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12x05 - Ultimate Tut

Episode transcripts for the TV show, "Secrets of the Dead". Aired: May 15, 2000.*
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Mysteries involving notable historical events, people and locations are scientifically examined.

12x05 - Ultimate Tut

Post by bunniefuu »

ANNOUNCER: Coming up,
a groundbreaking investigation

is changing everything
we thought we knew

about Tutankhamun.

WOMAN: 9 years old,
and he is sitting

on one of the greatest
thrones in the ancient world.

Tut was a warrior.

These are battles that
he was involved in.

ANNOUNCER: The most advanced
scientific tests uncover

how the young Pharaoh died.

He fell down
from the chariot.

MAN: The heart was
badly crushed.

They couldn't even use that

as part of his passage
to the afterlife.

ANNOUNCER: A new analysis
of his burial reveals

what happened to Tut
after he died.

WOMAN: So there are just
so many things wrong

in terms of royal
mummification.

WOMAN: The face was
cut off and replaced

with the face
of Tutankhamun.

MAN: This is definitely
an explanation

for the charring
on the mummy.

ANNOUNCER: And a surprising
theory explains

the survival of Tut's tomb.

WOMAN: Every royal tomb
had been robbed.

Tut's still remained
relatively untouched.

ANNOUNCER: "Ultimate Tut"
on "Secrets of the Dead."

WOMAN: This is
the enduring mystery of Tut.

"Secrets of the Dead"
was made possible

by contributions
to your PBS station

from viewers like you.

Thank you.

NARRATOR: In 1922,
workmen stumbled

upon the greatest
archaeological find
in history...

the tomb of Tutankhamun...

the most famous Pharaoh
of ancient Egypt.

His life and death
are shrouded in mystery.

Now Egyptologist Chris Naunton
is reexamining

the excavation's
original notes and photographs.

His mission--to reveal
the boy king's ultimate secrets.

NAUNTON, VOICE-OVER: I want to
be able to separate the myth

from the real story.

I really want to get
to the bottom of this.

NARRATOR: Helping his quest are
leading forensic scientists...

That is a lot
of smoke.

This is absolutely
incredible.

NARRATOR: cutting-edge
computer software,

and the latest
high-tech imaging equipment.

In the most comprehensive
investigation ever done,

the team will reassess
the data from every angle.

There is a whole new story
that has not been seen before.

[Horses neighing]

NARRATOR: The search
will reveal amazing answers

to the enduring questions

who was Tutankhamun...

why was his tomb found
virtually intact,

what makes his mummy unique,

and how did he die?

Egypt, land of Pharaohs.

It was here
more than 90 years ago

that Howard Carter made
his sensational discovery...

the tomb of Tutankhamun.

What Carter discovered
was worth a staggering sum,

nearly a billion dollars.

The world was enthralled
with Egypt's Golden Pharaoh,

yet nearly a century later,
the exact circumstances

of Tut's life and death
remain a mystery.

For Egyptologist
Chris Naunton,

this enduring puzzle has fueled
a lifelong fascination.

In his attempt to finally
answer the questions
surrounding the boy king,

he has gained access
to Carter's original
notes and photographs.

NAUNTON, VOICE-OVER:
The main reason why there are

still so many
unanswered questions

about Tutankhamun
and his burial

are that ultimately
the immensity of the discovery

defeated Carter.

In the years remaining
of his life,

he spent all of his time
documenting the objects,

but then he died
not having got to the point

of final publication.

His notes were simply
boxed up and put away
and almost forgotten,

and people simply haven't
looked at that material

and tried to answer
these questions.

NARRATOR:
Scouring Carter's material,

Chris is now discovering
a number of clues

that suggest something
out of the ordinary

in Tutankhamun"5 burial.

Certain aspects of the burial
are anomalous.

So for example,
objects in great quantities

deposited in the tomb in
a somewhat disorganized manner.

We can see that
from the drawing here.

NARRATOR: Despite all
of the items inside,

the tomb itself is tiny.

Other royal tombs Carter
studied at the time

contained
long entrance corridors

and large burial suites,
often with pillared halls.

There is nothing like this
in the tomb of Tutankhamun.

The tomb of Tutankhamun
is substantially smaller,

and it's much,
much simpler, as well.

NARRATOR: There is also
something mysterious
about the mummy itself.

NAUNTON: The photographs
that we have of the mummy show

that it seems to have been
in a pretty unhappy condition

when it was discovered,
and Carter notes that

"Here and there were
a number of lightly
wrapped pads of linen,

the linen being reduced
to the consistency of soot."

There are lots of unusual
aspects to this burial,

lots of questions still
unanswered, in fact.

NARRATOR: With these first clues
and other details gleaned

from his study of the notes,

Chris begins his quest
to solve the mysteries
of Tutankhamun.

He starts at the spot
where Carter made his
momentous discovery--

Egypt, the Valley of the Kings.

Beneath the valley
lie tombs belonging

to ancient Egyptian Pharaohs.

Many are vast and complex,

consisting of a warren
of interconnecting chambers...

like the tomb of Ramses VI
carved into the hillside
just above Tut's tomb.

At the base of the valley is
KV62, the tomb of Tutankhamun,

a modest affair
with just 4 chambers.

One of the most popular
attractions in Egypt,

it receives thousands
of visitors a day.

To ChrisI trained eye,
nothing here makes sense.

These bizarre features
are vital clues

to the real Tutankhamun story.

The first thing that strikes
you about the tomb is

that it's really not
very big at all.

It's not the kind of size
of tomb you'd expect
a king to be buried in.

In fact, it's a bit more
like the tomb of a noble.

NARRATOR: But Carter and
his benefactor Lord Carnarvon

found a treasure trove crammed
into an impossibly small space.

In the antechamber,
they discovered goods

the king would need
in his afterlife--

chariots, weapons,
couches, and chests.

In the annex, they found
more of the same.

In the burial chamber,
they found a nested set
of 4 shrines.

Within the innermost shrine
was a stone sarcophagus.

It contained
3 nested golden coffins

and the mummy of the boy king.

Well, this ch*nk here
in the wall was the result

of the very large series
of shrines being moved
into the burial chamber

as these shrines are enormous.

There was only
30 centimeters' gap

between the outermost shrine
and the wall,

so the people responsible
for the burial would have had

a devil of a job to get
all this material in there,

and in fact, the only way
that they managed to do it

was by removing
this chunk of wall.

It shows that this tomb
was not designed

to house these shrines.

They were meant
for somewhere much larger,

they were meant
for somewhere else.

NARRATOR: Chris also notices
the lack of embellishment
on the walls themselves.

NAUNTON: The decoration
in the tomb is really
very sparse.

The burial chamber is
the only part of the tomb
that is decorated.

The figures are very large.

There's quite large areas
of undecorated wall space

in between them.

Normally in the tomb of a king,
you would expect

a large quantity of very
esoteric religious texts

relating to the passage
of the king from life to death.

NARRATOR: Nothing in the tomb
seems fit for a king.

And there is
something remarkable
about the coffin, too.

The feet have been hacked off
to fit it into the sarcophagus.

And Tutankhamun's tomb
is not the only part

of this mysterious burial
with a hidden story.

Inside the sarcophagus,
Carter found

the most iconic object,
Tut's death mask...

but even this treasure has
a dark secret,

which archaeologists are only
just beginning to reveal.

To find out more, Chris is
meeting with Yasmin El-Shazly
of the Cairo Museum.

So this is one
of the most iconic
objects in the world.

People come to see this
in the thousands
every year,

but there's more
actually than meets
the eye, I gather.

Exactly.
It's a very famous piece.

People look at it
for its glamour,

and they rarely
really study it,

and in fact,
it's only recently
been properly studied.

Really"?

If you actually look
very closely

at the object
from over here,

you'll see signs
of riveting and soldering.

Uh-huh.

NARRATOR: Inside the mask,
where few people look,

is a vital clue
for the investigation,

evidence of how the ancient
craftsmen joined

the front face,
the image of Tutankhamun,

to the headdress behind.

You can also see them
here where the face
attaches

to the nemes headdress.

Oh, you can see that
really clearly.

Yeah. Right along
the line there, right.

So these are--
these were actually
separate pieces.

This is not one
single thing. Right.

Yes, yes. Exactly.

NARRATOR: A closer look
at the mask shows

that the headdress was made
separately from the face

using different materials.

Other interesting things
about this object

are that the inlays
in the nemes headdress

are made out
of colored glass

while the blue inlays
in the eyebrows

and cosmetic lines are made
out of lapis lazuli.

Looks very similar,
actually different
materials.

Different material.
Right. OK.

Which is very unusual...
Yeah, right.

because usually when you
have one object

and you're inlaying it
with a certain color,

it's usually--
you usually use
the same material.

Yeah.

NARRATOR: This unusual use
of lapis and glass tells Yasmin

that the headdress and face
were made at different times.

Another thing is that
the ears are pierced.

We know that only
women and children
wore earrings

from the art,
the surviving art
from ancient Egypt.

Adult kings did not.
Really?

Yeah.
Right.

