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My Grandfather Charles Manson (2026)

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My Grandfather Charles Manson (2026)

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[slow, pensive music begins]

[Dr. Rose] I wanna ask questions about...

what happened within the family

that brought you to therapy.

[music continues]

[Sophia "Arguelles" Maddox] You know,

I don't know, I come from a, a m*rder*r.



You know, who would...

who the f*ck would accept me?

Uh, so what else do you need to know?

Maybe the best way to start this

is to talk about my dad.

My dad... was a great dad.

Are you my babys? Are you my babys? Huh?

[Sophia] Growing up, I felt like he and I

were the only two people who existed.

She's flying through the air!

[Sophia] Everyone else

was living in our world.

My parents were divorced,

but my dad took care of me part-time.

[Daniel Arguelles]

Time to get dressed for school.

[Sophia] His biggest gift to me

was his imagination.

He was a writer, actor, and director.

What, are you kidding me?

The President's gonna be there.

[Sophia] But he never

quite made it as a filmmaker.

Until one day...

he did.

[Daniel] Action.

[yelling]

[Sophia]

He filmed every second of my life.



There was nothing

we wouldn't do for each other.

[young Sophia]

Can I, um, videotape, um, the world?

[Daniel] That's what

you're doing right now.

You're videotaping the world.

[young Sophia] Oh, you're gonna like this.

[traffic rumbling]

[Sophia] I'm now that LA clich

of a struggling actress,

babysitter, wannabe filmmaker.

I work a bunch of jobs,

and I have 50 bucks in the bank.

And then, my dad and I just, uh,

got some really bad news.

[somber music playing]

It shattered our worlds.

[crew talking indistinctly]

-[crew member] Bobby, you good?

-[Bobby] Yeah.

[crew member] Okay, cool.

This is Daniel's interview.

[Sophia] I'm terrified.



-Is it a little weird for you?

-[Daniel] Yeah.

[Sophia] But... this is my story.

So, this all started because

you never knew your dad.

Yeah, yeah.

[soft music playing]

Growing up, was always

skeptical of my father.

Uh, he was Hispanic, of course,

with the last name Arguelles.

And I would go up to him

and put my arm up against his

and I'd say, "Hey, how come

I'm white and you're brown?"

So, when I was 21, I did press my mother

if Jim was my real father.

[Sophia] What did she say?

She confessed, "No, he wasn't."

And I said, "Okay, who's my dad?"

She said, "I really don't know."

And when I was, you know, 18, 19 years old

in Hollywood, everybody was telling me,

"Wow, you look just like a young Elvis."

I like to sing, I like to dance,

I like to act.

[imitating Elvis Presley]

How are you doing, everybody?

That's right, it's me, Elvis Presley.

You know, I'm doing my new album,

and it's called Loving You.

You had a lot of Elvis impressions,

impersonations around the house.

[normal] Yeah, I walk around

like I'm Elvis, you know?

I gotta be Elvis, right?

[Sophia] So, you joined Ancestry

to find your father.

It wasn't until seven years later

you found a half-brother.

[inhales] Right.

He just said,

"Hey, uh, I'm Mike, and we matched."

And I was like, "Oh, brothers, wow.

Okay, then you know

who your dad is, maybe?"

"Yeah, I know who he is."

And who's your dad?

[Daniel] You know.

Can you say it for me?

Charles Manson.

[Sophia sniffles]



["My World" by Charles Manson playing]

My world is a sad world

Often wonder if there's blame

Such a fool

-In a mad, mad world

-[Sophia] Hi, Puppa. [clicks tongue]

Did you have a good day?

Such a fool in a...

Charles Manson, to me,

he was just this cult leader

and this m*rder*r I had

read about on Wikipedia.

When I found out

he was my grandfather,

I didn't know what he looked like...

so I decided to YouTube "Charles Manson."

[newscaster 1]

Breaking news, Charles Manson,

cult leader

who led a string of murders

in the 1960s is dead.

[newscaster 2]

With a swastika on his forehead

and eyes wild with violence,

Charles Manson was the face of evil.

Maybe it was that look

in Charles Manson's eyes

that convinced people

to m*rder in his name.

[newscaster 3] He was once called

"the most dangerous man in America."

Forty years later

and the fascination hasn't faded.

People are still interested

in Charles Manson.

Twenty years ago today,

America was stunned

by one of the most brutal

k*lling sprees in history.

[newscaster 4] He's been called,

"Madman, mobster,

and monster, and m*rder*r."

The center of a kind of

horrible fascination that will not die.

He's a dangerous influence on society.

Dangerous, highly dangerous.

[suspenseful music playing]

[newscaster 5] In a scene

described by one investigator

as reminiscent of a weird religious rite,

five persons, including actress,

Sharon Tate, were found dead

at the home of Miss Tate and her husband,

screen director, Roman Polanski.

Miss Tate was eight months pregnant

and was found with a rope around her neck

attached to the body of a man.

Among the other victims

were Hollywood hairstylist,

Jay Sebring,

and coffee heiress, Abigail Folger.

[Thomas Noguchi]

Cause of death, multiple stab wounds

of the chest and back.

[newscaster 5] One officer summed up

the murders when he said,

"In all my years, I have never seen

anything like this before."

[newscaster 6]

A short time later, not far away,

a middle-aged couple was found m*rder*d

in similar circumstances.

[newscaster 7]

Leno LaBianca, a supermarket owner,

and his wife had both been

stabbed to death, repeated stab wounds.

On his body, the word "w*r"

had been carved in the chest.

Then, with blood, the k*ller had scrawled

the words, "Death to Pigs."

[intense music playing]

[newscaster 6] Five members

of a so-called religious cult,

including Charles Manson,

the guru, or high priest,

have been indicted in the m*rder

of Sharon Tate and six others.

[Vincent Bugliosi] These defendants

literally entered the homes of citizens

of this community at random

and literally slaughtered the victims

in an orgy of m*rder.

[newscaster 8]

All the elements are present

for one of the most sensational

m*rder trials in American history.

The involvement of a mystical hippie clan,

which despised

the straight affluent society.

Young girls, supposedly under the spell

of a bearded Svengali,

who allegedly masterminded

the seven murders.

[newscaster 7] In a conspiracy,

the acts of one member

are attributed to all members.

Under that approach, they needn't prove

that he actually did the k*lling.

It's all a play, isn't it?

[newscaster 7] The act

of the murders themselves

will be the case against the other members

of the so-called Family.

Susan Atkins, Patricia Krenwinkel,

Leslie Van Houten, Charles Watson.

[Vincent] Manson's principle motive

for ordering the seven

Tate-LaBianca murders

was his fanatical obsession

with "Helter Skelter,"

a term he borrowed from the English

musical recording group, The Beatles.

To ignite Helter Skelter,

to start the Black/white, uh, revolution,

Manson envisioned that white people

would turn against the Black man

if they thought

the Black man had committed

these seven murders.

The victims, by necessity, had to be white

and preferably in the white establishment.

[newscaster 1] The jury

hearing the charges

against Charles Manson

and three girl members

of his so-called Family

brought in its verdict.

All were found guilty

of m*rder in the first degree.

[newscaster 2]

Manson then shouted at the jurors,

"You're all guilty.

We are still not allowed

to put on a defense."

The press has been the mouthpiece

of the prosecution.

And they've succeeded in brainwashing

a lot of people.

Charlie never preached a Race w*r."

-That's what the DA gave you for reality.

-[Tom Snyder] Okay.

He stood in the courtroom and said,

"This man did this,

and this man did that,"

and you all believed him.

[music fades out]

[Sophia clears throat, sniffles]

[Sophia] Those first few days

after I found out...

I don't think I've ever been

that low in my life.

I kinda hated myself.

I hated him.

[exhales]

I've always been the good one.

I've always been the one, or the kid,

with her head screwed on right.

I would always get these, like,

integrity or caring awards, and...

all of the teachers would tell my parents

how nice I was to everybody and...

if someone was lonely,

I'd go sit next to them,

or if I saw someone bullied,

I'd stand up against the bully and...

I always took really great pride

in being this moral, good person.

[pensive music playing]

And then you find out

your grandfather's Manson...

[sobbing]

...the most hated man.

How could my blood do something so...

atrocious?

How could my blood...

be the cause of other people's bloodshed?

[tense music playing]

If it's true that there

was something in him

that made him this satanic cult leader...

do my dad and I

have that in our blood too?

[reel clicking]

I have his eyes.

His hands are my dad's.

It f*ck with you.

Was he born evil or was it something else?

I need to find out what made him.

[birds chirping]

I don't know, I just feel like

I, for sure, need a therapist.

I'm the spawn of the spawn

of the spawn of Satan.

You know, he was called second to Hitler.

[Dr. Rose] Um, I don't want

to minimize what you're sharing...

but I may challenge

parts of your narrative.

Being the descendant

of somebody labeled "a monster among men,"

it is your God-given right

to break that down

and to make sense of that.

I think a part of the information

that you're coming into

is that there are parts

of Charlie's narrative

that was sensationalized.

If you're not careful

as one of his descendants,

you will carry the sensationalization,

-and that is not yours to carry.

-Yeah.

So, breaking down

the sensationalization of him,

what is true?

What is accurate? What is real?

So I am clear about what I need to break

-and what I don't need to carry.

-Yeah.

[Dr. Rose]

Why would I carry, um, fabricated wounds?

-Right?

-Okay.

-[Dr. Rose] Yeah?

-Yeah.

I'm gonna face him.

I'm gonna face what he did.

I am not a journalist.

It's going to be really hard

to dig out the truth,

and I have to try and stay objective.

[line ringing]

To understand his true pathology,

my gut tells me I should track down

the only surviving prosecutor,

Stephen Kay.

I am just giving you a call.

I am directing a documentary

about Charles Manson.

Okay, um... Hmm.

I've reached out to victims' relatives.

It's actually kind of a different approach

than you might think.

But people seem to not want to talk to me

because I'm

Charles Manson's granddaughter.

I see.

Okay, thank you.

Now that I'm Manson's granddaughter,

people assume that I'm not so moral.

[speaking gibberish]

But I'm the same person as I was

before I found out

I'm Manson's granddaughter.

I have not changed.

I'm not really sure

what I'm getting myself into,

but I'll take anybody.

[pensive music playing]

I tracked down a friend

of my grandfather's.

Charlie called him "Black Wolf."

He's an ex-con,

someone who's lived in the underworld.

He prefers to keep his face off camera,

and I'm nervous to meet someone

who's come face-to-face with Manson.

You made a promise to stay in the shadows

for my grandfather.

