[CAR DOOR OPENS]
[PAPER CRACKLING]
[CAR DOOR CLOSES]
- [CAR DOOR CLOSES]
- [KEYS CLANG]
- [ENGINE STARTS]
- [SEAT BELT ALARM GOES ON]
TIMECRIMES
Clara!
Clara!
[LOUDER]
Clara!
- Didn't you hear me calling you?
- You called me?
- Yeah. You didn't hear me?
- No.
- This was the one you wanted, right?
- Yeah.
- And the fertilizer?
- Up there.
Put it there.
- You'll assemble it out here?
- Sure.
Time flies here.
I'm going upstairs
to lie down.
[RADIO CHATTER]
[RADIO LOUDER]
[BEEPING]
[MUSIC PLAYING]
[D.J. CHATTERING]
[MUSIC PLAYING]
[PHONE RINGING]
Telephone!
What?
What did you say?
[RINGING CONTINUES]
Yes? Hello?
Who is this?
[HEAVY BREATHING]
- [HANGS UP]
- [BUSY SIGNAL]
[SPEED DIALS]
[RINGING TONE]
FEMALE VOICE: This is a
restricted terminal.
- Record your message or
give your access code.
[BEEPS]
All right, we got a call
from this number.
[LATCH CLICKS]
- What were you saying?
- Nothing, the phone rang.
Who was it?
They didn't say anything.
But I got some weird machine.
- Probably the workers.
- No, today is Saturday.
Or a neighbor.
Today is Saturday?
I thought it was Friday.
When is the painter coming?
MAN: Nobody has our phone number.
Then what's the point
of having a phone?
- Huh?
- [SIGHS]
Look at him-- too weak
even to argue.
- You haven't slept.
- Yes, I have.
[MIMICS MAN'S VOICE]
"Yes, I have."
- "Yes, I have."
- [LAUGHS]
- sh*t.
- What?
It's still recording.
- [MAN WHISPERS]
- [CLARA CHUCKLES]
This is all set.
You'll never get it
through the door.
Sure I will.
Otherwise,
we'll put it out here.
It's not worth
worrying about.
What do you feel like
for dinner?
I don't know.
What have we got?
I don't know.
There's almost nothing left.
There must be a store
still open in town.
How about
roast chicken?
I'm not taking
the car again.
Come on, I'll
clean up the kitchen.
I don't want
to take the car.
Come on.
I'll go if the table
fits through the door.
CLARA: Okay, if it doesn't,
I'll go. I promise.
I'm serious--
no changing your
mind later.
- I know you.
- Move move move!
- What's going on?
- I can't see.
Sorry.
There's something
up there in a bush.
Let me see.
- Look.
- Where?
There, by the bush.
There's a clearing on the left.
- I can't see anything.
- Here.
- Where?
- Give it here!
Hey!
Here it is.
- You win.
- What?
The table doesn't fit
in the bedroom.
I'd rather lose the bet
than have you against me.
- Give me the keys.
- Okay.
Never bring this up again.
Not even once, okay?
Yeah.
What's wrong?
What do you mean?
The keys.
Here.
See you later.
I'll leave them by the door.
Okay.
[CAR DOOR OPENS]
[CAR DOOR CLOSES]
[ENGINE STARTS]
[SIGHS]
- [BRANCH POPS]
- [GRUNTS]
Hello?
[PANTING SOFTLY]
[LEAVES RUSTLE]
[GASPS]
[GRUNTS]
[DISTANT MUSIC PLAYING]
[MUSIC LOUDER]
Hello!
[LOUDER]
Hello!
[MUSIC CONTINUES PLAYING]
[LOUD CHATTERING]
- [MUSIC STOPS]
- [D.J. SPEAKING]
[MUSIC PLAYING]
September
[MUSIC GETS DISTANT]
[MUSIC BECOMES INAUDIBLE]
[DISTANT WHIRRING]
[DISTANT BEEPING]
[COMPUTER BEEPS]
- [BEEPS]
- [WALKIE-TALKIE CRACKLES]
Hello?
Is anybody there?
MAN: Who is this?
- Listen--
- who are you?
This is private property.
Where did you get that walkie-talkie?
I need help. A man is after me.
He's trying to k*ll me.
I jumped the fence
and came in.
What did you say?
