This season on Project Runway,
thousands of fashion hopefuls auditioned for a chance
to become America's next great fashion designer.
We picked the 16 best.
And each week, one of them had to go.
Auf Wiedersehen.
Now only three designers remain.
And the stakes have never been higher
as they prepare to unveil their new collections
at fashion's most prestigious venue,
Olympus Fashion Week.
Tonight, all 16 designers will meet again
at Parsons New School for Design
for the first time since they gathered in New York.
I did it in eight hours.
Why'd you do it in eight when you had a whole week?
There's one perk to being kicked off first.
-What? -We get to drink first.
-Thank you. -Auf Wiedersehen.
I don't know what that means, but bye.
You just went over the top.
[Heidi] Kirsten, you're out.
[Raymundo] Well, well, well.
Oh, hey!
Hi!
How many months are you?
I'm seven months.
-Seven months. -Now, that's awesome.
She, to me, looked like barefoot Appalachian
Little Abner Barbie.
[designer] Are you staying out of trouble?
Uh, trouble, I'm not quite sure.
Busy, yes.
Daniel, don't cut the sides!
Don't--it's gonna look like
we didn't have time to finish.
I told them if it goes down that I have to go, I go.
I don't sell them out.
I'll take the blame.
[Heidi] That means you're out.
Damn!
Damn! I can't believe it!
Wait a minute! What's that?
Yes, you know, you're straight, what happens.
The tabloid press are vicious.
They are vicious.
I mean, you know, the last thing she needs to be
is in the "What was she thinking?"
Off to the lounge, right?
To get drunk!
[laughter]
Get her drunk immediately.
Well, well, well.
Ah, the twins!
[laughter]
Fabulous!
Diana!
So good to see you.
[Michael] I think she looks like a stewardess.
I'm waiting for her to give me a coffee.
Diana, are you drinking?
Oh, you're afraid the dirty Diana's coming out.
It's about to get real dirty too.
-Yeah. -Exactly.
Do you have any, like, seltzer to start?
Imagine what Emmett's gonna look like.
Oh, Emmett!
Emmett, they made me do it.
[Nina] Can I say, Zulema,
this is the third time that I've seen
something of yours
that has an execution problem.
To execute it well and to present it well,
it is so important in a designer.
Hi, Zulema.
Hi, you look fabulous.
-It's dirty. -It really is.
I love it.
Mr. Gonzalo!
Oh, Andrae!
A little transformation.
Andrae and I go to Red Lobster.
[Santino] And then you guys get into an argument.
[Michael] She looks like a doormat.
Think it could have had a little more personality.
[designers saying hello]
How are you? Nice to see you.
No buttons, no pockets.
To me it looks like a Golden Girl jacket
that you'd belt and wear with leggings.
Nick, that means you're out.
-Wow. -Amazing change.
Like, it's Star Jones.
[Raymundo] If you make one more [...] Star Jones comment,
I swear to God, I'm gonna choke a b*tch.
I'm gonna choke a b*tch.
I would just trust me
to really just show you.
It's just like, bam. It'd be like, bam.
All right, but here was your opportunity
to wow me.
This was it.
[designers scream]
Wait, this is the kind of reunion I was looking for.
-Cheers. -Ding ding ding.
[Heidi] This is Project Runway.
[Santino] Let's get it on!
The search for the next big fashion designer.
[designer] This is a dream come true.
I'm gonna do whatever it takes to win.
Sixteen designers.
Everyone here is crazy.
Drama has to happen.
[Santino] Yes, I'm a competitive person.
[Heidi] Three finalists will make it
to Olympus Fashion Week.
You will see me at Fashion Week.
[Heidi] But only one can be the winner.
Heck yeah, I'm gonna win this.
For these 16 designers,
Project Runway is a chance of a lifetime.
Designers, I wanna welcome you guys
to our second season reunion special.
It is very nice to see all of you again.
And of course, our lovely Tim Gunn is here.
-[applause] -[Heidi] Your mentor!
[Tim] Thank you, Heidi.
Welcome, everybody.
It is wonderful to have you back again.
We have a lot of clips tonight.
-[Heidi] Yes. -And we have questions
from the loyal fans of Project Runway
sent in via the bravotv.com web site.
And they have a lot to ask you.
-Yeah. -[laughter]
I bet.
Before we start, though,
I would like to know,
how has life been since the show has been out
and you've gone back to your normal world?
A lot has changed, really.
I mean, I've had offers.
One lady wants me to be the head designer for her firm.
That's kinda neat-- and I'm gonna have
a charity fashion show the Children's Hospital
of Alabama, so yeah, it's really cool.
[Heidi] You've changed a lot, John.
I have indeed.
Like you shrank into, like...
You look completely different.
