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Listen to Me Marlon (2015)

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Listen to Me Marlon (2015)

Post by bunniefuu »

This is the beginning of the tape.

We're on mono and we're on microphone 1.

Okay.

Now listen,

let me tell you something that I did.

I've had my head digitized.

And they put this laser

and it goes around you like this...

and they digitized my face.

And I made a lot of faces

and smiled and...

and made a sad face and...

So they've got it all on digital.

And actors are not going to be real,

they're going to be inside a computer.

You watch, it's gonna happen.

So maybe this is the swan song

for all of us.

Tomorrow and tomorrow and tomorrow...

creeps in this petty pace

from day to day,

to the last syllable of recorded time;

and all our yesterdays

have lighted fools the way

to dusty death.

Out, out, brief candle.

Life's but a walking shadow,

a poor player, that struts

and frets his hour upon the stage,

and then is heard no more.

It is a tale told by an idiot,

full of sound

and fury, signifying...

nothing.

Copy. All available

units responding to a sh**ting.

Police came to a call to 911,

but this was no ordinary address,

the caller no ordinary citizen.

Marlon Brando was on the line

to report a sh**ting at his home.

Misery...

has come to my house.

Brando won an Oscar

for his performance in the 1954 film

On the Waterfront.

He was already being acclaimed

as the greatest American

film actor ever.

You take the good goods away,

and the kickbacks

and the shakedown cabbage

and them pistoleros and you're nothin'.

Hey, Stella.

You can bet that Marlon Brando's impact

on the world of movie acting

will still be felt 500 years from now.

I'm gonna make him an offer

he can't refuse.

Marlon Brando was here

at his home at the time of the sh**ting,

but police who questioned the actor

say he did not witness it.

The sh**ting

put a spotlight on the private life

of one of Hollywood's

most reclusive stars.

And it's been a struggle

to try to preserve sanity

and sense of reality

that is taken away from you by success.

It will be

a highly personalized documentary

on the life activities of myself,

Marlon Brando.

We establish that he is a troubled man,

alone, beset with memories,

in a state of confusion and sadness,

isolation, disorder.

He's wounded beyond being able

to be social in an ordinary way,

he becomes like a mechanical doll.

Maybe he felt that he was treated badly.

And that he's angry about the treatment.

He's collecting bits

of information here, odd bits of film

to try to explain why are you this way?

Ten, nine, eight, seven, six,

five, four, three, two, one.

Now let your mind drift

back,

way back in time

to a time when you were very young,

when you used to wake up in the morning,

put on your clothes

while everyone was sleeping,

and walk down the sidewalk in Omaha

and sit underneath that big elm tree.

With the wind blowing the light,

the shadow of leaves.

It is like a wonderful, soft dream

and that soft wind calling.

That's a wind that you can trust.

You are the memories.

I've always in my life had

a strong sense that I had to be free.

Standing on that train, I was free.

I used to love to stand in the car

and listen to the rails.

You know?

It's an eccentric kind of rhythm.

I arrived in New York with holes

in my socks and holes in my mind.

I remember getting drunk,

lying down on the sidewalk

and going to sleep.

Nobody bothered me.

I was always somebody who had

an unquenchable curiosity about people.

I liked to walk down the street

and look at faces.

I used to go to the corner

of Broadway and 42nd Street

in an Optimo cigar store.

I would watch people for three seconds

as they went by

and try to analyze their personality

by just that flick.

The face can hide many things.

And people are always hiding things.

I was interested to guess

the things that people

did not know about themselves.

What they feel, what they think,

why they feel.

How is it that we behave the way we do?

What is the answer?

Is there any answer?

There is something

that you need very deeply.

Some kind of contact,

some experience

to give you a sense of fulfillment.

I had a great feeling of inadequacy,

that I didn't know enough,

that I didn't have enough education.

I felt dumb.

I became an actor

pretty much by accident.

I went to the New School

for Social Research,

which is an extraordinary institution

of learning.

My teachers were all Jewish,

because the New School

was a clearing house

for Jews that escaped from Hitler.

They were very respected people.

The cream of academia.

Control over your lives

begins with this class.

I studied with a woman

by the name of Stella Adler.

She was a fine actress,

a really wonderful actress.

The smell of the greasepaint

and lure of the theatrical experience

came out in her teaching technique.

The play has nothing to do with words.

You do not act words,

you act with your soul.

I was very shy when I was a kid.

Sensitive, very sensitive.

In the theater,

the actor is the boss.

It's against the nature of human life

to withdraw.

"Don't be afraid," she said.

"You have a right to be who you are,

where you are and how you are."

Be in a state of honesty up there.

Allowing yourself to feel things,

to feel love or to feel rage.

Speak out the thoughts

that are tormenting you.

Everybody's got a story to tell,

something they're hiding.

Do not bring anything

in the present

that doesn't have the past.

We develop the technique

of acting very, very early.

Even from the time we're a kid,

where we're throwing our oatmeal

on the floor

just to get attention from our mothers.

Acting is surviving.

Yeah, that's my mother.

That photograph there.

This is a portrait of my mom

when she was about forty.

And she was a marvellous person.

For instance, she dressed up a pet goose

we had for Santa Claus.

She made a Santa Claus out of it,

made a little red costume for it

and a beard and everything.

She was a very inventive

and artistic woman.

And I miss her very much.

I was given by my mother

a sense of the absurd.

She had false teeth.

Once in a while she'd laugh.

While she was laughing,

her teeth would come off her gums.

And the more I laughed,

the more she thought it was funny

and we both ended up laughing real hard.

My mother taught me a love for nature,

and a sense of closeness with animals.

You couldn't think of a tune

she couldn't play on the piano.

Not one.

I like remembering about her.

I used to love the smell of liquor

on her breath.

And her breath becomes very, very sweet.

It's a lovely fragrance.

My mother was an alcoholic.

We lived in a small town

and my mother was the town drunk.

She began to dissolve

and fray at the ends.

When my mother was missing.

Gone off someplace,

we didn't know where she was.

I used to have to go

and get her out of jail.

Memories even now

that fill me with shame and anger.

You have to constantly act.

It is not important

to defend your faults in the theater.

It's important to overcome them.

Stella very kindly invited me

into her home.

I then became part of her family.

When I was really suffering

and disjointed, disoriented with life,

she was always very loving towards me.

I'd never done anything in life

that anybody ever said I was good at.

She put her hand on my shoulders

and said, "Don't worry, my boy."

"I have seen you,

and the world is going to hear from you."

From the T-shirt clad Stanley Kowalski

in Streetcar Named Desire,

the role which catapulted him

to international fame,

we're very pleased

to have with us this morning

as our guest Mr Marlon Brando.

