09x10 - Sew 70's

[bunniefuu]

Previously on Project

Runway...

For your next challenge, image

is everything.

♪ Ooh ♪

I'm thrilled to introduce

the Sheepdogs.

Oh, crap, it's menswear.

Maybe something like this

kinda color.

I actually just bought this

fabric.

We have an opposing team

member loaning to you?

She was very nice.

You doing the fringe?

Yeah.

I started making my jacket with

the fringe, and Josh started

making his vest after that.

I don't think nobody should be

copying.

I don't know.

This isn't the way a man's

pants should fit.

♪ Never had I heard ♪

Yeah!

♪ Almost every word ♪

I think he looks like

Pocahontas.

You know people always say

mom jeans.

They look like dad jeans.

He looks like Peter Brady

at an autumn harvest.

There is nothing cool about

this.

Viktor, you are the winner

of this challenge.

Yea!

Thank you.

Kimberly, you're in.

You can leave the runway.

Thank you.

Olivier, I'm sorry that means

you're out.

This...

This...

This...

This...

This is the search for the

next big fashion designer.

It's about style.

Fashion.

Attitude.

Three finalists.

And one winner.

This is for real.

Be good.

Be great.

This is Project Runway.

The winner of Project Runway

will receive $100,000 from

L'Oreal Paris to start their

own line...

A fashion spread in Marie Claire

magazine...

A $50,000 technology suite from

HP and Intel to enable their

creativity and run their

business, and the opportunity to

design and sell an exclusive

collection on Piperlime.

com.

The model paired with the winner

of Project Runway will receive a

fashion spread in Marie Claire

magazine and $25,000 from

L'Oreal Paris Studio Secrets
Professional.

Project Runway 9x10
Sew 70's
Original Air Date on September 29, 2011



Oh!

That was a long, intense day.

I don't like being in the

bottom.

Oh, my goodness.

I have never been in the bottom

like that.

This last challenge was really

tough for me.

I've never done menswear.

It was close.

It was close.

It was really close, yeah.

Today, I have messed up

completely.

There's no room for mistakes.

Congratulations on the win

again.

I am so excited.

I mean, winning twice.

The game is on, b*tches.

It's very funny when people

go, "I've never done menswear

so I don't understand it."

Clothing is clothing.

And as this competition gets

bigger, you know, if there's

excuses being made--

Heidi and Michael, what they

do is to push you.

Right.

I do believe that it is gonna

get harder, but I'm not worried

about the challenges.

I'm worried about the people

getting nasty, you know.

The tiger will come out.

[Meow]

They definitely keep you on

your toes, for damn sure.

Hello.

All: Hello.

Welcome to the runway.

All: Thank you.

At this point, we're down to

seven designers, and the

competition is just getting

harder.

Are any of you surprised that

you're still here?

All: No.

Maybe a little.

Confidence--it's always good

to have a lot of confidence.

I'm confident, but I'm still

surprised.

Everybody at this point knows

how to construct clothing.

So now it's about having good

Mood trips and it's about having

a good taste level.

For your next challenge,

you need to look to the past

to find your inspiration.

Tim and a guest are waiting

for you in the workroom to fill

you in on all of the details.

Good luck and I'll see you back

here on the runway.

Bye, everybody.

All: Bye.

I wonder, wonder, wonder.

Good morning, designers.

All: Good morning.

I am delighted to introduce

you to Heather Archibald,

head apparel buyer for

Piperlime.

That's awesome.

For this challenge, the

winning design will be put in

production and sold on

Piperlime.com.

That's huge.

Your own design online.

It's really a massive prize.

One thing we know about our

Piperlime customer is that she

loves trends.

So one of the trends that we're

totally obsessed with this

fall--who isn't--is the revival

of the sophisticated '70s.

Holy crap.

We just had a similar '70s

challenge, and it was a total

disaster.

Some of the iconic pieces

from that era that we love are

like big booming, wide-leg

trousers and little, silky,

you know, tie-front blouses.

A color palette that is

earthy.

Burgundies and browns and

mustards.

The polyester maxi dresses

and plaid--lots of plaid.

I'm picturing this empowered,

confident, sophisticated woman

like strong and feminine.

To help you, there is

a dossier of fashion from

the '70s on your HP Touchsmart

desktop.

For this look, you will be

creating sophisticated '70s

inspired--not vintage,

not retro.

We all know what happened with

the last challenge.

Too literal.

I really feel like it's

a second change for me to show

the judges that I can do

the sophisticated '70s and not

the Pocahontas version of it.

Are there any questions?

Your response to like prints

and scale.

Prints are incredible strong

for us.

I'd say a larger scale resonates

better with the two-dimensional

experience of online.

So you will have 30 minutes

to sketch, then we're going to

Mood, where you will have a

budget of $100.

So show the judges that you know

how to do this.

You're the creme de la creme,

everyone.

Thank you.

Okay, good luck.

Thanks, everyone.

These aren't gonna fit my

girl anyway, but it's

inspiration.

My look's gonna be really '70s

blast from the past.

Billowy top with the long dirndl

skirt, which is the only skirt

women wore in the '70s.

And I'm opening it up in the

front, and the newness is gonna

have this little hot pant

underneath it.

I don't know an insane

amount about the '70s.

I never lived in that time,

so I'm really grasping for

design ideas.

My inspiration is my mom.

I have a picture of her from

the '70s, and she was

a secretary back then.

So I'm doing a sexy secretary

kind of look.

I was thinking of making

a really cool, fitted, tailored

jacket.

A little bit of like yves

Saint Laurent safari type of

thing.

I just kinda make it a little

bit more modern.

I'm really inspired by what

someone would wear in the '70s

to holiday in Jamaica.

It's super sexy.

There this ease to it.

That's exactly the kind of

feeling that I want to capture.

Show me what you have.

Okay.

Um, so I'm gonna have a huge

slit in the front.

So my '70s-inspired look is

going to be a maxi skirt with

a very fitted top.

I am a '70s glam kind of girl.

A lot of different things that

I wear is '70s.

Ow.

So this is totally me.

$100 is really not much.

Right?

It's gonna be tight.

Gimme more money!

I love to do separates.

I like to mix prints.

I love the layering look.

And I really am happy about

this challenge because I feel

like I can really show who I am

in a bigger way.

