Previously on Project Runway...
Welcome to the red carpet
of the Emmy Awards.
For your first challenge,
you will create a red carpet look
that represents your
point of view as a designer.
- From yesterday.
- What's it going to look like?
- A halter dress.
- Forgive me, but I'm worried
that this is going
to look like a halter diaper.
Change of plan. I'm stitching
you into this dress.
I'm really worried
about my naked model.
Christopher, you are
the winner of this challenge.
And you also have immunity
for the next challenge.
- Thank you.
- It's completely unwearable.
She looks like a disco soccer ball.
That means, Ari, you're out.
Someone's got to be the first
to leave Project Runway.
And it might as well be me.
This is Project Runway.
Of course I'm the best.
Let's do this.
The search for the next
big fashion designer.
I have to win.
You better watch out.
- I'm in. You're out.
- Don't get cut.
Three finalists will make it
to Mercedes Benz Fashion Week.
I'm the best designer here.
I have no fear.
- Make it work.
- That's my line.
But only one can be the winner.
This is my dream.
For these 16 designers,
Project Runway is a chance of a lifetime.
The winner of Project Runway will receive
a fashion spread
in marie claire magazine,
a Paris vacation courtesy of Evian,
and $100,000 from L'Oréal Paris
to start their own line.
It definitely is a wake-up call
that Ari's gone.
I really didn't think
she was gonna go home,
and it definitely woke everyone up.
Like, you can't slack
on any challenge.
Getting kicked off
in the first challenge
is the nightmare of coming
onto Project Runway, I think.
I did not expect to see
the six people up there
that we saw up there.
I am just really happy, Mitchell,
that you're still here.
The first thing that America's
gonna know about me is that...
You send down a naked lady
down the runway.
- I love that.
- With a beautiful collar.
- With a gorgeous collar.
- With a beautiful collar.
God.
I mean, I'm not gonna lie.
I'm glad someone else
bit the b*llet and not me.
I'm glad to still be here.
I think I deserve to be here.
I may not put in
the time and the effort
that people have over
the past couple of years.
But in this, I am ready
to rekindle my dream.
Are we ready?
Let's go see Heidi.
- Hello.
- [All] Hello.
Welcome back to the runway.
Christopher, you won the first challenge,
and this gave you immunity
for this week.
- Congratulations.
- Thank you.
You have designed
a look for the red carpet,
and now you'll create a look
for an actual celebrity.
She's a supermodel.
- Ooh.
- Uh-oh.
And a film and television star.
Initially, I'm thinking,
Is Heidi talking about herself?
Because she kept saying, you know,
"She's a supermodel,
and she has a TV show."
And I kept thinking,
Are we gonna make an outfit for Heidi?
And she has a big surprise for you.
She is a mommy-to-be.
Oh, [bleep]. Oh, [bleep].
Pregnancy challenge.
I have never done a pregnancy outfit
before in my life.
I would like to introduce to you
Rebecca Romijn.
- [All gasp]
- Oh, my God!
Hello.
Hi, Heidi.
Hello, everyone.
And she's having twins.
- Congratulations.
- Thank you.
So far, being pregnant
has been a wonderful,
wonderful experience,
but finding fashionable
clothing while pregnant
has been very, very difficult.
You do look fabulous,
I have to say, though.
First I thought she should
come out in a bathing suit.
- Sports Illustrated style.
- You wish.
So guess what.
Your challenge will be to design
a pregnancy chic look for Rebecca.
My life definitely doesn't stop
just because I'm pregnant,
so the good news for you all
is that you get to create an outfit
for any type of event.
It might be something
for me to wear to a lunch
or to a business meeting
or to a party. It's up to you.
As a woman, you still want
to celebrate your shape,
so I'm looking for something
that has a beautiful silhouette.
Okay, Tim is waiting
for you in the workroom.
Good luck,
and I'll see you on the runway.
Bye.
- Bye.
- Let's go.
[AIthea]
As you walk into the workroom,
everyone sees these
giant half-circle pillows,
and these are the bellies
for our models to wear,
which I love. I think it's so great.
Boo-ya.
- Is this where the baby goes?
- It doesn't go that way.
No, it has to go under more.
Well, I was wondering
why she was so wide.
I have immunity going
into the second challenge,
and I am not letting that deter me
from still doing something
that's appropriate for the challenge.
I want all those
winning dresses to be mine.
