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Case 347 (2020)

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Space, Time-travel, Futuristic, Aliens, Sci-Fi movie collection.

Case 347 (2020)

Post by bunniefuu »

- Carol, you ready?

I want you to close your eyes

and take some slow

deep breaths for me.

- I don't like

the camera, Dr. T.

- No, I know you don't,

but I need a visual

record of your case

so that I can show it to

my colleagues, remember?

Okay.

Come on now, close

your eyes for me.

There you go.

It's okay.

I'm gonna count

backwards from five.

And I want you to remember

you're in a safe place.

Five, clear everything

from your mind

except the sound of my voice.

Four, with each breath,

allow your mind to clear

and let go of your thoughts.

Three, and you feel

the weight of your body

on the chair beneath you.

Two, you're in your car now.

You can feel the seat's

cushion beneath your body.

One, you're driving

down a desert highway.

It's dark, and there are

no other cars in sight.

Your husband's there.

He's asleep in the

passenger seat next to you.

I want you to look

outside of the car

and tell me what you see.

- It's dark.

It's a long dark road.

And there's a light ahead.

- Okay, what kind of light?

- It's coming from the sky.

It's really bright.

- Are you still driving?

- Okay, the light is

getting bigger now,

it's closer, it's

getting closer now.

- Breathe, keep breathing,

just listen to my voice.

- It's coming straight at us,

it's blinding, I can't see.

- Try to describe

it, you can see.

- I'm gonna pull over now.

Dan, wake up.

Dan?

Dan, wake up!

No, I don't know what's

happening right now.

What is going on?

Everything, I don't know,

the light, it's all around

us, they're everywhere!

I don't know!

This is not happening!

I don't know,

something is wrong!

This can't be happening,

this isn't real,

we have to get out of here!

Dan, wake up!

Oh my god, where

did you go, Dan?

Where did you go?

Oh my god!

Get them off of us!

- I'm Dr. Mia Jansen.

This is day one and

the fist video log

for my clinical

psychology research grant

from California University.

This video journal will

serve as both my notes

on upcoming case findings,

as well as supporting

documentation

for my research analysis

by both myself, Cal U,

and my fellow peers

for later evaluation.

The intention of my research

is to investigate, interview,

and as often as possible,

record individuals

who claim to have

experienced encounters

with phenomenon relating

to extraterrestrials.

Commonly, UFO sightings,

alien visitations,

and in my opinion,

most importantly,

alleged alien abductions.

I will attempt to formulate

a strong scientific theory

behind this ongoing mass

psychological phenomenon

of alien-related self-deception

that have spanned

decades, if not longer.

So, with the help of

filmmakers Charlie Cera

and Rex McDunn, we aim to create

an accompanying documentary

with the hopes of

compiling footage

that paints a clear narrative

of the potential connections

of these shared delusions

that affect possibly

millions of people

in the United States alone.

Basically, if we can find

common personality traits,

disorders, traumas, or even

experience-based threads

as to the potential sources

of these shared psychosis,

we can begin to explain

the similarities

of their common beliefs

of varied alien exposures.

And if we can do that,

we can hopefully help a

lot of sick individuals

and the people who love them.

- All right, camera is

speeding, sound is speeding.

- Okay, and action?

All right, Rex, I don't think

we need me in this shot here.

All right, Mia, why don't

you start the documentary off

by telling us where we're

going and what we're doing?

- Okay.

We are driving out to one of

the meccas of UFO insanity

to document some

of the many areas.

- Stop.

- What?

- I don't think UFO

insanity is the right way

to start this documentary

or a way to paint your

research-based analysis

about this, so,

serious, restart.

- We are leaving Los

Angeles, California,

and heading to

Roswell, New Mexico.

Roswell has been a mecca

for UFO and alien

encounter conspiracists

since an alleged UFO

crash coverup in 1947.

This will be a great

place for us to start

our investigation of subjects

who subscribe to these beliefs.

And if we're lucky, we'll

get to interview some locals

with personal

experiences of their own.

- Sounded

good to me, Rex?

- Sound good.

- All right.

- Just checking

out the infrared.

Looks pretty good, man,

you wanna take a look?

- No.

- How you

feeling up there?

You look a little tired.

Wanna try and find a hotel soon?

- Yeah.

You getting all this?

- Yeah, yep.

Just getting some B-roll.

- Listen man, Mia wants us

to stop at her father's house

on the way to

Roswell, all right?

This guy was a total UFO nut.

He's the entire reason that

we're doing this project,

he's probably the entire reason

that she's doing her study.

So, before she mentions it,

before we get there especially,

I just wanna give

you a heads-up.

Tread lightly, all right?

- Copy that.

- So, all right.

Do you want anything

from the rest area?

- Just some

candy or something.

The hell is that?

- It's the aliens!

- Jesus

f*cking Christ, dude.

- What

are you staring at?

- Not quite sure,

look at this right here.

There's like a circle,

a perfect circle,

a ring, you see that?

- Yeah, I see it.

- What is that?

- I don't

know, fireworks?

- Do you hear

fireworks going off?

- It's

pretty far away.

- I've never seen anything

like that from fireworks.

- I don't know.

It's just a giant

ring, I guess, man.

I don't know, it's just smoke.

- Huh.

- Well, I need some

money for the vending machine.

- Wow, feels

so weird being here.

- Get this light

going when we walk in.

- Wait, lemme

just put the light on.

- Yeah, Rex, do you

wanna set up the other camera,

and just start

getting some B-roll?

Mia, do you wanna come back

and tell us where we are

and what we're doing here?

- Where do you want

me, like in the middle?

- Yeah, that's

good, just up in there.

Okay, go ahead.

- Okay.

This was actually

my dad's house.

I guess, technically

my house now.

But yeah, I haven't

been back here in years.

Yeah, it doesn't

seem like it changed much.

- And the pictures

on the mantle, is that you?

- Yeah.

My parents.

- Tell us about 'em.

- My mom passed away

when I was five.

She had cancer.

That's when my

father moved us here.

- And your dad?

- He's dead, at least

I'm pretty sure he is.

- Yeah, tell

the story for context.

- He had a study; if there

was anything useful to us,

it would be in there.

sh*t, it's locked.

Okay, one sec.

- Got

that camera going?

- Good ol' Dad.

Okay.

Whoa.

- Oh sh*t.

- Holy sh*t.

- Wow.

- Jesus.

That is some real serial

k*ller sh*t right there.

This is crazy.

- Yeah, he was obsessed

with his clients' cases

and his conspiracy theories,

but I never saw him like this.