NARRATOR: Whoever buried Tut
tried to pass the headdress off

as a man's.

When this was found
in the tomb,

the earlobes were blocked
with gold leaf.

Putting all of these
things together,

what does
this tell us?

OK. The theory is
that the mask wasn't
originally made

for Tutankhamun...
Really?

and that the face
was at some point
cut off and replaced

with the face
of Tutankhamun.

Right. OK.
So everything
other than the face

may belong
to somebody else,

and it's just that
they put his image
on over the top,

and hey, presto,
we think of this

as being
Tutankhamun,
but it's not.

Exactly, and it was
a woman because we know

that only women
and children wore earrings.

Adult kings did not.

Really? Wow.

NARRATOR: The headdress
of Tut's famous death mask
with its pierced ears

was made sometime
before the face itself

and was originally designed
for a woman.

Some Egyptologists believe
that his middle coffin

was actually made
for his stepmother,

the Egyptian Queen Nefertiti.

It's a theory that's
never been tested until now.

In Riverside, California,
Professor Amit Roy-Chowdhury

works at the cutting edge
of facial recognition software,

developing programs
for security firms
and the military.

Using the latest technology,
he aims to determine

whose face is represented
on the middle coffin.

ROY-CHOWDHURY, VOICE-OVER:
So the question that we
are going to answer is

do the features
of the middle coffin

match the Nefertiti mask better

or the Tutankhamun
death mask better?

NARRATOR: To compute
the similarity
between two faces,

the software identifies
and maps the facial features
of both individuals.

Professor Roy-Chowdhury
starts with Nefertiti.

ROY-CHOWDHURY: So this is
a face mesh in blue,

and on this mesh,
we have marked the features

that are of interest--

the corners of the eyes,
the mouth, and so on.

And when the mesh is completely
aligned with the face,

the computer now knows
where those feature points are

on top of the face.

NARRATOR: From the mesh,
the computer identifies

crucial areas of the face,

giving a signature pattern.

The process is repeated
with the Tutankhamun death mask.

Now Professor Roy-Chowdhury
has a unique pattern

for both faces.

The purpose of doing this
is to come up

with an objective measure
and a number.

This number cannot be obtained
just by staring at those faces.

We can have some idea
that they're similar,

but by doing this process
of coming up with the signature,

you are coming up with a number.

NARRATOR: The distances
between the signature points

are tiny, ranging
from 2-4 millimeters

because essentially
most faces are similar.

For the computer,
these differences

are statistically significant.

So how does the Tutankhamun mask
compare with the middle coffin?

ROY-CHOWDHURY: The middle coffin
shows a 65% or even lower

similarity with Tutankhamun,

which is what you
would probably get

if you just take
two completely unrelated people.

You might still get
a 60%-65% similarity.

NARRATOR: So what about
the Nefertiti bust?

How does that compare?

ROY-CHOWDHURY: We see actually
that the middle coffin shows

an almost 85% similarity
with Nefertiti.

This gives us a very high level
of confidence in saying

that the representation
in the middle coffin

does indeed resemble
the representation of Nefertiti

that we had started off with.

So these results are great,
and they provide solid numbers
to stand behind those theories.

NARRATOR: The work at Riverside
is the most convincing evidence

yet that Tutankhamun was buried
with secondhand grave goods.

And one treasure found
in the tomb reveals

that Tut's identity changed
even during his lifetime.

This throne found
in the antechamber
bears a different name.

The hieroglyphs spell out
the name Tutankhaten.

At some point during his life,
Tutankhamun changed his name.

And why would he be buried
in his stepmother's coffin

in a tomb unfit for a Pharaoh?

Had he fallen from grace
with the priesthood,

guardians
of the sacred afterlife?

To answer this question,
Chris needs to investigate
Tutankhamun's early years.

Chris is heading south to Luxor.

He wants to learn more
about Tut's childhood,

which coincided with
the greatest political storm

of ancient Egypt.

Melinda Hartwig is an expert on
this period in Egyptian history.

HARTWIG: It is a time
of shifting loyalties
and religious upheaval,

of civil sort of unrest,
of wars being fought.

This is the enduring mystery
of Tut that continues

to hold our fascination.

NARRATOR: Melinda is going to
show Chris around Luxor Temple,

the heart of ancient Thebes,

Egypt's religious capital
for more than 1,000 years.

It was a sacred site that
Tutankhamun's father destroyed.

Akhenaten's generally
accepted to be

the father
of Tutankhamun.

What's also fascinating
about Akhenaten

is that he proclaims
this new religion

focusing on one
sole god.

NARRATOR: Akhenaten was one of
the most controversial figures

in Egyptian history.

He banned the worship of
Egypt's most popular god Amun.

Then he ordered Egyptians
to worship a new god,

the sun disk Aten,

and he even named his son
after the deity.

HARTWIG: Chris,
I want to show you
something here.

This throne...
Mm-hmm.

Was found in the tomb
of Tutankhamun,

but what's interesting
about it is that it
is inscribed

with the name
Tutankhaten,

and this name was
given to his son
by Akhenaten.

NARRATOR: Thebes was
the spiritual home
of the god Amun,

previously head
of the Egyptian pantheon,

but after banning
the worship of Amun,

Akhenaten had
the Amun priests arrested.

Evidence of this moment
in history has been preserved

in the stones of Luxor Temple.

You can see here
it's very, very well
kind of shown

where he completely
hacks out the name
of Amun.

So, I mean, it's clear
that it's really--

it's a vendetta almost
against the god.

Yeah. Absolutely.

NARRATOR: To create
a clean slate

for his new religion,

Tut's father moved the capital
200 miles downstream

along the Nile
to a deserted stretch of desert

now called Amarna.

Here he constructed
a monumental new city
from scratch.

HARTWIG: Akhenaten
was charismatic,

but when you start looking
at the whole Aten revolution,

you realize how narcissistic
it actually was.

I mean, here you have a king
who is really the sole focus
of a religion

and that the religion
is not only about the Aten

but it's also
about the power of the king.

NARRATOR: In just
a few short years,

Amarna came to rival
the greatest cities
of the age.

Akhenaten imagined
these changes would last
for centuries.

He even named his son
Tutankhaten--

Living Image of the Aten.

For several years,
the boy prince must have
had a carefree childhood,

spending time with his sisters,
including Ankhesenamun,

4 years older than him,
who he would eventually marry.

Then his father Akhenaten died.

[People chanting
in foreign language]

Tut's story now turns
to the ruins of the city
at Amarna,

which showed the moment
when the boy prince took
up his birthright.

This signet ring
was engraved

with the throne name
of Tutankhaten,

and it was found
at Amarna,

which would indicate
that the king was crowned

while he was at Amarna
because he would not have
received his throne name

unless he was crowned.

OK. So this suggests
that he became king

while the capital
city was still
where Akhenaten

had wanted it to be.

Exactly, exactly.

Wow! Interesting.

NARRATOR: In his father's
city at Amarna,

the young prince
was crowned Pharaoh.

HARTWIG: So at the
moment of Tutankhamun's
corronation

he is all
of 9 years old,

and he is sitting on one
of the greatest thrones

in all
of the ancient world.

That's quite a tall
order for a young boy.

Absolutely.

NARRATOR: And things were not
going well in Akhenaten's

brave new world.

At Amarna, burials
have been found

of ordinary people
with severe malnutrition,

spinal injuries,
and stunted growth.

The average age of death was 22.

There is even a suggestion
the city was struck by a plague.

For the rank and file,
the experiment in Amarna
wasn't working.

Akhenaten's dream
had become a nightmare.

HARTWIG: You have to
think about this
poor little boy.

His father's utopia is
sort of crumbling
around him,

and he is watching
perhaps a plague
coming through Amarna

that's taking some
of his family members.

You know, this huge
burden now rested on his
9-year-old shoulders...

and of course,
he's feeling isolated,

and what else would he
do but turn towards
his trusted advisors?

NARRATOR: Tutankhamun's
chief advisor was his vizier Ay.

HARTWIG: Ay would have
been 61 at the time that
Tut was crowned king.

He served in the court
of Amenhotep III.

Then he served
under Tutankhamun's
father Akhenaten,

and then of course,
he is the very, very
close advisor to Tut

during Tut's life.

Egypt is in a state
of economic as well
as religious turmoil,

and so we are pretty
sure that Ay was
pulling the strings

and really pushing Tut
towards this ultimate
conclusion,

which was the Aten
religion did not work.

The only way to
continue Egypt was

to follow the continuity
of the old gods,

and this is
what Tut did.

NARRATOR: Shortly
after becoming Pharaoh,

young Tutankhaten made one
of the defining decisions

of Egyptian history.

He abandoned his father's
city at Amarna

and moved the center
of worship back to Thebes,

modern-day Luxor.

Today, all that remains
of Akhenaten's once proud city

is a bunch of mud bricks,
some temple foundations,

and a carved stela
marking the boundary.

Tut's move signaled
a return to the past.

His father's reforms
were abandoned.

For Tut, it must have been
extraordinarily difficult

for him to turn his back
on what his father had done.

