13x10 - Lost at Sea

[bunniefuu]

[narrator] Previously on Knots Landing

End of an era?

Beginning of a new era.

Take care of yourself.

You can call it chemistry,

you can call it the differences in our ages.

It just doesn't work.

I guess "goodbye" comes now, doesn't it?

Sorry I got you into this.

You didn't get me into this.

Daddy.

[upbeat music]

Greg came over because he was concerned about Meg.

You know what the kids been through.

It'd be a lot for anyone.

Meg's fine.

I've been doing everything that should be done.

How did it go? Gary and I are dying to hear.

She was here in my bed.

She's trying to get to you, trying to shake you up.

This is what she wants.

You're letting her do it.

What is going on?

What is going on? Pierce!

[theme music]

I gotta go. Good pancakes.

Good pancakes? Then have two more.

Oh, hold on a minute, pal, you're not going anywhere

without this.

My ticket to Sweden.

I guess this means I'm really going, huh?

Not if you lose your tickets, you're not.

Why don't you put them upstairs in your desk drawer

so we all know where they are.

Yeah, I'll do it after school. Okay?

I gotta go. See you guys later. Okay?

Bye.

He doesn't sound very excited.

It's probably not real to him yet.

It's plenty real to me.

You're going to miss him? Me too.

It's not just that. It's...

I get the feeling my whole family is disappearing.

What do you mean?

You know, well, Sumner showing up like that,

taking an interest in Meg out of the blue.

It's not out of the blue he was concerned

because of what happened with Brian Johnston.

It's just natural.

We'll worry about her. It's our job.

She's our daughter.

He knows that.

You don't think he would ever...?

Oh, no.

[chuckles]

Sorry, just overreacting.

Right.

Right.

-[door knock] -[Gary] Paige. Pierce.

It's Gary.

-Coming. -What's with you guys?

I've been trying to get ahold of you all morning.

I must have left 50 messages.

-Is Pierce here? -[Paige] No.

Well, there's been a problem.

The Amarino brothers wanted payment in full

before they start construction.

Well, how's the cash flow?

Yeah. There is no cash flow.

I had to make it good on my own.

Gary, you used your own money?

Yeah, I figured the Tomita deal

that Pierce is working on to cover it.

Oh. There is no Tomita deal,

-He cratered. -What are you telling me?

We were counting on that money. Pierce said it was practically a done deal.

-What can I say? It fell apart. -It fell apart?

I've been writing checks against that Paige.

We're talking about over $1,000,000.

Well, Gary, what were you doing using your own money?

If I hadn't used my own money.

The work would have stopped.

Now, where's Pierce?

I don't know

We had a fight and he took off.

-Took off where? -I don't know.

Great.

Lawrence, I need you to review Meg's adoption agreement.

Look I'm a lawyer too, remember?

So I don't need you to tell me that it's airtight.

I need you to tell me that it's airtight-airtight.

If there's a loophole, Sumner's going to find it.

Thank you and keep it quiet.

Sure.

-Trouble with Sumner? -Not yet.

What's it about?

He's got Meg on his mind again.

-On his mind how? -I don't know.

She's your daughter.

I mean, he can't do anything about that

even if he wanted to, right?

When did can't ever stop Sumner,

but I'll be ready for him this time.

-Hi. -Hi.

What brings you around?

[Gary exhales deeply] Nothing good.

Tidal energy is going to cost more money than we figured,

and the Japanese investor we were counting on

just went away.

So you need more outside money?

No, we already went that route. Um...

[sighs]

I'm thinking about mortgaging the ranch.

You want my advice?

Well, your advice and you're my lawyer.

If I mortgage the ranch, I'm going to need your help.

Yeah.

Let me give you my advice first.

You know, all through this thing,

no one's asked my opinion.

Not you, not Paige.

So I just kept my mouth shut. Hey.

But now I'm going to tell you what I think.

Energy from the sea? Great idea.

Going into a business hook, line and sinker

with some ideas that are only half tested

-Mack. -And going into a business

with a partner about whom... Hey, Gary,

we don't know much about.

What are you talking about?

Pierce Lawton's from one of the biggest financial families

-on the East Coast. -Let me finish.

In my opinion,

you and Paige took a blind shot at this,

and I understand that sometimes you got to stick your neck out,

but when you talk to me about mortgaging your ranch,

then you break rule number one.

Which is never use your own money.

[Mack] Never use your own money.

So I advise you as your lawyer and your friend.

It's one lousy idea.

