03x03 - Aftermath

[bunniefuu]

I don't want an explanation from you.

I want to talk to Sid Fairgate.

Uh, can I help you? I'm Karen Fairgate.

But I want to talk to Sid.

My husband died five weeks ago, Mrs. Ellis.

You don't want me here.

No, I don't trust you, Abby.

I don't think I ever will.

I have so many..

...emotions churning around inside.

And if I let go...I'll explode.

He had to go do the right thing

out of his way to help, to do his duty.

Well, where does that leave us?

[theme music]

[music continues]

[male #1] '"Man that is born of woman hath'

"but a short time to live, and is full of misery.

"He cometh up and is cut down like a flower.

"He fleeth, as it were, a shadow

'"and never continueth in one stay.'

'"Of whom may we seek for succour'

'"but of thee, O Lord, who for our sins'

'"are justly displeased.'

"Yet, O Lord, God most holy, O Lord, most mighty

"deliver us not into the bitter pains of eternal death

'"as we stand in the presence of our dead'

'"we know that it is not defeat, but victory.'

'"Help us to know that in thy good time'

'"hearts that are sundered here shall be reunited'

'"in the country of their hopes.'

"Where thou shalt make us glad in thine

"abundant answer to our every humble prayer.

'"Blessed are they that mourn, for they shall be comforted.'

'"Be strong and of good courage, fear not, nor be afraid'

'"for the Lord thy God'

"he it is that doth go with thee

he will not fail thee, nor forsake thee."

'"God is not a God of the dead'

'"but of the living for all live unto him.'

'"With thee, O Lord, is the foundation of life'

'in thy light shall we see light."'

"Unto Almighty God, we commend the soul

"of our brother William Sidney Fairgate departed

'"and we commit his body to the ground'

'"earth to earth, ashes to ashes, dust to dust.'

'"Infirm and abiding faith that'

'"as he hath borne the image of the earthly'

'"so also he doth now bear the image of the heavenly.'

'"The dust returns to the earth as it was'

'but the spirit hath returned unto God who gave it."'

Amen.

[instrumental music]

Look, here's one younger than dad..

"Hedemann Lars."

"40, beloved husband of Janet née Bergen."

It's the obituary column

he reads it first thing every morning.

And what's wrong with that?

It's a little morbid.

[instrumental music]

[sobbing]

Hi, Pete.

- Mom. - Hmm?

I think we need to talk.

Okay.

Well?

Never mind.

In the five weeks since Sid died

I think-I hope I've told all of you individually

how much your expressions of sympathy and-

and your help have meant to me and the children.

Knots Landing Motors was Sid Fairgate second home

and you were his second family.

Sometimes I was a little jealous.

But when all is said and done

I loved this place more than I was jealous of it.

Because I loved Sid and I couldn't help

but love anything that that made him happy.

Anyway, the reason I had Gary get you all together

is not just to thank you

but to stop any rumor or speculation

that I may be planning to sell Knots Landing motors.

Knots Landing Motors is not for sale.

[applause]

We're gonna keep it open

and we're going to make it prosper.

Needless to say, I have a lot to learn

but I'm counting on all of you to help me.

I promise you, I'll give it my best shot.

Thanks. Thank you.

[phone ringing]

[woman over PA] 'Salesman. Showroom floor. Salesman. Showroom floor.'

[knock on door]

- Hi. - Oh.

Karen what you said down there was just terrific.

It means a lot to them.

- They-they loved Sid. - Yeah, I know.

And they're they're behind you 1,000 percent.

Uh, listen, uh, use this book, alright?

Thanks.

Do you need to go to section four in the Pink Pages.

[woman on PA] 'Jerry Ewing, showroom.'

But the, uh, the discounts here are on the back.

Okay.

What you said down there about needing everyone's help.

Everyone's but mine, right?

I'm sorry.

Now you're gonna spend hours

on that stack of purchase orders

and I could do it in just a couple of minutes.

I'll learn.

You don't have to learn.

You have more important things to do.

I can do it.

Let me help.

I can't.

[phone ringing]

- I'm sorry, I can't. - Why?

Because I doctored the books.

Everybody doctors books. It's what bookkeepers do.

Not here, not in Sid's business.

You're letting Gary help,, and you must be

just as angry at him as you are at me.

I am not angry with anybody, Abby.

And why are you shutting me out?

