03x08 - Captain of the Sh*t out of Luck

[bunniefuu]

♪ MTV ♪

[DRAMATIC MUSIC]

♪

You put your thumb on the scale

for Bunny, and then clip
the supply for the Aryans?

Thumb is a little too
heavy, so I'm recalibrating.

Brucker Junior High?

[RAPHAEL] f*ck you talking 'bout?

[THOMAS] Your kid's school.

And your b*tch.

She gonna get lonely. Or not.

[BREEN] Why'd you talk to Cherry today?

I talk to all my patients.

I'm still talking here.

I got nothing against you.

But Cherry gave us all a
reason to be pissed off.

- [SCREAMING]
- [IAN] That vehicle went off the bridge.

- It's a mass m*rder.
- [MIKE] Konstantin's girls.

Who's got the g*dd*mn reach for that?

Callahan's not gonna do it.

- Why not Callahan?
- He's not gonna bite

the hand that feeds him. Come on.

Look, Mike, I got Bunny
Washington top of my list.

You think that sh*t of me?

Say you didn't do it.

Rhonda was the f*cking mistake!

[GLASS SHATTERING]

[BUNNY] I am done.

I'm gonna be the monster now.

[TRAIN WHISTLE BLOWING]

[SLOW, SUSPENSEFUL MUSIC]

♪

[ENGINE REVVING]

[INDISTINCT P.A. ANNOUNCEMENT]

[QUIET CHATTER]

Spring f*cking bounty, brother.

Our cook's up and running.
We'll have a surplus soon.

Mayor's gonna push Black in back,

and the Russian's time's
tick-tocking a-f*cking-way.

McLusky's head on straight?

He knows better than try me.

Anyone crosses us,

no limit, f*cking havoc we wreak.

Mayor's got sh*t to live for.

We got sh*t to die for.

I'd die for you, Merle.

Hey, not soon enough, brother.

[ENGINE REVVING]

[TENSE, DRAMATIC MUSIC]

♪

[BIRDS SINGING]

[OMINOUS, DRAMATIC MUSIC]

♪

[GRUNTS]

- Oh, sh*t!
- [expl*si*n]

[GRUNTING]

[expl*si*n]

[ALARM SOUNDING]

- [GRUNTING]
- [expl*si*n]

Jackson to Central. We're under attack.

Jackson to Central! We're under attack!

[ENGINE REVVING]

- [g*nsh*t]
- [GROANS]

- [g*nsh*t]
- [CLOSE, METALLIC CLINKING]

[SLOW, OMINOUS MUSIC]

♪

[ALARM WAILING]

[WHEEZING]

[GROANING]

[MUFFLED SHOUTING]

[GRUNTS]

[PANTING]

[ALARM CONTINUES SOUNDING]

[SIRENS WAILING]

[DRAMATIC, MELANCHOLY MUSIC]

♪

♪

[ENGINE REVVING]

[PHONE RINGING]

- Yeah?
- [CARNEY] Mike.

We got ourselves a shitshow.

I got three inmates dead, we
got a CO, a f*cking CO, dead.

These f*ck threw grenades

over the wall. f*cking grenades, man.

What?

Who's throwing grenades?

- You don't think this was Bunny, do you?
- Carney.

Come on. Who got targeted?

Aryans on landscape duty. Uh,

Callahan, the Viking
as*h*le, couple others.

This is not good, and I
don't know who bought it.

Well, that's the question to answer.

Answer it before I get there.

How much time do I have?

I'm on my way.

Jesus Christ.

[PHONE BUZZING]

Sorry. I'm... I'm sorry.

That's a whole lot of calls, Kareem.

This is more important.

So, um,

wh-when... when did it start?

She's always been emotional.

Right.

But after... after the riot, after that.

She read things.

- Heard things at school.
- Saw me at home?

Baby...

this is not because of you, okay?

But she needs help.

- She needs to talk to someone.
- Yeah, of course.

Of course, absolutely.

The school referred her to a therapist,

but she's, like, $300 an hour,

- twice a week, and...
- Twice?

They recommended three times.

Whatever she needs,
right? We will work it out.

I will work it out, I-I...
I promised you, right?

- I promised.
- Kareem?

No, I promised.