You jumped the fence?
What happened?
He stabbed me
in the arm and I ran here.
The door was closed, but--
[RUMBLING]
- What was that?
- What?
It sounded like...
I just heard a thunder.
You mean that?
Yeah, I think so.
Okay, listen.
Stay calm.
I'm in another building.
I'll be right over.
Stay there.
Okay, thanks.
[CIRCUIT BUZZING]
[WALKIE-TALKIE CRACKLES]
[MAN SPEAKING]
Hello?
- Yes?
- Did you say something?
I have a question-- is the man
after you wearing a bandage?
Yeah, a pink one.
- I can see him.
- Where? Where is he?
Far from the house,
don't worry.
There are surveillance
cameras everywhere.
I have the monitors
in front of me.
He jumped the fence.
Is he coming this way?
Please, call the police.
I'll call them right now.
Hold on.
Stay where you are.
Hello?
- Hello?
- Well, how did it go?
I don't get it.
What's wrong?
I can't get
an outside line.
You don't have a cell?
There's no coverage
out here.
- What is he doing?
- Walking.
- In this direction?
- Yeah.
Listen to me--
I broke a window.
If he sees it, he'll know I'm here.
What should I do?
I don't know.
Where are you?
In a laboratory.
I blocked the door.
No, come up here.
It's much safer.
Where?
I'm in a silo at the edge of
the property, up the hill.
And?
There's a door
down the hall on the right.
Come up the hill. He's coming
from the other side of the house.
I don't think he'll
see you.
If he goes inside,
he'll find you.
He's getting closer.
Get out of there.
Get out of there!
- I'm coming out.
- Okay.
That was me.
Come up the path.
Stay on it.
Hurry up.
The sooner you get here,
the sooner I can turn off the lights.
He shouldn't see them.
- Where is he?
- He's approaching the house.
- What is he doing?
- Keep quiet, I'll guide you.
He's checking the windows.
He's seen the broken one.
- Is he going in?
- Keep quiet.
He's going
around the house.
He's seen the path.
Hold on.
Impossible--
I've lost the signal
from one of the cameras.
I've lost another. sh*t,
I can't see anything!
I don't know
where he is! Run!
Please turn
off the lights.
[PANTS]
I see something on up there.
Is that you?
That's me, it's okay.
[CAR ENGINE REVVING]
I hear a car.
It's him!
He's coming up!
Can he get in?
No, it's okay.
- Can you lock that?
- No.
- sh*t, let's go.
- There's nowhere else to go.
- We're safe here.
- [COMPUTER BEEPS]
What is all this?
You can hide
in there.
What? What is that?
[BUBBLES]
Look.
I can lower the hatch
to hide you.
[CAR APPROACHING]
Does this door have a lock?
Is there another door?
Another way out?
Can we turn off
these damn lights?
He'll never think
to look in there.
What about you?
I have to lower
the hatch from here.
I'll activate it
and get in with you.
[CAR BRAKING]
- [GRUNTS]
- [GASPS]
[SPLASHES]
Okay.
[WHIRRING]
Come on!
Hey!
Hey!
[GRUNTS]
[COUGHING]
[BEEPING]
[BEEPING STOPS]
Who are you?
What?
Who are you?
What?
What did you do to me?
- I don't know what you mean.
- You said you'd get in with me.
I said what?
You've been here
before, right?
Was the t*nk full
of white liquid?
We've seen each other
before, right?
The liquid
you're soaked in...
That t*nk is
still a prototype.
It's actually a...
- This was the one you wanted, right?
- CLARA: Yeah.
- And the fertilizer?
- Up there.
Put it there.
You went back in time.
- Where are you going?
- Home, to call the police.
- No, wait.
- Stay away from me.
For God's sake,
you can't go home.
What?
You're already home.
Want another look?
- They're doing exactly what--
- listen.
Today is September
, .
No, it can't be.
What day did you
think it was?
I don't know, but I got in the t*nk on
the th, and it was night already.
So you only traveled...
A little while.
What do you mean,
a little while?
You're not listening.
You traveled in time--
into the past.
That's why you can see yourself.
You traveled to a past
where you're still at home,
in your garden.
So what do I do now?
How did you get
in the machine?
How did I get in?
Look, I was at home, okay?
- And suddenly...