Where do we even start?

Look at this.

Okay, so, it would take us

a week to go over all this,

but there's actually a

goldmine of material here.

Names, locations, photographs,

and a myriad of theories

behind each reported abduction

within a 200-square-mile

radius of this house.

There's even a list of relatives

of all the reported abductees.

I mean, if a fraction of

these leads pan out for us,

we've literally got

everything we need right here.

Guys, this is .

- I don't know, man.

Honestly, I'm a little

freaked out by this.

- What's crazy is

just how much stuff there is.

- None of this

bothers you, dude?

- I mean, it's

all movie makeup and props,

none of it's real.

- I don't know, Mia's father

clearly spent a lot of time

organizing and

cataloging all this stuff

that he felt was

evidence to something.

- Yeah, his own

paranoid delusions,

and for us, the perfect map

into this whole alien hysteria.

- I don't know, none of

this feels hysterical to me.

This feels organized,

it feels calculated.

- Okay, let's listen

to one of these tapes

and show you organized

and calculated.

Dr. Thomas Jansen,

September 10, 2002.

After leaving a

patient's house today,

I felt very strongly as

if I were being followed.

I'm not sure yet by whom, but

I need to be more careful.

I don't feel safe.

- The last few

years he was alive,

he'd call me to give

me constant warnings

of what was happening,

to tell me to stay

away from this house

and to never come back home.

- Oh, great.

- Look, Charlie, you

remember how it was

when we were together.

I mean, he always thought

he was being followed

and that his life was in danger.

He'd call from payphones and

only stay on for 30 seconds

at a time to avoid being traced.

They gave him a psych

leave from his job.

A psych leave.

Does that sound sane to you?

- I mean, what if he

was being followed?

- Mia, on the

tape, he said doctor.

- Yeah, I told

you, he was a professor

at the University of New Mexico.

- Yeah, but

then he also said patient.

- He was a psychiatrist,

but he got his

license taken away,

and then he was teaching

until his obsession

got him fired from that too.

Look, my dad is the

exact type of person

this entire project is about.

What drives someone to such

lengths to become so paranoid

and to wanna believe

any of this, to need to?

It's insanity.

- What did he teach?

- Abnormal psychology.

Apple doesn't fall far.

- I'm sorry, but what exactly

happened to your father?

- He called me

almost two years ago.

Said he was giving up,

that maybe he could save me

if he sacrificed himself.

He said he tried to figure

out another way, but couldn't.

He told me he loved

me, said goodbye,

and reminded me to

never come back.

- I'm sorry, Mia.

Guys, let's just

take a break, huh?

- We saw this yesterday.

- Wait, you saw that?

- Well,

something like it.

- No, we saw exactly this.

- Where?

- When we

stopped on the way.

We talked about coming here.

- Extraterrestrial

Highway 375.

Rod Taylor.

- Hello?

- Hi, I'm looking

for a Rod Taylor.

- Who's this?

- My name

is Dr. Mia Jansen.

Is this Rod?

- What do you want?

- I got your number from

my father, Dr. Tom Jansen.

I'm doing a

documentary and study.

- You're Tom's daughter?

- That's right.

- This is Rod,

what can I do for you?

- Great, Rod, I'm

calling about a photograph

I think you may have taken.

It looks like a ring

of smoke in the sky.

Can you tell me

anything about it?

- Yeah, I

took it all right,

and I can tell you

quite a bit about it.

- Oh, that's fantastic.

Would it be possible for

us to talk for a bit?

- I could

show you instead.

- Great, that'd be great.

- Someone's

waving a light up there.

- Yeah, I see 'em.

It's too far away for me

to get a zoom in on it.

- It's a pickup truck.

- That's them.

- See, these

guys both have g*ns on 'em.

- Bro, dude, f*ck this.

- I'm turning around.

- Wait, hold on.

Rod?

- Mia?

- Yeah, hi.

- Bring out a lantern, Gary.

It might seem a little awkward,

but can I see your

driver's license?

- Sure.

- I appreciate it.

Thank you.

Well hello, Dr. Mia

Jansen, daughter of Tom.

Follow us, it's right up ahead.

- Great, thanks.

- Okay, this is clearly

where we get m*rder*d.

You guys saw what happened

in Deliverance, right?

- I think we're okay,

I think these

conspiracy theory-types

are always a little on edge.

- Yeah, I'm a

little on edge now myself.

- Yeah, no sh*t.

- Hey Gary, set that

time lapse on 15 seconds,

I don't wanna miss anything

tonight, all right?

- Copy.

- Thank you again

for meeting with us.

- Absolutely.

Your dad's a straight

sh**ter, and I respect him,

he knows what the hell's

really going on out here.

- Sure.

- This documentary

study that you're doing,

are you trying to

really bust things open,

or you just wanna

talk to some crazies?

- I think we're just

asking some questions,

seeing where that takes us.

- All right, that's

fair enough, okay.

You sure are smart,

like your dad.

Okay, Gary, dial the brightness

down on those monitors,

'cause you got another

camera sh**ting,

I don't want it to just blow out

where she can't see anything.

- Copy that.

- Thank you, buddy.

- So, why don't you tell

us about this photograph,

and also why you

wanted to meet us here

in the desert, in the

middle of the night?

- You don't know where you are?

Oh my god, this is

the famous ET Highway!

That is the infamous

Medlin Mailbox,

the most photographed

mailbox in the world.

- And what's the significance?

- It's the only landmark on

this highway for 40 miles,

this is the mecca, the

hotbed of ET activity.

Thousands of people

travel here a year.

Why, ask me why.

- Why?

- That is Area 51.

Look at that, we have a

third-quarter harvest moon,

it's a special moon,

it's a special night.

This is the demarcation,

it's the line in the sand.

This is where we

watch from, right?

ill*gal over there, right?

And right up there, that's

where I took that photo.

And you're here.

Area 51.

- Great, why don't we--

- Let's get on it!

Ride shotgun, how about that?

Gary?

- Yeah?

- Young lady wants to know

if you've ever been evaluated

for post-traumatic stress.

We're not crazy, doc.

Well, not like that.

- And what are you hoping to

capture out here with all this?

- Anything out of the ordinary,

and there's a hell of a lot

out of the ordinary out.

Holy sh*t.

- What was that?

- Well, this is an

active m*ssile test site,

like White Sands.

- White Sands?

- Oh, come on.

Where they set off the

first nuke in the '40s,

and hundreds of others

before the test ban.

Come on.

The fireworks?

That's what I think

attracted them.

- I see, and are we

at a safe distance?

