[birds chirping softly]
- [sighs]
[phone buzzes]
[grunts]
[phone buzzing]
What?
[Aminé's "Burden"]
No!
AMINE: ♪ Look ♪
SINGER: ♪ Oh, oh ♪
AMINE: ♪ Uh uh oh,
Yeah, I like that ♪
SINGER: ♪ Oh, oh ♪
AMINE: ♪ Uh uh oh, yep ♪
♪ Bury me
before I'm a burden ♪
♪ Don't bury me
'til n*gg*s is certain ♪
- Amadi, what happened?
- I mean, I titled
the piece
"The Pickets'
Revisionist History."
Why did it get changed?
- Gabe must've changed it
when we left.
- Oh, my God.
You know he's going crazy
with the whole click-bait
headline thing.
- Yeah, but I wasn't trying
to, like, glamorize them.
Like, I was--I don't know.
I called them out
on their sh*t, right?
- Well, when the article
got pitched,
I did ask whether
or not it was worth doing.
Carl's Autobody
and the Portland Library
have both pulled their ads.
- The library hates me?
That sucks.
Uh, hi.
Can I get a small coffee?
- Annie Easton?
- Yes?
- Sorry, we don't serve
racists here.
- Oh.
- Hey, I'm sorry.
It's okay.
She's actually with me--
- Okay.
You don't have to--
- Whatever you want
is on the house.
- Really?
Okay.
Uh, could we have
two small coffees?
- Yep.
- Thank you.
- You must be feeling a lot
of white guilt right now.
- Yes.
Yes.
Heavy, heavy on my mind.
- What's that like?
- It's--it's nothing
compared to...
And I--yeah.
- I feel like I would be
so good on reality TV,
just wearing big necklaces
and calling
other women narcissists.
- Yeah, 'cause you do that now.
- Yeah, but then
I'd be getting paid.
[giggles]
- Hey.
What are these?
- From my cousin's wedding.
She just sent them.
EMILY: Okay.
I'm seeing a lot
of beautiful people,
a lot of cool hats.
- They're called geles.
And you know what they say--
the cooler the hat,
the more foreign you are.
- Mm.
You know,
I knew you were Nigerian,
but I don't think I knew
you were, like, Nigerian.
- My parents are Nigerian.
They moved to London.
I was born.
It's really not that exciting.
- Except literally
every part of that is exciting.
Like, why did they move?
- Because they wanted to.
I mean, what do you have to say
about your parents?
- Well, Papa's Irish-German
and mama is a covered wagon.
- Wow.
- Mm-hmm.
Okay.
You're being weird about this.
But if you want me to drop it,
I will drop it.
- Good.
- No.
No, no.
Come on.
Come on, just--if I kiss you--
you've been hogging it.
- You're an addict.
You're an addict
- You've been hogging it.
- [laughs]
[upbeat music]
♪ ♪
- Hey.
Annie?
I printed out
all the hate emails
The Thorn got about you.
Do you want them?
- No.
- Annie, I said be friendly
with the Pickets.
I didn't mean be friends.
- I didn't become friends
with them.
- You ate their pie
and said that
their pie tasted good.
- Okay, but I also said
that they're trying
to start a white utopia.
- Don't get mad at us.
You're the one
who got yourself canceled.
- What?
I am not canceled.
- She's canceled.
- So canceled.
- Why did you change
my headline?
- You know, everyone is reading
what you wrote, Annie.
You're welcome.
- [laughs]
Well, no one is reading
my actually thoughtful article.
They're just reading
your shitty headline.
- You know what?
I'm not gonna apologize
for being a good writer,
okay, Annie?
I don't have time
for this, uh, eruption.
I've got a huge press day today
for my book.
I'm late for a podcast,
which I didn't even know
was possible.
Talk to you later.
- Fine.
Then I'll call Sheila.
- Oh, little miss
teacher's pet
going straight
to "I'm telling!"
Hey.
You know what?
You can tattle face to face
'cause she's coming here
tomorrow.
How's that?
[OHMME's "Mine"]
- [grunts]
sh*t.
♪ ♪
SINGER: ♪ Mine mine mine
mine mine mine ♪
♪ It's all mine mine mine
mine mine mine ♪
♪ Mine mine mine
mine mine mine ♪
[lo-fi hip-hop music]
♪ ♪
[camera shutter snaps]
- Okay.
This seems important,
but I need to know
what you're doing.
- It is very important.
I'm sending a revenge selfie
to a married ex.
But what's up?
- Okay, Ricochet.
I have a question.
- Uh-huh.
