The Inquisition was established
at the beginning of the world.
The first inquisition began
when God cried out,
"Adam!
Adam! Where are you hiding?"
God flushed out Adam and Eve
who were hiding in shame
at their nakedness.
He asked Adam questions
to which He knew the answers,
forced him to confess,
to denounce Eve and the serpent,
then punished them.
Not by putting them
to death Himself,
but by banishing them from Paradise.
That's one version of the story,
but there are many others.
For Catholic propaganda,
inquisitors were pious
and merciful men
who risked their lives
hunting down heretics.
For 19th-century anticlericalists,
they were depraved
and corrupt monsters,
who preyed on beautiful young women.
Between these two extremes
lies the long history
of a unique invention:
a police of souls, both secret
and spectacular, which spread fear
in the name of faith
and practiced a pedagogy of terror
the effects of which
can still be seen today.
SECRECY AND POMP
By the end of the 14th century,
the great anticlerical heresies
had virtually disappeared.
To continue existing,
the inquisitors
had to find new targets.
HANSEL AND GRETEL: WITCH HUNTERS
TOMMY WIRKOLA - 2013
Chief among them: witchcraft.
Previously treated
as mere superstition
which the Inquisition
needn't concern itself with,
at the turn of the 15th century
it took on
the terrifying face
we still associate with it today.
It is on the shores of Lake Geneva
that we find the earliest traces,
in the confessions
of a young peasant,
recorded in 1438
by the Inquisitor of Lausanne.
One night,
his father mounted a small black ox
and made him climb on behind
and they rode to a place near Basel,
where they met many people.
He thought there were
more than a hundred,
both men and women.
Then came a black man
who was the devil
and who told Aymonet
he must renounce God
and accept him as his God.
Then he transformed
into a great black oil lamp
which had an opening at the back,
and then he transformed
into a black cat
and each went up
to kiss him on the arse.
Aymonet did the same.
The devil gave him five sous,
but he could not remember
what became of them.
After worshipping the devil,
men and women began to copulate
with one another like dogs.
When asked how the women
positioned themselves,
he said and showed that they
placed their hands on the ground
and the men mounted them
from behind.
After doing this,
they drank and ate,
and his father brought him bread
with a piece of meat,
but he didn't know
what kind of meat it was.
It was in fact children's flesh,
roasted or boiled.
This extraordinary confession
repeats word for word
the wild theories
from demonology treatises
written in the early 15th century
by theologians
and inquisitors
with fertile imaginations.
Everything is already there:
night flights, abominable feasts,
and above all, devil worship
in all its forms,
making witchcraft a
heresy in its own right.
The young peasant
obviously hadn't read
this scholarly literature,
unlike the inquisitor
who was the true author
of the confession.
In a witchcraft trial,
it was never, of course,
the free and spontaneous word
of an individual.
It was testimony
that had been shaped
by the judges' questions,
by the extremely
directed and precise questions
of the inquisitors.
A suspect would answer yes or no
to a question that was asked.
They never gave their account.
And it was the role of the notaries,
the Inquisition clerks,
to construct a narrative.
Witchcraft trials
were rhetorical constructions.
A questionnaire
with about fifteen articles
would be submitted to the accused,
and in this questionnaire
they would ask
whether the accused
flew through the air
using a broomstick or a chair,
whether they had received from the
devil a spell sewn into their skin,
whether they ate children,
whether they k*lled
their own children
to bring them to the sabbath.
This questionnaire
was extremely elaborate
and was like a machine
used to crush individuals.
The other depositions gathered
by the Lausanne inquisitors
repeat the same language.
They are annotated so that
the most striking confessions
could quickly be located:
"idolatry",
"apostasy",
"devil worship", "accomplice".
Each accused was required
to denounce several others
to fuel new trials.
The Devil's Church
was consistently called
"Synagogue",
and the great witches' festivals
were called "Sabbath".
These words refer to Judaism,
the Church's traditional enemy.
The sabbath was composed
of recycled materials
that had proved effective
in previous centuries.
And that's why it worked,
because it felt
like the return
of a dangerous heresy
that was a threat
to Christian society.
