Previously on
Project Runway...
You will be collaborating
with one of these incredibly
talented students.
That work of art will serve as
the inspiration for an
avant-garde look.
Did you see my little heart
to my mom?
I lost my mom two years ago.
I feel by carving this into
the skirt that she may be gone
but it doesn't mean that the
love is gone.
Becky, if you're tired, take a
nap, 'cause I don't have time
for it.
I'll do it myself.
Are we gonna be long, Bert?
Where does it say on this
[...] Machine that you're using
it?
Watch your language with
me, please.
Drop dead, okay?
"Drop dead"?
Yeah.
He doesn't intimidate me.
I'm sort of embarrassed for him.
Self-centered prick.
Bert's always mumbling
things under his breath.
[Techno music]
♪ ♪
I still love that you're
colorblind and you do
beautiful things with color.
Anthony Ryan, you're the
winner of this challenge.
Thank you.
I don't think it's
avant-garde.
She looks like a Victorian
c*ck waitress in Las Vegas.
Josh, you're out for the
second time.
This...
This...
This...
This...
This is the search for the
next big fashion designer.
It's about style.
Fashion.
Attitude.
Three finalists.
And one winner.
This is for real.
Be good.
Be great.
This is Project Runway.
The winner of Project Runway
will receive $100,000 from
L'Oreal Paris to start their
own line...
A fashion spread in Marie Claire
magazine...
A $50,000 technology suite from
HP and Intel to enable their
creativity and run their
business, and the opportunity to
design and sell an exclusive
collection on Piperlime.com.
The model paired with the winner
of Project Runway will receive a
fashion spread in Marie Claire
magazine and $25,000 from
L'Oreal Paris Studio Secrets
Professional.
Project Runway 9x07
The Art of the Matter
Original Air Date on September 8, 2011
What are your expectations
for today?
I have a feeling something
interesting.
I'm like, oh, I've got immunity,
but at the same time, I want to
win again.
It's back to us without
Josh C., basically.
I've been in the top.
I've never been in the bottom.
Having not won anything yet,
there's a little bit more
pressure.
Waking up on the fact that I
came in second for the
avant-garde challenge is still
pissing the [bleep] out of me.
I was really upset this morning.
The avant-garde challenge should
have been mine, but I just need
to be focused on the end goal,
which is making it to Lincoln
Center.
Maybe this one'll be as much
fun.
We'll see what happens.
Ready?
Yeah.
Are you ready, Olivier?
Hello.
Hi.
For this challenge, you will
be working in two teams of five.
Uhh!
Oh!
This time, there will be no
team leaders.
You will all need to work
together as a group to make
decisions.
Anthony Ryan, you were the
winner of the last challenge,
which means you get to choose
your first team member.
Come up on the runway.
Who is really going to
complement my aesthetic?
I'm going to have to go with
Anya.
Yay.
[Kiss]
Now I'm gonna choose the
first person from the other
team.
Joshua.
Does that mean I get to be
the leader or I have to work
with one?
There are no leaders.
Oh, rats.
Can I come up?
Joshua M. has been bossy and
bullies people he thinks he can
bully.
Snap.
I will start with Laura.
I'd like to choose Viktor.
Kim.
I don't want her to pick me.
You have to deal with attitudes
and...
[Sighs]
Stuff.
Olivier.
Becky.
Oh, goody, me and Josh are on
a team again.
Not looking forward to it.
Olivier, you get to choose
the next person on your team.
I think we pick Bryce.
We are left with Bert.
Bert, you're always the last
one.
I feel bad.
It's just not a group of
people that I really would enjoy
working with on teams.
Laura and Josh, they're very
cliquish.
It's very sort of elementary
school.
That means you're on this
team, Bert.
Come on.
That's the bad news.
Did you say, "that sucks"?
No, I didn't say that.
Oh. I'm hearing things.
There's Bert, just waiting to
annoy the crap out of me.
[Inaudible]
So are you happy with your
team?
I could not be happier.
Are you guys happy over here?
Josh, Bert, Becky, all on one
team?
That is a disaster just waiting
to happen.
Let's get out of here.
All right.
Come on, designers.
You've got work to do.
Good morning, designers.
May I ask you to gather round,
please.
As you can see, you each have an
HP Touchsmart desktop at your
workspace, so you probably
correctly deduced that this is
the HP and Intel challenge.
It's very innovative, and it
provides you with an opportunity
to create a textile design from
scratch.
I have been waiting for this
challenge.
I used to be in graphic design,
so I love the idea of making my
own print.
I'm just all [bleep] and giggles
this morning.
Each team will create a
five-look collection and design
and produce a full-fledged
fashion show featuring that
collection.
What does that mean?
You will be creating a video
to serve as a backdrop for your
show.
You do have two days for this
challenge.
At least three looks must
contain the textile designs, and
they need to be prominent.
It's music, video, runway,
our own print.
All of that in two days, and
we have to look like we've got
our [bleep] together.
We are very proud to be
working with HP and Intel, and
they have provided you with all
the technology that you need to
fully realize your vision.
In order to help you understand
this process, HP and Intel have
invited a special guest to give
you advice.
Wow.
Ta-dah!
[Cheers and applause]
Hold the applause, hold the
applause.
Welcome Betsey Johnson.
I always like to say I'm kind
of like Betsey Johnson and Oscar
de la Renta's love child, if
they were to have a baby.
And I love her hair.
I'd love to have you share
with the designers your creative
process.
I need a theme.
I've got to come up with the
idea before anything.
So there's a narrative that
you're considering.
To me, it starts with the
girl.
Is she tough?
Is she sexy?
What is she walking to?
Because music is the message.
So you have to think of the
whole package.
Designers, we have a special
treat.
Betsey's show is here for you to
see.
[Gasps]
Ooh!
Really scary, y'all.
[Laughter]
I love your pigtails.
This was shot across the
Brooklyn Bridge.
It's really inspiring, and my
wheels start turning.
It's a big, big opportunity, and
it's a big, big challenge.
[Laughs]
This is the--
the cartwheel.
The good cartwheel.
Whoa!
♪ Bah da da buh buh bah ♪
You gotta stand for something.
Being cooperative, being strong
is the true key.
You have to throw away...
♪ Me, me, me ♪
Yeah, the little bit of ego.
And go for the team.
Good luck to you all, and thanks
to the HP and the Intel people
as well.
