um, hair,

and it turned out

that she'd been suffocated

and sexually assaulted.

So she was dead,

but she looked like she was asleep.

[sorrowful music playing]

[Micky] First thoughts was,

"We've gotta get whoever done this,

because this is a maniac."

Everybody wanted to catch this b*stard

that had done this crime, you know?

Uh, it was

it was a thing that we all agreed on,

because if you don't,

there'll be another m*rder.

Because once these people start this,

you know, it's quite obvious

they would become a serial k*ller.

There was hundreds of fingerprints

in the flat,

and, of course, it had to go through

the fingerprint department,

each one looked at individually.

The fingerprint officers would

look through a magnifying glass

at a fingerprint and identify it

through the swirls and the marks,

which is an art.

But within maybe two months,

we'd managed to eliminate

all of those finger marks,

which in itself is quite unusual

because there's normally one or two marks

which remain unidentified,

and they're often the suspect's.

There was no no DNA. There was no clues.

Nothing at all

that would help the investigation.

We found absolutely nothing,

which is most unusual.

[reporter] There was no sign

of a break-in at the flat,

and detectives admit

they have few clues in this case.

As for the motive for this m*rder

of a mother and her young daughter,

it appears only the k*ller knows that.

I was approached

by my then-detective chief superintendent

that, uh, I should get Paul Britton in

because he was an expert.

He'd done a lot of work

on the Rachel Nickell inquiry.

[Paul Britton] I was then taken

to the scene of the murders itself.

The flat that Samantha

and Jazmine Bisset lived in

is really quite important in its location.

Immediately behind the flat,

there is a garden area.

And then beyond that,

you have a tree-banked area,

where he sits,

he watches, he fulfils his fantasies,

and gets these sort of thoughts.

"You're not going to tease me."

"You're not going to ridicule me."

"Let's see how you get on

when I've finished with you."

Paul Britton's a clinical psychologist.

How much do you think you know him?

I think we know quite well

what was going through his mind

at the time of the offense,

but I would like him to tell me

how he got started on the pathway

that led him eventually to k*ll,

to harm Samantha.

You'd like him to tell you?

He's not very likely to ring up and say,

"Can I speak to Paul Britton, please?"

and here are his answers.

I think that there is a possibility

that he might want to do that.

[Roger] It's extremely rare that

strangers attack members of the public.

Children being present is even rarer.

He's probably done

something similar before.

He's not gone out and just done this.

You work up to that level of violence.

And we couldn't fathom out how,

within a gap of 16 months

between the Wimbledon Common m*rder

and the Plumstead m*rder,

how two different people could commit

such ferocious, audacious crimes.

So was it possible

that the same person committed both?

The victims were

very similar in age and looks.

Both had a child present

during the attacks.

And the number of stab wounds

on Rachel Nickell and Samantha Bisset

were in the region of 50.

So at our request,

the senior detectives

investigating the Nickell investigation

came over to our incident room

to discuss the similarities

between both scenes.

And they basically dismissed

our suggestion

that the two crimes could have

been committed by the same person.

Because, of course,

Colin Stagg was in custody

when the Bissets were m*rder*d.

And we tried to impress upon them

that they may have got the wrong person.

[woman] And how was that met?

Uh, with hostility and just absolutely

"There's no way

we haven't got the right person."

[Micky] They had their suspect,

and, uh, they just

they weren't interested in discussing it.

They were convinced

that they had the right chap.

[sing-song] Opening the presents!

[giggles]

[Andr] It had been a year and a half,

and Alex was, you know, in a good place.

There are not much presents

under the tree now.

[Andr] There's loads of presents

under the tree.

He was settled in at school,

happy with his friends.

So, you know, he was really thriving.

It's a big crane.

[Andr] Around that time,

the word got to me that, uh

that the police needed Alex

to give evidence at Colin Stagg's trial.

They were hoping he could provide

physical descriptions of the assailant

and also descriptions of his movements

before and after the attack.

So once again, we're caught

between a rock and a hard place.

What do we do?

If this is the person

and, uh, we don't turn up,

he's back on the street.

But what is the price

that Alex is gonna pay

in coming face-to-face

with the person who did this?

[TV playing in background]

[suspenseful music playing]

[Micky] I think it was just a feeling,

you know.

Just a feeling

that there was something so wrong here.

Because it was one of the first crimes

I've ever been to

where every print

that was there was eliminated.

[Roger] Micky Banks spoke to me,

and he wanted

the finger marks to be searched again,

especially those

belonging to Samantha Bisset.

