A brilliant morning sun illuminates
the walls of Collinwood, and all is serene in the great house.
But not far away in a strange house by the sea,
a desperate man waits.
This day will decide his fate and the fate of the young woman
he has chosen to be his bride.
- Jennings...
where is he?
And Adam...
why has he disappeared?
Everything is going wrong and my time is running out.
I must have Maggie.
I must have her now.
[eerie music]
- Maggie, hear my voice.
Hear me and do as I bid you to.
You will come to me.
You will decide you want me.
You will decide you need me as much as I need you.
Listen to my voice and come to me.
Come to me.
Come to me.
She will obey me.
Tonight we will be united forever...
in death.
[theme music]
[door slams]
- Who is it?
- Adam.
- Where have you been?
- Away. - Where?
- Does it matter?
I wanted to think.
I wanted to be alone.
- Adam, I'm very glad you decided to come back.
Come in for a moment.
I have something very important to tell you, Adam.
Come in.
Adam, I have some wonderful news for you.
Tonight you are going to have a new mate.
- A new mate? - Yes.
Barnabas and Dr. Hoffman are going to do the experiment over
again.
Eve will live again.
- No!
- Adam, she won't be as she was before!
She will be totally different.
- Different how?
- The new Eve will not pretend.
She will be tender, warm, loving.
The kind of mate you've always wanted.
She will truly love you.
- I don't believe that.
- Adam, why would I lie to you?
- Why did you lie to me before?
- I made a mistake.
I will never make that mistake again.
- And how do I know that?
- You know Maggie Evans, don't you?
- Yes.
- Maggie Evans will provide the life force for the new Eve.
She will be as tender and as loving as Maggie Evans is.
- And how will you persuade Maggie to do this?
- I can do it.
- I don't know.
- You don't know?
- I don't know if I want Eve to live again.
- Adam, do you want to be alone for the rest of your life?
I would rather be alone for the rest of my life,
than live the rest of my life with a woman like Eve.
- Adam, I swear to you, she will be totally different
than she was before.
The only resemblance to the Eve that you knew
will be her beauty.
- Why are you so anxious for me to have a mate?
What do you care?
- Because I do.
I don't want you to be lonely.
- I don't believe that.
- All right, I will be honest with you, Adam.
This is something I must do. - Why?
- I cannot tell you why but I must do it.
It's a vital importance!
- There are too many questions you won't answer, Nicholas,
and I still don't trust you.
Right, Adam, do not trust me.
But allow me to furnish you with a mate,
then you decide whether you want to keep her or not.
It can be your decision.
What have you got to lose?
- Perhaps nothing.
- Then cooperate with me.
You don't have to trust me.
- All right, but if she is anything like Eve was,
I will k*ll her.
- She will not be.
You will see.
[knocking at the door]
- That's Maggie.
I will call you when it is time to go to the old house.
- All right, Nicholas.
- Maggie!
- Hello, Nicholas.
- You look particularly enchanting today.
- Well, thank you.
- Well, now sit down and you tell me
what has prompted this visit.
- Well, Nicholas, you're going to have to be
leaving very soon, aren't you?
- Almost immediately.
- Well, then your proposal...
that doesn't give me very much time to decide, does it?
- I don't mean to press you...
- That's all right, Nicholas, I've decided.
- What have you decided?
- Yes, if you still want to marry me.
- If I still want to marry you?!
Of course, I do!
You've made me the happiest man on this earth.
- It's odd.
- What is?
- This morning, I still hadn't decided.
- And then you decided.
- Yes, very suddenly.
- Your decision has made me immensely happy, Maggie.
- Nicholas, I'll try to make you a good wife.
- Oh, you will, I know you will.
- There's so much to think about.
- Don't think about anything.
We're going to be married tonight.
- Tonight?
- Why postpone it?
- But Nicholas...
- Maggie, you're not changing your mind, are you?
- Nicholas, marriage is a very serious step.
To get married tonight and leave this town
I've lived in all my life? - I know, Maggie.
I regret that it has to be this way
but I must leave Collinsport tonight.
- Tonight?
- Yes.
When I leave I want to take you with me...
as my wife.
- Why do you have to go?
- I have business interests abroad I must take care of.
- Where do you have to go?
You haven't even told me that. - To London.
- London?
- Yes, I have a flat there we can move right into it.
- Oh, Nicholas, everything's happening so fast,
I can't think.
- Maggie, I told you, don't think about anything.
- Nicholas, there are things that I have to think about.
- We both have problems but does that mean that you
don't want to marry me?
That you don't want to be my wife?
- No.
- Well, then.
- She's a very disturbed child and you
must be patient with her.
- I understand.
- I'll send her in.
[eerie music]
- Weather forecast: clear, cold, full moon.
Not again.
Please not again.
[music playing]
- Hello, Amy.
Hello, sweetheart.