I want to know where,
since you're a mom,
where does the belly start?
Usually right under the boob area.
I was pregnant twice,
and when I had the big belly,
it was important to me
to show more shape
to my arms and my legs.
So that's what I'm trying to portray
with my outfit for Rebecca.
She looks like she's in
her early second semester...
Or trimester.
Hello, designers.
- Hi, Tim.
- Hi, Tim.
As you know, for this challenge,
you are designing a pregnancy look.
This must be beautiful.
It must be chic.
And Rebecca has given you
one specific criterion.
She wants this look to be form-fitting.
You have 30 minutes to sketch.
Afterwards, we're going
shopping at Mood,
where you will have a budget of $100.
You have two days,
and the winner of this challenge
- will have immunity. All right?
- Okay, great.
All right. I will be back in 30 minutes.
Thank you, everyone.
Designing for someone that's pregnant
is definitely a challenge for me.
I've never really had
a lot of pregnant women in my life.
That's not really my deal.
Babies kind of scare me, I guess.
Having seen the first round,
I know what the judges want now.
I think what they really want from me
is to combine concept
with construction
that is very wearable
and fashion-forward.
Being in the top three
for the first challenge
is an amazing experience.
I think, in this competition,
every challenge,
I have to push myself to go further,
and not do the expected.
I'm ready for fabrics.
All right, designers,
your sketching time is up.
We are going shopping.
Let's head out.
You have your $100 budgets.
You have 30 minutes to shop.
Go, go, go.
All right?
Ooh, so many choices.
Going into the second challenge,
I don't really have
many doubts in my mind.
It's just finding the right fabric
and executing it.
How about that?
I'm gonna make
a dress and a coat,
so, hopefully, that'll step it up
because most people
are just making dresses.
D Dee-dee-dee-dee-dee-dee d
I have made
one maternity dress before,
but it was a bridesmaid's dress,
and that's a whole 'nother can of worms
that you don't want to open.
Designers, you have
two minutes remaining.
Sorry to make a mess.
I apologize.
[Bleep] I need thread. Excuse me.
I might be a little stressed,
but it's only because I'm focused,
and I gotta just remember
I have to stay centered.
- Qristyl.
- I'm done. That's it.
No, just deep breaths.
Deep breaths.
- 99.59 with tax.
- Perfect.
Okay, everyone.
Time is up. All right?
Let's head back to the workroom.
- Thank you, Mood.
- [All] Thank you.
Round 2. Here we go.
- This belly's really huge.
- It's twins.
I mean, you don't really realize it
until you put cloth over it
how... pregnant it is.
I definitely don't think
designing maternity for me
is that far of a stretch.
There shouldn't be
such a drastic sort of gap
between regular clothes
and maternity clothes.
I'm not gonna do what
everyone else is gonna do.
I'm gonna keep it really to my aesthetic
of, like, tailored and refined.
I anticipate
everyone else is gonna be
all about drape and flowy and goddessy
and Pea in the Pod.
- All right, I'm done.
- All right. Whoo.
- It looks good.
- Yay.
My concept is that
I want to use ribbon
and create a bodice,
but I have kept the bottom jersey,
so she'd be comfortable
while still looking great.
You know what?
My original plan changed.
- Yeah? Already? It's been five minutes.
- [Laughs]
Going in a different direction here,
but I'm really liking
what I've got going on.
It doesn't matter what,
you always want to produce
something you are proud of.
I'm working on a 1920s
negligee-inspired c*ck dress.
It's something
that I'm kind of known for,
and it has a lace appliquéd top
that I hand-dyed.
My concept revolves around
the idea of fertility.
I'm playing around with
images of eggs, birds' nests.
Basically, this look
is called The Mother Hen.
In the back of my head,
I keep hearing Nina say
"Don't play it safe."
'Cause that's what she said to me.
"It feels like you played it a little safe."
The nerves are here.
The nerves definitely are here.
For me, it's almost like
I need to continue that momentum
from the first challenge.
It's really important to remain on top,
so this is a challenge
I have to bring in.
Like, I have to win this.
I don't know what to do
with the top of this.
It's driving me crazy.
Coming up on Project Runway...
I'm gonna do a pair of jodhpurs.
Like chicken thighs.
Oh, Malvin.
There is definitely
some dresses in that room
that are neither fitted nor chic.
I don't think Rebecca will, like,
wear any of that anywhere.