- Don't tell me.
It's better
not to know details.
You found me
at the silo
- and I asked you to get in the t*nk.
- Yeah, but you...
Well, if that's
how it was...
- Everything is solved.
- Why?
All you have
to do is wait.
Wait for what?
There's nobody else here.
Come on.
What was your name again?
- Hector.
- Hector, right.
Who is the man
in my home?
He's you.
- He's me?
- Technically, you're the same person.
He's like your reflection.
You're looking in the mirror.
Only this mirror shows
what you were doing
roughly about an hour ago.
But that man is
in my home.
And he'll leave,
just as you did.
How can I put this?
Come on.
[DISTANT MUSIC PLAYING]
[D.J. SPEAKING]
Excuse me.
- You want one?
- No.
Sit over there.
This is you.
This arrow moves forward
from past to future, okay?
But at this point
you enter the t*nk
and travel an hour
and a half into the past--
to here.
You become a sort
of Hector .
- The one at your house is Hector .
- Hector ?
Hector -- your reflection in the
mirror, remember? Look, you're here.
You're seeing yourself,
but there's only one arrow.
For how long?
Your reflection
will last up to here.
Here's what we'll do.
You hide here,
while I'll configure
the t*nk in the basement
and go up to the silo.
I'll have it ready
and I'll wait for nightfall.
Hector will show up.
I'll get him into the machine
and send him to the past.
- So here's the deal.
- What deal?
[BEEPS]
I'll bring everything
back to normal
and you won't tell anyone
about any of this.
I shouldn't be here.
The center is normally
closed weekends,
but I felt like staying.
I'm going up.
[RINGING TONE]
[PICKS UP]
HÉCTOR : Yes?
Hello?
Who is this?
[SIGHS]
[THUMPS]
[RINGING]
What the f*ck?
FEMALE VOICE: This is a
restricted terminal.
Record your message or
give your access code.
[BEEPS]
HÉCTOR : All right, we got a call
from this number.
[LATCH CLICKS]
- CLARA: What were you saying?
- Nothing, the phone rang.
- CLARA: Who was it?
- They didn't say anything.
But I got
some weird machine.
- CLARA: Probably the workers.
- What is this?
You called your house?
- CLARA: Today is Saturday?
- I say lay low
- and you call your house?
- You can't stop me.
HÉCTOR : Nobody
has our phone number.
- Did you talk to yourself?
- No.
I called my house
and that's it.
Did you talk to yourself?
My wife is at home
with that--
CLARA: Look at him--
too weak to even argue.
- You haven't slept.
- Yes, I have.
[MIMICKING HÉCTOR'S VOICE]
"Yes, I have." "Yes, I have."
Do you remember
getting that call?
At your house?
Do you remember answering?
Yes.
Before I left,
I got a call from myself.
Then everything
still fits, right?
I'm going up to the silo.
The t*nk needs to be filled.
I can't put a chain on you,
or lock you in the basement.
But if you alter events
and stop Hector
from getting in the t*nk,
it will be the end of
your life as you know it.
HÉCTOR : sh*t.
It's still recording.
And your wife will still prefer
being with him to being with you.
Can't I just go home
and explain?
There are rooms
upstairs.
I'll come and get you
when it's over.
- Uh--
- I...
f*ck!
[TIRES SCREECH]
[GROANS]
HÉCTOR'S VOICE:
Who is that man in my home?
SCIENTIST'S VOICE: He's you.
HÉCTOR'S:
But that man is in my home.
SCIENTIST'S: And he'll
leave just as you did.
Technically, you're the same person.
He's like your reflection.
HÉCTOR'S: Can't I just
go home and explain?
SCIENTIST'S: It will be the end
of your life as you know it.
HÉCTOR'S: What am I
supposed to do now?
- My God! What the f*ck?
- WOMAN: Hello?
Are you all right?
I'm okay.
What happened
to your face?
I got hit--
nothing serious.
Don't move.
I'll be right back.
I'll call an ambulance.
[SIGHS]
What are you doing?
I said to stay put.
No, I'm okay.
No signal.
I'll find a phone.
Wait for me here.
No, don't go!
Please.
I'm a little dizzy.
Mm, you want
some water?
Yes, thank you.
I'd be right back.
The sooner an ambulance
comes, the better.