Right, Vanessa, didn't I?

[SOFTLY] Sorry.

[CHUCKLES] I'm... sorry.

Look, I will make this right for us.

I promise.

[PHONE BUZZING]

Kareem, answer it.

[SIGHS]

I am...

I'm with you right now.

I'm here.

[ZIPPING]

[COFFEE PERCOLATING]

[KYLE] Hey.

Why'd you let me sleep in?

You don't need to be up, babe.

Did you eat anything?

Um, no. I-I'm late.

- Coffee's on.
- Let me make you some eggs.

Baby, I'm really running late.

I-I just...

I'll get something at work.

[KYLE] Wait, hold on a second.

Forgot your to-go thingy here.

You may not need food, but
you need your rocket fuel.

Thanks.

Hi, buddy.

- Hi.
- Kyle.

Go get 'em today, all right?

[TRACY] Kyle.

Yeah? Oh, yeah. Sorry.

Um...

Hey, uh, did I f*ck something up

and not know what I
f*cked up, or something?

- No. You...
- Want to maybe

give me a hint at what that was?

You didn't f*ck anything
up, I just didn't sleep well.

I'll see you tonight?

- I got a shift.
- Hmm.

Then, I'll see you first thing?

- All right.
- All right.

[SLOW, SUSPENSEFUL MUSIC]

Bye, buddy.

♪

[DOOR CREAKS OPEN]

[DOOR CLOSES]

Okay. Okay, let's mark this off.

- Right, right.
- Photograph and measure...

[CHATTER CONTINUES INDISTINCTLY]

[MIKE] Yeah. f*ck, sh*t.

[STEVIE] Hey, I'll be back.

Hey, Mike.

- Hey, what's happening?
- [SIGHS]

Who's, uh, DOA?

One guard, shot through and through.

High-powered, high-caliber projectile.

It was fired from a distance.

f*cking sn*pers?

Yeah, who went down? What prisoner?

We're figuring this sh*t out, man.

You know, we still
waiting on the warden.

f*ck's Kareem?

[DARK, INTENSE MUSIC]

- Hey, will you open this?
- Yeah, uh, go ahead. Open it.

[SLOW, DRAMATIC MUSIC]

- f*ck.
- Yeah.

We got the, uh, sh**t
team trying to figure out

the source of the fire.

- Uh, where's Ian?
- sh**t team.

[MIKE] f*ck.

Ian!

[DISTANT] Ian!

Mikey, I'm doing f*cking
police work up here.

- Keno, wave or something!
- [MIKE] Ian, get down here.

I will... uh, Mikey, I'm
a little f*cking busy.

It's gonna get busier. Let's go.

Let's go!

- [CARNEY] Mike...
- This f*cking guy. Come on.

Mike. All right.

Welcome to the shitshow.

Callahan. He's unconscious.

They might take him over

to Kingstown General, so

- I'll fill you in when I know.
- Okay.

- Yeah, thank you.
- f*cking ridiculous shot,

got that f*cking guard
from 500 yards or some sh*t.

That's, like, military. That's military.

[IAN] Tell me what f*cking
set has a g*dd*mn sn*per.

- f*ck. f*cking Bunny.
- I knew it. I f*cking knew it.

He's got access to military grade.

How you know this?

'Cause I was f*cking there. That's why.

Look, I'm gonna send you the address.

I want you to get a warrant
and go f*cking hit that place,

- okay?
- [IAN] Hundred percent.

All right, call me before and after.

Yeah, yeah. Let's go.

[INDISTINCT RADIO CHATTER]

[QUIET, DARK MUSIC]

♪

[SIGHS]

She knotted up her sheet.

How long before she was taken down?

[LINA] Night shift wasn't specific.

Won't know if she's a
vegetable till she wakes up one.

Bus is inbound.

[MONITOR BEEPING]

[OMINOUS MUSIC]

♪

[SIGHS SHARPLY]

[INDISTINCT POP MUSIC PLAYING ON RADIO]

Hey...

can you take that to go, honey?

- Kyle?
- Huh?

Can you take that to go? I
gotta take something to my mom.

Oh, yeah. sh*t. Sorry.

[CLEARS THROAT] Let me just, uh...

Don't worry about it.
I'll deal with that later.