Streetcar Named Desire

was very satisfying to be in,

because I thought

it was a wonderful play.

The story was superb

and the production was wonderful.

You must be Stanley.

Oh, hiya. Where's the little woman?

It was a very expl*sive part

and it electrified everybody.

You want a shot?

No, I rarely touch it.

Well, some people, they rarely touch it,

but it touches them often.

I was quite nutty

when I was young

and I would have a lot of energy.

Rain forever.

'Cause you couldn't come out flat,

you couldn't come out slow.

After the play was over,

I felt like a million bucks.

I was off into the night

with sparkles and zest

to see whatever I could find.

How wonderful it was to drive around

on a motorcycle with just a T-shirt on.

Two, three, four o'clock in the morning.

Some small club

in the black section of town.

And I was screaming

when they were playing those drums.

I'd hear that sh*t,

it just used to take me to another land.

This is my moment,

I want to take this moment

and that was wonderful.

And then your life changes.

Suddenly, there's a lot more girls

saying, "Hi, Mar."

When I was younger,

I was a fairly attractive kid.

I had a lot of derring-do and panache.

I was unpredictable and stimulating

for a lot of young girls.

I was young and destined

to spread my seed far and wide.

Girls and fun and good food

and sense of health and purpose...

It can't get better than this.

Nothing in life

could be better than this.

I was always making jokes and teasing,

playing practical jokes on everybody.

To be able to have money.

I never had any money.

My father was a traveling salesman.

I was making more in six months of work

than he made in ten years.

He measured everything by money.

He couldn't understand

how this ne'er-do-well son of his

could possibly do that.

If I have a scene to play

and I have to be angry,

there must be within you trigger

mechanisms that are spring-loaded,

that are filled with contempt

about something.

I remember my father hitting my mother.

I was fourteen.

Now that's how

I'm gonna clear the table.

Don't you ever talk that way to me.

My old man was tough.

He was a bar fighter.

He was a man with not much love in him.

Staying away from home,

drinking and whoring

all around the Midwest.

He used to slap me around,

and for no good reason.

And I was truly intimidated by him

at that time.

Now what kind of a queen

do you think you are?

You know that I've been onto you

from the start,

and not once did you pull the wool

over this boy's eyes.

When things

are extremely painful to you,

you don't want them

in your consciousness,

you want to forget about them.

And you are the Queen of the Nile,

sitting on your throne,

swilling down my liquor.

You know what I say? Ha-ha!

You can imagine

having to go someplace every night

and go through all that,

get yourself upset...

To have to cry or to scream

or to be ruined in some way,

that's work.

That's hard work.

People invariably associated me

with the part I played,

so that it was difficult to believe

that I didn't eat off the floor,

or that I, you know, didn't run up

the street with my shoes off,

and so it's been a hard thing

sort of living that down.

There is nothing about me

that is like Stanley Kowalski.

I hate that kinda guy.

I absolutely hate that person

and I couldn't identify with it.

The brute, dark character that

represented the beasts and the animals.

They sent me to a psychiatrist.

They thought I was going nuts,

losing my mind.

Stella told me,

if you come to the theater

and you feel a hundred percent,

show eighty.

If you come and you feel sixty percent,

show forty.

If you come to the theater

and you only feel forty percent,

best to turn around and go home.

I was wondering if you have any plans

to return to the stage

in the near future.

No, I don't have any immediate

intentions of returning to the stage.

The shouts of freedom

are also the rattling of chains.

You seem to be such a restless man.

Eyes always darting.

I don't know,

I guess I've just got loose feet.

I infer from that that you

do not thoroughly enjoy your profession.

Or you don't enjoy it at all.

No, I think that people

do what they enjoy,

or else they don't do it.

People do what they want to do.

If there are adverse conditions

that surround my work,

they are not adverse enough

to make me change activities.

If I hadn't had the good luck

to be an actor,

I don't know what I would've been.

I'd have probably been a con man.

A good con man.

Tell smooth lies, give impressions

of things that he thinks,

or appears to think

that he doesn't think.

Since I don't do anything else well,

and up to this time I haven't decided

what else I would like to do,

I might as well put all my energies

into being as good an actor as I can.

Now will you turn your head for us?

Sure.

Now around the other way.

Now all the way around.

All right. Thank you and stay around.

Shakespeare said,

"There is no art to find

the mind's construction in the face."

And there should be such an art.

When the camera is close on you,

your face becomes the stage.

Your face is the proscenium arch

of the theater, thirty feet high.

And it sees all the little movements

of the face and the eye and the mouth.

You have the intensity to act.

I wanted very much

to be involved in motion pictures,

so I could change it

into something nearer the truth.

And I was convinced

that I could do that.

About my playing the tuba...

Seems like a lot of fuss

has been made about that.

In the '30s and '40s

you had a particular kind of acting.

You knew who you were gonna get

when you went to the movies.

Gary Cooper oats.

Shredded Wheat Bogart.

Clark Gable Crunchy Fruit Loops.

They were just like breakfast cereals.

The same in every role.

Gestures of anguish and despair,

and that kind of acting became absurd.

The astounding thing

most people don't realize.

All motion pictures today,

all acting today,

stems from Stella Adler.

Stella, so much

has been talked about Method acting.

What exactly is the Method?

All right, let's start at the beginning.

Stella went to Paris

and studied

with Konstantin Stanislavsky,

the great Russian teacher,

brought back

her experience and knowledge

of this particular form of acting.

Reality, realness, carried by an actor

to achieve the truth.

This is the most modern technique.

Everything that you do,

make it real as you can.

Make it alive, make it tangible,

find the truth of that moment.

Mr Stanislavsky understood that.

And the style of acting

changed completely.

The first movie I ever did

was called The Men.

I played a paraplegic

and lived in a hospital

with paraplegics for three weeks.

Physicality is a tough thing.

I spent a lot of time just studying

everything they do.

I wanted to see how

they got in and out of their chairs.

The manner in which you crawled

from one place to another.

Paraplegics,

they do the most amazing things.

Races without their chairs,

I've seen guys walk on their hands.

They can do one-armed pull-ups,

they can do everything.

You have to know your subject,

you have to know your character.

Putting yourself

in a different state of mind.

What they felt like,

what their frustrations were

knowing that they couldn't have sex.

What am I gonna do, where am I gonna go?

I can't go out there anymore.

He just sits there

and he marinates his mind.

In the intellect; that's all he's got.

Put your heart into it.

Get yourself up emotionally.

At night I think about it,

dream about it

and I wake up being absorbed by it.

People have routines:

acting routines, dancing routines,

painting routines.

The same thing over and over again.

Everything is a clich.