Blah, blah, blah.
Nick designed a red carpet dress
for Brenda Strong of Desperate Housewives.
Thank you.
Yeah, no, it was a wonderful moment.
I got a call from Brenda Strong
from Desperate Housewives.
She loved the dress
I did for Nicky Hilton.
And she wanted that gown for the SAG awards.
So I was like, "Yeah, of course."
So what's with your family?
You all sit gathered around the television.
You got the popcorn out and you're like,
"It's coming up, it's coming up! Shhh!"
[Nick] I sort of watch it like...
My hand is sort of like this, like...
Oh, Lord.
And then my niece and nephew are watching it.
And I'm like, "What are they doing up that late?"
You know. But they sit right there in front of the TV
and they're like this.
Especially after the Barbie episode.
And they were so hard to get,
those Barbies, too.
I mean, everyone wanted to have that Barbie.
I was lucky to get one.
They went like bagels.
It's like bagels.
Can you say that, they went like bagels?
You can't say that.
How do you say that?
-Hotcakes. -Hotcakes.
Hotcakes, bagels.
See, how would I know? I'm German.
I would like to know,
who do you guys think should have been
the final three?
Mr. Verreos.
As we all know has been performing fantastically.
Should have been one of the finalists.
You know, that was my goal.
And I gave 110% of me.
The rest was up to the fashion gods.
Kara, what about you?
You were the last to be eliminated.
So you were so close to making it.
How did it feel for you?
Did you think you were going to make it?
I was hoping to make it.
I thought that I was, like, the engine that could.
Do you think your elimination was justified?
I can't even remember it.
[designers laugh]
All right, now I would like
to bring out the final three.
And the first one I'm gonna bring out
is Daniel Vosovic.
[designers cheering]
[whistling]
And now, our next designer is Chloe Dao.
[applause]
And last...
we have Santino Rice.
[applause]
Chloe, one of the things that I wanna bring up,
is that your fellow designers,
by the end of the last challenge,
were really questioning whether your ambitions
extended beyond your boutique in Houston.
And whether you, in fact, have the passion that it takes,
um, to really make it to the top
to be America's next great fashion designer.
Let's see what they said, right?
[Tim] Okay.
[Heidi] Santino, if you deserve
to go to Olympus Fashion Week,
who of the other three designers doesn't?
Oh, dear God.
I'm not wowed by people who are basically
like, maybe brilliant pattern makers,
but not necessarily brilliant designers.
I would take Kara and Daniel.
[Heidi] Daniel.
I know that Chloe
has an established business.
Um, I just think that to use Fashion Week
as a catalyst would be a bit more beneficial for us.
I guess that's the only reason why I would say Chloe.
[Heidi] Kara.
There's two very classical
designers to my right.
And there's one very extravagant man to my left.
I'd say I'd take Santino with me,
and I'd take Daniel.
So Chloe's the one you choose to be out.
Right.
What do you think about that, Chloe?
Chloe, how do you feel about that?
Do you feel you have the passion?
I have passion. I mean, I'm here.
I've wanted to be a designer since I was 14.
Did that hurt you, Chloe, what he said?
Oh, yeah, I wanted to kick his a*s for months.
He said that you were a pattern maker.
No, I'll be honest, I hated his guts for months
because--I mean, it's the worst thing
to say to another designer.
-[Heidi] Right. -[Santino] Right.
I knew it was cutting.
I knew it was a cutting thing to say.
[Chloe] Yeah. It's below the belt.
[Daniel F.] What about that cutthroat [bleep] though?
-What about it? -Like what?
Like, why is it that, like,
you feel you had to do the cutthroat thing?
-Why? Because... -Why? Artist to artist.
Why the cutthroat thing?
[Santino] You know, what I'm saying,
it's just straight [bleep] talking, you know?
And it's--and there's a part of this competition
that it's like a basketball game, you know?
It's like, "You suck. Your mama."
I didn't come on this show to make friends.
I came on to win.
You know, Santino, I don't think you realize...
I mean, as much as you wanted to win,
you just pretty much offended all of us on the way.
I mean, maybe you didn't know it,
-but you really did. -He knows it.
But it didn't come from an evil place.
Or a mean place or a bad place.
Like, it means nothing really, you know?
It doesn't matter, you know?
It really doesn't matter.
[Heidi] Since we're with Santino right now,
and you know, we've been chatting about
all the stuff that you've been saying.
Right. I'm horrible.
[Heidi] So let's take a look.
Yeah.
I don't like to be a critic.
I don't like to critique
other designers' work necessarily.
But Kara's really having trouble in her head.
Zulema's dress was really pretty bad.
Daniel Franco, I think is seriously...
um, I think he seriously has some mental defects.
Emmett, oh my God.