Thank you, Betsey.
Thank you, Betsey.
We love you, Betsey.
Thank you so much.
I am pretty pumped up, and I
think we can do this.
You're going to meet as a
team for 30 minutes.
Then you will have 45 minutes at
your HP Touchsmart desktop to
develop your textile design.
We will be sending the digital
files to Dynamix.
You will see it tomorrow.
Use your 30 minutes well.
Thank you.
What do you guys like?
Have you ever heard of an
inkblot test?
Ink what?
You've got all these
different--
Oh, yeah.
Black and white, yeah.
The psychological test.
Yeah, the psychological test.
Oh, that's actually cool.
Anthony has an idea.
It's exactly what I was
thinking.
It's just that he has a visual
that comes out of it.
I just think it's brilliant.
Let's think of something
circusy and carnivalish.
For some reason, I was
thinking, inspiration, I was
like, sea amoeba.
Who?
What?
If you want to think
aquatic--
No, I'm thinking
aquatic, ocean.
Maybe scuba diving.
I like something a little
more gritty, since we're dealing
with the city.
If we did five female
versions of the village people.
Oh, lord.
So you have the cop, the
construction worker, but take it
to this glam, like, really great
level.
There was a fireman, no?
No.
So it's the construction
worker, the cop, the Indian.
Fireman, no?
Stop saying "fireman" or I'm
gonna keep thinking it, Laura.
This isn't going to be the
most ideal situation.
We've got two people that bring
really no creativity to the
table.
Joshua M., who can snap
in a minute.
Betsey Johnson talked to us
about being cohesive.
We can't even come up with
anything.
It's kind of depressing.
If it's a collection, it has
to have pants, shorts, something
dressier, and a gown.
Okay.
We're trying to create this
collection and we want a little
bit of everything.
What is our team name?
Something off of the inkblot
thing.
Something off of insanity.
Chaos?
Chaos.
It has a real click to it.
Let's do that.
Okay.
I'm really happy to be in a
group that is harmonious.
We have Village People, we
have sea amoeba, high-end, and
we have dreams and clocks.
Clocks? Really?
Like, what is that?
You want to vote, Josh?
I mean, probably clocks.
As far as color scheme or
whatever that we want to try to
stay in for the clock, I love a
good black and white.
Do we want to throw a color
pop in there somewhere?
We all have to sit down to
make a plan, so put all the
[bleep] damn color you want on
it.
Joshua don't give a [bleep].
Great.
I plan in a couple weeks to
be putting my own collection
together, and I will be doing
that flying solo by myself.
What is the inspiration for
that--that direction?
Nuts and bolts.
Two for nuts and bolts.
Let's do it, nuts and bolts.
Okay.
If I was leading this, my
vision would be the one that we
were executing at this point,
but that is not happening.
Some of my other team members
are already working on designs
specifically inspired by our
idea.
I just want to look at it on a
very graphic level and let it
flow from there.
We kind of decided on a time
and clocks theme, so I designed
a print with cogs and wheels.
The fabric designs that I am
working on are basically
old-fashioned pocket watches
that a conductor would have used
on a train, and this is a good
challenge to go outside the box.
Are we gonna try to do ten
yards of one print or are we
gonna try to do--
I think we should just stick
with black and white here.
I do too.
The fact that I haven't won a
challenge, I think, makes my
other team members look at me in
a way that they have to make
sure that I can design.
It's just frustrating.
This is, like, what the
fabric will look like, when we
go like this.
And it'll actually come out
to be a scale like this.
The other prints seem a little
casual in comparison to the
sharpness of my print.
We can't come up with a cohesive
anything, so we just pick.
Bert, did you print any of
yours out?
I'm printing some now.
They're in there, but I'm just
waiting.
Should we vote on what we
feel should be the most
represented print?
I want my prints to
contribute to the design group
so I'm pulling my weight.
Mine, for some reason, aren't
printing.
I mean, I'd like to use
this one.
Okay.
That looks great.
I love this, though, too, so
i think we should do--
So do two, three, and five.
Okay.
She'll do five.
So much for my friggin'
clocks.
So much for your what?
[Bleep] clocks.
I didn't get it printed.
What'd he say?
I feel people that have dirty
mouths, they're not intelligent.
Bert, is this the undertones
that people are talking about on
the runway, where you walk away
and say things under your
breath?
No, that's--that's--
because I will--I will not
stand for it.
Josh, what I was saying was--
I'm asking you if this is how
it's gonna be for the next two
days, because I will not have
it, Bert.
Don't get close to me.
I need you to back up.
What I was saying was, so
much for the artwork that didn't
get printed.
No, you used a swear word,
and I don't think that there's
swearing necessary.
I did not use a swear word!
I said, "So much for the
clocks."
Put the clock in the fabric!
I want a yard of his clock!
You are ridiculous.
Okay, go to central casting
if you're gonna act, Josh.
I knew this was gonna happen.
The team broke up.
On their own.
He is not happy right now.
Bert, put a yard of it in
there.
I don't want to.
And you've gotta, like, have
an attitude, but your printer
wasn't working.
God.
I think Joshua woke up on the
wrong side of the bed.
Something going on that he's not
talking about and he wants to
fight somebody.
It was me.
Now it's Bert.
I think this looks great,
guys.
I think it's a good balance of--
of proportion.
No, put Bert's in there,
because I'm not gonna hear it
for the next two days.
Josh, you are overreacting to
something I said regarding the
hardware.
You just said--what did you
just say as you walked away?
I said, "So much for my
clocks," meaning that I didn't
get--
So much for your what clocks?
My clocks.
I don't believe I--
Your what clocks?
Go back, dude.
Are you guys gonna--you guys,
we gotta pull it together here.
I'm about to forfeit this
whole thing, because I'm not
about to deal with him.
I was not into it.
There are other ways to handle
if you disagree with the way
someone says something, but
blowing it up into a big
spectacle, unnecessary.
We do appreciate what you
did and we like it.
It's just--
Yeah, I mean, I love the
machinery feel of this.
It's just all this drama over
very little that I find sort of
amateurish and, um, totally
beneath me.
I am probably more upset with
myself that someone is gonna get
me to that point.
Don't let it happen.
I know that Joshua lost his
mother recently, so he's got a
lot of stress going on and
probably some grief.
He doesn't talk about it, but
obviously it's got him all fired
up.