When an actor takes a little too long

as he's walking to the door,

you know he's going to stop

and turn around and say...

"Frankly, my dear, I don't give a damn."

Jersey Joe Walcott, terrific fighter.

He'd be boxing, he'd be throwing

some punches and bing!

He'd have his fist in somebody's face.

You'd think it was coming out

of the southwest

and there it comes out of the northeast.

He would never let you know

where he was going to hit you.

You.

Never let the audience know

how it's gonna come out.

What is your name?

Get them on your time.

Emiliano Zapata.

And when that time comes

and everything is right,

you just f*ck, let fly.

O judgment, thou art fled

to brutish beasts,

and men have lost their reason.

Hit them, knock them over.

With an attitude,

with a word, with a look.

I don't like cops.

Be surprising.

Figure out a way to do it

that has never been done before.

You gotta put something down,

you gotta make some jive.

Don't you know what I'm talking about?

You want to stop that movement

from the popcorn to the mouth.

Cry "Havoc,"

and let slip the dogs of w*r.

Get people to stop chewing.

That this foul deed

shall smell above the earth.

The truth will do that.

Damn, damn, damn, damn.

When it's right, it's right.

You can feel it in your bones.

Then you feel whole,

then you feel good.

It was pre-sixties.

People were looking for rebellion,

and I happened to be at the right place

at the right time

with the right state of mind.

In a sense, it was my own story.

Rebelling for the sake of rebelling.

Hello, Mr Brando.

I hope you don't think

I'm too crazy for making this recording.

I wrote you a fan letter once,

but I don't know if you received it.

Once I saw a picture of you

with a white cat. Was it yours?

I'll bet you're one of the kindest,

most interesting fellows in Hollywood.

I suppose I'm judging the book

by the cover,

but perhaps I'm not too far wrong.

Mr Brando?

I hope this isn't too personal,

but I always say what I think,

so I won't stop now.

I admire you very much,

both as an actor and a person.

Many, many other people

feel the same way.

I think one of the main reasons

that I admire you

is because you aren't afraid

to be yourself,

instead of being a carbon copy

of everyone else.

It would be a pretty dull world

if everyone behaved in the same way,

so three cheers for you, Mr Brando.

I didn't intend to have

that extraordinary effect.

I became, very quickly, a cult hero.

And now I know that you're as anxious

as I am to find out what actor

has won the Oscar

for the best performance of this year.

The winner is

Marlon Brando for On the Waterfront.

Marlon Brando,

an actor of very considerable talent.

The youngest actor

ever honoured in this way.

When I saw the picture finally,

I was so embarrassed,

so disappointed in my performance.

It's much heavier than I imagined.

It's like carrying a monkey around

on your back.

They're asking me to put the finger

on my own brother.

It's a very strange thing

this business of storytelling.

You don't always know when you're good.

You wanna hear my philosophy of life?

Do it to him before he does it to you.

People will mythologize you

no matter what you do.

There's something absurd about it,

that people go with hard-earned cash

into a darkened room

where they sit

and they look at a crystalline screen

upon which images move around

and speak.

And the reason they don't have light

in the theater

is because you are there

with your fantasy.

The person up on the screen

is doing all the things

that you want to do,

they're kissing the woman

you want to kiss,

hitting the people you want to hit,

being brave in a way

that you want to be brave.

The audience will lend themselves

to the subject.

They will create things

that are not there.

Listen to me, Terry, take the job.

Just take it. No questions, take it.

There are times I know

I did much better acting

than in that scene

from On the Waterfront.

You don't understand.

I coulda had class.

I coulda been a contender.

I coulda been somebody.

Instead of a bum.

Which is what I am, let's face it.

It had nothing to do with me.

The audience does the work,

they are doing the acting.

Everybody feels like they're a failure,

everybody feels

they could've been a contender.

Inferiority.

I've been very close to it all my life.

Marlon,

I know your dad is in town tonight.

Is he hiding out somewhere?

No, I'll get him in here. Pop?

Come on out.

We'll ask Mr Brando

some questions about his son

and I'm sure we'll get

the blunt and direct answers.

Good evening, Mr Brando.

I imagine you're just a bit proud

of your son right now, aren't you?

Well, as an actor not too proud,

but as a man, why, quite proud.

Mr Brando, tell me this.

Was he hard to handle as a child?

I think he had the usual...

childhood traits.

I think he had probably a little more

trouble with his parents

than most children do.

Marlon, in the interests

of justice and fairness,

would you like 30 seconds

to defend yourself?

Well, I don't feel

I need to defend myself.

I can lick this guy with one hand, so...

Let it go.

We had an act

we put on for each other.

I played the loving son

and they played the adoring parents.

There was a lot of hypocrisy.

When what you are as a child

is unwanted, it's unwelcome,

then you look for an identity

that will be acceptable.

So I had a wide variety

of performances in me.

I'm very anxious for you.

I know you haven't seen

all of the footage,

but your light comedy performance

in Guys and Dolls

is really terrific, Marlon.

Well, I hope so.

I'm very anxious to see it.

In fact, I'm dying to see it.

How was Vegas?

Paradise. For two weeks I gambled

in green pastures,

the dice were my cousins

and the dolls were agreeable

with nice teeth and no last names.

You don't believe I'm a sinner, do you?

I'm prepared to believe that you are the

biggest sinner I ever met in my life.

It's part of an actor's trade

to be able to play in a light vein

and be an entertainer

as well as a serious storyteller.

And I feel that I perhaps have neglected

that part of my career up to this point.

When I go to set I have a lot of fun,

because it's a g*y affair.

It's pleasant to look forward to,

it's a nice way to spend your day,

rather than be in the middle of a miasma

of seriousness and gravity.

As a kid, when I used to sell bottles

and cut lawns

to get my ten cents to go to the movie,

and I would escape everything.

That sense of good feeling,

that got me through the week.

Those moments were magical.

The glittering world premiere

at New York's Capitol Theater

for Samuel Goldwyn's multi-million

dollar production of Guys and Dolls.

Your eyes are the eyes

of a woman in love

And oh, how they give you away

Why try to deny...

Most actors

want to get their name in the paper.

They like all that attention.

I very often am struck

with the illusion of success.

Sometimes it's difficult

when you meet people

because you see

that they have prejudged you,

not to be treated normally.

To have people staring at you

like an animal in a zoo,

or some strange creature

from a distant land.

What it does is remove you from reality.

I can't stand it. I hate it.

I had no idea of how discomforting it is

not to be able to be

just an ordinary person.

You can't imagine

how much of a panic it is.

Really, it scared me to death,

because they were hanging on,

they could've been run over or crushed.

It really is...

I've never seen

a really hysterical crowd.

It's a frightening experience.

Relax, Marlon.