I think Daniel's full of [bleep].
I guess, about Santino, I actually really liked him
until I found out that he would say mean things
about me when I wasn't there.
I can't stand the sound of her voice.
I think he's mean. I think--
That's the bottom line, he's mean.
[as Diana] No, it really should be this way, Marla.
No, no, no, no.
And it's just like, oh, my God.
Emmett.
Eat my a*s.
Nick will be upset with the fact
that I will be showing at Olympus Fashion Week
and he will not. I defecated on Chloe's fabric.
I want your soul!
I'm definitely an overall, like, compassionate
and nice person.
[designers laughing]
You were never shy talking about
all the other designers
and what you thought about them.
-You just say it as it is. -You know--
Yeah, you know.
I know that--you know,
That's ridiculous.
I mean, I look at the show and I'm like,
"Who the [bleep] is that?"
-Do you really? -Like, who is that?
What do you think about Santino's...
I love Santino!
I think there's things that are really hurtful.
I didn't appreciate what he said about Diana.
I felt that was really, really insensitive.
What did he say about Diana?
[Kara J.] That he doesn't like the way she talks.
How did you feel about that, Diana?
Oh, I was really surprised to hear it.
I guess because I felt like it would have been different
if he didn't like my designs.
Or, you know, thought I was a bad sewer or something.
[Tim] Nick, I know that the two of you
-have had a major falling out. -[Nick] Right, right.
From the beginning, I didn't have an easy time with him.
But I still respected his vision.
He had a lot of creativity.
After watching the show,
You know, I was surprised about a lot of the things
that he said privately behind the scene.
And that did hurt me.
[Andrae] I think words can be very damaging.
And very hurtful.
And it's not true that sticks and stones
break your bones, but words won't hurt you.
They were really painful.
[Santino] I don't regret any of it.
And I don't regret saying any of it.
What I regret is the way that
I made other people feel
if it hurt their feelings because my intention
wasn't to hurt their feelings.
We've got a lot more to talk about.
But we'll be right back.
Coming up on Project Runway...
You really did not take anything in consideration.
I was listening. I just didn't subscribe to what you're saying.
[indistinct chatter]
We're back with our cast from season two of Project Runway.
And how was it for all of you guys?
Standing there in the spotlight
with the judges looking at you
and having to defend yourself,
talk about your garments.
I think that's the hardest part of Project Runway.
It's, like, for me, look at my work.
Okay, I don't wanna talk about it.
I'm done with it.
Like it or hate it, I'm done.
But on this show you've gotta stand there,
explain it, defend it.
[Tim] I just have to assert,
you all were entirely more vocal
than the season one designers
when it came to the runway dialogue.
But why is that?
[Raymundo] We feel too much. We do.
I mean, at least in my perspective.
There's just so many ideas that you wanna tell them.
And you have such a little short time
to tell them all that right away.
[Heidi] All right, we put a little something
together that we call Project Talk Back.
Let's take a look.
I think there's too much talk and not enough design.
Last year none of you ever talked back.
No, like with that Kara girl.
That's a big talk you just had.
Da-da-da-da-da-da.
The talk doesn't match the dress.
It's very simple and--
[Kara J.] I actually disagree with you.
I think simplicity has its voice.
[Jay] I didn't say it was, like, the worst piece of [bleep].
It's predictable. I just feel--
Jay, I think that would have been predictable.
-I think that-- -Hey!
It's predictable and it's too simple.
Period.
Jay, but I tend to disagree.
Barbie's blonde.
[Andrae] She's blonde here,
and I think the dress still works.
-I mean the reality is-- -Let's talk about the dress.
The dress is what we should talk about.
-Yeah, let's-- -But you ended up
making us talk about all of these other things.
You asked me, so I told you.
Tell me about the dress.
I don't really see this on a 16-year-old.
Wow, I disagree, like, I can't even say.
In what woman wears your dress on the street?
It's very rare that anyone wears anything
they see on the runway directly onto the street.
That's not true.
I mean, if it's not good enough for life, who cares?
[Jay] Then I don't wanna show it.
[Santino] I see that it is theatrics.
I see that women don't leave the house looking like deer.
It's really aesthetically not pleasing.
I think lingerie is sexy,
and I think it's supposed to come off, is what I think.
[Nina] And it's supposed to be delicate.
You know, I'm sorry.
I'm sorry, Nina.
As a designer I feel that
it's always easier to dumb something down
than it is to bring it up
and make it bigger than it is.
And, as a designer, I think gimmicks and theatrics,
to me, are ridiculous,
and women don't really need it or want it.
I can't imagine anyone wanting to actually truly wear that.
Santino, I'm sorry to tell you, but if it's designer
versus designer in look, I think this is something
that more women-- would be much more marketable.
