Black Noise (2023)

[bunniefuu]

(gentle piano music)

(birds chirping)

(eerie music)

(suspenseful music)

(electronic humming)

(g*n cranking)

(distant growling)

(electronic beeping)

(leaves rustling)

(g*nshots popping)

(suspenseful music)

(g*nsh*t booming)

(eerie music)

(bats squeaking)

(bats squeaking)

(electronic humming)

(music intensifying)

(man screaming)

(sinister music)

(pleasant saxophone music)

Love me or leave me

or let me be lonely

You won't believe me

and I'll love you only

I'd rather be

lonely than happy

With somebody else

You might find

the nighttime

I just think, you know,

you have that lion tattoo

on your forearm and my

name being Leo and all,

it can't be a coincidence.

It's gotta be fate,

so how about a date?

Cheers.

Cheers, I like that.

(pleasant saxophone music)

There'll be no one

Unless that someone is

you (phone ringing)

I intend to be

independently blue

I want your

love but I don't

[Operator] Voice

activation request.

Ryan.

[Operator] Confirmed.

Connecting you now.

[Man] Ryan, hello.

This is Peter Ward

for mission briefing.

I usually work

with DeGarza.

You like to swim,

I love swimming.

Yeah, swimming with beautiful

women, that's the saying.

No.

Do you have a tab?

No, I've been using

your man's tab all night.

[Peter] For now, I am handling

all of DeGarza's

client accounts.

How is St. Martin?

St. Martin is great.

My team deserves it.

[Peter] Yes, I

heard about Venezuela.

You guys did a good job.

We were hoping

to stay for awhile,

but I'm guessing this

isn't a courtesy call.

You know, I was working on

that girl for like 30 minutes.

I saved her.

Yeah, you saved

her from a good time.

[Peter] A VIP client

activated their emergency GPS

beacon.

You are the closest

extraction team.

Any other communications?

[Peter] Negative.

Total communication

blackout on the island.

Only the GPS beacon.

Copy that.

[Peter] Sending

you the package now.

How soon can you go?

We'll leave at dawn.

[Peter] Excellent.

Let me know when

you're on your way.

Will do.

[Peter] Copy that.

Not a long time.

Hey, I will have you know

it is a perfectly

average amount of time

that I like to utilize.

I'm sure.

"I'm sure."

Oh no, I know that look.

That is "we're going

back to work" look.

Yep.

Where's Sarah?

She's picking Jordan

up at the airport.

So, boss, how much time we got?

Unfortunately, not enough.

It's back to work.

(ominous tempo music)

(boat horn blowing)

(crickets chirping)

(ominous tempo music)

Got your text.

Got your text.

Welcome back, brother.

Good to see you.

You can put your

stuff in the back.

You think he's

ready to come back?

He's here, isn't he?

(ocean waves sloshing)

Northeast of Barbados we'll

fly into a hidden island.

Esperanca.

It's an exclusive island

reserved for the rich and

powerful.

Less than a thousand people,

even at its most crowded.

Has a couple of resorts,

small urban center,

and lots of big homes owned

by very wealthy people.

Our client, Laura Hamilton,

widow of tech billionaire

Lloyd Hamilton.

He was assassinated

a year ago in Prague,

so she fled to Esperanca and

has been in hiding ever since.

Her mansion is secluded and

far away from the main resorts

and the main city.

Are there any

photos of the mansion

that we can use for reference?

Nope.

The elites like to hide

from the world here.

They pay a lot of money

to make sure this place

is off the grid and

out of Google Maps.

All right.

We go in, get the

clients and get out.

Three hours, tops.

We land like civilians so we

don't draw too much attention.

Jordan, you're on over watch.

Leo, you'll monitor the

client's GPS location.

We're going in blind, people.

So stay sharp and be

ready for anything.

Yee-haw.

Let's do this.

(g*n cranking)

(lively tempo music)

(phone ringing)

Ryan.

[Peter] We've

lost the GPS beacon.

What is your status?

On route.

30 minutes out from the island.

[Peter] Excellent.

Update me as soon as you

have the client secure.

Will do.

[Peter] Copy that.

(lively tempo music)

(dramatic vocalization music)

(dramatic vocalization music)

(ominous tempo music)

(computer beeping)

(eerie music)

(eerie music)

(ominous tempo music)

Well, a lot less

people than I expected.

Let's gear up and

clear the building.

(suspenseful tempo music)

(g*ns cranking)

(g*ns cranking)

(lively tempo music)

(lively tempo music)

(Sarah screaming)

(electronic humming)

(Ryan groaning)

(eerie music)

(Ryan grunting)

Talk to me, brother.