This challenge is to design
an outfit for Rebecca Romijn,
the supermodel, television actress.
And the curve ball
is that she is pregnant.
I do think that it's difficul
t to design for somebody
who's pregnant,
especially someone with twins,
who is very pregnant.
- Are you lattice-marking?
- Yes, I am.
- Oh, how fun.
- Oh, it's like a braid.
- Yeah.
- Yeah, that's really pretty.
The only problem is it takes a while.
All good things take a while.
Is that the saying?
I think there's a lot
of really cool designs.
I love Malvin's design,
the idea that it's like this egg.
I think that's super-cool.
So he's definitely someone
that I'm really looking forward
to seeing the end result.
I love the idea of a sweater,
'cause that's so cozy.
Yeah, because the sweater fabric
may be a tiny bit sheer,
I bought T-shirt fabric.
You can just make a cute tank top.
I'm like, I'm not doing...
I'm not taking any chances.
- Not going down that road.
- Not taking any chances.
That would be hilarious.
"What is you obsession with nudity?"
I'm not looking to go out on a limb
and win this challenge.
I want to stick with being safe.
I'm doing, like, these
little gathered shorts.
They're gathered all the way around
with the belly band.
I'm designing these cute little shorts.
They are gathered throughout.
They sit very low and are pretty short.
Look.
Oh, my gosh.
Oh, my gosh!
What... What is that?
Those are some big girl pants.
[Laughing]
Put those on right now.
[Laughter]
Nicolas.
I heard you're having twins,
so I made you the biggest
damn shorts I could find.
Mitchell has designed commercially
for pregnant women,
so he definitely has an edge
on something that women
would wear every single day.
Could you fit in it? Could
you put both legs in there?
Here, wait, wait.
Get in.
- Careful.
- [Giggling]
Oh, my God, y'all.
Do a dance.
I do gather them,
so they'll fit my model.
Those things are huge.
They're some kind of fierce. Okay.
It's the end of the day,
and I'm feeling pretty good.
[Russian accent]
Rebecca, I have dress for you.
You wear it. You like it.
My dress is pretty much done.
All I have to do is
some finishing touches on the dress
- and start on my coat.
- Let's go.
How do you like your dress?
I just want to finish it.
It's strange working with a big belly.
So, Malvin, you think they're gonna
throw a spin at us?
I don't think they will.
For them to do anything like that,
we'd all be... I wouldn't have pants.
All right, guys. Let's go finish this.
Yeah, stay focused.
- Work.
- Back to work.
[Gordana] Isn't it amazing
how one day you can be completely stuck,
and the next day
I don't know what happens.
It's just like everything just flows.
Did you thread it?
You have to thread this.
- Oh, it wasn't threaded?
- No, no, no.
Crap. I'm so sorry.
The thing that
I'm playing around with
is perspective.
I'm a little anxious to see
what Tim's view on it will be.
Hi, everybody. How are you?
I'm gonna check in with you, okay?
- And I'm gonna start with Althea.
- Hey.
So where is she going in this?
I was thinking luncheon
- 'cause it is a jersey, so it's comfortable.
- Luncheon?
- Well, like a very important one.
- I'll say.
Althea, I would give up
even trying to write a scenario
for this being day. It just doesn't do that.
Okay, just forget it.
Okay, Althea. Thank you very much.
Okay, cool. Thank you very much.
- Hi, Louise.
- Hey.
How are you doing?
I'm applying this lace right now
that I hand-dyed.
- You dyed this?
- Mm-hmm.
- Very nice.
- I'm a little worried
that it's looking
too nightgowny, though.
- If your viscera says uh-oh...
- Yeah.
It's probably true.
- Talk to me.
- Okay. I wanted to show off her legs,
so I am making a little pair of shorts
and then a simple fitted sweater,
and I'm working
on the T-shirt right now.
Why the T-shirt at all?
After last challenge,
I don't want anything to be sheer.
- I'm scared to death of it.
- Okay.
I'm putting something
on the runway this time,
- she's gonna be fully covered.
- She better be.
- All right. Thank you.
- Thank you, Tim.
Hi, Shirin. This crisscross effect
is very beautiful.
Oh, thank you.
I just have to do the hem
and then start on the jacket.
- You're doing a jacket?
- Yeah.
- Out of what?
- Out of a wool. This wool.
And I'm gonna line it with this
'cause I wanted to put
a print somewhere.