No one's paying any attention

to me.

Oh, yes!

Hi, Tim!

All right, designers, we're

ready to go off to Mood, aren't

we?

Excited?

All: Yeah.

I am too.

All right, designers, you have

your $100 budget.

You have 30 minutes to shop

and your time starts now.

Thank you.

My plan going into Mood is

to get a print.

A really colorful chiffon

print.

Aztec, geometric.

A print that embodied the

'70s, but didn't read '70s.

That's not really a print.

It's a plaid.

I like this one too.

No.

Okay, I'm gonna take this

one.

That's cool.

A lot of people are doing

those kind of muted, earthy

tones, and I found this Jersey

knit that is really vibrant,

but it still has the '70s feel.

Ten minutes, everybody.

This is too geometric.

I haven't really seen it yet.

When working with prints, you

just see it.

I pick up this one fabric, and

I'm like...

I want this instead of this.

Thank God, you know?

It's right there.

Yeah. One panel.

I'm happy.

Mood, it's as rushed as

always.

Same price?

And because I have no pockets,

I have my money in my top.

Are you gonna run downstairs?

Somewhere in between the

silk jersey...

And silk was downstairs.

And going to the linens...

[Bleep].

That's where my money

disappears.

Have you seen an envelope on the

ground somewhere?

I'll be right back.

I lost my money.

You lost your money?

Yeah.

Oh, Anya.

Designers, you have five minutes

remaining.

Has anybody seen an envelope

on the ground.

[Bleep].

Where did it go?

Even though I have scoured the

entire Mood where I know I was,

I cannot find my money anywhere.

Josh, did you see an envelope

anywhere?

Um, you lost your envelope?

Yeah.

What does it look like?

It's like in a manila

envelope, you know like those

tiny ones.

All the Mood employees are

starting to get frantic for me.

She dropped--lost her money.

Can you help her look for an

envelope that looks like this?

I'm in a mess without this

money.

Two minutes, everyone.

It's just a disaster.

All right, everyone.

Time is up.

[Sigh]

They're gonna let her check

out, right?

They--I mean--

I don't know.

At the beginning, they were

like if you lose your money,

that's it.

Anya?

Yes?

You can ask your other--

your fellow designers whether

they any leftover and whether

they'll give it to you.

Okay.

You can use muslin back at

the workroom.

But...That's it.

My heart drops.

I don't see how it's possible

I'm surviving this challenge

with those as my only options.

Coming up on Project

Runway...

How much money do you have?

11.

$11?

This is a competition, and

I wish I could help her,

but I can't.

It's so bad.

You're certain it's not in

your clothing.

Yeah, I mean, I--

You lost your money?

Yeah.

So...

Oh, God.

Find out who, if anyone, has

change leftover.

Okay.

And get what you can get.

Okay.

And use muslin

okay.

Okay?

Has everybody paid already?

I have like nine cents.

Okay.

Yeah, it's $100 budget.

Everyone's spent it.

Which is what you're supposed

to do.

Everyone else has paid except

Anthony Ryan.

I'm watching Anthony to see if

he has any change because this

is my last hope.

Here, I have this.

Okay.

You can get something.

Thanks.

How much money do you have?

11.

$11?

Whatever amount of this I can

get.

I pulled one piece of fabric,

then I throw in a zipper and

some buttons and that's what

I get.

You know what's ironic?

How incredibly generous you were

with everyone during the last

challenge.

Yeah.

You were giving away fabric

like you were making it.

I know, it felt like I'm mini

Mood.

You were a mini Mood.

Well, good karma's gonna come

back to you.

We're gonna do the same thing.

Anything we have.

Thanks, guys.

I'm sorry, I'm just upset.

Of course.

It's only natural.

This is another Project Runway

first.

This never happened.

It is.

I would be the first, and I

thought Bert would be, but--

I'm in a complete mess.

What the hell am I gonna do?

We'll make it work, right?

All: Yes.

Thank you, Mood!

All: Thank you, Mood!

Bye.

I have these two whites and

I'm not gonna use all of them,

but one's a cotton sateen

and this is another type of

cotton.

I'm not using this.

I don't know if it means

anything to you.

I know I'll definitely have

extra.

We could dye this.

This is all black, but this is

four yards.

My fellow designers are

definitely helping Anya.

They're offering scraps of

fabric.

Thanks.

This is sweet.

But this is a competition

and I wish I could help her,

but...I can't.

You did get something, Anya,

right?

Yeah, you did get something.

Yeah, I got this.

Thanks to Anthony Ryan.

Amazing.

Hi, everybody.

Anya's in the middle of a

"make it work" moment.

And I'm very moved by the

support you all are giving her.

They've been extremely sweet.

Just a couple of words about

this challenge.

Inspired by the sophisticated

'70s, but it's 2011, 2012.

This is Runway, so you need

wow and pizzazz.

At the same time, this needs

to go into production.

You have until 10:00 tonight,

and you have tomorrow, all

right?

All right, thank you.

You know you're good and I

feel like this is something

where you can do something

great.

[Sniffles]

It's a challenge where they

wanna see something dynamic

and fashion-forward.

Muslin is not any of those

things.

It's like cornflakes.

It tastes bland and really to

make it work takes magic.

So in this moment, like, I can't

imagine where that magic dust

is coming from.

Oh, my goodness.

How insane are these?

Bert, are these

'70s-inspired?

What am I like the history buff

all of a sudden?

Yes.

The History Channel.

These definitely are.

Yeah, those are.

I think I have a small advantage

over some of the other

designers.

Not so much because I lived this

time, but because of my

experience.

I have done this sort of

marketing before.

It was for a Halston catalog.

These?

Yeah, 'cause that's very

Rudolph Nureyev.

You all do know who Rudolph

Nureyev was.

Of course.

Look at those sequins.

You're going for it there.

I've got an idea.

The look I've chosen--it's a lot

of color.

When you're doing this type of

merchandise, you need to design

something that really catches

the consumer's eye.

It's gotta have something that

pops.

Tim's gonna say, "Bert, I said

'sophisticated.'"

That's the right size.

From Woodstock to the hippie

movement, there's just a really

type of ease from the '70s,

which is what I really like.

What were the armholes like?

I don't wanna get too easy,

'cause I really need to make it

modern in my own way.