Sid was my brother, I loved him.

I want to mourn for him.

- I'm not stopping you. - Yes you are.

Karen, I can't go through this alone.

I lost Sid too, and I don't know where my children are.

And now I don't even have a job to go to.

I don't have anything

or anybody.

I'm alone.

And I don't know what I'm gonna do

if I have to mourn alone too.

You're right.

You shouldn't be alone right now.

The children and I will help you through this.

You should spend more time with us at home.

But you don't want me here.

No.

I don't trust you, Abby.

I know that you love Sid

and I know that right now you want to help.

But I don't trust you.

I don't think I ever will.

[instrumental music]

- Hi, Gin. - Hi.

Well, out for a little stroll?

A walk. There's a difference.

- Doctor's orders. - Huh.

Well, it's the best thing in the world for you.

I'd rather be carrying the baby outside of me.

You need some help?

Oh, no, Ginger, you shouldn't be carrying things.

What about the Chinese woman Pearl Buck wrote about?

What Chinese woman?

You know, when it came time for their babies

they had them right in the middle of the rice paddies.

Oh, well, okay, in that case, then you carry this

lighter one here. - Thank you.

So you have another week to go.

Give or take a few days.

[car honking]

Hey.

Ooh, you better take this, Kenny'll k*ll me.

Okay, I got it.

Kenny thinks it's gonna be a boy

but I'm kind of hoping for a girl.

Whatever it is, you know it's gonna be beautiful.

I can't wait.

It hasn't started yet, has it?

Oh, come on.

What's so funny? I'm supposed to act this way.

Yeah, of course you are.

Now, you two keep me posted, alright?

Okay. Come on.

Keep me company while I walk.

What were you doing carrying that bag?

Oh, Kenny, it was light.

Honey you're not supposed to strain yourself.

You better calm down.

We've got our ways to go.

Hmm. God, this kid weighs a ton.

Wait a minute, wait a minute. What was that?

What was what?

Well, I don't know whatever stopped you there.

Oh, I don't know.

Oh, my gosh.

Do you think it could be a contraction?

Well, I don't know. You tell me.

- I don't know. - Come on, come on.

Careful, now.

- Wow. I don't know. - You think so?

Uh, Karen, why don't you let me do that?

No, thanks, Gary, I don't mind.

And you've got your AA meeting.

Go ahead. I'm having fun.

Okay.

Janet, uh, could you lock up when you leave, please?

- Sure. - Thank you.

- Hi. - Hi, Richard.

- How's it going? - Fine, fine.

- What are you doing here? - I'm looking for Karen.

Ah, she's right in the office.

- Thanks. - I'll see you later.

See you later.

Hi.

Richard. Hi. Come to buy a new car?

Come to buy you dinner?

- Oh, well, I'd love that, bu-- - No buts.

Laura is working late, and I plan to

send Jason off to his Aunt Susie's.

I'm in the mood for Julio's crab fingers.

Well, that does sound wonderful.

Except my kids are at home waiting dinner for me.

Yes, well, your kids can fend for themselves.

I've seen them fending in their great fenders.

That's because they're father is in the car business.

Their mother.

Bad joke.

Terrible. Come on.

- You deserve a treat. - Oh, Richard. Thanks.

- I'm fine. - Yeah, I can see that.

No, really, I am.

Yeah, well, you're too fine.

You see, you should be indulging yourself.

I mean, wallowing in some nice sloppy self-pity.

Oh, believe me, Richard

I have not been shortchanging myself

in the sloppy self-pity department.

[woman over PA] 'Telephone, Mrs. Fairgate.'

Mom, It's me.

- Michael. What's up? - When will you be home?

Oh, in about a half hour.

I just have some things to do here.

But it's after six.

Well, you go ahead and eat?

Diana did cook, didn't she?

Yeah, but when will you be home?

I'll be home as soon as I'm finished, okay?

Okay.

Bye.

I better get home.

Alright, it's okay. No problem.

I'll just go back to my house and sit in the dark.

- I'll take a rain check. - You got it.

Janet. Where would I find last year's ledger?

In the closet in Mr. Fairgate's office.

You want me to get it for you?

No, I'll get it.

[instrumental music]

[giggling]

Honey, that was marvelous.

- What was it? - "The Sound of Music."

I know, but what was the name of the song?

That's the name of the song, "The Sound of Music."