Much more marketable.
I don't know, to me it was like being in court.
Talking back to a judge just wasn't in my nature.
You didn't see any clip of me in there.
-I was-- -[laughs]
I was--I felt like it was like the court of appeal of fashion.
It was very cool. I loved it.
In order to take the risk and to do something different,
you have to put yourself in a, uh,
in a vulnerable situation.
And when you feel very vulnerable, you--
yeah, you have to defend yourself.
Santino though, he did talk back quite a lot.
Yeah, it felt like a fistfight every time I got on the runway.
It felt like, um--
Because it always felt like you really did not
take anything in consideration.
[Santino] No, I took--the thing is,
I take everything into consideration.
And I was listening.
I just didn't subscribe
to what you were saying.
I think on the flip side though that--that--
I mean, I know it's a cliché, but a picture
is worth a thousand words, and unfortunately Santino
chooses to speak all those thousand words.
-I mean, you can't just-- -[Chloe] He came to win.
-And he used every aspect-- -Every single aspect, and--
Personality, skill, talent.
I mean, he thought about everything.
-Positive and negative. -Yeah.
And that's the thing is, like--
[Santino] And if it comes down to, like,
intimidating somebody with my voice
or, like, or a look, or, like, I say, "No, Nina, no Nina."
You know, like that's-- that's--that's frightening.
But I'm not a frightening guy.
I just know that that's intimidating.
[Heidi] I remember Nina giving a quote.
She was saying, "Santino's gonna k*ll me."
She said, "I thought Santino was gonna k*ll me."
And then she also-- I read that, you know,
"I thought that Santino was gonna jump off the runway
and strangle me in my chair."
I mean, that's pretty strong.
It's not, like, "Oh, he doesn't like me."
I mean, that's pretty, like--
[Tim] How does that make you feel?
[Santino] Well, it makes me feel bad.
Daniel Franco, how about your intervention,
I'll call it on the judging runway
during the lingerie challenge?
When Santino was so vociferously engaged
with Nina and with Heidi.
[Daniel F.] It was leader versus leader.
I didn't like...
the voice Santino had against professional people.
I thought it was unprofessional.
I just spoke from my heart. That's it.
[Tim] We have a question from bravotv.com.
Ayryan writes, "Guadalupe."
Yeah, Ayryan!
[Santino] Dude, have you guys all been drinking or something?
Because I want what they're having.
-Exactly. -You know?
[Tim] "Do you feel that your elimination was fair
even though Marla had plagiarized
a dress Nicky Hilton had worn before?"
Honestly, I can only
give him a personal critique.
Nobody would ever know unless they personally respond to me--
would know what my personal response is.
And that is of me.
And personally I believe you can't, like,
push the boundaries,
and, like Johnny Cash, walk the line.
This one's so confusing. What was your question?
[Tim] I haven't a clue any longer.
[Heidi] What was the question? I totally lost track.
Did you feel your elimination was fair
given that Marla plagiarized the Nicky Hilton dress?
-Yes or no? -[indistinct]
Understand that Marla has...
an aesthetic that I cannot duplicate.
But Marla has an aesthetic that she cannot duplicate.
And Ayryan, on national television,
if you can get this, you [bleep] rock.
Because you believe in what is true.
Period.
This is the biggest bunch of [bleep]
I think I've heard in weeks, sorry.
I agree as well.
Let's move on.
[laughter]
[Tim] As Heidi's pointed out,
the judging process is not easy.
And in some times, it's not very pretty either.
And one of the moments that is frequently talked about
is Andrae's meltdown on the runway.
[indistinct]
And we wanna take a look.
Before we take a look, I would really like to know.
[Andrae] Were they real tears or weren't they?
Indeed they're real. That's exactly--
Because you do come from Los Angeles.
And maybe--maybe--
[designers talking at once]
[Heidi] What?
I just moved to Los Angeles,
so nothing against Los Angeles.
But there are a lot of people in Los Angeles
that do acting classes, so I was wondering,
is he for real?
[Tim] Well, we'll take look and see.
[Heidi] Let's revisit this moment again.
The first thing that Tim Gunn said to us
when we were at the party
was the next challenge was going to be about how far
you would go for fashion.
And it's not an easy thing.
I've come a long way.
I'm so sorry. This is becoming so ridiculous.
[sniffles]
I'm very innovative.
What I had to work with was a testimony
of the first and maybe the last three years of my career.
It sounds ridiculous.
But it's true. [sniffles]
I was bedraggled.
I'm sorry. I'm so sorry.
This lovely girl, she's amazing.
And she is an amazing, amazing woman,
not just a model, and--and--
Screaming at the top of my lungs in L.A.'s Chinatown.
All by myself.