- Say you're in a new
but very intense
relationship...
- As I am most always am, yes.
- So my partner, Em, is great.
RICOCHET: Uh-huh.
- And we're really in love.
RICOCHET: Mm.
But...
- Just sometimes
I feel like living here
and not being from here,
I feel like I'm already
kind of on display.
And my partner is white,
started asking me all these
questions about being Nigerian.
- Yes, yes, yes.
See, to Americans,
we're like exotic birds.
It doesn't matter
that my father is a dentist
and my mother, also a dentist.
- Yeah, it's like, I get that
that stuff is exciting to them.
But, like, I just always
kept my relationship
and my heritage separate.
- Yes, but see?
These people
are from places like Idaho
and, um--oh,
what's the other one?
- I--I feel like
it's Wishigan.
- Wishigan.
Wishigan, yes, yes, yes.
Their lives are football...
FRAN: Mm.
- And, uh, ham,
and everything
they can put ham in.
And--you know,
sometimes, my partners,
they ask about Chile, right?
- Mm.
RICOCHET: It's because
they need Chile.
Their lives are such
that when they hear
a little bit about Chile,
they go nuts.
- Yeah.
- So you gotta give them
a little something,
you know what I mean?
- Yeah, that makes sense.
And I do wanna share myself
with them.
- Then share yourself
with them!
There must be something small
and inconsequential
you can just throw them,
like...
FRAN: Yeah.
- I don't know.
Like a little wooden doll
or a--or a--or a rich tapestry,
something that says,
"Here is a piece of me to you."
- I guess
I could cook them something.
RICOCHET: Yes, yes, yes.
Enter the heart
through the mouth, yes.
- Isn't this your best friend?
♪ ♪
ANNIE: [exhales]
[line trilling]
BILL: Hey, sweetheart.
- Hi, Dad.
BILL: Honey,
Yellowstone is amazing.
We're at
the most beautiful waterfall.
- That's cool.
Um, Dad, I'm, like,
kind of freaking out
because everyone hates me.
BILL: Hold on, sweetie.
I can barely hear you.
Say it again?
- Um, I--I said that
everyone's mad at me
because of the article
that I wrote, and--
BILL: Oh!
We read that!
Really different
and cool for you.
Do you wanna talk to your mom?
- No, I don't--I--
BILL: Vera!
Hey, Vera!
[laughs]
No, she can't talk.
She spilled her water
in her bag.
- Okay.
Okay.
Dad, I'm gonna go, okay?
BILL: Yeah, one second,
one second, Annie.
- Okay, bye.
[soft pop music]
[huffs]
[sighs]
Today was hell.
Like, I, like, actually know
what hell is now.
- Mm.
- I mean, like, my article--
- Yeah, I saw the article.
- Yeah, so, I mean,
Gabe changed the headline,
and it just made
everything seem like
it was, like, so bad.
- Annie, stop.
You're not the victim here.
- What?
No.
Gabe skewed it
with his headline,
but if you read
the actual article--
- Yeah,
I read the whole thing.
You gave these people
a platform.
You literally spent
the whole day
with these
r*cist pieces of sh*t,
and you shot g*ns
with one of them.
I mean, why do these people
need to be written about
at all?
- I was just trying
to investigate, like,
their shittiness, you know,
their, like, horrific values.
It wasn't my intention
to give them a platform.
- How was it not
your intention,
yet you wrote
a feature article about them?
And intention or not,
it still sucks.
- But--it actually
wasn't even my pitch.
Like, it was supposed to be
Andy who wrote it.
- So you wrote it in protest?
- No.
No, I--I just--
I don't know--
I just didn't want
to be pigeonholed into
writing about body stuff.
So I was trying
to, like--
I don't know.
When it came up,
I just kind of jumped at it.
- Annie, you wrote
the article.
What do you think
would've happened to me
if I went to that ranch?
- Yeah, I--
I don't--I--I know
what you're saying.
- I can't help you
through this.
This is your problem.
- "Dear Diary,
"Am I the only one
"who thinks Maureen is hot?
Probably not."
[laughs]
- Maureen, it's not
a diary, okay?
I'm--I'm nervous,
so I'm writing down
what I'm gonna say
to Sheila and Gabe.
- Oh, no.
Are you quitting again?
- No.
No.
But everything is such a mess,
and so I asked
for a formal meeting
with Gabe and Sheila and Amadi.
And I'm gonna fix things.
- Okay.
Well, I believe in you.
I believe in you,
and I believe in fairies,
and that's it.
If you need me, I'll be
at my desk, making wishes,
wishes for my b*tches.
