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Re-creation (2025)

Pop Goes the Weasel?! Thriller & Mystery Movie Collection.
(Psychological/Film Noir/Mystery/etc.)

Moderators: Maskath3, sidolanters, GabrielAlejo2341

Re-creation (2025)

Post by bunniefuu »

More than a quarter

of a century has passed

since Sophie's body

was discovered

abandoned on the laneway

leading up to her holiday home.

More than a quarter

of a century before

Ian Kenneth Bailey...

...the self-confessed

chief suspect,

having finally been dragged

by the forces of law and order

out into the light of day,

now stays silent.

Refusing to assist

in his own defense

by taking the stand.

Refusing to confess

in a court of law

to what he's freely

bragged about...

in private.

And in public.

We've seen him

strut for the media,

smile for the camera.

He's not smiling now.

And what about Sophie,

Mr. Bailey?

This beautiful woman,

bon vivant, full of life.

A life taken away too soon.

By this silent assassin.

And if you have any doubt

whatsoever about his guilt,

remember he said...

"I did it."

"I k*lled her."

"I k*lled her."

Now he sits, mute and unashamed.

You are a balanced jury,

equal men and women.

All of you must

convict this man.

He must be sent away to serve

the rest of his days in jail.

To die in a French prison.

Dear jury,

please follow me.

Foreman, so, um,

In the unlikely event

of a blackout,

use this flashlight, all right?

Thank you. Thank you.

Who's number six?

It's me.

Is that correct? Next of kin.

-Yes.

-Okay, perfect.

And you are number...?

I've done them already.

Number 8.

What are we having

for lunch?

Oh, why don't we have

Chinese like we did last Friday?

Do we sit?

No, no, no.

We have to sit in order.

Look, the best

I can do is remember numbers.

I can't remember

all your names.

I think we-we've all

been through a tough time,

being away from the family,

being isolated,

and having to hear the horrible,

gruesome details

of a m*rder

still leaves me with a feeling

in the pit of my stomach.

I mean, I-I can only imagine

her last moments.

So, it has filled me

with a passion

to get justice for her.

Juror 8.

Uh...

Yeah.

We have all

the police statements.

We've heard all the evidence

over 60 days.

Yous have all got

to know each other.

Maybe too much.

Um...

I think there's nothing

to do here

but just to get an overview

of where we stand.

-Would you agree on that?

-Yeah.

I think we're all

on the same page there.

-Yeah.

-Yeah? Okay. So...

Let's just have a show of hands

for guilty.

Innocent?

You want more of this?

No, wait, hold on.

She has a right to her decision,

you know, so...

I'm sorry.

I'm sorry.

I didn't mean to laugh.

-No, I'm sorry.

-Huh?

I'm sorry.

No, no,

what I mean is...

No, I'm sorry.

You actually do think

he's innocent?

Yeah.

I know-I know that's, um,

funny--I mean, absurd.

And I don't want everyone

to wait for me.

Um...

And-and I know you

want to go home,

and we have a lot of evidence,

but I--

Yeah, I'm aware

of the absurdity,

but I just have this feeling,

and I-I'm sorry.

You can't be serious.

I have somewhere to go.

You thought he deserved prison.

Yeah.

I did, and, but um...

I don't know if he deserves

to die in prison.

You know?

What does that even mean?

I don't know. I just--I have-

I have a doubt, you know?

You don't have a doubt?

None.

Well, I have a doubt.

I-I don't know w-what it is.

I-it's a feeling or intuition.

Look, uh...

w-with respect,

if you don't mind.

I know you're talking

about your feelings,

but facts don't care

about your feelings.

Okay?

Okay. Can I say something?

I don't know if I have

the right to say it,

b-but I feel like sharing this

with you, and--

So...

My grandfather was

in a concentration camp,

which has nothing to do

with what we're doing here,

but it always gave me

this feeling of...

I had a different

perception of prison

and what it means to, um,

put someone into a prison

and have this decision made

by some sort of machine

or structure or...

rule system or justice system

that we create and with which

we judge someone, and, um,

I don't know, I just, I can't.

So, sorry,

do you not think there should

be prisons at all, then?

Now...

I don't want to be rude,

but we all heard the same case,

and what would happen,

like, if...

he went free and k*lled again?

I know.

I--This is a terrible thought.

As well as sending

an innocent man to prison.

But he's not innocent.

-No, I'm not saying-

-Have you seen the pictures?

What pictures?

These pictures.

Jury.

This is what he did

to his girlfriend.

I mean, it doesn't look good.

The police had them on file.

This is what

convinced everybody he did it.

Pass them down.

I certainly don't want

to see them again.

Did you...

Did you ever think

he might've been guilty?

What are we dancing

around here for?

Look, he was spotted the night

of the k*lling at the bluff.

The guard said that.

Yeah,

that was Hunt's Hill.

Yeah, Hunt's Hill. He was there

at Hunt's Hill with his missus.

And he comments about

Sophie's light being on?

Why would he do that?

Tell me. Am I mad?

"To look at the view," he said.

Oh, that's right. It was

Times Square he was looking at.

No, it was nighttime in December

in the backyard of nowhere,

in f*cking Cork.

Are you serious? He was checking

if the rendezvous light was on

and she had her clothes

on or off.

Dressed. Ready.

That's what it was.

That's what he did.

And we know what he did.

He went back to his missus.

"Good night, Jules, my darling."

Creeped out of bed

like the little creep he is,

put on a long, dark, black coat.

Walked back in full arrogance,

thinking she was gonna go

for his shitty f*cking

English poetry.

But she rejected him.

She said, "You have a partner."

But what did he do?

He kept on going 'cause

it's Ian Bailey, the egomaniac.

He tried her again.

She rejected him again.

What did he do? He k*lled her

in a fit of f*cking rage.

Am I lying here?

Am I mad?

It has been proven

that he lied in his statement.

Initially, he said he went

to bed and he stayed there.

And then he said he got up

to write an article.

Yeah, but he volunteered

all his information.

Yes, but it meant

he didn't have an alibi.

Yeah,

and he placed himself

front and center as a suspect.

What if he did a mistake

and he wanted

to correct himself?

