05x03 - Bright Lights/Big City

[bunniefuu]

For this challenge, your models will serve as your clients

For a c*ck dress.

Yay!

And there's more.

Your models will do the shopping.

Don't forget closures!

This I can't use. You didn't get a zipper?

What am I gonna do with peacock feathers and peacock trim?

[Sighs]

I'm worried about you. Don't force it.

I hope I have enough time before the runway show.

It's gonna be hell tomorrow.

I'm just praying it just all works out.

[Funky music]

♪ ♪

Congratulations, suede.

Thank you.



Yeah! Suede [bleep] rocked it!

Shiny, tight, and short is the quickest way to look cheap.

Wesley, you're out.



Will receive a 2009 saturn vue hybrid,

An opportunity to sell their line

On bluefly.com,

And $100,000 to start their own line

Furnished by tresemme professional hair care.

This is project runway.



And I'm really bummed because I felt

That we were connecting well.





I am hoping that it's gonna be something that can show

My point of view and that I can really just kind of run with.

♪ Let's go, let's go ♪

[Laughs]

After you.

Let's do this thing.

Hello.

-Hi. -Hi.

For your last challenge, we let you pick your models.

But we're going to mix it up this time.

Let's bring out the winning and losing designers' models.

Suede, you were the winner of the last challenge.

Your model was tia.

If you decide to stay with her, alyssa will be out.

If you decide to swap with another designer,

I will bring out all the models for you to choose from.

What do you want to do?

Suede loves tia. He could never change.

So suede's gonna keep tia.

That means, alyssa, you're out.

Auf wiedersehen.

-Thank you. -Thank you.

-Bye. -Bye.

Okay, are you ready for your next challenge?

Yeah.

You know what? I think you guys have worked pretty hard so far.

So go back to atlas.

Tim is gonna meet you there, and he will take you out

For a night on the town.

[Cheering]

Have fun, and I'll see you on the runway.

-Bye, heidi. -Bye.

Where do you think we're going?





And think, maybe a nice dinner,

Maybe going out.



Tim ain't taking a bunch of us to his house,

But I had a feeling

That we might go to some bar or restaurant,

One of his favorite places.

[Doorbell rings]

Do you have an appointment?

[Laughter]

Hello, blayne.

-Hi, tim-licious. -[Laughs]



-Yeah. -So ready.

Are we going to the clubs?

We're going out in the rain,

Which is why I'm dressed like this.



-Hi, terri. -Hi.

-How are you? -How are you?

I just have to tell you, it's raining.

So it's gonna be an interesting night.

Ready for the rain, boys?



But rain boots and ponchos?



That scares me.

Designers, this is the destination of your challenge.

Yeah! Come on!



What?

[Cheering]

Wow.



Is not my idea of fun.

I want to get all dolled up and go out dancing.

All right, designers.

Your next challenge is to design a look of your choice

For a night out on the town

Inspired by new york at night.

So we're going to take a little bus tour.



I don't know what to think.

I'm really just thinking about my hair.

This bus is going to make four stops.

With each stop, one group of you will get off

We have cameras for you

To record your sources of inspiration.

You'll have an hour to take photographs,

And then you'll make your way back to the atlas apartments.

Let's go for a ride!

This is fun! It's like a ride!

[Laughs]

It's a party bus!

Whoo-hoo!

Oh, look at that pretty building with the lights.

-That's incredible! -Oh, it changes color!



And I have never been on one of these buses,

And I always thought they were cheesy,

But this is amazing.

You see everything.

I'm like, wow. All right.







For suede, daniel, leanne, and jennifer.

Have fun!



You can walk out on the street and you can see anything.

I've lived here for about 15 years,

And I love it.

Stella, kenley, blayne, keith,

This is your stop. Have fun.

I'm getting off at times square and it's so stimulating already.

Like, there's all the lights and all the people.

-This is so you, blayne. -It's kind of sensory overload.