You want this?
- No, thank you.
[sighs]
EMILY: Okay, all
the ingredients are in there?
- Yes.
I think so.
EMILY: Then we just need
to puree them.
FRAN: Okay.
- And also if you wanted
to ask me some questions
about my culture,
I'd be more than happy
to answer.
- Wow, and what is
your culture again?
- Like, kinda preppy.
- Okay, yeah, no.
I do have a lot
of questions about that.
EMILY: [laughs]
[blender whirring]
- Is Nigerian food
like Ethiopian food?
- They're, like,
- Which is so many.
Was that a stupid question?
- Yeah.
It was.
- And do you love me
even though I'm stupid?
- I actually love you
because you're stupid.
- Wow.
God bless me.
[pop music playing
in the background]
- Okay.
That doesn't taste right.
My mum makes this all the time,
and that's not it.
- Well, this is
a random recipe
from recipesafrica.biz.
So maybe just call your mom.
- But if I call her, then
we have to talk to her, so...
- Yep,
Muy bien.
That is how
calling people works.
- And this is a good thing
that we want to do?
- Just call your mom, Fran.
♪ ♪
- Okay, Annie, through your
signature emotional acrobatics,
you've got what you wanted,
our undivided attention.
- Okay.
Well, I've been thinking a lot
about the article
that I wrote
about the Pickets...
- Yes!
It's exactly the kind
of fiery piece
I want from you, Annie.
- Well, I--
I don't agree with that.
Um... I mean,
these people
are practically t*rrorists,
and we've given them
a platform for their ideals.
And I'm not okay with that.
And I think that
we should take
the article down.
- [laughs]
I knew it.
[both chuckle]
- Sweetie, that's not
how journalism works.
- Well, but people are--
they're really upset,
and they're hurt.
So doesn't that mean
that we should listen to them?
GABE: No.
I can't believe
that I'm saying this,
but Sheila and I
completely agree.
Our policy is,
we don't take stories down.
We bash people
over the heads with them.
- Your article broke
our quarterly traffic records.
Because of you, The Thorn
lives to fight another day.
- But we're losing advertisers.
- Eh, we lost
a few small-time accounts,
but we gained
national attention.
- Amadi, you get what
I'm trying to say here, right?
- Uh, I don't love having
these people in our paper,
but we published it.
So that means it stands.
I would appreciate, however,
if you would run headlines
past me
before you call
white supremacists charming.
- Of course.
- Good point.
- Okay, um, well,
then could I--
could I write an apology
and we could post it online
or something?
I just feel like I should be
given the chance
to explain what
actually happened here.
GABE: And say what?
How it was everyone else's
fault except your own?
- No, I'm trying to take
accountability right now.
- If this is too much for you,
then stay in your own lane.
But if you want to evolve
and go bigger,
the job comes with
a few occupational hazards.
Bare minimum,
think about the ethics
of what you are writing
before the story comes out.
It's great to see you.
- Okay.
- Should we get started?
- You forgot your notes.
- Oh.
- Next month's slates.
- All right.
[phone vibrates, chimes]
- [scoffs]
[breathing shakily]
[whimpers]
- Okay.
What are you waiting for?
- I am setting an intention
that this call
will not be horribly bad.
- Hey.
You can do this.
[line trilling]
BISI: Hello.
Frances, is that you?
- Hi, Mum.
Sorry it's late.
BISI: I'm up.
I'm always up.
FRAN: Mum, can you point
the phone at your face?
I can see up your nose.
BISI: My baby,
what's going on?
- I'm trying
to make jollof rice,
and the tomato
doesn't taste right.
It tastes really bland.
BISI: You are making
jollof rice?
[laughs]
This brings me great joy.
Someone's in your house!
Hang up and call the police.
- Mum, this is--
this is Em, my partner.
- Hi, it's really nice
to meet you.
BISI: It is so nice
to meet you, too.
You know, in 29 years,
our Frances has never cooked
Nigerian food,
so you must be very special.
- Well, I'm nowhere near
as special as our Frances.
BISI: Tell me,
what do you do for work?
- Mum, the jollof rice.
Remember?
BISI: Yes, of course.
It will never taste
as good as my jollof rice,
but we can try
to get it close.
BISI: That is why
Ghanaian jollof rice
is garbage rice, okay?
- Okay.
I believe you.
- Okay.
You need to try this.
- Okay.
Wow.
That's the best thing
I've ever had in my life.
- Thank you so much, Mum.
It tastes just like yours.
BISI: It is my pleasure,
Frances.
Okay.
You two eat up.