What kind of top are you

doing?

Some type of blazer.

Oh, you are gonna do

a blazer.

Yeah.

I'm a little nervous because

the '70s that I'm familiar with

is definitely the glam, disco

'70s.

This color--like I love this.

And I could definitely go there

very easily, but I think the

challenge for me is to create

something marketable and can be

sold on Piperlime.

I'm lost right now.

Love it.

I really--I think I'm gonna

really want this outfit.

I am really excited about this

challenge.

I wear vintage all the time.

I'm wearing vintage right now.

I'm just gonna tell Meghan she

doesn't need to come.

I'm just gonna fit it to myself.

I didn't even see your fabrics.

What'd you get?

Oh, these?

Oh, love.

Oh, it's an hombre.

Uh-huh.

Josh--I can't trust him.

I think he's kinda squeezing

everybody else's ideas into his

work.

That will make a really hot

tank top.

I don't wanna be a part of

helping him anymore.

You know, I'm not driving you

no more, Miss Daisy.

You do it.

I know that the muslin is

the first step to figure out

"okay, can I actually make this

fabric work?"

'Cause if I can't, then I'm

in a mess.

So I know the only way to do

that is to use dye.

So I begin doing all these

different techniques, which I

don't even know what I'm doing.

How's it coming?

The last batch was like so...

Like, insipid.

You know?

So it's a little bit too

chocolate here, but I think

that's more what I want.

More what you want?

Yeah.

Anthony Ryan--I do not get

his fabric choices at all.

It looks like something from

the late '80s.

They're all going to the mall

or going to bury something in

the woods.

Do you like the print?

The print's a little clashy.

Really?

Using prints is always a risk.

People could love a print,

somebody could hate a print.

There could be memory tied with

a print that reminds them of

this or that, you know?

Print are so subjective.

Think about this like skin-tight

on my girl with her boobies.

Uh, I don't wanna picture

the boobies, but--

Yea-ah.

[Whispering] What is Kim doing?

[Whispering] Oh, my God.

Those are from JC Penney.

The fabric that Kim has chosen

for this challenge is not

current.

There's nothing that's really

popping about it.

Should we talk to her?

I don't think you should.

We made a pact.

I don't care if you're

friends.

We made a pact.

There are three girls left,

and we have made a pact together

that we will be honest when we

see something of our work

going off track.

At this point, it is what it is

and if she believes in it, she

believes in it.

If we tell her it's bad, then

she's not gonna believe in it.

At least she has last chance.

I feel like she has a vision

and whatever it is, she could

execute it.

Nine to five, really nine to

five.

Maybe that pact was not

a good idea.

I don't know.

I mean, I think the pact

probably wasn't a good idea,

because there also comes a point

where like we do need to start

worrying about ourselves.

And we can't all stay to

the end.

Yeah.

What's up, girls?

Hi.

Just gonna have little hot

pants over it.

See, see, see?

All right, don't make her

look like a disco queen.

Oh, she's gonna.

Studio 54.

Did you go?

God, yeah.

Really?

Did you see Diane Von

Furstenberg as much as they said

she was there?

All of those people.

Halston, Diana Ross, Liza

Minnelli.

Did you get your Halston

job there?

No.

Oh.

I got it in a balcony,

third row.

What?

Is that a dirty joke, Bert?

Could be.

It's kinda Chanel, but not.

You know what I mean?

Yeah, I had some more.

I love that.

I like your inverted pleat

here.

Why--why?

It's become popular.

Just taking a look around.

Josh is definitely copying

some of my elements.

He has the pleat in the back of

his shirt similar to mine.

You saw the back of it?

But did they do it because of

this?

You drew it first.

Yeah.

It kinda gets me a little

frustrated, but the more and

more I think about it, my pieces

are always stronger.

Whatever, I'm not--

you know what?

My [bleep] looks way ten times

better than that.

Like, you can copy me all you

want, girl, it ain't gonna be

the same, okay?

Like really?

Coming up on Project

Runway...

This is the top thus far.

I don't know where in there

he sees '70s.

Bert is making Roller Barbie.

Don't understand it.

Doesn't look like a paper bag

waist.

It looks like a hefty bag waist.

How's it coming, Anya?

Yeah, it's coming.

Good morning, everyone.

Uh-oh.

Uh-oh.

Just give it to us.

That face.

Designers, for this

challenge, you will have be

creating a second look that

consists of one piece.

It cannot be separate.

You will have a budget of $50,

and you'll have 15 minutes to

sketch...

And 15 minutes at Mood.

All right?

Whippin' out a second garment

and on this really tight budget,

it definitely adds a lot more

pressure for us.

Okay, thank you, everyone.

Thank you, Tim.

So we have $50 to make

a new look, and that's really

not a lot of money.

I'm not good at not spending

money.

So I am really having to think

this one out.

I'm gonna continue working

on getting this done right now.

In the time that I should be

sketching, I'm actually just

finishing up my first look and

thinking about what I'm gonna do

but nothing has really hit me

just yet.

I'm gonna make a jumpsuit.

It feels a little overwhelming

because I've already kinda

battled through one day of

emotional sort of [sigh].

$50.

I guess it's not so little.

I just--I'm exhausted.

For my second look, I really,

really like what's coming into

my head.

It's a short little mini dress,

I just need to find the right

fabric.

I'm so like pinning my swatch

to my shirt so I don't lose it.

You know, that's what I

should do.

Pin your money to your shirt.

That's a good idea actually.

All right, designers.

Let's head out to Mood.

Okay?

Let's go.

Anya, don't lose that money.

My second look is gonna be

a really tight mini dress with

beautiful chiffon sleeves.

How much is this one here?

I find that interesting, bright

print.

I'm excited to work with it.

I remember this fabric way in

the back with these burned-out

chevrons on it.

It's expensive so I can't get

any extra.

Let me get three quarters.

Of a yard?

Yes.

Can I just get half a yard?

Sure.

The silk chiffon and silk

organza--what's the general

width difference?

I am picking up as many yards

as I can afford of silk

charmeuse...

Cut wide so I can

get more for my money.

Well, wait a minute.

If it's 14, that's $30.

This is 60 inches, so for

two and one--

Is it round or--

It's round, yeah.

Designers, you have two

minutes remaining, everyone.

In two minutes, you need to be

at the counter checking out.