Micky really, really pushed hard

for that to be done,

and the fingerprint branch

eventually gave in

and agreed to re-examine

some of the more suspicious marks

which were found at the Bisset flat.

Sometime afterwards, he called me

and said, "We've had a result."

Some of the fingerprints

that had initially been identified

as belonging to Samantha Bisset

did, in fact,

belong to a man called

Robert Napper.

[Micky] And that was a eureka moment,

I'll tell you.

I'll never forget it, you know.

God Jesus, I was over the moon.

They found about three or four prints

of Napper in the flat.

Uh, one was on the ledge

outside the patio door,

and some on the inside,

where he'd obviously got in

through the French windows.

He lived locally.

He had a very, very short criminal history

and had, in fact,

spent, uh, two months in custody.

[reporter] Napper was arrested

at his home on Friday.

He was living in Plumstead High Street,

half a mile

from where the killings took place.

After he was arrested and assessed,

it was apparent

he was suffering

from some sort of mental illness.

And when he was interviewed,

um, he did give very, very strange answers

in the third person,

as if he was talking about someone else.

He was the sort of bloke who thought

that he was different to the rest of us.

He was aloof. Weird, weird chap.

Everybody said the same,

anybody who met him.

He just He was weird.

[Roger] We went to his flat

at Plumstead High Street,

a very, very small bedsit.

Uh, he didn't have a bed or a mattress,

which I thought was strange.

He slept on the floor, apparently.

And then we began to search the property.

And very quickly we found the red toolbox,

which was on the floor.

Uh, it was padlocked,

and obviously we were desperate

to find out what was inside.

When we opened it,

there were knives.

There was a book.

And in the book, there were methods

of, I think, strangulation

and vulnerable points on the body,

which were used to attack people

and either immobilize them or k*ll them.

There was an A to Z.

And in his A to Z, there were

all sorts of markings and doodles.

At the time,

we couldn't work out what they were.

And we thought they were

obviously gonna be very important

in the possible identification

of, uh, of scenes of his crimes.

And on one of the doodles,

there was a set of steps

which looked like it could have

possibly been Heathfield Terrace.

And in that doodle,

he wrote the words "potential area."

He'd identified it

as a possible target for him.

A 28-year-old man has been charged

with the murders

of a single mother, Samantha Bisset,

and her four-year-old daughter

last November.

[reporter] Today,

Robert Napper denied m*rder

but admitted their manslaughter.

Samantha's k*ller is expected

to be sentenced later today.

The really sad thing about this case

is that Samantha was an only child,

and her mother, Margaret,

never recovered from the loss

of her only grandchild

and her only daughter.

[Micky] I mean, it's bad enough

losing your daughter,

but your granddaughter as well?

The family's wiped out.

You know, tragedy. Awful.

And to add to the distress of this case,

her mother died

the very day before Napper was

due to stand trial at the Old Bailey.

So it's just a very very, very sad case.

[suspenseful music playing]

Sometime later,

looking at his maps again,

although most of the markings

were within Southeast London

there was a particular mark

way away from Plumstead

in Richmond Park, Southwest London.

It's called Isabella Plantation,

which was a plot of open land

very, very close to Wimbledon Common,

the scene of the Rachel Nickell m*rder.

[reporter] Stagg was first questioned

by detectives last September.

He's due to appear here at court

charged with murdering Rachel Nickell

this morning.

I was informed before the trial

that, uh, Alex wouldn't be needed,

that his testimony wasn't necessary.

A part of me was very grateful

he wouldn't have to go through the ordeal.

Another part of me was concerned

that we weren't putting

everything into this we possibly could.

And then a few days later,

the shock news came.

A friend called to see how I was,

to see if I was holding up with the news.

And I said, "With what news?"

And he said, "You don't know?"

He said, "It's been

It's been thrown out."

The man accused of the brutal m*rder

of Rachel Nickell

on Wimbledon Common two years ago

today walked free from court

before the trial proper had even begun.

It was an absolute shock.

An Old Bailey judge

launched a stinging attack

on police methods today

after throwing out the case

against the man

accused of k*lling Rachel Nickell.

[reporter 1] Colin Stagg walked free,

having spent more than a year in custody

after being entrapped

by an undercover police operation

that was strongly criticized by the judge

and ruled to be inadmissible.

I was angry because whoever decided

that this evidence was good

and would stand up to challenge

had obviously made a big mistake.

And I was angry that maybe

the person who decided to kick it all out

was going to an extreme, because there was

strong circumstantial evidence.