I'm just saying that

sometimes we can't--

Remember. We think

we remember, but we don't.

Who is doing the thought?

You are doing the thinking.

That's your brain working.

If it works.

Mostly it doesn't.

We're asking

what is thinking now.

That's where we're at.

Yes, exactly.

How do we know what we remember?

You said you had something,

whatever,

chicken f-foo thing, you said.

When did you have that lunch?

We had--

Well, it was last Friday.

You had tandoori chicken

on the bone.

-Yeah, that's right.

-Yeah.

-Check again.

-Friday. Friday, yeah.

I can check.

I don't know the exact date.

It was Thursday, actually.

That doesn't prove anything.

I'm just saying that what--

That's how well our

memory works.

I don't know where

this is going because

I know exactly what I had

and what day I had it.

It was beef,

broccoli and sesame salad.

And who cares about your beef,

and broccoli, and sesame seeds?

Are you people serious,

talking about your bellies?

This is the most savage m*rder

to ever happen in the country!

This man comes over here,

thinking it was his royal duty

to beat women,

tells people he k*lled Sophie,

and we're wondering

if he did it or not?

Am I-Am I losing my mind

over here?

-Juror 3, sit down.

-What? Sit down?

What's going on there?

Someone explain to me!

f*cking hell.

Just take it easy.

We gotta have some order.

Yeah, we'll have some order.

I love order, yeah.

They're looking to order

f*cking food over there.

Our job is to reach

a conclusion, yeah?

We're just gonna

have to convince

Juror 8 of our point of view.

Yeah, how long

is that gonna take us?

Forever.

Look, anyone

who wants to give their reasons

for a guilty can.

So for me, Juror 8,

it was his lack of empathy

with the victim.

The fact that he kept

referring to her as Bouniol,

as if he refused

her married name,

as if he refused

her true identity

as the wife of, uh,

Daniel Toscan du Plantier.

H-he never seemed to--He--

Her name seemed to get stuck

in his throat.

So I couldn't see

any empathy there.

I felt he didn't want

to revisit the crime.

He didn't want

to look into her eyes again.

I mean, if he did it,

that's what he dreams

every night.

Her last moments.

Juror 2.

I've had police in

my family for three generations.

I think the Irish people

trust them

and I trust them,

and i-if Ian Bailey is innocent,

that means that there's

widespread corruption

going through the whole guards,

and I find that hard to believe.

You know? I mean,

why would they lie about it?

Like, what do they have

to gain by lying?

I can't see it.

- Juror 3.

- I'll pass.

I think I've said enough,

haven't I?

Four?

Well, if I remember rightly,

he was seen

following her the day before.

By two different people.

I think it was Dan Griffin

and Marie Farrell.

They saw him the day before

in town,

watching her

from across the street.

Now, he wasn't following her

for the good of his health.

Maybe he wasn't following her.

-But he was--

-I-I wasn't there.

That's what I'm saying.

But two people

were there

and they saw him following her.

Well, you can be influenced

very easily.

I can influence you of a lot

of things you're going to say.

I can if I want to,

but I'm not doing it.

All right. Okay.

Juror 5.

I'll go later.

Okay.

Well, then, Juror 6.

I prefer to pass for now.

You pass?

Y-yeah, the same as you.

Y-you passed.

Yeah, but we know

what side I'm on.

That's... that's very clear.

Oh...

Can you shut up

for a minute, yeah?

Something-something's going

on between you two.

I sensed it before.

Don't bring

personal stuff into it, Juror 3.

- Juror 7.

- Okay. Okay.

I think she was coming

to meet him.

I think it went wrong.

Juror 9.

Now, I'm convinced

that the bleaching

of the coat in the bucket

was to remove blood

from the coat.

He's guilty.

Juror 10.

All right, yup. Yeah.

There was something

going on between them.

- You're bang on.

- Yeah.

She came over to meet him.

They met up, had a row.

It all went wrong, you know?

That rock.

He had to be a big man

to lift that rock.

He was a big man.

She was a small woman.

The rage took over. Yeah.

Guilty, guilty, guilty.

-Yeah. I think...

-She couldn't defend herself.

Juror 11.

Can I just have a second?

Uh, 12, can you go?

-Sure.

-Yeah. Thanks.

It's overwhelming.

Just think about the evidence

you have seen,

that we have all seen.

I have no doubt

that he is guilty.

Yeah.

Sorry, um...

I would like to see

the statement

of the English pathologist.

Not Harbison?

Yeah. What was his name?

Sorry. Juror 4?

-Jason something.

-Jason Payne.

-Yeah, Jason.

-Jason Payne.

-Yeah.

-Yeah.

He appeared by video link, so--

Um...

Could we see the Jason Payne

video link, please?

Right, so on Sophie's face,

on the left-hand side,

there were two wounds.

They look very much like

typical stab-type injuries.

And if we look on the right--

Actually, this is the left-hand

side again,

we can see a cut across

what it's called

is the thenar eminence there.

That is consistent

with the defendant's wound,

where somebody tries

to grab the blade of the knife.

Wait, wait, wait, wait.

Can we stop it?

Okay, Sergeant,

can we pause it there?

Okay, if I--

so just for me to understand,

because I'm apparently very slow

and stupid and--

-You would be, yeah.

-Yeah, I don't get it.

So, for me,

I want to understand.

So, he stabs her twice like that

with a knife, yeah,

in-in her cheek.

The next time,

or whenever she grabs the knife,

and that's where

she gets this on the picture.

The-the wound, yes?

-Yeah. Here we go.

-Okay, now if--

And can you play more?

Like, continue.

Yeah.

Pass those pictures down, and--

Yeah, okay,

let's finish out that.

This is where he's talking

about the damage to her eyes.

On this one,

we can see what's called

a petechial hemorrhage,

which are these

pinpoint hemorrhages

which are created by pressure.

So, where I push on the neck.

Okay? So...

Then he goes on saying that

she was choked unconscious.

And then...

So, the original pathologist

only talks about a rock

and her being hit with a rock,

which is why she died.

This pathologist

now suddenly talks about

the stabbing and the choking,

which is what we see

with the fingernails,

where she tried to free herself,

and once she was unconscious,

hit with a rock.