Nah, come on, I got you.

Hey, you mind if get a little,

- a little to go?
- Oh, yeah, help yourself.

Still doing everything
for everyone, huh?

Beats loneliness, Prozac,
and The Price is Right.

[KYLE CHUCKLES]

[CHUCKLES] How's she doing?

Oh, well, she, uh...

wants to sue me every
time I walk in the door.

But, uh, she's happier at her own home.

I've got a permit.

No, that's all right. I'm not worried.

What is that, a GL*CK? Smith & Wesson?

Smith & Wesson.

Oh. Yeah.

[SIGHS] That thing has saved me

and my daughter's life twice.

I'd feel a lot better if Tracy
carried, I'll tell you that.

Oof, that's gonna be a hard convince.

Yeah, no sh*t.

And worth a shot, 'cause, uh,

it's a f*ck' mess out here.

Well, if you can't
protect the ones you love,

then what's the point, you know?

You do that, Kyle.
You do that every day.

- Be safe.
- Yeah.

[KYLE] See ya.

[PHONE BUZZING]

[SIGHS]

[BUZZING CONTINUES]

- Yeah?
- Are you alone?

I'm not bringing people
back to my hotel room, Mike.

Then pick up your f*cking phone.

- I've been calling you.
- I was asleep.

Yeah, well, it's noon, Iris.

I'm a nocturnal creature now.

Okay. Why don't you
look out your window?

Yeah, hi.

Pretty f*cked up, what
happened at the river.

Huh?

You all right?

I'm okay.

You want out, or an exit?

What does that fix?

I'm not gonna end up one of those girls.

As long as you're in this world,

you're gonna be one of those girls.

No, he doesn't treat me like that.

Yeah, f*ck.

Speak of the devil.

- What?
- He just pulled up.

f*ck. You need to get out of here

- right now.
- What's he doing here, Iris?

Same thing as you, Mike.
He's f*cking checking on me.

[ENGINE STARTS]

[TENSE MUSIC]

♪

[KONSTANTIN] Little Bird.

It's too early for bullshit, Konnie.

Uh, keep the world at bay, please.

[CONTEMPLATIVE MUSIC]

♪

[DOOR SHUTS]

I had to see you.

I... I had so many horrible dreams.

I'm okay.

I was short with you.

You were trying to protect me.

Protect you.

Control you.

Sometimes I don't even feel
like there's a difference.

I realize that seeing those poor girls,

it might have conjured some memories.

I'm okay.

Really.

I want you to, um, to leave this place.

New York?

No.

No more old haunts.

New horizons.

I'll buy you a life.

You already did that once.

One that I have no hand in.

I'll stake you.

Give you what Milo never would have.

Let me.

Let me do this for you.

[GENTLE MUSIC]

♪

Coffee's warm.

Want one?

Iris...

[IRIS SNIFFLES]

[WHISPERS] I can't leave you.

[SIGHS]

I'm not ready.

Don't say words you
think I want to hear.

I'm loyal to you.

I'm loyal to you.

What do you think is
the source of that river?

You think its origins are foul?

Or is it this place that poisons it?

I'm offering you a cure,
Iris. Please take it.

- [LOCK BUZZES]
- [LATCH CLICKS]

Want to give me a minute?

- Sure.
- [MONITOR BEEPING]

Welcome back to the living.

Heard you were coming to.

Wanted to be the first
face that you saw.

It wasn't.

Woke up to a f*cking immigrant

at the edge of the bed.

Yeah, that's a cop,

and he was born here, so...

What are we doing, Mike,

about this situation?

What the f*ck are we doing?!

[INHALES, EXHALES SLOWLY]

I told you to hit Bunny Washington,

and you didn't, so here we f*cking are.

And now you gotta fix it f*cking fast.

I want him dead.

I want everyone in his crew dead,

cut up into pieces, roasted on the spit

and fed back to their children
in a f*cking block party!

- That would be a lot of people.
- f*ck you!

Aw, f*ck you.

f*cking failing me.

Merle, I didn't fail you.

You failed you. You hear me?

KPD's confirmed this
was a military sn*per.

Army-issue grenades.

That sound like Crips to you?

No, it doesn't.

This was a Russian hit, and you know it.