We just--we need to make this
work as--as best we can as a
team.
Like the video, the Mood trip,
we've got to--we have no choice.
If this video is such an
integral thing, please do it
with me.
What are we gonna do with the
Mood thing?
Let them go do it.
Josh and I are fine together.
I know how to handle him.
I understand he's volatile, his
attitude.
Kind of just got to roll with
it, so if me going out with Josh
and just making him happy so he
can get back to the workroom and
work is the solution, fine.
We just need to have a product
at the end of the day.
All right, um, I'm just writing
a list of things that I would
like so it'll make it easy
for you guys.
Kimberly, Becky, and I are
going to Mood to select the
additional fabrics, and I think
it's gonna run smoothly.
I like Kimberly, I like Becky.
They're professional.
They keep their personal jazz
out of it.
Okay, and then I'm getting
dye, fabric paint, thread.
The challenge is to create a
print with the HP Touchsmart,
and then, the most exciting
thing is that it's creating
a whole fashion show by
ourselves with video background,
so some of us are going to Mood
and some of us are going out to
do the video.
Do you guys have any visions
for this video?
What I'm hoping we can get is
some inner workings of a big
clock.
I don't know if that's possible.
That won't play.
Just clocks isn't a concept.
Like, what are we trying to do
here?
I don't know.
It still has to have a common
thread.
Just a girl that's on the
move.
On the move.
At this point, the team is so
disjointed that I don't know how
we're gonna pull it together.
Just sh**t as much as you
can.
I'm just gonna try to go
anywhere where there's a lot of
movement and a lot of chaos, and
then you can just speed it up.
Texture.
Guys, we can always use, not
use.
We're just gonna do Viktor
booty shaking.
[Laughter]
They come back and that's all
we have.
Like that.
When something's enjoyable,
then I think the results, what
we create, will inevitably be
stronger.
The other team is getting
along great.
They're laughing, they're having
fun.
They all seem to be equals.
They're doing what a team is
supposed to be doing.
All right, let's go.
Do it, go.
Make it cohesive out there.
Bryce and I are taking the
video because I think I have a
vision for that.
Let's go this way.
What else is chaotic than times
square?
A lot of people walking around
and there's just so much
happening there.
Oh, my God, this is chaos.
Yeah, we wanted people,
we got people.
Set it on the ground.
We have 30 minutes at mood,
so we don't have much time.
So what are we looking for?
We are buying all the
supplementary fabric to go
along with the fabric that we're
making.
Where's those fabric things?
I got chains and buckles.
Do we have enough fabric?
I think we need another,
though.
Can I get one yard in that
silver?
All right, hurry up.
Hurry, hurry, hurry.
Thank you so much.
No, why don't you walk this
way towards me?
Towards you?
Okay.
Josh has an idea, making this
video.
It's about a girl who wears
fabulous shoes.
Here, change again.
We're using Piperlime shoes
with me jumping in and out of
cabs.
It's metropolitan, it's New
York City, this woman that's on
the go.
She's always late, but she
always looks amazing.
You know, always give it a look,
shut the door, and turn.
Now hit it.
Just walk fierce.
La dah dah dah dah dah.
Here, change again.
Do it one more time.
Whoo-hoo!
We're taking our HP cameras
and videotaping L.E.D. screens
moving, people walking, water
splashing, basically any kind of
chaotic noise that happens when
you're walking in Times Square.
Clocks, clocks.
We are talking about clocks, and
we have no shots of clocks.
We just have shoes jumping in
and out of cabs.
Antiques, right?
What floor?
Clocks, maybe?
Definitely.
Let's go.
This is amazing.
Oh, God, there are so many
clocks.
We have nine minutes to get
back.
All right, let's go.
Nuts & Bolts.
Yes?
So why don't you take a look
at some of it.
And we've got great--all
these clocks.
Hopefully it can be some
great footage that can really
develop this collection and
really give it a great cohesion.
Do you want me to start moving
some of the cabs in between the
clocks?
Okay.
Let's see what happens.
Oh, this is exciting.
Oh, yeah, I'm loving that.
[Gasps]
That's really nice, all the
texture of that.
Yeah, this is really cool.
I think the idea that I had,
you know when you have
kaleidoscope images so they're--
they're symmetrical, so it'd be
exactly the same as the inkblot
but it would be moving.
That is cool.
See, and if we mirrored
that...
Anya has this great idea, so
it's not gonna be too much of a
distraction up there, but just a
k*ller video to everything
that we're putting down the
runway.
Back to work.
[Groans]
Son of a--
That looks gorgeous.
Yeah, that's gonna be cool.
Before we go, I'd like to
make a public service
announcement to everyone in the
room, especially Bert.
I would like to apologize for my
insanity this morning.
There's no excuses, and it was
not the way to start off a team
challenge.
I felt that the blow-up and
frustration within the workroom
was unfair to everyone else in
the competition.
There was a little bit of a
black cloud for most of the day
over me and over my team.
Our team.
So I apologize to my team,
specifically Becky, Laura,
and Kim, and to the other
team members.
But Bert, I do apologize.
Okay, thank you.
And I hope that we can move
forward and show a great
collection.
Handshake. Or a hug.
Give me a hug.
Josh could have come to me
personally to apologize without
the other designers in the room.
I have a slight suspicion he's
maybe backtracking a bit and
wanting to cover himself when
we go on the runway, but that's
Josh.
Regardless of how he did it, he
did it, and that's the most
important thing.
All right, now, let's get out
of here.
It's time to go to bed.
Line one.
Good night, dress.
I want to see my fabric.
Check it out.
[Gasps]
Yeah, look at my dress.
I'm afraid about the time.
Oh, it looks good.
Hmm.
Our prints are on the table.
My graffiti, Becky's clock, and
then Laura's number print.
How cool is that, to see a print
that you did on the computer?
It's really cool.
I think we chose well, guys.
Yes.
Oh, my God.
This is so pretty.
Love, love, love.
[Laughs]
The concept of prints really
show well on the fabric, and it
has a very subtle but clear
message.
So fun.
I love our textiles.
All three of them really work
well together.
Some of our prints are stronger
than the other team's.
I think ours are pretty dramatic
and they're gonna look great on
the stage.
This team is comprised of
nuts and bolts.
Joshua M. is head nut, Bert is a
nut, and Becky is, like,
borderline nuts, and Laura and I
are the bolts that kind of keep
it all together.