Yet at the same time,
it was even more dangerous,
even worse than previous heresies,
as the texts and inquisitors said,
because it could potentially
affect anyone.
It was no longer just
isolated heretics,
who could be defined
by their beliefs.
With the witches' sabbath,
absolutely anyone
could be suspected
of joining the devil's sect.
The fantasy of a satanic conspiracy
against the Christian world spread
across Northern Europe,
where women accused of pledging
allegiance to the devil
were burnt in their thousands.
Two German inquisitors
wrote a new practical manual,
The Hammer of Witches.
Among other things, it teaches
how to deprive the witch
of the spell of silence,
a diabolical charm
that allowed her to endure t*rture
and the stake in silence.
When a witch is arrested at home,
she must not be given the time
to enter her chamber,
as witches are known to use
this time to take certain spells
that give them the power of silence.
Hence the question:
is it permitted
when arresting a witch
to lift her suddenly from the ground
and carry her in a net
or basket to prevent her
from touching the earth?
It is permitted,
because examples
and confessions of witches
show that when arrested
in this manner,
they lose the spell of silence.
The spell
may be hidden in clothing
or body hair.
To remove them,
clothes are changed
and hair is shaved.
The Inquisitor of Como
told us that last year,
the 41 witches
he had ordered to be burnt
had been shaved
all over their bodies.
The myth of the great
witches' sabbaths stopped
north of the Alps.
In Italy,
witchcraft remained on the scale
of small individual enterprises:
healers, spell-casters,
makers of potions and love-philters.
Death sentences at the stake
were rare.
One exception:
in 1498, in Bologna, on the steps
of the Basilica of Saint Dominic,
a young woman, Gentile Budrioli,
was burnt for witchcraft.
Her portrait, entirely fictional,
became the archetype
of the beautiful sorceress.
But why was Gentile Budrioli
put to the stake when others
did not climb the same scaffold?
This is because Gentile,
according to sources -
we have city chronicles
to help us since
sadly, many trial records
are missing -
struck with these spells,
these curses,
the family of Bologna's lord,
the Bentivoglio family.
She even struck Lord Giovanni II
Bentivoglio himself.
But the source tells us,
"Fortunately the
inquisitor had her burnt.
It would have been the destruction
of all Bologna".
And so, probably, having targeted
the gentleman citizen,
with intent, perhaps even to change,
to overthrow through possible death,
a political regime,
this led to her being found guilty
by the Inquisition.
This is a rather specific case,
but it illuminates
a long-standing relationship between
the Inquisition and politics.
As Gentile Budrioli burned,
municipal officers
threw gunpowder on the pyre.
And the crowd of spectators
was convinced
that the devil himself
had come to claim the witch's soul.
But the most spectacular collusion
between the Inquisition and politics
took place in 1431 in France
with the trial of Joan of Arc,
who was sentenced to the stake
by a tribunal
entirely in thrall to the English.
THE PASSION OF JOAN OF ARC
CARL THEODOR DREYER - 1928
They accused her of witchcraft.
It was impossible,
they said, that a woman
could have defeated them
without the devil's help.
Who can believe
a person can fly through the air
and travel a hundred leagues
in an hour?
That a woman can slip through
a space where even a fly
couldn't pass?
That one can become invisible?
That one can bathe in a river
or in the sea without getting wet?
Or that a witch
can be simultaneously
in her bed and at the sabbath,
and take any form,
becoming a fly or a raven?
In truth,
these claims go beyond human reason,
and perhaps even exceed
the limits permitted by the devil.
Astonishing as it may seem,
this systematic demolition
of the witch myth
was written by an inquisitor,
belonging to the Spanish
Inquisition no less,
reputed to be
the most terrible of all.
That of Torquemada,
the Grand Inquisitor,
source of Edgar Allan Poe's
nightmarish tales
and countless horror films.
But beyond the caricature,
the Spanish Inquisition
was a formidable machine
of repression
that ushered in
the era of what is known
as the modern Inquisition
at the turn of the 16th century.
In the Inquisition
prison of Palermo,
one prisoner drew from memory
a map of Sicily,
a possession of the Spanish Crown.
In a neighbouring cell,
Christ carrying his cross.