Is there any tanning salons down here?

Korto, kelli, joe, this is your destination.

-Have fun. -Thanks.

Well, we're really in a great spot,

'Cause we've got grand central here.

We've got the chrysler building.



See ya later.



I was inspired by money.



It kind of, you know, made me think about the old saying,

You know, the city that never sleeps.



And I'm taking pictures of a woman walking.

The light behind her reflects her shadow on the ground,

So it almost looks like the shadow has a halo.

Um, who knows how to work this camera?

-Hey, blayne. -What?

How do you use this camera?

You gotta open up the thing, baby.

How do you zoom?

Oh, it's dark.

Cross, cross, cross, cross.

A fire hydrant catches my eye that's black and silver,

And it kind of represented

That end-of-the-world mad max type of look.

I'm gonna go with that one.

That's k*ller.

The picture I take captures movement and energy

And people of new york at night.

You finding some cool stuff?

Yeah. I really kind of have an idea of what I want, though.



And there I see the graffiti

With all of the stickers all over it.

And I was like, okay, I like it.

And the way I shot it, it was more--

So it was more abstract.

You guys mind if we cross the street to the sex shop?

Oh, my god.

Oh, I like the colors on that building.



All sides of my family are practicing mormons.

Being g*y in salt lake city is really difficult.

Oh, hold on. I think this might be it.

I've thought about moving to new york.

I want to be known by the world,

Not by just salt lake city,

And this is kind of my outlet and opportunity to do that.

I want plenty to pick from.

Keith's going nuts.

When he starts to think about his competition,

He gets really crazy and nervous and competitive.

-Sorry. -Uh...

I'm taking a picture,

And he's got to walk right in front of me on the picture.

And I'm like, "what the [bleep] are you doing?"

He's just, like, so competitive, I swear.

And I'm like, "dude, you couldn't go around me?

Like, you had to go in front of my picture?"

It's ridiculous how much negative energy is out there.

Kenley and stella are talking [bleep].

Do I care? No, I'm not here to become friends.

-Good night. -Good night.

Good night, buddy.

Good night.

Hey, jerell, do you have your mask on yet?

You know, I've gotta have-- I've gotta have smooth skin.

-You've got on your red short shorts. -Oh, dear god.



So I can throw myself at this thing in the morning.

I'm in it to win it.

Good night, dude.

Finally.

[Groans]



[Hammering]

I am rock and roll, and I'm gonna die being rock and roll.

Time to get this party started.



Is to go out in new york city at night

To create a garment for a night out on the town.

-Good morning, designers. -Oh, hey, how's it going?

How are you?

-Good. -You dried off?

I'm still a little wet.

[Laughter]

I see that some of you are already pulling up your photos

And examining them.

You have half an hour to choose one photo

To serve as the inspiration for your look

For a night out on the town.

Then we're going to go shopping.

You'll have a budget of $100.

I will be back in 30 minutes.

-Okay. -All right.

Choose away.



It's like an elegant tiled wall.

There's a lot of pressure

Because this is our first chance

To really show who you are as a designer.

So I picked this picture of this map

And it sort of looked like a painted print.

That's the picture, trust me.

Ta-da!

It was almost like, ♪ ahh ♪

Like, it was so perfect.

I get this amazing shot of five neon colors,

And it's everything that I ever wanted

And I can't wait to just start my garment.

-Oh, that's gorgeous. -I love it.

It doesn't even look like it's a picture.



'Cause not until you get close do you really see

What's in there, you know?

Yeah.

Kind of rough edges.



Ruined magazine on the ground that had been stepped on,

And I kind of want to go with something

That is sexy but at the same time

Has some volume to it, 'cause I like volume.

I want to be in the top three.

I want to be the winner.

Designers, we're going on our very first trip to mood.

Finally you can choose your own fabrics.

-Okay? -Yes.

Go, go, go.

Who's helping me here?

It was a maze for me.

Someone needs to help me.