So, what made you

make this exception for me?

[Black Wolf] I think

'cause you're his blood, for one thing.

And I think that your intentions are pure.

Uh, seemingly to me.

[Sophia] What was

your relationship with him?

[Black Wolf]

I wrote Charlie in 2007, just a letter,

included, uh, my phone number.

And then he called.

He would call, probably,

three times a week, even more.

And then, from there,

we had a relationship for 10 years.

This is all the phone calls

that I had with Charles,

for you to listen to and... learn more.

How many of these calls are on here?

[Black Wolf]

Close to 800. I think, like, 780, yeah.

It'll take some time.

[suspenseful music playing]

[phone beeps]

[prison operator] [on phone]

Your call is being connected.

[Black Wolf] [on phone]

How's it goin', man?

[Manson] Hanging on, man. Hanging on.

[Black Wolf] Yeah. I wanted to ask you

if, if there was any way

that I could be

a member of your family?

[Manson] I ain't got no Family.

I got stuck with that tag.

-[Black Wolf] No, I know it.

-[phone beeps]

[Manson] So, they labeled me

as the devil long ago.

And they played me for that all my life.

There's a whole lot involved

that never got told...

that never got spoke.

[Black Wolf] You should tell it.

[phone beeps]

[Manson] My mother, uh, threw me away.

She got rid of me.

She didn't want me.

I spent from the age of

nine years old locked up.

I got uh... busted and put in

a reform boys' school in Indiana...

uh, for being incorrigible.

Most people were controlled by

their parents, right?

[Black Wolf] Yeah.

[Manson] And, but I had no parents.

So who was I controlled by?

[Black Wolf] The system definitely.

[Manson] Yeah.

You know, that's what made me.

[unsettling music playing]

[Sophia] Charlie could be

playing Black Wolf,

or telling him the story

no one wanted to hear.

I've gotta go to Indiana Boys' School

to see for myself.

I submitted my family's DNA to unlock

my grandfather's sealed records.

I hope to find the truth in them.

[airplane droning]

Every time I bring this up,

you seem to be afraid for me.

[Daniel] [on phone] I want you

to be happy and healthy, and...

you know, this is not really

a happy, healthy subject matter.

Unfortunately, we're all raised

by dysfunctional people

who were raised by dysfunctional people,

and... you've been

so battered down by the way

the trajectory of all

of our lives have been.

You are a very, very resilient person.



You're doing the right things,

and you're going in the right directions.



[gate beeping]

OK, now I'm going to pat you down.

Would you mind taking off your coat?

[newscaster]

In this neighborhood in Indianapolis,

he had his first brush with the law

for stealing a bicycle, and then a car.

He was 14.



He was sent to the Indiana Boys' School.

He wouldn't conform to the rules

and was moved

from one dormitory to another.

Manson compiled 28 bad conduct reports

in two years.

[psychologist] He was a, as I described,

perhaps, 20 years ago,

a chronic discipline problem

even at that time.



[Sophia] So, this is the school.

[Bob Gipson] Yes, didn't change much.

Uh, these are

the original desks right here

that was used back in the day.

[Sophia] Even when

my grandfather was here?

-[Bob] Yes.

-[Sophia] Wow.

[Bob] Let me give you guys

a moment to, uh...

-Thank you.

-...do what you need to do.

-Appreciate it.

-[Dan Macallair] Thank you, Bob.

So, what I'd like to do is

just go through the records.

My grandfather's records?

Your grandfather's record

while he was here.

I wanna emphasize something,

that this is rather unusual

that we've got the full set of records.

Very often, the in-institutions

will destroy them after a period of time.

Understand that this is

only part of the story,

and it's part of the story that's told

by the institution itself.

Would the institution sanitize?

Yes, I was just gonna use that word.

-Okay.

-So, yes.

So, this is somewhat

of a sanitized version.

This is, uh, March 31st, 1949.

So, this is his commitment order.

Um, "Charles was referred

to the juvenile court, 1948,

"by the police department who discovered

"that he had stolen a bicycle,

entered a grocery store,

and stolen an automobile."

[Dan] Mm-hmm.

"Charles said he was very unhappy at home

"and that he thought of running away.

"He said his mother was continuously

becoming intoxicated

and was promiscuous."

-Wow.

-[Dan] Mm-hmm.

[Sophia] "Statement of Boy Being Punished.

"I asked that corporal punishment

be administered to Charles Manson.

Offense: Escape."

In '49, so it's, like,

the first year he was here.

Yeah, so they were--

called it "paddling,"

which was common form of punishment

in institutions like this at the time.

[Sophia] He would talk

about this in interviews.

[Tom] All the pain

that you've caused people,

-all the anguish you've caused--

-Oh. Oh, I don't know pain.

I don't know pain.

I have no depth of pain.

I have no depth of suffering.

I haven't been punished by you all my life

since I was 10 years old.

I've been in every reform school

you got across the country

and used to lay down

and have to get my a*s whipped

'til I couldn't walk.

Tell me about some pain.

[Sophia] "Number of strokes given, 10.

-Was skin cut or bruised? No."

-[Dan] Yeah.

[Sophia] Do you believe it

when they say "mild"?

[Dan] Uh... [laughs]

There would've been a tendency to, um...

sometimes minimize the severity

of the, of the punishment.

These would've been, in-in a case

where a more serious infraction,

usually running away.

And that was his thing. He was--

I think he tried 18 times

when he was here.

The only way to keep the kids

in the institutions

was to... uh, punish them severely.

[Sophia] "The big debate was,

should they beat the boys

"with their trousers on or off.

"When the leather strap had no effect,

"the guards would take

them out in the cornfield

and beat the piss out of them."

I didn't realize it was that bad.

[Dan] Here's a story

about them with the escape.

Mm-hmm. "This kid escaped

Indiana Boys' School...

and was interviewed in--"

[Dan] With Charlie.

-Oh, really?

-[Dan] Yeah.

[Sophia] "Manson said,

'I was kicked in the back

"for not working fast enough

on the school farm.'

"He also had been forced to hold

other boys who were being thrashed.

"Quote, 'You haven't got much choice

when they tell you to do it,

but you'd rather take it

yourself than hold them.'"

[Dan] Mm-hmm.

[Sophia] "'A boy who refuses

to hold another boy for beating

receives a beating himself,' Manson said."

He'd only know that

if he refused to hold him down.

[Dan] Yeah.

[Sophia] I can't really think of anyone...

any boy or any minor

who would deserve any of this,

no matter what they've done.

It's just inhumane.

Your grandfather was

a product of the failure

of the juvenile justice system.

He wasn't born that way.

He-He is a product of the, of the system,

and it's a system that failed.



[Bob] This, this part here

has not changed.

This housing unit here

would've, would've housed kids

from 14 to 16 years old.

35 to 40 students would've been in here.

[Sophia] f*ck.

Was there any sexual as*ault?

[Bob] Occasionally.

Some of the biggest challenges is, um,

if you had a, a more dominant student,

he might prey on a younger student.

[Sophia] One of the things that I read

was that my grandfather was g*ng-r*ped...

-[Dan] Mm-hmm.

-...in... a boys' school.

I think he said it was this one.

He was small stature.

He was 15 years old.

So, he would've been

vulnerable to as*ault.

The reality of life here,

I mean, it wasn't easy.

[Sophia] But also,

he r*ped a boy at knifepoint?

That was always a problem

in a facility like this.

His argument was

he was protecting himself, but, like--

Yeah.

What a cruel thing to have to

feel like you're protected

by being the aggressor.

Unfortunately, too, too many situations,

kids coming through

institutions like this,

they learn their lessons in survival.

Social workers in those institutions

are identifying one of

the major problems for him

and his adjustment is the fact

that he spent so much time

in an institution like this

that he wasn't prepared

to enter the outside world.

Yeah, my, my dad--

I was raised with my dad telling me

about his time

at a military reformatory school.

And, um...

Yeah.

[Daniel] When I was eight years old...

I went to Mt. Lowe Military Academy

in Pasadena, California.



Uh...

It was a, a hell hole.

It was, it was the worst of the worst.

It was Lord of the Flies.

Kids would come around the corner

and walk up to me and say,

"Hey, I'll suck your d*ck

if you suck my d*ck."

I was just a kid.

I was like, "What's a d*ck?"

Uh...

First thing the commandant did

was molest me.

Second thing, they gave me a g*n.

So, I shot the sh*t out of that target.

And I was so good that they took me

to other military schools to show me off.

And if they would've asked me

why I was such a good shot,

I would've told 'em that I pictured

that commandant who molested me

and that-- my parents on that target

for sending me to that God-awful place.

[somber music playing]

[Sophia sobbing]

[Dr. Rose] What's coming up, Sophia?

[Sophia] Um...

I think first time

he told me he was molested

was when I was a kid, too.

And so-- But it was out of, like...

He would train me. He would be like,

"Has anyone touched you?"

-[Dr. Rose] Okay.

-You know, he just wanted to make sure

-we weren't touched.

-[Dr. Rose] Okay.

[Sophia] He trained me

to be, like, a survivor and a fighter

because of his pain.

[Dr. Rose] So, that would be

the intergenerational trauma.

The hand-me-down

of maladaptive coping responses.

Because I went through something,

I'm going to introduce it

[chuckles] to you to prepare

you to not go through it.

But in order to introduce it to you,

I also have to introduce

the trauma element of it, right?

And send your brain into survival mode.

I am not, by any means,

questioning your dad's love for you.

I-I believe it.

But what happens when we are loved

from wounded spaces.

Something else

that I'm hearing in you too, um,

have you ever heard

the term "parentified child"?

-Just from you.

-[Dr. Rose] [laughs] Okay.

If you tell any child, like,

"This happened to me, and that happened,"

like, you see the person you love

in pain and I wanna fix it.

And so, we go into a reverse role

with the parents.

Now, I feel a higher sense

of responsibility over you, right?

Start to think about boundaries

around this whole process

of unraveling to become.

'Cause you're in the process

of becoming the first generation

who will not follow the same patterns.

You're the one

who's breaking generational dynamics

and saying, "I'm going to work on myself."

"I am because they weren't."

That is our mantra.

"I am because they weren't."

[Daniel] In 2017, I fell into this abyss.

[camera shutter clicks]

I just basically said to God,

"Until you reveal to me who my father is,

"I'm quitting everything.

"I'm not working.

I'm not loving. I'm not living.

I'm not doing anything.

I will sleep under a park bench."

And so, I did that, I shut down.

I didn't do anything.

I just always wanted to know

who your dad was.