His tormentors are dressed
in the typical costumes
of Spanish soldiers.
The Spanish Inquisition
was founded in 1478.
Barely established, it commissioned
the painter Berruguete
to create this allegory,
an auto-da-fé presided over
by Saint Dominic himself.
The propaganda intent was modern,
but the small scale
and informal nature of the ceremony
were still those
of the medieval Inquisition.
Here is an auto-da-fé from
a few decades later in Valladolid.
This was the new image
of modern Inquisitions,
grandiose and orderly.
But the language of excommunications
hurled against heretics
had not changed.
May the curse of Almighty God
and of the blessed Virgin Mary
descend upon you
for not obeying
the divine commandments.
May your children be orphaned,
banished from your burnt houses,
may all the world detest you,
may your animals perish,
may God send rain and fertility
to your neighbours' fields,
whilst yours wither without fruit.
May you lose your reason and sight,
may light become darkness.
The Spanish Inquisition
and its Portuguese sister
had no need for witchcraft.
They had their own sources
of raw materials.
At the end of the last century
these statues of Jews,
murderers of Christ,
could still be seen
in the Portuguese countryside,
displayed during Holy
Week processions.
Here is a 14th-century
Spanish legend:
a Jew steals an image of the Virgin.
Driven by the devil,
he throws it in the latrines.
But while demons
carry off the miscreant,
the Virgin's image emerges
from the latrines,
perfumed with the
sweetest fragrance.
This miracle leads the Jews
to convert en masse.
Mass conversions
did indeed take place
throughout the 15th century,
but they owed nothing to miracles.
They were the result of persecution,
the constant threat
of massacres and expulsions.
Conversion was also a trap.
Jews, as infidels,
were exempt from the Inquisition.
Once converted,
they fell under its jurisdiction
and became its prime targets,
consistently accused
of secretly returning
to their former religion.
The large Muslim population
suffered the same fate.
There were mass baptisms,
not always voluntary,
then accusations of continuing
to practice Islam in secret.
To this we can add
the traditional accusations
of ritual crimes,
entirely imaginary.
In 1491 the Inquisition
condemned to the stake
converts and Jews from Ávila,
accused of crucifying
a Christian child
to steal his blood.
In 1632 in Madrid,
Christian converts were accused
of gathering on Fridays as a family
over several generations
to whip a statue of Christ.
The entire family was burnt.
The key was blood.
To be descended
from converted Jews or Muslims
was to be guilty in advance.
To be an enemy of Christians,
of Christ and Divine Law,
one needn't be Jewish on both sides.
One parent is enough.
It matters not that
the father is not one,
it suffices that the mother be so.
And even if she is not entirely so,
it suffices that she be half so.
And even if she be less,
a quarter suffices,
nay...an eighth.
The Holy Inquisition
has discovered in our time
people practicing Judaism
despite 21 degrees
separating them from an
ancestor of Jewish blood.
Nearly 30 years ago,
it came to pass in
the city of Valladolid
that Don Lope de Vera,
native of La Mancha,
was burnt alive
for practising Judaism.
It transpired that this man
was of noble blood,
but it was discovered that the
wet nurse who had suckled him
was of tainted blood.
The pride of every
a certificate of purity of blood
proving that its Christian bearer
had no Jewish or Muslim ancestors,
an essential requirement
for access to many civil
or religious positions.
Thanks to its archives,
the Inquisition became
the main provider
of certificates.
This was its contribution
to ethnic cleansing,
undertaken by Spain's monarchs
who wanted absolute power
over a unified country.
A desire for centralised
territorial control
which the Inquisition also shared.
The modern tribunals
of the Inquisition
were "verticalised".
They had a central court.
This anticipated the process
of the centralisation of
all magistrates across Europe,
not just ecclesiastical ones.
The Inquisition became
"regionalised" with seats becoming
permanent rather than mobile,
with magistrates appointed
from above,
and not by religious orders,
with close control through
a more efficient postal system
of regional branches
that had to report
constantly
back to central headquarters.
A local inquisitor
had to justify buying
a candle or changing his robes.
The central court
overseeing all Spanish
inquisitorial tribunals
was the "Suprema",
created by Grand
Inquisitor Torquemada,
shown in this painting
behind the King of Spain.