Hold on, it'll come
unraveled.
[METAL ZINGS]
Here, let me.
I was just cutting
my neighbor's hair.
That way
it won't fall off.
I'll go get help.
Wait for me here, okay?
- Wait.
- What's wrong?
I don't know
how to explain this.
I need your help.
- Excuse me?
- Come on.
Have a seat and don't move until
an ambulance comes. Please.
What are you doing?
Let's go, that way.
Why?
- Please. That way.
- No.
I need your help with something.
Come on, follow me.
[SIGHS]
Let's go back to the
road-- that way.
No, keep going forward.
I have to go.
That way.
Please.
Trust me.
Don't worry, it's okay.
I need you to do something.
- I'll explain later.
- Why not now?
It's not easy to explain.
No!
[GROANING]
sh*t!
Do as I say.
Turn your head
to the right.
No, my right.
Now lower
your head a bit--
a bit more.
Don't look at me.
Now bite
your left thumb--
- slowly.
- [WHIMPERS]
Like you're thinking
of something.
- Now pull up your shirt.
- [WHEEZES]
Take it off.
Now!
Slowly.
[PANTING SOFTLY]
I'm sorry.
Whatever
I ask you to do,
I won't hurt you.
You can put it back on.
We're done. You see?
Can I go now?
Hide there by that rock.
Crouch there.
Take off your pants.
You can put them
back on later.
Go on.
- What are you doing?
- I have to stand up, don't I?
Okay,
hand them over.
Should I take off
anything else?
No, it's okay.
Give them to me.
Are you sure?
Yeah.
Give me your pants.
What about
my panties?
No, I didn't say that.
[GRUNTS]
[PANTING]
[BOTH SCREAM]
[GROANS]
[GRUNTS]
[PANTS]
[PANTING]
[RUSTLING]
HÉCTOR :
Hello?
[SCREAMING]
[PANTS]
[PANTING]
[WOMAN SCREAMS]
No, f*ck!
HÉCTOR'S VOICE: I need
you to do something.
- I'll explain later.
- WOMAN'S VOICE: Why not now?
HÉCTOR'S:
It's not easy to explain.
[GRUNTING]
Hello!
[THUDS]
[MUSIC PLAYING ON RADIO]
- [SCREAMS]
- [GRUNTS]
[PANTING]
No, wait!
[DOOR SLAMS]
Hey!
Please open the door!
Listen to me a second!
I was in the garden.
This is my house, you know?
And suddenly I saw you
with my-- I was far away.
For God's sake,
don't call anybody!
Hey!
No, wait! Wait!
- [WOMAN SCREAMS]
- [SHATTERS]
Clara!
See you later!
- I'll leave them by the door.
- Okay.
[SOBBING]
[THUNDER RUMBLES]
- HÉCTOR : It sounded like...
- I just heard a thunder. You mean that?
HÉCTOR :
Yeah. I think so.
SCIENTIST:
Okay, listen. Stay calm.
I'm in another building.
I'll be right over. Stay there.
HÉCTOR :
Okay, thanks.
- Hello?
- SCIENTIST: Yes?
- This is Hector .
- What?
The second one. Keep your voice down.
Hector might hear us.
SCIENTIST:
Okay, okay.
He left the walkie-talkie
on the table in the basement.
All right.
I'm the one wearing
the bandage.
Get him up to the silo.
Make up something.
I'll show up in a car.
- SCIENTIST: Make up something?
- HÉCTOR : Hello?
- SCIENTIST: Yes?
- HÉCTOR : Did you say something?
SCIENTIST: I have a question-- is the
man after you wearing a bandage?
HÉCTOR :
Yeah, a pink one.
[DISTANT BEEPING]
SCIENTIST: He'll never think
to look for you in there.
I have to lower
the hatch from here.
I'll activate it
and get in with you.
[GRUNTS]
HÉCTOR :
Come on!
Hey!
Hey!
The man with the bandage,
the pink mummy!
I admit it should have
occurred to me when...
Come on.
Where are you going?
To the house.
You need to be examined.
You're the first vertebrate to
ever travel in time. Come on!
That bull about surveillance cameras
could have used more preparation...
Surveillance cameras!
We could use some.
- What are you doing?
- I have to get back in!
What?
Something went wrong.
So you want to fix it now?