Talk to me!

(Ryan groaning)

You hear it?

Hear what?

That f*cking noise.

(Leo gasping)

(ominous music)

What the f*ck was that?

What the f*ck was that?

Let's find the others.

What the hell was that?

No idea.

Did you guys hear that?

Yeah.

Yeah, it wasn't a f*cking siren.

You did too?

The network functions

have been disabled.

Can you check your device?

Can these things be

shut down remotely?

It can be but that's

some high level sh*t.

The Hamiltons'

GPS location

hasn't changed

since this morning

but I can't get

it to update now!

Somebody put us in the dark.

(foreboding music)

We stick to the plan.

Find the client.

Let's move out.

(lively tempo music)

(computer beeping)

(eerie music)

(eerie music)

Vehicle ahead.

Vehicle ahead.

Don't touch that.

(eerie music)

We're good?

That's strange.

When I touched it back there,

that's when the noise went off.

[Ryan] Let's move.

[Leo] Hit it like a

red-headed step child!

Woo!

(engine rumbling)

(ominous music)

(lively tempo music)

(lively tempo music)

Oh, sh*t.

What's the holdup?

Code's not working.

Leo!

Give me a g*dd*mn second!

Sorry, boss.

(electronic beeping)

[Ryan] Leo?

One second, hold on.

We're in.

(gate clanking)

(atmosphere humming)

(man indistinctly shouting)

(eerie music)

[Ryan] Slower.

(atmosphere whooshing)

[Man] You're not my son!

(atmosphere whooshing)

(atmosphere humming)

(ocean waves rumbling)

(eerie music)

(computer beeping)

(lively drumming music)

(lively drumming music)

(gentle tempo music)

(gentle tempo music)

(atmosphere buzzing)

Leo.

(ocean waves sloshing)

(eerie music)

(children screaming)

(rollercoaster clattering)

[Man] We need to sedate

this piece of sh*t!

You're not my son!

(atmosphere rumbling)

(police siren alarming)

What's happening?

(atmosphere ringing)

(ominous music)

You okay?

Yeah.

Yeah, I'm fine.

I'm good, let's go.

Okay.

(Sarah huffing)

(eerie music)

(Leo grunting)

Okay.

(gentle tempo music)

(gentle tempo music)

(fan buzzing)

(woman screaming)

Hey!

It's okay!

I'm with Castle International,

I'm here to help you!

It's okay!

Calm down!

Okay.

I'm here to help you,

I promise, I promise.

I can't hear anymore!

I can't!

It's okay.

It's okay!

It's okay, calm down!

Okay.

(ominous music)

[Laura] The light took everyone.

You're injured,

you're injured, okay?

Let me see.

Let me see.

(Laura crying)

I tried to stop it.

Stop what?

The waves?

Now I can't hear it anymore.

[Leila] It's okay, it's okay.

But it doesn't matter.

It's already inside.

It's okay, Laura.

You're safe with us, okay?

We can figure this

out on the boat.

No one is safe.

No one.

(eerie music)

You ever hear of

Havana Syndrome?

Yeah.

Yeah.

Something about U.S. diplomats

in Cuban getting sick

and blaming it on sound waves.

Ultrasound.

RF energy.

High frequencies beyond

our range of hearing.

Causes all sorts of problems

in the neural pathways.

Well, whatever it

is, we can hear it,

and this ain't Havana.

See, that's the

problem here, boss.

You don't know if it is

or isn't affecting you

until it's too late.

You're creeping me out, Leo.

Save it for the debrief.

Let's move out!

(suspenseful music)

(engine rumbling)

Why are we stopping?

I secured that gate.

(electrical fizzling)

(Laura screaming)

(g*nshots popping)

Client's shot, client's shot!

[Ryan] Do we have a visual?

I got nothing!

How's she doing back there?

[Sarah] I don't think

she's gonna make it!

[Leo] We gotta move!

(eerie music)

Let's move, let's move!

We gotta move!

(suspenseful music)

[Ryan] How's she

doing back there?

No good!

(suspenseful music)

[Ryan] Go.

- f*ck.

- Leila, move, come on!

Leila, there's a

medic bag in my bag.

[Ryan] You got her?

Ryan!

- Ryan?

- Yeah?

Where's that medical kit?

(lively tempo music)

sh*t, f*ck, f*ck.

f*ck, she's

not responding.

f*ck!

No!

[Ryan] Leila.

(Leila huffing)

f*ck.