I mean, as a 9-year-old boy,
you hold your father

in such high regard,

and to completely turn your back
on those policies,

to go back to the enemies
of your father and say,

"Well, let's go ahead
and make up,"

it must have been
extraordinarily difficult.

NARRATOR: But Tut went further
than just making peace

with the priests of Amun.

Radically, he changed
his name to show

the depth of his support.

Tutankhaten means
the Living Image
of the Aten,

and he changes his name
to Tutankhamun,

which means
the Living Image
of Amun.

That's a pretty close
name to the god Amun

if you're trying to
show an allegiance
to him.

NARRATOR: By adopting
the name we are familiar
with today, Tutankhamun,

the young king allied himself
with the god Amun,

but that wasn't all he did
to show his support
for the Amun religion...

as this corner
of a Karnak temple testifies.

Here we have
the statue of Amun

and yet with
the features
of Tutankhamun,

which pretty much
shows just how far
Tutankhamun has come,

completely embracing
the old god Amun Ra

to the point that he's
actually representing
his own face

on the statue
of the god Amun.

NARRATOR: Tutankhamun had
reinstated the priests,

restored stability
to the country,

and was represented
as the supreme god of Egypt.

He would have been a hero
to the nation,

so why instead of having
a magnificent tomb
like Ramses VI

was Tut hidden away
in a few rooms

at the bottom
of the Valley of the Kings

with a bunch
of secondhand grave goods?

Can his mummified remains
provide the answer?

[Indistinct chatter]

In 1968, Tutankhamun's
skeleton was x-rayed

by a team
from Liverpool University.

To their surprise,
they found loose bone fragments

inside the skull.

They also saw a thinning
of the bone they believed

was evidence
of a brain hemorrhage

at the base of the skull.

And this could have
been caused by a blow
on the back of the head,

and this in turn could have
been responsible for death.

NARRATOR: It appeared Tut was
the victim of a brutal m*rder...

but in 2005,
new tests were performed.

The 3,000-year-old mummy
was given a full CT scan.

The team, led by radiologist
Dr. Ashraf Selim,

were looking for further clues
to support the idea

of a blow to the head.

Now Chris is in Cairo
to meet Dr. Selim.

He wants to see if
the CT scan results verify

the 1968 conclusions.

SELIM: This was
the main objective,

looking for
the depressed fracture,

which actually we couldn't find
any depressed fractures

in the skull.

NARRATOR: The 2005 team found no
evidence of a blow to the head.

As for the bone fragments
inside the skull,

they discovered that
they had been broken away

from the neck vertebrae
during the excavation

when Carter
dismembered the mummy.

They somehow then got
into the skull

when the head was
reattached to the body

after the removal
of the golden mask.

m*rder didn't seem to explain
how Tut died,

but they did find
something else.

SELIM: We noticed
a peculiar fracture

that we saw in the lower part
of the thigh bone

on the left side.

The edges of the fracture
are coated

by a thin layer
of resin.

So we started to think,
"How could resin get
inside the bone

and coat it unless
he suffered from
an open wound fracture?"

And when it comes
the day of the mummification,

they rinse all
the body with resin.

Some the liquid resin
got inside the wound,
down to the bone,

and coated the edges
of the fractures.

NARRATOR: The wound was
still open and bone exposed

when Tut was mummified.

Tut clearly suffered
some sort of traumatic impact.

It has to be
a severe trauma,

like for example
riding a chariot,

and he fell down
from the chariot.

Yeah, this is an assumption,
but it seems logical

because at that time
a king would be fond
of riding chariots,

and he fell down
from it.

NARRATOR:
Now a dramatic discovery

among the carved blocks
at Luxor Temple provides

an exciting new clue
that may explain Tut's death.

These pieces of a carved relief
broken and reused

in the years after Tut
have been pieced back together.

They reveal a new image
of the boy king

and provide a missing piece
of the puzzle.

The key block is
the one that we see right here,

and that shows
Tutankhamun

with his hand drawn back
ready to sh**t a bow,

and we can see that, in fact,

this is part of a huge

battle narrative showing
that he was not alone.

Tut was, in fact, part
of a larger scene

that shows him
in full battle.

[Neighing]

[Men shouting]

In these reliefs,
you see some very
specific details

like the hands
of enemies that
have been skewered

through spears almost
like shish kebabs.

You can see people
falling off a citadel,

and in fact, on a boat,
you can see the image
of a caged Asiatic,

who is just being

literally suspended

on the prow of a boat.

But what is really
interesting about these

is vivid details
of the battle carnage,
as we see here,

indicate that
these are actually
historical events

as opposed to more
imaginary events.

[Men shouting]

It would make you think
that Tut was a warrior

and that these are
battles that he was
involved in himself.

Hmm. Mm=hmm

NARRATOR: For the first time,
we have evidence

Tut was a warrior
fighting in battles.

[Neighing]

Could the carvings
explain his death?

These blocks may
show us that Tut
did die in battle

and that the wounds
that were sustained
during that battle

led to his death.

NARRATOR: But is there
evidence in the mummy
to support this theory?

What sort of battle injury
could have caused his death

that wouldn't have been obvious?

Dr. Robert Connolly
of Liverpool University worked

with the team
that x-rayed Tut in 1968.

He has recently gone back
to the original plates

and discovered something
extraordinary about Tut's body

that seems to have been
overlooked at the time.

This x-ray is
of Tutankhamun's chest.

Several immediate features.

First of all, there is
no sternum or breastbone.

That is completely missing,

and many of the ribs
on the left-hand side
have been broken away.

Some of the ribs
on the right-hand side
have been broken.

Others have been cut.

One interesting thing is
there is no heart.

This is almost unique
as far as I know
in royal embalming.

The heart was always replaced,

it was always
carefully mummified,

and there was
usually a heart scarab
associated with it.

There isn't in Tutankhamun,

so I suspect that the heart
was exceedingly badly crushed,

and so they couldn't
even use that as part

of his passage
to the afterlife.

NARRATOR: To pull
these threads together

and try to solve this puzzle,
Chris has come to England.

He's at Cranfield University's
forensic department.

Here a team of scientists
is combining all the data

from the original scans
and x-rays

from the last 90 years.

They have created
a simulation of Tut's body

in a virtual autopsy using
this unique technology.

It is a medical
image display system.

NARRATOR: This will aid
the most comprehensive
assessment ever carried out

into Tut's death,

and the team hopes to solve
the mystery once and for all.

This allows us
to kind of explore
the body

as if it was
really here.

Can we see inside?
Can we get a sort of
better look at that?

Yes. We can do that.

We can demonstrate
some of the damages.

Rib cage removed

and pelvis removed.

Right. Can you explain
what's going on here
where these are missing?

I mean, what kind of
caused that,

how's that happened?

So it looks like
there's a lot of damage

on the left-hand side
in particular.

we've got really quite
extensive damage

to the rib cage
on the left-hand side,

which is where
the heart is...
Right.

but the skull
and interestingly
the left clavicle

is still intact.
Mm-hmm.

We also have damage here.

The whole
of the left ilium,

the iliac blade,
is missing.
Right.

So could I draw on
where it should be?

This part of the pelvis
is missing.

OK. So of course
it should match
this side...

It's symmetrical,
exactly.

but it's just gone
completely. Right.

And we have a fracture
to his left knee, as well,

just above the knee.

And you mentioned that
the heart would be--

it would be around here,
did you say?

Yes. Shall we
draw it on?

Yeah. Could we?

OK. So the heart would be
about here.

Right. And that's
right in an area

where we've got
a bit of damage
actually.

The damage is concentrated
over that point, yeah.

The heart actually
was missing

in the mummy
of Tutankhamun,

which is very,
very unusual,

so why would it--
why would it be?

I mean, that
corresponds
to the damage.

Perhaps the heart
itself was damaged.

It's very likely
that if there was

serious damage
before death focused
on the left-hand side

that his heart
would have been damaged.

For example, if he received
force coming

from the front
of his rib cage,

it's likely that ribs
would splinter

and could pierce
his lungs

and possibly pierce
his heart,

and therefore,
it could be quite
easily damaged,

and, yes, I would presume
likely to be removed
by embalmers.

OK. If that hypothesis
is right

and the heart was
badly damaged enough

to have been taken away,
it would have had to

have been a really
serious--

The damage
would sort of
be extensive.

So why is it that all
the damage is

on this sort of narrow
strip here?

I mean, what--
what could that have been?

I don't know if
it's far-fetched,

but could it be
a wheel running down

on that side
of the body?

NARRATOR: The only wheeled
vehicles in Tutankhamun's time

were chariots.

Could a flimsy wooden wheel
really cause the damage seen

in the virtual autopsy?

Chris is meeting Mike Brown
from Advanced Simtech.

They specialize
in computer modeling
of traffic accidents

for court cases
and auto safety investigations.

With detailed CGI models,
they can chart the forces
operating on a human body

in a number of catastrophic
accident scenarios.

[Tires squeal]

[Glass shatters]

The software is
the linchpin to this.

We use the software
to help us understand

this initial problem
and then to come up
with a scenario

that would match
all the evidence.