- Rod, check out the monitor.

- Are you recording?

- Roger that.

- What is it, a plane?

- It's a no-fly

zone, sweetheart,

and whatever that is

is flying in very high.

- Could it be a satellite?

- Planes and satellites

don't have the ability

to stop in midair!

Look at that!

- Okay.

- And they don't

have the ability to disappear!

Planes and satellites

don't disappear!

- Then where did it go?

- It just went.

Poof!

And when it did, I bet it left

a ring of smoke in the air,

just like the photo I took.

- So what?

A UFO then?

- Yes, a UFO then!

And now you've seen one too!

Welcome to the crazy club.

Gary will get you a hat

and a book of matches.

- We got it!

- We got it!

- Okay, so,

there's aircrafts

leaving marks in the sky

because they're

moving at such a speed

that they're what, singeing

the air molecules around them?

- It's an explanation from

two conspiracy theorists

that spend their spare time

in the middle of the desert,

filming the night sky.

- Yeah, a couple

conspiracy theorists,

which both happen

to be ex-military,

one of which has an

aerospace engineering degree,

specializing in

space navigation.

- Yeah, also two textbook

examples of PTSD.

I mean, both these

men experienced

heavy military

combat situations.

Now, they're clearly

transferring wartime stress

and enemy paranoia to a new

enemy that doesn't even exist.

It's a collective

imaginary threat.

- That blip on the

radar was not imaginary,

and neither was the sonic

boom, which we all heard.

I mean, come on, Charlie.

If there is life

forms out there,

and they're traveling to Earth,

they're not using a

'68 Chevy with a 350.

They're using magnets,

or fusion, like Rod

said, or nuclear.

- Rex, we're talking

about Area 51, right?

This is the most top-secret,

most guarded air force base

in the world.

- Anyone who caught a glimpse

of of the U-2 spy plane

back in the day, or

the stealth b*mber,

reported seeing

UFOs in the desert.

- Exactly.

So, Rod could be out

there recording our own

experimental technology.

- Yeah.

Or aliens.

- All right,

let's not get insane

with conspiracy

theories, all right?

Our job is to stick to filming.

- Okay.

- No, Charlie's right, we have

to focus on the psychology

and the facts behind these

beliefs, and their psychosis.

Not the conspiracies themselves

behind the underlying disorders.

- 100%.

So, with that said, what's next?

- Why don't we talk to

some of these people

who reported being abducted?

Maybe one of them would be

willing to go on record.

- That's a great idea.

- Yep.

Thank you again for

letting us film you.

Could you please give us

your name for the record?

- Bernie Stanton.

- And Bernie, can you tell

us about your encounter?

- You mean the first one?

- Yeah, the first one.

- I was in White Sands,

I'm camping.

So, me and my girl,

romantic, quiet.

I got up in the middle of the

night and felt really sick.

Came on all of a sudden.

I felt like my skin was on fire.

And everything around

me was vibrating.

So, I was completely

disoriented,

and I stumbled outside

the tent for air.

The last thing I remember

is this light all around.

It was so bright.

- And then what happened?

- Wake up in an oil field

outside San Antonio, Texas,

600 miles away.

No one saw or heard from me

in three years, three days.

Felt like three years.

- And you have no

recollection of what happened

over that time, nothing?

- No.

Not at first.

Not until the nightmares came.

Then I saw what happened.

What they did to me.

- And what

did they do exactly?

- You ever seen a frog getting

dissected in science class?

- And I'm assuming you told

the authorities about this?

- Of course, I told

anybody who'd listen.

- And?

- What do you think?

My girl left me, my

parents disowned me.

My friends, like everyone else,

think I lost my g*dd*mn mind.

- And Bernie,

did you have an traumas

or problems before

this incident?

- I saw a therapist, doc.

I went down that why

you so crazy path.

But the fact always remained:

I was perfectly fine

before the grays got me.

- The grays?

- Yeah.

Them.

Big eyes, thin, gray?

f*cking grays.

- I see, and you

told the doctors

specifically about the grays?

- You bet your a*s I did,

but nobody believed me.

Not until I got a

call from Dr. Jansen.

Your old man believed me.

He sent me to see a specialist

in Albuquerque for scans.

- My father sent you for scans?

- Yeah.

See that?

They found a piece of

metal in my f*cking head.

But no explanation

how it got there.

Said I should have brain damage

or something like that in there.

I don't know.

Maybe I do.

What do you think?

- That's really

not my expertise,

but thank you, this

was very helpful.

- Seriously, just look

at this list alone,

the amount of names on here?

- And the notes on these

patients are incredible.

Everything Bernie said, he

had already told to my father

almost word for word.

- Well, what do you

think the next move is?

Do you wanna keep going

through these lists,

find another Bernie,

do more testimonials?

- What about White Sands?

- It is the second

time it's come up.

- I mean, we should probably

see it for ourselves, right?

- Yeah, honestly,

worst case scenario,

we get some really good B-roll

to support the Bernie

and Rod interviews.

- Campgrounds?

- Camping White Sands.

- Yeah!

- Alone in the

dark, looking for aliens.

- What's the worst

that could happen?

- I don't know.

- Yo, if I were you, I'd stay

the hell outta White Sands.

- Yeah, and why's that?

- Consider it a

friendly warning.

- Oh, thanks

a lot, friend.

- In fact, I'd end this

whole little investigation

you're doing, head

back to California

before somebody gets hurt.

- Listen man, we really

appreciate your concern.

Now, why don't you

kindly f*ck off?

- You wanna get outta

here while you can.

Trust me on that.

- What the hell was that?

- Locals being locals, I guess.

- f*ck that guy.

- No, seriously, f*ck that guy.

Well.

Honestly, wish she'd forget.

- Let's actually get this

lens away from the fire

so we don't get any flare.

- Yeah, copy that.

All right.

Well, let's just

try to be diligent

about keeping the

lens clean over here.

- Oh my god, yeah, I'll put

UV filters on all the lenses,

that oughta keep

all the sand out.

- All right, perfect.

- Well, let's just

shut this light down

and see if we can catch

some UFOs.

Hey Mia, I'll help

you with that.

- It's okay.

- More?

- I'm freezing!

- Guys, we have six

hours until sunrise,

we're gonna be out

of wood in two.

- Well, what can

I say, I'm not rugged.

- That

is absolutely true.

- Hey!

Who wants the wine?

- I do!

- I think there's another

bottle in the front seat.

- I'm on it.

- Really?

- If we're

gonna stay out here

waiting for some UFO to show up,

we might as well have some fun.