The '40s and '50s aesthetic to my look.

My style is a modern-day calendar girl.

-$18 A yard? -Mm-hmm.

Holy moly.

I immediately head to the silk chiffon department

And start pulling some bright, poppy colors

Because I gotta get that dress moving.

Who's helping me?

How much do you think is on there?

I started to pull out some charmeuses

In midnight blue,

And I chose white charmeuse as the clock face,

Because I wanted it to be very literal.



But my hand grabs a hold to this fabric.

I pull it out, and it had every color that I needed

In the photo.

There it was.

I was like, "give me three yards."

Let's bounce.

Time's up, okay?

The pressure.

Thank you, mood.

-Thank you, mood. -Thank you, mood.

Home sweet home.

Designers.

-Hey, tim. -Hi, tim.

I have good news.

You have until 1:00 tonight.

Yay! Whoa!



And the winner of this challenge

Will have immunity for the next challenge.

Yeah.



So push, push, push, push.

Thanks, tim.





I definitely cannot rest.

Suede is here to rock it.

Suede's decided on working with a shirtdress silhouette.

Suede's giving little flecks of color

Which goes back to my inspirational photo.

It's not a lot of it, but it's small touches

That are gonna really drive that business.



[Laughter]

-Did you find a good print? -I did.

-Don't you think it looks like it? -Mm-hmm.



It's colorful, it's chic, it's new, it's fresh.



The print, I think, is really not quite getting it.

It's a little bit

Ft. Lauderdale lawn-cushiony kind of thing.

You are a great designer and you know that.

Just because I didn't like what you did before,

It's not you, right?

I know.

I'm just afraid I'm gonna, like,

Be too creative again.

I decided to focus on a picture of a tree planter.

It's architectural and it's organic,

And that's really what I'm about as a designer.

After having been in the bottom two

From the previous challenge,

I really want to show the judges

That I'm just an amazing designer.

Yeah, at this point, she's gonna go topless.

Just make her a bra.

Pasties.

Yeah. There you go, pasties.

And just put straps on them.

[Laughs]

That was freaky.

I look over and you're like...

[Laughs]

Owie.

I think that blayne is a total weirdo.

Kenley, I'm about to throw this orange slice at you.

[Laughs]

If I don't find shoes, I'm gonna be pissed.

I just have this outfit with so much color,

It's like, you know?

I'm creating my own progressive idea on a fringe dress.

It has hundreds of these small pieces of fabric

That have been sewn to it.

I come from an abstract artist background,

And I feel like that's what I represent, who I am,

And my designs are the best.



I mean, I'm talking about little pieces of fabric

Floating on, like, a sheath.

But who wears that?

This is gonna be on the sleeve.

Just pleats and colors and drapey, drapey, drapey.

I knew immediately I wanted some kind of graffiti

Or some kind of sense of images of new york.

I wanted to do an open-back dress

With flare-length pants, and I was like,

This is gonna work.

♪ Tough and dirty ♪



As a simple silhouette and covering everything in ruffles

Or adding more, adding less, trying to figure out the flow.



Was just not well made at all.

It's been done. It's old.

It's cliche.

And I immediately think that she's in trouble.

[Hammers]

Eh, what a g*y little grommet.



And the reason why I chose that

Is because I'm into leather.

[Hammering]

I did want to make leather pants and a leather vest.

This entire outfit is absolutely my aesthetic.

I am rock and roll, and I'm gonna die being rock and roll.

[Hammering]

Stella's hammering, it pisses me off.

[Hammering]

[Sighs]

[Hammering]





Keith, your model had to drop out of the competition.

Ouch!

Designers, hi.

I'm here to check in on you, all right?

-Jennifer. -Hi, tim.

How are you?

Okay.

So talk to me about this skirt.

I would not finish it like this.

Good, because this is not going to work.

I'm just worried about time for you. Yeah.

-Yeah. -With these three hemlines.

-And all these little-- -and the sleeves.