I need to edit.

No crystals.

Okay, um, these.

And then what's back there that

I can get?

All right, everyone's time

is up now.

No more shopping.

Thank you so much.

You're all set.

All right, everyone, let's

head back to Parsons, all right?

Thank you, Mood.

Thank you.

I have quite a bit of work

on both garments.

I have a lot of pleating and

finish on the top from the first

look, and then I basically have

to sew the second look all

together.

It's scary.

Hi, everybody.

Hey, how are you?

I'm just gonna check in with

you, all right?

Anthony Ryan.

Hey, Tim.

How are you doing?

Good.

Update me please.

Yes!

And what I was thinking was

doing a--not a mini, but

something that proportionally

hit about here.

You don't like the idea of a

skirt?

Uh, no.

I think it's gonna make her look

too old.

Old?

I totally get what Tim's

saying.

So to make it a little bit more

youthful, I'm really considering

shortening it.

For my second piece, I've been

thinking about making a maxi,

'cause I just like what a maxi

does.

Is anyone else making a maxi?

I mean, Anya's is kinda of

maxi-ish.

Yeah, but it's pants.

Right.

And Laura has a maxi skirt.

Skirt.

As far as I'm concerned,

it's a void among all of you.

And if you have enough fabric,

go for it.

It's gonna be one of those

make it break it moments, but

it's gonna be worth it.

So I wanna hear what you're

doing.

A paper bag waist pant.

Right now, it has a lot more

allowance.

I'm so glad to hear you say

that because it's not a--it

doesn't look like a paper bag

waist.

It looks like a hefty bag waist.

Right.

So what is the second look?

It's a jumpsuit, because I

think jumpsuits were so into

really the '70s.

And they're very on trend.

Great.

Thank you.

Thank you, Tim.

How is Bert?

Bert's good.

Good.

Getting this little thing

together.

Bert is making Roller Barbie

for the '70s.

Don't understand it, again,

again.

I mean, it's a very serious

'70s moment.

Mm-hmm.

The judges can be enraptured

by this, or they can say you

didn't pull it out of the '70s.

It looks vintage.

What is your second look?

I thought of sort of a skimp

type look...

Mm-hmm.

And possibly do like the

bronze in the back in this

platinum in the front.

How's Kimberly?

Well, I think I've made

a switch, turning this into

a jumper so it's like how a vest

and a pant would look together,

but it's a jumper, so this would

be really fitted.

I love the idea.

So are you working on the second

look?

Yes, well, I did a little

bit shorter in the front,

so I was thinking about doing it

with a mini so just see just

a smidgeon of skin here.

I mean, you're--this is

an old fart responding to you.

Mm-hmm.

When you see that bare

midriff, for me that is the sex

element.

Mm-hmm.

So if it's a mini--

I really wanted a maxi,

but I didn't get enough fabric.

Well, I mean, you can do

whatever you want.

I just think if you've got sex

on the bottom and the bare

midriff--

That's why I'm thinking maybe

pencil skirt.

Do it, Kimberly.

I always love when you come

over, thank you.

Thank you!

Hey, Viktor.

Hi, Tim, how are you?

I'm good, you've made a lot

of progress.

Are you still going with the

safari look?

Yeah, like, I think I still

wanna put this pocket here.

I'm still, you know, working on

it.

From where I stand, the more

of the safari construction

elements you can get into this

the better off you are.

Otherwise, it's--frankly, it's

just a pretty jacket.

Okay.

Tim gives me advice to make it

more safari.

I do agree with him.

If I'm gonna go there, just go

there and be loud.

All right so then what is

your second look?

Flare pants mimicking the

suiting kinda thing.

Mm-hmm.

All right, Viktor, move forward.

All right.

Thank you.

Joshua.

Hi, Tim.

This is the top thus far.

It's still on its way.

I have a cuff coming with, you

know, a little slit.

Joshua's looks--it's hot

pink, the pants are just

strange.

I don't know where he sees '70s.

And then you know my new look

is going to be--

Yeah, what is the new look?

A tight mini with like a

really great sleeve.

I want to play on this idea of

the masculine and feminine

and kind of the androgyny of

that time.

Can I tell you this though?

Be careful of the narrative

because...

You can really spin

a tale.

You do it well...

Thank you.

But the clothes need to speak

for themselves.

Hi, Laura.

Hi, Tim!

So...

You're making progress.

Yeah!

I think Laura's dress was

just God-awful I thought.

That stripe and that horrible

print just made no sense.

For my second look, I'm going

to do a very wearable jumpsuit.

And so the bottom pants will

stay this black chiffon,

obviously lined.

And then this will be actually

the top of it.

So it'd be like that.

I--here's what I'm thinking.

That this seems to want to be

designed differently.

Okay.

And I will tell you this.

And I'm not saying this either

to be mean or to hurt your

feelings, I'm just being very

matter-of-fact about it.

Nina has this thing about you

and she has her radar up when

she sees your work.

I know.

I just want you to know that

she gets bristly about your

taste level.

At this point, I do feel like

I have a lot to overcome with

pleasing Nina.

Because if Nina says no,

there's no way I can push past

that.

Coming up on Project

Runway...

[Bleep].

I'm in scramble mode right

now.

I'm calling time.

Aye aye aye.

I would like for one time to be

finished.

Well, I apparently found out

in my critique that Nina hates

me, and that's why I didn't win

last challenge.

Tim has let me know that when

my look comes on the runway,

that Nina's radar goes up.

"She like questions your taste."

And I'm like "my ta--like what?"

I've just never heard that one

'cause I think my style is

sometimes maybe too refined.

Am I concerned about, you know,

my brand pleasing Nina?

No.

But in this competition, is it

about pleasing Nina?

Unfortunately, yeah.

Boo!

Hey.

Mister, I missed you!

How are you?

Good, how are you?

I have nothing for you to

try on.

Come on.

He does that, but like it

always ends up being okay.

Yeah, I always whip something

out.

Yeah, I think this fabric,

black band.

Yeah.

I feel like I'm Charlie's

Angels.

Yeah.

I gotta get working on your

dress.

Oh.

Bye, ladies.

Nice meeting you, Kenzie.

Bye.

Okay, we've got four--5 1/2

hours to do about two day's

work, guys.

Let's get crackin'.