And breathe deeply now.

You don't need to feel frightened,

you don't need to be nervous.

You're very, very comfortable.

Deeply safe,

like when you were with Ermi,

when you slept in her arms,

when you received affection.

Remember those feelings.

She was a governess

hired by my mother.

Lovely Oriental skin.

She had very fine hair.

She was sleeping,

and through the windows

came the moonlight,

and illuminated her body.

I remember arranging myself

on her, over her,

and thinking that she was all mine,

that she belonged to me alone.

Everybody wants a guarantee

that their love is going to be returned.

"I'm going to love you till I die

and we're going to love each other

forever."

All of those adolescent and childish

concepts of what love ought to be.

I remember the night she left.

She went away to get married,

but to a seven-year-old mind,

having been with someone intimately,

it was tantamount to desertion.

In a sense, my mother left me,

because she was alcoholic.

And so did Ermi.

It was from that date that I became

a miscreant, badly behaved.

- Okay.

- Okay.

I'd like to begin by asking you

what consumes your thoughts

in your spare time, when you have any?

Well, my thoughts are...

What do you do?

I'm interested in your face.

You're one of the prettiest

interviewers that I've...

Thank you.

You're one of the most gracious hosts

I've ever met.

- Oh really?

- Yes.

I hope to see you in Chicago.

- We'd like to see you in Chicago.

- We?

Is that the collective "we"

or is that the...

There are many people

who would like to see you in Chicago.

- But you don't?

- Certainly, I do.

Well, I'm representing WNAC in Boston

and our viewing audience

would love to know why you're here

and for you to tell us

about your latest movie.

Excuse me,

I didn't mean to touch your ankle.

Well, what can I tell you about it?

Oh, just some interesting things

that our audience would like to hear...

You talk out of the side of your mouth,

did you ever notice that?

- No, I...

- You talk... It's charming.

Unintentional.

It's a physical idiosyncrasy,

but it's a charming one.

We can't see your right eye.

Talking from the side of my mouth?

Wouldn't want to do that.

Would you like to tell us about behind

the scenes while making the picture?

How far behind the scenes?

Answer me something, is it true?

There are some rumors about you

and Marlon Brando having a romance, huh?

Oh no, we're just good friends.

Just good friends?

Well, it seems the other night,

you were going into Mr Brando's room

and not coming out until early morning.

Is that true?

Well, yes, it's true,

but he is a perfect gentleman.

He's a perfect gentleman. I see.

Is it true there was some love making

going on there?

The people in the next room seem to

have heard some thumping about and...

and some rattling of the bed itself.

Well, I slept with him.

You slept with him?

Well, I don't...

In the same bed.

Well, I don't know if we can

talk about this over the air, I mean...

I hope you folks listening in

will not be...

Just close your ears.

You have what most men want.

You have a lady to f*ck,

you have a woman who loves you,

you have a...

Guilty, aren't you?

I'm not guilty.

It's just the... It's the tequila.

- It's the what?

- It's the tequila.

I got it.

Past a certain point,

the p*nis has its own agenda.

It has nothing to do with you

and a lot of your decisions are made

by your p*nis and not by your brain.

I'd like to show you a wedding picture.

A wedding that took place

on October 11th, 1957.

The man is Marlon Brando.

The woman? A young Indian actress

and a model, Anna Kashfi.

A good con man can fool anybody.

And the first person that you fool

as a con man is yourself.

She found out about other women

in my life

and I had women coming in the door,

going out the window...

The beast aspect of my personality

held sway

and overtook anything that was

reasonable, rational, moral or decent.

Because if you haven't ever been loved,

or ever known love,

you'll never know where it is.

You don't know what it looks like

or sounds like.

You look in the most unlikely places

to find it.

Marriage lasted but a few months,

but a child was born out that coupling.

Christian Devi.

I can remember the baby breathing...

Little tiny baby like that...

Then listening to the heart.

I didn't want my father

to get near Christian.

The day he was born, I said it to myself

with tears in my eyes in the hospital,

"My father is never going

to come near that child,

because of the damage he did to me."

Can I move on to your own acting career

and how your moral beliefs

have affected it?

For example, we associate you

with roles like On the Waterfront,

where you are a man

who is fighting a righteous cause,

a sort of underdog,

you've got the whole union machine

against you,

and then there's the roles

like the rebel leader in Viva Zapata!

where you are for the poor.

Do you deliberately choose these roles?

Over your career you've deliberately

chosen roles that have

gone along with your political beliefs?

Yes, I think so.

On December 23rd, 1787,

His Majesty's ship, Bounty,

sailed from England

bound for the South Seas,

culminating in the most famous mutiny

in history.

You can put it in one word. Fear.

Fear of punishment so vivid in his mind

that he fears it even more

than certain death.

In my years of service,

I have never met an officer

who inflicted punishment upon men

with such incredible relish.

It's sickening.

Then go and be sick in your cabin,

Mr Christian.

Human hatred.

What is the answer?

Is there any answer to injustice?

I wanted to make pictures

that are meaningful to me.

You'd best join my w*r, Mr Christian,

for if I don't start winning soon,

the casualty list will be real enough.

You bring part of yourself

to every character,

but some parts

are closer to us than others.

Is the story true about

you going to school in Minneapolis?

I went to a military academy called...

Well, I won't tell you the name.

I had a terrible time there.

My father sent me

to military school, away from home,

the one he had attended.

It was a cruel and unusual punishment.

The mind of the military has one aim:

to be as mechanical as possible.

To function like a human machine.

Individuality simply did not exist.

I had a lot of loneliness.

I spent most of the time

up in the library

reading the National Geographic

magazine about Tahiti.

I was entranced

by the expressions on their faces.

They had unmanaged faces,

no manicured expressions.

A kindness.

That's where I want to go,

that's where I want to be.

When I made Mutiny on the Bounty,

finally I got a chance to go to Tahiti.

I'd fallen in love with Tahiti.

It was everything I longed for,

everything I hoped it would be.

As soon as they'd say cut,

I'd take off my jacket,

dive into the water

and swim under the boats

and play on the beach.

The sky... I've never see a sky like it.

And the sunsets defy words.

My God.

I've only been here a short time.

I have been puzzled

every time I see Tahitians,

because I can't figure out

what they're thinking.

When you watch Tahitians,

it's like watching a wave,

or the wind in the palm tree,

or the palm tree itself.

They'll bring their drums

and their skirts,

and they'll laugh and dance

and drink and make love.

Full of laughter.

Mr Christian.

Kindly satisfy your lust elsewhere.

Quite actually, sir,

we were simply discussing...

Acknowledge the order.

Lust to be satisfied elsewhere, sir.

Report on board immediately.