A position that marked the authority
of the Crown over the Inquisition.
The Suprema is regular
in its movements,
like a sundial,
and all the Inquisitions under it
are like the lines of the dial,
measuring the fine harmony
of the Catholic sphere.
And the sun is you, Your Highness,
for we find in Your Highness,
as in the sun,
light for justice,
and in the tribunal,
as in the sundial,
shade for our protection.
As an instrument of royal power,
the Inquisition
extended the concept of heresy
to areas unrelated to religion,
such as counterfeiting.
Counterfeiting was a
crime of treason.
Because using the sovereign's effigy
on a false coin
was an attack, an act of treason.
But since heresy was divine
treason, and since the Inquisition
worked better than other magistrates
of the monarchy,
often, counterfeiting cases
in the Iberian world
fell to the Inquisition,
which even dealt
with horse smuggling
around the Pyrenees,
which risked favouring
the Huguenot minority
in south-west France.
So who was entrusted
with controlling
the horse trade?
The Inquisition,
because it had a more
extensive network
than secular tribunals, for example.
These were the paradoxical effects,
especially in the Iberian world,
of a machine so powerful
that the monarchy
began using it for things
that had nothing
to do with doctrine.
And this is one aspect
of the extension of
the Inquisitions' jurisdiction.
This also applied to sodomy,
to some extent.
Sodomy, in the strict sense,
had no connection to any doctrine.
Yet in the modern era,
the Aragonese
and Portuguese tribunals
classified sodomy as heresy.
So the Inquisition
dealt with h*m*.
This is Alhama de Granada
in Andalusia,
a former Moorish citadel
taken by Christians
in the late 15th century.
It is also the birthplace
of Elena de Céspedes,
condemned by the Inquisition
for changing sex
from Elena to Eleno.
Eleno married a woman.
For the Inquisition,
this was sodomy,
a term it applied indiscriminately
to any h*m* relationship.
Right next to Alhama's church
was one of those local tribunals
through which the Inquisition
controlled the entire country.
On a completely different scale,
money from confiscations
and fines imposed on heretics
funded the construction
of new Inquisition palaces.
Serving as both tribunal and prison,
they were cleverly designed
to allow them to hold
as many prisoners as possible.
In the Inquisition palace of Évora,
responsible for
all of southern Portugal,
the cells were on the ground floor,
while the tribunal
sat on the first floor,
beneath an imposing ceiling adorned
with the Inquisition's emblem.
For the pleasure and relaxation
of the inquisitors,
there was a delightful patio,
decorated with some
of the finest frescoes
of the Portuguese Renaissance.
Beside it was a garden
in place of a former
prison courtyard
that served as a rubbish dump.
During restoration work,
the skeletons of twelve prisoners
were discovered,
men who had been
thrown there without burial,
unknown to their families,
victims of the Inquisition.
"A. Prisoners will disappear
without trace.
B. No information will be given
about their destination or fate."
Decree by German General Keitel
on Operation
"Nacht und Nebel", "Night and Fog"
in which resistance fighters from
occupied countries disappeared.
Secrecy is the fixed point
on which the Inquisition's
government balances
and which commands
the faithful's veneration.
It facilitates
witness denunciations.
It's the basis and foundation
of this tribunal.
Were it deprived of this,
the entire edifice would collapse.
"Is there anything less reasonable
than wanting to make
accomplices of the Prophets
and crimes of riddles?"
This may seem obscure,
but the Inquisition understood
its meaning perfectly.
The author clearly
wants to challenge
the methods and secrecy
of the Holy Office.
His allusion to the prophet
means the accused must guess
who testified against him,
and by calling the crime "a riddle",
he implies
we want to force the accused
to guess what he's
being charged with.
The author's aim
is to discredit our Holy Office
and encourage heresy.
He must be pursued,
arrested for questioning
and forced to explain
his insinuations.
The author of this veiled criticism
of the cult of secrecy,
Portuguese convert
Manuel de Villa Réal,
was arrested in 1649.
Accused of crypto-Judaism,
he was confined to a special cell
where prisoners were watched
around the clock
through a tiny secret opening
in the wall.