And if I were you,

I'd cut my losses and sell out now.

Yeah, so somebody else can make a success of it.

So that when it goes under, you don't go under with it.

We're talking about the rent here, Gary.

Why don't you realize that?

You know, I expect this kind of negativity from my lawyer.

I don't expect it from my friend.

Gary, don't.

Damn.

I am sorry, Mr. DeLeon,

but the renovation is just going to have to wait.

This is for the work that you've done so far.

I'll be ready to start whenever you

and Mr. Ewing change your minds.

Don't worry, that'll happen soon enough.

Of course.

Oh. Mr. DeLeon, how are you?

Fine, thank you.

You are going to be able to start work soon.

Uh, Gary, I was just telling Mr. DeLeon

that we're going to... hold off for a couple of months.

What are you talking about?

[chuckles] Would you excuse us for just a minute?

I thought you wanted the kids' room done right away.

I did.

But the estimate was so much more

than we thought it was going to be,

but we decided to do it.

Things are going to be rough for the next few months, Gary.

I think it'd be better if we wait.

Oh? And that's a decision to make

without talking to me about it first.

With all the problems with the project,

I didn't think that we needed the extra pressure right now,

just like everybody else.

You don't think I can stand up under it

Gary, that is not what I'm saying.

Sure it is. That's what you're saying.

It's what Mack's saying.

You talked to Mack about this?

Yes, I talked to Mack about this.

[sighs]

Okay, what does he think?

He thinks I ought to get out before it gets too hot.

Well, maybe he thinks that it isn't wise.

He took it for granted that Tidal Energy was gonna go bust.

Gary, would you stop this? You are taking this all wrong.

No, I'm not. I know what everybody thinks. Things heat up.

-Gary goes to pieces. That is--

Well, let me tell you something. This is going to work.

So you're either behind me or you're not.

Gary, I am always behind you and you know that.

But if you're going to make a decision and--

I know what I'm doing.

[instrumental music]

All right, Gary.

Where are you going?

I'm going to tell him to go ahead

with the renovations.

[seagulls squeaking]

I don't know.

I'm really getting scared, Karen.

Right now, I mean, I can't even talk to Gary.

Whenever I try, he gives me this...

terrible ultimatum.

"You're either with me or against me."

-Then you're with him. -Well, of course I am.

We share everything.

His problems are my problems, but that doesn't mean

we're always going to agree on how to handle them.

And what we don't like right now, I mean he just...

Just expects me to second his opinion.

Right now that's what you ought to do.

No, I don't think so.

Not if I feel he's going to do something that...

could hurt all of us.

Look, from what you've been describing to me,

Gary is just taking everything personally right now

because he himself

doesn't know what he wants to do.

But as long as he feels that way,

you've got to show him that you're on a side.

When he's sure of you, he'll let you in.

And then you can influence him.

I don't know.

Hey, you wanted my opinion.

Yes, Karen. And I am behind him.

-It's just-- -Well, tell him.

I know but you don't understand. I've got...

It's... I'm frightened, Karen.

I mean, Gary is pouring everything

that we have into this project.

And I'm telling you, I've been here before.

and sometimes he just doesn't know

when to stop or where to draw the line.

And the...

worst part is that...

We can't even talk to each other about it.

[emotional music]

Does that ever happen between you and Mack?

-Sometimes. -Yeah?

Yeah.

I can't believe that.

Look, right now,

Mack has Greg Sumner and Meg on his mind,

and either he doesn't want to tell me he's worried about it,

or he doesn't want to admit it to himself.

Yeah, but Mack would still want to hear your opinion,

whatever it is, right?

-Right. -Yeah.

Not Gary.

Gary's just closing himself off.

Look. Val...

I want you to think about something.

I want you to think about how much

you and Gary have been through.

It's important that nothing

come between the two of you again.

Not money,

not business,

not anything.

You just be there for him

and somehow

everything else has a way of working out.

[emotional music]

Not always.

[knocking on door]

Coming.

[sighs] What are you doing here?

I'm looking at you.

Yeah? I've seen enough.

I can never see enough of you, Paige.

What do you want?

[Greg] I want the keys.

When you work for the Sumner group,

you're able to occupy this department on the glide.

But now that you don't work for the Sumner group,

I think we ought to strike a new deal.

What do you think your boyfriend can afford?

I don't know, I'll have to ask him when he gets back.

While you're at it, you ought to ask him about his back story.

[Paige] What about his back story?