You bloody fool.

Mutiny on the Bounty

was perhaps my very worst experience

in making a motion picture.

I never want to do that kind of picture

again as long as I live.

Nobody was agreed when we went in.

We all knew that it was impossible

to sh**t that story.

It won't work. That will never work.

You can't have Christian standing aside

not doing anything.

Keep him alive in the story.

I was never consulted

before the writing was done.

And I cared a great deal

about this picture.

You put your life in the hands

of the director,

because the director can screw you up.

You're going too lightly, Quintal.

Lay on with a will

or you'll take his place.

They can't direct actors,

they don't know what the process is.

How delicate it is

to create an emotional impression.

They cover up their sense of inadequacy

by being very authoritative,

commanding things.

Didn't he say he wanted

to talk to you and explain it to you?

He wanted to give me

a long "no", and I favor short "noes".

No, I did...

You can't argue with somebody

who's made up their mind.

Don't ever be intimidated by directors.

You bloody b*stard.

You'll not put your foot on me again.

There was a great deal of friction,

confusion and desperation,

disappointment and disgust,

there were fist fights.

Ship's company!

I'm taking command of this ship.

Mr Friar, I'll have the keys

to the arms chest.

You'll give him nothing!

Hey! I'm not your f*cking stamp licker.

You're making a huge error.

Don't make it again.

I don't care if it costs me my job.

Marlon, talk about rage.

Talk about your own rage.

All my life I've questioned

why I should do something.

I had contempt for authority.

I would resist it, I would trick it,

I would outmaneuver it, I would do anything

rather than be treated like a cipher.

Marlon Brando has been the subject

of a good deal

of controversial publicity.

He's been called a supreme egotist,

uncooperative, temperamental.

I've rarely seen

such a range of vicious critiques.

They were blaming me

for all the delays and everything.

They had to blame it on somebody,

so they blamed it on me.

Well, everybody has to have

a whipping boy and certainly the studio.

They have to find a scapegoat,

they have to find somebody.

I was the most logical person.

The sickening and endless variety

of lies.

They can hit you every day

and you have no way of fighting back.

I was very convincing

in my pose of indifference.

But I was very sensitive

and it hurt a lot.

There are times when you think,

"What the f*ck is all this for?"

"Christ, nobody's listening."

There's an old adage in Hollywood,

they say "If you have a message,

go to Western Union."

I didn't make any great movies.

There's no such thing as a great movie.

In the kingdom of the blind,

the man with one eye is the king.

There are no artists.

We are businessmen, we're merchants.

And there is no art.

Agents, lawyers, publicity people...

It's all bullshit.

Money, money, money.

If you think it's about something else,

you're going to be bruised.

I do want to ask you one thing

before we run out of time, Marlon.

You've been quoted

in the papers as saying

that you are going to abandon acting.

Are you really going to do that?

I feel that I'd like to pursue some

other interests that I have long had.

And within two or three years,

I will have come to the end

of my career.

We're all gonna talk about civil rights,

we're all gonna go on the television

and say what we know,

because the country is ignorant.

I am really moved and motivated

by things that occur that are unjust.

I've always hated

people trampling on other people.

I was in a quandary,

a philosophical quandary,

because I thought

if I am not my brother's keeper,

who am I?

Where does my life end and my sense

of responsibility for other lives begin?

Black bodies swinging

in the summer breeze,

and the smell of burning death.

You could stand so much of it

and to see these people

being beaten and kicked and spit on.

That could've been my son lying there.

And I'm going to do as much as I can.

I'm going to start right now

to inform white people

of what they don't know.

The white man can't cool it

because he's never dug it.

And I am here to try to dig it.

King was in Memphis at the time.

He was striking for a small wage

increase for garbage collectors,

which was one of the best jobs

a black man could get.

But I want you to know tonight

that we as a people

will get to the Promised Land.

That speech where he says,

"I've been up to the mountain

and I've seen the Promised Land."

So I'm happy tonight,

I'm not worried about anything.

I'm not fearing any man.

"I don't know

if I'm gonna get there with you,

but I am not afraid tonight."

God, I still remember that.

Ah, Jesus. That's terrible.

He knew he was going to get k*lled.

Have you considered that

you may suffer bodily harm yourself?

Yes.

I'm standing up,

not for the black race,

I'm standing up for the human race.

All men are created equal.

This is life and death,

this is real life.

We're talking about human relations,

we're talking about human rights,

racial issues and that's why I care.

Get any and all reports from the

South Pacific Commission in respect to

discovering what plants grow well

on atolls.

How to grow more vegetables

than you can imagine.

And whatever there is on wind power.

We'll get the full library

of information

from the South Pacific Commission.

It was after Mutiny on the Bounty.

I was up in the mountains on Tahiti.

And this guy said, "Do you see

that little island out there?"

And I said, "No, I can't see it."

He says, "Can't you see it?"

"It's called Tetiaroa."

I never was in a place that told me

to quit running the way this place does,

the way these people do.

If I've come closer to a sense

of peace, it would be there.

I didn't think of myself

as an owner of the island,

I just thought that I'd paid

for the privilege of visiting there.

I had nothing to give to them.

They had everything to give to me.

They don't care who you are,

they don't care what you do.

They don't know

that you're a movie star.

They couldn't care less.

You cannot lay dollars down

on the table and buy their soul.

Very warm, loving people.

They come up and put their arm

around you,

come and kiss you for no reason at all.

They just take love for granted.

Is there any actress

that you've especially enjoyed

working with, and why?

That is funny.

Don't look at me.

If you took some kid

and you brought him up in Tahiti,

he'd be a completely different kid.

He wouldn't have this cruel, mean

society k*lling him every day,

k*lling the life out of him.

All these kids of mine

are filled with love from Tahiti.

Here comes Cheyenne.

Hi, honey. She's going to give you

a little song here.

Ready?

Ah, beautiful.

That's my very favorite song.

I love to hear you sing that.

Tahitians have the beauty

of sleeping children.

And when they waken,

they will waken into the nightmare

that the white man lives in,

the nightmare of the want of things.

Hello. Don Wagner.

If you're back from vacation,

give me a call.

I want to get a script to Marlon Brando.

United Artists gave me your number.

We're trying to locate you, Marlon,

and I don't know where you are.

If you get the message,

can you talk to us a little bit?

Hello?

Hello? I can't believe

there isn't somebody there. Hello?

sh*t.

I'm interested in making enough money

so I can say "f*ck you" to money,

but that's all.

Acting afforded me

the opportunity of time.

I didn't have to do anything.

I only had to do it once a year

for three months at the most.

It became just a way of making a living.

You're certainly unprincipled.

Lying and cheating

come naturally to you.