They hoped to catch them
in the act of Jewish practices,
prayers or fasting,
to strengthen the charges
against them.
Manuel de Villa Réal
discovered the scheme,
blocked up the hole
and sealed his fate.
He was clever enough
to discover the spy holes
in the observation cells.
Left alive,
he could cause serious harm
to the Holy Office
by making this secret public.
We have every reason to fear
that if his life were spared,
he could considerably damage
the Inquisition Tribunal
and its rightful procedure.
A barely visible inscription
on a wall of the Inquisition prison
in Palermo:
"21st July 1646.
A spectacle with 33 men and women."
This spectacle was the auto-da-fé.
The Inquisition [What a show!]
The Inquisition [Here we go!]
We know you're wishing
that we go away
But the Inquisition's here
and it's here to stay
Hey Torquemada, whaddaya say?
I just got back from the auto-da-fé
Auto-da-fé? What's an auto-da-fé?
It's what you oughtn't to do
but you do anyway
The auto-da-fé, from 'act of faith',
was a grand spectacle
where the condemned were displayed
after months, even years
of secret imprisonment.
The ceremony would begin,
as in Palermo in 1724,
with an endless procession.
Inquisitors and religious orders
at the front,
followed by heretics
under close guard,
while Palermo's nobility
brought up the rear.
The cl*max of the spectacle,
the reading of sentences,
took place on a grand
platform, erected
in the town's main square.
A temporary stage in the tradition
of Spanish street theatre.
On the stands, on either side,
inquisitors and heretics
faced each other.
Sometimes, a large canopy
shielded both the judges
and those condemned to the stake
from the sun.
Even before the sentences were read,
the crowd already knew
what to expect
from the symbols
adorning the condemned's garments,
the sanbenitos,
indicating the crime
and the punishment.
Upright flame and lit candle:
the stake.
Inverted flame and snuffed candle:
only prison, often for life.
Condemned in absentia,
fugitive or dead heretics were
present in the form of effigies.
The defiant were silenced
using muzzles.
The secrecy of the procedure
was offset by a very high degree
of spectacle
that created the scenario
of the "autos-da-fé"
as they were called in Spanish,
spectacles
where abjuration became public,
far more ritualised
than in the Middle Ages.
The public spectacle
became a display
of solemn authority,
"the splendour of punishment",
as Foucault would say.
These were spectacles
where the authorities
punished the body
and ecclesiastical authority
punished the gravest
form of disobedience - heresy.
The great autos-da-fé,
like Madrid's in 1681,
attended by the royal family,
were exceptional events,
designed to show
both the power of the Inquisition
and the virulence
of the heretical threat,
measured by the number of accused
on the platform.
But by the 17th century,
heretics were becoming rare.
And the resource had to be managed
by building up, months in advance,
a sufficiently large stock
of heretics
for a quality spectacle.
It was a mass,
in reality, an auto-da-fé.
There was a priest
who began by saying mass,
then, at the offertory,
all the sentences were read,
then those condemned to death
were expelled,
those who had not repented.
Those who had repented were kept
and the mass was completed
in the presence of God.
People fully understood all this
and fully understood
what heresy meant:
expulsion from the Church,
rejection of divine grace.
In short, spiritual death
as much as physical death.
Inquisitorial propaganda
glorified the auto-da-fé,
but didn't show the stakes,
which played a major role
in the collective imagination.
Contrary to what
this reconstruction suggests,
inquisitors didn't
attend executions,
which were entrusted
to the civil authorities,
as the Church had no right
to shed blood.
And the condemned were never burnt
wearing their sanbenitos.
These were removed before the pyre,
and displayed on church walls
to perpetuate the memory of infamy.
"Forever",
stated the Inquisition decree.
The inquisitorial machine
wanted to go on eternally.
Like any bureaucracy,
its priority was long-term survival,
and so it had to constantly find
new resources
to pay officials and servants,
by targeting offences
that were minor
but widespread, like blasphemy.
The inquisitors became
interested in blasphemy
for financial reasons.
In the first half
of the 16th century,
they had no more crypto-Jews.
The great crypto-Jew
hunts were over.