So stop wasting your
time, your energy resources

on the wrong f*cking target.

Konstantin is gonna drive a knife

in your f*cking back and devour you.

You are the prey now.

[COUGHS]

All right, what's the f*cking plan,

if you're the one calling it?

I end the Russian,

on your behalf.

And Bunny Washington?

I'll take care of him, too.

All of it.

So get better.

Thank you.

I hope that hurts, you
r*cist piece of sh*t.

[TRAIN WHISTLE BLOWS IN DISTANCE]

[DOG BARKING NEARBY]

[DOOR SHUTS]

[BUNNY] We gonna get through this.

[SIGHS]

Hey.

I ain't seen you in a
minute, baby, what's good?

You good? You big now,

look at you. Ah, come here.

Your mom said you were on
the honor roll and sh*t.

- Yeah.
- Yeah? But no football?

It's not my thing.

Not your thing? What you mean, man?

It was all I got.

I got my Pop Warner on. You feel me?

[LAUGHS] I was all-state, cuz.

Gridiron god.

Yeah.

But you a'ight, man.
You don't need all that.

You a straight-A student, huh?

- Thanks.
- Yeah.

Make us proud. Make your pops proud.

What that?

What, you wanna set your jaw right now?

Wanna square them shoulders up? What up?

Nah.

[SIGHS]

Come here.

Your pops wakes at daylight,

and lay his head down at
dark, with you on his mind.

He in that place now 'cause
of what he did for family.

You think he chose something over you,

set him up inside?

That ain't it, Trey.

I know you feel that way,

but that feeling is false.

You got to fight that.

Okay?

'Cause when you're inside that b*tch,

all you got is family.

You feel me?

Your pops need to understand
that you know the difference.

You can tell what's
false from what's true.

He need you.

And you need to be a man for him.

I know.

I will.

Good.

[TREY] What's up?

You watch your pop's back,
I'm gonna watch you and your mom's.

Moving you some place safer, all right?

It's temporary.

You good?

Yeah.

Bet.

That's what's up.

Let's roll.

[KONSTANTIN] Oi, who benefits?

Those poor girls,

they're replaceable,

like everyone's replaceable,

each one of us, but
that's not the point.

No, this was no random
act, the m*rder of my girls.

Yeah, but the Crips don't traffic women.

No, but they know we do. That vexes me.

Callahan's men.

For an exchange?

[ROMAN] That-that wasn't scheduled.

I-I'll get rid of them.

- No, let them in.
- Kon.

Iris, um, sit with Alex.

Ah, look who's here.

Um, to what do I owe the honor?

There was some static inside.

We need to re-up.

Narcotics for a rainy day?

What kind of "static," I wonder?

Someone tried to k*ll Callahan.

- But he survived.
- He made it through.

Huh.

Can't k*ll a c*ck.

Can we make a f*cking deal?

Excuse me?

[ARYAN] We just need to re-up.

Yes, yes.

Um, Roman, why don't you take the cash

and measure out the product?

Yeah, sure. We can, uh,
we can do it outside.

Uh, why so inhospitable, pray tell?

Konnie.

[QUIETLY] Let them drop and go.

No, let's have some drinks first.

A toast to your fallen leader.

- [ARYAN 2] He ain't fallen.
- Not today.

Come, can't let the martinis go watery.

[POURING LIQUID]

Now, before we toast, um,

one word about manners.

When you enter a man's home,

board his vessel,

uh, you practice deference.

Do you know what that means?

Yeah. We should have called first?

You're the smart one. [CHUCKLES SOFTLY]

Now, cause and effect. Do
you know what that means?

You caused me irritation.

Now, your upset notwithstanding,

you should have avoided my irritation.

Now, what do you think
the effect could be?

- [EXHALES]
- [KONSTANTIN] Mm. [CHUCKLES]

[GRUNTS]

Oh, no, don't piss yourself.

Now, lift up your friend.

No, no. Under the arms.

Our business is concluded.

[ROMAN SPEAKING RUSSIAN]

[KONSTANTIN SIGHS]

[SOARING, SOMBER MUSIC]

♪

Now, you still want
to stay, Little Bird?

[DISTANT P.A. ANNOUNCEMENT]

You should take the day tomorrow.