Yeah, me too, but--

-You just have a lot of work to do. -I know.

All right, you know what you're doing.

Do it. Thank you.



Like an old vintage garment that no one would touch.

It just doesn't really look chic at all.

-Keith. -Hey, buddy.

-How are you doing? -I'm good. Talk to me.

What is this?

-Let me show you my picture. -What is it?

It was a magazine that was on the ground,

Had been stepped on, had been rained on.

And so that's what I'm trying to do here

Is take these different fabrics and kind of put them together

In lots of layers.

-This dress will have a shape? -Yeah.

It'll be fitted.

-Yeah. -Good. Just keep going.

Okay. Much appreciated, tim.

-How are you? -[Kenley] hi, tim.

Fine. This is my picture.

Which is beautiful. I love this.

-Yeah. I found this ombred-- -oh, wow.

Yeah, that looks really good with the print.

-So it's exposed? -Yes.

Completely exposed.

[Laughs]

I mean, I love the silhouette.

-The use of half this, half this. -Uh-huh.

To me, looks a little costumey.

What? It does?

But that doesn't mean it can't be fantastic.

I'm pretty confident. I love this.

All right, do it.

I will.

Terri, talk to me.

I'm the kind of girl

That's, like, very much intro street culture,

Break-dancing, hip-hop,

And kind of the underground scene.

So I really felt like that was a major part of new york city.

This is this.

Yes, that's what I feel.



Based on my diversity of creativity.

I mixed street with high fashion.

It's chic, it's funk, it's hip-hop,

It's all into one.

So what are you doing with it?

I'm gonna create an open-back dress,

So the entire back is open.

-So the pant comes up here. -Yes.

People will think it's a whole dress,

And then you turn around and it's like, oh, my gosh, it's--

Is it like, "oh, my gosh," or is it like, "oh, my god"?

No, no, it's, "oh, my god."

It's a good moment.

-I'll make you happy. -Okay.

-Leanne. -Hi, tim.

How are you?

I've got a bit of work to do.

This is gorgeous.

Thank you. I'm really, really happy with the skirt.

You should be.

And I'm in the process of working on the top,

Which is gonna be kind of just a sleeveless blouse.

Okay, something basic, simple.

Yeah, I definitely don't want to take away from the skirt.

No, you don't, because the skirt is the statement.

So just don't overwork it.

-I won't, for sure. -All right?

-Emily. -Hi, tim.

-How are you? -I'm well.

Good. So talk to me.

Um, this is the photograph that I took,

Which is a long exposure

Of the movement and the energy of new york.

But this is a black dress

With a great big oversized corsage.

And the judges' expectations are extraordinarily high.

So this is disappointing?

Well, yeah.

At this point, it is.

So take this further.

I want more.

-All right? -Okay.

-Thanks, emily. -Thanks.



But I have my own sense of style, direction,

And I'm happy with my dress.

All right, designers, you have until 1:00 a.m.

To finish.

Okay?

All right, tim, holla at your boy.

"Holler at your boy"?

Is that the phrase?

Holla at your boy.

"Holler at your boy"? What does it mean?

It means, holla at your dog, shadow.

"Holler at your boy"?

-[Blayne] yeah. -I'll get it.

Holler at your boy!



-[Tim] holla. -Holla.

-Holla. -[Tim] holla or hello?

H-o-l-l-a.

-Holla! -Yeah.

Holla!

-[Laughter] -[tim] okay.

I'll see you in the morning.

Thank you.

Good night. Make it work.

Carry on. Holler at your boy.

[Laughter]

The 75 things I already have cut out isn't enough.



More time than they usually do tomorrow.



When it comes to what we get to present to the judges.

I feel like it's my duty to create an ambitious design

That shows them I have a point of view.

Move quickly and with purpose.

[Mutters]



I know I am.

Like, I think I started freaking out just a little bit.

Oh, I hate my life.

I'm done looking at my garment for the night.