Fashion is my food.

Bert, do you have that Turner

thing?

Oh, here it is.

Just like hook this into it?

Yeah, like you're putting

a you-know-what on.

Bert, you are so--

A sock.

A sock, oh.

Pantyhose.

You are so intense.

I was thinking about doing

the dress in either the solid

or the print, and then the

sleeves.

I look at Anya, and she is the

girl I want to dress.

It's so cute.

I'm asking what her opinion

is and would she wear this,

and she said she would buy

every single piece.

So I know that I'm in the right

direction.

Is that how big it is?

I'm gonna cut it 'cause it's

like way too wide.

I'm making these wide-leg pants

that are super simple, and I cut

the fabric way too wide.

So they look like I'm making

pants for a 500-pound woman.

I'm just really frustrated with

myself that I've done this.

How are you doing on time?

I didn't fit the second look

at all.

Yeah, me, at all.

What are you putting her in,

the mini dress or the pants?

No, I mean, I'm making like

I'm actually gonna do a really

full maxi.

Oh, okay.

So I decided to switch the

way I'm going to do my second

look.

Basically it's a maxi dress

because I know that it's

something that I can make within

the time left for this

challenge.

You all ready to roll?

Whoo!

Long morning in the a.m.

Come on, Anya.

Let's go.

Turn the lights out on you.

All right, guys, let's hit it.

Oh, my God, the clothes are.

Still here

Oh, my God, they're not

finished

I was expecting like some little

munchkin to come in here and

finish 'em.

All right, where's my list?

What do we have to do?

Good morning, everybody,

how are you?

You have two hours to send your

models to the L'Oreal Paris

makeup room and the Garnier

hair studio.

This is the Piperlime challenge.

There's the Piperlime wall.

Use it very thoughtfully.

Cool.

All right, everyone, I'll see

you later.

Thank you.

Bye, Tim.

Hi, girls.

Hello!

There's a lot of finishing

work that I need to complete

on this like blazer vest jacket

thing that I'm doing.

But I feel okay, you know.

I know I'll be running like

the rest of them.

[Bleep].

[Bleep].

I keep [bleep] sewing this

[bleep] thing till it's out.

When the models arrived for

their final fitting, I still

have so much work to do.

I just have them stand and wait

for me while I'm working in the

sewing room.

And that's really nerve-wracking

for me.

[Bleep].

Good to see you.

She's gonna be Shelley Hack

and I want her hair to have some

texture.

I want a fro.

You know, like define that look

and like frizzy, but that modern

fro.

Yeah, yeah, okay.

For Bojana, I wanna do big

bouncy curls.

You know, '70s--big bouncy.

This time, we're gonna do

low ponytail for both of them

with a little bump-it.

Cute.

Yeah, right?

Super cute.

Hi.

So I wanna do sort of the

opposite of each other, so the

lip is the emphasis here,

and then with Thais, I would

love like a smokey eye, but with

plums.

I wanna keep her really

clean, maybe nude her lip out,

give her some gloss.

Pretty much the focus is the

color in her cheeks.

Do maybe like a sun-kissed

face, and just maybe like a--

Let's just do sun-kissed.

Thank you.

I think I have to cut the

waistband.

The waistband is too small.

I cut it for her natural waist

and not for her low waist.

So I'm in scramble mode right

now.

You know what I'm about to

do.

I know, but I have--

Designers, in ten minutes,

you and your models and I are

going down to the runway.

And one of you is still in the

sewing room.

Thank you.

Hold on, get your belt.

Get the tie belt.

It's fabulous, and that's it.

You look so hot!

A little bit, huh?

Perfect.

I rush out of the sewing room

with about two minutes to spare.

Kenzie, off, off, off, off.

Clothes off, off.

Yes, yes, yes.

And I have to hand-sew her in

without a zipper.

[Bleep] So pissed.

It's okay, it's gonna look

great.

Anya.

I know, I know, I know.

I'm calling time.

When Tim comes and calls

time, and I'm still sewing,

I stopped breathing.

Aye, aye, aye.

Falling piece of clothing.

All right, designers.

Good, bad, or indifferent, we

are going down the runway right

now, all right?

Everyone, follow me please.

It's just been a roller

coaster for me.

I would like for one time to be

finished when it's time to go

to the runway.

I don't wanna go home.

Kimberly.

You're the last.

Coming up on Project

Runway...

I would not wanna be any of

those girls.

It's over the top.

It looks horr-en-dous.

Ahh!

Hello!

All: Hi.

Welcome to the runway.

As you know, in fashion, one day

you're in, and the next day

you're out.

There are seven of you here,

and after tonight, there will be

six.

For this challenge, we asked you

to create separates with a

modern take on the sophisticated

'70s.

And then we gave you a little

twist.

We asked you to create another

one-piece look.

The winning look will be

produced and sold on

Piperlime.com.

We gave you two days and $150

to put your looks together.

Okay, let's meet the judges.

First, we have CFDA lifetime

achievement award winner

Michael Kors.

Hi, everyone.

Fashion director for Marie

Claire magazine, Nina Garcia.

Hi, everyone.

And joining us today,

Piperlime guest editor

Olivia Palermo.

Welcome.

Hello.

Thank you.

We will score your designs

as they come down the runway.

One of you will be named the

winner, and one of you will be

out.

Okay, let's start the show.

I am very pleased.

The circle top is flattering

because it's just loose and

flowy.

Every woman looks good in a

pencil skirt, so that works.

I love it, so I'm pretty

satisfied.

Yes, Bojana, give it.

The jumper, I think, is fresh

and modern.

It's the vest and the pant

together, so I think that's

a very fresh, new idea.

I think it's great.

I am loving what I've done

with the first look.

It's three pieces, they're very

interchangeable.

It is casual, but it looks like

the trendy girl walking down

the street anywhere.

My second look, for Carla,

wasn't necessarily my favorite,

but I actually didn't mind it.

It was definitely more of that

dressier look, but on a casual

end.

So I felt good about the way

they look and the overall vibe

that they're giving.

It's wonderful seeing Alyssa

walk down the runway.

She looks amazing.

They look young and fresh.

It's beautiful.

And they look great on her.

It looks perfect.

But it's a lot more skin than

I expected to see.

Get some booty on that one.

The second look, which is for

Kerstin, she looks great in this

dress.