There was probably a feeling

that if there was a decision to be made

as to whether

Colin Stagg committed a m*rder,

that decision should be made by a jury.

But we didn't get that far.

[reporter 2] William Clegg QC, defending,

argued WPC James had lied,

offered inducements of sex

and a relationship.

[reporter 3] Mr. Justice Ognall said

the police behavior betrayed

not merely an excess of zeal

but a blatant attempt

to incriminate a suspect

by positive and deceptive conduct

of the grossest kind.

We failed.

And, um, that is not a good feeling.

"My life has been ruined by a mixture

of half-baked psychological theories

and some stories written

to satisfy the strange sexual requests

of an undercover police officer."

"The judge recognized

there was never any evidence against me,

no forensic evidence,

no confession evidence, nothing."

[reporter 4] Asked if Stagg should receive

an apology from the police,

Sir Paul Condon said

the police had already apologized

to those it thought necessary.

I I make no apologies at all

for the Metropolitan Police inquiry

in this case.

I fully support the action of my officers,

and I take full responsibility

for police action in this case.

[poignant music playing]

[Andr] It felt like

we were back at day one,

you know, with the k*ller on the loose

and no protection.

And what really underlined that

was Paul Condon, the head of the Met,

making a statement

that they weren't looking for

anybody else.

At the moment,

there is no new information,

no new leads for us to explore.

[Andr] They made it clear that

they thought Stagg got away with m*rder

and was now on the loose.

I was left feeling like

I couldn't trust anybody,

and we always wondered whether or not

we were treated in a different way

because, uh, I was a young man of color.

You lose all faith in in the system.

So now any closure that we

that was gonna be truly meaningful was

something we'd have to find for ourselves,

and we couldn't rely on

outside circumstances

to provide us with that.

[gentle music playing]

[man] For many, many years,

there was no real real progress.

Nothing had really changed

in terms of, you know, what we knew.

From day one, it was the three of us.

You know, my father and me

and our dog, Molly.

That was who we were as a family.

My father knew

that I understood what had happened.

That my mother loved me,

and, um, that

she wouldn't have wanted to leave me.

So, my father and me,

we didn't talk about about my mother.

You know? We didn't talk about the past.

But I still I felt an anger

that this had happened,

and, you know, that no matter what I did,

I couldn't stop it from happening.

I think if you witness

that degree of evil,

you know, as a small child,

the illusion that you have,

you know, that your parents,

no matter how good a job they do,

can really protect you from harm,

I think that that

you know, that collapses.

[Andr] Alex was absolutely

a really sweet little boy.

There was a joy that was there.

But then in the preteen years,

there was an anger, you know,

and the anger was, you know,

quite rightly directed towards me.

I was very angry about a lot of the things

we'd lived through.

The sessions that went on

for weeks and months.

The thing that was most distressing for me

was to be taken back,

you know, to that day repeatedly

and suggestions given

about how I should feel about it.

And, you know,

I guess I carried that with me somewhat.

[Andr] He did get into trouble

with the authorities.

Just small stuff, but the police

were on the doorstep on occasions.

[Alex] I don't think that I had the same

the same respect,

the same trust for my father

as I once had.

And the fundamental point was that he was

the protector of the family as the father

and, you know, unfortunately

had allowed this to happen to us.

So in my teenage years,

you know, we had a lot of conflict.

[Andr] I had a huge sense of guilt

that that I hadn't protected my family.

And you do feel stupid.

You feel like a fool,

because we're told to put our security

in the hands of other agencies.

Once upon a time, it was the Wild West,

and you took the law into your own hands,

and you protected, you know,

your loved ones with whatever it took.

And that's what hit me at the time.

I didn't do that.

And I wish I had.

[music fades]

[Alex] With every week that goes by,

with every month that goes by,

with every year that goes by,

you've kind of come to terms with,

on some level,

that this may never be resolved.

[suspenseful music playing]

[carousel clicks]

[woman] By 2002, the Rachel Nickell case

did become a cold case.

The police came and asked

if I and my team would have a look at it.

I knew from reading the newspapers

that this had been a very violent attack.

But I was aware

Colin Stagg had been accused

and then acquitted.

But I think he was still a suspect

as far as the police were concerned.

And so they wanted us

just to cast a fresh pair of eyes over it

and see whether or not,

out of the things

that they'd collected at the time,

whether there was anything in that

that could possibly be used, um,

to identify Rachel's attacker.

There were some tapings,

these sticky tape lifts,

um, taken from Rachel's body

and particularly

the intimate parts of her body.