- All right.

- Here we go, all

right, here we go, ready?

And do the little.

- Okay wait, start again.

You got this.

- I got it, ready?

'Cause we're falling apart

- All

right, hold on, wait!

- Charlie!

- I wanna film it!

- Rex finally

got it right!

- Whoa, what do you mean

finally got it right?

- You know what I'm saying.

- Unbelievable, man, the abuse!

- Come

on, let me get it.

Come on, make it good one.

Make it a good one!

- I will

make it a good one.

Here we go, count me in, please.

- Okay.

One, a-two, a-three, a-go.

'Cause we're falling apart

just like in the start

Come out now

You make it so hard

just to fall back down

Come out now

We're falling apart

like in the start

Come out now

- What?

- Oh my god, I

just saw something!

I saw something right there!

Right there in the

dune, right there!

- Here, hold

the camera, come on.

- Wait, I'm not

staying here alone.

It was right here.

- Rex, do

you see anything?

- No, I

don't see anything.

- Mia, do

you think your eyes

were playing tricks on you?

- No, it was right here,

I saw it, plain as day.

- Why do

you keep saying it?

- Wait.

Put the light down here?

There's footprints.

- I told you.

- Whoa.

Dude, they just end.

- How

do they just end?

- What the f*ck?

- Mia, do you think it could've

been the guy from the diner?

- No.

- If it was the

guy from the diner.

- It wasn't the

guy from the diner.

- Maybe we should just

get the f*ck outta here.

- Don't gotta

tell me twice, man.

f*ck this.

- Mia, why don't you try to

tell us what you think you saw?

- I told you.

I saw the silhouette of

something standing on that dune.

- And it definitely

couldn't have been the guy

who told us not to come out

here in the first place?

- And by the way,

how did that guy know

that we were from California,

and that we're out here

investigating something?

- He either

overheard us talking,

or he saw Mia's Cal U shirt,

or he saw the license

plate on the car.

- Guys, it wasn't the

guy from the diner, okay?

It just wasn't him.

- Why do you keep saying it?

- Yeah, right?

- I don't know.

The person just

seemed really thin,

like a really thin man

or woman, I don't know.

- Well, what

was it wearing?

- I didn't see any clothes.

- So, you think you

saw a naked thin woman

in the middle of White Sands?

- No.

- Listen, it was a

glimpse over a campfire

in the middle of the

night after a ton of wine.

You could've saw anything.

- Yeah,

anything that leaves

disappearing

footprints in the sand?

I think we had an

alien sighting.

I'm serious.

- Whoa,

did you see that?

- See what?

- There was girl

on the side of the road

over there.

- Shut up.

- No, I'm

being dead serious.

- Oh, do you

think we should go back

and check on her?

- Of course.

- Oh my god.

This isn't the worst

idea ever or anything.

- What side of

the road was she on?

- She was over

there on the shoulder.

- You sure?

- Yeah, positive.

- Where do you

think you saw her?

- She was

standing right there.

- I don't see

anything, Charlie.

- Me neither.

- Guys,

I know what I saw.

- Okay, look.

I propose that we turn

ourselves back around

and head back the

way we were going.

This is too crazy.

- Yeah, I agree with Rex.

Come on, Charlie.

Let's go.

Come on.

- I saw a girl, guys.

- Look, maybe we're

all just tired right now.

- Yeah, maybe.

- Yeah.

Or maybe some weird-a*s

sh*t's going on around here,

and guys don't wanna admit it.

- Rex, why don't we turn

the camera off, okay?

Let's just take a

break from all this

and talk about something else.

Why don't we just

change the subject,

and I don't know, talk

about something fun?

- All right.

- Okay.

- Wait!

- What?

- There she is.

- Charlie,

that's impossible.

We're going 50 miles an hour

in the opposite direction.

- Dude, that's her.

- Rex, can you see that?

- Yeah, I see her, but

that can't be the same girl.

The hell is she doing?

What?

Oh, she looks f*cking weird.

- Are you okay?

- Can I come in?

- What did she say?

- I don't know,

this is not right.

- Charlie, I

don't like this, bro.

- Where are your parents?

Are you all alone?

- Can I come in?

- What is she saying?

- Charlie.

- Dude, this is not right.

- Hey, little

girl, are you okay out there?

- Can I come in?

- What are you

doing, holy sh*t!

Did you see her face?

- Rex, check on Mia.

- sh*t.

- Hey, Mia!

- Mia, you okay?

Dude, she's not--

- I think

she passed out.

Hey, Mia!

Here you go, buddy.

- Thank you.

- And here you go.

How you feeling?

- I'm good, thanks.

- I've never seen

anybody faint before.

- Yeah, well, I've

never fainted before.

- Well, what the

hell happened back there?

- Everything in my body

was telling me we were,

I don't know.

- Well, I do know.

In danger.

- I admit, the girl on the

side of the road was creepy.

- Yeah, that's

what I've been saying.

- What do you think?

- I mean, we could just

be freaking ourselves out.

Technically speaking, SPD,

shared psychological delusion,

basically that we've

become so paranoid

because we're now on the

mindset of these topics

and these cases, it's like

telling some ghost stories

in the middle of the night,

and then all of a sudden,

everyone starts hearing

and seeing things.

It's like a shared

induced fear, basically.

- Are you serious?

That girl was real,

we all saw her.

What about what you

saw back at the dunes?

Come on, Charlie.

- Yeah, the girl on the

side of the road was weird.

- Yeah, she was weird.

Everything about her was weird.

The way she looked,

the way she acted,

where she was in the

middle of the night.

- Okay, fine, but how weird?

Alien weird?

And honestly, I don't know

what Mia saw back there,

if anything.

- Okay.

What about the footprints?

- Rex, the footprints

could've been days old,

the wind could've

blown them away.

What we saw was

what was left of it.

It's exactly like Mia said.

We're out there,

alone, in the dark,

our minds start

playing tricks on us.

- Okay.

Look, I didn't

wanna bring this up,

but honestly, it's

been freaking me out.

When were at Mia's dad's house,

I saw a photograph of a girl

that looked exactly

like the girl

we just saw on the

side of the road.

- Exactly?

- Exactly.

- Okay, then I think we

should go check it out.

Right?

Let's go back.

- Great, thank you.

- Let's go back.

- Here.

- BEK, black-eyed

kid, Highway 545.

BEK, black-eyed kid,

Alamogordo, New Mexico.

BEK, black-eyed

kid, Sonora, Mexico.