I'm a little bit nervous 'cause I have some work to do.



What about you, keith? Are you done?

I'm not even close to being done.

-Are you guys ready to win this? -Yeah.

Parsons, here we come.



Suede's okay. How about you?

I'm a little stressed.





End up going down that runway today.



How is everybody?

-Good. -Good.

All right, you have an hour

To send your models to the tresemme hair salon

And the l'oreal paris makeup room.

Please borrow generously

From the bluefly.com accessory wall.

Where's keith?

-Keith. -Yes, sir.

Your model runa had to drop out of the competition,

So we're bringing back alyssa.

She will be your model.

So this is a "make it work" moment for you.

Oh, I guess, huh?



When you're already behind on your dress

Just adds another level of stress.

But you have to make it work.

You have to create k*ller fashion.



I'm sending in your models.

Ladies.

-Hey, alyssa, I'm keith. -Hi.

-How are you doing? -I'm good. How are you?



I'm gonna go ahead and try to bust this shite out.

Oh, I'm trying to get these petally things on,

Like, in a frenzy.

It's so pretty on you.

This is--oh, we got this. Oh, we got this.



Either want to win or be in the top three.

We want a center part because this is asymmetrical.

Definitely tall and, like, straight up.

All right, let's go. Thank you.

Thanks.

I just wish I could have had time

To do them a little bit nicer, you know?



And I'm shaking in my boots

About what the judges are gonna say about my garment.

But I felt maybe I could kind of squeeze my way

On to the next round.

Oh, my god, the front hem,

I feel like I'm doing this so ghetto.

It's all you have time for.

Designers, you have ten minutes remaining

Before we walk down to the runway,

And I'm serious about the ten minutes, all right?

[Hammering]

Is anyone listening to me?

[Overlapping chatter]



Okay, you're good, baby.

My baby hot.

Could you lift the boob up a little?

Where is the scissors? Where are the scissors?

Where the hell is my [bleep] going here?

Oh, my god, my scissors!

Okay, let your arms down.

How's the top fitting? The hair is working.

All right, designers, models,

We're going down to the runway.

Follow me, please.



I'm actually very happy with it.

I think it's beautiful.

I feel pretty confident.



Yeah, babe, I'm coming.



Let's get ready to runway.

Okay.



I don't feel like I'm so wowed by the dress.

It literally looked like toilet paper caught in a windstorm.



-Hi. -Hi.

Welcome to the runway.

As you know, in fashion one day you're in,

And the next day, you're out.

Your challenge was to create a look

For a night out on the town,

Using new york city at night as your inspiration.

Okay, let's meet the judges.

First we have top american designer michael kors.

Hey, guys.

-Hi, michael. -Hi.

Next, we have nina garcia.

Editor at large for elle magazine.

Hi, everyone.

And new york night life aficionado,

Comedienne and actress, sandra bernhard.

Hi.

-Hi. -Hi.

She will be touring the nation

With her one woman show,

Without you I'm nothing, in september.

We will score your designs as they come down the runway.

One of you will be named the winner,

And one of you will be out.

Let's start the show.



It had movement, just like the city.

I think it was a beautiful piece of k*ller fashion.



Super flirty. Like, the colors pop amazingly.



I feel really confident about it.

I think it conveyed exactly what I wanted.



The inspiration of the photograph,

But I don't know if the dress is a clear enough representation

Of myself as a designer.



I certainly edited,

So I think the judges are going to appreciate that.



It's just not as fun and young as I would like it to be.

I'm getting really nervous.

I think that I really captured the image in the gown.

I'm really hoping that the judges

See my dress as being exactly what the challenge asked for.



Everything I had hoped she would,

And I'm completely 100% happy

With the final look.



I really do feel that it reflects my point of view.



I thought my dress looked new and fresh

And I love the tulle.

I wouldn't have done anything differently.



Although I am so worried that they're gonna say,

"This is way too abstract."

"What were you thinking?"