NARRATOR:
For the first time ever,

Mike plans to see
if the same software

can analyze the scenarios
involving a chariot crash.

Maybe these tests
will shed light

on what happened to Tutankhamun.

The first thing
Mike needs to do

is understand
how a chariot moves.

Are you trying to
stand over the axel...

Over the axel you're
gonna be, yeah.

or are you gonna
be forward?

How will you spread
your weight?

You're gonna have
most of your weight
over the axel.

NARRATOR: He's come to meet
a group of stunt riders

who have a replica Egyptian
chariot he can use

for his virtual reconstruction.

I'll let you know
just before the scanner
comes across onto you.

NARRATOR: With a laser scanner,
he builds a 360-degree image

of the chariot with a driver

and then inputs it
into the software.

BROWN: All right. It's
just about to come back
onto yourself, Jack.

NARRATOR: He also attaches
an accelerometer

to measure the chariot's speed.

[Indistinct]

NARRATOR: Mike films
the movement

and records the data
as the chariot is driven

on a number
of different surfaces.

BROWN: Initially, I'm quite
happy with what I can see.

I'm looking at some
of the acceleration pulses,

I'm looking at the change
of motion,

and, yeah, everything
seems quite interesting.

Hopefully what we'll do now,

we'll take this data
back to the office,

we'll interrogate it
and get it ready

so we can take it directly
into the software

and then see what we can
reproduce for Tutankhamun's
reconstruction.

NARRATOR: Using the information,
he wants to re-create

an accident that matches
the trauma pattern in the mummy.

With the same precision
he would use for a car crash,

he runs a number of simulations.

Modeling
the chariot scenario.

If I can just show you
some of the work that
we've been doing.

The first example is
the rider standing
on the chariot.

The chariot strikes
an object on the ground.

Whether it's a broken bit
of something else or a rock,

it's just sufficient
to tip the chariot over.

The rider's unbalanced.

He's then thrown
straight out of the chariot

and effectively
then just travels
across the ground

until he loses
his forward momentum.

There's quite a major
level of injury we'd expect

from a scenario
such as that.

The predominant injury
is a head injury.

We're also getting
general trauma right
across the body,

but the head injury's
the critical thing.

OK. And that doesn't
match of course with
what we're seeing here.

In the mummy of Tutankhamun,
there's no damage to the head.

NARRATOR: Simply falling
from a chariot

couldn't have caused
the injuries seen in the mummy.

The next model shows Tut
lying on the ground
and being run over,

but whichever way
the chariot struck the body,

it didn't produce the specific
straight line injury pattern

to the pelvis and torso
displayed in the mummy.

For Mike, there was
one last scenario to try.

BROWN: The scenarios
we can see here

has the rider
on the ground,

not lying as he was earlier.

He's now on his knees.

Whether he's attempting
to get up or look around

we're not too sure,

but what it allows us
to do is to get

a direct impact
of blunt trauma

across the main torso.

We have the wheel coming
into impact

on the left-hand side
of the pelvis

and the left-hand side
of the chest.

We've carried out several
different variations on this.

What we're seeing here
is the scenario

that we believe
matches the closest.

So are you both
happy that this
kind of blow

gives you the trauma that
we see in the right places

but also misses
the parts of the body

that are
apparently untouched?

It's a very good
combination
of injury.

It fits the facts
and the symptoms
we see here,

and it also is
severe enough
to cause death.

Yes.

Wouldn't you
say, Mike?

That's a good question.
I mean, is it enough?

Is this a serious
enough accident?

Everything's
in the right place,

but is it enough
to k*ll somebody?

You've got critical
organs behind the rib cage,

the level of trauma,
the force that's
being applied

directly onto the chest,
we're compressing the ribs,

possibly breaking the ribs,
and hence behind there,

we have the lungs,
the heart,

organs that are
critical to survival,

and hence this person
in the modern world
would be hospitalized

and would then
need treatment.

NARRATOR: Mike has produced
a simulation that replicates

the injuries seen
in the mummy...

[Men shouting]

and it fits perfectly
with the b*ttlefield scenario

of Tut kneeling to get up
if his own chariot was damaged

and then being mowed down.

Now Peter Zioupos wants to do
a real-world bone test

to see just what sort
of damage would be caused

by the forces seen
in Mike's model.

What do we have
here then?

This is a drop tower.
OK.

So what we've got here
is a machine

that can move
at high speeds,

and what we have
done here

is we have programmed it
based on the parameters

that Mike has created
in his simulation model.

Ah, OK.

NARRATOR: The machine drives
a bar downward

with the same force
a chariot wheel would have

traveling at 26 miles per hour.

To simulate Tutankhamun's ribs,

Peter is using a rack
of pig ribS,

similar in size and strength
to human ribs.

Let's...

Wow. That's--

Clean cut through.

Pretty comprehensively
broken, isn't it?

Yes.

What would this do
to the tissue that's
behind the ribs?

Oh, it would perforate
through the lungs.

It would go
straight through.

There's no doubt
about it.

And so that would be
enough to get
behind the lungs,

say, to the heart.

Absolutely.

NW .

NARRATOR: The results
are analyzed

by impact trauma expert
Ian Horsfall.

You can see here
the load is about
800 Newtons.

That's about
80 kilos load,

and they've
displaced about
12 millimeters,

about 1.2
centimeters,

then fractured
quite cleanly

and been pushed back
into the support
behind.

So what would
the result of
an injury like this be?

I mean, how serious
is this?

Well, potentially
quite serious

because those are
going to push
through

into the lungs,
so there's

a fairly
good chance that
that would cause

the lungs to
collapse later on,

added to which
any other organs
that were struck,

such as the heart,
could be damaged.

There's also
a danger of tearing
major blood vessels

such as the aorta
inside the chest,

which would cause
very quick death.

So there's not much chance
that somebody suffering
an accident like this

would come out
of it alive?

Is that fair?

I think there's
a fair chance
they would die

from this, yes.

[Men shouting]

NARRATOR: The evidence
from Cranfield suggests

that Tutankhamun could easily
have died on the b*ttlefield.

Like all Egyptian kings,
he was then prepared
for mummification,

and the missing heart
in the mummy adds weight

to the suggestion the torso
was severely damaged.

According to Egyptian
mummification expert
Salima Ikram,

the embalmers would only
have removed the heart
if it were badly damaged.

It must have been crushed
beyond recognition.

IKRAM: For the Egyptians,
the heart was the most
important thing

because they believed
that was the seat

of intellect, of emotion,
of character, of your soul,

and so the heart was left
in the body

because it was needed
in the afterlife

when you would face the gods
and they would judge you.

Tutankhamun is probably unique
in being the only royal mummy

not to have a heart intact,

so it is very peculiar
that the heart is not there,

and it is very significant
because this is something,

a key piece of your body
that you need

for survival in the afterlife.

The Egyptians
mummified their dead

because of course they believed
that you live forever,

and the afterlife
is an eternal life,

and so you needed to have
your body preserved

as well as possible
because your soul
had to reenter it

so you could reanimate it.

So you lived
on a very physical level

in the afterlife,
as well as on a spiritual level,

and so the Egyptians
came up with mummification,

which preserved the body,
which served as a repository
for the soul.

NARRATOR: Mummification was
a ritual process that involved
drying the body with salt,

anointing it
with oils and resins,

and then wrapping it
in linen bandages.

The mummies of the 18th Dynasty,
Tut's immediate predecessors,

are considered by many
to be the finest examples
of embalming ever produced...

but according to Howard Carter,
the mummification of Tutankhamun

did not match
the standards of the day.

Not only was the heart missing,

but Carter described him
as a "charred wreck."

He offered no explanation
for this conclusion,

and no further
analysis was done.

So was Tut's mummy burnt,
and if so, how?

The mystery has remained
unsolved until now.

Buried amongst the books
in Robert Connolly's office
is something extraordinary,

a piece of Tutankhamun's flesh.

It's the only piece
outside Egypt

and has laid untouched
for decades.

CONNOLLY: We do have some
very, very small fragments
of Tutankhamun's tissue

given to us in 1968
for blood grouping purposes,

very, very, very blackened
like you see there.

NARRATOR: Robert wants to do
a chemical test

to see if he can find
what has caused the blackening.

As a control, he is also taking
a sample from this mummy

so he can compare it
with his findings
from the Tut tissue.

CONNOLLY: This mummy is
a very good comparison

for work with Tutankhamun.

It is almost certainly
18th Dynasty

and so therefore roughly
the same age as Tutankhamun.

And I can just ease
a little piece out.

NARRATOR: Robert puts
the tissue samples

under a scanning
electron microscope

to determine their
chemical composition.

Helle.

I have a sample
for you.

The microscope works
by firing electrons
at the sample

and measuring
how they scatter.

The pattern of scattering
indicates what chemical
elements are present,

as well as the proportions
of the different elements.

This is, as far as I know,
the first time

that an ancient
Egyptian mummy

has been analyzed
by this spectroscopy method.

NARRATOR: The first sample
to be tested

is the Liverpool mummy.

Helping Robert
with the analysis

is forensic archaeologist
Matthew Ponting.