[Ryan] Stop!

[Leila] f*ck.

Leila, stop!

She's gone!

Leila, she's gone.

f*ck!

(ominous music)

(melancholic music)

(melancholic music)

Boss, I'm gonna go get the boat.

Keep your eyes open.

[Leo] sh*t.

For what?

It was a mistake.

Should've never asked

you to bring Jordan back.

Wasn't ready.

Just froze in the car.

Doesn't matter.

Let's go home, the

mission's over.

(melancholic music)

(melancholic music)

(alarm beeping)

Hit the snooze.

I need 10 more minutes.

I love you.

(foreboding music)

(foreboding music)

No, no, no.

Where's the boat?

The boat is f*cking gone!

Where the sh*t are you?

f*ck.

[Man] Where you

wandering off to, boy?

Think you can turn

your back on me?

(Leo mumbling)

Come on, Leo.

Come on, snap out of it.

He's not real,

he's f*cking dead.

He's a dead piece of sh*t.

He's f*cking dead.

He's f*cking dead.

f*cking damn it.

(eerie music)

(waves rumbling)

(waves rumbling)

(unsettling music)

(Leila groaning)

(Leila groaning)

(unsettling music)

(unsettling music)

(ominous music)

What's she doing?

(lively tempo music)

Leila?

(music intensifying)

Leila?

Leila, no!

(g*nsh*t booming)

(dramatic vocalization music)

(Ryan yelling)

(Ryan screaming)

(dramatic vocalization music)

(dramatic vocalization music)

(gentle piano music)

(bird squawking)

(crickets chirping)

We need to find a

way off this nightmare.

I'm gonna talk to him.

Leave him be.

How much longer, huh?

It's been hours.

You know,

when I lost Naomi, I didn't

speak to anyone for months.

Are you okay?

I'm fine.

Because

when we got to the beach,

you didn't even get

out of the car, you...

I said I'm fine!

(gentle music)

(gentle music)

Boss, I...

Are we finally gonna talk

about what the f*ck is going on?

Huh?

About this empty island!

About the f*cking sound,

the f*cking sound!

That sound is freaking

me the f*ck out.

All right, it jammed

our communications.

It could be some advanced tech.

Who?

Who's advanced tech, huh?

I don't know, I don't know!

The Chinese?

It's the Russians, the

g*dd*mn U.S. Government.

f*cking Chinese?

The f*cking Chinese, that

doesn't even make sense!

I don't f*cking know,

Sarah, don't yell at me, huh?

f*ck you!

- Don't f*cking yell at me!

- Hey!

- f*ck you!

- f*ck you!

Hey!

f*ck!

Hey!

Does it matter?

Does it f*cking matter?

Look where we are.

Wow, we need to get

off of this island.

Okay, before the same thing

that happened to Leila

happens to us, okay?

I'm f*cking losing it.

I saw Samuel.

f*cking flash, I saw

a flash and saw Samuel

and I saw the day he

f*cking died at the house.

I'm f*cking going crazy.

Sarah, I've seen the same sh*t.

Okay, okay, yeah, I don't

think you're going crazy, okay?

After I heard the sound,

I've been hearing my dad.

And that a*usive piece

of sh*t used to beat me,

beat my sisters

and my mom,

and now it's all I f*cking hear.

It's gotta be something here.

Boss?

Me too.

I've been hearing

children screaming.

Drowning.

Like back in New Orleans

when I was stationed

there during Katrina.

Yeah, but you didn't

even hear a sound.

No.

Nothing.

But whatever's going

on with you guys,

I have a strange

feeling it's coming from

the top of that mountain.

Power.

Yeah?

We cut off their

power and we disable

whatever the f*cking

source of that sound is.

All right.

Let's give it a shot.

So we cut the

power to the island

then try to find the source.

We make whoever's

responsible pay.

(ominous music)

(ominous music)

(crickets chirping)

(creature screeching)

(eerie music)

(glass clinking)

Keep moving.

(creature growling)

(distant metal clanking)

(ominous tempo music)

(distant metal clanking)

(creature screeching)

(crickets chirping)

(lively tempo music)

(distant glass crackling)

Exit left.

(lively tempo music)

(crickets chirping)

(lively tempo music)

(screams echoing)

(rollercoaster rails clanking)

(screams echoing)

(ominous music)

Help me.

Help me.

I'm so sorry.

I'm really sorry, I tried.

(police sirens echoing)

[Girl] Help me.

(dramatic music)

(dramatic music)

(Ryan mumbling)

I'm so sorry.

I tried.