"How do I know this is new york?"

"This could be anything."



And rockin'.



It looks hot, and I'm happy.

I'm really feeling good.



But I was still nervous because I'm taking a risk

With a backless dress.



Will the following designers please step forward?

Keith.

Kenley.

Emily.

Terri.

Jennifer.

Leanne.

If I have not called your name,

Congratulations.

Your scores have qualified you

To move on to the next challenge.

You can leave the runway.

The six remaining designers

Have the highest and the lowest scores.

One of you will be named the winner,

And one of you will be out.

Let's bring out your models.

Kenley, tell us about your dress.

My picture was really beautiful tiled wall.

And when I saw it, I immediately thought of

A print that looked painted.

I just wanted her to be very artistic

And comfortable with wearing this.

I think you have to be that tall and that thin

To wear that dress.

It could hide, though.

If you have one big thigh,

And one thin thigh.

Or some kind of a goiter or a large growth.



I mean, it's very

'80S joan collins

Kind of power b*tch dress.

But I think that a girl

Who was not around in the '80s

Would really appreciate this dress.

I agree with michael.

It is a little lacroix, ungaro,

But updated.

I love the play on volume.

I think it's adorable.

Thank you so much.

Keith.

I actually found a magazine on the ground

That had been kicked around.

It was the idea that you could kind of uphold the beauty

That's kind of hidden within the city.

I think the biggest problem with the dress

Is all that white fabric in there.

When she walked by,

I mean, it literally looked like toilet paper

Caught in a windstorm.

Whoa.

The shape is missing for me a little bit.

Like, this is just a lot of pieces sewed on,

And I can't see a beautiful body anymore.

I just think it doesn't look polished.

And maybe it has to do with the hem

Where you left everything uneven.

That was my point of view.

But all in all, the effect is very sloppy

When it should be more together.

Terri.

When I got my location,

I was like, I need to see, like, some graffiti

And the post no bills with all the stickers

And stuff everywhere, 'cause I live for that.

My girl, she's, like, very confident.

Everyone knows her.

They want her to be at the party.

She is going to places.

I wrote, "fierce, sexy, and in control."

Oh, thank you.



Who's walking down a dark street

And if somebody is on her tail,

She'll turn around and say, "I have a knife,

And I will cut you up."

I love the whole attitude behind it.

Thank you.

I gave it a good score because I think it's cool.

Also because you think outside the box.

You're like, this is my style.

I love the look.

I think that she's got the right hair,

The right attitude,

And she's a girl you want to know.

Thank you. Thank you.



Yes.

What inspired you?

We were in washington square park,

And I put the camera on a long exposure

And it made this amazing kind of streak of light.

And I thought that really

Captured the essence of new york.

And I think that my dress reflects that.



Had it been something flatter

As a part of the actual dress.

Right.

To me, this is more cha-cha and over the top.



I think the ruffles take over your dress.



You know, it's well-tailored.

But I think this expl*si*n of ruffle

Is not placed fabulously.

Look where they're hitting her.

It's just distracting for, you know,

For the eye and for the wearer.

When in doubt, keep it simple.

Leanne.

Since everything was wet,

I was noticing all of these ordinary things

That you walk by

Dozens of times a day.

So my inspiration came from the planter grate around a tree.

It was very architectural in shape,

Yet it was still very organic.

That's a skirt and a top?

Skirt, yeah, and a blouse.



And it looks like a dress, which is really nice too.

It's very pretty.

Thank you.

Well, I love the idea that it's separates.

Let's be honest.

I mean, people don't wear dresses

Every day of their lives.



I would wear that in a heartbeat.

I mean, it looks like it just came right out of the store.

It doesn't look like you just whipped that up in a day.

Thank you.

Jennifer, tell us about your dress.

I got off at columbus circle

And so I saw these clocks.

And my fashion, usually I like to put in a touch

Of surrealism,

So I usually describe my look

As holly golightly goes to a salvador dali exhibit.