We have a major
peak of carbon

and a slightly
lower peak of oxygen

and just some
other traces
of calcium,

chlorine, sulfur,
et cetera.

NARRATOR: These are
the elements one would expect

in a piece of mummified tissue.

Carbon and oxygen
dominate the spectrum

while other elements appear
in smaller amounts.

The next sample to be tested
is from Tutankhamun.

This is a fragment
of skin taken
from the shoulder,

and it's very black.

So we'll look
at the outer surface,

see what's that like,
see if it in any way

reflects the spectrum
which we saw

from the Liverpool mummy.

We'll find out
very soon.

How's it doing?

Nearly there.

Well, there's
the carbon and oxygen again

as one would expect,

but the major difference
here is in the levels

of the carbon
and oxygen.

There's a much stronger
carbon peak.

Yeah. This is
a spectacular peak
of carbon,

isn't it really?

There's considerably
more free carbon present
in this sample.

This would indeed be
consistent with charring
of the body

during mummification
or immediately after
the mummification process.

NARRATOR:
Robert has found evidence

that the blackening
of Tutankhamun's flesh

is indeed due to burning.

It is possible Carter's team
caused the charring,

but Robert and Matthew
don't believe this is the case.

It is true that
Howard Carter roasted
the mummy of Tutankhamun

on a row of primer stones
to get it off the base plate.

Not hot enough.

A couple hundred
degrees Celsius
I would have thought,

I mean, but to produce
the sort of charring

you're seeing
on the surface
of the mummy,

I would have thought
you're looking

at considerably
higher temperatures.

I mean, cooking
temperatures,
if you like.

How hot does it have
to be to char
the surface of...

Of meat, yes?

I mean, 450 F
in an oven.

NARRATOR: Tutankhamun's mummy
is the only royal mummy known

to have been charred.

Somehow the mummified body
got very hot

but wasn't entirely destroyed.

What mysterious process
could be responsible
for the burnt tissue?

For Chris Naunton,
the puzzle of Tut's death
may finally be solved,

but an even
greater mystery remains--

what happened to his body
and who is responsible?

NARRATOR: It's a mystery
3,000 years in the making.

Tutankhamun has captivated
the world since he first
made headline news...

yet few know his real story.

Now Egyptologist Chris Naunton
is reexamining

the excavation's
original notes and photographs.

His mission--to reveal
Tut's ultimate secrets.

NAUNTON, VOICE-OVER: I want to
be able to separate the myth

from the real story.

I really want to get
to the bottom of this.

NARRATOR: So far, Chris has
discovered that Tutankhamun
betrayed his father's revolution

and died in a battle
far from home.

There is a whole new story
that has not been see before.

NARRATOR: He was buried
in a tiny tomb

with used burial offerings,

and strangest of all,
a chemical analysis of his mummy

has proved it is burnt.

What mysterious process
could char the skin of a mummy?

That is a lot
of smoke.

This is absolutely
incredible.

NARRATOR: And just why was
Tutankhamun's the only tomb

in the Valley of the Kings
to survive virtually intact?

The next step in Chris Naunton's
quest to reveal

the ultimate secrets
of Tutankhamun

is to find out what might have
caused the mummy to burn.

Howard Carter notes the charring
on several occasions,

describing the bandages
next to the skin as "like soot"

and "charred powder,"

but no one has
investigated this until now.

Armed with the results
from the mummy's
chemical analysis,

Chris is heading to BRE,
the Building Research
Establishment

in Watford, England.

Hi, David.
Hi, Chris.

Pleasure
to meet you.

Nice to meet you.

Welcome to the lab.
Thank you.

Give you one
of these first.
OK.

NARRATOR: David Crowder,
the lab's chief analyst,

is going to help
with the investigation.

So this is where
the magic happens?

Yes. Got a variety
of rigs here.

There's a representation
of a house on the right.

So, David, this
seems like

a pretty
extraordinary
situation to me.

Have you got
any idea how

an Egyptian mummy
could come to be
charred?

Well, we know that
there's various oils used
in the mummification process,

and in the fire
investigation community,

we know that linseed oil
can produce self-heating.

NARRATOR: Linseed oil, probably
used during Tut's embalming,

is just one of a group
of a vegetable oils

capable of generating heat
when mixed with oxygen.

A heating reaction
is accelerated

when the oil is spread
over a large surface area

such as rags or the bandages
used in mummification.

Could this char a mummy?

So what we've
prepared here is

some quantities of rag
and linseed oil.

What we want is to
maximize the surface area

of the linseed oil
that's actually
adhering to the rags

so that that reaction
can occur

with as much access
to air as possible.

NARRATOR: The more the wet oil
and oxygen react,

the more opportunity
for spontaneous combustion.

And it's important
obviously that
the oil hasn't dried,

that it is still wet
for this to occur.

Yes. If the oil
had already finished
its reaction,

then there would be
no more heat thrown out.

But if the oils
on the body were
still wet

at the time
the bandages went on,
then it's possible?

Yes.

NARRATOR:
Like the wrappings on a mummy

where the oil is still wet,

rags are soaked
and bundled up tightly

so the oil doesn't
dry out too fast.

Then they're covered
in more cloth

just like layers
of mummy bandages.

So this is our test area
where we're going to
set down our samples.

What I've got here
is thermocouples.

We'll just enter these
into the bundles,

and what that means is
that we can monitor
the temperature

within the bundle
as it occurs.

If we go outside
and have a look at
the logging equipment,

we can see what sort
of temperatures
we're achieving.

NARRATOR: A thermocouple
is a wired thermometer

that sends a reading
back to a computer

in the lab's control room.

For half an hour,
Chris and David
watch the readings

as the temperature
rises slowly.

Nothing much seems to be
happening with the samples.

Then as the temperature
continues rising,

smoke begins to appear.

The reaction is approaching
runaway speed.

We've actually got
temperatures,
as you can see,

of 324 and nearly
360 degrees
in those two.

You're kidding me.
In that short time...

Yes. This has been
going for...

we've gone up to
over 300 degrees centigrade.

That's absolutely
incredible.

Just the simple
process of
linseed oil

plus wrappings
and air,

and you sort of
sit back and watch,
and off it goes.

Yeah.

Absolutely amazing.

NARRATOR: In recent years,
this type of reaction

has a caused a number
of high-profile fires,

including this one
in Philadelphia.

It started when a cleaning crew
left behind a bunch

of oil-soaked rags.

And in Watford,
it's time for Chris

to actually see the results
of David's experiment.

OK. Well, it's
produced a fair
bit of smoke.

I think we should
leave it a minute
just to settle down.

We'll leave
the door open...
OK.

and let some
fresh air get
into it

and let some
of the smoke escape.

That is a lot
of smoke.

Yes.

And that's all just
coming from those
4 samples.

That's just
from those samples, yeah.

It does produce
a lot of smoke.

My goodness me. Wow.

I can't believe
that those samples
are now so hot

that they're
producing this
much smoke.

NARRATOR: These wrappings in
the open air have burnt quickly

because there's lots of oxygen,

but for Tut encased
in his coffin,

the reaction would have
been much slower,

charring the skin over days
or even weeks

with little smoke
and no flame.

All of that's
just coming from
the 4 samples?

For Chris,
this is a revelation.

This is absolutely
incredible.

I mean, we can see
from this

that just
the process

of oil plus
mummy wrapping
plus air

brings about
spontaneous combustion.

This is definitely
an explanation
for the charring

that Carter observed
on the mummy.

NARRATOR: Armed with this
expl*sive new evidence,

Chris is back in Cairo

to discuss these findings
with mummification expert
Salima Ikram.

For spontaneous combustion
to take place,

something must have gone
terribly wrong

with Tut's mummification.

IKRAM: Normally you have
40 days of desiccation

and the 30 days
of the application

of these oils
and unguents and resins

and wrapping.

So it is possible
that this sort of
combustion occurred

because they hadn't
sort of paced
their oils

and drying time
properly,

and it was just
sort of a rushed
kind of thing...

but look at what
it did.

I mean, the poor thing's
completely destroyed.

Poor guy.

So is there anything
else like this

that is a bit
out of the ordinary.

Well, the embalming
incision is also
a bit odd.

We've got these
photographs.

Nim=hmm.

You can see over here--

Oh, that's actually
it there?

Yeah. That's
the embalming.

That's where
they go in.

Mm-hmm. That's
where they go in.

So instead of having
a nice, neat thing

going like this...
Right.

or like this, this one
sort of goes eep
in towards the navel

and is really
quite large
and kind of brutal

and very unusual.

Nim=hmm.

Also the arm positions

because instead of being
crossed high up
on the chest...

they're quite low
down here.

Yeah. That doesn't
seem--that's not
the Osiride pose

you'd expect at all,
is it?
No.

They're much,
much lower.

Much, much lower,
much more relaxed.

So in the hierarchy
of mummification,

if we can speak of that,
where does this body
fit in?

It's peculiar
for a king to be
mummified like this

because generally
in the hierarchy
of mummification

you have something
that is superb,
which is the king,

and then the elites
going down one step,

and then sort
of common people,
who sometimes

don't even get
mummified.