BEKs, or black-eyed kids,

have been reported

and photographed

mostly in the southwest

region of the United States

since the early 1990s.

In every case, they appear calm

and in need of some

sort of assistance.

On some occasions, very

young BEKs have shown up

at people's doorsteps,

asking to come in.

These BEKs are not human,

at least not 100% human.

- Asking to come

in, not 100% human.

- This has to be a hoax.

Locals trying to

get people going,

sell museum tickets in Roswell,

get conspiracy theorists

out to White Sands.

- So, what do you think, it's

an amusement park out there?

Mia, for God's sake,

we saw this!

This is real!

- What, why would

someone be at the door?

- Does

anybody know we're here?

- No.

- Maybe

it's a neighbor?

- Yeah, or maybe not.

- Wait, Charlie.

- Oh, you're gonna love this.

- Is it a f*cking BEK?

- Grab a camera.

- Wait, Charlie.

- I'm guessing

it's not a wild coincidence

that you're here, unless you

guys just moved in next door.

- Charlie, listen to me.

- How the f*ck

do you know my name?

The f*ck you guys doing here?

And why the f*ck has

he been following us?

- All right, I know.

- You wanna get

that outta my face?

- I know this looks bad,

and I would react exactly

the same way you are

if I were in your position,

but actually, I'm on your side.

- I didn't

know we were on a side.

- You are now.

- Okay, who are

you, and what do you want?

- My name is Dr. Gustaf Berchum,

and actually, we've met before,

Mia, you were quite young.

I was the oncologist treating

your mother, do you remember?

I was younger too, of course.

This is my son, Siggy.

And I am so sorry

for your meeting

under such undesirable

circumstances.

- Oh, you mean

when he threatened us?

- My utmost apologies, please,

it was a desperate ploy

from a desperate man.

- A ploy for what?

- There's a safe in

your father's office.

I would very much like

for you to open it.

The combination is 32-27--

- 27-32-18.

- Is it 27-32-18.

- And what's inside?

- Please.

May we come in?

I have so much I have

to explain to you.

Please?

- We're here to help.

- You're all being very

cautious, that's good.

You should be.

- Charlie?

Here you go.

- Oh, thank you so much.

You have grown into such

a beautiful young woman.

You look so much your

mother, do you know that?

- Okay, why don't

we get started?

Gustaf, who are the

people in these files?

- Are your cameras,

are they ready to go?

- I'm rolling.

- Why do you want

us to film this?

- What you're setting out to do,

what you have already

gotten yourself into,

it's bigger than anything

you could possibly imagine.

But it's all of the

utmost importance.

And as I said, we're

on the same side.

- What's so important, and

what side do we have in common

with a cancer specialist?

- Was a cancer specialist.

- And what are you now?

- A seeker of truth,

and you will become an

exposer of that truth

if we can succeed.

- And what are we

exposing, exactly?

- Since you have been here,

have you seen many things

that you cannot explain?

- Perhaps difficult

to explain, yes.

- I believe, as did your father,

that you, just by being here,

are in great danger.

And honestly, I don't know if

there's any way to avoid that.

So, we have to do

something different,

we have to do something drastic,

we have to face the danger.

- What danger are

you talking about?

- If I try to show you something

that is far more than you

could've bargained for,

would you be willing

to see through?

- Yes, of course.

- Well then, let's

get started, shall we?

- Okay, first I need

to know something,

how did you know we were here,

and how do you know

Charlie's name?

- Siggy installed

cameras and audio

throughout this entire house.

At your father's

request, naturally.

Often, there are signs

leading up to an abduction.

Most of them don't

pay any attention.

Sometimes, these

signs are so subtle,

most people wouldn't

even notice.

- And

what are these signs?

- The obvious ones?

Crop circles, smoke

rings in the sky,

encounter with BEKs,

craft sightings,

animals behaving strangely,

paranormal-like activity,

animal mutilations,

and sometimes, it's all of

these things in succession.

For argument's sake,

why would an intelligent

entity show these signs,

give warnings, what

would be the point?

- We don't know.

But the important

thing right now

is that we have to prove that

it is actually happening.

- Yeah.

I don't know what to make

of some of what we've seen

or heard on this trip.

Most of it can be

explained away,

but some, not so easily.

And so far, there

are now tangible

psychological connections

behind the cases of the

believers we've seen,

which brings us on

to our next case.

There's a family that

Gustaf wants us to meet.

We'll document them

around the clock

in order to uncover what

might be going on there,

whatever they might

be experiencing.

I mean, this is ultimately

what we came out here to do,

right, fully submerse ourselves.

But I do wanna be mindful

of not being swayed

into seeing through

Gustaf's eyes.

He is a true believer,

and a whole case unto himself.

So, I guess we'll just head

down tomorrow to this ranch

near the border of

New Mexico and Mexico,

and we'll see what

we can get, right?

Okay, let's go to bed.

Okay, I guess this is it.

Rex, you got it?

- Yeah.

- I want everyone

to follow my lead.

This family has just

suffered a tremendous loss,

and they're still under a

great deal of stress, okay?

Now, they have

allowed us to document

what's been happening here,

and they very dearly

want someone to help them

get to the bottom of it, okay?

Having said that, be

mindful, all right?

- Got it.

- Oh, and listen, I

think we should hold off

on bringing any

equipment in right away.

As a matter of fact, why don't

we just shut everything down?

Yeah, let's do that for now.

- Shut her down.

- And rolling

and speeding.

- I'm rolling.

- Thank you so much

for having us here,

and for allowing

us to film this.

- Thank you for coming.

- Of course.

- Do you really think

you can help explain

what's been going

on around here?

- There's nothing going on.

Just some kids

playing some pranks.

- Our entire chicken

coop being slaughtered,

that circle in the field,

Dad died like that?

Kids' pranks?

- We don't need some

strangers in our house

filming our business.

- She's right, they should go.

- Just be quiet, please, okay?

You're embarrassing me.

- Some of us still have

some work to do around here.

- Then go do it.

- I'm so sorry.

- Okay, please don't apologize.

To be honest with you,

I don't know if we'll be

able to explain anything

that might help you,

but we are here,

and we would very

much like to try.

- All right, where do we start?

- I suppose at the beginning.

- So, about a month

ago, my dad woke up

in the middle of the

night, ran out here,

ran back to the

house, woke me up,

and was talking

about this field.

He said that there was

something out here,

he wanted to show me

markings or something.

- Did you see them?

- No, I thought he was

just having a bad dream,

and walked him back to his room.

The next morning, I

couldn't find him,

so I walk out here,

and there he is,

just laying in the

middle of the field.

