[eerie music]
- Again the sounds of shrill police
sirens have broken the silence on the great estate
of Collinwood, for one man has tried to k*ll another
and vowed that he would keep trying until the deed is done.
- Mrs. Johnson, if you come in the drawing room,
I'd like to hear your account of just what happened today.
- Well, I--
I pray I never live through a day like that again.
The things that I've seen.
Oh, Sheriff, you have to keep Joe Haskell in that jail
because he's going to try it again, I know it.
- Now-- - You should have seen his eyes!
- You just let us worry about Joe Haskell.
We have him in custody.
Now then, Mrs. Johnson, how long have you known Joe?
- Oh, since he was a boy. - Hmm.
All his life?
Now, you went to the old house this morning.
- Yes, I was worried about Mr. Barnabas
so I went down to the old house to see if he was all right.
And the door to the old house was open so I just went in.
I saw Mr. Barnabas and Joe Haskell was standing over him.
Joe had a rope around Mr. Barnabas' neck,
and Joe was pulling the rope tighter,
and Mr. Barnabas was strangling.
[dramatic music]
[theme music]
- Dr. Hoffman.
- Oh, is he all right? Is he?
Is-- is-- is Barnabas all right?
- Yes, I understand he is. - Are you sure?
- Oh, yes.
Joe-- Joe ran out when I came in,
and I tried my best to make Mr. Collins as comfortable
as I could. - Well, I-- I'd better go.
- I'd like to talk to you first, doctor.
- But surely it can wait.
- Dr. Hoffman--
Mr. Collins, and then you came here.
- Yes.
- Joe Haskell was found an hour later at the Eagle Hill
cemetery by Mr. Roger Collins.
- That's correct.
- That's all, Mrs. Johnson.
- Thank you.
- Now, Dr. Hoffman...
- I'm-- I'm not sure what I can tell you, Sheriff.
Obviously I wasn't aware that-- that all this had happened.
- I have a feeling you know why Joe Haskell did it, doctor.
- I don't. I don't at all.
- Dr. Hoffman...
- Well, he's not well, obviously.
- Why does Joe Haskell think Barnabas Collins
is trying to k*ll him?
- Does he?
- That's his defense.
Or will be if this is brought to trial.
In your opinion, doctor, does he have any reason to think this?
- No.
No, of course not.
- I see.
What about Haskell's medicine?
I understand that he says it was poisoned.
Was it?
- Yes.
- Who could have put the poison in it?
- Any number of people. - Who?
- Well, Barnabas, me, Willie Loomis, Maggie Evans.
She visited him.
- Where is the medicine now?
- I left it at the old house.
I came here to get some fresh medicine.
Sheriff, I-- I'll be honest with you.
I-- I don't have any idea how the poison could have gotten
into the medicine bottle.
- Barnabas Collins was giving Haskell
a dose of the medicine when you noticed something was wrong.
- Yes, but-- but Barnabas didn't know.
- Did he usually give Haskell his medicine?
- Any of us did.
Whoever was sitting with him.
- But you know of no reason why Barnabas Collins
wanted Haskell dead?
- Well, of course not.
Barnabas was responsible for saving Joe Haskell.
Joe is-- is-- is-- is not completely rational, Sheriff.
He's disturbed mentally.
[sighs]
I don't think you can take his-- his accusations seriously.
- I think you can.
Someone has driven Joe Haskell to this irrational state,
as you put it, and I mean to find out who it is.
Oh, uh-- you may go now, Dr. Hoffman, and attend Mr. Collins
if you wish.
And you might warn him that I have many questions to ask him,
too.
- So, Sheriff Patterson wants Joe Haskell's medicine,
does he?
Very well, he shall have it.
I had nothing to do with the poison, Julia.
Nothing at all.
And no one can prove that I did.
- Barnabas, will you-- will you let me examine you?
- No.
- But Joe might have hurt you.
- I'm all right, Julia.
- Well, obviously you're not.
- My throat is getting better.
[sighs]
- Barnabas, Sheriff Patterson is--
is going to come and question you.
Unless I can truthfully say that you're in no condition to--
- You shouldn't be thinking about me, Julia.
- Shouldn't I?
[sighs]
I am.
Sheriff Patterson implies that it's-- it's quite serious.
I-- I think so too.
I think you should call a lawyer.
- Julia, you should be thinking about Joe Haskell
and what will happen if the police find
those marks on his neck.
- Well, what if they do find them?
- And what if they ask him to explain how he got them?
- Well, he won't tell them.