And so, I'm just saying,

if they have this wrong,

what else did they miss?

Did that make any sense

to anybody else? No?

I don't know. What are we gonna

figure out reenacting

the stabbing with a f*cking pen?

Can you please stop that?

Is that like--

Are you a recorder?

Are you on record?

Are you on repeat?

Do you have a different CD

we can put in?

Yes. Thank you. Okay.

But the two pathologists.

-That is an issue.

-Mhm.

He f*cking k*lled her.

Simple as. He's a m*rder*r.

But why did they not

do a better job?

It's their f*cking job.

Do you understand this is

nothing to him?

He nearly took the eye out

of his own woman.

Do you understand?

This is nothing to him.

Okay? This is his royal duty.

Okay? To beat women, k*ll women.

Oh, you'd be surprised

how many men beat their women.

No, I wouldn't be surprised.

I know.

I know.

I never hit a woman in my life.

Uh-huh.

Shh, guys.

Stop, Juror 3, please.

I'm not saying

that he's innocent.

I'm just saying

that there's a possibility

that he's innocent.

This is not

about you two.

It's about Bailey

and that poor woman.

Yes. So, please,

can we have another vote?

-Okay. Okay.

-Can we have another vote?

-We can.

-If we vote...

and everyone says

he's guilty except me,

then I'm ready to give up,

I will.

-Okay.

-Finally, we can go home.

That-That's fair enough.

Okay.

-Okay.

-Yeah.

But it has to be, um,

it has to be anonymous.

Anonymous? Why?

Because otherwise,

we can be influenced.

By who?

I won't say that.

Oh, will you now?

-All right.

-Okay.

-Anonymous vote. Yeah.

-Let's just do the vote.

Okay. So...

Okay.

Pass them along.

Pass them along.

Here.

I think you need a few more.

Okay.

Thank you.

Will you

fold them up, please?

And don't show them

to anybody else.

Okay.

Want to make sure now.

Pass them along.

-Are we ready?

-Yeah.

Okay. Guilty.

Guilty.

Guilty. Yeah.

Guilty.

Guilty.

Guilty.

Not guilty.

Not guilty.

That's two "not guilty"s.

Oh.

Can a man have permission

to speak, please?

You voted twice.

Yes, I voted twice.

I know

what happened now, really.

I spotted it from day one.

I said it to you.

You two are in bed together.

Are you crazy?

If something's going on behind

our backs, can I join, please?

Three in a bed.

Whoa.

Now, hold it.

Oh, I like it rough.

I like it rough.

I'm the violent man?

So who was the person?

Was it you?

Was it you, Ms. Claustrophobia?

It was me.

-It was you?

-Yeah.

Oh, this is madness.

This person,

whoever k*lled Sophie,

h-he had his hands

around her neck.

I mean, this m*rder was about

silencing her.

Whoever wanted her dead

wanted her silenced.

All we have here

is a room full of men

shouting, silencing

another woman.

f*ck that!

f*ck that! Don't make it

about men versus women.

I was raised by a single mother.

No one dare call me

a misogynist.

I am defending

a dead woman here.

What are you doing?!

Look, there you go!

-There's what women do!

-Can I speak, please?

Sit down,

please, please.

I think we owe it

to Sophie to talk about this.

Can we do that?

To discuss this

in a civilized manner?

Yeah, civilized.

That's how we get to justice,

being civilized. Yeah?

Number 3, please.

Please.

Come on.

Look, I think

the French thought

that Bailey was a buffoon.

And wasn't he always

naming the husband as,

uh, I don't know,

somehow involved?

Like, the only real evidence

that Dermot Dwyer

had against Bailey

was that he said

Marie Farrell said

she saw him at the scene

of the crime on Sunday night

and also Saturday

outside of her shop.

Well, that was Dwyer's

trump card, you know.

And, um, Foreman,

could you ask the sergeant

to reverse that shot of Marie?

Yeah, Sergeant,

can you reverse the--

That shot

of Marie Farrell

coming out of the court

with Dermot Dwyer?

Could we have that, please?

There you go.

That's Dermot Dwyer.

That's him.

-Yep.

-Right there.

And, Sergeant,

play, uh,

Toscan in Ireland

with Dermot Dwyer.

Yeah. Yeah.

Well, it doesn't look

like Dermot's in charge there.

Yeah,

it looks like Toscan is.

So, I think six months after,

the husband,

he got married to another woman.

I think I read something

like that in an article online.

-Really?

-Yeah.

He got married

a year later

to a woman who worked for

the same company Sophie did.

Her name was Melita.

And six months after she died,

I think he got her pregnant.

So what? Six months after Sophie

died, he got a woman pregnant

and then was married to her,

what, within a year?

Yeah, that's what I gathered

from the article, yeah.

When he was

asked about it, he said,

you know,

after the death, he chose life.

And you can kind of

see his point, you know?

Usually in these situations,

is it not always the husband

that commits these things?

Not the lover?

How many times do you have to be

told the husband was in France?

He didn't even come

to claim the body, though.

You know, if my wife

was k*lled in a foreign country,

I would be there.

You know, you'd be there.

You'd talk to the police.

You know,

you'd do whatever you could

to make sure whoever did it was

caught or brought to justice.

It just doesn't make

sense why he didn't come.

It's strange.

Her family

was coming over to get her.

What's strange is that

the Irish police weren't allowed

to interview the husband.

That's strange. Please.

-I mean...

-Did he not give a statement?

He did, yes,

but he had his lawyer

present in France

and he gave it

to the French police,

not the Irish.

We're gonna have

to get the sergeant

to play this for us.

Um...

Her husband, Daniel,

accused Garda

of treating him with suspicion

and keeping him in the dark.

Two years ago, he vowed

that he wouldn't

return to Ireland

until his wife's m*rder

had been solved.

Daniel Toscan du Plantier

brushed aside questions

from waiting journalists

before heading for Bandon

for a meeting with senior

officers in the case.

And it was only years

after Bailey had been arrested

that Daniel came back

to Ireland.

Do you take back

the criticism

that you made two years ago

of the police force,

that they were keeping you

in the dark

and perhaps treating you

with suspicion?