No, I opened the shop three years ago.
And I have to close it when I get back.
There is no more shop.
Ahh.
Where to begin, um...
I wasn't alone this time.
And--and--and I'm not supposed to be crying!
Jesus.
It's just clothes.
But it's also my life.
[sniffles]
[laughter]
-[Heidi] It was a moment. -It's--it's--
And it's a really tough moment. Um...
It's such a difficult thing to do this.
You know?
And that is so hard to watch, I think,
on just a human level.
I mean, I think most people see that as really real.
Um, you're seeing somebody--
and it doesn't even feel like me here.
And that's thoughtful.
That's thoughtful and compassionate.
And that's, you know, why Andrae's a great designer.
-I think. -[designer] Exactly.
[designer] Commendable, monsieur.
People also say that you have an accent.
That you kind of drift in and out.
Yeah, I think Madonna and I had the same speech teacher, so.
Andrae, you have definitely had some moments.
And they did not escape the other designers.
-Let's see. -[designers] Oh, no.
Andrae.
I'm trying to do Andrae,
it's just so hard because he's so expressive.
Tonight two are gonna be out.
I would like to have a walk off.
That was close.
It's all about body movement.
What does he do?
You know. [moans]
I'm Andrae, baby!
How Andrae talks?
-He speaks with-- -This weird English...
Drat!
-French... -She is vixen wench-elli.
-...g*y accent. -We have to take
literally the clothes off our backs.
And turn it into fashion.
Your next challenge is going to be to design for a socialite.
Monsieur Christian Dior.
I don't know why Andrae speaks that way.
Ja, ja. That's good.
I just find it funny.
Who? [imitates horse neighing]
[cheers and applause]
From bravotv.com and from Nethra,
this is a very, very important question
and a question that is circulating far and wide.
Who said, "Where the hell is my chiffon?"
Such a mystery.
[designer] I'm trying to say [indistinct]
What's funny is everyone
remembers me saying it, and I don't.
But was it Daniel?
-Andrae thought it was me... -[Tim] No.
And I thought it was--
Sound off. Sound off.
Neither of us was using chiffon.
But I know that I do have a habit
of calling charmeuse chiffon.
So they sound kind of the same.
How about you say it. Daniel say it.
-[Heidi] Yeah. -I think [indistinct]
Where the hell is my chiffon?
[upbeat music playing]
[Heidi] Coming up on Project Runway...
I tried to help work her walk.
Over and over and over again.
At least come out with a banging outfit.
I felt you deserved to at least try with someone else.
And try to evolve.
[upbeat music playing]
Were back with our cast from Season 2 of Project Runway.
And we have one very special man
that can really help your career.
One of your biggest mentors.
The man that you've been bugging,
and who's been very nice with you,
but sometimes also a little hard.
I would say.
-Truth teller. -Yes.
We have a nice little clip on you too.
[Tim] Oh, dear.
You really need to wake up.
The work that you're creating right now
is, for the most part, quite lackluster.
What is this? I'm not understanding.
Oh, God, Guadalupe. I mean, look at this.
Trying and achieving are two different things.
It shouldn't look like a float in a parade.
That looks too much like a bathing suit.
I saw this color at Mood with you.
And I thought, "Ugh, horrible."
-[Santino] Really? -Yuck.
What are you doing?
This is such wretched excess.
It looks like a jockstrap.
[laughter]
This is looking Joan Collins to me.
But it's like I Dream of Jeannie?
What is it?
It looks like renaissance fest.
She walks like a stiff.
She's like an elongated marshmallow.
Those Gumby legs?
You just have to say all these things on the runway.
-[designer] I do... -Nina, I wanted her to look
like she had a big, fat a*s.
[as Tim] Designers, up until now
you've all [bleep] sucked.
However, go out there and kick butt.
Carry on.
[laughter]
What did you guys think of Tim Gunn when you first met him?
As an instructor I had immediate respect for him.
So anything that came out of his mouth, I was just like,
all right, you know, just like that because I was also
reflecting how I want my students to treat me.
And, you know, with respect.
If I give them critiques or criticisms
in regards to their homework or their draping
or their patterns.
I never met anyone that could, like, give a point of view
and still be selfless.
I care about all of you, and I have
a sincere affection for you too.
[Marla] It was a great opportunity to get feedback.
I mean, I think you have a great eye.
You don't miss a-- you don't miss anything.
Every designer has a blind spot.
And it was really helpful
when you said, "Oh, I'm getting another reading
from your creation."
-Santino. -Yes.
You loved making impressions on Tim, didn't you?
Yeah, I loved-- [laughs]
And everyone wants to see that again.
[Tim] Before we do this, Santino.
-Yes. -Can you do
an impression of Heidi?
God.