[Daniel] Yeah...

I never knew him, but I know him.

You know what I mean?

I am him, but I'm not him.

[Sophia] I always felt

similar to my dad, too.

Was that just an echo of their trauma,

or was that Charlie whispering to us

through our genes?

If I keep digging, what will I find?



[newscaster 1] The sensational headlines

quickly turn from the Sharon Tate murders

to the trial of Charles Manson.

[newscaster 2] Seven murders

and conspiracy are charged

against four defendants,

requiring 27 different verdicts.

[newscaster 3]

The case has since become a bizarre

national and international sensation,

attracting the attention of everyone

from President Nixon to the curious people

who sit in the courtroom

where the case is being heard.

No one in this entire metropolis was safe.

Animals don't treat

even their own kind like

these people did our people.

[Daniel] When I was 10 years old...

1970, his picture was

all over the front page.

[ominous music playing]

He was everywhere.

I think my mother knew

that my dad is Charles Manson.

I remember my mother

cornered me in a bathroom...

[voice breaking] beat the hell outta me.

The vacuum cleaner cord, the plug end...

for about five minutes.

I didn't do anything.

It was just her venting her shame

and her rage out on me.

[somber music playing]

[birds chirping]

[Sophia] I'm doing some research now,

and the similarities

between my dad and Charles

are kind of eerie from birth.

Charles Manson was born

to a teenage mother

and a father that disappeared.

My dad was born in 1959 to a mother

who was a teenager, was 17 years old,

and a father who just disappeared.

Charles Manson was my age

when he met my grandmother,

and he went by the name of Charlie Dear.

Um, he had just gotten

out of prison for pimping.

The story goes that

they met at a bus stop,

and they had a one-night,

possibly two-night stand.

When my grandmother

realized she was pregnant,

Charlie was back in prison.

He was sentenced 10 years

for forging a $37.50 check.

It's sad to think he could've

stayed with our family,

but maybe he was more comfortable

with the only family he had ever known.

[Jeff Melnick] Manson, essentially,

he's in jail from the time he's 12

'til he gets out in 1967.

There's a larger cultural truth here,

which is that, like,

incarceration breaks people.

[pensive music playing]

Manson's a gr--

like, a great example of that,

of, like, being incarcerated

at a young age

means you're gonna carry stuff out

that's gonna make it

really impossible for you

to be, like, normally functioning.

And I think he would

say that in interviews.

He would be like,

"I'm not from your world."

-[Jeff] Right.

-"I was incarcerated my whole life.

-I'm not from your world."

-[Jeff] That's right. Oh, yeah.

Oh, he literally put it

in the language of "family."

[Charles Manson]

I've been in jail all my life.

All the men in the joint raised me up,

told me what to do,

what was right and wrong.

Told me when to sit down, stand up.

I just did everything I was told.

-[Jeff] He performed a lot.

-Yeah.

[Jeff] But when he said that,

I don't think he was performing.

Yeah.

How and when did he create

the Manson Family?

[Jeff]

So, Manson comes out of jail in 1967,

hits San Francisco Summer of Love.

This is the kind of, like,

coming out summer

of the counterculture, of their practices,

which include free love.

Manson, he's got big eyes.

He's not, like, standard hippie age,

he's in his 30s.

And he starts meeting women

in the Bay Area...

and kind of gathering his tribe.



[Sophia] What were that women like?

Did they come from good families?

Did they have family of their own?

If you read the press coverage

of the Manson women,

they were almost, you know,

unanimously depicted

as these, like, witches,

these terrible, like, purposefully evil,

hypersexualized druggies.

But I really resist that.

I'm, I'm really interested

in thinking about them

as abused women.

Mostly, they're runaways.

Young women who found their way out,

as so many young people did in that era,

to California as a place

that seemed safer, freer.

They moved down

to Southern California in '68,

fairly well established

what we call the "Family."

[Ruby Pearl] They call it "The Family,"

they're brothers and sisters.

They just lived anywhere

they felt like it.

They were constantly taking dope

and drinking wine and stealing cars.

[Manson] It was a spiritual,

divine intervention.

It just happened, man.

You know I didn't go out

and kind of get...

enough people to take membership cards

and all, ya know.

There was nobody joining.

We were just like uh...

we're sitting around smoking grass...

bullshitting and playing music man.

[Reporter] Well, what kind of guy

was Charlie?

He's a good person. Very good person.

Kinda had a peace.

[newscaster] He named her "Squeaky"

and she became one of the first members

of his so-called Family.

[camera shutter clicks]

[Jeff] There's an amazing documentary

that came out

that had amazing footage from Spahn Ranch

where, you know,

like, Lynette Fromme is, like, like,

posed there with, like, a r*fle, you know.

And she really wants to vibe,

like, scary, chaotic energy.

[Sophia] Though not involved

in the Tate-LaBianca murders,

she served over 30 years

for attempting

to assassinate President Ford

to protest environmental destruction.

Can I ask if I can record this?

-[Lynette Fromme] [on phone] Yes.

-Okay, thank you.

I, I wanna start from the, the beginning.

[Lynette]

With Charlie, we were a very...

cohesive female energy.

We were going day to day,

and we were opening ourselves up

to that experience

of pretty much the universe.

[chuckles softly]

Most of us wanted to be with Charlie.

I don't think there was

any doubt about that.

He thought the more

people became part of it,

the better it would be.

[soft music playing]

[Sophia] I know other Manson girls

have much darker memories

of my grandfather.

I contacted Dianne Lake,

also known as "Snake,"

who was 14 when she joined the Family.

[Alexandra "Allie" Orton] [on phone]

Are you in a space where you feel okay

about tomorrow?

-Yeah.

-[Allie] Yeah?

[voice breaking] Yeah, it's always

gonna be a little tough. Um...

It's the first time meeting a victim.

[Allie] I wish for you, you don't have

to wear this so heavy on your shoulders.

Like, you take on so many people's

struggles to try to understand them.

Well, listen, hang in there, okay?

-[Sophia] Okay, thank you.

-[Allie] Alright, thank you.

-[Sophia] Talk soon. Bye.

-[Allie] Bye.

[Sophia] How did you meet my grandfather?

I had a really big disconnect

with my parents.

And then, I had this, um...

this acid trip where I, I heard God

tell me it was time for me to leave home.

I hitchhiked to LA

and shortly after I got there,

I go to this party.

Lynette comes out...

"Dianne! Charlie!

Dianne is here!" You know?

And gives me a big embrace.

And Charlie gets up

from the, you know, the circle,

offers me, you know,

a sip of his root beer

and was totally enamored

with him, you know?

I mean, here I was loved, embraced.

Charlie took me to the bus that night

and made love to me

like I had never experienced

before in my life.

I felt truly loved as a woman, you know,

and not just a kid

being taken advantage of.

So, um, I hopped on the bus.

That's when we got

connected to Spahn Ranch.

-Charlie would play the guitar...

-[Sophia] Mm-hmm.

[Dianne "Snake" Lake]

...and we would, you know, sing along.

Charlie had this way of combining music,

things from the Bible,

things from Buddhism.

He had this ability

to weave all that together,

so that it sounded really,

ooh, special and--

Like, he had a special inside gift.

That was kind of his hold on us.

I think he got a Messiah complex.

[Jeff] Manson is generally,

and his Family, are generally understood

as part of the counterculture,

but they're really like,

they've taken a ladle and just kind of,

like, scooped the top, you know, surface.

He gets the free love part, for sure.

He gets the drug part, for sure.

But, like, this was a commune

that was organized

for the benefit of one man.

He was a con man, you know.

He was a manipulator.

He was approaching them not with empathy

or with, you know, solidarity,

but with this notion that he could

get from them what he wanted.

So, they steal, they sell drugs,

they also creepy crawl.

And that's the one crime that, um,

I think folks don't talk about enough.

Manson and some of the girls,

and whoever was around up at night

would go out in a crew,

in a couple cars, and just pick a house

where the people were sleeping.

They would break into houses

in-- around the LA area,

and they'd literally go in

and rearrange the furniture and leave.

Like, they would change enough,

so that the folks

would wake up and know,

"We've been invaded."

[Catherine "Gypsy" Share] When he

started taking the girls on creepy crawls,

he was actually getting 'em used to,

you know, burglaries

and calling it something cute.

[Jeff] As part of his

patriarchal control of the Family,

Manson, uh, is a trip master.

[sinister music playing]

I mean, it was very much tied up

with his sexual control of the family.

Like, he would get people tripping wildly,

and then arrange,

you know, various couplings.

When I was with Charlie, we took...

anywhere between 30 and 40 trips

on-on acid alone.

That's not counting

all psilocybin and mescaline

and little opium.

[Barbara Hoyt] They went through

their acid trips together.

They went through their

group sex things together.

But it was always Charlie's will.

Everyone was subservient

to Charlie's will no matter what.

He was the father.

[Jeff] Manson is trying

to, uh, advance his music career

through the vehicle of his--

the women of his family

by making them, you know, available,

um, to a wide range of music industry men.

Was he pimping you guys at the time?

-Kind of. For favors.

-Hmm.

You know, it wasn't

outright, like, for money,

but it was definitely for favors.

[Catherine] Charlie invited myself

and another, uh, young lady, Gale,

to go swimming at Dennis Wilson's house.

[Dianne] Come on! The Beach Boys?!

They were, you know,

they were, like, on a par

with The Beatles at that point.

These are, like, central guys

in the music industry.

Terry Melcher's a major producer.

They were going out to Spahn Ranch

and having sex with yo--

really young women

because they knew that Charlie

would sort of, like, curate that for them.

[Charles] I didnt come to Terry Melcher.

He come to me with money in his hand.

He offered me. I didnt ask him.

[Jeff] He had kind of puffed himself up

with this new idea about himself.

He was Daddy of this family.

He was gonna be a famous rock star,

and there were plenty of people around him

who thought he was really talented.

Neil Young is one of the few people

who's been willing to go on record

saying that Manson had a lot of talent.

And so, when he went

for his official music audition

with Terry Melcher in a studio,

Manson thinks he's gonna

get a, a record contract.

And then he doesn't.

And I think that really

sends Manson around the bend.

When I went into

Dennis Wilson's, uh, Beach Boys,

I said, "You owe me money for music.

Where's the money?"

They put me

onto the Italian business manager.

He-- I said, "Don't I get something

for this music here?"

And he said, "No, you get nothing."

He said, "Sue me."

I said, "I won't sue you.

I'll b*mb your car, man.

I'll blow your house up."



[Sophia] I'm speaking to Ed Roach.

We were texting this morning.