Well, the problem

is not on this side,

but that case has to be solved,

and I think it will be.

It's very upsetting. I mean,

everything combined together.

And if now, on top of that,

there is a husband

that is not really investigated

and also didn't come,

maybe this man

is in a lot of pain.

You know, we don't know.

Toscan said he and

Melita were united by grief.

And her story

is that her mother

was k*lled by her father,

but he was never arrested

because he was

a police informer.

Okay, so...

Uh...

Look, I'm not implying

Bailey is innocent in any way,

but all these are his articles.

And he's the only one

who's speaking about

a French connection,

the only journalist in Ireland.

And you can't deny

her love life was mysterious.

Both their love lives

were mysterious.

And he was friends with Chirac,

a very powerful man.

And this is the week

before he's arrested,

so, once Bailey's arrested,

all this stops.

Look.

Bailey knew everything,

all right?

Everything about the crime.

He was a journalist.

He knew stuff

he shouldn't have known.

He was

just doing his job.

He barely had a job.

He was a narcissist.

He thought everyone

was in love with him.

He met Princess Diana once

and he thought

she was in love with him.

Yeah, but why would

Eddie Cassidy

send a low-level stringer

to the scene?

He was nearby.

Who was

Eddie Cassidy?

He was a journalist.

He gave Bailey work, you know,

he was good to him.

And why was it so urgent

to send Bailey

to the scene of the crime?

'Cause he said

there was a death.

A suspicious death?

No, just a death.

So, Bailey knew it was m*rder.

All along?

Before the editor.

He knows absolutely everything.

He just m*rder*d a woman

and then he just...

Just goes home

and waits for a phone call

from the editor

to return to the m*rder scene.

'Cause

that's what they do.

Who?

Murderers!

f*cking psychos!

Twisted people like Bailey!

They don't care about people,

they're sick in the head.

Okay, they just toy with people.

You've got no idea

what it's like

to live in fear

of a person like that.

You haven't got a clue,

all right?

To see your dad

getting b*ll*ts in the post

or your friend's dad

lying in a coffin!

They've got murals for hunger

strikers, for everyone.

Where's the murals

for the m*rder*d unarmed guards?

- Enough!

- Get off me, will you?

All the unarmed guards.

Garda Fallon, Garda Burn,

Garda Morley.

Where's the mural for them?

Where's your f*cking

respect for them?

Stop it! Stop it! Stop it!

You don't know anything.

You don't know what I've been

through, all right?

You don't know how it is

to fall asleep

in a hail of grenades,

hiding in a f*cking bathtub!

That's my f*cking first memory!

You don't know sh*t!

All right?

f*cking abject psychology!

Okay.

Look, for what it's worth,

I'm sorry for flying

off the handle.

Okay, I took it too far.

I'm sorry as well.

But he knew

everything.

He was the first to know

she was not sexually assaulted.

'Cause he was too drunk.

He went into a rage,

smashed her head in

like he did with Jules.

Then he got panicky,

ran off home.

No, he didn't.

He went to Jules' house.

-The same thing.

-No, that's not the same thing.

His house is like 80 yards

up the road, I think.

He reported there were

two glasses by the sink.

He was putting the blame

on somebody else.

He was trying to take

the attention away from himself

and onto somebody else.

Yeah, he was always pointing

the finger at the husband.

Maybe that's why

they wanted to shut him up.

Look, the husband is

a thousand miles away.

Okay, so what did he do?

Get the hitman

with the breeze block

in his briefcase

and send him on the airplane?

That's even too stupid

to contemplate.

Look, he's the first

to know about the m*rder.

He's the first to know

the location of the house,

he's the first to know

the name of the Frenchwoman,

and he's the first person

on the scene of the crime.

But Eddie Cassidy,

the editor, he sent him.

He never told him where it was

or who she was, okay?

And Bailey passed

Shirley Foster on the road,

and she said he was

already on her road.

And that is way off

the beaten track.

All right, just...

Sum this up. What's worse?

Bailey arriving

at the crime scene

or Shirley Foster driving

through the crime scene?

I mean, she was...

The police just let her

drop her rubbish off?

She was just driving through

the crime scene, polluting it.

Okay, I'm not saying

this cute old lady,

Shirley Foster, did it,

but she was Sophie's

next-door neighbor.

In the middle of the night,

they didn't hear anything?

Their dogs,

they didn't hear anything?

She should have been

the initial prime suspect,

and instead, she was the first

witness against Ian Bailey.

It's like somebody's

pointing the finger at Bailey

from the very beginning.

Or before the beginning.

Ah, come on.

So, I think we should listen

to those tapes.

You want it? Yeah.

Nobody can hear

anything on them.

The judge mentioned

those broken tapes.

I thought I'd give it a shot

and listen to them.

Yeah. Holy Mary, Mother of God,

pray for us sinners.

Am I to believe that?

She's now a witch?

She has supernatural powers?

I think you're gonna

have to listen to this.

Basically, the guards...

said that...

Bailey found his way

to the scene unaided.

Nobody told him.

Didn't tell him the location.

Didn't tell him

it was a French national.

And how come he knew

all this information...

...if he didn't get it

from Eddie Cassidy?

So, I think you're

gonna have to listen.

I told you about Cassidy.

He still thinks that the

statement he made is correct.

He's the fella that made

the phone call to Bailey.

And it's a lynchpin

in the whole f*cking thing.

It's a very important

kind of thing.

No, no, no, no, no.

I'm not asking you when.

We all suspect JP told him

the full billy,

but, I think for the purpose--

"I'm not asking you when.

We all suspect JP told him

the full billy."

Full billy? What does that mean?

-The full story.

-The full story.

All right, go on.

"If you're up

in the central criminal court

and it suddenly comes out

that Eddie Cassidy is covering

for a superintendent

in the Guards

because he leaked

f*cking information to him,

we'd all be destroyed

because we'd all be asked

why we didn't check it out."

You're a tough man.

'Cause there's two of us

in it now, Liam.

"Cause there's two of us

in it now, Liam."

Hello.

Yeah, hi.

Tell our French friend

they're arguing back and forth,

no decision yet.

What does all that mean?