Well, about ten years ago on the Maryland shore,

there was this girl, 18 or 19.

[Greg] She went sailing one day with our friend.

There was a storm, the boat sunk and the girl drowned.

What makes you think that I believe

anything that you have to say about Pierce?

The word is that she was pregnant,

that he m*rder*d her

and sunk the boat to cover it up.

That's what they say.

Who's they?

Victoria Broyard?

She'd say anything to destroy Pierce.

That doesn't mean it isn't true, babe.

I don't believe it.

I don't want you to be the next accident.

[instrumental music]

Kiss me.

Get out of here.

If he does invite you to go sailing...

don't forget your water wings.

[music continues]

[Debbie] These are the changes that you're going to need for the teleprompter. Okay?

So if you would, she's over there,

Karen, before she goes on.

-Yeah, yeah. -[Debbie] Thanks.

Hi. I guess I'm the mystery guest.

Guess so.

Is this a good time to talk?

-I can come back. -No, this is fine.

I just came by to say hi, see how you doing?

-Frank. -No, no, no.

I didn't come by to apologize

or to ask you out for another date

or nothing like that.

You're like one of these insurance guys I see on TV

who come rushing in after the big hurricane

to check the damage.

Not exactly.

-Sort of. -Sort of.

I'm seeing Dwayne again.

-Dwayne, the ex-boyfriend? -Mm-hm.

You know, this time I think it's gonna be better than ever.

Glad to hear.

One minute.

Well, I gotta go. Karen's on in just a minute, and, um...

I wish you and Dwayne all the luck in the world.

-See you. -See you.

Frank.

I'm glad you stopped by.

So like you.

[Mack] Frank?

-Where are you? -[Mack] In here.

Huh.

[Mack] How'd it go on court?

Well, court's this afternoon

I had some personal stuff to take care of.

Debbie.

[Mack] Oh, I thought that was over.

Yeah, it is over.

You know something.

You know when something is over?

It's when you see the girl and you like her

and you're glad she's happy

and you're not sorry

when you find out that she's going to be going out

with somebody else that night.

[stammers] That's when you know it's over.

What?

[Frank laughing]

What are you doing tonight?

Me?

Yeah, for dinner.

I thought maybe we'd get together at the house.

You said Julie was out on the class trip.

You know, we'll have a little dinner.

Pasta and lamb chops. How does that sound?

That sounds great, but no.

Tonight's going to be special.

Special as in what?

As in...

Frank Williams is going to be alone this evening.

I'm going to cook me up some fried chicken,

-listen to some down home Blues -[telephone ringing]

and read this book I've been dying to read.

I've been waiting on this for some time.

-[telephone ringing] -Sounds good.

Mack MacKenzie.

Paige. Alright, oh... Slow down and tell me.

Oh, what's the big deal?

You know, it's always gone one night.

So, hey, people have fights.

They just need to separate for 24 hours.

You know, diffuse it a little bit.

It's no big tragedy.

His car?

What about his car?

Alright, I know where it is.

I'll meet you there.

[scoffs]

Paige and the latest guy, Pierce.

He disappeared last night. Cops just found his car.

Probably just broke down, right?

[man 1] ...back in about ten feet.

[car engine rumbling]

You all right?

-Mack. -What's up, Tony?

Well, there's nothing wrong with the car. He left the keys in.

Yeah, they think he may have walked into the water.

No, we don't know that for sure.

It's just something we see three or four times a year.

It's a question we have to ask.

Is there anything else you need?

No.

This is my daughter, Tony.

I'll call you if we find anything out.

[indistinct chatter]

Come on.

Don't be scared.

I'm not scared. I'm angry.

-Well, what's going on? -I don't know.

-You don't know? -I've never seen him like that.

-Like what? -I don't know.

I thought it was another woman.

But now I don't know what.

All right.

They'll find them and it'll be all right.

Is there anything Pierce said that the police might--?

"Anything he said" that just that he wouldn't say anything.

And they keep asking me what kind of mood he was in.

-I don't know. -All right.

-All right. -[Paige exhales deeply]

He's been lying to me.

[exhaling deeply] Oh, Mack.

'We're inside. One minute to air time.

Ready for it.

And are you ready for your party?

Yeah. Sure.

I'll be in the booth.

Break a leg.

-Meers. -Yeah.

About the party.

I've asked twice for a guest list.

They haven't gotten you one?

-I'll take care of it. -You know why I want it.

-He wasn't invited in. -Why not?

Without Benny Appleman, there would be no Tell Me About It.