You're completely without moral qualms.

Yeah, you see, everybody's got

a good side if you look for it.

Lying for a living,

that's what acting is.

All I've done is just learned

how to be aware of the process.

All of you are actors.

And good actors,

because you're all liars.

When you're saying something

you don't mean,

or refraining from saying something

that you really do mean,

that's acting.

Let me give you an example.

You're coming home, four o'clock

in the morning, reeking of whiskey,

and there she is, waiting at

the top of the stairs, your wife.

You wouldn't believe me, sweetheart.

You wouldn't believe

what happened to me.

Your mind is going 10,000 mph.

You're lying at the speed of light.

You're lying to save your life.

The last thing in the world

you want her to know is the truth.

You lie for peace,

you lie for tranquility,

you lie for love.

So, we all act.

Some people get paid for that.

In my experience, with the camera,

if you're a liar

or you're telling a lie,

you better be able to do it

with consummate skill.

If you're not thinking properly,

if you're not in your part,

it just shows up and there's nothing

you can do about it.

I was ridiculous in the part

that I played.

Everything went bad.

Take off those pajamas.

This is silly.

We'll see how silly this is.

What is your name?

Candy.

Probably the worst movie

I ever made in my life was called Candy.

Oh Jesus, Mother Mary.

How can you do that to yourself?

Haven't you got any f*cking pride left?

I've lost the audience.

You can see it

when you walk into a restaurant.

"Are you still making movies?"

If you've made a hit movie,

you get the full 32-teeth display.

You gotta be somebody.

If you're not anybody,

you've committed a sin.

And you're on your own.

You're on a goat trail way up,

and you're alone.

Hello?

Hello?

Sensitivity is too high.

The sensitivity is too high.

The neurotic individual's entire

self-esteem shrinks to nothing

if he does not receive admiration.

To be admired and to be respected

is a protection against helplessness

and against insignificance.

And because

he's continually sensing humiliation,

it will be difficult for him

to have anyone as a friend.

I used to think I'd never grow up.

I thought that life would go on forever.

And then I worried,

somewhere in the middle years,

life is going away and I haven't done

this and I haven't done that.

I've been denied that experience,

I've denied myself that experience.

There was a famous dancer, Ulanova.

And she asked what would be her dream.

"If I can dance for one minute,

perfectly...

that is all I would ever ask."

Francis Coppola wanted me

for the part of the The Godfather,

but the studio was fighting it.

It was demeaning to do a screen test,

but I needed a part at that time.

I wasn't sure

I could play that part either.

I got some cotton and I put some here,

little bit of cotton down there.

And the first thing you know,

I'm talking like this.

Like I took a shot

in the throat or something.

Mumbled my way through it.

The greatest fear an actor has is fear.

How you're gonna be judged.

I don't wanna get caught trying,

I don't wanna get caught being afraid

that my story, my pretending,

my lie

is going to be disbelieved.

That's gonna steal

your performance away.

You have to look at the cameraman,

the producer lurking in the corner

and say,

"I don't give a f*ck about any of you."

And if by chance an honest man

like yourself should make enemies,

then they would become my enemies.

And then they will fear you.

Putting on a mask,

building a life...

Little by little I got into this part.

And then suddenly,

something gets a hold of you.

What is the nature of criminality?

Where does it come from?

We have this antiquated belief

in the myth of goodness and evil.

I don't believe in either one of those.

And I thought it would be interesting

to play a gangster,

not from the point of view

that he was the bad guy,

but that he was very gentle.

A hero.

It is not hard to do the big things.

You can act like a man...

To scream and yell,

to get mad and to let somebody have it

right in the mouth.

It's much harder to do nothing.

They shot Sonny on the causeway.

He's dead.

Just to sit there and think is a lot.

I want all inquiries made.

I want no acts of vengeance.

This w*r stops now.

Shakespeare addressing all artists.

Suit the action to the word

and the word to the action.

To hold the mirror up to nature,

to show virtue her own feature,

scorn her own image

and the very age and body of the time

its form and pressure.

There wasn't enough time, Michael.

There wasn't enough time.

We'll get there, Pop.

Everything that we do

should reflect the atmosphere

of our lives.

We're living now

in this mad, crazy, murderous world.

If I were brought up in that society,

I'd be like them.

Under certain circumstances,

you could do the same thing.

If anybody would ever try

to take advantage of my children,

hurting somebody that I love,

I'd fight for them,

I would k*ll them.

Hi, Dad,

I hope you're feeling fine and, uh...

I don't know.

I'm just here. I'm working really hard.

When you come down, I was wondering

if you would send my schoolbooks,

'cause I'm kinda getting behind

on my schoolwork and... You know?

Well, I'll see you whenever

you come, if you come.

Marlon Brando's son

Christian has been kidnapped.

Police initially suspected

mafia involvement

following Brando's portrayal

of godfather Vito Corleone.

Marlon Brando told me,

"Mr Armes, we want him found,

we want him brought back

to Los Angeles,

no matter what it takes."

Armes flew into Mexico in a helicopter

and recovered the 13-year-old boy.

Christian was found

with a bunch of hippie characters.

He had a terrible case of bronchial

pneumonia and he could barely speak.

Why did they say they had him there

in the first place?

They stated they had the boy there

because Anna,

being the mother of the boy,

promised them 10,000 dollars

to hide him out from Marlon Brando.

Christian Brando was

the source of a lengthy custody battle.

A history which saw Christian

used as a pawn in a bitter divorce

and a string

of scandalous public headlines.

I just happen to be his mother.

You are not anybody, is that clear?

When it comes to my son

and my children,

you're speaking to someone

that has a different impulse.

For the very private Marlon Brando,

the public spotlight

was once again painfully bright.

This is the to-do list.

Check Christian's house

and get the door fixed.

Change the locks.

Make them larger.

Install camera

at the gate with radio transmission

at both gates.

Put lights on so we can see at night

who the f*ck it is out there.

I'm not going to lay myself

at the feet of the American public

and invite them into my soul.

My soul is a private place.

If they think I'm going to bare my soul

for the next movie,

they're gonna choke

on their shrimp salad.

I don't know what to call you.

I don't have a name.

- You want to know my name?

- No, I don't want to know your name.

You don't have a name

and I don't have a name either.

No names here. Not one name.

I was curious

about the person in front of me,

and the person in front of me

was Brando.

Bertolucci wanted to get a perfect

autobiographical sketch of myself

in this film.

He wanted me to be me.

I want the person I see

when I go to have dinner with him,

when we talk and quarrel and discuss.

And I thought,

"I'm not going to do that."

"I'm not going to do that for you."

"What the f*ck do you think I am?"

He was obsessed by privacy.