I'm sorry, but, uh, to me,

it sounds like two policemen

who know that the superintendent

leaked information to Cassidy

and they're afraid of maybe

being caught framing Bailey.

Not framing them.

Well, that's not...

I mean...

It sounds like it, though.

Like, why would we not know that

the superintendent leaked

information to Cassidy,

who probably told Bailey?

Well, probably, you know, is...

It's not very legal, is it?

Probably.

Okay, well, I don't know,

but it's just, it's super fishy.

Listen, even if the police

did frame Bailey,

it doesn't prove

that he's innocent.

That's the stupidest thing

I ever heard.

It's like a way of saying

that's stupid.

Just because they're framing him

doesn't mean he didn't do it.

It doesn't mean

he did do it either.

It's just a turn of phrase

to indicate that he did it.

Letting somebody else go.

It's like self-confessed

chief suspect.

Well, he was just

a chief suspect.

There was no self-confession

about it.

That's another media invention.

Like, the first person that says

he confesses is a journalist.

The first person that sends him

to the scene of the crime

is a journalist.

The first person

that says he was

the self-confessed chief suspect

was a journalist.

They're just in collaboration

with the police

'cause it helps them.

And in the end of the day,

it's just about

selling newspapers.

And the only conclusion is that,

for whatever reason,

they're potentially letting

the real suspect

away with m*rder.

Yeah, and we know nothing

about Sophie.

Yeah, we know she had a lover

over to the house in the past.

But he had an alibi.

He wasn't in the country.

What about the husband?

Which husband?

The second one. Toscan.

Yeah, well,

he had an alibi, too.

He was in the South of France.

Bailey gave his DNA voluntarily.

Did he?

Would he do that

if he was guilty?

Maybe he didn't know

anything about the DNA.

He was

a crime reporter,

he knew what DNA was.

And years later,

when Toscan died in Berlin,

Melita refused to allow him

to be buried

in the same grave as Sophie.

And then, the French family

exhumed Sophie from that grave

and did extensive DNA tests.

And there was

unknown male DNA,

but it didn't belong

to Ian Bailey.

Well, look,

he identifies as Irish, yeah?

I don't care,

we don't want them.

I know you don't, but...

There's a million people

in the north of Ireland, yeah?

Yeah.

Who identify as English,

but you want them

to be Irish, yeah?

Yeah, because they are.

But the one guy

who wants to be Irish,

you won't let him.

No, we definitely don't.

Is that not a contradiction?

He's over here murdering people.

He's a proper Englishman.

And you, where were you born?

I was born...

I was born in London.

So you are

an Englishman, like Bailey.

Now, are you on?

What's this, g*ng on

the traveler time, is it?

There. We better feed

this clown.

Sergeant,

can we see that video

of Ariana in the documentary

talking about the black coat

in the bucket?

But look, I think it's a good

point that you're making,

that... Juror 9 is making.

That, you know,

you have a situation where,

it's like a very primitive

k*lling, isn't it so?

-It's over here. Look.

-What?

The video.

Let's have a look at it.

Big personality.

I remember seeing

the scratches on his arms.

The scratches were visible

and I, um...

It's not like

I was scrutinizing him,

but, you know,

I could comfortably say

that, um,

some thorns caused

the scratches.

I remember taking a shower.

There was a large bucket

in the shower.

A dark coat soaked in there,

heavy material.

I believe it was Ian's coat.

I would say that's unusual.

You know, you're washing

such a large item

that is not easy to dry,

you know,

in the middle of winter, but...

it is significant,

and I remember clearly...

Does that change

your mind, Juror 11?

So, now we have

the statement, yeah?

That Ariana gave the police

in... April '99.

So, Juror 10,

would you read that for us?

"Statement of Ariana Barina

taken on 13th

of the fourth, 1999,

at Clontarf Garda Station

by Jay Fitzgerald."

"While staying at Jules' house

during that time,

I remember clothes

being soaked in the bath.

These were dark clothes,

but I can't say what type

of clothes those were,

except they were dark.

I washed my hair

when I was there

and the clothes were gone

from the bath.

But I can't say

at what stage of my stay

that the clothes

were taken from the bath."

"Dark clothes

in a bath.

I can't say what they were."

And that becomes:

"Ian bleached his coat

in a bucket in the shower."

Like, how was that

presented as evidence?

Well,

I'm going to change my vote

to "not guilty."

You can't convict a man

with those kind of stories

that you're choosing which one

you're going to believe

yourself.

That's like faith,

it's like faith.

This is what convinced Juror 9.

So, Juror 9,

how do you feel about it now?

I'm changing my vote.

Not guilty.

You're getting your way,

number eight.

Yeah.

Guilty.

Now, we've not guilty,

not guilty.

Not guilty.

Guilty. Guilty. Guilty.

Okay, we're 7-5 not guilty.

So, who was

the fifth not guilty?

Can I ask her a question?

Do you mind?

Yes. Go ahead.

Did you change your vote

over gender politics,

or do you actually believe

in what you're doing?

I just want this to end.

It's never gonna stop

if you keep changing your vote.

Look, do you actually believe

in what you're saying?

-Why are you so impressionable?

-Stop it, Juror 3.

Stop it. Foreman.

I'm asking a sensible question,

we're all thinking it here.

You can't open your mouth

to a woman nowadays.

What? A man is always

in the wrong, is he?

Listen.

I'm changing because of the coat

and the audio tapes, okay?

Well, can you believe

Marie Farrell, though?

I mean, she cast doubt

in her own testimony.

Well, it's hard

not to believe her.

I mean,

she said that the guards

bribed her

by letting her husband off

traffic penalty points.

Is that enough

to get her to lie?

Look, penalty points

are very important

if you're living in an isolated

area and need a car.

Where did

she live anyway?

She lives down

West Cork, in Schull.

No.

No, her shop is in Schull.

She lives just outside of town.

So, still no decision.

Now they want clarity

on the geography

of the m*rder scenes.

So, this here, that was

Marie Farrell's shop, yeah?

With the seats.

That's where... Sophie went in

and Marie Farrell saw the man

watching her over here

in a long black coat

at this blue and yellow shop.

-What direction do you think?

-Up there.