So there's just
so many things here

that are all basically
wrong in terms
of royal mummification.

NARRATOR: Things were not going
well in preparations

for the young king's afterlife.

The grave goods were secondhand
and stuffed in a tomb

not designed for royalty.

The mummification was rushed,

and there is one more clue
to suggest someone wanted him
in the ground fast.

Camouflaged
among the crude paintings

on the wall of the tomb
are mysterious brown spots

that appear nowhere else
in the Valley of the Kings.

The spots are the subject
of an investigation

being carried out
by the Getty Institute

in Los Angeles, California.

It's part
of a conservation program

focusing on the preservation
of mankind's most iconic
cultural heritage.

Our project is the conservation
of Tutankhamun's tomb.

There's concern
about the impact of visitors,

the amount
of sweat and humidity

on the wall paintings,
on the tomb itself.

There had been rumors
that the spots were growing,

that the tomb was
in dire straits.

NARRATOR:
Fearing an infestation,

the Getty team
analyzed the samples

in a mass spectrometer
to learn their chemical makeup.

Harvard microbiologist
Ralph Mitchell

is analyzing their results.

You see this big peak.

That peak says a lot
of malic acid.

Malic acid is a common
metabolic product of microbes,

so what it said to us was--
ha--those spots

are microbial in origin.

NARRATOR: The investigators
now need to know

if these microbes are growing.

Are they really
engulfing the tomb?

MITCHELL: So we took
a tiny piece of the all,

and we put it under
a scanning electron microscope,

and what you're seeing here
is a piece of the stone

from the tomb magnified
thousands of times

and showing that there are,
to our amazement,

no living microbes
on that stone.

Normally we would have expected
to see mold growing

all over that piece of wall,

and what you're seeing here is
a scanning electron micrograph

from a normal surface
growing mold.

Here you see the threads
of the mold growing.

It's what was missing
from that King Tutankhamun wall.

NARRATOR: Chris is faced
with another mystery.

The chemical trace
of malic acid shows evidence

of microbial action,

yet no living microbes
were found.

Further, a study of Carter's
original photographs

showed the spots were the same
as they are today.

Living microbes
didn't cause them,
nor modern tourists,

so how did they get there,
and why are they unique
to Tutankhamun's tomb?

Ralph Mitchell has now
identified some modern microbes

that match the chemistry
of the ancient ones
which produced the spots.

MITCHELL, VOICE-OVER:
We've identified a small
number of fungi

that may be the cause
of the brown spots in the tomb.

So what we'd now like to know
is what sort of environment

would make those fungi grow
and produce the brown spots,

so we ran
a simulation experiment.

NARRATOR: Ralph knows moisture
is the key to fungal growth.

He thinks Tutankhamun's tomb,
unlike others in ancient Egypt,

had damp walls,
which allowed fungi to grow.

To test this, he swabbed
a sample of the fungi

on wet and dry pieces
of stone and fabric

and left them for a week
to see what would happen.

As expected, the dry specimens
show very little growth,

but what about the damp ones?

MITCHELL: And you can see
after one week

both the stone and the canvas
have extensive fungal growth.

NARRATOR: With these results,

Ralph believed the environment
inside Tutankhamun's tomb

was damp when it was sealed,

evidence of the circumstances
of his burial.

This tomb was prepared
in a hurry.

It was painted in hurry.

The Pharaoh was
buried in the tomb,
the tomb was sealed.

You had the moisture
because the paint hadn't dried.

The tomb now became
an incubator.

NARRATOR: Ralph's research
has shown that the tomb,

like the mummy,
was finished in a rush,

but who would be able to hurry
the sacred process of burial

and why?

Egyptologist Melinda Hartwig
believes the answer

can be found in the tomb itself.

HARTWIG: We know that
Tutankhamun was buried
in a hurry,

which means that he was buried
by somebody close,

somebody high up and official,

and we have a clue
to who that person might be.

Ay the vizier is represented
here performing

the opening
of the mouth ceremony.

NARRATOR: The ceremony was
performed with a ritual adz.

[Speaking
foreign language]

It was meant to restore
the physical senses to the mummy

so the soul could keep using
the body in the afterlife.

HARTWIG: Now this was usually
performed by a son

on his deceased father,

but here we have
the only instance

of an official performing this
ritual on the deceased king.

Likely it was because Ay
wanted to legitimize
his claim to the throne.

NARRATOR: Ay was Tut's vizier

from the time
of the boy's coronation.

He also served as an advisor
to Tut's father and grandfather.

When Tut died, Ay might have
felt it was his turn to rule,

but Tut designated someone else
to succeed him on the throne.

Tut wanted Horemheb,
his general, to be
his successor,

but Horemheb was off
fighting w*r in Syria,
leaving a power vacuum.

Now that the other thing is
that the two children

of Tut and Ankhesenamun
were deceased,

so there was
no legitimate successor,

leaving a power vacuum
in which Ay could step in.

NARRATOR: Being vizier meant
Ay could seize the throne

for himself while Horemheb
was still at w*r.

You also have to bear in mind
that a Pharaoh when he died

would become a god,

so on both counts,
both living and dead,

it was a win-win situation
for Ay to take over

as Pharaoh of Egypt.

NARRATOR: To further
consolidate his position,

Ay forced Tutankhamun's
widow Ankhesenamun to marry him.

HARTWIG: We have the evidence
of a signet ring

that has Ay's cartouche
and Ankhesenamun's cartouche.

It's like a wedding contract,

so it really shows that
the two of them were married.

Ankhesenamun is sort of
the tragic figure in this drama.

Not only has she
just lost her husband,

but she also gave birth
to two stillborn children,
so there is no heir,

leaving Ay to be able
to fill that place,

but I'm sure she didn't want
to marry a 70-year-old man,

and that's exactly
what happened.

NARRATOR: But Ay did not
enjoy the throne for long.

He survived just 4 more years,

and his tomb provides a twist
to the Tutankhamun story.

This is the tomb of Ay.

It's much larger,
contains more decoration

than we have
in the tomb of Tutankhamun.

However, it seems that this was
intended for Tut.

This would have been a tomb
that a 9-year-old

who was hoping
to live a long life
would have started.

NARRATOR: But Tut never
ended up here.

Ay did.

HARTWIG: And there's
an interesting theory

that, in fact,
the tombs are switched

so that what happened is
that this tomb, Ay's tomb,

was intended for Tutankhamun
and that Tutankhamun's tomb

was ultimately
supposed to be for Ay.

NARRATOR: Ay was buried
with all the trappings
of a great Pharaoh

in Tutankhamun's stolen tomb,

and now the peculiar features
of Tut's burial

are finally explained.

At this death, the boy king
was buried in a rush

in Ay's cramped chambers.

The necropolis guards then
sealed the tomb door,

apparently condemning Tut to
an eternity of insignificance,

yet as fate would have it,
Tut's tomb is the only one
in the Valley of the Kings

to have survived
the centuries intact.

Archaeologists are still
trying to figure out why.

In November 1922 when its
treasures were revealed,

it was a global sensation...

but its discovery
almost never happened.

In 1915, Howard Carter
with his patron Lord Carnarvon

took over the excavation
in the Valley of the Kings

despite the previous
archaeologists declaring
nothing was left.

For 6 years, the two dug
throughout the valley.

Carter had suspicions
Tutankhamun was there,

but they found no trace.

NAUNTON: By spring 1921,
Carnarvon had had enough.

They hadn't really been
finding very much,

and he called a meeting
with Carter and told him

that he was going to finish
the project.

He couldn't afford
to fund it anymore.

And Carter was
half expecting this,

and he agreed that
he would fund a season

out of his own pocket

and that Carnarvon would
still be entitled to take

his share of the objects.

NARRATOR: Impressed
by Carter's commitment,
Carnarvon relented

and agreed to fund
a final season of excavation.

On the first of November 1922,

work began on a new sector
of the valley.

NAUNTON: Well, very early on
in the season,

they began clearing what
became clear was a staircase.

[Man continues
shouting Arabic]

NAUNTON: At the end
of the staircase,

they found a blocked
and plastered doorway

with the traces
of the oval seals
that you'd expect...

and so Carter at this point
sent a cable to Carnarvon
explaining that

"At last, we've made
a wonderful discovery.

There's a sealed doorway
with seals intact."

3 weeks after that point,
Carnarvon arrived

at the excavation,
and by this point,

the workmen had cleared
the passageway down

to the second blocked entrance.

With Carnarvon present,
they cleared a small hole

in the rubble so that
they cold peer inside,

and Carnarvon says to Carter,
"Well, what an you see?"

And this is the point
in which Carter gives us
those immortal words

IIWonderful things,
strange images, animals,

and gold, everywhere
the glint of gold.II

NARRATOR: After years
of frustration,

the pair had literally
struck gold.

NAUNTON: I mean, this is--
it's indescribable really.

I mean, this is everything
an archaeologist would hope for.

It's an intact tomb
exactly as it was left
3,000 years ago.

It's as good as it gets
for an archaeologist.

NARRATOR: The extraordinary find
made headlines around the world.