I'm all right, sir.

I can work.

[KAREEM] That must've
been hard to witness.

[KEVIN] How I imagine w*r would be.

Yeah. Days of boredom,

seconds of horror.

They say you reacted immediately.

Not fast enough to save Thomas.

Give your statement to KPD?

- Yes.
- You want to walk me through it?

- Sir?
- Well, you're my eyes and ears on this, son.

All right? I mean, I'll...
I'll review the statements

and the video footage,

but I want to hear about
it directly from you.

Anything you need, sir.

I'll tell you exactly what I told them.

Good. Good, thank you.

Kevin,

you can tell me if you
want to speak with anyone

about what you witnessed.

You know? DOC has counselors.

And there's no shame in that,
no shame in asking for help.

You know...

anything that helps you process

an act, a...

a barbaric act like this...

is worth it. It's...

worth doing.

Yes, Warden.

Do you want to go over that now?

Sir?

What?

- My statement. Did you want to...
- Yes. Uh, yeah.

Let's, uh, let's go to my office.

[CLEARS THROAT]

[PLAYFUL CLAMORING]

[EXCITING MUSIC]

♪

[PHONE BUZZING]

Hey, what's up? You okay?

Konstantin just k*lled
an Aryan on the boat.

They showed up unannounced
and he f*cking gunned him down.

Iris, it's a f*cking godsend.

What? Why?

[MIKE OVER PHONE] How many were there?

Uh, there were two and now there's one.

Mike, why is it a godsend?

It's unbelievable. That
could... [STAMMERS] You okay?

Mike, he's cracking.

He's-he's f*cking doing
coke for breakfast.

And he's sh**ting
heroin to sleep at night.

How's he with you?

I'm still in his favor, I guess.

He wants to send me
away, though. [EXHALES]

Stake me, no strings attached.

And?

And there's always strings.

Iris, I mean, I don't what to
tell you what to do here, but...

what's wrong with cashing out?

Uh, it's worth considering.

This isn't done.

[SIGHS]

[SLOW, SOMBER MUSIC]

♪

Two minutes.

[CALLAHAN] I ain't hungry.

Get that sh*t away from me.

The f*cking smell.

Got news from outside.

Bodies start dropping?

Wrong ones.

Our people went to the
Russian for a re-up.

Someone chose now to
be f*cking proactive?

Weren't supposed to show
with no invite, I guess.

f*cking IQ sinkholes.

Konstantin took one out himself.

Let one go to tell the tale.

Get word out.

Time to set that
m*therf*cker's river on fire.

[SLOW, SUSPENSEFUL MUSIC]

♪

[DOOR OPENS]

[DOOR CLOSES]

[LINE RINGING]

[CESAR] The rookie.

I got to drop a f*cking b*mb

on that place to get
done what need doing?

Everything went down the
way it was supposed to.

No, the f*ck it did not.

Callahan in that morgue? Nah.

He's segregated, soldiers on high alert.

What do you want me to do?

You can bide your time, now.

Yeah, you wait and see he make it,

be ready he do.

Is that it?

[BUNNY] In the meantime,

you f*ck up their signal.

- Say what?
- We gonna be most wanted on this sh*t,

you feel me?

Got to confuse the issue.

You in good with that warden?

Yeah, I'd say so.

[CHUCKLES] Nah, I know so, man.

You got that aim-to-please
look on your face all the time.

[LAUGHS]

You keep doing that. A'ight?

And keep on with the mind f*ck.

Yeah, I can do that.

Yeah.

[KNOCK AT DOOR]

Who is it?

[TRACY] Uh, it's Tracy.

Jesus f*ck'... Tracy?

- Hey. Wh... Come on in.
- Hey.

- Hi.
- Hi.

Go on, sit down, relax.

Okay.

You want a coffee or
a drink or anything?

Both, please. Yeah, I'll have both.

All right.

You got it. Bitter and black.

Everything okay?

I'm... I'm back at the women's prison.

Yeah, yeah. Yeah, I know.

I think the COs are raping inmates.

Yeah, raping or they dating?

Mike, this women are being
assaulted by their keepers.

I know the difference.

Yeah, well, had to ask.

Both happen, you know?

Okay, so which inmates?