Forget it!
- Listen to me!
- We'll talk at the house!
- Come here!
- Forget it! No way!
[RUMBLING]
What are you doing?
Come back
or I'll tear it apart.
Go right ahead.
I'll wait for you
at the house.
[RUMBLING RESUMES]
What are you doing,
trying to ruin me?
After all I--
what else has to happen before
you realize the implications?
I have to do it.
It's not going to happen.
The t*nk won't work.
Don't lie to me.
Your trip used up
all the energy.
It's not easily
renewable.
It'll have to be next week,
I don't know.
Sorry.
There was
something there.
There was,
but it's not--
- you took it out?
- No.
Where is it?
I threw it away outside.
It's one
of the batteries.
We can't do anything
without it.
Come on.
SCIENTIST: This machine
doesn't solve problems.
In fact,
it creates them.
HÉCTOR: I just need a head
start on the other two.
I need a previous moment
to be able to...
Look, I had
activated the machine
seconds before
you appeared inside it.
It was turned off
before that.
You can't materialize inside
a machine if it's off.
It's impossible.
Seconds before?
How many seconds before?
Maybe or .
You'd have a - to
-second head start.
It's absurd.
If you travel
into the past
and alter events, stopping Hector
from getting in the t*nk,
there will be three of you which
will likely cause a chain reaction
of events beyond
your control.
I won't interfere.
Hector will chase Hector into
the t*nk, like he did before.
My change won't
affect his plan.
Then, there will be two of
you-- you and Hector .
Hector comes up here.
I follow him
and finish him off.
We'd be one again.
You have no idea
what you're saying.
Hold on.
Why did you throw
that thing away?
I can't let you use the machine again.
I'm sorry, I...
No, what I mean is...
You took out the battery
before I said anything, right?
Well, yeah.
Before I showed up.
Because I imagined...
One moment.
How did you know I'd want
to use the machine again?
You knew it all along.
Are you tricking me again?
You're tricking me again.
Tell me.
Please don't
make matters worse.
You knew
what would happen.
Why?
Because Hector
told me.
Hector ?
Hector --
the third one.
You're kidding me.
You weren't the first
to appear in the t*nk.
You were the second.
The first
had appeared earlier.
He had threatened me.
He made me act
surprised to see you.
He made me go along
with it.
He appeared earlier?
How much earlier?
to seconds.
But--
he left
right after you.
I never found out
what he wanted.
You've been deceiving me
the whole time.
After leaving
the two of you,
I went up to the silo to
prepare for Hector 's arrival
when suddenly I got a buzz
on the walkie-talkie.
It was Hector
calling from the house.
No, much earlier.
It was daytime. It was Hector .
Hello?
- This is Héctor .
- Who?
The last one.
Listen to me.
I'm very sorry.
What happened?
I'm afraid everyone
will know what we did.
SCIENTIST: He seemed out of it, like
something horrible had happened.
He told me everything
that would happen--
that you'd
show up here,
trying to go
back to the past.
He didn't say why, but he said
to stop you at all costs.
You'll be Hector if
you go through with it.
What I say won't stop you.
Happy?
Wait a minute.
You mean the second trip I'm
about to take was already made?
Apparently, you couldn't
solve your little problem.
You told me yourself
it failed.
It makes no sense.
Wait a minute.
You say Hector called you
from his walkie-talkie.
Yeah.
You mean...
From this one.
Yeah.
Shine
the light on it.
Over there!
I think this is yours.
All I ask is,
please think it over.
[SIRENS BLARING]
Hector,
what happened?
I have no choice.
Calm down
and listen to me.
I'm from the future.
Your machine works.
- Where--?
- Listen to me.
- How--?
- Listen to me!
Or everyone will
know you turned it on
without authorization.
Right now there are
three of me.
You're going to help me
get rid of the other two.
Hector is about
to come out of the t*nk.
Help him get Hector
into the t*nk.
Hector ?
But...
He'll explain it
to you.
- But--
- stand there.
Calm him down.
I have to reach the house
before all of you.
Make sure
he doesn't see me.
I have to get rid of him, you got it?
Calm him down.
Ask him who he is.
- But who's Hector ?
- Go!
[TALKING UNINTELLIGIBLY]
sh*t, you're here!
Keep it down,
he might hear you.