North, south, east, west.

He followed her north.

What?

Can you not

feel it your bones?

Can you not sense it?

The man who followed her

up that road m*rder*d her.

And that man was Ian Bailey.

Now, this is exactly

where she saw Bailey

at two or three in the morning

on the night of the m*rder.

So, how far is it

from here to Sophie's?

Oh,

it's about two minutes.

Three minutes, maybe.

Okay, this is where

Garda Malone stopped them.

About 150 yards from the house.

And that's Shirley Foster's

house at the back?

Yeah.

It's hard to believe

she heard nothing.

She was watching TV.

Strange.

The whole thing is strange.

Like the one and only time

I believe Marie Farrell

is when she said the guards

let her husband away

with penalty points.

And that's the only time

I believed her.

Marie Farrell...

drove past this shop here.

And just as she got

to Kealfadda Bridge,

that's when she saw the man

in the long black coat, yeah?

Same guy that she'd seen

outside the shop in Schull.

You can't believe a word

a woman like that says.

A woman like what?

A woman who changes

her statement over and over.

The police

threatened her marriage.

I don't know.

I'm happily married.

Happily?

You know, you don't need

the word "happily,"

"married" will do.

"Married" is a contract

that you enter

and you're stuck in it.

And Marie Farrell is old enough

to be your mother.

Would you talk to her like that?

Then what

was she doing?

I don't know. She was looking

for advice, for protection.

It doesn't matter.

She's not the one on trial.

Okay? So shut your mouth.

Are you threatening me now,

number three?

He's just protecting a woman.

What about

Marie Farrell?

- Marie Farrell?

- What about her?

The prosecution found

that she was a total liar.

Yeah.

Why would you do that? Why would

they destroy her in court?

The prosecution who first

used her against Bailey,

and now all they're proving is

that a self-confessed perjurer,

a liar, is in fact a liar.

Why would you do that,

if not to undermine

her affidavit?

It was never read

into the record.

Exactly,

because it's in the way.

What's happened here,

just for people's memory,

there's a man following Sophie

on the Saturday.

She says that was Bailey.

Then she says it wasn't Bailey.

Then she makes an affidavit

saying it was somebody else.

Like...

on what basis do we even

start to consider this?

Now, I've never seen anybody

follow anybody.

I mean, has anybody here

seen somebody follow somebody?

No.

Has anybody here

ever followed somebody?

I followed somebody.

- You did?

- Yeah.

Was it a female?

- No.

- No?

It was a man.

A bad man.

I waited on him for a few hours

as he drove by the road.

And I spotted his van.

So you were in the car

for him not to see or hear you.

But the person here

in this case...

Well, the person in this case

was in full view of Dan Griffin

and Marie Farrell.

And I suppose the reason

that they were in court

attacking her

was to undermine the affidavit,

was to undermine

her sworn testimony.

So, can we look

at that affidavit?

'Cause I think we haven't

looked at it enough.

Really, honestly.

Okay.

Okay, so, before we get

to her affidavit

where she changed her mind,

let's look

at her original statements.

Yeah.

I think it's '97.

Well, here. Look.

It says 5-10. Can you...?

No, you don't have your glasses.

Could you read it?

Oh, this is

her first statement.

Three days after the m*rder.

"On Saturday,

the 21st of December 1996,

I was working in my shop

at Main Street, Schull,

County Cork.

Between 2:00 p.m. and 3:00 p.m.,

I noticed

a weird-looking character

across the road from my shop.

He was approximately 5'10",

late 30s, scruffy-looking,

long black coat,

flat black beret,

thin build,

sallow skin, short hair."

You'd recognize that scruffy,

black coat too.

The skin.

How can you not remember that?

And then she says that

in her first statement.

And after this one,

she suddenly says,

"Oh, it's not this person,

it's a person,

which is Ian Bailey."

And then, later, she says,

"I'm sorry, I was wrong.

It is the same now again

than the first one."

-Can I just say something?

-Yeah, go ahead.

Can I just say something

if you don't mind?

Look, this little detour

has just reinforced the fact

that it's Bailey for me.

His is the only name

on any statement.

And if we stay here

a millennium,

I'm not changing my vote.

That's it.

Right,

the penalty points.

They're an issue.

You seem to be turning now,

yeah.

Yeah,

I'm definitely having doubts.

Right, so remember

I mentioned Marie Farrell

and the penalty points?

Well, that was the first time

a red light went off for me.

That's how it starts

with the guards.

It's like little things

like that.

And then it escalates

and it escalates.

I mean they call

one of their own a pedophile.

Just 'cause he blew the whistle

on the penalty points abuse.

I remember my dad actually

believed that story about him.

"Not one of our own,"

he said, you know?

And a sad shake of his head.

And then, when the truth

came out,

I remember he didn't go

to mass that Sunday.

You know, he...

he never went again.

I remember hearing him say

to my mother,

you know,

"If the top brass could

do that to one of their own,

imagine what they'd do

to somebody who wasn't."

Now, I'm not saying that the...

I'm not saying that

the police are corrupt

from the top to the bottom,

but all I'm saying is...

I'm just, yeah,

I'm just not sure anymore.

All right.

Now we're split down the middle.

Yeah, come here,

can I just get this straight?

A year,

a full year

after Sophie is k*lled,

Bailey confesses to the m*rder

for a third time.

Your man is starting to feel

a bit of pressure,

mentally, he's feeling it.

And he confesses to the m*rder.

Again. I mean, how many times

does this man

have to confess to it

before you actually

start believing?

Well, the only

true evidence we have

of a confession is in the book.

Yeah, but look,

he's only doing that

because he knows

if he gets done for it,

they'll reduce the sentence.

Yeah, but... he never did

confess to a crime of passion.

-I mean...

-Says who?

Well, we have evidence.

That's the only evidence

we have.

There was a cameraman

interviewing Bailey

for a documentary,

of which there was

a journalist attached.

And the cameraman

rang the journalist and said,

"Bailey's talking

about a crime of passion."

And the journalist

went off and wrote

in a hardback edition of a book

that Bailey had confessed

to a crime of passion.

And unfortunately,

the camera wasn't running.

It turns out that the camera

wasn't running,

but the sound was.