I really tried.

I couldn't do anything.

(dramatic music)

Just...

There was nothing I could do.

(dramatic music)

(dramatic music)

Hold up.

We've lost Ryan.

(eerie music)

(computer beeping)

(creature growling)

Help me.

(Ryan crying)

I'm sorry.

I tried.

I really tried.

(foreboding music)

(atmosphere whooshing)

Ryan!

(music intensifying)

(computer beeping)

(thunder rumbling)

(Ryan screaming)

(lively music)

What the?

(eerie music)

Fall back. (Sarah crying)

Fall back!

What the f*ck is happening?

(suspenseful music)

What is that?

(creature growling)

What is that?

(suspenseful music)

(door rattling)

(electronic humming)

(creature growling)

(creature snarling)

(electronic humming)

(door thudding)

(eerie music)

Clear.

Don't you ever

f*cking touch me again.

We wanna leave, we gotta go now.

Right now.

(foreboding music)

(lively tempo music)

(lively tempo music)

(eerie music)

(eerie music)

(intense music)

(intense music)

(g*n cranking)

(lively tempo music)

(lively tempo music)

(suspenseful tempo music)

(Sarah crying)

Power here.

Set it up.

Which would feed me into five,

six.

(ominous music)

No.

No, no, no, no.

(Leo groaning)

Come on.

Come on, come on, come on.

No, no, no, no.

(foreboding music)

Uh...

This is, this is strange.

What's strange?

Um...

These are the power relays

for the whole island and,

you know, everything

feeds through here but

it's not...

I...

It's not working, boss.

What is wrong with you both?

Did you see what

happened back there?

(gentle music)

Are you blind?

Did you not see what

happened to Ryan?

It's hopeless.

It's hopeless.

(Sarah crying)

Whatever you try to do,

it's not gonna work.

Sarah, we're trying to

get us off the island.

What's ever happening here,

it's beyond our understanding.

Our focus is to survive.

We're already dead.

(radio buzzing)

[Man] Anyone out there?

Don't touch that.

Don't touch that.

It's a trap.

Just don't!

Hey.

Stand down.

(gentle music)

Sarah.

Breathe.

(Sarah heavily breathing)

Do you remember the

first time that we met?

(gentle piano music)

I was standing at the bar

and Samuel was next to me.

He couldn't take

his eyes off you.

And you were standing

in the corner,

the way that you would

look at each other...

You were laughing and dancing.

I watched you two fall

in love that night.

(Sarah chuckling)

Yeah.

It really showed me...

It showed me how

to fall in love.

And when I met Naomi,

you were no longer with him.

Now close your eyes,

okay?

Rest.

Be present.

And breathe.

Focus on your breath.

(gentle piano music)

(foreboding music)

I'm gonna take the night shift.

(eerie music)

(thunder rumbling)

(intense music)

(birds chirping)

(birds chirping)

(ominous tempo music)

You good?

Yeah.

Where to?

Well, we're gonna go

see a guy about a walkie.

(sinister music)

(computer beeping)

(creature breathing)

(ominous tempo music)

(ominous tempo music)

(trees crackling)

(eerie music)

(eerie music)

(atmosphere rumbling)

[Father] Sit there, you

miserable piece of sh*t!

You're not my son!

Ain't you got any fight in you?

Sit there, you

miserable piece of sh*t!

You're not my son!

Ain't you got any fight in you?

Hell, your mama was

tougher than you

and I k*lled that b*tch!

(foreboding music)

(computer chiming)

(eerie music)

(ominous tempo music)

(metal clanking)

(object clattering)

(metal clattering)

(objects rustling)

I spoke to you on the radio.

If you can exit the building.

I will give you to

the count of three.

One.

Two.

(ominous music)

Have you seen them?

We've seen a lot of sh*t, sir.

Come on out.

That thing from the sky.

That light.

Mr. Shoenburg.

We're here to help.

Do you know him?

Yeah, that's Albert Shoenburg.

He's a big tech guy

worth about 50 bill.

Albert.

My name's Leo.

I'm gonna put my g*n

down now, all right?

This is Sarah and Jordan.

Put your g*n down.

(eerie music)

All right, we're here to help.

Hey, hey, hey.

Whoa, hey!

Hey.

Let's put down the g*n.

All right, buddy, we are

on the same side here.

Something came from the sky.

There was an earthquake!

We know.

Lower,

lower your g*n.

(Albert groaning)

(ambient music)

And then the sound came.

That sound!

It goes inside your mind!

Hey, that's good, we wanna

hear your story, all right?