He was the Beach Boys photographer.

-[camera shutter clicks]

-Really good friends with Dennis Wilson.

[camera shutter clicks]

My dad and I, we loved The Beach Boys.

So, this is kind of crazy.

[turn signal clicking]

Kind of excited.

-This is you? Wow.

-[Ed Roach] Yeah, that's me.

That's, uh, 1971 or '73 maybe, uh,

sh**ting The Beach Boys with Dennis.

These photos that you're picking up,

this was, uh, the very first time,

the only time that I ever

went up to Spahn Ranch, uh.

God bless the timing of things

because my wife and I

were so f*cking sexual,

were so crazed, uh,

that we very easily could've been

sucked up into the Family.

We were-- weren't even looking at the fact

we're flying into m*rder zone central,

and it happens to be

with one of the people that's...

-[Sophia] Yeah.

-...intimately involved in it.

And then, uh,

the next night, I met Charlie.

Dennis and my ex-wife

were sitting at the piano

where they were great together.

Two minutes later, the door flung open

and Charlie went,

"I just come from the moon!"

And I'm watching Charlie

looking at my wife like,

"I wanna f*ck you," you know?

And I'm looking at Charlie like,

"I am gonna f*ck you up."

And Dennis is instigating

this whole thing with the piano.

And Charlie and I started

to lunge at each other

and Dennis just jumped up,

and he said, "This isn't happening here."

And he took Charlie out the door.

[Sophia] So, Dennis took Charles--

-God, you got pretty eyes.

-Thank you.

So, Dennis took Charles

outside of the house

and what happened?

[Ed] Dennis thought that he could

give him $300 for a song

and Charlie was just

gonna go away, you know?

It was not the most auspicious way

to meet a guy

that probably could've

offered me enough women

that I would've given up

my wife and, uh... [chuckles]

You know, God only knows.

[Sophia] How come all

of these musicians were so okay

with someone so scary?

You know, kinda the women

made things easier

to accept how extra scary he was.

I mean, I looked at the women back then,

and I thought, "God, Dennis,

what's wrong with you?

I would never f*ck women that early."

But I look at them now and I think,

"God, would I love to f*ck you."

I'm only kidding. I'm only kidding, bo.

Boy, I wish we had a fan.

[Allie] It's just because of

the sound but we could....

Okay, alright. No, f*ck it, f*ck it.

We can survive, right?

Yeah, we can, we can do it.

[Ed] This won't be

the last time we sweat together.

-Yeah, let's--

-[Ed] Hey, really? [cackles]

We can do this.

[Ed] I think I just got a commitment,

gentlemen. Get that on camera.

No no no...

No way.

-[Ed] Boy, you...

-[steady electronic whine]

-Well, thank you for...

-[Ed] You're welcome.

...telling me all these stories.

-I have a lot, a lot to think about.

-[Ed] You're welcome. You know, I mean--

-[Sophia] Yeah.

-I like doing it.

-[Sophia] Yeah, thank you so much.

-You're welcome, honey.

[Sophia] I really appreciate it.

Thank you. Thank you. Appreciate it.

[exhales] Cool.

[Ed] Cool!

Who's buying me a beer?

He was, like, one of

the most disgusting people

I've ever spoken to in my life.

So naive that I could try

and make this positive spin

out of my grandfather being friends

with The Beach Boys

and being an artist.

[sniffles]

But they're all f*cking pigs.

They're all disgusting.

[water running]



[line ringing]

[ringing continues]

Every time I ask my dad to be present

at an interview or filming, he...

completely...

psychs me out.

[line ringing]

[Daniel] [on voicemail]

Hi, sorry, I missed your call.

This is Dan. Please leave a name--

[Sophia] He says he doesn't

wanna be there, doesn't wanna do it,

doesn't wanna hear about anything,

doesn't wanna learn.

I literally grew up with my dad

telling me he wishes

he knew who his father was.

So, all I'm trying to do

is figure out who his father is,

so that he can know.

And he gives me sh*t

and he hangs up on me,

and he doesn't wanna be on set.

[somber music playing]

But if I want to understand

what aspects of my grandfather

my dad and I may have inherited...

I need to know what exactly led

to the family's 1969 m*rder spree.

I was up until 2:00 in the morning

just reading transcripts and...

doing a crash course,

reviewing everything I've read.

And the deeper you get into it,

the more confusing it becomes.



[sniffles]

I'm not my grandfather and I'm not my dad.

I'm not going to self-sabotage.

[Sophia exhales deeply]

I'm not my grandfather.

I'm not my dad. [sniffles]

And I won't self-sabotage.

[Allie] You won't.

You know it, right?

Yeah.

Do you think anyone

was telling Charlie that, though?

No...

But your life is different.

-Okay, take one. AV mark.

-[clapboard claps]

-[Sophia] Hi.

-[chuckles]

Finally, Sophia.

-Hi, Sophia. I'm Steve.

-[Sophia] Nice to meet you.

I can properly shake your hand now.

[both laugh]

Um, I just wanted to clarify

'cause you asked me in the other room

how I got into this project.

I found out my grandfather

is Charles Manson three years ago.

Oh.

[Sophia] I think--

We spoke over the phone.

I've-I've mentioned that to you.

I just wanted to remind you.

-And I have to tell you...

-[Sophia] Mm-hmm.

...that the reason

I didn't return your phone calls

when you identified who you were

'cause I thought, "Oh, my gosh.

This person's gonna be

an apologist for Charles Manson."

It's a, it's a slippery subject.

If I try and gain an understanding

of these people,

it's really easy for people to accuse me

of being an apologist for him.

All I wanna do is learn.

Well, let me say that I know these people

probably better than anyone.

I've proceeded

four Tate-LaBianca m*rder cases.

Hinman and Shea case.

Sixty parole hearings for the five

Tate-LaBianca m*rder defendants.

I've been threatened with death

by Manson three times.

I've been threatened

by "Squeaky" and "Sandy,"

so I know these people.

I know what makes 'em, uh, tick.

You know, what-what turned

this small-time con man

into a, a m*rder*r, uh,

I have my theories on-on that.

Manson, when he was in prison,

he thought that the Blacks

were more together than the whites.

He thought that they were gonna take over.

In June of 1969, he said to his followers,

"We're gonna have to show

Blackie how to do it."

Manson had just become obsessed

with the idea of a race w*r.

He had machine g*n

mounted on a dune buggy.

He had a g*n room at the ranch.

Had a bazooka.

Manson was preparing for w*r.



[Sophia] I know a lot

of things are going wrong

for my grandfather that spring.

His music career went bust.

He's desperate for money.

But what would make him

want to start an all-out race w*r?

[Jeff] One of the ways

I'd really like to challenge Bugliosi

is he has this notion that, like,

Manson from jump street,

like, had this whole plan

about, you know, starting a race w*r

that he called Helter Skelter.

I don't think that's true.

I think, ultimately, what changes is

Charlie's mental health.

[Sophia] So, when did

it start going downhill?

[Dianne]

Well, he-he was getting really frantic

about getting this whole survival mode.

We were trying to make money

to get to the desert,

to Barker Ranch.

And they were stealing Volkswagen bugs

to turn into dune buggies.

The Straight Satans,

they were a Simi Valley motorcycle g*ng.

They started coming by,

and I think Charlie

kind of encouraged that

because they were offered protection,

and knives came on the scene.

g*ns.

And "Tex" came on the scene.

He had been, like,

a drug dealer in Hollywood.

He definitely brought

higher level speed or whatever.

We, as a Family, we smoked

marijuana pretty regularly.

We took LSD pretty regularly.

But as far as other drugs,

as a Family, we did not do them.

Tex did.

[Sophia] Part of this doc is

me dealing with my dad,

being the daughter of someone who might

have some mental health issues as well.

My dad's health deteriorates

a lot when he gets stressed...

and it's pretty f*cking bad actually.

I'm like a disowned daughter.

When Tex Watson comes up

on the scene,

things feel like they go downhill.

And that's one of the things I don't feel

enough people talk about is Tex Watson

who slaughtered

all of those people, most of them.

For all the, all the talk we do about

Manson being able to control anybody,

to hypnoti-- you know, brainwash,

I don't think he had

Tex Watson under his control.

[Sophia] Because I am Manson's blood,

I was able to secure a meeting

with George Stimson,

an insider who's connected key events

between Tex and my grandfather

leading up to the murders.

Is it okay if I ask you about

your relationship with "Blue" or no?

She's my partner over 30 years.

[interviewer] If you had your way today,

where would Charles Manson be?

He would be in the United Nations.

I have absolute respect for him.

He doesn't lie.

[George Stimson] Sandra Good,

"Blue" talked me into, uh, putting myself

in his service, and that's what I did.

Visited him almost 200 times in prison.

Wrote a book about him.

I've just been intertwined with him

since about 1990.

What led up to

the Waverly and Cielo Drive murders?

They were the culmination

of a series of criminal incidents

that began on July 1st, 1969

when Charles "Tex" Watson ripped off

the marijuana dealer, Bernard Crowe.

Uh, he took the money and ran.

Crowe wouldn't have anything of it.

He wanted his money then,

he wanted everybody involved in it.

He wasn't gonna be reasonable at all.

Tex has a little problem.

He has a little problem.

He gives me a g*n. He cant do it.

I have to go deal with his problem.

[Charlie Rose] Which is?

I have to go sh**t somebody for him.

-[Charlie Rose] Who'd you sh**t?

-Oh, I had to sh**t "LotsaPoppa."

[George] Charlie thought he was dead,

and he told Tex Watson,

"I k*lled this guy for you.

You owe me a favor.

"And when it's time for me

to collect the favor,

you're gonna pay it."

[Sophia] That's where I feel

his mental health started deteriorating

is that level of stress of like,

"f*ck, I just shot a guy."

He thinks he k*lled him.

'Cause it led to a chain of events

that did destroy everything.

What happened?

[George] Bobby Beausoleil got involved

with the mescaline deal

between Gary Hinman

and the Straight Satans.

Bobby k*lled Gary Hinman.

About a week after the m*rder,

Bobby Beausoleil got arrested

driving Gary Hinman's car.

I can't let somebody

that's with me stay in jail.

It, it just-- You know,

it's not in my makeup, man.

I got to get my brother out of jail.

[Sophia] Charlie Manson

goes up to Tex Watson

and says, "Get a brother out of jail."

Yes, it's a payback thing.

It's an underworld thing.

It's favors owed and favors paid.

"I want Bobby outta jail.

You owe me for sh**ting Crowe."

However you do it, you do it.