And we have an actual recording

of what Bailey actually said.

Sergeant, could you play that

recording of this confession?

And how long has it been

a crime to be eccentric?

How long has it been

a crime to...

I want to go on stage

and be...

You know, isn't that

part of the...?

I mean, it's really weird

that the f*cking French,

who seem to be,

I thought were sort of...

Well, we know that they,

you know, we know, they're...

Extramarital affairs and this,

that, and the other.

Um... I'm surprised

they didn't charge me

with a crime passionnel.

I mean, you know,

if that's what you're saying,

why didn't you just go

the whole hog

and charge me

with crime passionnel?

What's a crime passionnel?

It's a thing in French law

where you can get off

because you were in

a height of passion

when you k*lled your lover.

Wow.

Jesus.

That's nuts.

Check it out.

You don't think I'm making

these things up, do you?

So, the journalist

said Bailey confessed

to a crime of passion.

He's actually saying,

"I'm surprised

they didn't charge me

with a crime of passion."

So this, to me, is like...

It's an example

of how a story can develop.

How could they still print

that sh*t?

Are they little publishers?

No, they're the biggest

in England.

Hm. Fake news is in fashion.

Could there not have been

any legal ramifications

for that, no?

There would be

legal ramifications,

and the defense

of the book publishers would be,

"This man was conv...

is guilty of m*rder."

So, it's kind of like

all this stuff is...

a lot of the things he said

has been taken out

of context and...

Well, I think it kind of...

I don't want to say it,

but it... it undermines

the other confessions

when you hear that

in context, you know?

Okay, let's see where we're at.

If it was a local,

they'd know who it was.

I'm sure of that.

I know nothing about her life.

I know nothing

about her first husband.

Her second husband

is hardly featured in this case.

I just find that really odd.

Quite suspicious, actually.

I think I'm for not guilty.

Okay, let's have

a show of hands then

for not guilty.

I mean, this is going...

the other way entirely.

It's now 8-4.

Come on. Are we all turning now,

is this what's happening?

This is ridiculous.

What about the fire

at the back of the house

where he burned his coat?

- With the buttons?

- Yeah.

But there's no place

in the police reports.

I've looked at every single

thing I can find,

and I can't find

any charred buttons.

But I can find

what the police took from him

when they arrested him

on 10th of February, 1997.

"Property of Ian Bailey.

Green Wellingtons,

blue sweatshirt,

two pairs of denim jeans,

black overcoat."

Now, this is six weeks

after he's supposed

to have burned it

on Stephen's Day.

And what about the coat?

What about the bleached coat?

So now he bleached the coat

on Christmas Eve, yeah?

He wore it on Christmas Day.

You saw the pictures

of Christmas Swim.

You're saying

he burned it on Christmas...

on Stephen's Day,

and the police took it

on the 10th of February?

What, there's three coats?

Maybe there f*cking is.

I have a lot of shirts,

the same ones!

But you don't have

three Crombie coats.

Well, how do you know?

A flamboyant Englishman,

isn't he?

So, he wore one up the hill,

and he k*lled her

and got blood in it.

So, then, to fool everybody,

he bleached the other one.

Then he burnt the third one.

Then he came back.

It doesn't make any sense!

You know, you're right,

it's this mysterious musketeer,

this French musketeer hitman,

isn't it?

Come on. I don't think

there's a hitman.

What I do know,

this was Bailey's big story

of his life,

and he was obsessed with it

because it was his big break

as a journalist.

And now he's been fired.

So he says, "Yeah, I k*lled her

to get a good story."

And you think

that's a confession?

This is my daughter.

I would die for her.

I really would.

And I'd rather die

and leave her alone

in this world...

than to let that wife beater

away and escape justice.

You give them an inch,

they take a mile.

He got away with stalking her

like death

in that long black coat.

That long black coat over there.

The one he was seen in

the night of the crime.

Then what did he try to do?

Bleach it?

Then he tried to burn it.

But he couldn't wash

or burn away his sins.

'Cause God's always watching.

No, I know he k*lled Sophie.

I know it in my heart.

Now we've not guilty,

not guilty.

Not guilty.

Guilty, guilty, guilty.

So, we're 9-3, and Juror 8,

Juror 6 has made a request

to speak in French,

so can you translate?

"So, since I'm here

on this jury,

it feels like the spirit

of Sophie has called me."

You're saying that

you actually like it here

because at least no one is...

mistreating you or hitting you.

"As I said,

I like it here

and I don't want to go back

to Lebanon.

I have taken the decision

to leave my husband.

I think that

we are good people here

and that Jules is a good person.

I don't think she would stay

with a k*ller."

But you're changing your vote.

Ian Bailey... is no--not guilty.

Look, what did she do

on the last day?

According to

this police report,

she went to Three Castle Head,

a lonely spot.

Spent hours there.

Then O'Sullivan's,

tea and scones,

just before sunset.

And she drove home in the dark.

And that was the last

known sighting of her.

Apart from...

the person who took her life.

You know, the one thing

that I can never make sense of

is her shoes.

Why so?

Well...

They... they have laces,

they're boots.

Hold on.

What's he doing?

Okay, so,

she didn't bother

to take her coat

from the back door, okay?

-Yet, she...

-No.

Don't put them on the table.

It's bad luck.

I'm not putting them

on the table.

Jesus Christ.

They're laces, yeah?

So they're laced up.

But she didn't wear socks.

And it's December,

and it's cold,

and she didn't wear clothes.

And she didn't wear that coat.

So, why is she going out

in her night attire,

with her shoes,

and she takes the time

to lace them up?

Huh?

So...

I was wondering

if we tried to figure out,

if we tried to live it,

tried to get into it.

Oh, Jesus. You're disappearing

down the yellow brick road now.

What, do you want to take over?

No, I don't want to take over.

But you're talking about,

"Let's all make things up."

You might as well throw logic

out the window.

That might be a good idea.

Cause all logic has got us

is fighting and arguing

and screaming at each other.

So I just thought

if we tried to live it,

tried to imagine

what happened that night.

Would you try the shoes?

-Me?

-Yeah.

Uh, yeah.

We all gonna start

holding hands in a minute?