And it looked like it

had been burned flat.

All of our crops were gone.

- What prompted him to go

outside in the first place?

- I asked him that, and he said

that he heard a humming sound.

Like a vibration all

around the house.

- And no one else heard it?

- Did your father

see anything else,

anything that could

explain the burnt field?

- I woke him up, and I

brought him back in the house,

and to be honest, he really

wasn't making any sense

at that point; he

just kept mumbling

about bright lights, and

my mom, and thin men.

- And your mother,

where is she now?

- She passed away

when I was young.

- I understand how

difficult that must've been.

- Did your father

say anything else

when you got him back

inside the house?

- He got so sick

the next morning,

we couldn't get anything

else out of him.

- Sick?

Sick how?

What happened?

- His skin turned red

and began to bubble

up like a bad burn.

The next morning, all

his hair fell out,

and then he began to bleed

from his nose and his ears.

He passed away two

days after that.

- Oh, I am so sorry

for your loss.

Siggy, I want you to get

a soil sample as well.

What is it, what?

- The EPA and the CDC

already checked everything.

- The EPA and the CDC were here?

- Yeah, they came by right after

we took Dad to the hospital.

They said that they

sent over some guys

to make sure

everything was safe.

- And what did they say?

- They said everything was okay.

- These levels aren't toxic now,

but I'd stay out of this area.

- Well, why would

they say it was okay?

- Sigmund?

- I'd like to set

up audio and visual,

and set up multiple cameras

in this area specifically,

that way, I can monitor

frequencies in the waves.

I'd also like to canvas

the inside of the house.

- Would it be all right

if we set up cameras

inside your house?

- Yeah, sure, everywhere?

- I think that

would be best, yes.

- Okay, whatever you

guys think will help.

- Okay, thank you.

Come.

- So, we had about 20

or so chickens in here.

My grandmother used to sell eggs

to the local market on Thursdays

to just, I don't know,

keep herself busy.

But I come out here one

morning a few weeks ago,

and they were all dead,

except not just dead.

It was like they were chopped

up into little pieces,

except that there was no blood.

Just the pieces.

- Did you

call the police?

- No, my grandmother

didn't want to.

She said that we'd had

enough fuss around here.

I guess she's old-fashioned,

doesn't really like

too much going on,

and I don't think

she's really been okay

since my dad died, losing a son,

I don't think any of

us have been okay.

- That's perfectly normal.

- I did take pictures, though.

It just didn't seem possible.

And we didn't even hear

anything from the house.

I butchered chickens

before, doctor.

It's never quiet or clean.

- When did you decide

to call Dr. Berchum?

- Three days ago.

Things have just been

getting weirder and weirder,

and I told you what

my grandmother said.

- What did she say?

- She came into my room in

the middle of the night,

and she grabbed my

arm, and she said,

"It's happening again.

"I think the thin men are coming

to take you away from us."

I know it's crazy, it's

just some old Mexican woman

with a bunch of superstitions

and folklore in her head,

but the look in her eyes,

it just really scared me.

And then she started to cry,

and I've never seen that

woman cry in my entire life.

So, I went on the internet,

and I found a book.

The Theories of the Unexplained:

The Grays, the Thin Men,

by Dr. Gustaf Berchum.

Thin men.

That's just like

Papa and Abuela said.

I mean, what does

that even all mean?

- Well, it's complicated.

- Do you think we could

talk to grandmother

about what she said?

- I mean, I could ask

her, but I doubt it.

She's not really too keen

on you guys being here.

- Yeah, I'm guessing that's

the general consensus.

- Yeah.

She'll warm up, but

it's probably best

if I just get you guys

settled for the night.

- Of course.

- All right, so, we're

just gonna watch your step.

- All right, I'm gonna give

you the abridged version.

Did you know that

2,300 people go missing

every single day in the

United States alone?

Yeah?

It's pretty

staggering, isn't it?

That's almost 900,000

people every year.

- How is that possible?

- In his work, your

father began to discover

that he had patients

who had similarities,

some of which were blackouts,

gaps of lost time.

Sometimes, these

people were even,

they were reported as

missing at least once

at some point in their lives.

And no one could ever

remember where they were

during these gaps.

Now, through his therapy,

many were eventually able

to process their memories,

and they could remember

a series of signs

leading up to their experiences.

And some of his patients were

not only affected emotionally;

many of them were

physically ill.

Now, people who

claim to have had

a close-proximity UFO encounter,

they had actual physical signs.

And some of them had severe

or very rare cancers,

which of course is

the way that our paths

started to cross.

- My mother.

Wait, are you saying

my father thought

she had a UFO encounter?

- No, I'm saying your

father was certain of it,

and her cancer was the

rarest I'd ever come across

in my career.

Now, Thomas cautiously told me

what he thought about the

origin of her condition.

And then after a while, we

started sharing our casework,

and we started coming

up with parallels,

and we were trying to

come up with theories.

- What were those theories?

- Your father felt that he had

found a distinct connection,

a pattern of

multi-generational experiences.

Family cases.

And these patterns always led

to the same eventual conclusion.

- Which was what?

- Ultimately, a missing person.

I believe, and I am

certain that your father

would agree with me,

someone from this family

is going to be taken,

and with the extreme amount

of evidence we have here,

I don't think they'll

be coming back.

- Got everything set up.

Multiple cameras covering

all the angles in the house,

one running outside

covering the exterior.

- Very good, Sig, thank you.

- I'll show you where to plug in

if wanna download

the raw footage.

- Yeah, thanks, man.

- Yeah, listen, it's

been a long night.

I think we all should

try to get some sleep.

- Thank you so much.

- Charlie.

- Got the camera.

- What's going on?

- We don't know.

Are you okay?

- What's happening?

- I think she just

had a really bad nosebleed.

- Oh my god, okay, everybody,

let me just, please.

Okay, how you doing?

Are you losing a bit

of blood here, sweetie?

Do you feel dizzy?

- I don't know,

maybe, I don't know.

- Okay, Siggy, could

you run downstairs

and bring up some orange juice?

- Yes.

- Hey, should

we be filming this?

- Here, bring the light in

closer, okay, so I can see.

And what I wanna do is I

wanna pull the towel away

just so I can see what

we have here, okay?

Very slow.

- Okay, all right, honey,

all right, head forward.

Put a little pressure.

Okay, you're gonna be all right.

Now, what I wanna do is, very

slowly, get you to your feet,

and we're gonna take you

to the hospital, okay?

Yeah, listen, you lost

a bit of blood here,

they might need to

cauterize your nose.