Anya is doing a c*ck
dress, which is not really what
she does, but we wanted to
switch it up for the judges.
Bryce is doing something more
casual, Anthony is doing
separates, and I'm doing a gown.
I'm not necessarily the gown
guy, but I'm pretty confident
that it's gonna be amazing.
This look is gonna be
body-hugging only.
I'm gonna cut this first, and
then I'm gonna do the inkblot
'cause it needs to be even when
I--
Yeah, because you're doing it
on the fold, aren't you?
Yeah.
We really want something a
little more organic to go with
these prints that we've done.
I like the idea of making things
by hand.
Your mind has to work in a
left-right way.
You've got to really look at
something and see the line and
form what you think might come
to be a pattern, press it, and
see how it works.
I want to add a blot here and a
blot there to kind of
pull the seam in.
The big risk is, once you do it,
there's no turning back.
It's either gonna look like a
cow or it's gonna look like an
inkblot test.
This jacket is amazing.
Oh, cute.
I am making a detailed jacket
with skinny pants using the
prints we created.
Are you gonna get the pants
done, though?
No, I have to make my pants,
but I can do it, like, late.
Later?
[Laughs]
In my look, I am not using
any of the textiles because I do
not like them, and we only have
to put them in three looks, so
I'm not doing it.
Cute skirt.
I just have to make sure it
fits really good.
We're going to the cafe.
Would you like to come?
I would love to.
Okay.
Just looking at everything,
it seems like everything's so
disjointed.
Yeah.
Does it?
Mm-hmm.
But I mean, I don't know,
because I haven't seen Becky's.
Becky's is a pretty plain
skirt with numbers on it.
What do you do with it, you
know?
I mean, a jacket with a shirt
underneath it, really.
So Becky keeps saying she's,
like, rockabilly.
I'm sorry.
I think it looks like Judy
jetson with a vacuum cleaner.
So, Becky.
So, Laura.
Here's what I'm just
thinking about the skirt with
the numbers.
Such a plain skirt in that
fabric might read math teacher.
The bolt print, um, to me--
I mean, I'm not in on the team,
but I'm just gonna say, is a
much stronger print than the
numbers.
Mm-hmm.
Well, we have plenty of the
fabric.
I could do one of each and we
could see.
Part of me feels like if Laura
is chitter-chattering with Anya
in the lounge about me and my
designs, that she's already
trying to throw me under the
bus.
You know, talk to me.
I'm part of your team.
I don't know, Becky.
We were just discussing, just,
like, the continuity.
Yeah, well, Josh kind of blew
the team apart and we don't know
how to put it back together.
Okay, I'll be, uh, at work.
I'm just so happy I'm not on
that team.
Hello, design teams.
Hey, Tim.
I am here to check in with
you.
Well, you guys look happy.
We're all responding well to
this whole idea of the inkblot
test, the test that--
good.
So it should look like a
rorschach test.
Yes, exactly.
And we like the idea, you know,
of working with black and white.
Very graphic.
We're also trying to play
with the silhouette.
Anya's back kind of shapes into
a squarish back.
Bryce's kind of goes into a
squarish back.
And then this one--I'm still
working on it, but it's gonna go
into a squarish back.
It's very evident there's a
huge amount of cohesion.
It was collaborative.
Oh, yeah, very.
I can tell by your body
language and how you're
communicating with each other, I
can tell.
So the other team's critique
is stellar, and the prints are
amazing, and all that great
stuff.
I'm not surprised.
I was more inspired by their
prints than my own.
The one thing that could
potentially go wrong you can
still fix, and that is, you've
got to keep your eye on each one
of these looks during the
fitting.
We're looking at this work
static on dress forms.
It's going to move.
Yes.
Thank you, all.
Thank you, Tim.
Team Nuts & Bolts.
Hi, Tim.
Hi.
Talk to me, please.
So we took the actual,
literal sense of a clock, I
guess.
Uh-huh.
I am way over here with the
blue charmeuse.
Just a jumpsuit.
Frankly, I'm troubled by your
jumpsuit.
I know, well, and that's the
thing.
I'm like, where is this thread
going?
So then, Bert, I'm making the
assumption that this is you?
I used this sort of
industrial zipper to sort of
build the cogs effect.
This waistline's gonna try and
disappear.
Why didn't you just cut this
with a princess seam?
'Cause the mismatching of the
pattern I find to be really
troublesome.
Okay.
Becky, what about your look?
I decided to use the numbers
print.
I really like the sense of humor
it has.
I made this little jacket with
an articulated elbow.
I'm troubled by the scale of
the print.
I think that skirt looks cheap.
Okay.
Well, there was some discussion
about the skirt, so I actually
made a second skirt--it's
sitting over there--in this
print, and I wasn't sure I liked
the circles on the hips.
Mm-hmm.
How much of this do you have?
Three yards of this.
Is there enough left over?
Yeah.
Hmm, I don't know.
What's going on elsewhere?
Um, so my girl, she's doing
separates.
A little silk charmeuse top.
She's gonna, um, have the gears
as well in her band with the
blue.
Looks like faux poodle.
[Laughter]
Okay.
So I'm just working on this
jacket with, like, you know, a
great front to it and, um, you
know, it extends down the back,
and then I have the smaller, the
gear print underneath.
And what's going underneath
the top?
Um...
Underneath the jacket?
Yeah.
A top.
I'm basically fumbling through
my words with Tim.
It frightens me because I can
tell he's frightened as well.
No, I'm just--I'm talking about
this textile.
So, if anything, I might try to
throw it in as a top to mine.
The thought of putting that
particular textile under the
sleek, pristine, cleanness of
that jacket gives me the hives.
The other team, maybe
individually, some of them look
good, but the overall thing is
just so confused.
So, let's consider the
customer.
Mm-hmm.
Yeah.
Tell me, where's the jacket
going?
I-I really don't like this
idea of things have to be going
somewhere.
I'm preparing you for the
judges.
You know?
I don't think she has to be,
like, going to something,
per se.
She could just be living her
life, instead of--
Well, it's the real world,
though.
But that's what I'm saying.
Then it could be going anywhere.
It's a jacket.
Quite frankly, let your ego
go as much as you can, because
it's a team challenge, and I
have to tell you, what I see
right now is the potential for
this all coming together and
being a wow moment.