I need a remote
for the gate.
- In the desk...
- Not for the white car-- the others.
There aren't
any others.
Then another car.
There's a truck.
The deal's
still on, right?
When you get rid of them, you
won't say anything, right?
- I told him--
- I know, but he won't listen.
He'll leave
at some point.
What are you
going to do?
Go after him.
[THUDS]
[D.J. CHATTERING]
[BEEPING]
[D.J. CHATTERING]
[SHOUTS]
[MUSIC PLAYING ON RADIO]
[GRUNTS]
- [CHUCKLES]
- [CRACKLES]
Hello.
SCIENTIST:
Hello?
[RUSTLES]
- This is Hector .
- Who?
The last one.
Listen to me.
- I'm very sorry.
- What happened?
I'm afraid everyone
will know what we did.
Looks like you bet
on the wrong horse.
I'm a failure.
SCIENTIST:
Héctor.
Héctor?
Where are you?
Héctor?
Why did you have
to turn on the machine?
I don't know.
They won't turn it on
for another six months.
I won't be authorized
to be there. I guess...
You wanted to take a closer
look beforehand, right?
If you want to keep your job
and your life as you know it,
keep the guy with the bandage
out of the t*nk at all costs.
Why?
At least that way somebody
will be there to smack you.
[PANTING]
What happened?
I think we're both running
from the same person.
He won't find us here.
- His face is bandaged.
- Yeah.
He's up there.
- He won't come down here.
- Have you got a telephone?
No, sit here.
- Wake up!
- [GASPS]
There's a house nearby.
Can you get up?
There it is.
Come on.
No, we shouldn't go
in that house.
Careful.
WOMAN:
Hello?
Wait here,
I'll go check.
[SNIFFS]
Hector!
What happened to you?
Nothing.
There's someone outside--
across the garden.
He broke the fence--
a man with his face
covered.
I ran down here to hide
and I heard someone
on the stairs.
There's somebody
in the house.
I called the police.
- What's wrong?
- My God.
- HÉCTOR : Hello?
- [GASPS]
Who is that?
Shh.
Come with me.
Hector...
Hide in there
until I say.
Tell me what's
happening!
No matter what you hear,
don't come out.
Don't interfere.
Please!
[D.J. CHATTERING]
[MUSIC PLAYING]
[THUDS]
- [WOMAN SCREAMS]
- [GRUNTS]
- [WOMAN GASPS]
- Shh! Listen.
That guy is crazy.
He saw you from far away
and went nuts.
You have to hide from him.
You have to fool him.
Come on.
There's
an attic upstairs.
When I say "now,"
run upstairs
and lock the door
behind you.
You're beautiful.
[CREAKS]
Now.
HÉCTOR : No, wait!
Hey! Please open
the door!
Listen to me a second!
I was in the garden.
This is my house, you know?
And suddenly I saw you
with my-- I was far away.
For God's sake,
don't call anybody!
[CLARA SOBS] What happened?
Hector, what's going on?
[CONTINUES SOBBING]
HÉCTOR :
No! Wait! Wait!
- [WOMAN SCREAMS]
- [SHATTERS]
Please relax.
[SOBBING SOFTLY]
[THUNDER RUMBLES]
- Hector...
- It's okay.
We still have a while
before it starts raining.
[MUSIC PLAYING ON RADIO]
[CAR ENGINE STARTS]
♪ All I want is a - vision ♪
♪ A total portrait with no omissions ♪
♪ All I want is a vision of you ♪
♪ Oh-oh
♪ If you can picture this--
a day in December ♪
♪ Picture this--
freezing cold weather ♪
♪ You got clouds on your lids
and you'd be on the skids ♪
♪ If it weren't for your job
at the garage ♪
♪ If you could only-- oh-oh--
picture this-- ♪
♪ A sky full of thunder
♪ Picture this--
my telephone number ♪
♪ One and one is what I'm telling you ♪
♪ Get a pocket computer
♪ Try to do what you used to do, yeah. ♪
[INSTRUMENTAL MUSIC PLAYING]
Timecrimes (2007)
Moderator: Maskath3
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Space, Time-travel, Futuristic, Aliens, Sci-Fi movie collection.
Space, Time-travel, Futuristic, Aliens, Sci-Fi movie collection.