I don't care how ya do it,

but don't bring it to me.

[George] So, Tex Watson, he goes out

and, uh, commits some atrocious murders

in an attempt to make it look like

Bobby Beausoleil wasn't the k*ller.

The real k*ller of Gary Hinman

was still at large.

The followers wanna change the script

of, of what really happened.



Manson could've cared less

about Bobby Beausoleil.

He was a on-again, off-again

member, uh, of the family.

There's been some speculation

that Hinman was a drug dealer.

He was not.

Manson got Watson aside

and told Watson, "k*ll everyone there."

And he told the girls,

"Well, Watson knows the layout,

so do whatever Tex tells you."

[Sophia]

Tex described the scene himself.

"We took lots of speed,

especially me and Sadie.

"She was a speed freak,

"and we were flying high

the night of the Tate murders.

"It was a private stash,

and Charlie didn't know about it.

He wouldn't have liked it."

[Stephen Kay] They drove up

to the, the front gate.

Watson got out

and cut the, the phone wires

'cause he didn't want anybody calling out.

[Sophia] Tex Watson, Susan Atkins,

Patricia Krenwinkel, and Linda Kasabian.

They go into the Tate residence...

and commit a m*ssacre.

[camera shutter clicks]

Tex Watson shot Steven Parent.

[Stephen] Wojciech Frykowski

was asleep on the sofa.

Watson woke him up at gunpoint

and told him that he was the devil there

to do the devil's work.

[Sophia] "He tied up

Folger, Sebring, and Sharon

before stabbing them to death."

[camera shutter clicks]

"Question: 'How do you feel

about what you did?'

"Answer: 'It was fun tearing up

the Tate house, okay?'

"Question: 'It was fun?'

"Answer: 'You should have seen it.

"People were running around like chickens

with their heads cut off.'

Defendant is laughing."

[Stephen] Sharon Tate,

eight and a half months pregnant.

Susan Atkins looked at her and said,

"Look, b*tch, I don't care

about you or your baby.

"You're gonna die,

and you better be ready for it.

And I don't feel a thing about it."

And then, Susan Atkins

proceeded, uh, to stab her 16 times.

And then, Watson came in and he hung her

from a high beam, uh,

going over the, the living room.

The coroner said that she was hung

while she was still alive.

[Sophia] He's just telling

these whacked-out people

on amphetamines, speed, belladonna, acid,

"Take care of something."

-What did he expect?

-He doesn't live in expectation.

He stirred the pot.

He told 'em to do something.

He didn't anticipate like that.



[Sophia] The next night of murders,

Charlie gets more involved.

It's been hard to get my dad to hear

about his own father's culpability.

-[Daniel] Jessica. Nice to see you.

-[speaker] Your dad's here.

[Sophia] Yeah, obviously. [chuckles]

[Daniel speaking indistinctly]

But he agreed to come meet

Nikolas Schreck,

a friend of Charlie's

who spent decades defending him.

Charlie told Nik about the night's m*rder.

I wouldn't be doing this

if you didn't tuck me in every night

and tell me you wanted

to know who your father was.

Hi, I'm Nikolas. Nice to meet you.

Was he [Nik Schreck] there?

He's a researcher.

He spent 30 years talking to Grandpa.

He was a good friend of your dad's, so...

And then, we're gonna talk

about what he was culpable of,

what he is guilty of 'cause I think...

that's something we should know.

Well.. this..

...first of all, it's just his opinion.

He's not the foremost authority.

He doesn't know everything.

Who do you think is?

God.

[Sophia chuckles]

[Sophia] Rolling?

[crew member] Yep.



I know you don't wanna be here

when I talk about it,

but I think we have to talk about

what he is guilty of

and what he has done.

Because I don't wanna whitewash things,

and I, I wanna--

Well, when, when you say,

"What is Charlie guilty of

as far as his criminality?"

Larceny, auto theft.

He robbed constantly,

he-- breaking and entering.

That came naturally to him.

He was always looking for money.

In terms of the more famous phase

of his career,

his involvement with Cielo Drive,

I don't believe that Manson

was culpable for m*rder.

It was Tex Watson

and Linda Kasabian's idea.

Did Manson deny telling Watson

to go k*ll people or did he not?

[Nikolas Schreck] Oh, yes, he denied it,

but that doesn't mean that's the truth.

They came back to the ranch,

and the way Charlie described it to me,

he saw them coming back with blood.

Susan Atkins comes home to you

with bloody hands.

Yeah.

She says,

"Charlie, look what I did for you."

-Yeah. Said, "I give you the world."

-I give you the--

"I just k*lled myself,

and I give you the world."

So, how'd you react?

I said, "You dumb f*ck' c**t,

I already had the world.

You just put me back in jail again."

[Nikolas] So, it was a disaster

that they had k*lled a minor celebrity.

And he's terrified

because he's on probation thinking,

"These amateurs

are dragging me back in prison."

'Cause he knew it would fall back on him.

And he told me he'd never been

as frightened in his life

despite all of the things

he'd been through.

Now, the next night, the LaBiancas,

he went into the LaBianca home

and took money from Leno LaBianca,

a large amount of money.

He admitted that.

[newscaster 1] A day later, 15 miles away,

there was another m*rder

in the same brutal manner.

[newscaster 2] Leno LaBianca,

a supermarket owner,

and his wife had both

been stabbed to death,

repeated stab wounds.

On his body, the word "w*r"

had been carved in the chest.

Then, with blood, the k*ller had scrawled

the words, "Death to Pigs."

[Nikolas] Um,

he was guilty of going

into the LaBiancas' home

and robbing them,

which makes you culpable, technically.

He didn't k*ll them.

Do you believe that happened?

That he went to the crime scene?

I don't believe a word of anything.

If you're gonna take the implication

that Charlie was involved, yeah, okay.

But every person that was

in Charlie's cult in the beginning,

-the-the-- like, first--

-It wasn't a cult, number one.

Every person was arrested a minimum

of four times before they met Charlie.

Right, they were a bunch of criminals.

And all four of 'em were released.

I'm telling you, this is a squalid series

of g*ng murders

involving bikers and drug dealers.

With all due respect,

I think people who do this

are entertainment Manson people.

They don't really know the p-- the whole--

Then, you doubt, you doubt

everything that your father said?

Yes.

Well, here's where we have to part ways.

If you doubt

that your father ever told the truth

about these things, well, he did.

And I spoke to him for years,

quizzing him, interrogating him.

I-- In my opinion, I-I think that,

uh, still needs to be, um...

things need to be released,

more information.

And, uh, you know--

I'm not doubting

that things are covered up.

No, the fact, the fact

that they had to go all the way up

to the President of the United States

and have him say,

"Manson's guilty of m*rder"...

I'll never forget they were...

all so worried about the Manson case.

I knew exactly what we were doing

with Manson.

You've gotta win some things in the press.

...tells you that it was an operation.

[Nikolas] I understand that.

I just don't think that that's relevant

to these particular crimes.

-That's all.

-[Daniel] Well, I do.

The whole thing is just

a shitshow, and it's a lie.

The whole thing's a lie.

You're caught up in the biggest lie

in the history of lies.

-Okay, thank you very much.

-Fine. Thank you.

[door opens]

Isn't that what you expected?

[mellow music playing]

[Sophia] I was hoping my dad could...

listen to Nik.

Maybe he thinks he's inherited some evil

and he doesn't wanna believe

his dad is like that.

The more I learn, the more I,

the more I realize

I, I don't really have family.

I couldn't depend on my dad today.

I'm very f*cking alone.

[somber music playing]

It's hard, but I can't turn back now.

I faced the murders,

but it's the trial that cements

my grandfather's legacy.

[newscaster] All the elements are present

for one of the most sensational

m*rder trials in American history.

[Sophia] And convinces my grandmother

her 10-year-old son is evil.

[newscaster] Young girls, supposedly

under the spell of a bearded Svengali,

who allegedly masterminded

the seven murders.

The Manson trial is a circus.

You know, it's wild.

[newscaster] Lawyers who had never been

heard of before are now heard of.

[Vincent] Manson was seeking

to ignite Helter Skelter,

start the Black/white w*r

by making it look like

Black people had m*rder*d

seven Caucasian victims.

[Jeff] LA had had

a incredibly devastating race riot,

and so, then to have a prosecutor come up

and say, like,

"This weird little hippie guy

is trying to start a race w*r,"

it's like he found, you know,

his [snaps finger] aha moment.

[Vincent] Manson told his followers

that this would be a bloodbath,

and what happened on these

two nights you don't even see

in a horror movie.

Do you believe

in the Helter Skelter narrative?

No.

Lots of people have said

Manson spoke of a race w*r,

-that it was imminent.

-Mm-hmm.

[Sophia] But besides Linda Kasabian,

I can't find anyone

who said he wanted to start it.

Can you talk about her immunity agreement?

[Stephen] The prosecution,

they focused on Linda Kasabian

who was like the getaway driver,

but didn't physically participate

in the murders.

Her attorney said,

"If she's gonna testify,

she has to be given full immunity."

You know, Linda Kasabian

was on the, the stand for weeks

and the, the jury, they believed her.

I don't like all this chaos

or whatever the word is.

[intense music playing]

[group]

All around, all around, all around

I think there's, like, a turn

that happens during the trial,

and the women are so freaky.

[newscaster] They have been on this corner

for nearly five months,

and they vow to remain here

until Charlie is free.

[Jeff] You know, the girls are out

literally crawling

around the streets of LA.

They're performing outside the trial.

They're really trying to show

that they're just regular,

you know, young folks

who have some

unconventional ways about them

and not being able to, like, suppress

the anarchy in their hearts, you know?

[reporter] I noticed

that "X" in your forehead.

Why did you do that, may I ask?

The X just symbolizes our being X'd out

of this whole madness.

Why won't they let us testify?

[Lynette] [on phone]

So, we were trying to defend him,

but he didn't ask for that.

[reporter] When you saw

Mr. Manson this morning,

how did he look to you?

"Help!"

[Lynette] And in effect,

it made it worse for him.

[newscaster] All were found

guilty of m*rder in the first degree.

The prosecution in this case has used

this trial for political purposes.

[Sophia] Charles Manson's testimony.

"What you want is a fiend.

You want a sadistic fiend

because that is what you are."

The mass media and the public, uh,

have used it for entertainment purposes.

You dealt the hand.

You put me on LIFE magazine,

and had me convicted

before I walked in the courtroom.

"You only reflect on me

what you are inside of yourselves

"because I don't care

anything about any of you,

and I don't care what you do."