I mean, I love the idea
of the jacket with the lining.
Yeah.
And it will show that you're
stepping up and out,
but it just has to be the right jacket.
It just has to be the right... Okay.
- So.
- Talk to me.
The concept behind this is fertility.
- I brought in...
- She's fertile.
It's her egg.
I brought in motifs
of a hen and her egg.
So I have this, like,
feathering thing going on.
And then underneath it,
I'm gonna do a pair of jodhpurs.
Does it come away from the hip
the way it shows in the drawing?
Yeah, it does come away from the hip.
Why are you doing that?
What woman wants her hips to look wider?
I don't know.
It was more for the concept.
- Like chicken thighs.
- I hope... Malvin.
Imagine yourself
saying that on the runway.
- To Rebecca.
- Chicken thighs. I know, I know.
You just need to be mindful
of this not going into costume land.
- Okay.
- Where it could go.
- Okay?
- Okay.
It's very interesting.
I am not bored.
- Thank you.
- Thank you, Malvin.
Hi, Ra'mon. Talk to me.
What are you doing?
I have a c*ck dress
that's color-blocked.
So from one perspective,
it gives her a bit
of a slimmed silhouette.
I wonder whether these panels
in the light gray
against this darker purple
aren't making it come out even more.
- But you said you wanted to celebrate it.
- Yeah.
- Well, I think you are.
- Yeah, definitely.
You're giving it a fanfare.
I just keep hearing Nina's voice saying
- "Don't be safe." So I'm trying to...
- Don't.
- I'm trying to push it a little bit more.
- Don't be safe.
Without being cuckoo.
- Cuckoo has already happened.
- With me?
- No, not with you.
- Okay.
I do agree with Tim's
assessment of my dress.
It does look a little like a nightgown,
so I'm trying to line it
and give it a second layer
hanging out from the bottom.
I'm not intimidated by the fact
that mine isn't like anybody else's.
I think that's a good thing.
I think fashion needs to take risks.
And I think I'm working
in that direction.
Oh, it's cute. Just hold
your bowling bag next to it.
What?
It looks a little bit like a bowling ball.
The...
But it looks really good.
You'll probably win.
It looks really good.
I have to go.
I have to leave the room.
No, don't. Come here. No, stop it.
- Are you serious?
- No, stop it.
- [Growls]
- No, it looks good.
It looks a lot better from here.
Oh, my God, it's a bowling bag.
No, it's not. No, I'm sorry.
I didn't mean it like that.
It looks a lot better from here.
But we're not that far away
from the rack.
No. It looks good.
It's very streamlined.
[Laughter]
We're over.
[Laughing] At least I didn't say
a roller skate or something.
Designers, I am sending in
your models for a fitting.
- Thank you.
- [All] Thank you.
So all the models come in.
Katie comes over, gives me a big hug.
The first thing we did
is get her pregnant.
Oh, my God.
Look at you.
Oh, my God, Celine.
[All talking at once]
Stop laughing.
I'm having back pains already.
- Does it look real?
- Yes.
- It does?
- You look like you're about to pop.
'Cause I know some people have
different-shaped bellies, too.
That's true.
Mine was a rocket.
My model actually has a 2-year-old,
and she was really excited
about the dress,
and that made me feel good,
since I don't have the experience.
- I've been there. I know what I need.
- Yeah, no kidding. Man.
Lucky me.
Pose this way.
Now step back this way. There you go.
Y'all didn't know
I taught runway classes, did you?
Designers and models, time is up.
Thank you.
Ra'mon, time was up
five minutes ago.
- Oh, it was?
- All the models are gone.
- Yes.
- Finish this up right now.
- Okay.
- Getting kind of nervous.
- Now you are?
- Yeah.
I been nervous.
I went into a shade
that I wouldn't normally do.
It's a little bit drab in a way,
and the jacket looks
a little bit Easter Sunday.
I'm kind of worried that it may
get me into the bottom three.
Johnny's jacket is outdated.
I mean, Rebecca Romijn's
not gonna wear that.
She won't even dust with that jacket.
That's so mean.
There is definitely
some dresses in that room
that are neither fitted nor chic.
I don't think Rebecca would, like,
wear any of that anywhere.
All right, designers, time is up.
We are leaving for the night.
- Come.
- Thank you, Tim.
I do need to leave. I'm exhausted.
Coming up on Project Runway...
