07x18 - The New Arnold's

[bunniefuu]

♪ Sunday, Monday, happy days ♪

♪ Tuesday, Wednesday, happy days ♪

♪ Thursday, Friday, happy days ♪

♪ The weekend comes, my cycle hums ♪

♪ Ready to race to you ♪

♪ These days are ours ♪

- ♪ Happy and free ♪
- ♪ Oh, happy days ♪

♪ These days are ours ♪

- ♪ Share them with me ♪
- ♪ Oh, baby ♪

♪ Good-bye, gray sky, hello, blue ♪

♪ There's nothing can hold me when I hold you ♪

♪ It feels so right it can't be wrong ♪

♪ Rocking and rolling all week long ♪

[organ solo plays over rhythmic hand claps]

♪ Sunday, Monday, happy days ♪

♪ Tuesday, Wednesday, happy days ♪

♪ Thursday, Friday, happy days ♪

♪ Saturday, what a day ♪

♪ Groovin' all week with you ♪

♪ These days are ours ♪

- ♪ Share them with me ♪
- ♪ Oh, happy days ♪

♪ These days are ours ♪

- ♪ Happy and free ♪
- ♪ Oh, baby ♪

♪ These happy days are yours and mine ♪

♪ These happy days are yours ♪

♪ And mine, Happy Days! ♪

Will you explain this, please?

Well, I'm just trying, you know,
my best to make do with it.

Three, I need three burgers for the gray Chevy.

Hi, Mr. C.

With fries or without?

One with, two without.

I gotcha.

What is going on here?

Quiet, Howard, I'm on a roll here.

Marion, will you please tell me why there
are two people necking in my car?

They're probably...

In love.

At least.

Howard, I'm trying to help Arthur and Al.

We don't want these kids to go to the competition, do you?

No, but I don't want them here either.

What happened to the music?

All right, who's the drip?

Oh, hi, Dad.

All right, everybody, it's time to leave.

Man works hard all day long, does not want to
come home to hear bebop-a-rebop-a-bim-bam-boom.

Out.

Come on, everybody, he's past cranking,
fast on his way to outrage.

Come on.

Come on, everybody, go on home.

Go on and meet your parents.

Maybe you'll get to like them.

It's okay, Howard, you can have our table.

We were just leaving.

It's not a great table, it's right by the kitchen.

Hey, Fonz.

Fonz!

How you doing?

How's the new Arnold's coming?

Yeah.

New Arnold's is going to put the old one to shame.

Still going to call it Arnold's, huh?

No, we thought we'd call it Herbert.

After my uncle?

No, I'm just surprised you're still calling it Arnold's.

I figured you'd name it after yourself.

Well, see you, folks.

See you.

Thanks again.

Bye, Fonz.

Name it after myself.

What do you think of that idea?

I think that's just wonderful.

Arthur's.

No, Marion, I think the boy's meant to call it Fonzie's.

Oh, yes, of course, of course.

You know, that's a sound business idea.

Use the name that excites the crowd.

Oh, I can dig it.

My name up in neon.

My eyes flashing on and off.

Fonzie burgers, Fonzie shakes, Fonzie ba*ls.

Oh, are you going to do it?

Hey, put your bottom down.

I'm going to order the sign right now.

Are you going to tell Al?

No, he's been nervous lately.

I think I'm going to save it for him.

Give him a nice little surprise, you know?

He's so thoughtful.

But you went out to lunch two hours ago.

You should be back to work right now.

Oh, yeah, I heard.

Look at that.

We got nothing but walls, we got no
plumbing, we got no wiring.

Hey, hey, hey, that goes for you guys.

Come on, hit that job.

Al, Al, take it easy, will you?

I heard that, too.

Al, you're yelling at men with hammers.

Don't worry, they won't hit me.

They're too busy eating.

Look, you're letting the pressure get to you.

Here, sit down.

Come on, Al, sit down.

And finish your sandwich, all right?

I don't know, Rich.

I just haven't been myself lately.

But this morning, I put my
underwear on over my... My pants.

Did anyone see you?

I hope not.

Oh.

You know, ever since the old Arnold's
burned down, I just haven't been myself.

I've been nervous.

I've been uptight.

But as soon as we open the new Arnold's, I'm gonna be fine.

Yeah, two more weeks and you're open for business, huh?

Oh, listen, my mom wants me to invite you
and Fonzie to a special dinner over at the house.

Fonzie?

Al.

Al, you're squeezing your Bologna.

It's Fonzie.

I mean, for a silent partner, he's awfully noisy.

Well, he's excited about the restaurant.

So are you.

Ha ha, there's a big difference between us, Rich.

I'm a restaurant man, born and bred.