Mightn't be a bad idea.

Well, I'm not holding

anyone's hands.

- Why not?

- Because this isn't a seance.

We're in a jury room.

Hey.

Just listen to the lady,

will you?

Go along with her.

Lights out.

I can't. I can't see

really without light.

Can we not turn

on the light or something?

I have the light

the juryman gave us.

She knows she's not alone.

She has to escape.

She takes the time

to put on her boots.

'Cause she can't go barefoot.

The lighthouse flashes.

She is drawn towards it.

She walks over to the window

to think.

What's that?

What?

Could be anything.

It's the door.

What happens

when you hear two knocks?

Make a phone call?

Call for help

from the neighbors.

-Get the hatchet.

-No, he'd hear her.

The man hears

the floor creek.

She sees the lighthouse

and knows now

why she was drawn to it.

She has to get outside.

She thinks she's about to die.

What is this?

No more, number 10.

Go on.

If she did hear somebody

in the house,

what's she going to do?

She would...

not know what to do.

She would be scared.

Look out the window,

think of where to go.

Knowing the doors, probably.

But you can't go

to the door

'cause that coat...

that coat's on the other door.

Why didn't she take her coat?

Why don't you take your coat,

your overcoat?

Because she didn't want

to go far.

She was only going

to the... to the gate.

Yeah.

To open the gate?

To see if someone is there or...

to distract

from the house, maybe.

Why does she not

go to the neighbor?

There are no neighbors.

There's no mommy, no daddy,

no mercy, no love.

She's on her own.

Anyway,

whatever happens,

she goes out with

very little clothes on.

With her boots on.

It's just so sad.

Very sad.

He hears her

and follows her.

There's a fight.

He's choking her.

She's looking

into the face of evil.

Everybody understands

the victim.

Everybody understands

the need to cling to life.

Why the rock?

It's cold-hearted.

A warning to others.

This is what happens

if you talk too much.

And there's no sexual attack.

The violence is the sex.

And it's not a crime of passion.

It's a crime of revenge.

All right.

So, we're not guilty.

Not guilty.

This is what I expected.

Not guilty.

Not guilty.

Not guilty.

How many? Does anybody know?

Not guilty.

Not guilty.

Not guilty.

Guilty.

Juror 10.

Look...

...half of you

are off your heads.

All right?

But some of you are sound.

And...

I believe you when you say

you're not sure.

When you say he's not guilty.

And after hearing so much,

both ways,

that I don't know

what's going on anymore.

I've had enough.

I've had enough.

I've had enough.

And I can't say for sure...

that he's guilty, so...

I voted not guilty.

So...

Juror 3.

What are you thinking?

Nobody wants

to face death

when it's looking right

into your face.

Sometimes you think you're

following a person, but...

It's a ghost you're

trying to catch up with.

I can still hear

my father's footsteps

the night he died.

How did he die, Juror?

He died

by his own hand.

No foul play.

Referee blew the whistle

and his game was up.

He was a powerful man,

but he was at w*r with himself.

Can I put on

that long, black coat?

Every one of us

is capable of m*rder.

That's why when

we look in the mirror,

it's Bailey looking back at us.

The fella that I followed

in the car...

he was an Englishman, too.

He was my mother's...

He was my mother's fianc.

I, uh...

I woke up

one Mother's Day morning

and there was blood

all over her bed.

He beat her within an inch

of her life.

So, I followed him.

All the way

to his brother's house.

And I got a steel baseball bat.

I put him to hospital,

where he died twice

on the way.

He never walked properly again.

Bailey's like him.

Just like him.

Take the rock.

What?

Take the rock.

Now come closer.

Okay.

And now...

try to hit me.

- Wait...

- No, it's okay.

I... it's not... I'm not...

I mean, not really. It's just...

I think it's good for him, so...

-What?

-What are you...

Could be an accident.

See?

I'm sorry.

It was my fault.

It was my fault.

I wasn't there.

Um...

-I wasn't there to protect her.

-No, that's wrong.

No, listen, it was my fault.

I wasn't... I wasn't there

to protect her.

She protected me her whole life,

and I wasn't there to stop him.

It's okay.

It's okay.

It's not your fault.

It's really not

your fault, okay?

It's really not your fault.

You remind me of her.

She had integrity.

But you see, I think...

what you did,

you had a lot of reason to do.

And I don't think

Ian Bailey had...

I don't think he had this, uh...

much of a reason, you know?

And as much

as we can forgive you,

I think we should...

be fair.

-No?

-Yeah.

Uh...

He's...

He's...

He's n... he... he's...

He's not guilty.

Sorry.

Take off the coat.

I don't... Can we...

I want to put this away in

the corner in the store room.

-Yeah?

-Yeah.

-Now what do we do?

-You okay?

Sit down.

I think we've all

exorcised some demons.

We know that

there's unknown male DNA.

We know that

from the French forensic report.

We know that

that's not Ian Bailey.

We know that Marie Farrell

gave an affidavit,

naming another suspect.

And as far as we know,

nobody has ever spoke to him.

They certainly

haven't asked him for his DNA.

So, I don't know how we can

take the responsibility...

of...

being definite

in either yes or no.

I mean, if they would release

the DNA they have publicly,

we could limit it.

The person might be

from the Baltic,

he might be from the Balkans,

might be Chinese, Indian,

he could be French,

he could be English,

he could be Irish.

I mean, I'm not saying

Ian Bailey is innocent,

but I am saying we can't come

to a proper conclusion

because there hasn't been

a proper investigation.

And there's only been

an investigation on one island.

And in three square miles

of an island.

So...

I think without

a proper investigation,

we can't come to a conclusion.

We're a hung jury.

We send it back to them,

we ask them to do

the investigation,

and we go home.

We go home.

Hello?

Okay.

Well?

I think we've reached

our decision.

Ian Bailey,

poet and journalist,

passed away today,

the 21st of January at 12:00.

He was 66 years of age

at the time of his death.

He died of natural causes.

Where will he be buried, Frank?

Uh, his body is in the custody

of his sister, Kay.

Are you ready?

Yes. Thank you.

You want nobody there,

not even yourself.

Let God be a witness.

This way.