I don't know if I've ever done Heidi.
I know you didn't.
[laughter]
I know. I know you didn't.
[Heidi] So let's take a look.
[Tim] Designers, rock the Casbah.
Whenever I'm in a bad mood, and I just need to laugh,
I always ask Santino to do an impression of Tim.
Designers.
Designers, you let me violate you.
I'm crying every time I hear it.
[Santino as Tim] Designers, you bring me closer to God.
I wanna [bleep] you like an animal.
[laughter]
Carry on.
[as Tim] Carry on.
Carry on. Make it work.
[as Tim] Make it work. Make it work.
Andrae, what happened to Andrae?
What happened to Andrae?
Andrae!
How's Andrae?
Andrae, tell us a little bit
about how you were feeling on the runway.
Andrae, what are you doing after the show?
♪ Andrae ♪
Come out, come out, wherever you are.
Now, Andrae, stop hiding.
I know you're in here.
Let me untie you.
Make it work.
-Make it work. -Make it--make it--Make it...
Work--Work--Work.
Make it work. Make it work. Make it...
What happened to Andrae?
[laughter]
[laughter]
It's out of love.
[Santino] It's the sincerest form of flattery, you know.
But there's a sense of humor behind it.
You know, if Tim didn't have a sense of humor,
like, he could have been really bent out of shape
about some of the things I said.
You guys were all a very outspoken bunch of characters.
And there's one person in particular
who you did not wanna step on.
She-tangi, She-tangi, She-tangi.
What's that all about?
Um...
[laughter]
Don't talk. Let's look.
Don't make me get She-tangi!
I'll get She-tangi all over your a*s.
My alter ego's name is She-tangi.
Maybe you can, like, double up.
I know that's not gonna happen.
She-tangi is a tell-it-like-it-is sister.
Well, there's four. So that means you get two?
I don't believe in fairness.
I don't have to give you anything.
And there's no such thing as fairness.
May I please have a bottom hanger?
When she came to me like that,
I basically told her, "No, b*tch.
You're not getting a pant hanger."
If you would like one, I'm more than willing to give you one.
I will shut you down immediately.
Zulema, all of a sudden her head just turned
and she became She-tangi.
Someone needs to return my form.
Okay, that's just it.
Where's my frickin' form?
That's not it.
Again, you guys, watch out
because there's still, like,
little shards of glass on the floor.
To my horror, when I went to the closet door,
the [bleep] glass was still there.
I don't care if you cry and cut.
But you gotta cry and cut.
You've got to cut at that rate.
Whether it's brutal,
She-tangi just tells it like it is.
You need to work.
Don't stop and cry.
Cry and work.
[laughter]
I'm, like, "Oh no, she didn't."
I don't think I'm that intense. I--I--
You don't think you're this intense?
[laughter]
-I don't. -Well, thank you.
Because I appreciate your intensity definitely.
-Nick. -Yes.
I think another dramatic moment was when
Zulema took your model Tarah,
and she gave you Rachael.
Take a look at this.
I would like to have a walk off
between the following three models,
Danyelle, Tarah, and Shannon.
It's a mother [bleep] walk off.
[Heidi] All right, Zulema. Which one do you want?
I choose Tarah.
[Nick] Literally my throat just dropped to my stomach.
And I just wanted to, like, throw up.
All right, Zulema
that means Rachael will be now Nick's model.
[Nick] Rachael was very, very, very angry,
and the whole time she kept looking at me like,
"I can't believe this b*tch did this."
And I was like, "Well, I can't believe she did it either."
[Zulema] I changed models because my model cannot walk.
I can't be concerned with Nick. Do a good job.
Win next week. You take her back.
So let's bring them out.
Tarah and Rachael.
[cheers and applause]
So how was that moment?
I have to admit I was shocked.
And I felt like somebody had punched my stomach.
In that moment, just us, I felt like that was hurtful
because I really do
have a bond with my models,
and I sort of treasure them as porcelain dolls.
And I like to sort of-- they're my muses.
I understand you feel hurt. I understand the situation.
I was within my right to switch models.
And was it emotional for you as well, Tarah?
I was a little upset when I had to be with Zulema.
'Cause I did hear
someone wasn't happy being with her, so...
Well, I mean, it was a little hard
when you would come in,
and the designs wouldn't be finished.
And they're sewing it on you. And there's pins in your back.
And I mean, at one point she asked me
if she could glue the dress to me.
And I was like, "I'm kind of a real person, but..."
[Heidi] I remember there was one dress
that Zulema made that exposed one of your parts.
[Rachael] I really never noticed that
it showed that much of my bottom
until I saw it on TV
and it was zoomed in, like, three times.
I made a decision.
I asked her if she felt comfortable.