I don't see it now.
Part of the reason there isn't
more of a sense of cohesion in
this collection is that there
isn't more cohesion among the
five of you.
You need to help each other, and
you have so many good things
happening right now.
Just together.
They've got to be together.
Yeah.
Can you all join hands for me?
I've never done--I've never
asked anyone to do this before.
Join mitts, you say?
Join hands.
Joshua.
Circle.
The vow being that you will
communicate and that you'll be
honest with each other.
You know what will happen
otherwise.
Right.
On.
I mean, if Tim's asking to do
the prayers, that might be a
Project Runway first.
Be willing to listen and--
Okay, all right, everybody.
Okay, cool.
Thank you, Tim.
Thanks, Tim.
Tim, as always, thank you.
Okay.
It's just frustrating because
I've never had a critique with
Tim that went that bad.
Mm-hmm.
I mean, it's just not a
conversation that I planned to
ever have with him.
It's just hurtful.
I work really hard at everything
that I do and I come from a very
humble family, you know, very
Midwest, very close, and I don't
go home that often, I mean,
frankly, because I live here in
New York and I can't get home,
um, you know, for all those
Thanksgivings and Christmases
I've missed, because I was
working at a bar to support my
dream.
[Sniffles]
I just want to know one day
that, you know, missing them was
worth it.
Hello.
Dad? How are you?
I'm good.
How are you doing?
[Voice quavering] I'm good.
I'm good.
Yeah?
Yeah.
Are you sure?
It's just the past couple
days have, you know, been a
little difficult with mom's
birthday, and everything like
that, so--
I know, I know.
It definitely got to a point
where I really, you know, miss
her and wish she was still here,
so--
Yep.
Well, we all do, that's for
sure.
You know, my mom passed two
years ago and, um...
[Crying]
You know, I wasn't able to make
it back from New York to see my
mom one last time, that this was
all worth it.
I am a mess right now.
Remember, you've got work to
do, so you can't get all
emotional here.
I know.
'Cause you got an angel on
your shoulder, so just don't--
don't let anybody else bring you
down and just keep working hard,
okay?
I will.
All right, son, love you.
All right, love you too, Dad.
All right, good night.
All right, night.
[Overlapping chatter]
I want to get it on you,
'cause we're all gonna look at
each other's fit.
Oh, it fits you perfect.
Cool.
Good length on the sleeves.
You know, I just felt so ugly
the other day when I got all
frustrated with Bert because
that's not what I do.
That's not who I am.
I hope, moving forward, I will
do my best to be open arms and
just try to find a way to work
together.
So that was my idea, just
covering this boning...
I see what you're saying.
To hide this.
I didn't mind so much that
it--
It's like, what do you
expect?
You already--
a princess line would have
been worse.
I think a princess would have
cut it up even more.
It would have been old
looking, too.
There's something about it
that I love, the length.
Mm-hmm, yeah.
Josh has been very forthcoming
in talking about my design.
I'm talking about his.
The team is working as a team.
I just want to move past all
those bad feelings.
It drains a lot of the energy we
could put in a more productive
direction.
The front, I think, is fine.
What do you think, Anya?
That's where it ends?
That's where it ends, but I
can add it.
Like this?
I can go up.
Yeah.
I'm a little concerned about
Bryce's look.
The fit should be higher on the
waist.
To me, that's a little bit more
modern, rather than just looking
kind of generic.
Do you feel like it's coming
together a bit more?
Yeah.
I have to re-cut the skirt for
the third time.
Now we're all designing.
We're working.
I think it's gonna be okay, as
long as Joshua keeps himself in
check.
Where do we stand on the
pant?
Huh?
The pant?
What, what, what?
Have we started on the pant?
Olivier is concentrating way too
much on this jacket.
I'm gonna grab that jacket away
from him and I'm gonna make him
do the pants before that jacket
gets done.
Bert, what do you think?
I've added this zipper in the
front for the surplus, which I
think gives it the cog feel,
kind of ties it in with a belt
that is kind of like a sling
belt.
I think it looks very good.
You like?
It totally looks much younger
and hipper.
All right, Nuts & Bolts.
Let's get out of here.
Olivier, come, come.
Hey, look at that frickin'
bull's-eye.
That looks pretty good,
considering I pieced it, don't
you think?
Not bad for an old man.
Good night.
Good night, clothes.
I know y'all have, like, had
an up and down roller-coaster
kind of time, but it really
is a great challenge.
How about the, uh, Tim Gunn,
we need to hold hands and have a
round circle moment?
I think Tim had a huge
impact.
Yeah, oh, yeah.
Absolutely.
It's important that I think,
like, we've progressed.
I think we really made an
effort.
And so, I think on stage, if we
exude that--
Right.
That's great.
Yeah.
How are you, my dear?
You know, I just have had so
many emotions over the past
couple days, I don't even know
what to think right now.
I completely understand how
you feel and echo your
sentiments completely.
Josh has put the whole,
whatever, drama behind him, and
we're just trying to support
each other at this point.
Olivier.
Hold on.
Let me just finish this.
I need to cut my waistband.
Where's the pants?
Olivier's pants still aren't
done.
He may just k*ll us all.
Good morning, designers.
You have two hours to send your
models to the L'Oreal Paris
makeup room and the Garnier hair
studio.
You all know how important the
Piperlime wall is.
Work hard, everyone.
Thank you.
Thanks, Tim.
Thank you, Tim.
[Overlapping chatter]
You're fabulous.
The pants fit.
Uhh! Dying!
We want a progression of
makeup to go from messy into
this very clean look, so they'll
all have the same cheek and
lips, but their eyes will kind
of vary.
Kind of a stronger "V" here.
Yeah.
We just basically want them
to look a little bit
machine-ish.
How about a little bit of
sheen right here, then, too?
Yeah.
Girl, you've got some lashes
on you, girl.
Fabulous.
Thanks, everyone.
So for her, we really want it
tousled.
You said you have a crimper?
Mm-hmm.
If I could get some crimp in
her hair, almost like she just
woke up, and there it is.
For her, the same idea, but if
we could keep the natural
texture of her hair--
And then go into a crimp?
Yes.
We are gonna give them all
bangs, straight down and very,
um--
Severe.
Very severe.
A perfect match.
Groovy.
Oh, my God, I love!
Joshua, what do you think of
the necklace here?
It's so beautiful.