So they started conducting
all these small trials
for what I'd call trivial matters.
They'd go to a village,
set up at the inn,
"Anyone who's blasphemed,
come see me."
All the card players who'd said,
"Reniego de Dios" - I renounce God.
"You renounce God,
so you're not a Christian."
"What? What are you saying?"
"But it's just a figure of speech!"
Figure of speech or not: "penance".
And you find thousands
of cases of "Reniego de Dios".
Some historians, and notable ones,
saw this as proof of atheism.
And even more, the other blasphemy:
"I don't believe in God",
"no creo en Dios".
But if all of Castile
in the 16th century
had been atheist, we'd have known.
So here too, we must read in detail.
Because occasionally, you find
the complete text:
"I don't believe in God
for three weeks."
In the Inquisition building
in Bologna
can be found
portraits of all the inquisitors
who succeeded each other here
from the late 13th century onwards,
as if there had been
no break in continuity
between the medieval
and modern Inquisition.
Yet in 1540,
the Pope re-established
the Inquisition in Italy
by instituting
strict control from the Vatican,
following the Spanish model
of total centralisation,
but without the spectacular
manifestations
of the Iberian inquisitions.
Here, discretion was the rule.
Even the courtroom,
with its painted ceiling
and trompe-l'oeil,
has an almost welcoming air.
At the back of the room,
the classic allegory
of the inquisitorial mission:
a dog protecting a flock
representing the faithful
from the beast of heresy.
But the dog looks like
a friendly mutt,
and heresy itself
is not particularly frightening.
Yet in the 16th century,
heresy had a new face,
that of the monk Luther,
the devil's instrument
who rejected the Pope's authority
and his entire Church apparatus.
With the triumph of Protestantism
across much of northern Europe,
the fantasy of
a counter-church, the obsession
of the medieval Inquisition,
had become reality.
The emergency perceived
by the Roman Curia,
by the pontiffs,
was that of a heresy from the North.
These were the Protestant heresies.
It meant Luther, it meant Zwingli,
it meant much,
from the 1540s onwards,
Calvinism,
but it also meant the circulation
of texts by Erasmus of Rotterdam,
texts even of
Italian anticlericalism
that easily led to heterodoxy
and contempt for papal
and clerical authority.
So the Roman Inquisition
was born to stem,
to build a bulwark across
much of the Italian peninsula.
Because Italy,
the Italian peninsula,
was the Pope's garden
and this garden could not
be defiled,
soiled by heresy and dissent.
That would spell defeat, at a time
when the papacy was losing
England too, risked losing France,
and had lost much of Germany.
It could not afford to lose Italy.
With the spread of Protestantism,
the Roman Church lost,
for the first time,
its monopoly on speech
and control of its image.
This is what she
didn't want to show:
the horror of t*rture.
The student Algerio Pomponio,
ex*cuted using boiling oil
in Rome in 1556.
A Protestant engraving,
like all those
that denounced
from the 16th century onwards
the atrocity of the stakes
and showed the Inquisition's victims
as martyrs.
The new invention of printing
ensured these images
circulated widely,
as well as testimonies
from former prisoners
who exposed the workings
of Catholic repression,
like this one, entitled
The Slaughterhouse.
The Inquisition responded by hunting
down all intellectual dissenters
in the Italian peninsula.
In 1600 it burnt
the philosopher Giordano Bruno
who wrote that the
universe is infinite,
which contradicted
the teaching of the Bible.
Then there was the case
of controlling science.
The most striking case there
is obviously that of Galileo.
When Galileo went on to ridicule
the Aristotelian tradition
of science,
which was still embraced
by the Jesuits,
disobeying the command not to speak
explicitly
about the heliocentric theory,
even then,
the trial wasn't as dramatic
as Bruno's, but it still meant
teaching a lesson
that remained throughout
the Italian peninsula.
Few people after Galileo
devoted themselves
to physics in Italy.
Many turned to biology
or other sciences,
as they were obviously
less complicated
than the doctrine of the heavens.
Gutenberg invented printing,
the Church invented the Index,
a catalogue of all forbidden works,
chief among them
all translations of the Bible
into the vernacular,
Spanish or Italian.