You're the one who refused to give him up for adoption.

When you hear the other instruments

you can tell a song, it's for band practice.

Uh, why don't you go practice in your room.

With the door closed?

Thought you were working tonight.

The client canceled. Thank God.

You know, ever since Scooter's wife left him

he expects me to do everything.

Did you talk to Karen today?

Yeah. Still the Rock of Gibraltar.

At least she's holding things together.

You should see Scooter.

He is falling apart as it seams.

Yeah, well, a little falling apart

would do Karen some good.

I mean, she's never going to get over this thing

until she grieves.

It's like she's trying to keep a lid on a smoldering keg.

Did you just mix the metaphor?

Martini.

[instrumental music]

Mom, mom.

You're home. Hurry, hurry!

- Hi, mom. - Oh, hiya, sweetheart.

- Ooh, can I carry something? - You sure can.

You can carry this and this.

But first give me a kiss.

Where have you been?

You said you'd be home at half an hour ago.

Been longer than a half an hour.

Michael. Don't be a nudge.

Did you time that last contraction?

Right, I got it.

Oh my God, three minutes.

They're coming three minutes apart.

I'll call the doctor.

Alright. Pillows.

'The bag is already packed.'

Change foe the phone in my pocket.

Peppermints in the jacket.

Got some paper bags in there.

Well, come on, honey.

You look like a "Lucy" rerun.

Well, come on, let's go.

It's not time yet.

They've been happening 12 minutes apart.



Get to the hospital and they'll tell me

to come home and it'll be another two weeks.

Honey.

This is how it starts.

Believe me, this is not a false alarm.

This is the real thing.

- Come on. - Yeah.

- Mm. - Honey you feel another one.

I was enjoying myself.

[chuckles]

Oh...wow.

[Michael] 'Can I toss a salad?'

[Karen] 'Okay, fine. Consider it tossed.'

'Let's take these out.'

- You need any help? - Nope. It's all done.

Well, I guess that does everything.

- Except.. - Oh, I'll get it.

Where did she go?

The rolls. The rolls?

- He's very eager. - Yeah.

- Diana, will be right out. - Good.

I hope she hurries. I sure am hungry.

Hey you're sister's becoming a real gourmet cook.

I like the way you cook better.

Yeah, but she can't do everything, Mike.

How are things at..

Ta-da!

Oh, honey, that looks great.

Oh, it's nothing special. I've just been slaving over

a hot stove for hours.

[laughs]

Why don't we let Eric carve the chicken.

Me?

- Eric. - Sure.

Take a stab at it.

- Ugh. - Pardon the pun.

Where do I start?

It's a piece of cake.

You've seen your father do it 100 times.

You just remove the wings

and the legs and then slice the breast.

Okay.

Mother, I've spent hours on that.

And you're letting him ruin it.

Honey-honey just, um, just find the joint

and then saw it with a knife.

Uh, okay.

Mother.

It was tough. You didn't cook it long enough.

It's cooked fine.

You're just hopelessly inept.

Well, cut the damn thing yourself.

Hey, hey, take it easy.

It just takes a little practice, okay?

Now, um..

- Who wants what? - I'm not hungry.

[Karen] 'Eric! Come back!'

Who wants a leg?

How are you feeling?

- Fine, I'm nervous. - Ah, don't be, honey.

Everything's going to be fine.

I hope this isn't a false alarm.

Honey, when we come back from this hospital

we're gonna have us a baby.

- In you go. - Okay.

- You all in? - Yeah.

- Okay. Hurry, Kenny. Hurry! - Alright, alright.

Drive slow.

[indistinct]

- Okay. Easy, easy, easy, easy. - Alright, alright.

Okay. Hey.

- Don't sweat. - Right. Slow.

[instrumental music]

Oh, Michael.

You scared the living daylights out of me.

I heard you come upstairs.

Is anything wrong?

- No. - Well..

You go back to bed, okay? It's late.

Michael.

I'm not sleepy.

Well, just lie in bed and rest.

Well, couldn't I just stay here for a little while?

No. You cannot.

I'm not gonna bother you.

I told you to go to bed!

I'm sorry.

I guess I have a lot on my mind.

I guess we all do.

I'm ready to listen now, if you want to talk.

Oh.

Michael.

I know it hurts. But it will ease up.

Honest, I promise.

But what happens if..

See if something..

- Suppose you-- - What?