He never wanted anybody

to go deep inside him.

Smart con people find out

where you want to go emotionally.

They find out what your direction is

and then they help you along with that,

reinforcing it,

guiding it to their own sweet ends.

Marlon, there is nothing to fear.

It's very important

to trust in this process.

Marlon, say something about your past.

Show in my film what you really are.

My father was a drunk.

Tough.

wh*re-f*ck, bar fighter,

super masculine.

And it was tough.

My mother was very...

very poetic.

But also a drunk.

Go deeper and deeper...

Every time more and more real.

Marlon was invading

the character of Paul.

You lied to me and I trusted you.

You lied and you knew you were lying.

Go on, tell me something sweet.

Smile at me and say...

I just misunderstood.

Go on, tell me.

Maybe you're desperate for love,

always have been in your life.

But you've been distrustful of people.

Is there anything about them

that scares us,

that's dangerous, that's gonna hurt us?

'Cause a lot of people

are frightened to death of love.

f*cking God!

Last Tango in Paris

was a very hard film for me.

I realized,

"You know you're naked, Marlon."

When he saw the movie,

he was shocked.

He felt betrayed by me,

because I stole from him

so many sincere things.

After his comeback

as the ageing romantic hero

of Last Tango in Paris,

and as the Godfather,

Marlon Brando is once again

the brightest

and most bankable of Hollywood stars.

Live, the Academy Awards presentation.

The winner is...

Marlon Brando in The Godfather.

Accepting the award

for Marlon Brando in The Godfather,

Miss Sacheen Littlefeather.

Hello. I'm representing Marlon Brando

this evening

and he has asked me to tell you

that he very regretfully cannot accept

this very generous award.

And the reasons for this being

are the treatment

of American Indians today

by the film industry... excuse me.

I beg we will meet

with love and generosity.

Thank you on behalf of Marlon Brando.

Tell me then, way back,

when you were interested

in the Indians' fishing rights

before it was fashionable to be so,

what triggered that?

What we have learned about the Indians

has been largely taught to us

by Hollywood and by motion pictures.

Seeing Indians represented as savage,

as ugly, as nasty and vicious.

Everything we are taught about

the American Indian is wrong.

There have been 400 treaties

written by the United States

in good faith with the Indians

and every single one of them was broken.

We like to see ourselves

as perhaps John Wayne sees us.

That we are a country

that stands for freedom,

for rightness, for justice.

It just simply doesn't apply.

And we were the most rapacious,

aggressive, destructive,

torturing, monstrous people,

who swept from one coast to the other

murdering and causing mayhem

among the Indians...

There is one Indian in here.

But that isn't revealed,

'cause we don't like

that image of ourselves.

I don't think the Americans

want to face the truth.

We are all living on stolen land.

I've seen so many of my friends k*lled.

Shot. Stabbed.

Where do you draw the line?

At what point do you say,

"God damn it, this is my turf."

"I was here first."

"One more step on this land

and you're gonna get it."

I was with Indian armed resistance

in Kenosha, Wisconsin...

insisting a piece of land

belonged to them.

Then I heard the r*fle shot

from the National Guard.

b*ll*ts started sizzling by me.

Four feet away from death.

There was an effort

on the part of the government

to cover up the military involvement.

And any cover-ups

are going to be looked into.

After Watergate and all that corruption

going on, we just can't afford it.

Are most Indian phones tapped?

Of course.

- Is yours?

- Of course.

Do you think that you

are considered a dangerous person

to the FBI?

I'm putting myself on the line

and I have to make it my business

to find out,

and all these bones

are gonna come out of the graves.

So they lie.

Congressmen, presidents, all of them.

They lie when they're alone,

they lie when they're asleep.

They never see faces

without lies anymore,

except the dead ones.

They're the true assassins,

the true murderers.

Are you an assassin?

I'm a soldier.

You're neither.

You're an errand boy.

Sent by grocery clerks.

To collect a bill.

These are random notes

on the subject

of the picture Apocalypse Now.

Find out the details

of actual special forces operations

in the jungle of this kind.

I want to get

as many reports as possible.

Check the gruesome pictures

in Life magazine.

Also the pictures

that Larry Burrows took.

People talk about how proud they are

of their son who died in Vietnam,

fighting for his country.

They had parents so hogwashed

that rather than alter

their belief system,

would k*ll their children.

Conviction of the myth is everything.

We need myths,

we live by myths,

we die for myths.

I read the script and it was stupid.

It was awful.

I told Francis, "You are making

an enormous error."

"This guy, Kurtz, don't misuse him."

I rewrote the entire script.

And I have it all on tape.

I have a tape of everything.

Here is a story note.

The guy has to be intelligent.

He is without mercy,

not because he's a merciless man,

but simply because

that's the logic of it.

If you're gonna have a w*r,

you get all in or all out.

To k*ll without feeling,

without passion...

without judgment, without judgment...

I told Francis how I wanted to be lit.

Half shadow and half light.

He should be mysterious,

a mythological figure.

He is the heart of darkness.

Horror has a face,

and you must make a friend of horror.

Horror and moral terror

are your friends.

And I felt myself coming apart,

splitting in two, and it scared me.

And yet I've gone so far.

I don't think...

that I can ever return.

And then I said to myself,

why are you so frightened?

Let the fear take you.

The horror.

And go with the fear.

The horror.

My film is not about Vietnam.

It is Vietnam.

It was crazy.

Director Francis Ford Coppola

had to contend with sh**ting

in the Philippine jungle,

a raging civil w*r and Marlon Brando.

Coppola was appalled

when Brando arrived grossly overweight

and had to be filmed in shadowy light.

He was already heavy when I hired him.

But he was so fat,

he was very, very shy about it.

But that was the least

of the director's problems.

Pulling his notorious delaying tactics,

Brando was up to his old tricks again

with endless script conferences,

costing the production

hundreds of thousands of dollars.

Clearly he had just

kind of left me in a tough spot.

Francis Coppola, he's a prick,

a card-carrying prick.

I mean the c*cksucker.

How could he do that to me?

I saved his f*cking a*s

and he shows his appreciation

by dumping on me.

Let the tension flow out of you.

Let it flow out of your mind.

Five, four...

Going down in an airplane.

Softly coming in.

One, zero.

You hear the Tahitians singing.

Far, distant laughter.

And it's just after the sun

has gone down.

A star comes.

The first star of the evening.

Peace and love.

And I'm looking

at this very deep, indescribable night.

I think, "God, I've no importance."

"Whatever I do or don't do,

or what anybody does

is no more important than

the grains of sand that I'm lying on."

I've had 110 fights.

Lost twelve.

I'm really...

I've taken too many f*cking punches.

I don't want to be stressed anymore.