Designers and models, it's
time.
We're going down to the runway
right now.
This shirt is gonna, like,
scream up there.
I figured if, like, things don't
go well, I might as well
distract them a little bit.
I'm excited for the runway show.
As terrible as the two-day
experience may have been, I
actually think we pulled it
together, so I applaud each and
every person within team Nuts &
Bolts.
Welcome to the runway.
As you know, in fashion, one day
you're in, and the next day,
you're out.
[Exhales]
For this challenge, you
worked in teams to come up with
a concept for a runway show.
HP and Intel provided you with
the technology to help you
throughout this entire
challenge.
All right, let's meet the
judges.
First, we have CFDA lifetime
achievement award winner Michael
Kors.
Hey, guys.
Hi, Michael.
Fashion Director for Marie
Claire magazine, Nina Garcia.
Welcome back.
American fashion designer
Rachel Roy.
Hi, Rachel.
And actress Rose Byrne.
Hi.
Welcome.
We will score your designs as
they come down the runway.
One of you will be named the
winner and one of you will be
out.
All right, let's start the show.
[Techno music]
♪ ♪
I'm really, really excited.
I think it's an amazing piece.
I've ex*cuted this blazer that
fits her beautifully, and I
honestly surprised myself with
how well it was done and the
design that was behind it.
My team's collection is
cohesive in color and print.
It's pretty together, and I love
my jacket.
I'm a little worried about the
tank underneath.
I think it could be a lot
better, but I'm pretty confident
that the jacket will carry me
through.
I love my look as it's
coming down the runway.
It's very edgy, it looked
really high fashion in a modern
way, and it looks like I wanted
it to look like.
There's no hit or miss on it.
It's pretty much perfect.
That length is terrible.
I feel that I created a
kick-a*s garment.
It's really me and it's very
edgy.
I like it a lot.
I just feel that the skirt got
pulled up a bit short, so that's
my only concern.
What happened?
It got so short.
But I really,
really love it.
I'm really happy.
I think the jumpsuit looks
beautiful.
It's well-made.
I think the garment itself looks
lovely.
Throughout the collection, I
think that there's a very chic,
urban combination of all our
aesthetics and I'm hoping that
they see the cohesion.
[Applause]
I think the models look
really good.
There's a cohesion of color and
of prints, and I'm proud of the
fact that it all looks nice
together.
I'm extremely happy.
The overall idea is that this is
a city girl who doesn't make too
much effort but still looks sexy
and edgy and stylish at the same
time.
I'm just excited that it looks
really good.
I think that my garments go
well with the collection.
The shorts are great-fitting and
I am very proud of it.
That back is sexy.
I really like that I got to
show my team members that I
could do it.
I love what I've done.
I'm loving the asymmetry that
I've done on the bottom.
Oh, the skirt looks so
amazing.
It's fun, it's flirty, it's
almost kind of masculine but in
a very girly way, and I was very
proud of the overall concept
that I suggested to the team.
I felt amazing seeing Carla
walking down the runway.
The jacket fits her really
nicely, and it's one of the
strongest, most well-tailored
jackets I've made.
I love this jacket.
Yes.
It just looks very, very
satisfying, and I was really
happy.
Looking at my gown, it's
amazing.
It's hard to make a gown look so
effortless and so flowy.
I could see that on the red
carpet.
I could see that everywhere.
Look how it flows.
Look at that.
I seriously cannot believe I
made that.
[Applause]
I feel really great about our
team's look.
It's extremely cohesive, it's
dynamic.
Everything is working.
I really enjoyed watching our
collection.
The color was perfect.
Everything was just amazing.
One person from the winning
team will be the winner, and one
person from the losing team will
be out.
Anya, Anthony Ryan, Viktor,
Olivier, Bryce, your team is the
winning team.
Yay!
[Applause]
Thank you.
Thank you.
That means Becky, Laura,
Joshua, Bert, and Kimberly, you
are the losing team.
I'm gonna talk to the winning
team first and bring you guys
out in a little bit.
You can leave the runway.
So what are our feelings on
our team?
Why don't you have anything
to say, Joshua?
Why are you all of a sudden
mute?
I think he wants Bert and I
to go home so he can have his
fun with the rest of you.
Becky, this is not about
having fun.
This is about creating a product
that people are going to want.
I know what I want to deliver to
someone, and I feel that you
don't, so that is probably why I
should be here and you should
not be here.
Your team is the winning
team.
Who wants to tell us about your
collection?
It was this whole idea of
chaos.
You know, just coming on this
show and then it just keeps
getting more and more chaotic
and then it almost evolved into
this sense of the chaos of New
York City as well.
It was really important that
she never looked overdone, that
she had, like, a great closet
and she could go and grab any
piece and not be overdone.
She could kind of just grab that
and she knew that she had a
great outfit.
I think that, in two days,
you guys did so much work.
I mean, everyone did an
impeccable look, and I have to
say, in my eyes, today was one
of the best runway shows.
For me, there's not one outfit
here that I don't like.
I love the evening dress.
I love all the prints.
I feel like I haven't seen those
prints before, and it's kind of
hard to pick the best one.
I think that you have some
pieces here that are more
sophisticated than others, and I
wish that we kept the
sophistication up.
I think, Olivier, the tailoring
on your jacket's fantastic.
Thank you.
I think, in all my years
sitting in this chair, I think
it is one of the strongest
tailored pieces we've ever seen.
Wow.
You finally got to do what it
is that you do.
We've been waiting for this.
I'm like, okay, hello, you
know?
And here it is.
The video really had that urban
kaleidoscope, kind of nervous
energy, and I think the
collection very much represents
that attitude.
I think the evening gown is
very, very chic.
Very sophisticated.
Fantastic.
Unfortunately, the shorts and
the T-shirt, suddenly this urban
sophisticate went to the mall.
Casual can still look polished,
and I think you guys were
probably afraid of madame here
screaming that there was no
color, and she probably would
have.
Um, but I think it was a good
inspiration.
Hats off.
Thank you.
Rose, what do you think?
I would totally wear all of
these things, like that little
c*ck dress to a premiere or
a function or an event.
They're all really wearable.
Um, I'm kind of scared of
prints.
Like, I can't--I don't know what
to do with them, but these are
all really approachable and
they're cute, which I like.
And as a collection, I thought
it had a really nice
through-line.
I love your collection.