What if what?

Go ahead and tell me. It's okay.

What happens if..

...if you die?

Oh, baby, honey.

I'm not gonna die.

Not for a long, long time.

[instrumental music]

- I must look awful. - You look fine.

I was going to get my hair done yesterday, but..

Oh..

Hey, now, don't tense up, take a breath.

- A deep cleansing breath. - Oh. Oh..

Come on, honey, you're not relaxing.

- I can't relax. I can't. - Come on.

Honey, breathe. Remember, come on.

[blowing]

Alright. You're doing fine.

I'm not doing fine.

Don't stop. Open your eyes.

Relax. Focus. Come on.

Oh! Shut up.

Come on now, honey. It'll help

if you just-- - Nothing is going to help.

Ginger. Just like in class.

Now come on, you got to relax

breathe, pant. Come on you can do it.

- I can't do it. - Come on, sure you can.

Oh, to hell with this.

Oh, oh, oh, oh, oh.

You're doing just fine, honey.

You're doing just terrific.

I don't think I can take much more of this, Kenny.

[rumbling]

[clanking]

- Looks great. - Chain it up.

- Mrs. Fairgate. - Mm-hmm.

- What's going on? - Good.

Where are they taking it?

- Away, It's theirs. - Thank you, Mrs. Fairgate.

Thank you.

You sold it. Why?

Well, it wasn't doing anybody any good in the garage.

- Well, why didn't you tell us? - Tell you what?

That you were putting it up for sale.

You told us that.

Well, why I wouldn't let you keep it anyway.

It's not for city driving.

Well, I just don't understand why you didn't tell us first.

It didn't occur to me.

But it's dad's car.

I'm sorry, I-I should have told you.

Excuse me.

[engine revving]

[instrumental music]

[Val] I do not know how she does it.

Where she gets all her strength while she's handling things.

Kids, house, business.

Of course you do take a lot of pressure off that work.

Gary?

These blueberries are fresh dough.

Uh, I'm not hungry

and I got to get to work.

Gary, you have got to stop this.

Karen does not blame you for Sid's death.

Well, if it hadn't been for me, Sid wouldn't be dead.

Alright. You have said enough

and you have felt it enough.

And I've heard it enough.

Now, if Karen can put it behind her, why can't you?

Because I'm the one with all the guilt.

Well, then what about Karen's guilt?

She let Sid go ahead with that dangerous operation.

She didn't even want to sign that consent form.

Yet she let Sid talk her into it.

Now, that's something to carry around, too, isn't it?

There's no way she could have talked him out of it.

Maybe, maybe not.

Look, Gary, everybody bears some guilt

for a tragedy like this.

But you don't stop living because of it.

You-you learn something, and you go on, and..

...and you help each other through it.

Alright, Gary.

Hey.

Right?

- Yeah. - Come on.

[sighs]

Well, here's two meals you won't have to cook this week.

Can I say something?

Since when have you had to ask?

Since never.

Only I don't know what the new rules are.

Everything is so different now.

Say what you have to say, Diana.

Okay.

When daddy died, that was the worst thing

that ever happened to any of us.

But the way we are now, this is the second worst.

Diana. It's all part of the same thing.

Adjusting to it is-is--

is just as bad as experiencing it.

But we're not adjusting to it.

We're not even trying to.

We're not talking to each other.

We're not helping each other.

We're not even offended.

That is ridiculous, Diana.

Even though I'm not around all the time

you and-- - We take our cue from you.

And if you don't talk to us, we don't talk to each other.

Good God, Diana, I said I was sorry.

I should have told Eric about the car, okay.

Forget the car.

We don't talk about anything.

We walk around here angry and sulking

because you seem so angry.

I'm not angry at you.

Well, then, who are you angry at?

Daddy?

Mother.

When these cool, put them in the freezer.

- How can you be angry at him? - I have to get dressed, Diana.

- You are angry at him. - Yes, I am, okay?

When I think about him, I get mad..

...at him and his admirable morality.

He had to go do the right thing out of his way to help

to do his duty.

Well, where does that leave us?

- What's moral about.. - Stop it!

Stop it!

Stop it! Stop it!

Stop it!

Oh, God.

Now you take a deep breath.

[inhales deeply]

Oh. Oh, I need something for the pain.

I can't stand it.

Where's the doctor?

You said you called the doctor.