I've no Fonzie come lately.

Well, I'm sorry I said that, but I had to
get it off my chest.

Well, no, it's all right.

It's all right.

Okay, why don't you just talk to Fonzie about it?

I tried.

Every time I disagree with him about
anything, he gives me the same answer.

Ay.

Ay.

Very nice to see you.

Listen, let me tell you something.

Those guys are working so hard out there,
gave them an extra half hour for lunch.

You ready?

Are you all right?

I'm fine, I'm fine, I'm fine.

Yeah, well, get over here.

Al.

Richie, I want you to meet Gloria.

She's our new waitress.

I thought you and I were going to do the hiring together.

Eee.

Another eee.

Okay, all right.

If that's the way you feel about it, fine.

I want you to meet somebody.

Sal, come over here.

Everybody, I want you to meet Sal.

This is my cousin from Italy, and our new singing waiter.

Sing, Sal.

Que?

Canta, cant a.

Let me ask you a question.

Are you serious?

Are you serious about her?

Why that I'm serious about him?

Come on, come on, cant a.

La donne mobile, quel fiumele.

Il vento muta de cento e di pensiero.

Sempre UN mobile legato.

Mangia, mangia, eat, eat.

You'll enjoy it.

All right, sit down.

I want to tell you something.

Al is very hard to work with.

You know, this morning he came to work
with his underwear over his pants.

Oh, you did notice.

Well, he's a little nervous.

Yeah, he's a little too nervous.

I want it to be a silent part, and I got to be
here all the time checking everything out.

Fonz, you know what's amazing to me?

It's amazing that neither one of you can
put yourself in the other person's shoes.

One of us can't put our underwear on.

Look, uh, Lori and I got to split, huh?

All right, nurse, let's go have my yearly checkup.

So long, partner.

Bye, partner.

Lori, this is Cunningham.

That spaghetti was just terrific.

Oh, yeah.

Marion, you know, I'm Italian,
and I got to say, that spaghetti is great.

Yeah, it was.

It's too bad you're still on your diet, Dad.

Yeah.

Yeah.

How was your salad, sweetheart?

Don't push it, Marion.

I'll tell you, I'm up for dessert.

Anybody for dessert?

Oh, yeah.

Wait, wait, wait.

I took care of the dessert.

Howard, would you help me carry it in?

My pleasure.

Maybe I'll get lucky and some of it will
stick to my fingers.

You'd better not come back in chewing.

Would you believe Al spent two days in this dessert?

Really?

Oh, really, really.

You've got to see it.

It's amazing.

Look at this.

Look, right there.

Is that something?

Yeah, see?

This is a model of the new Arnold's.

I made it myself.

Now this is art.

Do we get to eat it?

Well, now, wait a minute.

Let's just look at it for a minute, eh?

Oh, look at all the little tables.

Chocolate.

Little chairs.

Gum drops.

Oh, a little jukebox.

That's plastic.

Oh, look, there are even little customers there.

Hey, is that red one me?

Yeah, that's right.

Oh, excuse me.

I have to go to the bathroom.

Ah, there we go.

I have a little surprise for you, Al.

A cake?

Oh, no, no, no.

I got a model of a sign.

You know, it's behind the couch over there.

You're kidding.

Yeah.

I got one, too.

You know, I figured, why call the place Arnold's again?

We ought to get something exciting.

Yeah, I got mine in the kitchen.

Well, why don't you go get them?

So we can see them.

New Arnold.

Isn't this exciting?

All right, Alfred, you go first.

No, I think you should go first.

Hey, Alfredo, I insist.

Yeah, but you brought it up first.

Hey, Alfred.

As junior executive of this firm, I'm
going to make my first executive decision.

And that is, I'd like both of you to do it together.

Now, on the count of three.

Ready?

One, two, three.

Hey!

Hey!

Wait a minute.

Now, don't say Fonzies.

That doesn't... You didn't say Big Al's?

Why would I make a sign that said Big Al's?

Because that's my name, and I run the place.

Why would I make a sign saying Fonzies?

Because that's my name, and I'm going to
bring the people in your place.

Okay, I think the key word here is compromise.

Rich, I can fight my own battles.

Fonzie, that's a knife in my back.

Oh, this is a knife in your back, huh?

Talk about knives.

Let's go over there and see the cake, huh?

Hey, Rich, I want to ask you a question about this cake.

The cake, huh?

You want to see the cake?

That's right.

All right, fight now.

Now, look.

All right.

I made a very simple request.

I wanted my table over here by the jukebox.

Was that too much to ask?

The table by the jukebox is for paying customers.

I put your table over here.

I see my table is over there.

I want my table over there.

All right.

There.

Thank you.

Are you happy?