It was so pleasant
to speak to you, Em.
- Oh, thank you, Bisi.
It was so lovely
to get to meet you.
BISI: Good night.
- Have a good night.
BISI: I love you, Frances.
Thank you for letting me
meet Em.
- I love you too, Mum.
Thank you.
- Okay, well, she's wonderful.
Can I have her number?
- Absolutely not. No.
- [laughs]
- But it genuinely was
really nice
to see how well you two got on.
- Parents love me.
I have a "good at chores"
energy.
- But no, I've just never
introduced a partner
to my parents before.
- Why?
- I think I kept
my dating life separate
because if one
rejected the other,
it would just be too painful.
- Well, I love you.
And I want to be part
of everything about you.
- I love you too.
ANGEL OLSEN: ♪ What is it you
think I need? ♪
[Angel Olsen's "Chance"]
- I guess it's time for you
to meet my family now?
- I get to go to the factory
where you were made.
- It's actually the world's
largest lacrosse field.
- Okay.
[chuckles]
ANGEL OLSEN:
♪ I don't want it all ♪
♪ ♪
- [sobbing]
ANGEL OLSEN:
♪ I've had enough ♪
- [sobbing continues]
ANGEL OLSEN:
♪ I don't want it all ♪
- Hey, hey.
- [laughs]
- You okay?
- [sobs]
- No.
I don't know.
Everything is just so bad.
And--I don't know.
Like, everyone thinks
I'm r*cist,
and I am so selfish.
I can't...
RYAN: Come here.
Come here.
Hey.
It's okay.
ANNIE: [sobbing]
Oh, God.
I just--I don't know.
I think I thought
that when we broke up,
that things
would just be easier.
But it's not,
and I really feel like
a worthless piece of sh*t.
RYAN: Hey.
Don't say that about yourself.
Like, ever.
I'm so lucky to have
ever dated you.
- Oh, God.
This is so f*cked.
I should not be venting
to you like this.
- It's okay.
I'll always be here
for you, Annie.
- Thank you.
I'm...I'm fine.
I'm--I'm okay.
I...
- You're sure?
- Yeah.
You should--you can go.
- You good?
- I'm sorry.
RYAN: Okay.
- Ryan?
[dramatic hip-hop music]
SINGER: ♪ I'm a freak ♪
ANNIE: [sighing]
RYAN: [grunting]
- Oh, my God.
That feels so f*cking good.
RYAN: Oh, God.
That feels so good.
Your p*ssy feels so good.
- Oh, my God,
I'm gonna come.
I'm gonna come.
RYAN: [grunts]
I'm gonna come, too.
[both yelp]
RYAN: That was amazing.
Like, when you talk
about my c*ck,
it just makes me go harder.
- I know.
I kinda think we should just
start f*cking at work again.
You know, like,
f*ck The Thorn.
- That would be so awesome.
ANNIE: Wow, what's--
what's this?
- Oh, sh*t.
f*ck, I forgot.
- What?
- I kinda have a girlfriend.
I mean, I do have a girlfriend.
- Oh, you forgot
you have a girlfriend?
What the f*ck is wrong
with you?
- sh*t.
This is bad.
We just got a dog together.
- Oh, my God,
so I just helped you cheat
on your girlfriend
and your dog?
You are exactly
the f*cking same.
- I'm sorry.
You were just so sad,
and I wanted to make you happy.
But we can never do this again.
- Yes.
No sh*t, m*therf*cker.
We are never doing this again.
Okay.
I should have never come here,
and I should have
never done this.
Listen to me.
Listen to me right now,
and I really f*cking mean it.
Do not ever talk to me again.
Don't call me,
don't find me at work.
Do not ever talk to me again!
[huffs]
Oh, my God.
f*ck you.
Truly, f*ck you!
[Molly Burch's "needy"]
♪ ♪
[breathes deeply]
SINGER: ♪ If you take too long
to hit me back ♪
♪ I can't promise you
how I'll react ♪
♪ But all I can say ♪
♪ Is at least
I'll wait for you ♪
♪ Lately I've been
on a roller coaster ♪
♪ Tryna get ahold
of my emotions ♪
♪ But all that I know ♪
♪ Is I need you close ♪
♪ I'ma scream and shout
for what I love ♪
♪ Passionate,
but I don't give no f*ck ♪
♪ I'll admit that
I'm a lil' messed up ♪
♪ But I can hide it
when I'm all dressed up ♪
♪ I'm obsessive,
and I love too hard ♪
♪ Good at overthinkin'
with my heart ♪
♪ How you even think
I got this far? ♪
♪ ♪
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