Had a very Grecian look to it.

It looks absolutely awesome on

her.

It looks cute and young in

today, but also very reminiscent

of the '70s.

I am completely excited.

I'm proud of the chevron top

because I mitered all the

chevrons together.

And the top and skirt fit

Meghan beautifully.

It's very vibrant and it's got

a little bit of the '70s to it

but modern.

Hannah has never looked better.

The gold necklace that I've

chosen for the black jumper

definitely finishes off and

both of my looks are beautiful,

they're current.

Any girl would want to wear them

and they're still reminiscent

of the '70s.

I love what Sonia is wearing.

It's a very masculine look.

It's a tailored pant with

a men's tuxedo shirt.

It's kind of oversized, but it

has a great high fashion feel

to it and sex appeal to it.

My second look--it's a really

beautiful sexy dress.

I think it's quite strong,

and it corresponds to the '70s

because of the length.

I'm confident at the moment

that I've done my best, so I'm

really, really, really happy.

The first look is the one

that's made for $11 and

considering that, it's okay.

But the pants are too short,

and it looks unfinished,

and the color that I dyed them

is like so-so.

$11.50.

The second look, I think, looks

gorgeous.

I'm really, really, really happy

with it.

It's a very '70s-inspired, but

with a sleek, modern edge to it

so that it's current but still

referencing this era.

Work.

I'm watching Erika come out,

and she looks amazing.

I mean, she looks very

statuesque.

The jacket looks very well done

and tailored.

The pants look stunning.

I just wish I could've seen

the shirt a little bit more.

But it looks really good at the

same time.

Karin is also amazing.

She looks stunning, she looks

rich.

It's a classic cut from the '70s

but I just made it more modern.

And the print is phenomenal.

I'm very excited.

I think it looks really, really

good, and it makes me feel

really good about myself.

The '70s are back.

If I call your name, please

step forward.

Kimberly.

Kimberly, congratulations.

Your scores have qualified you

to move on to the next

challenge.

You can leave the runway.

Thank you.

Good going.

The remaining designers have

highest and the lowest scores.

One of you will be named the

winner, and one of you will be

out.

Okay, Laura, tell us about

your looks.

I love color and prints,

so I wanted a really easy knit

to make a full maxi skirt

that was just wearable and that

also read well online.

And then I wanted to do

something really graphic on top

so I made these chevrons.

The second look, just made this

really easy, wearable jumper

that I thought would flatter

a lot of silhouettes.

The black pant and the top,

I thought that that was quite

nice.

I just don't really love those

two prints together.

They don't look good in my eye.

The top looks like she's

wearing a prison uniform,

and then this long, flowery,

weird print--I don't understand

how you got to this.

Now, you're other look, you have

the problem that if I were

shopping online, this probably

won't read as anything.

I definitely agree with the

both of you about the print.

I don't think that either one of

the prints go together at all.

The maxi skirt you can find

anywhere.

And then the top, I can

appreciate you trying to do

something different in the back,

but again, it just does not

work.

I don't think that they look

like fashion.

They just look like clothes.

They don't look like what's

next.

Would you wear this?

Yes.

You would wear it.

I definitely would.

Viktor.

When I was a kid, I used to

own a safari jacket from the

'70s.

So I kinda wanted to make

something like that, but just

a little more modern.

So I started with this fabric

and this jacket, and I love the

fabric--the print--so much that

I extended that fabric into a

T-shirt.

I think you did two great

looks.

I wish that the suit, though,

was a little sexier.

The T-shirt is k*lling the

sex that tailoring in the '70s

would've had.

It's almost making her look

a little career matron.

Let's have a look at it.

Oh, yeah.

I like that T-shirt.

It's really cute.

With nothing, she would've

looked hot.

And of course I love that you're

matching.

You happen to have a snakeskin

short in your closet.

With a bowtie.

Every guy has a snakeskin

bowtie.

It's really, really well done.

Thank you.

Beautiful tailoring.

A little conservative.

I agree.

I love the T-shirt.

I think it's great.

It's hip, it's cool.

Thank you.

And I love the dress.

And I'm very impressed that you

managed to make all of this

and make it look expensive for

so little money.

Thank you.

I think the pants are great.

They're really sexy pants,

and I think they're versatile.

I do love the T-shirt, I just

think for something else.

It is unreal what you can do

in a short amount of time.

Very impressive.

Thank you.

Joshua.

I just kind of wanted to

go with this very masculine

first look.

And then pulling the second look

into it, it's just this idea of

masculine and femininity,

and the freedom and the joy of

the '70s.

Well, I think you've got real

schizophrenia between the two

outfits.

Okay.

The plaid pants would be

against every fashion law of

nature in any decade.

Let's see the butt.

Turn around.

Ahh!

You love to go over the top,

and boy, this outfit's over the

top...

And truly has none of the

easiness of the '70s.

Is that even the '70s, these

pants?

No, they're 1870 in France.

I got the wrong '70s then.

Yeah.



That's it.

Well, he didn't clarify 1970.

Sorry.

I have to say this outfit

is one of the worst outfits

I have seen in a long time.

There are just so many things

going on in this look, that it's

just really sore to the eyes.

I just don't understand how you

can put all these things in one

outfit.

'Cause that's who I am.

I know, that's scary though.

It's not scary.

It's the idea that this could be

on a runway and be sold right

off of her.

A lot of these still need work,

and we have sufficient amount of

time to be making clothing of

this quality, and it's not

happening.

So as bad--as off the mark as

it is, I really put heart and

soul into each piece that I

make.

I love that you believe 100%

in yourself.

The problem is, though, if it

doesn't resonate to the outside

world, it's not gonna do you

any good if you just live in

your own bubble and you think

it's fabulous, fabulous, even

if it doesn't work.

To match leopard and then

you have a table-cloth-looking

pair of pants, there's no

consistency whatsoever.

You have ideas that need to be

confined.

For the second dress, I would've

chose another fabric.

I would've maybe added a

chiffon, a tie to it...

And richen it a little bit.

I personally think the choice

of fabric is horr-en-dous.

In Mood, where you have every

fabric imaginable, that you

chose this one is tragic.

[Scoffs]

However, you do take risk

and I appreciate that.

But you have an edit problem

that is not going away.

Anya, tell us about your

looks.