He's coming, honey. They called for him.

Just hang on, honey. Just hang on.

Ooh. Ooh! Ooh..

- Hold me. - Now we'll do this together.

- Hold me. - Now wait.

Just close your eyes. Close your eyes.

[Ginger groaning]

How are we doing?

Uh, Doctor Parker? I need a shot.

- Honey, I thought we Dec-- - You decided

I need something for the pain.

- I can't stand it. - It's up to you, Ginger

if you feel you need it.

But you've been doing really well.

I do, please.

- I'll get the nurse. - Wait, wait. Ginger

we don't want the baby to be drugged.

No, it's not going to be much longer, is it?

No, it's getting pretty close.

[Kenny] Well, then tell her that she doesn't need a shot.

[Dr. Parker] I'll do no such thing.

You're not in labor, Kenny, you're wife is.

- But the drugs. - Will not harm the baby.

Not if you. Ah..

I've got to get the nurse. Nurse!

- Don't leave me! - Don't worry, honey.

- Don't leave me! - I won't.

Oh.

But, Mrs. Ellis. I'm trying to explain to you.

I don't want an explanation from you.

I want to talk to Sid Fairgate.

Can I help you? I'm Karen Fairgate.

Well, I'm happy to meet you

but I want to talk to Sid.

He's the only one who understands my car.

I've been trying to explain--

And I've been trying to explain to you, young man

that I want to talk to Sid Fairgate.

- Um, Mrs.. - Ellis-Ellis. Look it up.

I bought three cars from Sid Fairgate

and he's serviced every one personally.

Well, Mrs. Ellis, Sid died.

Well, when will he be back?

My husband died five weeks ago. Mrs. Ellis, I'm sorry.

But..

[phone ringing]

Well, there's something wrong with my car.

This is Ed Winters.

He's overseeing the service department now

and I'm sure he'll be happy to give

you the same personal attention that Sid gave you.

Right, Ed?

Of course. Please.

[dramatic music]

Karen.

Get out!

Okay. Okay.

Okay!

[breathing heavily]

[breathing heavily]

[scatting]

Yeah, I could use a little help making dinner, you know.

Well, I'm not gonna be home for dinner.

- Where are you going? - Out.

You just can't run off without having any dinner.

Does mom know?

You mean, does she care?

- What's it with you, anyway? - Nothing.

- Eric. - Will you just leave me alone?

Not you too.

What do you mean?

Well, nobody in this family talks to anybody anymore.

Look, I just got to get out of here, okay?

Eric, I know how you feel.

Well, we all feel bad.

No, I don't think so.

Everybody's walking around like nothing even happened.

You said it yourself.

Nobody talks to anybody anymore.

Well..

We're talking now, so let's talk.

I just can't take it here, Diana.

Everything's so fake.

Mom's walking around like

one of those ladies we saw in that movie

where they were all robots.

Smiling, cheerful all the time.

Going about their own business.

There's nothing inside of them.

But that's not true.

But that's how she acts.

Either she's not feeling anything or she's lying.

Well..

Maybe she just can't tell us how she feels.

Maybe it hurts too much.

Did you ever think about that?

But what about the way we heard?

If she's not gonna talk about it

how are we supposed to?

Eric.

Well, look at you.

I mean, you're just doing the same thing she is.

Running away and trying to hide how you feel.

I'm sorry.

I'll be back later.

Great.

[door closes]

[Val] Gary.

Gary.

Gary.

- What's wrong? Are you sick? - No.

Well, something must be wrong.

- What are you doing home? - Will you leave me alone?

- Why are you so angry? - I'm not angry.

I just--

Karen.

She finally let it out.

Well, what do you mean?

- What'd she say? - Nothing.

- She hit me. - She what?

If she had a g*n, she'd have used it.

I almost wish she had.

I don't believe it.

It's the most honest thing she's done since Sid died.

Oh, come on, Gary, don't say that.

- That's crazy. - Val, grow up.

Stop acting like everything's gonna

be fine if we all applaud loud enough.

Sid's going to come back. Karen's gonna have a husband.

The kids are gonna to have a father

and we're all going to live happily ever after.

Why are you doing this?

Because I am sick of being forgiven by you.

And I am sick of the way you accept everything.

Well, I don't know what went on down at the office

but I know what's going on here.

You are trying to provoke me.

You are trying to be as ornery

and as hateful as you can.