Uh, you might say I'm kinda like Satan.

I'm in so many different places at once.

I think he was giving people

what they wanted to see really.

[Charlie Rose] You were the--

one of the most infamous criminals...

-Of all time.

-...of all-- in the world.

He's playing for the interviews,

and he's playing for the public.

[gibberish] How many times

I got to go through...

[gibberish]

My curiosity gets a hold of me,

and I'm like,

"Is he leaning into this evil guy

'cause they started writing

about him as this evil person?"

On some level,

it's just, he looks the part.

Like, he's got the wild hair.

He's got the wild eyes.

He's got the beard.

He carves a swastika on his forehead.

It's like this very dramatic

physical presence.

Believe me,

if I started murdering people...

there'd be none of you left.

And so, for mainstream press coverage,

he's, like, the fulfillment

of the worst dream

that's been, you know,

prognosticated for years.

He plays the boogeyman.

He knows how to do it.

It would be very sharp

for one person to do all the things

that I'm gonna have to do...

to survive...

in you, and in you, and in you...

and in you too.

[Sophia] The thing about

my dad and my grandfather

is that they never had the tools

to heal their trauma.

So, when someone tells them

they have darkness in their nature,

they double down.

[line ringing]

My dad and I always argued

over sexism, over Manson,

but he started taking it

really personally.

[automated response] [on phone]

I'm sorry, but the person you called

has a voice mailbox

that has not been set up yet.

[gentle melancholic music playing]

[Sophia] And then, it all boiled over.

Tell me what you just said.

-[Daniel] No, you tell me.

-[Sophia] Yeah, tell me.

[Daniel] No, you tell me.

[Sophia] Do you wanna

call me those things again?

[Daniel] Because that's

what your trigger words are.

[Sophia] And what is it?

[Daniel] Yeah, those are

your trigger words.

-[Sophia] Call me, call me it right now.

-[Daniel] Those are your trigger words.

[Sophia] Call me a b*tch

and call me a c**t.

-[Daniel] Take me home, please.

-[Sophia] Call me. Call it me.

Don't stop being a sexist now.

[Daniel] Why are you parked in the road?

Why are you risking our lives right now?

[Sophia] Don't do that now.

Don't cop out now.

[Daniel] Why are you

risking our lives now?

[Sophia] Don't cop out now.

Don't cop out now. Tell me.

[Daniel] You better get out

of here right now, young lady.

-You're risking our lives.

-[Sophia] You hate me.

[Daniel] Because you're a f*cking idiot.

[Sophia] Yeah, okay.

[Daniel] And I regret

calling you my daughter

because you're a lying f*cking b*tch.

[Sophia] How-- What did I lie about?

[Daniel] Everything.

-[Sophia] What did I lie about?

-[Daniel] Take me home.

-Don't talk to me.

-[Sophia sighs]

[turn signal clicking]

[Sophia] Before I drop you off,

can I say something?

[Daniel] No.

Don't f*cking say a word to me.

[Sophia] I'm not mad at you.

[Daniel] I'm not mad at you either.

Don't f*cking say a word to me.

Drop me off on the corner.

I don't wanna ever talk to you again.

[Sophia] Don't say that.

-[Daniel] I don't-- f*ck--

-[Sophia] Don't say that.

-Don't say that.

-[Daniel] Just go on that corner.

-I don't wanna talk to you ever again.

-[Sophia] Don't say that.

Don't say that.

-[Daniel] Goodbye.

-[Sophia] No.

-[Daniel] Yeah.

-[Sophia] I'm not letting you.

-[Daniel] Goodbye.

-[Sophia] I'm not letting you

get out of the car with that.

-[Daniel] Stop. Right here.

-No-- I don't care.

I'm not mad at you. I don't care...

[Daniel] Stop, right here!

-No.

-[Daniel] Yes!

-No.

-[Daniel] Stop, right now!

-Don't do that.

-[car door opens]

[tense music playing]



[Sophia grunting]

[trainer speaking indistinctly]

[grunting continues]

Ever since I've been investigating...

[grunting continues]

...and I've been talking

about his dad to my dad...

[grunting continues]

...every time I find out

something new about his father

that's sad or heartbreaking or murderous

or guilty, whatever it might be...

[panting]

...my dad breaks a little.

And it's, like, the question is,

do you abandon and leave them

like everyone else

has abandoned and left them...

or do you stick it out?



I'm not talking with my dad.

I don't talk to my mom.

And I don't talk to anyone

who doesn't make me feel...

good or happy or, like, safe to be myself.

That's how I protect myself

'cause I feel safe alone.

[Charles] [on laptop]

You can't fight for peace.

[Charles/Sophia]

You cannot capture freedom.

[Charles chuckles]

[Charles] And it's just

a simple little old thing, man,

that any little baby

could figure out if we didn't...

Put cancer in their minds.

[Charles] ...put cancer in their minds.

If someone beats you with a whip

and you love the whip...

[chuckles] what's he doing?

He's making a fool outta himself.

[laughing]

[Sophia] I think it's interesting

that he was accused

of giving this incredibly a*usive love

to his cult followers.

And later, he's known for a*usive love.

I'm not saying

he's innocent of a*usive love.

I think he's capable of both,

but he's not, like, going around,

and I don't think

my dad is either, going like,

"I'm gonna make Sophia think I love her,

so that I can abandon her

and test her loyalty to me."

I think they're just troubled.

[Allie] I think there's something

interesting in all this

that is maybe, like,

below the surface in you.

There's something about this quote

that's doing something for you

that helps you feel better

about your grandfather,

and I'm curious what that is?

It's anti-w*r.

And I mean,

Stephen, the prosecutor, told me,

"All he wanted to do was start a w*r

and he never spoke of love."

Now, I've met enough people

to know that that's not true.



[Allie] I am not pushing against

that interpretation,

but what I'm going

to reflect back to you...

when you spend a bunch of time

listening to your grandfather,

or before, when you spend a bunch of time

listening to your dad...

I hear, sometimes, your dad.

Here's the thing... you're right.

I was raised by my dad,

and there's a lot of, like,

dad thoughts and dad-dad patterns.

I've always thought of myself and my dad

as very adaptable people.

You could put me...

in a room with someone

who k*lled somebody.

[Allie] I just-- Im sorry. You are

working so hard to help them sound better.

I don't know. I don't know.

But Dr. Rose also said

Manson was parentified

and my dad's parentified.

[Allie] I believe it.

But I guess what I'm saying is...

you are more than their patterns.

Don't you feel that in you?

[Sophia] Sure, yeah.

[gentle music playing]

My dad would tell me

his golden years were just raising me,

being a stay-at-home dad,

and I really felt that love, you know?

Every day.

Didn't mean he didn't get

emotionally turbulent.

Um...

he could flip on a dime.



Can be very, very generous and giving,

and then be very, very selfish.

So, he's always had this duality...

um, but I've always held on

to the loving part.

[Dianne] Part, right.

When you love somebody,

you forgive... far and wide,

the indiscretions

or the, you know, the bad stuff.

You know, you kinda just...

you don't dwell on it.

Did you feel, at the time,

that Charlie's love was genuine to you?

Yeah, I did.

I-I-I really did.

And I think he--

But on the other hand,

I also learned that, um,

that's what the p*mps had taught him.

And he was definitely,

you know, manipulative.

He did, you know, he did hurt me.

We talked about pimping me out.

And then, you know, he--

we hadn't had sex for a while,

and I really wanted him to want me,

you know, because of that first experience

and other experiences were just

so incredibly wonderful, right?

We went to this, you know,

this little gypsy caravan

that was halfway between the ranch house

and the back ranch house

and, um, you know,

took our clothes off and...

it wasn't the same.

He turned me around and...

sodomized me, you know, rather brutally,

and then said, "That's the way

we do it in prison," you know.

And left me crying.

And that was, you know,

I, I never asked him

for sex again, for sure.

And I, I don't think

we ever did have sex again.

That was really, that was really painful.

I-I didn't deserve that, you know.

Um...

I'm really sorry that happened to you.

I think you're a very strong person.

And so open and honest.

[Dianne] It was very hard for me to,

um, accept the fact that, you know,

that I had been-- I'd stayed.

I was really young, and I, I thought

Charlie would be mad at me if I left,

and I didn't know where to go.

I don't know.

When I hear them, they break my heart

'cause that's not the dad that I know.

-It's not what my dad and I stand for.

-He's-- But he's not your dad.



[Sophia] He can be so loving.

He can be so hateful.

There's no reason,

like, there's no reason for him

to have changed on a dime to you.

-We didn't deserve that.

-Right.

But then, they don't have the tools

to know what personality

or mental health thing

they're going through.

You know what? It's hard.

It's hard, I know.

[somber music playing]

[Sophia] I see similar patterns

in my dad and my grandfather.

Those sudden, almost manic changes.

But with my grandfather,

the panic of the murders

occurring took hold of him

in those final months.

To understand it better,

I'm going to meet Stephanie Schram,

his final girlfriend

before the murders of '69.

[Stephanie Schram] Have a seat.

[Sophia] Thank you so much.

It's so cute out here.

I was wondering, um,

if you could describe

the first time you met my grandfather.

I-I-I just wanted to be, like,

loose and free,

and, uh, a friend of mine was, um,

driving up to, uh, Nevada

to visit his, um, aunt and uncle.

And I-- So, he said,

"You wanna go with?"

And so, it was on that trip

coming back that I met Charlie,

and I was just taken with him.

I think it was just 'cause

I was, I was looking for something.

The night that I met him, he took me

to meet everybody at the ranch.

Everybody was very glad

to see Charlie back.

He was recruiting,

and I think that they thought

that he'd be--

he'd have several new,

uh, recruits with him,

and all he had was me, um.

The first night that we were there,

he told me go to sleep in--

there was a trailer.

And he said, you know, "Go there

and I'll, I'll be in there

in a little bit."

Well, evidently, I fell asleep and, um,

he went out,

and that's the night it happened.

-[Sophia] The LaBiancas.

-The-- Mm-hmm.



He didn't come back

to, to bed until, like, dawn.

[Sophia] Hmm.

Do you believe he said

those things to those people?

To go and do that? Yes.

[Sophia] Okay, what makes you think that?

[Stephanie]

Well, he did like m*rder school.

It was like a little class.

He'd tell you how to put a knife in

and what to do with it,

so that you were sure somebody

was dead and stuff like that.

And... that wasn't what I was there for.



Who was at that class?

All the girls, everybody.

Everybody that was--

It was out in the desert, you know.

-At Barker?

-[Stephanie] Yeah.