I brought you a present.
Do you want to open it?
Do you even want to know what it is?
All right, I'll open it.
It's a box of paints.
You still like to paint, don't you?
Amy, I brought this for you.
Won't you even taken it?
Would you say anything to me?
Anything at all?
Just one little teeny word?
- Why didn't you come before?
- I couldn't, sweetheart.
I wanted to and I just couldn't.
- Nobody came.
- I wanted to come.
I wrote to ya.
- Nobody came.
- I know.
I stayed away too long.
Amy--
- You did what you had to do.
You brought me the present.
You can go now.
- Honey, I didn't come because I had to,
I came because I wanted to.
- Did you?
- Of course, I did.
You're still my sister.
Don't you think I care about you?
- Are you going to stay? - Ah...
- You're not, are you?
- I can't.
Amy, listen to me.
It isn't that I don't want to stay,
it isn't that I don't want to take care of you--
- Please go away!
- Amy... - Go away!
Go away!
- Sweetheart.
Sweetheart, don't cry.
- If you're going to go away, go!
- Would it make that much difference to you if I stay?
- You won't stay.
- I'd like to.
- You won't.
- No. I'll stay.
I'll change my plans.
I'll stay right here in Collinsport
so I can be with you.
- You will?
Really?
- I promise.
- You won't change your mind?
- I just made a promise.
A promise is a promise.
- Oh, please don't leave me, Chris!
Please don't leave me!
- Amy, it's all right.
It's all right.
- Excuse me.
- Yes, Mr. Jennings?
- I want to change my room.
Is that possible?
- Of course.
Is there something wrong with the room you have?
- No, no, no, it's just...
it's a little noisy, that's all.
You know, it's so close to the street.
I do a lot of writing.
I have to have absolute quiet.
I want someplace that's very isolated.
- I see.
- I noticed in the back, a window up at the top.
Is that room vacant?
- Yes, but guests never occupy that room.
It's much too, uh, tiny.
Uh, it's too inconvenient.
- Is it the most isolated room in the place?
- Yes, I suppose it is. - I'll take it.
- But, Mr. Jennings, when you see the room--
- I'll take it.
- Well, I better show it to you then,
and you can make up your mind.
[unlocking of door]
- Well, this is it.
- This is fine.
- Mr. Jennings, it's so dark in here,
with that grill over the window, and it's so stuffy in here.
I'm sure you'd be comfortable--
- This is fine, really.
- All right, sir.
- Do you want your luggage transferred up here?
- In the morning.
Right now, can you do me a favor?
- What's that? - Lock me in here.
And another thing, if you should happen
to hear anything during the night, just, noises--
- Noises?
- I sometimes move around and act out what I'm writing.
It kind of gets me into it.
Don't pay any attention to anything you hear.
- I'm afraid I don't understand.
- Well, it doesn't matter.
Here.
Thank you very much for your trouble.
I want to be alone now.
- Thank you, sir.
- And please, be sure you lock the door from the outside.
- Yeah. Of course, sure.
- This has got to work.
- Maggie.
- Oh!
- Nicholas, I don't understand.
- Understand?
Where is the minister? Why isn't he here?
- He will be here very shortly.
Nicholas, I feel so...
- So what?
- So confused.
- Why are you confused?
- Getting married tonight and leaving Collinsport,
it's all happening so suddenly.
- Are you unhappy?
- No.
- You're just nervous?
- Very.
- All right.
I have an antidote for that.
- What?
- Champagne.
- Ah.
- I was saving it for after the ceremony
but I think we can have a toast now.
- All right.
[eerie music]
[ominous music]
- Maggie.
- Thank you.
- To our happiness.
- To our happiness.
[bell chimes]
- Nicholas.
- What is it?
- I feel so...
so strange.
- Do you?
- I feel so dizzy.
- It's the champagne.
You'll be all right in a moment.
- I don't know...
- Oh.
No, no, not now.
Oh, no, no.
Please!
No!
No! Please.
Not now.
No, I don't want it to happen.
Ah, uh.
No. [knocking]
- No.
- Mr. Jennings!
Mr. Jennings!
[eerie music]
[door unlocking]
- Mr. Jennings?
[growling]
[screaming]
- The ceremony will begin and you will be my bride
throughout time.
[ominous music]
- Maggie Evans, I anoint thee with the blood
of the owl, the raven, and the bat.
You will dwell with me forever in the land of the dead.
You will live, as I live, as one of the damned.
Your spirit has united with mine.
Let the legions of the damned salute you!
[screaming]
[theme music]
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632 - November 25, 1968
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The show depicted the lives, loves, trials, and tribulations of the wealthy Collins family of Collinsport, Maine, where a number of supernatural occurrences take place.
The show depicted the lives, loves, trials, and tribulations of the wealthy Collins family of Collinsport, Maine, where a number of supernatural occurrences take place.