I don't get a sense of the surprise

That surrealism brings to the fashion picture in this dress,

And I think that the sewing at the hem

Is certainly not helping.

I don't think this is intentional.

I mean, I wrote down "matronly" immediately.

I don't feel like I'm falling off my chair anytime soon

Because I'm so wowed by the dress.

I think it's okay.

I would venture to say

It's on the boring side.

Okay, we've heard what you had to say.

We're gonna have a little chat,

And then we'll call you back.

You can leave the runway. Thank you.

So who did we like in this challenge?

I personally adored terri stevens,

'Cause I just loved her whole vibe.

Her girl had a real attitude.

I loved the idea of the pants with the dress.

She turned the corner, and you were like,

"Who is she? I want to know her."

Kenley.

I thought that the dress had real energy.

She surprised me

Because it didn't look like what she's done before.

She had a lot of elements in that dress.

However, they all came about perfectly.

Leanne.

It's very wearable, and at the same time,

It looks very modern.



Oh. And why was that?

Because she was someone that over-designed.

You would never know, looking at that.

She really learned quickly how to edit,

And at the time, she still held on to her own thing.

Now let's move on to the ones that we didn't like so much.

For example, emily.

Oh, well.

Oh, emily.

The biggest problem really, to me,

Was the placement of the ruffles was so insane.

You know, cutting across her chest here.

It was just unattractive.

I have no comment.

[Gasps]

That's terrible.

Oh, my god!

The worst review is no review.

Keith.

I didn't like that.

I thought she just--

Really, it looked like just toilet paper.



From a newspaper or a magazine,

I would have thought he would have gone

With grays and blacks.

-The white was too, like-- -predominant.

Not good.

And jennifer.

You know, she says that, you know,

Her thing is surrealism.

But she's kind of drawn back here

And sends out something that looks very watered down.



I'm not really that interested to see more, to be honest.

To me, that was just really boring.

There was nothing about that dress that I found interesting.

And it just wasn't nicely, you know, ex*cuted.

So have we made our decision?

Okay, let's bring them back out.

The six of you represent the best and the worst.

One of you will be named the winner

And one of you will be out.



And one of you will be out.

Terri.

You're in.

You can leave the runway.

And now for the winner.

Congratulations...

Kenley.

Thank you so much.

You are the winner of this challenge,

And you will also have immunity for the next challenge.

-Cool. -You cannot be eliminated.

You can leave the runway.

Thank you. Thanks.



Because I know now that the judges get me.

Relish it.

I'm so happy.

I haven't won anything major in my life,

So it was huge for me.

Leanne,

Good work.

You're also in. You can leave the runway.

Thank you.

Keith,

You're in.

You can leave the runway.

Emily, jennifer,

One of you will be out.

Emily, your look was distracting and a cliche,

And your voice as a designer didn't come through.

Jennifer, you say that you're a surrealist,

But the dress that you showed us was boring

And matronly.

Jennifer...

You're in.

You can leave the runway.

That means, emily, you're out.

Auf wiedersehen.



That dress was beautiful. It was finished.

It showed personality.

This was just a drop in my overflowing bucket

Of experiences,

And I'm really glad that I met all of you.



To clean up your space, emily.

Okay?

We're gonna miss you.



This early in the competition,

But I've got a beautiful collection to put out,

So I'm gonna take this experience

And run with it.



Designers, you ready for your field trip?

-Yeah! -Yes!

Oh, my god, this place is ginormous.

It's not very glamorous, is it?

This has nothing to do with what I'm really used to.

That was mine.

Keith has taken my fabric.

I was like, oh, no, you didn't.

Are we getting a little sgt. Pepper today?

I don't even know what that is.

Oh, god.

-You rethreaded my machine. -Is he serious?

There's too much drama

'Cause there's too many queens around.



Having any relevance with the challenge.

She's from the republic of c*ck land?

I mean, it's out there.