And we noticed

that the original scientists

hadn't found any DNA on these tapings.

And so we knew immediately

that something was wrong,

because there should've been

an enormous amount

of Rachel's own DNA on these tapings.

I think what probably happened is,

if you have too much DNA in a sample,

it can swamp the technique

so that you don't see anything.

And so one of the first things we did

was, of course, to repeat it,

but doing it in a slightly different way.

[suspenseful music continues]

Just as expected,

we got lots of Rachel's DNA.

But we also got a tiny trace of male DNA.

When we got this hint of male DNA,

we really didn't know

whether we'd be able to develop it enough,

get enough information out of it

to identify one particular individual.

And so we developed a whole new technique,

a new sensitive technique,

um, and this involved taking

a tiny amount of DNA from a sample

and then multiplying up the DNA,

or we call it amplifying.

So you've got

several times your original amount,

so you've got enough to actually analyze.

It took about two years

to develop this technique

to the point where we could use it.

Before we ran the

uh, the information that we had,

this DNA profile we had,

through the database,

we checked it against Colin Stagg,

and it definitely didn't match him.

[keyboard keys clacking]

And so we put it through

the National DNA Database.

And when we did that,

that's when it came up as a match.

[Andr] The phone rang one day,

out of the blue, and it was the police,

and they had news.

And the news was

there was a positive identification.

And they said

that the person that had been identified

was a completely new name.

[Angela] The DNA database produced a match

for someone called Robert Napper.

And then we discovered

that Napper was in Broadmoor

because he'd also committed

a m*rder of a mother and a young daughter.

[poignant music playing]

It had been somebody else all the time.

So that moment in time

was when our worst possible scenario

had proved to be played out,

that somebody else had been m*rder*d

by the same person

in the same circumstances.

Another family's been destroyed.

So if I didn't know

how blessed I'd been that Alex survived,

when we found out

what happened to Samantha and Jazmine,

I thank God every day.

Because it's only by the grace of God

that that we've survived together,

and it's only by the grace of God

that he survived physically.

[poignant music continues]

[music fades]

[crowd cheering, whistling on TV]

[man] I was watching a football match

on TV one evening.

There was a knock on my door,

and I was a bit annoyed

'cause I was missing the match.

There was two journalists standing there.

And they said, um um,

"Did you know

that the police have arrested another man

in relation to the Nickell m*rder,

and they got DNA evidence

to prove he was guilty?"

I was like, "Can you come back

in about an hour's time?"

"I'm watching the match."

They were like, "No problem,"

and they walked off.

I was sick of the whole thing, you know?

It dragged on for about 15 years.

[reporter 1] Colin Stagg had

police protection today

as the Rachel Nickell case

continued to haunt him.

[Colin] From when I was arrested,

there were articles in the newspapers

stirring people's emotions up against me.

People shouting out stuff like,

"Guilty," "Hang him,"

stuff like that, you know.

[reporter 2] Mr. Stagg remained

uncomfortably in the media spotlight

even after his release.

[woman] Don't!

[Colin] Instilling in people's minds

that, "We know we had the right man,

but he got off on a technicality."

You know? So I had to live with that.

[man] Many people thought he was guilty,

but nobody actually heard the evidence

either for him or against him.

That meant that he was

in a kind of limbo for all these years.

Now, 15 years on, a man has been charged.

He's 41-year-old Robert Napper.

The last man to be charged,

Colin Stagg, was cleared

because a policewoman

had tried to entrap him.

[Colin] I'd never had a proper girlfriend

up to the point of 29.

So when I received a letter

from Lizzie James,

I just felt really, um happy

that, um, a woman had shown

some interest in me.

It is clear that he is completely innocent

of any involvement in that case.

And I today apologize to him

for the mistakes that were made

in the early 1990s.

[Colin] I had very low self-esteem anyway

before this started.

This knocked me back even further,

so even deeper and deeper.

It did make me feel very paranoid.

If I would accidentally sort of look at

a woman crossing the road and that,

I used to immediately think,

like, "No, look away,"

because somebody could be watching me

thinking, "Hang on,

he's stalking that woman."

And I just thought,

"Well, you know, this is your life now."

"You've just got to get on with it.

You know, don't trust anybody."

[Andr] On the build-up to the trial,

one of the lead detectives said, uh,

"After you fly in," he said, "we'll meet."

There was something I needed to know

before we got to the courtroom itself.

Seven o'clock in the evening,

we met at Hendon Police Station.

He showed me into a back room.

We're just the two of us present,

and he pushed a dossier across the table.