In this case, the clothes are
the story.
The clothes are cohesive.
I love the prints, and I'm glad
that you brought color in
because I think that it's
different.
Thank you.
Thank you.
Guys, in my opinion, it is
very well done.
Olivier, that's the jacket I
want.
[Laughter]
It looks gorgeous.
I agree about the evening dress
being very sophisticated, very
beautiful.
What I like the most about this
collection is that you brought
it to a personal level, and I
think that's why it's so
successful.
My only, only criticism...
[Laughs]
'Cause you must have one.
Would be in the makeup and
hair, which I would have wanted
to see something a little more
polished.
How did you work together as
a team?
Fabulously, and we really,
really collaborated.
It's incredibly interwoven.
But who do you think should
be the winner?
[Overlapping murmurs]
We all really put our
signature on each piece.
Like, Anya helped Olivier with
the pants.
I helped Anya with the sleeve.
Everybody was just kind of hands
on.
I think we put the same
amount of effort in every look,
and we saw it as a collection,
overall.
I'm still not happy with your
answers...
[Laughter]
So I'm gonna go down the line.
What do you think, Olivier?
I would say, if I have to
choose, I...
[Whispers] Would choose myself.
[Laughs]
Repeat that last sentence
again.
You pick yourself?
I-I-I--
Can you not say it?
You pick yourself, right?
I would say I can be the
winner.
Do you think that designers
don't have a big ego?
Good luck.
[Laughter]
I mean, yeah, if you think you
did the best job, that's okay.
Viktor, who do you think
should win?
Well, I'm gonna stick with
Olivier's trend, so I'm gonna
say mine.
[Laughter]
Anthony Ryan, what about you?
I'm gonna stick with the
trend and say me.
Anya?
I am very proud of myself
sewing this dress and so I'll
also choose myself.
Bryce.
I think Anya.
Thank you.
It's gonna be hard for you
guys.
It's a timid group.
[Laughter]
Okay, we've heard what you
had to say.
Very good job.
You can leave the runway.
All right, tell us about your
runway show and your concept.
Um, our concept, we kind of
evolved with a girl from the
city who's always on the go.
She has a busy schedule.
She's running out of time.
So then from there, it evolved
with the clocks and time, and
that's what we tried to come
across also in the video and the
cohesion with the different cog
pieces and things like that.
What my biggest problem was
with your collection is that it
is so busy.
That was, for me, the biggest
problem.
What bothers me is the theme
that you guys picked.
It's so literal.
What you sent down the runway
here, it's like clocks.
So she'll wear a clock.
Well, time doesn't have to be
that literal that you're wearing
a clock.
What does time mean to you?
Do you think of a clock or do
you think of your children or do
you think of memories?
And that should be reflected in
the print.
Don't give me bad energy.
I don't want to wear something
that says "canceled."
I think the video was okay.
I think that it's just like,
whoa, I don't know what's going
on here.
I kept seeing, like, legs and
heels getting out of a car.
Right, that's all it was.
It was like a hooker
convention coming home after a
late night.
It was like an advertisement
for shoes or New York City
taxicabs.
It really was.
You guys beat the other team
as far as having a cohesive look
to the girls.
The hair is very this vibe.
Their makeup is a similar vibe.
All of that pulls it together
for me, and I think that's a
good thing.
I guess I just, I was a bit
concerned.
I didn't feel like a lot of them
were that flattering weirdly,
and you girls are all so
beautiful.
But put together, it's not
incredibly cohesive.
There was a lot of mistakes
here and there's a lot of
missed opportunities here.
Was everybody happy and on board
with these prints?
We had a third one, and my
skirt was originally out of the
third one.
It was numbers, and there was
some question about it looking
like a math teacher, so I
actually made the skirt three
times out of all three prints
and we landed on this one.
Oh, my gosh.
Wow. Okay.
And you totally copped out
also.
I have the belt.
You know.
[Laughs]
So you didn't have to have the
belt that's ugly.
No, I just want--I wanted to
jump in with the team.
You wanted to jump into the
ugly.
Jump right in.
Just wanted to be a part.
She didn't.
She didn't.
She's very into self-survival.
That's not true.
No?
Well, obviously you must have
been rolling your eyes, looking
at those prints.
Maybe Kimberly was smart to
realize that not a lot of women
want to have "canceled" on their
crotch.
[Laughter]
Like, you know, I mean, this is
not a great thing to wear out at
night.
Delayed.
Delayed.
Worse, you know, when I look at
your outfit here at the end,
once I get past that jacket, the
top and the skirt are so, just
nothing.
I mean, Bert, the other thing I
have to say--listen, it's not
easy to make a graceful mid-calf
dress...
Mm-hmm.
Out of a fabric like that.
Yeah.
You know, it's kind of like
if you were locked in the house
and someone said, "Make a gown
out of your sheets."
We've done that, I think.
Yeah.
You know, but it's so well-cut.
Thank you.
You really know how to cut
clothes.
It's just, time's a-tickin' when
you're wearing that dress.
It's cognitive.
I mean, it's just the fact of
the matter.
How did you all work together
as a team?
There was an altercation,
uh, with Josh, directed towards
me that, um, sort of took me by
surprise.
It was like I felt like I'd got
dumped on by a ton of bricks.
And later, he did apologize,
which I appreciated.
I seem to remember a pattern
here.
I remember you having a similar
situation with Becky.
Regarding?
Fighting. Becky?
It did happen.
So someone on your team is
going home today.
Who is the weakest link?
I don't want to point fingers
but I will say that Josh did
start us off very badly.
And it almost, you know,
collapsed us in a way.
But was Josh your team
leader?
No.
We had no leader.
Well, okay, you had no
leader.
So you all had the
responsibility to speak up
and change things.
Yes.
Well, when this happened,
Josh left the room.
Laura left--went to talk to him.
They came back, and it wasn't
like, "Okay, we're all gonna
powwow."
It was like...Whatever.
I have three separates there
that are made impeccably.
And I basically led the
detailing, whether it's literal
or not.
I mean, look at the design.
If this is--the show is about
designing, then I did my part
for this challenge, whether or
not I threw wrenches io it.
All right.
All of the th
are horrible.
[Laughter]
How about that?
All of the three prints
are bad.
When I asked who's the
weakest link, Becky said Josh.
Bert, did you say Josh?
I believe he was disruptive.
Laura, what about you?