We were given $100 to shop

for fabrics, and I lost my

money.

And so I got $11 from Anthony

Ryan.

That's this look, and then the

second one--what I love about

the '70s, the jumpers, and I

love that jumpers now are back

in style because I just think

they're the easiest way to be

stylish without being

uncomfortable.

So with $11, you made the

pants.

And what is the top?

Muslin.

Wow, so that look costs $11.

$11.50.

That is pretty impressive.

I did like the print of your

um, jumpsuit.

I like that it's sheer in the

back.

Makes it very sexy.

The top--it's like the color

of dentyne chewed gum on the

bottom of your seat or

something.

But I like the work in the back

of the top very much.

It's '70s without it looking

full-on costume.

I love the chiffon in the back.

I think it's really, really

well done.

Thank you.

I love the print you chose.

It looks expensive, the colors

are good.

It feels very spirited, it feels

like a vacation.

I get it.

I think that shopping online,

it will photograph really

nicely.

Great.

Anthony Ryan.

What I really took from the

'70s was the music, the weed

smoking, the freedom of how

the air was.

So for the first look, I made

the skirt a shorter skirt.

It's very easy, but it's very

layered, and it's very much me.

The second one, I just did

a really easy maxi dress.

To me, it look incomplete.

I mean, that shirt needs to have

sleeves to be able to wear it.

And I think that the pattern

on top of the other one does not

work.

Why didn't you do a skort or

a really chic wide-leg pair of

shorts?

And then the other dress looks

a tent.

It's not my favorite.

It feels very hippy dippy, but

not in a good way.

The layering is not working.

I don't like the length of the

skirt, I don't like the length

of the vest with the blouse.

It doesn't have a Lux feeling to

it.

Okay.

I like the fact that you

went to a whole different, very

early '70s, granola, pass the

pipe kind of girl.

Right.

And can I see the skirt?

[Gasp]

Oh, no.

Oh.

It's too much.

To me, they look like two

boring girls.

I don't think that they look

cool, hip--that has like no sex

appeal.

It's just like we call it

schmattas.

Put on your schmatta, you hide

everything.

I would not want to be any of

those girls.

I agree with you, Heidi.

I think they look like two

boring girls that are part of

a cult.

They do.

They're hippy sister wives.

Okay.

Okay, Bert, Alyssa's wearing

my first look.

I went for Charlie--

the Shelley Hack image that I

remember.

My second look--my inspiration

for this was like Ali McGraw,

Candace Bergen, more minimal.

Your first look.

Mm-hmm.

I do like this fabric

actually a lot.

I was wondering why you made

these shorts so super short.

I just wanted to give like a

cute, sorta jean cut.

But I don't mind it, I have

to say.

I also like this little dress.

It looks like an expensive

little dress.

I like that it has the different

color on the back.

Mm-hm.

It's very simple but it's quite

nice.

It looks very elegant.

I like the blouse in this

metallic chiffon because women

love to show their shoulders.

Mm-hm.

I like the asymmetry in it--

I think it's great.

I like that you took two sides

of the '70s.

One is the streamlined side and

one is the full glamarama side.

So I think that was really well

done.

Thank you.

You know, I would buy that

top and I would wear it with

something else.

In terms of the other look, it's

really beautiful.

I--it's very simple, but there's

beauty and simplicity, I always

say that.

I really, really like that one.

Thank you.

I love your first look.

It's beautiful.

I think it's great for, you

know, if a girl wants to wear

flats during the day--very sexy,

during summer--even to the beach

and that's lovely.

I think the second look, I do

like the belt details with the

knots at the end.

The silver really picks up well,

um, and I do like that it's

neutral.

Thank you.

Okay, so we've heard what you

had to say.

We have a lot to talk about.

And then I call you back out.

You can leave the runway.

Thank you.

Thank you.

We're all here.

Oh, my God.

Okay, spill it.

Just missed the mark.

Of the '70s or the--just

everything?

You know, if this was a

challenge that I had time to do

research on, I would have blown

it out of the water.

But I didn't live through

the '70s.

I was barely born in the '80s.

I'm pulling from my butt here.

I was born 1980, but I still

watched movies and saw

references.

And I know what's '70s and

what's not.

I think that's really not

the case.

'Cause I was never born in the

'70s.

But you're making the

assumption that everyone was

grown-up like you.

Well I mean I came from a--

Do you know what I'm saying?

So--but no, you're trying--

trying--you're trying to get

aggressive by telling me that--

No.

I should know these movies.

I think Viktor's point was

just that, a lot of us have not

grown up in a certain era.

Like say if they give us any

decade of a challenge, it's just

a part of being a fashion

designer to just know fashion

history.

I'm--I don't think he meant--

I think that's the point.

I mean, now, we have to know

these things.

Let's start with Joshua.

What was he thinking?

Ugh.

The guy has a point of view

which is definitely not about

editing and simplicity.

There was such a fit problem

like you said it looked terrible

from the front, even worse from

the back.

It's just...

And then the leopard,

the leopard.

That's the other thing.

It's...

No, the--the acid colored

leopard.

There's nothing wrong with

animal print...

I love leopard, but--

Acid colored animal print is

a problem.

I think he's hit and miss.

He needs someone to edit for

him.

Yes.

That's the thing.

The other thing is to take

criticism because if you're in

an editor's meeting or with the

buyer, anyone else...

I know he gets like,

[inhales deeply]

Not too great at it.

He's that steaming--I see

smoke coming out of his nose.

It's like, "you're stupid.

Every girl is gonna want those

plaid pants that make her a*s

look that long."

She will not be getting

laid with those pants.

[Laughter]

Anthony Ryan.

Ooh.

I don't know what went wrong

here this week.

Everything.

His clothes to me looked so

blah.

It looked like they were part

of the Charles Manson Cult or

something.

It was just bad.

The mix of prints was

terrible.

It's not just about how it

is in person, it's about how it

photographs.

Because for Piperlime, if I'm

shopping, you wanna able to see

that it's photographed well to

fly it--

Yeah.

You want it--that standout

piece.

Yeah, without scaring people.

Yeah.

We also didn't care for

Laura.

Oh.

Ecch.

Out of all the--

How can you put these two

prints together and think that

that looks really good.

And it's looks cheap.

The stripes.