Anne, do you think I do the guest list around here?

They do that upstairs.

[Anne sighs]

We're on a countdown.

I'll say this once, Meers.

Benny Appleman is invited to the soiree or I don't come.

Wait, hold on. You have to come.

The party is for you.

Exactly.

And you're going to have to tell Framingham

why I'm not there.

Right well, I'll just get right on it then.

Sure you will.

It's nine o'clock, everyone,

and this is Anne Matheson.

And I want you to Tell Me About It.

So call in. Come on. You know the number.

And ask me those little questions

that you can't ask your wife,

or the boy next door,

or the girl next door,

or Mom.

Why doesn't Tony call back?

He said he'd call back at 8.

Cops.

Maybe Pierce has turned up.

Paige would have let me know.

Finish about Gary.

Well, there's nothing else to say, you know. Well...

He's my best friend. He's making a huge mistake.

And I can't get him to see that.

It's his decision.

Yeah, and it's a wrong one.

It doesn't necessarily mean it's going to fail.

And if it does fail, am I the only one who realizes

that he's going to lose the ranch here?

[telephone ringing]

[telephone ringing]

Hello. Hey, Lawrence.

No, don't worry about calling me at home.

What have you got?

Yeah.

Even with his high-powered lawyers

pulling out all the stops.

Hey, if you say it, I believe it.

Thank you. See you.

That call.

Lawrence is the Lawrence who handled Meg's adoption?

-That's right. -You called him?

You are worried that Greg wants her back.

-I just wanted to be ready. -And?

And there's no way.

Five years have passed and he doesn't have a shot.

Well, we knew that. We always knew that.

I just wanted to double check.

Oh, I can't even think about this.

-Meg is ours. -Ours.

She's ours.

Hi, this is Anne.

Who am I talking to?

[Frank] Phill, this is Phil.

Hello, Phill.

Tell me about it.

Uh, well, uh...

for the last couple of months

I've been seeing this younger woman.

She's a lot younger, ten, fifteen years younger.

[Anne] Are you married, Phill?

No, I'm a widower.

Anyway, this woman that I've been seeing

is probably the sexiest woman I've ever met in my life.

We were having a lot of fun. We laughed a lot.

I mean, everything was going great there

for a while.

I get the picture.

Well, then I started to realize that we had nothing in common.

She liked to party. She liked to go out.

Be with a lot of people. She liked dancing.

Me, I like to stay at home. I like reading books.

I like cooking.

I like to talk.

It sounds like Charles and Diana.

[Frank] Yeah well. Then things got serious.

And I started to understand it was wrong.

Only thing that we had in common was sex.

I didn't like that, so I broke it off.

Well, good for you, Phill.

Most men I know would have just taken advantage of the situation

for as long as they could.

Yeah, I did for a while.

[Anne] But nobody's perfect.

You know, Anne...

[chuckles]

I-- I miss her.

Well, how long has it been?

I mean, since you broke up.

Couple of days.

Well, let me ask you something, Phill.

Do you think that what wasn't there in the relationship...

a couple of days ago, would be there now?

No, no, not really.

You're over the hard part.

You did the right thing.

And I bet it was hard to do.

The hardest thing I ever did.

[Anne] Well, don't undo it.

Yeah, I-- I see what you mean.

You're a good man, Phill.

That's what she said when we broke up.

And thank thanks Anne.

[Anne] And she was right.

Next caller. This is Anne. Tell me about it.

[dial tone ringing]

I have to see you just for a minute.

Please, I have some things that belong to you.

[sighs] To me.

Yes.

They were Pierce's.

Now they belong to you.

Now that he's dead.

[intense music]

What are you talking about?

Pierce's dead.

Did you hear something?

No.

I don't need to hear things.

I just feel it.

I know it.

Paige, he is dead.

[laughs]

You are sick.

You're in denial now I understand.

But we both are gonna have to accept this.

You better get out of here before I call the police.

[dramatic tense music]

[party music playing]

[indistinct chatter]

So there I am with my arbitrage at ten.

[Meers] 10.3.

And I'm talking to a dog

on the radio.

And now he's a regular caller.

Everybody, if I could get your attention just for a minute.

I'd like to propose a toast

to the queen of nighttime radio.

[all] The queen of nighttime radio.

[cheering]

[indistinct] I keep picturing the dog here.

Oh, hey, okay.

Drink up... Rise that rose .

Oh God.

This is right from the sewer.

Excuse me, please.

Hi, Benny.

Hi.