Well, I want to ask one more question.

Why would you put the bandstand all the
way back here in the back?

Huh?

All right.

Where would you put it?

I would take the bandstand and
I would move it right over here,

put up the piano right there in the middle with the drums.

All right?

And I'll tell you something else.

I would take the Espresso machine, I'd move it over
here, and I would take the dartboard, I'd move it over here.

We'd take all this stuff over here,
we'd put it over here nicely, neatly.

Look at that.

Isn't that workout fine?

No, no.

The Espresso machine stays right here.

That's what I want.

Now, let me ask you a question.

Where are the people going to walk here?

There's a lot of room.

They walk right down the middle.

First of all, you just knocked over Ralph.

Second of all, this happens to be the dance floor.

I suggest that you make a point of it.

No, I don't care.

They don't have to go up.

They walk down the middle.

Look at you guys.

You're behaving like children.

Well, he started it.

I did not.

I did too.

Why don't you send them to their rooms, Dad?

Now, that's enough.

Now, look, you're supposed to be in business together.

In big house?

Not white.

In Fonzie's?

Never.

I like the sound of that word, never.

Yeah, I vote for never.

Fine.

Fine.

That's right.

I say fine.

That's right.

And I'm not going without my table.

Weeknights at 8 and 8.30.

Leave it to Beaver.

Geico's always been about savings, but he
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We've settled a ton of claims in under 48 hours.

Guaranteed claim repairs?

That was his idea.

Customer satisfaction is at an all-time high.

You know what he represents?

A commitment to excellence.

And he deserves this award.

Geico.



We are at the home of the famous Dilley's sex droplets.

Oh, my!

What a woman!

Thank you.

How do you make lunch for six kids every day?

Now I feel like a short-order cook.

Couldn't we make it a little simpler for you?

Campbell's tomato soup, versatility in a can.

There we go.

Guys, I want you to find your favorite
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You got some pasta there in the fridge?

You got some chicken?

Giving every one of them the opportunity
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Wonderful.

What's your favorite Campbell's tomato soup?

Open!

Make it Campbell's instead!

That's my little brother, Patrick.

He's very annoying.

Fortunately?

He's sick today.

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Don't just give a gift.

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The holidays are coming.

Give the good life.

You know, dear Howard, you have such a nicely shaped head.

Thank you, sweetheart.

Just perfectly round.

Just like a little beach ball.

Marion, the reason I quit Norm the barber
is because he talks too much.

Oh, come in.

Oh, Al.

Hi, Marion.

Hi, Howard.

Oh, Marion, I didn't know you cut hair.

Well, I didn't until Howard's barber raised his prices.

I'm not going to pay $2 for a haircut.

What are you doing here, Al?

Shouldn't you be getting ready for the big opening tonight?

Oh, I came by because I'm looking for Fonzie.

Oh, that's nice.

You've made up.

You're going to go to the restaurant hand
in hand, live happily ever after.

I'm selling the place.

Oh!

Ow!

Oh, Marion, the scissors.

Oh, dear.

You're what?

You're selling honors?

Why?

Well, when two partners can't get along,
you've got to walk out.

That's all.

So I thought I'd find Fonzie, give him the
key, and let him go open up.

Then he and Chachi could run the place
till we find a buyer.

Oh, hi, Al.

Oh, hi.

Hey, look at this.

Mom's doing great business.

She's got one customer in the chair and
another one waiting.

I should give manicures.

Yeah.

Have you seen Fonzie?

I want to give him this key.

Oh, well, uh, that's kind of a coincidence because
Fonzie asked me to give you this key if I saw you.

See, he's got this crazy idea that he's not
going to the opening, and I tried to talk him out of it.

I yelled at him.

I followed him all the way down to the garage.

I even called him a stupid pig-headed baby.

How did he take that?

Well, he stuck me on the lube rack and rode me up and down.

Well, I guess both of us aren't going.

Oh, that's Chachi.

Well, we'll see you later.

Please come, Al.

Yeah, Al, please.

Al, I gotta tell you something.

You're acting like a baby, too.

I'm not, I'm not.

You know, I'm gonna hold my breath until
he takes that back.

Now, Howard, I'm through, dear.

I'd give you a lollipop, but you're on a diet.

Okay, gather around, everybody.

You'll be the first people to see the new Arnold's.

All right, is everybody ready?

Yeah!

Okay, here goes!

Where do you want?

Beautiful!

Al, congratulations.

Thank you.

Hey, Al, you moved the bandstand.

You see, I told you guys the band was going places.

Hey, Al, the public's waiting.

They want you.

Yeah, I'm gonna do that right now.

Hey, Ricky, let her in!

Al?

Yeah?