[Sophia] So, this was after the murders?

[Stephanie] Yeah. Yeah.

One of the things that Charlie

had us doing was digging holes.

"What are we doing this for?"

And he said, you know,

"Those were for us to hide in."

-[Sophia] Mm-hmm.

-And...

there had to be more than I knew

because I thought, "Why?

I'm not hiding from anybody."

But they, they were.

Um, and that's why it started

to get weirder and weirder to me.

So, that's,

-that's why I wanted to leave.

-[Sophia] Mm-hmm.

You don't need to, you know...

-[Stephanie] Yeah.

-...talk too in, in depth about it...

-[Stephanie] Yeah.

-...if it'll upset you,

but, like, how did you find yourself to--

or get yourself to escape?

[Stephanie] "Kitty" and I,

we would sit and talk about

how much we miss 31 Flavors ice cream.

We started talking about

Thanksgiving and turkey

and stuffing and everything.

[chuckling]

Sounds like you guys are hungry.

Yeah. We were most of the time.

-So hungry.

-Yeah.

Um, and so, I-I really--

I-- A lot of things are gone

outta my memory, you know,

bits and pieces of stuff.

But I-I-- We just decided

when everybody went to sleep,

this one night, we're just gonna take off.

-Yeah.

-And, um, and we did.

We had gotten to the top of the wash,

and they were looking for us

and we knew they were, so--

But we were at the top of the wash,

and the dune buggies

couldn't make it to the top.

So, we just walked until

down the road came a car

and it was the sheriff.

-[Sophia] Hmm.

-[Stephanie] So, "Help."

-[Sophia] Yeah.

-[Stephanie] [chuckles] You know?

[Allie] What made you

realize you had...

to escape that night?

What told you in your gut

you needed to get out?

[clears throat]

Charlie, um, had made it clear to us,

"Once you're here, don't go.

If you do go, we'll k*ll you, and--"

-[Sophia] Did he say that to you?

-[Stephanie] Yeah.

You know, I think he probably,

at some point, told me that.

I can't really remember, um, the occasion

or exactly what happened,

but I was well aware...

that once you're in the family,

you don't leave.

And I was afraid.

I was afraid that I'd end up dead.

And what was happening with those

people, people was not a, a commune.

It was a cult. [chuckles]

-Yeah.

-[Stephanie] So...

In what way?

[steady electronic whine]

[Stephanie] As a group, they...

worshiped Charlie.

They thought he was God.

They really did.

And I'm-- I think maybe,

at some point, I did too.

The girls were, um, sufficiently,

I'll use the word "brainwashed."

They were sufficiently

brainwashed by Charlie and they--

And that's...

You know, he pretty much

dictated their behavior.

Uh...

so I just followed along.

I always felt that, um,

Charlie had that much control

over their minds.

Really, I did.

A lot of this stuff is unbelievable.

[Sophia] Mm-hmm. It is unbelievable.

-It's not so black and white.

-[Stephanie] Yeah.

[Sophia] Cool.

[birds chirping]

She is so sweet and so kind.

She kissed me goodbye and said,

"I really enjoyed talking with you today."

I think she persevered

and overcame a lot...

but she showed me her box

of Charlie Manson, um... research.

The books were Helter Skelter,

the book by Jeff Guinn

and the Nuel Emmons' book.

Those are, like, the three most

sensational anti-Charles Manson...

books you can, you can get.

And I got really upset.



You know, if you, um,

ask my dad's half-brother,

he would tell you my dad

wasn't kicked out of the house

and he wasn't abused.

He would say that my dad just ran away,

ran off with his friend.

He'd say all these things

about my dad because...

he knows just enough

to get it completely wrong.

She knows enough in those books

to say, "Oh, he must have told me that,"

because she read it over and over again

that they would ki-- that Charlie would

k*ll people if they left the ranch.

That is my opinion,

and I don't really wanna argue about it.

I-I can have my therapist push back,

but I'm not really comfortable

arguing about it with you.

[Allie] Why not?

[Sophia] I don't need to be

always processing on a whim

when traumatic things

just happen to me and put on camera.

It's unfair, and I've done it so often.

I do it so many times,

and I-- there's only so much I can take.

[Allie] So, I totally hear that.

Why--

You could have talked to the therapist.

Allie, if anyone wants to believe

that he did those things,

be my f*cking guest.

Be my guest.

I don't care. I literally don't care.

Everyone else thinks it anyway,

so who cares?

I'm telling you what I feel

because the camera's pointed at me,

and I'm going on this journey.

I've read the transcripts.

I've looked at the evidence.

I knew all the events that she had

missing holes and memories from.

[Allie] You don't have to endorse it,

but, like, do you feel--

'Cause when I watched you

listen to that stuff,

you-- your wall went up.

I don't--

[scoffs]

Well, I'm very sorry.

[Allie] No, I'm not

asking you to feel bad.

I'm asking...

[Sophia] [sighs] f*ck me then.

Like, I don't know.

Maybe I'm not doing enough.

I really can't do it anymore.

Can't do it, I'm done.

It's f*cked up, dude.

[steady electronic whine]

[foreboding music playing]

[jarring stinger]

[music continues]

[newscaster] Young girls,

supposedly under the spell

of a bearded Svengali.

[Vincent] Slaughtered the victims

in an orgy of m*rder.

[Dan] Your grandfather

was a product of the failure

of the juvenile justice system.

[Daniel] We were all raised

by dysfunctional people

who were raised by dysfunctional people.

[Charles] If I wanted to k*ll somebody,

I'd take this book

and beat you to death with it.

[Nikolas] You doubt everything

that your father said?

[Daniel] I don't believe

a word of anything.

[Dianne] When you love somebody,

you forgive far and wide,

you know, the bad stuff.

[Daniel] Don't f*cking say a word to me.

-[Sophia] I'm not mad at you.

-[Daniel] Don't f*ck' say a word to me.

[Sophia] Ever since my therapist told me

I was being pushed and pulled

in so many different directions, I...

I'm now so aware of it.

I don't wanna feel this way anymore.

-[intense music playing]

-[steady electronic whine]

[voice breaking] I just want it to stop.

[somber music playing]

[Allie] She is the director of a movie...

and it's really hard.

And I wish she had had better parents.

[music continues]

[voice breaking] Now, she's trying

to be an adult all alone.

No help, no roadmap.



She just needs more people to love her

and give her what she gives others.

'Cause until she has that,

she will keep clinging to these two men

who do not deserve it.

Because her dad is flawed...

and, and missing,

and her grandpa is dead.



There's nobody to save back there.

[Dr. Rose] How are you

feeling today, Sophia?

[Sophia] I just don't

wanna be a bad person.

I just wanna do right by the victims

and by my grandfather...

and I don't know how... I'm doing.

Like, I don't know if I'm doing it right.

[somber music playing]

Rosemary, Leno LaBianca...

Steven Parent, Jay Sebring...

Frykowski, Folger, Hinman,

Sharon Tate, Sharon Tate's baby.

Nine people, after they were m*rder*d,

they were revictimized

over and over and over again.



[Dr. Rose] I heard you

recite those nine names

with such fluidity that it tells me

you're carrying these names on your heart.

The grief is getting bigger and bigger.



You are holding onto something

that doesn't belong to you.

You can give this

to something bigger than yourself.

Do me a favor. Write down their names.



You cannot be the holder of this, Sophia.

It's what this journey is about.



[faint guitar music playing]

[Sophia] [gasps] Oh, my-- [squeals]

It's Fun in Acapulco!

My dad would play this

every morning on vinyl...

to wake us up to get ready for school.

That's incredible.

My dad sold this vinyl record

when he was just super broke and had to...

get some money for food or whatever.

And... he sold

all of our vinyl, in-including this one.

And I've always wanted it back.

Not my granddaddy, but that's okay.

I'm keeping this. This is mine.

["Thoughts in My Mind" by

Donnie & Joe Emerson playing]

Thoughts in my mind

About to unfold

What life is about

[giggling]

Just grieve all alone

[young Sophia] Ah!

[lips squeaking]

There's no one here

-[Daniel laughs]

-Come on, Dad.

-[Daniel] Thats elderly abuse.

-When I need someone

Go, go! It looks great.

Beautiful. There you go.

That's what we want.

Happy birthday, dear Sophia

Happy birthday

To you



Make a wish.

[Dr. Rose]

Talk to me about the past week

and how are you feeling?

How are things going?

My dad blocked my number.

He's-- Hasn't reached out to me.

I wish he acted...

in a way that is respectful.

I wanna respect him.

I've always had so much empathy

for him and compassion.

[Dr. Rose] Can I ask why?

[Sophia] Yeah, he put a lot

of intense dark memories

into my mind as a very young child.

[Dr. Rose] Sophia,

just putting together everything

that you described about your dad, um,

and those parts of your upbringing,

even the good stuff

as well as the bad stuff, um,

I, I suffice it to say

that your dad groomed you.

[somber music playing]

Not for, you know,

salacious, sexual actions,

but to adhere to the story

that maintains his victimhood.

[car door opens]

[Daniel] Hi honey.

You OK?

[Sophia] I've just been walking around

El Segundo.

[Daniel] Well, you can thank

your mom for that.

[Sophia] I called you like three times

on three different...

kinds of phones and you didn't pick up.

[Daniel] Well, I'm busy! I'm working, man!

I'm trying to make a living, alright?

I got more important things to worry about

than your doctor appointment... okay?

That was last minute, not set up with me.

[Sophia] Your work is

more important than me?

So, stop yelling at me

or I'm gonna start yelling!

You're the one that started yelling first,

and I have it all documented here on tape.

[Sophia] Jesus Christ.

We'll go to the videotape

and we'll see who's yelling.

[Dr. Rose]

He poured everything into you...

so that you were the person

who always see his victimhood.

It means that you get

to control the narrative.

And only one person

wants to control the narrative,

and that person is the narcissist.

[Daniel] You're the one that wants

to run off to all your problems.

I'm the one who stuck it out,

who stuck around,

who's been there for you,

picks you up when you fall down,

wipes your nose

when you got it runny,

gives you medicine when you're sick.



[Dr. Rose] Do you know

radical acceptance is the only way

to win with a narcissist?

[Sophia] Mm-hmm.

[Dr. Rose] And the radical acceptance

is that you'll never win.

Yeah, totally.

[Sophia] I don't want to yell at you.

It's not your fault.

-I know it's not your fault.

-[Daniel] Then why are you yelling at me?

I'm not mad at you.

[Daniel] What? Oh, you--

[Sophia] I'm mad at you for--

[Daniel] Oh, you are, you are

schizophrenic, I'm sorry.