The Church's idea was essentially
that books were
a vehicle for subversion.
After all, it had been writing,
reading Scripture
that sparked Luther's rebellion;
and so not allowing
the Bible to be read
in the vernacular meant preventing
laypeople from forming their own
interpretation of scripture
without the mediation
of ecclesiastical tradition
and the clergy.
It was better that laypeople
say rosaries,
limit themselves to reciting
the rosary of Our Lady
and rattling off their beads,
rather than having direct access
to more complex texts.
In less dangerous books,
only certain passages
were censored.
But it would be unfair
to say that the Inquisition
didn't like books.
It simply preferred those
it wrote itself,
to recount the most important events
of the great auto-da-fés.
This criminal struck terror
with the blasphemies
he uttered on the way
to his t*rture.
Even the mule he rode
began kicking furiously,
as if sensing the iniquity
of its infernal burden.
It was impossible to control her.
She kicked through the crowd
to rid herself
of the apostate's weight,
whose fierce appearance was enough
to terrify even animals.
And this was no accident,
but divine will.
For they brought six other beasts
that had carried
other condemned men.
Previously, they had been docile.
As soon as this cursed heretic
was on their backs,
they too began to kick
as if they could not bear him.
The crowd murmured,
"This heretic is so
possessed by the devil
that even the mule won't carry him,
for fear of offending heaven".
This took place
during the great auto-da-fé
in Mexico in what was called
the "New World".
In the 16th century Spain
and Portugal conquered
vast territories in Asia,
Africa and America.
Faced with the indigenous
populations of the new colonies,
a question resurfaced
that had already arisen
regarding unconverted Jews
and Muslims:
did the Inquisition have the right
to prosecute infidels,
as claimed
in the inquisitors' manual
written by Nicolas Eymerich,
which remained authoritative?
All men, faithful and infidel alike,
are, by the mere fact
of having been created,
the flock of Christ.
Even though not all the flock belong
to the Church's fold.
It necessarily follows
that the Pope's power
extends over all men.
And let none tell us
we have no right to judge
what is foreign to us,
or that we cannot force
infidels to believe,
neither through trials
nor excommunication,
for God alone
calls through His grace alone.
Those who claim to strip us thus
of our judicial powers are mistaken.
If the Church cannot inflict
spiritual punishments upon infidels,
it can inflict temporal ones
upon them.
A prescription the conquistadors
followed to the letter.
The conquest brought an improvised
and savage inquisition,
designed to eradicate
indigenous religions
through massacres
and forced conversions.
But by the mid-16th century,
Spain had banned these practices.
Mistreating the natives too harshly
hindered evangelisation
and colonial order.
The Indians now depended
on a separate institution,
supervised by missionaries
and bishops,
while proper tribunals
of the Inquisition
were established in the colonies
under strict supervision
from Madrid and Lisbon.
Their primary task
was to hunt down converts
who thought they could find refuge
across the Atlantic.
But they also had to protect
colonial society
from a new danger:
the mixing of beliefs.
The sl*ves from Guinea
brought with them
the mysteries of Obeah
and their dark magic.
The indigenous Indians
have their own catalogue of spells
to heal, to harm,
to provoke love or hatred.
And the colonists
believe in all sorts
of superstitions
to which they don't hesitate
to add those of
these inferior races.
All levels of society
commonly turned to curanderos
and curanderas, healers
who invoked both
ancient pre-Columbian deities
and the Christian Holy Trinity
to heal the sick,
predict the future, k*ll a rival
or win a woman's love.
The Inquisition
particularly targeted
hallucinogenic plants,
essential ingredients
in these ceremonies.
In Peru it banned
the consumption of coca leaves
which, it claimed,
encouraged idolatry
and magical superstition.
In Mexico it banned peyote,
a hallucinogenic mushroom
that the Indians called
"the flesh of the gods"
and the inquisitors
"the devil's herb".
But repression mainly targeted
Europeans and mixed-race people.
Learning that Indians
in a distant village
continued to practice it,
an Inquisition official
investigated and concluded:
Indians cannot be trusted
to keep and maintain
the secrecy required
by the Holy Office oath.