She said, "Yeah, it's fine, doo da doo,
blah, blah, blah, blah, blah."
I said fine, let's send it down.
I don't care, if I believe in a vision,
I will send it down.
If you're gonna cause that much upset and that, you know,
that distress for Nick, at least come out with a banging outfit.
[Zulema] You know what? I tried to help work her walk.
Over and over and over again.
And I didn't want you to get kicked off the show.
Even though I don't think you're a good walker.
Even though I think you had a lot of issues.
I felt you deserved to at least try with someone else.
And try to evolve.
[Heidi] We've got a lot more to talk about.
But we'll be right back.
Coming up on Project Runaway.
Was there anything that you guys said
that you wish you would have not said?
The man is straight, and I know that.
And it's one of those things that, you know,
first impressions.
First impressions.
During your time
here on Project Runway, we grilled you.
Interview after interview after interview.
You know that when we do an interview
with you that this is not just
because we feel like talking to you guys for the day.
We wanna know what's going on.
And it's quite obvious that we're gonna air this
-on television. -Right.
[Heidi] And here are some of those moments.
[designer] Oh.
All evils in the world can be traced back
simply to selfishness.
And I think that Emmett is very selfish.
[Santino] 'Cause he's just not
quite talented enough to roll with the big dogs.
He thinks that this is the Santino show.
I loved working with the other people.
I don't think Marla's-- her taste is high fashion.
Does this season really need another Wendy?
I think she might be a little bit out of her league.
I don't see anyone being nasty.
Guadalupe's going from person to person
sort of giving her critique.
Almost as if she was Tim Gunn.
-Uh? -Huh?
Don't you even try to come right here.
I would have to shut it down.
Honestly, you do not wanna mess with Zulema.
I don't think all her marbles are there.
She's got, like, a bow and arrow in her suitcase.
Daniel Franco speaks in a language of fantasies.
Okay, I am following my bliss. I get it.
Keep that to myself.
We talk about his girlfriend.
I think there are so many beautiful women.
Whatever, dude.
But, you know, if he says that he's straight,
you know, let the boy think that.
The dude with the green hair and the yellow stuff?
Okay, um-- his name's Raymu--what?
-[producer] Raymundo. -Raymundo?
-Yeah. -Ra-mundo.
-Yeah. -Where's he from?
[laughter]
Was there anything that you guys said
that you wish you would have not said?
The man is straight, and I know that.
And it's one of those things that, you know,
first impressions, first impressions.
Anything you wanna take back?
I'll take that back.
I definitely am sorry about that
because it's really not true.
I don't think Emmett is selfish at all.
In the course of this whole thing
Emmett has really proved himself to be
a very selfless person, actually.
So I will be the first to say I was absolutely wrong.
That's terrible.
How about since watching the show?
Have your views about your fellow designers changed?
-Marla. -Yes.
How about for you in watching the show?
Well, that was pretty painful.
Um, God, it was really painful to hear you say that.
You know, I have a creative point of view.
And I have certain things that I bring into my work.
And I do my thing.
And I make clothes
that some women seem to like.
Um...
Gee, maybe I really was out of my league.
The--the-- the thing is
that--all I was gonna say, like--
I don't wanna get defensive.
And the thing is as a 24-year-old designer
straight out of school, I commend Marla, like, immensely
for what she has done.
She's created a store on her own.
One of my biggest fears is where to start,
and I'm looking at someone who's done that.
[Andrae] What's true about life
as a human being, as an American, whatever
is that we are accountable for what we say.
Like, we have to kind of live all together
and really get along.
[Heidi] As you all very well know,
this was not all about work.
Was it?
Between dramatic moments and frazzled nerves, um,
there were definitely moments of, how shall I put it?
Musical expression.
And let's take a look at those.
Oh, oh good we're singing. Good.
I loved the singing.
[Michael] It's fashion. It's fashion.
-I mean, lighten up. -[judge] Lighten up.
Lighten up.
♪ Lighten up It's just fashion ♪
♪ It's fashion fashion ♪
♪ Lighten up It's just fashion ♪
♪ Lighten up it's just fashion ♪
♪ Tim Gunn Tim Gunn ♪
♪ If he calls your name You're done ♪
♪ What happened to Andrae? ♪
What happened to Andrae?
♪ She said Andrae ♪
♪ What's the matter With Andrae? ♪
♪ What's the matter with-- ♪
♪ Kara? The overlap downer ♪
♪ Yes it's Kara ♪
♪ The overlap downer ♪
♪ No one's gonna sew no more ♪
♪ No more ♪
♪ Dan Franco, Where did you go? ♪
♪ Daniel Franco, Where did you go? ♪
♪ I barely got to know ya ♪
♪ Oh Daniel Franco, Where did you go? ♪
♪ Don't give up ♪
♪ Daniel Franco, Where did you go? ♪
♪ See ya on season three ♪
♪ Daniel Franco, Where did you go? ♪
♪ Oh, Daniel Franco,
♪ Where did you ♪
-Where's Daniel Franco? -Daniel.