This is Amber and Tiffany.

-Amber. -Tiffany.

I said that.

We know who you are.

We listen to your show every night.

[Amber] We adore it.

Thank you.

I'm glad you could come here.

Sure. It's a great patch.

Great decor.

It's a great time of year.

As the Bingo, Bing Crosby said.

♪ Just nuts roasting by an open fire ♪♪

[chuckles] That was Nat King Cole.

If you'll excuse us,

We're just going to go freshen up.

No, no, wait, girls.

Anne has to be getting back to her friends.

It's really good to see you, Benny.

How you been?

Life is good.

As you can see.

Well.

Enjoy yourselves.

[party music playing]

She looks wonderful.

We'll drink up, Amber.

-Tiffany. -Yeah, fine. Whatever.

[indistinct chatter on TV]

[children laughing]

Carlos.

[children giggling]

-Carlos. -One moment, Sir.

[children laughing]

I'm sorry, Mr. Sumner, it's my sister's children.

She had an emergency and had to go to Mexico

for the night, so I'm taking care of them here.

Here?

Yes, Sir. I'm sorry. I have no choice.

Can I get you something?

No, no. Go back to playing with the kids.

Thank you, Sir. I'll try to keep them quiet.

[children laughing]

[indistinct chatter on TV]

Jeez, I thought we would never get away from that pig.

Hurry up, will you? We were supposed to check in 30 minutes ago.

Chill and dill, Amber.

Oh, and you wouldn't mind getting Louie

the wedge ticked off at us?

I can handle Louis.

We'll carve that on your tombstone.

-Give me a quarter. -Here

Okay.

-It's ringing. -Good.

Louis? Tiffany.

We couldn't get away until now.

-What's he saying? -[hushes]

Of course we're at the station.

-Yes, he's here. -Is he mad?

Shut up.

No, not you, Louis.

Oh no, we are not going back to that table.

I don't want to get caught in the crossfire.

If you want your money, you come get him.

-They're on their way. -Let's go, girl.

-Got it. -Look good.

Oh, I look better.

-Get some spirits on the way. -[Amber] Oh good idea.

[Benny] Hi.

Benny.

Come on.

Anne, Anne. Control yourself in a public place.

-You're in danger. -What are you talking about?

I heard your girlfriend's talking to somebody on the phone.

They told him where you were. Someone you owe money to.

-A little jealous, Anne? -Benny.

A touch of that little old green eyed monster.

They're setting you up, Benny.

Ooh. I'm shaking. I'm quaking.

Does the name Louis the Wedge mean anything to you?

Let's the hell out of here.

No, this way. This way.

[tense music]

[Anne screams]

[tense music intensifies]

[Anne screams]

Oh my God.

Benny.

I can't move.

Call 911, get an ambulance quick.

Anne.

-Try not to talk. No, Benny. -[stuttering] No, it...

[sobbing] Benny, Benny...

I know you're going to be all right. I just know it.

What, Benny?

You've been such a good friend.

I never thank you for everything you did.

I never told you how much you mean to me.

Where would I be without you?

-Where? -Nowhere.

You brought me back Benny.

From the edge.

Without you, I...

I'd hate to see where I'd be.

Anne, are you all right?

It's not me, you idiot.

Appleman.

That stairway of yours, Meers.

All right, let me get some help here. Let's lift him up. We'll be careful.

You don't touch me. Anne please don't let him touch me.

-I won't. -Please make him go away.

-He means you, Meers. -Please.

Please... Please, go away.

Go away, go away.

[Meers] Let's go back to the party.

-Some more champagnes... -[man 2] Is he gonna be okay?

[Benny panting]

[groaning] Anne.

Could you bring me a telephone?

Cordless so I don't have to move.

Somebody's already called an ambulance.

No, no, no, it's not for an ambulance.

I have to call my lawyer.

[Benny breathing heavily]

You what?

Anne.

I'm fine.

What do you mean you're fine?

Don't you know what this is? Eh?

This is the biggest flop I've ever had.

The mother of all flop scams.

Shh.

No. This is all an act?

Ow! Ow. Anne.

-Anne. Anne. Stay with me. -No.

-Anne don't-- -[panting] No.

Please don't leave. Don't leave me.

[Anne sobbing]

[Benny moaning]

[Anne laughing]

[ambulance siren wailing]

[groaning]

Help... Help. Help me.

[emotional music]

[emotional music intensifies]

[indistinct chatter]

[sighs]

[Val] Hey.