You want me to play this guy?

I'll play that guy.

I'm just a service person.

Now, no more bullshit.

We come to

how are you going to fill up my pockets?

What are you gonna give me?

I've made as much as 14 million dollars

for 12 days' work

on a rather silly movie.

My friends, you know me to be

neither rash nor impulsive.

And I tell you that we must evacuate

this planet immediately.

I used to paste the cue card

on actors' faces.

It saved me a lot of time.

And I had things that I'd much rather do

other than studying the f*cking lines.

I have found this other way to do it.

I had a pocket recorder

and I had a thing in my ear,

like a hearing aid.

Let's take a little walk.

Do you mind if I get on this side?

I got bum ears.

- Sure.

- My machine is on this side.

I'd get fed lines,

just a suggestion of a line,

and then I'd take the line and mould it.

It's effective.

I was using it in that movie.

I can't even remember the name of it.

Your eyes are closing,

getting heavier and heavier.

Just think of all the good things

that you like.

Like apple pie and ice cream

and brownies and milk.

But you must eat them

not quite so often.

Day by day, minute by minute,

second by second, you will lose fat.

When you get as fat as me,

you gotta start thinking,

"Well, what's the matter

with the machine?"

The machine isn't working right.

It's something out of balance here.

Food was always a friend.

When I was a kid,

I'd come home from school

and I'd open the icebox

and there'd be apple pie in there

and cheese and...

They'd say to me, "Come on, Mar,

why don't you be a pal and take me out?"

"I'm freezing in here."

The dishes were in the sink

and the house was unkempt.

I had the fear that everybody was dead

and pretending to be alive.

One time, my old man

was punching my mother

and I went up the stairs

and I went in the room.

And I had so much adrenaline,

and I looked at him

and I f*cking put my eyes

right through him

and I said, "If you hit her again,

I am going to k*ll you."

Copy. All available

units responding to a sh**ting.

The son of actor Marlon Brando

facing m*rder charges this morning.

32-year-old Christian Brando accused

of sh**ting his half-sister's boyfriend.

A young man, Christian Brando.

His half-sister, Cheyenne Brando.

And her boyfriend.

It was a triangle that proved fatal

and brought tragedy to the home

of one of the world's most famous stars.

"I shot him, man."

"But not on purpose."

"It was an accident."

The two men had quarreled

over Drollet's treatment

of Cheyenne Brando.

Mistreatment police say allegedly

included physical beating.

"Two guys with a loaded g*n, wrestling."

"It goes off and he's dead."

I saw Dag laying there

and I breathed into his mouth

and I called 911.

Asking leniency for his son,

Brando said Christian's life had been

filled with struggle and unhappiness,

traumatized by a bitter divorce.

I think that

perhaps I failed as a father.

And certainly there were things

that I could've done differently,

had I known better at the time.

I am at fault in this.

And if I could trade places with Dag,

I would.

The total sentence imposed

is ten years in the state prison.

Cheyenne Brando is suffering

from mental and physical problems

and cannot travel here

to testify about what she knows.

Cheyenne is doing her best...

Excuse me... sorry.

Another personal tragedy

for actor Marlon Brando.

His 25-year-old daughter Cheyenne

has committed suicide at her home

in Tahiti.

Cheyenne Brando reportedly

had made several suicide attempts

before hanging herself yesterday.

For Marlon Brando,

Tahiti will never quite be

the same again.

When in disgrace

with fortune and men's eyes,

I all alone beweep my outcast state,

and trouble deaf heaven

with my bootless cries,

and look upon myself and curse my fate.

There are times

when you wake up in the morning

and you turn over and feel,

"sh*t! What a life."

God, I can't figure it out.

Why did it have to be this way?

I've had a hard year.

Maybe harder

than you could possibly imagine.

You try to be as strong as you can be,

but everybody reaches break point

sooner or later.

Pain - I knew I had to deal with it.

I've spent thousands upon thousands

of dollars on psychoanalysts

and those guys do absolutely nothing

but stick pliers and screwdrivers

in your brain.

Life will have given me the truth

and taken in exchange

what's left of my youth.

It took me a while to realize,

you gotta be your own analyst.

Unless we look inwards,

we will not ever be able

to clearly see outwards.

Nobody is born evil.

Most people are simply

getting over bad emotional habits

established in the first ten years

of their life.

Christian was burdened

with emotional disorders

and psychological disarray.

The kind of trouble that I had in life.

I never tried to be like my father,

but one inadvertently takes on

the characteristics of one's parents.

When my father died,

I imagined that he was slump-shouldered,

walking to the edge of eternity.

He looked back and said,

"I did the best I could, kid."

Finally I forgave my father,

because I realized

that I was a sinner because of him.

But he was a sinner,

because his mother left him

when he was four.

He didn't have a chance.

And through introspection

and the examination of my mind,

I feel as though I'm coming closer

to the common denominator

of what it means to be human.

Everybody is capable of hatred,

everybody is capable of love.

If we stretched ourselves

one way or another,

we could become murderers

or we could become saints.

I've done a lot of meditation.

The result is that

I have felt much calmer

and I've had moments

of real tranquility.

Don't you realize that you're thought of

as the greatest actor ever?

Tim's the greatest actor ever.

He pretends he loves me when he wants

something to eat. Get outta here.

Many times

I remember being down in the dumps

and then I saw a movie

that took me away for a few hours

and I was completely restored.

And I realized, oddly enough,

that actors make a contribution

to people's lives,

giving us a gift that you can't buy.

Something that they can imbue

with power and beauty and magnificence.

Something beyond themselves

and we do need that.

Acting is just making stuff up,

but that's okay.

Life is a rehearsal,

life is an improvisation.

I'm gonna have a special microphone

placed in my coffin,

so that when I wake up in there,

six feet under the ground,

I'm gonna say, "Do it differently."

Anthony. Come here, come here.

The death scene.

That's a tough scene to play.

You have to make them believe

that you're dying.

I would hope it would be

with one person.

It would be something simple,

like playing tiddlywinks

or... I don't know, jackstraws.

Oh, no!

Try to think

of the most intimate moment

that you've ever had in your life.

Run down in there. Run in there.

Where are you?

Marlon. Listen to my voice.

Just let go.

Just letting go.

Drift.

Drift like a cloud in the sky.

Drifting into that special state,

the state of peace

of the boy that you remember,

watching the elm leaves come down.

Don't hang on to thoughts,

don't hang on to anything.

They're old tapes,

no longer usable,

no longer useful.

Chuck 'em.

Put 'em aside. You don't need 'em.

You're there, you have arrived.

Your mind is becoming quieter

and quieter.

Bliss is coming over you...

Now.

Until the next time.

Sleep.