Any other woman who's not a

model that's gonna put that on,

it's not going to be flattering

at all.

Talk about schizophrenic,

we've got the ugly print skirt

with the prison striped halter

top, and then I go the other

extreme and it's like taking

three slipping pills.

Yeah, how is this going to

look online?

I mean...

Yeah, it would not read very

well.

One would scare you and one

would put you to sleep.

All right.

Let's move on to the designers

that we did like.

We liked Anya.

I'm quite impressed with her,

I have to say.

She has a good taste and she can

really pick beautiful prints.

I liked that printed pant.

I think it was really cool--

I liked the print itself very

much.

It was cool.

The jumpsuit is a home run

garment here.

Oh yeah, I would wear it.

I would love to wear that

too.

Its quiet but it's a show

stopper at the same time.

And it was sexy.

When you wear a halter top

that's plunged all the way to

the waist, if it's not cut

the right way...

Forget it.

I mean, you're topless at

dinner.

This was cut in such a way that

in fact I think its wearable.

The girl is smart, thinks

quickly on her feet, and solves

the problem.

She didn't have the money, she

figured it out, how to dye that

and make that happen--

Granted, the color of that

top.

Okay, but she did something.

She did something.

She will just get it resolved

and done.

And for a designer you have

to be quick and you have to

think on your feet.

And look, we all would wanna

have this jumpsuit.

Because it is that pretty.

I'm gonna get one too.

[Laughter]

Bert also did a very nice

job.

Even the crazy transparent

outfit.

The top in itself is a top that

you could wear with jeans.

That will photograph

phenomenal.

It's true, it'll take

a great picture.

I mean, it--it will take a

great picture.

No problem.

Yeah.

And that silk jersey dress,

could be any length, any color.

Any color will work.

And we would then all wanna

have it.

And I think the silver ends

on the belt really enriched

the--the look.

Looks expensive.

Yeah, it made it look

expensive.

He was this close on making

both perfect.

Yeah.

Yeah.

Viktor, yet again did

an amazing job.

Viktor sneaked in here.

Yup.

Little by little.

Creeping to, maybe Fashion

Week.

Yeah, unbelievable.

I have to say I like that

T-shirt.

I love the T-shirt.

Yeah, I love it too.

Every piece he made is great.

Yes.

You love the T-shirt with the

pants alone?

I think everyone here.

Do you like the jacket without

the top?

Sure, in a heart beat.

Yeah.

If could mix all of this

together, I think he saw two

sides of the '70s and neither

looks like a costume.

You know they're very

sophisticated.

I like what he did--how he

cinched the belt and then left

the big pockets on the outside

of that jacket.

I love how he manipulated

the snake print.

Snake skin can look cheap.

It didn't look cheap at all.

Yeah, he picked a very

beautiful print.

Yeah.

It looked just right.

So we've made our decision?

Let's bring them back out.

The six of you represent

the best and the worst.

One of you will be named the

winner...

And one of you...

Will be out.

One of you will be named the

winner...

And one of you will be out.

This was a really hard decision

for us today.

You are all talented and we're

at the point in the competition

where you must bring your

absolute best to every

challenge.

Anya, you are the winner of this

challenge.

[Gasps] Oh, my God.

Thank you.

Your jumpsuit will be

produced and sold exclusively on

Piperlime.com.

Oh, my God.

Thank you so much.

Congratulations.

You're in, you can leave

the runway.

Thank you.

[Kisses]

I feel great about the win.

I went from having lost money,

crying...

You--you're the winner?

[Giggle] Yes.

Wooh-hoo-hoo.

I can't believe it.

It was a huge roller-coaster of

an experience.

Oh, my God.

I'm so happy.

I had a total beauty queen

moment.

I went--[Gasps].

[Laughs]

Bert, Olivia has something

that she wants to say to you.

Bert, we loved your dress and

we would also like to produce it

and sell it on Piperlime.com.

Thank you so much.

You're in...

Thank you, good luck, guys.

You can leave the runway.

Viktor, good job today.

You're in.

You can leave the runway.

Thank you, thank you.

Laura, you're in.

But you really missed the mark.

You can leave the runway.

Thank you.

Joshua.

Anthony Ryan.

One of you will be out.

Anthony Ryan, your dress was

a shapeless tent and your

separates were unattractive.

Joshua, your looks were

over-designed as usual and

neither of your looks gave us

a modern take of the '70s.

Joshua...

You're in.

You can leave the runway.

[Muffled chatter]

Anthony Ryan, we really enjoyed

having you here.

Me too.

You're a great designer.

But I'm sorry, you're out.

Auf wiedersehen.

Thank you all.

He was cute.

It must be you.

Yeah.

I wanna cry.

Why?

Because I'm gonna miss you.

I feel really good about my

time here.

I definitely didn't expect to be

so close to certain individuals

on the show.

I thought we would never

share that spot.

I know.

I don't really think--I got

to do my best work on here.

But my voice was heard.

We all wanna make it to the top

three.

But we all don't.

[Sobs]

[Crying]

Aw...

I want to assert something.

With the seven of you here, this

is the Project Runway Olympics.

You're excellent designers.

You know how to execute your

work beautifully, and I hate to

say this guys, it's gonna be

like this from now until

the end.

Someone's going home, and it's

an excellent designer.

I just hope you feel as proud of

yourself as I feel of--

Oh yeah.

Of you.

We're gonna miss you.

I know, I'll miss you too.



It's hard.

I know.

So I have to send you to the

workroom to clean up your space.

Okay.

This is just a bump on the road

for me.

First and foremost, I love

fashion.

'Cause that's what got me

through a hard time.

We love you.

All right, Tim.

And we're gonna continue to do

it.

This is not gonna stop me.

In the end, you're not first,

but you're not last, it's how

you take that middle ground and

run with it.

Next time on

Project Runway...

These birds will serve as the

inspiration for a runway look.

Parrot: Hello.

[Owl hoots]

Birds?

You're competing head to

head.

It's against each other.

What is it?

[Screams]

You need to ditch it.

Yeah, it's over for that

dress.

How's she gonna get in it?

Good question.

You've only sewn for four

months, and it shows.

What happened?

Viktor.

You've got the talent.

You've just got to hold it in.

This is a very disappointing

look.

to learn more about the

fashion you've seen on tonight's

show.