- Somebody see my small scissors?
- The needle broke.
It's hard to envision
where everyone's gonna be.
The shorts are looking sloppy.
Crap!
Oh, how it misses.
- Are you guys gonna miss me?
- Where are you going?
Eliminated. I'm out.
But you guys are almost done
with your outfits, right?
No.
I don't know what this day ahead lies.
We'll see.
How much work do you have to do?
Hem. Put in the zipper.
Put in the binding.
Check the last fitting
around the preggers.
- The alien?
- I know. It's an alien.
This morning
I'm having a few doubts.
I think my little egg nest,
I need to make it more literal.
I'm a little anxious today
because I want to get to the workroom
in order to finish my piece
to make it look runway ready.
All right, let's go.
- We're gonna stay focused, right?
- Focus, focus.
Keep our eye on the prize, right?
[Gordana]
Everybody ready?
I'm coming,
I'm coming, I'm coming.
Look, you crossed out eat and sleep.
So now we only have design.
That's all we do.
My zipper broke.
I have to stitch her into this thing today.
Damn it, I don't want to do that.
I'm a little worried
about finishing the shorts,
and I am going as fast as I can.
I'm pushing it, pushing it, pushing it,
trying to get these made.
You look to the right of the room...
drapey, drapey, sophisticated.
You look to the left of the room...
structured, tailored.
Oh, how it misses.
Is everyone not realizing
that they're designing
for Rebecca Romijn?
So am I really the front runner?
'Cause nobody's choosing
to take that risk.
You're Stella all of a sudden?
Working on your leather.
Good morning, everybody.
[All] Morning, Tim.
You have two hours
to fit your models,
to send them
to the Garnier Hair Studio,
and the L'Oréal Paris
make-up room. All right?
Use the Macy's accessory wall thoughtfully,
and just pull it all together
so you have a fantastic,
fantastic look to present.
All right? I am sending in
your models. Thank you.
Let's put your belly on.
- Tie it tight so baby doesn't come undone.
- All right.
When Matara gets to the room,
I put the dress on her,
and it fits pretty much perfectly.
The color looks gorgeous on her.
I know we had a fitting
and I measured it,
but then when I put it
on the mannequin,
I didn't know if it would lay flat.
Tanisha, she looks good in it.
However, the cups
seem to be smaller on her
than they did the last fitting.
Oh, my God, we're in big trouble.
In trying to create a balanced look,
I gathered too much,
and the shorts,
instead of looking
feminine and fun
and with great movement,
they are looking sloppy.
Oh, yeah, this is gonna work.
Uh-oh, your baby fell.
Let's take you to hair.
Very simple with the hair.
Nothing big and froufy.
Her hair's gonna be in a big 'fro.
If we had, like, a pomp
and then, like, a return.
I figure it's so cute, why mess with it?
Yes, perfect.
All right, sweetie.
I'll see you in a little bit.
The needle broke.
I don't believe it.
As soon as I start.
Right now, my only concern
is that I have a lot
of handwork left to do.
Of course, I've got
all the appliqué work
that I need to do
on the front of the bodice.
Somebody see my small scissors?
I was gonna do the feathers
on the pants,
but then I think it would
be too costume-like.
I'm very anxious
to see my model on the runway
because I know a lot
of the other designs are very similar.
I think there are
some designers in that room
that have something to say.
I think they just haven't found it yet.
They haven't cracked
the egg, so to speak.
Crap!
I keep sewing the other side.
It's hard to envision
where everyone's gonna kind of be
because everyone's still sewing.
I think I'm gonna do pretty good.
I think I might have
another top spot on my hands.
If not, l... well, I mean...
I'm fine because I have immunity.
That's why I like
being with you, because...
Because we're done. We're ready.
We'll see who else is ready.
Mitchell, why are we
the last ones sewing?
I'm just glad
my model has clothes on.
[Laughter]
Designers, models.
We are going to the runway.
Everybody, come on out.
- Logan?
- I got him.
Mitchell? Wow.
Coming up on Project Runway...
It almost looks like,
here is the baby.
I've never been pregnant,
but I tried to imagine myself pregnant.
But the execution...
I don't think it worked out.
- She is a mess.
- She's a pregnant mess.
- Hello.
- [All] Hi.
Welcome to the runway.
As you know, in fashion,
one day you're in,
and the next day you're out.
There are 15 of you here today,
and after tonight, there will be 14.