He didn't tell us.
And besides, what if they do find out who the vampire is?
Perhaps they can be more successful than-- than we were.
Barnabas, what difference does it
make who catches the vampire?
- A great deal!
- Why?
- Well, if they find the vampire, I'm sure that...
That my past will somehow be discovered.
- Oh, Barnabas, that's insane.
You've-- you've got no connection with it.
- Well, I don't want to take any chances.
Now, where is Joe?
- He's in the hospital under guard, I assume.
- Well, as his physician you can see him, can't you?
- Yes.
- Then I want you to go there now, this very minute,
and find out what he has said.
That is the most important thing.
And if you can, try to give him a sedative
so he can't say anymore.
- Barnabas, why are you so afraid?
- Well, I'm concerned about what Joe Haskell might say!
- Why are you?
Why?
- All right, Julia!
If you choose not to help me, you might as well
go back to Collinwood.
- I want to help you.
- Then you know how you can.
- Yes, I'll--
I'll go to the hospital.
[sighs]
But, Barnabas, I-- I wish I understood.
- I've explained it all. - No.
There's one thing you haven't explained:
why you suddenly seem to be protecting the vampire.
Why?
- You know I'm doing no such thing, Julia.
[suspenseful music]
- I've-- I've always prided myself on not saying too much
but Sheriff Patterson just rattled me so.
I-- I hope I didn't get you into any trouble, Mr. Collins.
- Of course you didn't, Mrs. Johnson.
- Well, I don't think you heard what I said.
I-- I had to tell him that you told me not to call the police.
And I didn't call them.
I resisted the temptation.
But, you see, Mr. Roger didn't know
that you didn't want the police involved.
- Well, I was concerned about Joe Haskell.
That's why I didn't want anyone involved.
- That's a very Christian attitude of yours.
I'm afraid one that I couldn't have.
What's wrong?
- It's Sheriff Patterson. [gasps]
Oh, don't get upset now, Mrs. Johnson.
I'll-- I'll explain everything.
Now, just be calm.
[knocking]
Well, Sheriff, good afternoon.
- Mr. Collins. - I was expecting you.
Come in.
- Yes, I assume you were.
- Goodbye, Mrs. Johnson, and assure my cousin Elizabeth
that I'll be all right.
- Yes.
- Now, won't you come into the drawing room, Sheriff?
Could I give you some sherry?
- No, thank you, Mr. Collins.
- Well, it's a most unfortunate incident.
I do hope that you will give Joe Haskell the proper care.
- Oh, don't worry about that.
- Oh, but I do.
It's tragic to watch someone you know collapse as he has.
- Joe Haskell was staying here with you before the incident,
wasn't he? - Yes.
- How long had he been here?
- Oh, two-- no, three days, I believe.
- Why was he here?
- Well, I'm sure you know the story.
Won't you sit down, Sheriff?
- Yes.
I've not heard your version of it, Mr. Collins.
- Well, I'm sure my version doesn't differ from any other.
I was walking in the woods one night at the estate
and I found him.
He was rather badly injured.
- How had he been injured?
- Well, I don't really know.
- Now, Mr. Collins.
You brought him here.
You called Dr. Hoffman.
Surely you must have some theory as to what happened to him.
- Well, I gather that he himself caused the wound.
- You mean he tried to commit suicide?
- Yes.
- You must realize that if you had taken him to a hospital,
the police would have automatically been called in.
- Yes, I suppose I knew that.
- Is that why you didn't take him to the hospital?
- Of course not.
Dr. Hoffman felt that he shouldn't be moved.
His condition was such that--
- That three days later, he was strong enough
to get out of bed, attack you, and run through the woods.
- At what cost to himself?
Now, Julia Hoffman is at the hospital now.
She's-- she's terribly concerned that his actions might cause
a serious relapse.
- Mr. Collins, I would like to know why you didn't report
his attempted suicide to us.
- Well, my dear Sheriff Patterson, Joe is a friend.
I-- I don't want it known he's been having
such a difficult time recently.
- Why has he?
- I'm afraid you'll have to ask him.
I can't answer that for him.
You see, I simply felt that under the circumstances,
the fewer people that knew about what he had done, the better.
- And the result is Haskell tries to m*rder you.
- Oh, I believe that also has been overstated.
- Oh, come now, Mr. Collins.
Mrs. Johnson told me exactly what
happened when she walked in this house.
- Oh, Mrs. Johnson was hysterical.
I'm-- I'm sure her story was more--
well, more vivid than real.