I'd probably say Bert because
of the under-the-rug comments.
Who do you think is the
weakest link?
On this team it was Becky.
It's, you know, I just don't see
much design within the outfit.
I have something to say about
that.
I made the skirt three times.
The top twice.
People said it wasn't looking
right, but I wasn't getting any
feedback on what might look
right.
Your foundation is not
there yet.
I just think that that's, you
know, where the design is lost
for this challenge--where it
could have been pushed a little
bit.
Kimberly.
So who is the weakest link
in your eyes?
I think when we really look
at it, the least styled look
would probably be Becky's.
She is more of a, I don't know,
would you say simple kind of
style or something, maybe?
So it's just a difference in
aesthetics.
The dream team. Okay.
We've heard what you had to say.
We're gonna have a little chat,
and then I'll call you back.
You can leave the runway.
Thank you.
So which outfit was your
favorite outfit?
I wave the flag for people
who attempt tailoring and do it
really well.
And I thought that Olivier's
jacket was spectacular.
Fantastic. Fantastic.
And the funny thing is
we haven't really seen it from
him up until today.
Yeah.
You know, so today he really
showed us that.
When you do a very well
tailored piece--
Everything shows.
Everything shows.
And so he did that impeccably.
Viktor's dress was beautiful.
It looked polished.
It was interesting but
wearable.
You know, it was commercial.
And that was a really cool,
hip, great idea--the whole
thing.
It seems to me that Anya
did a beautiful dress.
Anya has a wonderful eye
for prints.
And used the prints in a
mixed way that worked.
Right.
All those different
personalities, they managed to,
you know.
Yeah. You didn't have a
single, uh, problem between
them.
Yeah, it was so wildly
different from the other team.
Yeah.
The other team, nothing went
right.
Which one do you think is the
worst one out of these five?
I am totally bored by Becky's
outfit.
When she said she made the skirt
three times...
I mean, come on.
What would she have done
differently?
There was no design
whatsoever in Becky's outfit.
You know, the funny thing is,
also--I think she can sew.
But it's not "Project
Seamstress."
This is about finding--
Finding your own voice.
Creativity.
She has too little, and
sometimes, I think that Josh has
too much.
There was so much going on,
and I'm just worried sometimes
about his taste level.
Wasn't this a print
challenge?
And didn't he come up with
that--
With the worst print.
The most terrible print of
all?
He is like a little dictator.
Right.
Which I think is troublesome.
He's a bit of a bully.
What did you guys think about
Bert's?
Problem with attitude too.
I mean, he doesn't have...
He really does.
We're not seeing everything...
He doesn't have many friends
in this--
Honestly, if you took Bert's
dress and it wasn't in that
horrible print--
Or if you put a zipper down
the chest.
But I have to say, he knows
how to craft clothes.
But I think he's certainly not a
team player either.
No.
I just felt like Bert's dress
just didn't do anything.
You mean, that's not gonna be
the dress that gets you into
print?
[Laughter]
Exactly.
She might not go there.
Run in fear from that.
So we've made our decision?
Okay. Let's bring them back out.
One person from the winning team
will be the winner, and one
person from the losing team
will be out.
You all were the clear
winners.
You worked together well, and
it showed in your collection.
Anya, you are the winner of this
challenge.
Oh!
Thank you so much.
You're all in.
You can leave the runway.
[Whispers] Congratulations.
It's my first win, and I'm
really thrilled about it
because it really brought
together all the skills that I
feel that I have being a graphic
designer, and it's a really
great challenge to win for me.
Oh! You don't know how much this
makes me happy.
[Laughs]
It feels great to get such a
glowing critique from all of
the judges.
It feels amazing.
Laura, you're in.
You can leave the runway.
Thank you.
Kimberly, you're in.
You can leave the runway.
Thank you.
Bert, you're in.
You can leave the runway.
Thank you.
Becky, Josh, one of you will
be out.
Joshua, it sounds like you were
very involved in this fashion
show, and unfortunately,
it was a bad one.
And your print completely missed
the mark.
Becky, in the real world,
as a designer, no one is gonna
tell you what to do.
You have to make your own
choices.
Your look was weak in a weak
collection.
Becky...
You're out.
Joshua, that means you're in.
You can leave the runway.
[Mouths words] Thank you.
Bye, Heidi.
Auf wiedersehen.
Bye.
Thank you all for your input.
I will consider it as I move
forward as a designer.
Thank you.
I don't think I deserve to go
home today.
I know I'm a good designer.
Maybe my designs are more
commercial than most of the
designers have been showing in
this competition.
Hello.
All: Hey, Becky.
How are you doing?
I'm doing pretty good,
actually.
It made me realize that there
are a lot of designers out
there, and there's always gonna
be competition.
There's always gonna be someone
who's well, frankly, better than
you.
There's some amazing talent in
this room.
And I wish you guys all the
best.
Thank you.
Hey, Tim.
Getting emotional, Tim.
Getting emotional.
It's getting very emotional.
The fewer of you who remain,
the more emotional it is to say
good-bye to anyone.
Yeah.
I have to send you to the
workroom to clean up your space,
Becky.
I know.
Oh! Good-bye, Bryce.
Mm!
I don't think I did what I set
out to do.
I came here to win, you know.
Obviously I didn't win.
I'm not done designing by a long
shot.
[Sighs]
I want to start planning my
future.
I want to have my own
collection.
I need a vacation, though.
'Cause this is tough.
Next time on
Project Runway...
For this challenge you won't be
working with your usual models.
You will be creating a look
for their wife, for their
girlfriend.
The men are going to provide you
with direction.
So if you think, like, cutesy
but, like, elegant.
If you could kind of mesh all
those together.
Like, what does "Double D"
mean?
He doesn't know double Ds.
It's a bigger cup size.
I don't have any personal
experience with it, Olivier.
Her breasts are like
ginormous.
[Mutters]
[Laughter]
She doesn't like the crack up
her a*s.
I think it's super safe and
super boring.
It looks like she slept in
the car on her way to the
wedding.
I'm really shocked.
Hey! Bada-bing.
Visit mylifetime.com to learn
more about the fashion you've
seen on tonight's show.
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09x07 - Can't We Just All Get Along?
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Contestants compete with each other to create the best clothes and are restricted by time, materials and theme.
Contestants compete with each other to create the best clothes and are restricted by time, materials and theme.