For this challenge,
you were asked to design
a pregnancy chic look
for the lovely and fashionable
Rebecca Romijn.
She asked for something
that is stylish
and that shows off
her pregnancy curves.
You had two days and $100
to put it together.
All right, let's meet the judges.
Filling in for Michael Kors today
is Monique Lhuillier.
[Applause]
She's known for her gorgeous gowns
and celebrity clientele.
- Welcome.
- Thank you.
Fashion Director
for marie claire Magazine,
- Nina Garcia.
- Hi, everyone.
The beautiful and pregnant
TV star Rebecca Romijn.
[Applause]
Hi, guys.
And just so you guys know,
we all have been pregnant, okay?
So we know
what we're talking about,
especially today.
Let's start the show.
My look is definitely
more ready-to-wear.
I chose kind of a gold foil leather,
which I think makes it more elegant
and more expensive.
My design came out exactly
like I wanted it to.
She looks beautiful
in the coat and the dress,
and she pulls it off perfectly.
My model's walking down the runway,
and as she comes out,
I noticed something very strange.
Her skirt keeps going up and up.
And she still looks amazing,
but I see Heidi
writing something frantically.
And I'm really nervous.
I feel like my point of view
really came across in this piece.
It has volume to it, it has texture,
and it lets me show
who I am as a designer.
I think my model looks like a very,
very hip girl coming down the runway.
She looks like she's ready
to go out on the town
with her girl friends.
She's happy with her overall look,
and I think it really shows
when she walks on the runway.
My model is working the dress.
I mean, she's walking, it's flowing,
the color looks great on her.
I mean, she looks extremely trendy
in style and silhouette.
It's sexy.
I'm watching her walk,
but at the same time,
I'm watching the judges.
So I do a jumpsuit
that's not way off,
it's not tacky. It was really elegant.
It was totally different
from everybody else's.
It looked so fantastic.
It's just something
that I would totally wear.
That was my baby,
and I put so much work into it.
My design is so elegant
and so well put together.
She looks a little bit like Rebecca Romijn
with her hair,
so I'm very happy.
The look portrayed everything
I wanted it to portray.
It was calm and serene and easy.
It just flows. The styling is perfect.
She looks the way
I want her to look.
I love the pants, I love the top.
It doesn't look exactly like an egg.
I feel that the pieces are flattering
towards a woman's body.
What I see before me
is a very chic, elegant,
pregnant young woman
who is wearing
a very artistic creation.
Looking at the judges' expressions,
they are, like, stone-cold.
I love my little reveille jacket.
I want to take that thing
off my model
and wear it out the door.
I really like the color
and the way that I've
draped the bottom of it.
I'm feeling pretty good.
There's things that I'm not certain of
that could go really wrong,
so I'm not feeling relaxed.
I'm watching my model
come down the runway,
and she's glowing,
and I asked her to have a big smile,
and she did. And that's
exactly what I wanted.
It's just a fun little dress.
If I call your name,
please step forward.
Louise.
Mitchell.
Althea.
Malvin.
Shirin.
Ra'mon.
If I did not call your name,
- congratulations.
- Whoo.
Your scores have qualified you
to move on to the next challenge.
You can leave the runway.
The six of you represent
the best and the worst.
One of you will be named the winner,
and one of you will be out.
Let's bring out your models.
First of all, I have to say
our models look heavily pregnant.
They're all about to give birth.
They must be all, like, a week away.
I would like to start with Ra'mon.
So tell us about your look.
I created a c*ck dress for Rebecca.
I thought, What would I design for her
if she was not pregnant,
and then reinterpret that
for an actual maternity piece.
I think the dress is
a little too busy for my taste,
and I think the construction
is also a little sloppy.
- It almost looks like here is the baby.
- Arrows.
She's pointing to here is the baby.
- It's like arrows. It's like, whoa.
- Racing stripes.
Yes, it's almost too confusing.
Definitely not
what I was going for.
It's not so easy
making pregnancy clothes, is it?
No, I've never done it before.
This was like a stretch for me.
Let's continue with Louise.
I've pleated this here
so that the pleats
kind of open up, you know,
when the bust grows.
It doesn't stay too tight in there.
And this little slip
underneath is adjustable.
It's a little like lingerie,
but I like that.
Where would you wear it to?
Probably on a date
with my husband.
- [Whistles]
- Yeah. That's right.