Visitors and dignitaries
flocked to see the tomb.

NAUNTON: It was the most
spectacular archaeological
discovery

that had ever been made
to that point.

It had all the ingredients
you would want...

exotic creatures,
gods and goddesses,

the most spectacular objects,
the most beautiful objects,

"glinting gold everywhereII
as Carter tells us.

NARRATOR: Carter recruited
a team to conserve and pack
the treasures

so they could be moved
safely to Cairo.

There were gilded couches
and a glorious throne,

treasure chests and models.

At the heart of the tomb
was a series of coffins,

including an inner one
of solid gold,

weighing 240 pounds,

that contained the mummy
of the young Pharaoh,

but Carter soon realized
the tomb was not as pristine
as he'd hoped.

NAUNTON: Carter realized that
some of the material

in the tomb had been disturbed,
and this was very significant,

so he brought onto his team
a guy called Alfred Lucas,

who had some experience
of crime scene investigation,

and, in fact, he had got
himself a reputation

as Egypt's Sherlock Holmes.

Lucas identified rather
a lot of evidence

that the tomb had been raided
before Carter got to it,

and again these photographs
of Harry Burton's show

very clearly
the kind of evidence

that Lucas was looking at.

Some of the objects that
were placed inside these chests

were clearly intended
to have been placed elsewhere

and probably were.

Lucas also noticed that
in one case in particular

there appeared to be some
footprints on one of the chests.

Perhaps it's evidence
of the people going in there

and disturbing this material.

NARRATOR: And Lucas
noticed something else.

These are rings made
of precious materials

inside these linen wrappings,

and these were found just
deposited in the passageway.

So they had got as far
as removing these objects
from the tomb proper

and then simply dropped them
on the floor on their way out,

which suggests
that they were caught.

NARRATOR: There was no mercy
for the grave robbers.

HARTWIG: We know that
tomb robbers met

a rather grisly end
because from the papyri,

it says,
IIPunishment: impalement,"

and we have the hieroglyph
of impalement,

which looked pretty grim.

NARRATOR: With threat of death,

any robbery would have been
carefully planned.

NAUNTON: The robbers
had to be strategic.

They wanted the things
that they could remove quickly

and that they knew would be
of use to them in terms

of being able to sell them on.

Removing large objects
of course would have been
very difficult,

would have run a greater risk
of getting caught.

The other thing is of course
you can't simply go

down to the market
with the death mask of a Pharaoh

who's just been buried.

There aren't many people
that would be prepared to
take that off their hands,

and so they were just
looking for the things
that they could resell.

NARRATOR: Carter estimated
60% of Tutankhamun's
jewelry was stolen,

almost certainly
by the very workmen

who were trusted to build
and decorate the tomb,

but the big ticket items,
the gold coffin and the mask,

were untouched, a rarity
in the Valley of the Kings.

For some reason,
every other tomb in the valley

was stripped bare
in a crime wave

that swept Egypt 200 years
after Tut's death.

This is the tomb of Ramses VI,
cleaned out by robbers,

who even managed to smash
his solid granite sarcophagus.

So what changed from Tut's time,

and how did Tut's tomb
survive unscathed?

HARTWIG:
During the 20th Dynasty,

things really start
to fall apart in Egypt.

The king isn't
nearly as powerful,

and then here you have
the workers,

who are operating
in the Valley of the Kings,

and they're not being paid,

and so they have one
of the first strikes
that we know in history.

As a result, they have to reach
to other forms of revenue,

which included going
into the royal tombs
in the KingsI Valley,

and from this,
we have a number of papyri

which detail the robberies
of royal tombs.

NARRATOR: One of these
remarkable documents tells

of a murderous crime spree
during those tumultuous times.

Known as "The Mayer B Papyrus,"

it was written
almost 3,000 years go

and details
a tomb robber's trial

in the 20th Dynasty.

So what does this
text tell us?

This refers to the tomb
of Ramses VI

in the Valley
of the Kings.

We know from
the documents
that quite often

people are involved
that work for the tomb
builders' community,

and "Mayer B" actually
refers to two guys

from the workmen's
community,

and they were
actually m*rder*d

but the other members
of the g*ng.

Amazing.

So these thieves would
go to great lengths
actually

to cover their tracks.

And do we know anything
about what happened
to the people

who were doing this?

They were
obviously caught,

and then what
happens to them?

Some of the papyri
allude to
the punishments

that will happen
and have happened,

so "Mayer A" refers
to people that were
convicted of crimes.

It talks about put
on the stake,

so they were actually
k*lled in quite
a brutal way.

NARRATOR: Another part
of the document shows

the quantities of precious metal
the robbers stole.

Yeah. So there's
an inventory really

of the types of objects
they took from the tomb

made from metals
such as copper,
gold, and silver,

the kind of materials
really that these
g*ng members

would need to get
rid of quickly.

NARRATOR:
As law and order collapsed,

tomb robbers were now happy
to take religious objects
and larger goods,

not just the rings and bangles
you could easily sell

in Tut's time.

The thieves developed
a network of contacts

among priests
and high officials,

people who could help them
fence the loot.

If you had recognizable goods,
essentially gold and jewelry
that had come from a royal tomb,

it was pretty obvious
where it came from.

So they had to have accomplices.

They had to have officials
who were higher up in the ranks

in order to sort of
launder the goods

that they had robbed
from the tombs.

[Speaking foreign language]

NARRATOR:
During this crime wave,

the Valley of the Kings
was stripped bare

except for one solitary tomb.

HARTWIG: What's remarkable is
that in this climate

where literally every
royal tomb had been robbed

that Tut's still remained
relatively untouched.

Solving this mystery
has been the life's work
of geologist Steve Cross.

CROSS, VOICE-OVER: I've been
interested in ancient Egypt

and specifically
the Valley of the Kings

since I was 8 years old.

This study originally started
by trying to ask

a very simple question--

why was Tutankhamun's tomb
discovered intact?

When all the tombs were
cleared out in antiquity,

how come his was left
fully intact?

NARRATOR: Steve began his quest
by looking at old photographs

of Carter's excavation.

This is a photo
of the tomb of Tutankhamun

taken shortly
after the discovery,

and we can see here
the entrance to the tomb

cut into the solid bedrock,

and we have Howard Carter,
Lord Carnarvon,

and his daughter
Lady Evelyn Herbert,

but notice here
this layer stands out.

It's composed
of different sized boulders

suspended
in a limestone matrix.

NARRATOR: Today
the Valley of the Kings

has been landscaped to make it
more accessible for tourists,

but there is one place
where you can still see

this mysterious layer
of sediment.

This is the entrance to Tomb 55.

What we're looking at here
is the same layer

that covered Tutankhamun's tomb,

and what we can see is
it's identical,

all these different sized
boulders suspended

in this limestone dust matrix.

NARRATOR: Slowly Steve
develops a theory,

but he needs more evidence.

NARRATOR: He thought he might
find a clue off the beaten track

just above Tut's tomb.

What we're looking at here
is the foundations

of an ancient wall.

We call them walls,
but they're actually dams.

It would have been
at least 3 times higher,

and what it was for was
to stop ancient floods

coming rushing
down this side wadi.

The flood would have come
from a waterfall

over the cliff there,
vertically down,

rushing down this way,

and round
and flooded the valley.

NARRATOR: Steve is
beginning to wonder

if the most devastating force
of desert weather

might be the key--a flash flood.

Flash floods here--
because the land is so arid--

are absolutely catastrophic.

They move masses and masses
of detritus,

which tear their way
through the valley.

It's an absolute catastrophe.

NARRATOR: Steve found
further evidence

in one of the previously
robbed tombs in the valley...

KV5, the burial place
of the sons of Ramses II.

Its inner chambers bear
testament to the power

of floodings through the ages.

CROSS: You can see quite clearly
how successive flood layers

have filled this chamber
almost to the ceiling.

One in particular,
this one from here to here,

we can see that the layer
goes from large stones

to progressively smaller stones

as we come to the top
of the flood layer.

This is caused by the flood
as it entered this chamber

dropping the heaviest
stones first

and the lightest stones last

as the speed
of the flood dissipated.

NARRATOR: Flash floods in
the Valley of the Kings require
a specific weather pattern,

most common in the autumn.

A low pressure system hanging
south of the Mediterranean

generates an easterly wind
over southern Egypt.

This wind will pick up
moisture from the broad
waters of the Nile.

As the air mass rises over
the Theban Hills to the west,

the moister is dropped
as torrential rain.

[Thunder]

And that weather pattern
is still active today.

Here we have the tomb
of Ramses I and Seti I,

and you can see that we've
built modern walls

surrounding the entrance
to the tombs.

That's to protect them
from present-day floods,
which will happen again,

and we can see over here
Tutankhamun's tomb
is right in the center.

It's at the deepest part
possible in the whole
of the Valley of the Kings.

NARRATOR: The location
of Tut's tomb is crucial
to Steve's theory.

Originally the tomb was cut
into the bedrock

below the level
of today's valley floor.

This is a cross section
of the central area
of the valley

based on the 3 different
excavation reports,

and here's Tutankhamun's tomb
descending down

into the bedrock.