These fresh flowers are such a nice touch.

Oh, that was Fonzie's idea.

Al!

There's carpet in the ladies' room.

Oh, it is so beautiful.

Well, Fonzie wanted to pamper the girls.

Al, looks like you're a big hit.

Yeah, I am.

Hey, come on, everybody.

Find a place to sit.

You're welcome, welcome.

How do you like the new coffee bar?

Gorgeous.

Just gorgeous.

Al, Clarence needs you in the kitchen.

Maybe I'll sell him the place.

Ooh, Chachi, Chachi, Chachi.

Five.

Fonzie.

Look at the place.

Look at the place.

Yeah, yeah, all right, girls.

Enjoy the place.

All right, I've got time for that.

Fonzie, the place looks great.

Oh, they're just wonderful.

Real class, Fonz.

Well, I'm that kind of class you got.

The flowers are gorgeous.

That was my idea.

Yeah, yeah, Al told us.

Did he?

Yeah.

He also said the carpet in the girls' room was your idea.

Yeah, I wanted them to squeeze their toes in.

Well, go on, Fonz, let's have a seat.

This is still our spot.

Yeah, I don't think so, Rich.

I just came to take a look around,
and then I'm going to split, you know?

Boy, this is not bad.

Not bad at all.

Well, people seem to be enjoying themselves.

That's what it's here for.

A girl called, Fonz.

I took a message.

I'm going to get my last message.

Nice job.

All right, sir.

Thanks.

Oh, dude.

I just came to see if they installed the,
yeah, it's on the wall.

Hey, uh, Al, what's this here?

What is this?

Oh, I got that weeks ago.

It's yours.

This is mine?

Yeah, I wanted it to be a surprise.

You know, we always call this place your
office, so I thought let's make it a real office for you.

There's a phone here.

I mean, it's got like five buttons that light up.

Yeah.

You see, while you're talking to one girl, and
one button, you could put four more on hold.

That's gotta be something you'd like.

And it's red, matches the walls and the floors.

Oh, yeah?

Yeah.

Oh, that's cool.

Yeah.

Is there a, uh, phone book here for my
numbers or something like that?

Oh, here it is.

This is beautiful.

My numbers are here.

Yeah, I took them off the walls that didn't burn.

I was gonna put them in order of importance,
but I didn't know, so I alphabetized them.

Oh, alphabetically is fine, you know?

Yeah.

Well...

He made me an office.

Now... Yeah, Fonz?

I got you something, too.

Yeah.

Oh...

It's my old spatula.

I thought it got lost in the fire.

Well, I picked it right out of the ashes there, you know?

Read it, read it.

Real spatula?

It's the handle.

Take the handle.

Oh, you had it engraved.

To Al, the best partner a man ever had.

Well, I wrote that down there, you
know, before we, uh... Oh, oh, before.

Yeah, yeah, yeah.

Look at this old hair.

Yeah.

Oh, this is great.

You know, Al...

All this yelling and screaming.

You know, I...

I gotta tell you, I... I really know that I was...

What I'm trying to say is that I
absolutely admit that I was...

No, Fonz, we were both...

Where did it come from?

Where did all that yelling come from?

Over such unimportant things?

Compared to friendship, everything is so
unimportant, you know?

I think that what we should do is...

just call the place Big Al.

Oh, no, no, I think Fonzies would be a better name.

You know what?

I got the name, can't miss.

We'll call the place...

Arnold's.

You mean...

that you want to still be partners with me?

Hey, I always wanted to be partners with you, Al.

All right, all right, all right, listen up.

I'll tell you something.

I don't know why I didn't think of this in the first place.

We can put our names right under that big A.

On the roof.

It's a good idea.

Proprietors, Big Al and Fonzie.

Sounds great.

Dig this rhythm.

Fonzie and Big Al.

I'll tell you why.

Look.

I understood that.

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Pass the gravy.

Hey, Dad.

What are you doing?

Making a little snack.

Come on.

Plenty of room.

Mm-hmm.

How come you fold yours over like that?

I don't know.

I guess it's because that's the way my dad used to do it.

And I always wanted to do everything just like him.

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It revolves around you.

Twist again, like we did last summer.

Come on, let's twist again, like we did last year.

Do you remember when things were really humming?

Yeah.

Let's twist again.

Twist and time is here.

Goodbye gray sky, hello blue.

Nothing can hold me when I hold you.

It feels so right.

It can't be wrong.

Brady Bunch number 57 is next.

Robert Reed hated this episode, citing ninnyism,
unbelievability, and overwritten cliched characters.

But it's actually pretty darn funny.

Why not watch it and judge for yourself?

Happy days are yours and mine.

These happy days are yours and mine.

Happy days.