Can we see the back?
Yeah, it's very cute.
There's a lot of good things happening
in this design,
from all the details in the sleeve
to the inset of the lace.
I love the fact that it's tiered
because you can accommodate
the different stages.
- Good job.
- Thank you.
Althea, tell us
about where your
pregnant model is going.
I've never been pregnant,
but I tried to imagine
myself pregnant,
and I thought this really was
like a evening dress for you.
It kept it in, like, a jersey
because I wanted you
to be comfortable.
I wanted to make sure
you had tons of support.
And, like you said,
you wanted to show off
your beautiful pregnancy curves.
I love the way that it
accentuates the back.
You know, the lines of her body
look beautiful in it.
It's appropriate
for many different types
of evening occasions.
Thank you.
Well, I happen to love
the color that you chose,
and I also love the jersey.
The only thing
is I would add more room
in the cups of the bust
because I think it's a little exposed,
but I think the tailoring
and the detail is perfection.
I do like the fact that you
made this a long dress.
You also want to feel
very covered and elegant.
As a whole, I think
that it's a beautiful dress.
Thank you very much.
Malvin.
I created a day look for you.
I drew reference
to a mother hen and her egg,
and I wanted to create
that almost embracing
cocoon-like nest
over an egg,
something that's very precious.
I think it's something very casual
but has a touch
of sophistication and chicness.
What's the black?
Made out of? It's made
out of silk organza,
and the feathers you see here
I've done appliquéing,
and I've cut them to look like feathers.
Can I see how that?
See? These are ties.
That's very beautiful.
Had you kept going on that
black detailing and the...
then it... What is disturbing
is the sling.
- Is the...
- Because the sling looks
like she's had the baby
and she's carrying it in the sling.
Do you really want to look like a chicken
that has the egg?
I think I may have
been too attached to my concept.
Mitchell, where is she going?
She's going to lunch
with her girl friends,
maybe going shopping,
living her day-to-day activities.
As a whole, I like the idea
that you did these cute little shorts
and a top and a jacket.
I just think, Wow.
How difficult is it
to make a pair of shorts?
The shorts are too short in the front.
You can see the band.
The T-shirt's too tight.
It's like she's a mess.
- She is a mess.
- She's a pregnant mess.
I had some difficulties with the shorts.
I've never sewn in
a pregnancy band before.
I mean, I appreciate that you went
for a kind of cool urban look,
but the execution, uh,
I don't think it worked out.
Just because we sit here
- doesn't mean we don't have good eyes.
- Yeah.
Shirin.
The main thing I wanted
to focus on was comfort
because I'm sure when you're pregnant
you have enough things
that make you uncomfortable.
I decided to put a coat over it
with a fun print on the inside.
The lining is really pretty.
I really like that,
the way you did the waistband.
Yeah. I did some hand work
along the waist.
I loved how you draped
not only the front but the back.
There's no bad angle to this dress.
I think you should
get into the maternity business.
I think you would do really well.
I've never done maternity, so...
I'm impressed.
This was a challenge at first
because once you start draping on it,
it's like, there's a bump
on the mannequin.
I think you delivered something
that is very versatile,
- very nicely done...
- Thank you.
...with very nice details.
Thank you so much.
Okay, we've heard
what you had to say.
We're going to have a little chat,
and then we'll call you back.
You can leave the runway.
All right, let's talk about the designers
that we didn't like so much.
Uh, let's start with Ra'mon.
It kind of looked
like a bowling ball bag.
[Nina]
All that construction,
and then maybe if it was,
like, all one color...
the black on black
with different mattes of black.
From the front
she looked quite slimming
because that's
what he wanted to do,
but then she turns sideways,
- and it's like, waah.
- Bowling ball bag.
- Yeah.
- Yeah.
Let's move on to Mitchell,
which was very, very interesting.
I have friends who would wear that.
You know what I mean?
I see that girl either
running to the grocery store
with a really cute pair of sandals.
If those shorts were well done shorts,
I would wear those...
- I would wear them, too.
...flirty little shorts.
But they looked like
I actually sewed them myself.
[Chuckle]
And I can't sew.
Okay, let's move on to Malvin.
Really bizarre.
[Heidi]
I don't think any pregnant woman
wants to be thought of
as the chicken and the egg.
- I don't want to look like an egg.
- The egg.