Hey.

Gary.

I just needed to be with you.

Is that okay?

Give us a hug.

Oh, Gary, I'm sorry.

-[Val] I'm sorry. -Oh. It's okay.

[emotional music]

Listen.

What?

These problems we've been having

with the project have put us in the hole.

I know, I know.

I want to mortgage the ranch,

put it up as collateral on another loan.

[sighs] Val, I have to.

I don't want to stand by and watch it come apart.

I mean, this is just such a terrible risk.

Which is what it takes to succeed.

Nobody wants you to succeed more than I do Gary.

But you've... you've got to be sensible.

And I'm not being sensible.

No, it's-- Look.

Gary, something like this it's not just about you.

This is about all of us.

I mean, you've got to think of the kids.

I am. I want them to have a father they can be proud of.

I thought you'd understand that.

[emotional music]

[sighs]

Of course I'll see her. Send her in.

[receptionist] Yes, Sir.

Karen, what can I do for you? How can I help?

I want to know what you're doing.

I saw you watching Meg today at gymnastics.

Yes, she's great on the balance, ma'am.

How's she doing the rest of it?

I don't think it's unreasonable for me and Mack

to worry when you show up to watch Meg.

Well, I think it is unreasonable for you and Mack to worry.

Tell me what you're doing.

I'm closely following a progress of a little girl

that matters very much to me.

You'll confuse her.

She doesn't know who you are.

I'm a friend of the family.

Friends of the family don't dislike each other.

You and Mack do.

Then I'm an uncle.

Greg.

Little girls are smart, intuitive.

She knows you don't fit in. She's going to ask questions.

Then answer them.

How can I do that

when I don't know what you want?

I told you what I want.

You don't want her to know you're her father.

I want what's best for her, Karen.

And you know what's best for her.

Well hopefully this will all workout.

Thank you for coming by.

Oh, Mrs. Whittaker, I just took a message for you.

Thank you. Oh, when my brother is free

please tell him I got ahold of Davis at the National Gallery.

-Karen. -Hi.

I'm just on my way home.

Well, I'll wait at the elevator with you.

Why didn't you tell me you were coming by?

We could have had lunch.

That's just a last minute decision.

Oh.

Well...

You seem happy here.

Things are working out.

Yes, I am happy. I was so surprised to see you

coming at my brother's office.

Well...

Some old business.

If I can help in any way.

Thanks.

Let's get together soon.

That'd be nice.

[telephone ringing]

[white noise]

[eerie music]

[Paige] Mmh.

Pierce.

How long have you been sitting there?

I don't know. An hour maybe.

Why didn't you wake me?

Because I knew as soon as I did we might be over.

[sighs]

Where have you been?

I was off.

Thinking.

I don't even know where.

Thinking about what?

Thinking.

Deciding.

Deciding?

Well, I hope you've decided to talk to me.

Otherwise, you shouldn't have come back here.

[sighs]

All right.

This summer I graduated from college.

I was sailing on my father's boat,

The Dayless.

Myself and a girl.

And a gale blew up.

A big one.

The waves were ten feet.

And the mast snapped.

And the boat went down.

And I couldn't find her.

She drowned.

Yeah.

And I swam to shore.

That's what, it's all public record

that was in the papers at the time.

But there's something else that papers didn't say.

About the girl.

What about her?

-[Paige] Tell me. -Only that I loved her.

We were drinking.

But I drank too much and when the boat went down,

I couldn't help her.

I loved her and she died and it's my fault.

And I'll never forgive myself.

What does Victoria have to do with this?

Victoria put me back together when it was over.

And being with her was good for me to...

help me recuperate. But then she wouldn't let go.

Now you know everything.

Yes.

Paige, you were right.

Everything we have is built on trust.

I should have told you everything from the beginning.

-But I... -What was her name?

Her name...

Look...

You should have told me.

-Yeah. -Yeah.

I understand.

Paige.

[Paige] Yeah.

I had no reason for living

from the day that boat went down until now.

Until you.

Next on Knots Landing.

I don't think Gary's finance is running in my business.

There's a big storm coming.

He's on his way to the bank,

putting up his ranch to keep us all in business.

Nobody told Gary to put his home behind this.

-That shouldn't have come up. -I'm your business partner.

You cannot keep me in the dark!

[Karen] I'm afraid, he wants to tell her he's her father,

not that he wants her back. Which is what you're worried about.

I'm worried that Meg has one father too many.

Uncle Greg.

Do you have any children?

[theme music]