- Joe Haskell has admitted what he did.
He swears that he will try again.
- I don't believe he will. - I do.
He thinks he has a reason to k*ll you.
- That's an aberration.
- He thinks you're trying...
You're trying to k*ll him.
- Well, Sheriff, you are dealing with a man
who is not in control of his faculties, obviously.
- When Joe Haskell broke up with Maggie Evans,
did you, uh, try seeing her?
- Seeing her?
- Yes.
Did he have any reason to be jealous of you?
- Over Maggie Evans?
Good heavens, no.
- Well, then over any other woman?
[dogs howling]
[scoffs]
There is something-- someone missing in this case,
and I have a hunch that it's a woman.
Am I right, Mr. Collins?
[dogs howling]
[creaking]
- Barnabas?
- Joe Haskell and I never quarrelled over any woman
so I'm afraid your hunch is wrong.
- Well, Dr.--
Dr. Hoffman says that he, uh--
his medicine was tampered with, that it had been poisoned.
- That's correct. It's here.
I'm sure you would be interested in testing it.
- Yes, Mr. Collins.
Very interested.
[dogs howling]
And after we've checked out the medicine,
I'm afraid I'm going to have many more questions to ask
you, Mr. Collins.
Mr. Collins?
Mr. Collins!
- I'm sorry.
- Barnabas, you must come to me.
I told you to be here when I awoke.
Why didn't you come to me, Barnabas?
Why?
Come.
Leave your house.
Now.
- Where are you going, Mr. Collins?
- Nowhere.
Nowhere at all.
- You know you want to come to me.
Why are you fighting me?
You know how much I need you now.
Come to me.
Come to me.
- No.
- Please.
- No.
- Mr. Collins, what did you say?
- Oh, nothing.
Nothing.
I must be suffering from the effects of my experience.
I believe you were asking a question.
- What question, Mr. Collins?
- I-- I don't really remember.
I'm sorry.
I-- I don't feel well, you can see that.
I-- Can't we discuss these questions further
at some other time?
- I don't understand, Mr. Collins.
Something is happening in this house now,
isn't it, Mr Collins?
Something that's making you feel this way.
What, Mr. Collins?
What?
[dramatic music]
- Oh, Sheriff Patterson.
- Oh, I hope I didn't frighten you, Dr. Hoffman.
- The woods are-- are scary.
- Yes.
I wouldn't be wandering around in them if I were you.
- I was just taking a shortcut to the old house.
Oh, the dogs...
- Yes.
They upset Mr. Collins, too.
- Oh?
- Dr. Hoffman, you're close to Mr. Collins, aren't you?
- Yes.
- Uh, is he usually in the best of health?
- Yes.
Yes, of course he is.
Why?
- Well, he, uh--
he's acting so strangely.
He-- it was almost as if he were having an attack of some kind.
- Really?
What kind of an attack?
- I don't know.
He was standing there at the window listening to those dogs.
He didn't seem to hear a word that I was saying.
It was as if he were ill.
I thought he was going to faint.
He kept talking to himself and it
was as if those dogs howling did something
to him, something that changed him completely.
[wind whistling]
- I will not go to her.
Not tonight.
It is too dangerous.
I will not go!
[female laughter]
- I can't let you alone, Barnabas.
- Leave.
- If you won't come to me--
- I couldn't.
The police were here.
- Come to me now.
- Didn't you hear me?
The police may come back.
- Have you given Joe the medicine?
Is he dead?
- No.
No, he's alive.
Julia-- Julia Hoffman stopped me.
- What?
Then we must finish him now.
- We can't.
The police have him.
He's in the hospital.
- How dare you fail me!
You've not yet learned, have you,
that you must not disappoint me?
No, you are still too much your own person, Barnabas.
I will not have that.
No, I will not.
You must learn that you are mine.
- No.
No.
No.
No.
No.
- Can you hear me, Barnabas?
Now you must know how much mine you are.
Now you must know that soon you will be with me forever.
- Barnabas?
- Stay away from me.
- Barnabas, what is it?
What's wrong?
- Nothing.
Nothing you-- you can do anything about.
- Barnabas!
Barnabas.
[gasps]
Oh, Barnabas.
[dramatic music]
[theme music]
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615 - October 31, 1968
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The show depicted the lives, loves, trials, and tribulations of the wealthy Collins family of Collinsport, Maine, where a number of supernatural occurrences take place.
The show depicted the lives, loves, trials, and tribulations of the wealthy Collins family of Collinsport, Maine, where a number of supernatural occurrences take place.