But he went, really, all the way
because he said, you know,
the egg and the chicken
and then the little feathers on the...
It was like... It was bizarre.
- Yeah.
- He had a concept.
You have to give it to him.
He did have a concept.
He did have a concept.
All right, let's talk about the designers
and the designs that we did like.
Let's talk about Shirin.
[Rebecca]
That waistline was beautiful.
[Nina]
She offered up a coat,
and the coat was beautiful.
- Well done.
- And it was lined.
It had the shoulder drape,
and yet, with all that draping,
it was not too much.
I think hers is the most wearable.
Let's talk about Althea.
One of my favorite
things about this dress
was the side draping.
Ohh! And then the part
where you want to feel smallest
and the small of the back was nice.
Yeah. And it went down in a V,
which also is very slimming,
and it gives you a nice...
Yeah. It was elegant.
- Yeah.
- Mm-hmm. It was elegant.
I thought that was
quite a pretty dress.
And the color choice was excellent.
Yeah. Really nice.
Let's move on to Louise.
Again, I think it's something
I would wear on a date.
I don't know if you want
to be walking around
in something that looks
like you're in lingerie
and you're pregnant.
That's the reason you got pregnant.
- It's not what you want.
- I mean it's...
I think it's a pretty little dress.
This did not look like someone
sewed it together in a day.
- Right.
- I mean, she thought about it.
She had all these details.
She colored the lace. I mean...
It was really well ex*cuted.
Very well ex*cuted.
All right, so we've made our decision?
- Yeah?
- Yeah.
Okay, let's bring them back out.
One of you will be named the winner,
and one of you will be out.
One of you will be named the winner,
and one of you will be out.
Louise.
You're in. You can leave the runway.
And now for the winner.
Rebecca, who won this challenge?
Congratulations...
Shirin.
We thought your look was elegant,
absolutely beautifully ex*cuted,
and any one of us would wear it,
pregnant or not.
- Thank you so much.
- Congratulations.
- Thank you.
- [Heidi] Good job.
You cannot be eliminated
in the next challenge.
You have immunity.
- Thank you.
- You can leave the runway.
Thanks.
I won! It's amazing!
It feels pretty good.
[Cheering]
This is nice!
I love your smile, my little lover!
Althea, you're in.
- You can leave the runway.
- Thank you.
Ra'mon,
you're in. You can leave the runway.
Thank you so much. Thank you.
Mitchell, Malvin,
one of you will be out.
Malvin,
your chicken egg look
was just not flattering.
It was complicated
but not in a good way.
And truthfully, it was just too bizarre.
Mitchell,
though we liked
your overall concept,
the sloppiness of your sewing
and presentation
were basically not acceptable.
There is really no excuse,
and we're not impressed.
Malvin.
You're out.
Mitchell, you just squeaked by.
You have to up your game,
and you have to show us
that you deserve to be here.
You can leave the runway.
Thank you.
Auf Wiedersehen.
- All the best to you.
- Thank you so much.
- Bye.
- Bye.
It's all right.
I'm too conceptual for America.
Yeah.
One of the best things
about this experience
is that I've learned
how strong I am grounded
as a designer, as a philosopher,
and as a person.
Hi, everybody.
- Hello, Tim.
- Hello, Tim.
Intense, isn't it?
- Yeah.
- Yeah.
Malvin, I hate to lose you,
but I have to send you
back to the workroom
- to clean up your space.
- That's fine.
- Okay?
- Mm-hmm.
- I love you, Malvin.
- Bye, Malvin.
Bye.
I know that I'll always
have something to say,
and I know that how I say it
will always be different.
And my voice just gets stronger
with every struggle that I encounter.
Next week on Project Runway...
You will be working in teams of two.
I'm gonna grab. You take it to cut.
Aah!
In our relationship,
I can't always tell you
that you're perfect.
I think we're going to be in trouble.
You're putting on a show.
I'm not putting on a show.
It's really about to get hot in here.
I want to ensure that you're not just
instantly disqualified.
- It's unfair.
- Go, go, go.
I need some Tylenol.
On Project Runway,
you actually have to sew.
[Woman]
You look at the other piece...
What is this?
Now here, it's not classy.
about the fashion you've seen
on tonight's show.
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06x02 - We Expect Fashion
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Contestants compete with each other to create the best clothes and are restricted by time, materials and theme.
Contestants compete with each other to create the best clothes and are restricted by time, materials and theme.