Drop me off on the corner.

I don't wanna ever talk to you again.

I don't care. I'm not mad at you.

-I don't care.

-[Daniel] Stop, right here!

-No.

-[Daniel] Yes!

-No.

-[Daniel] Stop, right now!

-Don't do that.

-[car door opens]

[Dr. Rose] I think he's trying

to feed even further his victimhood

by grabbing onto Charlie's narrative.

I wanna make sure that the grooming

you experienced with Dad,

that your relationship

with your grandfather

is not benefiting from that.

[Sophia] Hi, Dr. Schug.

-[Dr. Robert Schug] How are you?

-[Sophia] I'm good.

Thank you for having me.

-[Dr. Schug] Nice to meet you. Come on in.

-Sophia.

Later today I'm taking a inkblot test,

a personality test.

I don't know exactly

what I can get out of this test,

but I know my grandfather

took it a few times

and results varied

and progressed over the years.

Um...

so I'm gonna take it with a grain of salt

'cause, like, we talked about...

you know, the psychology world,

maybe it wasn't on point

in some of those years,

but they're comparing my results to his.



[Dr. Schug] The data

from your grandfather comes

from a 1997 evaluation

at Pelican Bay State Prison.

For him, this particular five-day session,

he was in a wire mesh cage

and he was shackled.

His wrists and legs were shackled.

And, um, so, what his results

suggested was that,

first of all, hypomanic symptoms

like elevated mood, irritability,

that kind of thing.

A manic episode sometimes associated

with, like, a bipolar illness.

Distractability, euphoria,

grandiosity, irritability.

Yeah, my therapist told me that

whenever I describe my dad,

she said that, "Your descriptions of him

kind of match descriptions

of people with hypomania."

And I Googled it,

and I would notice that as a kid.

I was like, "Wow, my dad is so happy

over this very small thing."

And I thought that was a cool thing.

-[Dr. Schug] Yeah.

-It's, like, kinda charming.

It's kind of earnest.

It's like he's got a sparkle in his eye,

but then other times, he's so irritable.

It's kinda two sides

of the same coin, isn't it?

-Mm-hmm.

-It can be an asset

-and a liability, right?

-Right.

[Dr. Schug]

So, with your grandfather,

he was reporting

some thought disorganization,

um, some bizarre thoughts

and persecutory ideation.

The idea that people

were out to get him, right?

So, his results did speak

to some vulnerability

to, like, a psychotic illness

or psychotic break,

meaning a break from reality.

[Sophia] It makes sense

my grandfather's vulnerable to psychosis.

I think--

Like, I have ideas of...

when my dad has had a psychotic break.

-[Dr. Schug] Okay.

-Or when my grandfather

has had a psychotic break.

And then, finally,

in terms of personality traits,

some psychopathic, antisocial,

schizotypal, and narcissistic traits

really relating to kind of

operating without a conscience.

Now, you, on the other hand,

didn't have any of that.

It was a very,

we would call it "unremarkable"

in the sense that there--

nothing was really--

-No red flags, right?

-Okay.

[Dr. Schug] So, let's move on

now to the R-PAS,

the Rorschach Performance

Assessment System.

Okay, so this is gonna be, uh,

your grandfather's, uh,

Rorschach scores will be on the left

and yours will be on the right.

Okay, so the first score

is giving responses

that don't fit the blots,

that don't fit the way

other people see them.

-Is it unique...

-Yeah.

-[Dr. Schug] ...versus conventional?

-Normal.

[Dr. Schug] Your grandfather's

was elevated and as was yours.

In fact, yours was higher than his.

[Sophia] I would not

have thought I beat him.

-You beat him. You won, you won.

-[laughs]

This alone doesn't

make anybody crazy, right?

It's just the way

they're filtering information

coming in from the outside.

I think about this a lot.

Like, the, you know,

you look back historically

at, like, artists,

the fine line

between genius and madness, right?

An artist is able to see

outside of the box, right?

And so, it could be some of that too.

So, as expected,

um, his aggressive content score

was quite high.

-[Sophia] Yeah.

-[Dr. Schug] Looking at the blot

and seeing aggressive images

could mean a number of different things.

It could mean that a person identifies

with aggression, um, and power.

It could mean

that they're especially wary of that.

Like, they're on the lookout for it.

-Yeah.

-[Dr. Schug] Or that they identify,

perhaps, with being a victim of it, right?

So, it doesn't necessarily mean

you're aggressive.

-He's the perpetrator.

-[Dr. Schug] Right, right, right, right.

And you, on the other hand,

were just right down the middle.

His responses

were quite different from yours.

And I remember

your responses tended to be

more lighthearted and whimsical

and kind of creative.

At the very least, they weren't concerning

or scary or, or that kind of thing, right?

But one did jump out at me, right?

That yours was almost identical.

On one of the cards,

you had pointed out a mustache man.

So, on that same card,

your grandfather said it,

"Looks like a Hippie

with a mustache wearing shades."

The second part of these responses,

I think, is also very telling.

"Looks like a Hippie

with a mustache wearing shades

"with the Eiffel Tower on top of his head

and there are

two caterpillars on the side."

-So, it kinda went another place, right?

-Uh-huh.

[Dr. Schug] You, on the other hand,

"I think a weird creature, mustache man.

"The eyes, the mustache.

"I see the eyebrows kind of like

what you might see on a mask,

"and I don't know,

I've been to Japan or Indonesia

"and they have these crazy cultural masks.

It could be that."

Right? So, you put it

in a very kind of normative context,

and he just sort of went

somewhere else with it.

And there's another bit to the story

to sort of further cement that.

We can look at, um, the popular.

The higher the score,

the more likely a person is

to see conventional images in the cards.

Your grandfather

was below average on that.

You, on the other hand,

were way above average.

You don't have the signs

of thought disorder,

and you are able to see the world

in a conventional way.

-Mm-hmm. Yeah.

-[Dr. Schug] He was not.

So, if-if you came in here worried

that Dr. Schug was gonna tell you

you're just like Charles Manson, right?

You're not. These are

some of the ways you're not, okay?

I, I also wanted to touch

a little bit on the fact

that I've never once met a monster.

I've talked to people

who've done unspeakable things,

but I've never once met a monster.

I don't think your grandfather

was a monster.

You know, I think...

he was complex, right?



[engine rumbling]

[Sophia] I know people

will always view me skeptically

because I am a descendant

of America's most notorious criminal.



And I think that's the part

my dad can't handle.

[Daniel and young Sophia

yelling and laughing]

[voice breaking] The discovery that

his dad is Charles Manson is trauma

that threw him in a mentally

and emotionally vulnerable position.

And he bailed on me.

Again.

Despite everything,

I know that he took me

as far as he possibly could.

For everything he's done wrong...

I know he's tried his best to do right.

[somber music playing]

When you found out Manson was your father,

did you have any second thoughts

about who we are

and if we're bad, if we're good,

if we're guilty, if we're--

You must have thought

some ill feelings about him.

It's hard for people actually who know

who their parents are

to even identify with somebody

who doesn't know who their parents are.

It's a void that can never be filled.

It gnaws at you.

It-It...

It's a terrible thing for anybody

to have to go through.

I, I didn't wanna subject you

to this darkness...

this terrible story.

So, I weighed it very heavily

for about two months,

uh, and I felt that actually

the best thing to do was

to be truthful with you

because that's what you deserve.

That's what I deserved,

but I never got it.

Come here.

[Sophia] [sobbing] You gave me

a much better childhood

than what your parents gave you.

[Daniel] And in return,

I gave it to myself

because I was able to give it to you.

My whole life has been

rescripting it through you.



You were the only person

who ever, um, held my hand

and told me you loved me.

And I would've been

more like your childhood

if you were out of it.

[Daniel] [voice breaking]

That's why I didn't let go.

I fought my a*s off.

-To keep me?

-[Daniel] To keep you.

[Sophia] Both my dad and Charles

had to take on last names

that were not in their bloodline.

My dad's last name, Arguelles,

is his stepdad's last name.

Charles Manson was born

to Kathleen Maddox.

But because he was a b*stard child, uh...

he needed the name of a man.

And Manson happened to be

the guy Kathleen was dating.

Felt like I've never had a last name,

so it's a very exciting prospect

to have found a last name

for me that I really enjoy.

Things went horribly awry

with the name "Manson,"

and I just wanna give

my family lineage a second chance

with this new name.



Maddox.

Maddox. Sophia Maddox.

Hi, I'm Sophia Maddox.

I'm not gonna bring the camera in

because I'm not allowed

to record anyway, so cheers.



I love my dad.

My door is always open.

All I can do is

continue working on myself,

creating boundaries,

and just have it be about me

instead of trying to fix him

or trying to fix my grandfather,

let's just fix me.

So...

[Allie] And I have to say, like, the vibe

coming off you right now is very...

[Sophia chortles]

...is very uplifting.

[Sophia] [laughing] I know.

[Allie] Give yourself a bit of credit.



[Dr. Rose] Sophia, you were the first one

in your lineage to be born free.

On top of that, I wonder if, uh,

yours was to lead and not to follow.

That's not... [laughs]

That's not the narrative

I grew up with. [laughing]

[Dr. Rose] Well, um, people who felt small

would wanna keep you small,

so... [laughing]

they can justify their height.

[Tom]

Somewhere out there, somewhere,

there's at least one son

that we know of that's your child.

Who's probably about 25

or 26 years old right now.

-Is that right?

-Yeah.

Look in that camera.

What do you say to that kid?

You gotta catch it on your own, boy.

Train's hard. The road's rough.

-And you wanna hear something?

-[Tom] Yeah.

He'll do it better than me. [laughs]

[Tom] Do what?

[Charles] Whatever he does. [laughs]

He'll do it a little better.

Kids do, don't they?

-[Tom] Sometimes.

-[Charles] Yeah.

[laughs] That's what

makes him such a gas.

They always seem to get through.

Ah, it's magic!

Whoo!

[inspiring music swells]

It's time to let all of this go...

move on with my own life,

and do my own thing, separate from cameras

and separate from Charlie

and separate from my dad.

Now I've gotta find my own story...

separate from all of this.

And... God, I have no idea... [chuckles]

where I'm gonna go or what I'm gonna do.



["Lay It Down Slow"

by Spiritualized playing]

If you got dreams in your heart

Why don't you share them with me?

And if dreams don't come true

I'll make sure that

your nightmares are through

If you got pain in your heart

Why don't you share it with me?

And we'll just wait and see

If it's half of what it used to be

[song fades out]