So that maybe I'll hit you, too.

Well, you're gonna have to work it out

some other way, Gary Ewing.

Because if you want to go on being punished

you're just going to have to do it to yourself.

Where are you going?

Back to work.

She hit me.

She didn't fire me.

Honey, take two cleansing breaths, right.

In through the nose.

Deep out. Now in. Deep out.

Now take one in and hold it.

For ten. One, two, three, four, five

six, seven, eight, nine, ten.

Change your air. In deep.

For 12 now. One-- No. Take it and hold it.

- For 12. - 'That's good.'

One, two, three, four, five

six, seven, eight, nine, ten, eleven, twelve.

Let it out. Change your air.

Okay. Back in deep, deep, deep, deep.

One, two, three.

- Come on, Ginger. - It's over.

- How are we doing? - It's over.

Great.

[breathing heavily]

[indistinct]

Pant, pant, pant.

[panting]

[Dr. Parker] 'Okay. Now push.'

'Take a deep breath and push.'

- Come on. - Really curl up and push.

Alright. Stop pushing. Tell her, Kenny.

Don't push, don't push.

Alright, now, I'm..

...I'm getting the cord.

It's wrapped around the baby's neck.

Keep blowing.

- Alright. - There you go.

- Stop pushing. - I want to push.

No, no. Relax a minute.

It's the baby's head you're feeling, not a contraction.

Just blow.

Take a deep breath and let it out slow. Deep breath.

Let it out slowly. Deep breath.

- Let it out. Let it out. - Nice and easy.

There's the head.

It's got hair. It's got brown hair.

Ah, now you want to help? It's your baby, Ginger.

[indistinct]

That's it.

- Oh, Kenny-Kenny. - It's a girl.

Oh, honey, I'm so proud of you.

[baby crying]

I'm gonna cut the cord.

- Is she okay? - She's looks fine.

She's doing very well.

[indistinct]

Kenny?

Want to give your baby a bath?

- Who? Me? - Yeah, you. Come on over here.

[Dr. Parker] 'Now relax.'

'Relax.'

Aw.

'There's your baby girl.'

[vacuum cleaner whirring]

[doorbell rings]

[vacuum clear turned off]

Oh. Hi, Val. Uh, is Gary here.

I'd like to talk to him.

- No, he's not. No. - He's not here.

He went back to work.

He said

you hit him. You didn't fire him.

- He...he told you? - Mm-hmm.

I came to apologize.

Okay, I'll tell him.

Val.

Please don't be mad at me.

Come on.

Oh, God, this is embarrassing.

I just..

So I'm sitting there in Sid's chair in the office

and I don't. I don't know, I just..

I went crazy.

Are you okay?

No, I'm not okay. Ask me in

a couple of years and then I'll tell you.

[chuckles]

I know.

Val.

I'm so scared.

I'm really terrified.

I have so many...emotions

churning around inside

that if I let go..

...I'll explode.

But don't you see that

that's what you did just now with Gary.

I just try not to think about him.

So I miss him.

I really miss him.

And...when I think about him.

I just want him to hold me..

...and love me and tell me..

...it's all a nightmare.

It isn't.

So I just have to keep myself together.

Keep myself together.

I know, I know you do.

And I know that you have to deal with this in your own way.

But the way you're doing it right now

you're hurting the very people who love you the most.

[Ginger] 'Oh.'

[baby crying]

Uh, it's no contest, I checked the nursery

she's the most beautiful baby in the place by far.

Well, I had her quiet there.

Oh, isn't she incredible?

[baby crying]

Yeah.

[knock on door]

Hello, may I..

Oh, I didn't know the baby was visiting.

Am I allowed?

[Ginger] Come on in, Karen.

[indistinct announcement over PA]

You look beautiful.

- Thank you. - Here's some flowers.

- How are you feeling? - Oh, tired, but..

You should have seen her. She was heroic.

I didn't feel heroic, I felt sweaty.

Go see the baby.

Oh.

You're the godmother.

- I am? - 'Yeah, absolutely.'

Can you let Karen hold the baby?

Uh, no.

I don't think we're supposed to, are we?

Let Karen hold her.

Her name is Erin Molly.

- Do you like it? - Oh.

It's a beautiful name. Hello.

Ooh.

Kenny.

It's okay.

[crying]

Oh...baby.

Yes.

[theme music]