[Nick] Daniel, come back.
Dan? Daniel?
♪ Where did you go? ♪
[laughter]
Auf Wiedersehen.
Bravo, bravo, bravo, bravo, bravo!
That was brilliant. Another question.
This one is for Heidi.
And it's from Bridget and Mary.
"Why do the judges score Santino's lingerie line
higher than Daniel Franco's?"
Why?
-Why? -Because she's German.
[laughter]
[Heidi] It was rough.
That was a really, really difficult one.
It was. I kinda liked Daniel's.
But it was safe at the same time.
Everyone thought that, um,
Santino had a stronger point of view.
It was a little out there.
I appreciate that. It's cool.
Daniel, we're glad you came back.
And maybe we'll see you for season three as well.
You might. Just might.
I love you, Heidi.
When we come back, we're gonna discuss which one
of our three finalist
has what it takes to win Project Runway.
[upbeat music playing]
[Heidi] Coming up on Project Runway...
Part of me wants him to bring it on.
And I'm on the one hand pleased to hear your support.
On the other hand, I'm surprised by it.
[upbeat music playing]
[Heidi] Okay, now that our three finalists are gone,
who do you think is gonna win Project Runway?
Some of you have shared your thoughts
with us on who's gonna win.
I have a little clip. Let's take a look.
Who do I want to win?
I mean, I don't care. Well, I do.
I kind of have two people that I want to win.
Which of the three designers?
Santino, Chloe, and Daniel V.
-Damn. -I think that Daniel Vosovic
is the most consistently good designer.
I'm rooting for Chloe.
I'd bank on Chloe Dao.
If I had to choose, I would probably say Danny V.
Daniel Vosovic.
I think Chloe is gonna win.
I'm dying to see Santino's collection.
If he wins it's because he's gonna present
a very stylish collection.
He might be that dark horse.
Who do you think is gonna win Project Runway?
[Kara J.] It's a close competition.
It's so close. There's no clear winner,
and there's no clear loser at this point.
Zulema.
I actually don't have an opinion.
-[Tim] Really? -I don't have an opinion.
What does She-tangi think?
-[Zulema] No opinion. -[Tim] Daniel Franco.
[Daniel F.] Well, okay, I dig all of 'em.
And I have trouble with all of 'em.
Who's gonna win?
Oh, my God, I think probably who's gonna win, Danny V.
-Marla. -Um, yeah.
I think all three are gonna show some great collections.
But I think Daniel V.
I think he's got, like, a broad range of ability.
[Raymundo] But then also, considering that Santino,
now that he knows what it is that he is not expected to do,
he might just end up being that he comes out
with just a spectacular collection.
And it just might surprise us.
You know, part of me wants him to bring it on.
Because I know that this is the arena,
where I think of all arenas, this is the Santino arena.
Like, this is his moment, so.
[Tim] But it's everybody's moment.
-Right, exactly. -And what I'm slightly
disarmed by hearing you say this
is that I know that the two of you
have had a major falling out.
Right. Right.
And I'm on the one hand pleased to hear your support.
On the other hand, I'm surprised by it.
Well, after so much has gone by,
there's other problems in the world.
There's other things that, uh, that are far more important.
Um, but anyway, I just feel that,
okay, if you're really gonna prove
to America and to us that you deserve it,
this is your moment.
I wanna thank all of you for coming.
I wanna thank you, Tim.
Thank you, Heidi.
Next week is our first part
of the Project Runway finale.
And until then, Auf Wiedersehen.
Next on Project Runway...
-Oh. -Santino.
-Tim. -Can you believe this?
I was embarrassed about my situation, you know?
You withstood a tremendous amount...
-because you have to do this. -Right.
-Hello! -Chloe.
I'm so thrilled to see you.
What's on your head, I wanna know?
-How are you? -I'm fine, how are you?
You didn't know I designed bags too, did ya?
Well, I do.
Well you did say something worse to me, on my face.
I do enjoy watching other people do well.
For you guys, this is, like, you know, this is
a nanosecond to last for your life.
Let’s go shopping.
Oh, b*tch-slap them.
It bothers me.
And I was slightly...
...offended.
We have one final surprise.
[Heidi] Visit bravotv.com
to learn more about the fashions
you've seen on today's show.
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02x12 - Reunion
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Contestants compete with each other to create the best clothes and are restricted by time, materials and theme.
Contestants compete with each other to create the best clothes and are restricted by time, materials and theme.