But we don't know, but it's

better safe than sorry, okay?

All right.

All right, everybody, out of

the room right now, please.

Just give us a minute.

Everything's fine,

sweetie, don't panic.

Here, let's get up real slow.

Just hold on to me, real slow.

That's a girl.

- How is she?

- Oh, she's fine,

she'll be okay now.

- What did they say?

- Well, it could be that

her nosebleed was brought on

by severe false

labor contractions.

- Contractions?

- Sofia had a miscarriage.

- Oh my god, I'm so sorry,

I didn't realize

she was pregnant.

- Well, neither did she.

Apparently, it's only

about two months along.

- Is that uncommon?

- Not terribly, but she told me

that she has not had sexual

relations in over five months.

And there's something else.

She has bruises, prints,

on her arms and legs.

Yeah, I think it might be best

if you were to speak

to her about her ordeal

after she's had a

little rest, of course,

instead of me.

- Of course, yes.

- Listen, I'm

tired, everybody's,

let's go back to the

motel, get a little rest

before we head

back to the ranch.

Is that good?

- Yes, thank you so much.

- Sure, I'll see you there.

- All

right, thanks Gustaf.

- Do you think someone

could be hurting her?

Like Alex?

- I don't know.

I think we should

check Siggy's footage

on the surveillance

cameras at least,

see if that comes

up with anything.

- Yeah.

- All right, this is it.

- What are we looking at?

- Oh.

- That distortion.

Again, we'll just

watch it again.

See that?

- How are all

the security cameras

having distortions

at the same time?

- Do you think it's

some sort of interference

with the wireless signal?

- I mean, it's something.

- The timing is curious.

- You wanna see curious?

Tell me what you see.

- It looks like he's

being held down.

- That's exactly what I said.

- Okay, you guys ready?

- Yeah.

- Are you sure

you're up for this?

- Yeah, I don't think I

can be laying down anymore.

I guess I'm staying put.

- Probably for the best.

Sofia, the camera

Siggy installed

shows that your nose

didn't start bleeding

until after you woke up.

So, do you remember

anything about last night,

why you may have woken

up screaming like that?

- No.

Actually, that's funny,

I just remembered something

just now, after you asked.

I was having a dream.

- A dream?

- Yeah, I was laying in our

field, and I couldn't move,

and there were these deer

standing up all around me,

like six or seven of them.

All of them, they're

just staring at me.

So strange.

They're just staring

and nothing else,

but I was terrified.

And I remember I

tried to scream,

but I realized my

mouth wouldn't work.

That's weird, isn't it?

And then I remember this warm

liquid pouring over my body,

and then I realized

it was my own blood,

and the next thing

I remember is Abuela

covering me in a towel,

saying I was okay.

- Sofia, you also apparently

had a miscarriage.

- No!

We're not going

to speak about it.

- Stop it, Abuela, it's okay.

- What is she saying?

- No, Sofia.

I promised you.

- Okay, should we stop?

- Yeah, thank

you, I'm so sorry.

- No, of course.

You get some rest.

- Thank you, Mia.

- Of course.

You ready?

- Mm-hmm.

- Okay.

So, Gustaf, Sofia talked

about a strange dream

she had last night.

She saw a group of deer

standing above her.

- Yeah, I've heard

of that before.

Deer, owls.

It may be a way for the brain

to try to translate something

that's just too overwhelming.

Or it may be a way that

they try to make our brains

forget about something

that actually happened.

- Okay, so you

absolutely believe

Sofia was visited by

something, or someone,

from another world last night?

- Well, signs are this clear,

and happening at

such a rapid pace?

Absolutely.

I mean, at this point, I

think we all probably were.

- How?

If this was really going on,

how wouldn't anyone

know about this?

With all the technology

the government has,

you would think that--

- Well, what if they do?

- They why wouldn't they do

something about it, or tell us?

- Well, what if they can't

do anything about it?

What if they're completely

powerless against it?

- Our entire government,

an entire global

community, powerless?

- Look, if a comet

were on its way

to obliterate the earth,

and all the news media

got out there and they warned

the whole world about it,

can you imagine

what kind of chaos,

right up to the final

impact, can you imagine?

- Yeah, a total

anarchy, I'm guessing.

- You're right, absolutely.

And if that comet were

10, 20, or 30 years away,

do you tell people about it?

Do you warn society about it,

or do you watch your society

and your financial institutions

just completely fall apart?

And people going every

day and every year,

knowing that the

clock is ticking down

on life as we know it,

not to mention the

religious implications.

Or do you just go along

with the status quo,

knowing that there's

absolutely nothing you can do

to affect the final outcome?

- Gustaf, you're implying

that people, or things,

from another planet

are here to what?

Take over?

- All I'm saying is I believe.

I personally deserve the

right to know the truth,

either way, and I believe

everybody else has

that same right.

What do you think?

- Okay, if Sofia

has some memory,

or at least what seemed

like a dream to her,

Alejandro might have some recall

of what happened

last night as well,

how he felt while his sister

was screaming bloody m*rder

right down the hall, as

he laid still in his bed,

seemingly trapped, while the

rest of us just ran to her.

'Kay, do you wanna

check the barn?

It's super dark out.

Alex?

Alex!

Okay, Sofia told us

he'd be out here.

Where the hell is he?

Alex, I just wanna

ask you something.

Do you see him up there?

- Uh-uh.

- Where the hell is he?

- Oh, sh*t!

- What?

- Alex was

standing right here.

- What do you mean, where?

- He was right here.

Look!

What the f*ck?

How the f*ck did he get

all the way over there?

- Charlie, there's

no way you saw him here.

- He was here a

second ago, I'm telling you.

- What is he doing?

- He's trying to

scratch the back of his head,

do you see that?

Just like Sofia.

- sh*t.

We have to go back in, come on.

This is insane, okay?

There's no way you saw him here.

- What the

f*ck is going on?

- Okay, I told

Gustaf about Sofia

scratching at the

back of her neck,

and also how weird Alex

was acting with us.

Gustaf seemed really concerned.

I wanna check the back

of Alex's head tonight

while he's sleeping.

- What?

That is terrible

idea, for the record.

- I can't

argue with that, Mia.

- If there's some

physical evidence

that we can actually point to,

to prove or disprove

what Gustaf is saying,

we have to do it, right?

- What, like an

implant, like Bernie?

- A secondary case

with a foreign object

supporting some kind

of narrative, yes.

- This is

beyond invasion of privacy

we're talking about here, guys.

Not to mention that

Alex will never let us

use this footage

without his permission.