[tense music playing]

What I saw in the dossier of documents

was just

what an utter chaotic catalog of errors

this whole investigation had been.

It was absolutely devastating.

It took me

all the way back to the very first day.

The very first call,

the very first news

that Rachel had been taken from us,

and that Alex had been through

such an ordeal.

We'd been trying to make sense of that

week after week,

month after month, year after year.

And all that's just exploded.

Because here it says

it was all preventable.

[sorrowful music playing]

[Roger] In the summer of 1989,

three years before

the m*rder of Rachel Nickell

and also the murders

of Samantha and Jazmine,

a serial r*pist started attacking women,

some with children present,

on the Green Chain Walk pathway,

which runs through woodland

and open common land in Southeast London,

which is also not far

from the scene of the Bisset murders.

DNA had identified one suspect

for that series of r*pes.

Two people who had seen the poster

contacted the police and said,

"That artist's impression

looks remarkably like

a guy called Robert Napper."

Two detectives investigating

the Green Chain Walk r*pes

went to his, uh, known address.

He appeared. They both spoke to him.

He was, uh, told that he had been

identified as a possible suspect.

And he then was asked to come

and voluntarily give blood,

which he agreed to do.

But he failed

to attend the police station,

so they went back to his address.

He'd packed his bags and left.

He'd gone.

Subsequently,

on the grounds that he was taller

than the descriptions

given by the r*pe victims,

the decision was made

by the senior investigating officer

and his deputy

to exclude him as a suspect

from that inquiry.

So basically nothing else was done.

Which baffles me to this day.

[music fades]

Had Napper attended the police station,

as he said he would do,

and his blood sample taken,

he would have been then arrested

for the Green Chain Walk r*pes.

That didn't happen, which

It had catastrophic consequences.

[poignant music playing]

[Andr] And then

there was something in the dossier

that was, for me, even more devastating.

In September or October of 1989,

and years before Rachel was k*lled,

Robert Napper's mother

reported to the police

that he confessed that he'd r*ped a woman

on Plumstead Common.

But the police didn't follow it up.

This was a fork in the road.

If the police had followed up

on Robert Napper's mother's call

and taken a blood sample from him,

this could have prevented

all of the attacks that followed.

The attack that Alex witnessed

was preventable.

Rachel's death was preventable.

Samantha and Jazmine's deaths

were preventable.

If they'd done their job properly,

he would have been taken off the street.

[reporter 1] We watch today

as one of the great unresolved murders

was finally resolved.

[reporter 2] Today, the k*ller

of Rachel Nickell was found guilty

of stabbing her to death

on Wimbledon Common 16 years ago.

[laughter and chatter on video]

Robert Napper was led out of the cells,

up into the dock of Court 1

here at the Old Bailey,

and there, gray-faced and balding,

with Rachel Nickell's parents looking on,

he finally confessed

to k*lling their daughter.

[Rachel laughs] Andr,

I'm right up on your

[Alex babbles]

[reporter 3] Today's confession

brings to a close

one of the most damning episodes

in Scotland Yard's history.

[reporter 4] They admitted

they could have caught Napper earlier

and stopped him k*lling.

If the police had done things differently,

Rachel Nickell

and Samantha and Jazmine Bisset

would not have lost their lives.

More could and should have been done.

Had more been done,

we would have been in a position

to have prevented this

and other very serious attacks by Napper.

[music fades]

[birds singing]

[Andr] We all grew up with fairy tales.

We all grew up with that warning

not to go into the woods.

The darkness,

the monsters, the the danger.

But it's not a fairy tale.

There is true evil in this world.

[soft, pensive music playing]

I was really forced to

to come to terms with that.

My greatest confusion was, uh

was why, you know?

You know, the anger with God that, uh

that these kind of things

can happen to good people

with absolutely no explanation.

And so I had a mission,

and, uh, that was to bring, you know,

Rachel's child through this

in the best way possible.

[Alex] I think with people

you live through difficulties together,

they either break you

and they break the relationship

or they make the relationship

that much stronger.

We were ultimately forced

to find our own closure,

which I think is actually a good thing.

And that was ultimately

the realization that,

you know, you have no choice

but to make peace.

Make peace with it.

My parents believed in

the infinity of the spirit.

That my mother would be with me always

wherever I went.

My father sacrificed everything for me

and for what he believed in,

without any guarantees

of how it would turn out.

He was brave enough to

to do what he felt was right in his heart.

I'm forever indebted to him for that.

[music fades]

[soft, sorrowful music playing]