We're all gonna

listen to your story.

Just put down the g*n.

You can't hide from it.

You can't run.

I tried.

I can't hear.

Make it stop.

Calm it down, brother.

All right, let's

all calm down, okay?

There's no more

noise, it stopped.

You can't stop it.

You can't stop this!

No!

No!

No!

You with them?

Who are you?

Who are you with?

No!

No, no, no!

(g*nsh*t booming)

(birds chirping)

You just k*lled one of the

richest men in the world.

Yeah, but he wouldn't

shut the f*ck up.

(g*n cranking)

Let's move out.

He's a lot shorter

in real life, you know?

(sinister music)

I'm tired.

Let's take five.

I'm gonna scope.

I'll be back.

(gentle music)

(Leo groaning)

Where'd he go?

He went to go

scope the perimeter.

(eerie music)

Huh?

I didn't say anything.

Nah.

Thought I...

Why are we even here?

I...

I don't f*cking know.

We're all gonna die.

Maybe.

Maybe

we're all already dead.

Ryan's dead,

Leila just...

And now Jordan's taking

us up the mountain like...

Virgil led Dante out of hell.

Maybe that's what this is.

(Leo laughing)

(eerie music)

What is wrong with you?

(atmosphere rumbling)

f*ck!

(ominous music)

Baby?

No.

(sinister music)

No, you're dead.

You're f*cking dead!

Well look what we have here.

Little f*cking Leo.

You're not real.

(unsettling music)

Oh, I missed you.

g*dd*mn it, son, you

miserable son of a b*tch!

You're not my boy!

Shut up!

I'm gonna come with you.

Okay?

You're not gonna

have to be alone.

Ain't you got any

fight left in you?

Shut the f*ck up!

f*ck you!

Huh?

You wanna f*ck with me?

Baby.

f*ck you!

Hell, your mama

was tougher than you

and I k*lled that b*tch!

Don't you say that!

Shut the f*ck up!

Huh?

Don't leave me.

(music intensifying)

Little Leo, mama's

boy, up in his room,

hiding all day, jerking

off on the computer!

I bet you wish you

could hide there now!

Yeah, yeah?

m*therf*cker, die!

Don't you, boy?

f*ck you, huh?

- You wanna f*cking die?

- You mommy's boy!

You wanna f*cking die?

(father laughing)

Die!

Die!

I love you.

(g*nsh*t booming)

(sinister music)

No!

(g*nsh*t booming)

(gentle piano music)

(Sarah coughing)

(Sarah coughing)

(gentle piano music)

(gentle piano music)

(dramatic instrumental music)

(dramatic instrumental music)

(electrical beeping)

(unsettling music)

(gentle music)

(crickets chirping)

(crickets chirping)

(g*n cranking)

(ominous tempo music)

(ominous tempo music)

(creature snarling)

(creature snarling)

(ominous tempo music)

(ominous tempo music)

(creature growling)

(glass shattering)

(eerie music)

(eerie music)

(glass crunching)

(creature snarling)

(sinister music)

(ominous tempo music)

(ominous tempo music)

(sinister music)

(intense music)

(creature snarling)

(suspenseful music)

(punches thudding)

(g*nsh*t booming)

(foreboding music)

(foreboding music)

(creature growling)

(g*nshots popping)

(intense music)

(rapid g*nf*re popping)

(ominous tempo music)

(ominous tempo music)

(eerie music)

(eerie music)

(suspenseful music)

(g*nshots booming)

(g*nshots booming)

(eerie music intensifying)

(creature snarling)

(electrical fizzling)

(suspenseful music)

(creature snarling)

(creature snarling)

(Jordan coughing)

(Jordan coughing)

(dramatic vocalization music)

(dramatic vocalization music)

Jordan.

(dramatic vocalization music)

Jordan.

Jordan.

(dramatic vocalization music)

It's okay.

Come with me.

You don't have to fight anymore.

(sinister music)

(dramatic tempo music)

You're gonna be okay.

You're stronger than you think.

You're free.

We can be together.

It's what you want.

It's what we both want.

Promise me you'll

live your life.

Just the way we planned.

Even if I'm not there.

(suspenseful music)

Live.

Surrender.

Live.

Surrender.

Live!

(creature squealing)

(crickets chirping)

(somber music)

(water sloshing)

(water sloshing)

(dramatic vocalization music)

(dramatic vocalization music)

(Jordan coughing)

(Jordan coughing)

(dramatic vocalization music)

(ocean waves sloshing)

(ocean waves sloshing)

(dramatic instrumental music)