Above the tomb is one meter
of flood layer,

and on the east side, there's
two meters of flood layer.

NARRATOR: It's this flood layer,

first noticed in Carter's
original photograph,

that Steve believes is
responsible for concealing
Tutankhamun's tomb.

Yeah. Right, right,
right, right.

So it would have been
accurate when it filled.

Yeah, yeah.

NARRATOR: Chris has returned
to the Valley of the Kings

to hear firsthand the theory
of the flash flood.

So, Steve, can you
just explain to me
in a nutshell

what your theory is?

Yeah, certainly.

A flash flood
at the end
of the 18th Dynasty.

It caused 3 streams
to all converge.

One stream,
flood stream came
tearing down here,

another one down there,

and a third one past
Seti's tomb down here.

All 3 steams collided
right here in the center
of the valley.

When the streams
collide,

they lose
their speed,

so they lose
the ability to
carry the sediment,

so they dumped
all their load

here right in the center
of the valley,

and they covered
and concealed
Tutankhamun's tomb.

So the flood layer
is just this
triangle here

right in the center
of the valley.

So there's a hug quantity
of debris being brought

down these
3 channels all
at once, high speed,

and then all
of a sudden,
they just stop

in the middle there,

sediment just drops
dead in the middle.

That's correct.
Wow!

It's incredible to me
to think that somewhere
like this,

which is visited
by thousands of people
every day,

can still give us
new information like this,

and it's just a case
of looking at it

in a slightly
different way.

It's a different
science, looking
at the valley

in geological terms
rather than
archaeological terms.

NARRATOR: It's a great theory,

but could a simple flash flood
really have sealed Tut's tomb

for thousands of years?

At Hull University in England,
hydrologist Tom Coulthard

has developed a unique method

for modeling
the movement of sediment.

With a newly developed
computer program,

he reveals what happened
3,000 years ago

with startling accuracy.

COULTHARD: So here we have
the Valley of the Kings located

right next
to the River Nile here,

and you can see all the fields
next to the Nile,

and if we zoom in
on the Valley of the Kings,

you can see we've
got this almost sort of
pear-shaped catchment here,

and Tutankhamun's tomb
is located here,

and that means that
all the water that
might land on here

from a thunderstorm,
from a flash flood

will flow
down these hill slopes

and congregate
in the bottom of the valley

round about where
Tutankhamun's tomb is.

Now what we can do
within the model

is we can simulate
this rainfall.

So if I click
on this button here,

we can start to see
as rainfall lands

we see water build up,
the streams get bigger,

and the flow congregates
around where Tutankhamun's tomb

is here with the yellow dot.

So after we've modeled
the water,

we can then simulate
where the sediment goes

that would be moved
by the water,

and that's what we're
going to show here,

and then as the flood gets
bigger and bigger,

we can start to see we get
a big patch of deposition,

a big area of green
right by Tutankhamun's tomb,

and so by the end of the flood,
after the flood has passed,

we're left
with quite a big area,

probably about 20 meters
by 20 meters of sediment here

that's probably up
to a meter deep in places,

and so there's
a really good chance

that anything beneath that
or on the edges of it,

such as Tutankhamun's tomb,
could be buried by this,

and maybe the beauty of this
is that you'd have

effectively a valley floor left
with what would look like

a natural riverbed.

So it's almost the perfect
camouflage for the tomb.

NARRATOR: The computer model
supports Steve's observations

on the ground.

Using evidence
from Tut's tomb,

it is even possible to work out
how soon after his death

the flood might have
taken place.

On his body was found
a floral collar, this one here,

and the flowers that were used
were cornflowers and mandrakes.

They only bloom from mid March
till mid April,

so he was buried in the spring.

As flash floods usually
happen in October or November,

my theory is that the tomb
was only open to view

for 7 months of the same year
that he was buried.

Steve theorizes that
during the summer of 1327 B.C.,

the year of Tutankhamun's death,

the robbers would have
entered his tomb

and stolen the easily
transported valuables.

Soon afterwards, the tomb
would have been resealed.

[Thunder]

In the autumn of that year,
Steve believes a Mediterranean
depression moved south.

[Thunder]

An easterly wind whipped
across the Nile,

and thunder clouds formed
above the western highlands.

Rain poured down
on the mountains
above the valley.

Within minutes,
torrential streams formed.

In the bottom of the basin,
tons of sediment were deposited.

Tutankhamun's tomb was sealed,

its treasured hidden
for millennia.

Once the stream has finished

and the floodwaters
have escaped,

the Egyptian sun would come out
and bake the flood layer

as hard as concrete,

so anyone coming along later
would think,

IIThat's the natural floor
of the wadi.

There are no tombs
underneath it."

NARRATOR: But the flash flood
isn't the only reason

for Tutankhamun to have
remained unknown.

There is another
political reason.

There is one last mystery
Chris Naunton wants to solve.

A clue is here in the ancient
religious center of Abydos.

This is the temple of Seti I
with its famous king list,

a record of Egyptian rulers

from the First
to the 19th Dynasties.

NAUNTON: This is Seti I,

the builder
of this great temple,

and standing in front of him
is Prince Ramses, his son,

who would go on to become
Pharaoh Ramses II,

and in front of them
is a long inscription

giving us the names
of all of the kings
of ancient Egypt

beginning with Menes
in the top left,

the very first rule
of the very first dynasty,

and then we continue
through the names of kings,
through the dynasties,

and eventually,
we come out at the end
of the second register

in the 18th Dynasty,

and this is where you
would expect then to see

names like Akhenaten,
Tutankhamun, Ay,

but instead, it jumps straight
from Amenhotep III to Horemheb.

There was a very
deliberate attempt by Seti I

and Ramses II to take them
out of history,

to pretend that this period
never happened,

Tutankhamun never existed,

an what's happening here
is that Seti I and Ramses II

are trying to tell you
that this is the list

of legitimate rulers
of ancient Egypt,

and they follow this list
of legitimate rulers

as the Pharaohs themselves,

and anybody whose name
is not in this list

is not considered by them
to be a legitimate ruler,

and so that includes
Akhenaten, Tutankhamun, Ay.

So what they're trying to do
is to create an idea

that this is
a comprehensive list of kings,

but these names aren't here
because Ramses II and Seti I

don't consider them
to be legitimate,

and instead they have
erased them from history.

NARRATOR: This is yet another
reason why tomb robbers

might not have searched
for Tutankhamun's grave.

By the 20th Dynasty,
there was no official
record of his rule.

NAUNTON: Well, there is
an irony in that for
the ancient Egyptians

what they all wanted
to achieve was immortality.

They wanted to achieve
an eternal life,

and Tutankhamun's successors
did their level best

to ensure that this
doesn't happen in his case,

and yet thanks
to circumstances,

he is the one whose name lives
on more than any other ruler.

NARRATOR: For Chris,
it's the end of his journey

and chance to reflect
on what he's learned.

NARRATOR: I feel as
though I know a lot more
about him than I did,

and it's incredibly rewarding
to have been able to take

such a close look
at the evidence.

I feel closer to him.

I feel as though we're
a little bit closer

to knowing the real person.

He is the boy king
of the Amarna Period.

He died young,

he died suddenly.

He was interred in a tomb
which was never made for him.

His burial equipment was,
in fact, gathered

from equipment that was already
in use for other people.

The tomb is then sealed...

and thanks
to a natural act of God,

it's then covered completely,

and then very shortly
after that,

his successors
did their level best

to erase his name from history.

So the evidence
then stays in the ground

for centuries
and centuries and centuries

until the point at which
Howard Carter uncovers the tomb,

and all of a sudden of course,
it's a sensation,

and he is the best known figure
we have from ancient Egypt.

NARRATOR: But for Steve Cross,
that's not quite

the end of the story.

Although he's convinced
he's answered why the tomb
lay undisturbed for centuries,

there's another mystery
he wants to solve.

At the end
of the excavations in 2009,

I directed two GPR scans--
that's ground penetrating radar.

What that does is
sends radar pulse down
through the sediments

and down through the bedrock
so we can see what's there
without excavating,

and what the
two scans showed was

on this side of the excavation
cut into the bedrock

was a flat leveled area
identical to the leveled area

in front of Tutankhamun's tomb,

and then in front
of the rest house

at a depth of about 8 meters
was a corridor descending,

filled with chippings identical
to Tutankhamun's tomb.

NARRATOR: So could there be
another burial just feet

from where Tutankhamun
was discovered?

CROSS: So what this
indicates to me is

the flood line at the end
of the 18th Dynasty

covered and concealed
Tutankhamun's tomb.

What these GPR scans show is
the possibility of another tomb.

NARRATOR: If he's right
and it is unlooted,

it could be a find to rival
the discovery of Tutankhamun.

HARTWIG, VOICE-OVER:
One of the great questions

that we have as Egyptologists
is is there another Tut's tomb,

is there another tomb
in the valley that has
been left untouched?

I think part of being
an Egyptologist is
holding that hope out

that there is something
else to be found.

MAN: And what
is your feeling?

You think
there is one?

There are a few tombs
to be found.