To avoid the risk
of our secret procedures
being revealed,
we have decided to close
the investigation.
The millions of African sl*ves,
essential to the colonial economy,
met a different fate.
Belonging to Christian masters,
they were declared Christians
by default.
They were mainly prosecuted
for blasphemy,
which paradoxically
made the Inquisition
a refuge from their
masters' cruelty.
From now on, at the first lash,
the sl*ve hastens to renounce God
to fall under our
exclusive jurisdiction.
The punishment is suspended
and he's handed back to us.
And he gets away
with just a reprimand,
which, when it keeps happening,
undermines the discipline essential
to sl*very.
By the 18th century,
the era of the great
autos-da-fé had passed.
In the colonies as in the homeland,
repression changed scale.
In 1775
the Mexican Inquisition seized
and condemned to the flames
five handkerchiefs.
The reason?
They bore a biblical image,
which a new decree
deemed blasphemous.
At the same time, in Europe,
the Inquisition was
living its final days.
In a century and a half,
the triumphant auto-da-fé
celebrating the harmonious union
of Inquisition and State
had been replaced
by Goya's auto-da-fé,
a heavy, sombre anachronism
serving as a foil
to the new Europe of Enlightenment,
of tolerance
and freedom of conscience.
In Milan, Parma and Palermo
the emblems of the Inquisition
were destroyed,
the last prisoners freed,
the archives burnt.
It was a political act,
abolition from above,
ordered by civil powers
who now felt strong enough to claim
for themselves alone
the power to prosecute and judge.
"The Nation and Constitution
banish the Inquisition",
says this flag from 1830
celebrating the final abolition
of the Spanish Inquisition.
An inquisitor at the photographer's.
The last inquisitor of Bologna,
where abolition only came in 1860.
His final exploit
was the abduction
of a six-year-old Jewish boy,
Edgardo Mortara,
whom his wet nurse
claimed to have secretly baptised.
Mandated by the Inquisition
to free the Christian child
from the clutches
of his Jewish family,
the carabinieri seized him
and delivered him to the Vatican.
If his parents wanted
to see him again,
said the Pope,
they needed only to convert.
Public opinion was outraged
and the image
of the Inquisition emerged
even more tarnished.
It became the embodiment
of all the perversions
of religious fanaticism
and of that absolute power
which a critic of the Inquisition
said "corrupts absolutely".
But these fanciful images
of bygone tortures
mask the very real legacy
of the Inquisition:
its innovations in
policing, justice,
and methods used
for control and submission.
A toolkit that today's world
knows how to use so well.
The idea was to surveil:
even more than punish,
to surveil and discipline.
There was a penitential aspect to
modern Inquisitions that is central.
Humiliation,
whether public or private,
was an attempt to force obedience
or to silence.
It didn't matter
if one truly believed,
but that one at least
appeared to believe.
The community could not
be torn apart
by the scandal
of public disobedience.
In this sense,
the Inquisition tribunals,
in my view,
truly succeeded in their mission
to keep parts of Europe Catholic
and shape the conscience
of the faithful and a certain
obedience to authority
that would endure for centuries.
In the year 2000 Pope John Paul II
asked for forgiveness
for all crimes committed by the
Church in the name of religion.
If there is life after death,
the prisoners
of the Chiaramonte Steri palace
must be pleased.
If not, then it doesn't matter.
Giovanni Battista Guido,
arrested for calling
the Virgin a wh*re
after losing at cards.
Sentenced to three years
in the galleys, his fate is unknown.
Giovanni Andrew,
an English sailor accused
of Protestant propaganda,
imprisoned for three years
at Chiaramonte,
then sentenced to three years
in the galleys.
His fate is unknown.
Gabriel Tedesco,
known only by his initials "G.T.",
a Muslim sl*ve, accused of apostasy,
sentenced to seven years
in the galleys.
Escaped, recaptured, burnt.
And all the anonymous captives,
the forgotten,
the rebels, the defeated.
Here, I think of them
and many others.
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01x02 - Le secret et le faste
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With a history spanning six centuries, the Inquisition stands out as the most relentless repressive machine in European history.
With a history spanning six centuries, the Inquisition stands out as the most relentless repressive machine in European history.