- Look, are you

guys with me or not?

Okay, good.

Tonight then.

- Dude, tell me you're

not thinking about doing this.

Guys, again, this

is a very bad idea.

- All right, listen.

Are we really gonna

find something,

or probably get kicked

outta this house

in the middle of the night?

- Yeah,

well, f*cking both.

- What is it, what?

Oh my god.

Get in here.

- What the f*ck?

- Wait, did you hear that?

- Dude, we shouldn't

be in here, man, f*ck this.

- Get closer.

- No f*cking way, man.

- Gimme the camera.

- The start.

- Oh my god.

Wait, what did he just say?

- Come out now.

- How would he

know we sang that?

- Your father is here.

- What about my father?

What about my father, Alex?

Oh my god.

- Be afraid.

- Okay guys,

we've seen enough.

- Did you hear that?

We are right in the

middle of something,

maybe something

historically important.

You guys really wanna leave now?

- Yeah.

Listen, what's happening

here is real, okay?

I don't have any

doubt of that anymore.

Now, I know you have

an invested interest

to try to find out what

happened to your father,

or something to

prove to yourself,

but I honestly believe we

need to put as many miles

between us and this

place as possible, okay?

Now, everything I care

about is in this room,

and no story and no

amount of footage

is worth having anyone

get k*lled over.

- You're right.

It's not worth it.

- Yeah, let's go.

- Yeah.

I really don't know what to say.

- Just say

whatever's on your mind

while it's still fresh.

- Okay.

We're packing up the car

and heading back to LA.

Neither my thesis nor our

documentary are conclusive,

much less from a

psychology standpoint.

But overall, I do think

we've captured evidence

of something else entirely.

I'm not sure what we do with

this or where we go from here,

but we don't feel

safe here anymore.

Too many unexplainable things

have happened on this trip,

and Charlie, Rex, and myself,

we've decided to

go home for now.

Everyone else in the

house is still sleeping,

so I guess we'll just call them

from the road

tomorrow to explain.

I just feel like I'm

letting everyone down,

especially Sofia.

She's more afraid

than we are right now,

and we're just running off.

- All right,

let's just cut it

and call it a night, right?

- Okay.

That's not good.

- What?

Dude, please don't tell me

this car's not starting.

- sh*t.

Oh, Jesus.

- Is that f*cking cut?

- Who the

f*ck would've done this?

- Wait, is

everything okay?

- No, everything is

definitely not okay.

- sh*t.

What?

- What the f*ck

are we gonna do now?

- I'm worried everything

has progressed here

further than is within

our ability to intervene.

I would advise for

all of us to leave,

but I honestly think it's

too late now, even for that.

Sigmund has captured

surveillance camera video

and footage of Alejandro

transmitting cryptic messages,

clearly not of his own volition.

And last night,

I discovered a bump on my neck,

near the posterior scalene,

and with Sigmund's help, I

cut into the soft tissue,

and there was a small

metal object inside.

I attempted to remove it,

but it had remarkably

rooted its way up

into my temporal bone, and

actually begins to retreat

when I get too close to it.

I cannot even emphasize

how disturbing this is.

And with everything

that we have seen here,

and with Alejandro, I don't

even know if we're in control

of our own actions, or if we

can even trust our own thoughts

to actually perceive

reality at this point.

I hope someone will see this,

and that you will allow this

video to at the very least

serve as a warning as to

what has happened to us.

- Did you

disable our car?

- Dude, what are

you talking about?

No, we didn't.

- Then who did?

- I don't know, man,

chill the f*ck out.

- Yeah, f*ck you man.

- f*ck you!

- Maybe you

disabled the car, Charlie.

- No, I did not!

- How do you know that for sure?

- What does that mean, and

what are you guys doing here

filming right now?

- Wait, what's going on?

- I'm sorry we woke you, Sofia,

we're just trying

to figure out--

- It's fine, what's

happening, why are we yelling?

- All right, everybody,

just can we sit down,

and we can discuss this?

- If you have something to

say, Gustaf, just say it.

- All right, fine.

Siggy was awake, he was

watching the security cameras,

and he saw you walk

into Alex's room,

and we were just

filming a warning video.

- A warning video?

- What's

wrong with Alex?

- All right, I for one am done

listening to this bullshit,

and I'm not sticking

around any longer.

- Shh, do you hear that?

- I don't hear anything.

- Shh, do you hear it?

- What's going on?

- It's probably

just a breaker,

lemme get a flashlight.

- Hold on, nobody move!

- Oh, what is that?

- Listen!

- All right,

my camera's back up.

- He's not breathing!

- Someone call 911!

- I don't

have any signal!

- Me neither, Charlie?

- I don't either.

- It's too late; he's gone.

- Jesus Christ.

Well I need you on the scene

That girl is all you need

- They're here.

- Abuela?

- Sofia, wait!

Oh my god!

- Jesus.

- Sofia, wait!

- Stay here!

Oh, sh*t.

- Sofia.

- You guys okay?

- Yeah, what the

hell's going on, man?

- I have no f*cking clue.

- Stay here.

- Christ, did you

guys f*cking see that?

- See what?

- There was just

something up there,

you guys didn't see that?

- Sofia!

- Stay,

Mia, stay here!

- Charlie, stop!

Listen, Charlie,

take this camera

and look at the f*cking footage.

You didn't see what

I just did, please!

- All right.

- Sofia!

- All

right, stay here.

- Charlie!

Oh my god, Rex,

what's happening?

Tell me what's happening!

Oh my god, Charlie!

Charlie, wait, Rex, we gotta go!

Rex, oh my god, Rex,

where are you, Rex?

Rex?

Wait, Charlie!

Charlie, oh my god, Charlie, no!

Sofia!

Charlie?

Oh my god!

Charlie!

Charlie!

Oh my god, what's happening?

Charlie?

Oh my god, I'm losing

my f*cking mind.

What the f*ck?

Charlie!

Oh my god.

Where are you?

Oh my god!

- Mia?

I'm gonna film this session

for our record of your case.

Mia?

Okay.

For the record, this is Mia

Jansen, patient number 347.

Mia, could you tell me one

more time, in your own words,

about your experience?

- The footage.

Charlie filmed everything.

The truth.

- What was that?

Could you speak up a little?

What happened to your friends

that went missing, Mia?

You mentioned Charlie.

Charlie Cera, right?

Where is he?

- They took him.

Took all of them.

They're coming for everyone.

Who took him, Mia?

Who's coming?

- No.

Not coming, they're not coming.

They're already here!