Cherry Maxwell, for one.

Yeah, I know that name.

I know what she did.

She was r*ped. She gave birth.

Knotted her sheet after
they took her baby away.

Yeah, yeah, that's-that's tragic.

And it is, but I-I don't
have a ton of sympathy.

You know who spoke to
her before she got charged

with the guard's m*rder?

Uh-uh.

- Mariam.
- [CHUCKLES SOFTLY]

Your mother never gave
up on anyone, no matter...

what they were accused
of or what they did.

Yeah, she-she never gave up on anybody.

[MIKE CHUCKLES]

Okay.

So who do you think did it?

A CO, William Breen.

Okay. You know this?

How?

I know.

Uh, look, I'm gonna need something.

- I know.
- Did Cherry say something?

Did another inmate say something?

I know it was him, Mike.

[SIGHS HEAVILY]

I'm gonna ask you a question, Tracy.

I need you to answer me honestly.

Did this guy touch you?

Tracy?

[TRACY EXHALES SHAKILY]

[TRACY] Mm-mm.

Did you bring this to Kyle?

- Oh, you know I...
- Okay, yeah, don't.

Don't.

- Mike...
- Hey.

I'll handle it.

Okay? Look at me.

I'll handle it.

Okay?

- Hey.
- Where are you?

At the Shell on 16th, pumping gas.

About to be a mega
f*ck' millionaire here.

What's going on?

- Don't move.
- Yeah.

- f*ck! b*tch.
- [COIN RINGS ON PAVEMENT]

[QUIET, TENSE MUSIC]

♪

[HORN HONKS]

- Hey.
- [IAN] What the f*ck?

Look, I'm gonna f*ck'
hurt somebody, okay?

Mikey, since when do you
need f*ck' help with that?

I don't need help.

Yeah, I need you to
f*cking stop me, okay?

- Get in.
- Yeah.

- Come on, let's go, let's go.
- Yeah. Yeah, yeah, yeah.

[SLOW, GLOOMY MUSIC]

♪

[LIGHTER CLICKS, HISSES]

[EXHALES]

I made the call.

She won't have to worry about
identification, relocation.

Yeah, it's very simple.

I mean, costly, but simple.

I should've better protected her.

You'll protect her now.

[KONSTANTIN SIGHS]

The f*cking abominations
that Milo put her through.

Konnie, Kon...

You're not Milo, okay?

You're not Milo.

Just... Just pay what it costs, huh?

I will take nothing with me.

Okay.

[SIGHS]

[DANCE MUSIC PLAYING ON STEREO]

♪

[SNIFFS]

[SNORTS]

[SNIFFLES]

Hey.

[EXCLAIMS IN RUSSIAN]

[EXHALES]

If I were you, I would
accept what he offers.

This is the first time I've
felt in place in a long time.

Is that not more reason
to get the f*ck out?

Why's he keep bringing up Milo?

Well...

Tatiana worked for Milo.

She knew his end was near and...

[DEEP BREATH]

... may have warned him.

If he knew what was coming...

he would not walk into that.

This is why it's on Konnie's mind.

[EXHALES SOFTLY]

That's why he k*lled Tati.

[SIGHS]

[SNIFFS]

[ROMAN] Hey.

♪ Makes me wanna doubt it ♪

♪ Think I better just let it go ♪

♪ And yesterday was sickening ♪

♪ And all the things
that might have been... ♪

- Mullen.
- Hey. You want a drink?

No, no, I'm good.

Listen, can you... can you
point out this f*ck' Breen guy?

You know him?

On the jukebox?

Hey. Quick word with you.

Homicide. Know why I'm here?

Uh, no. No f*cking clue.

Listen, I got ask you
a couple questions.

Real quick. Off the record.

All right? Come on. Real quick.

♪ And they're blinded by the ambition ♪

Only take a sec.

Look, whatever's going on...

All right.

- Hey.
- Who the f*ck are you?

Doesn't matter. I'm just gonna
ask you a couple questions.

Is it... Where's your uniform?

- My-My uniform?
- [MIKE] Yeah.

I-I don't wear it out of work.

Oh, so it's like a r*pist's
uniform? Is that it?

The f*ck you talking about?

[MIKE] I've never seen
any r*pist's uniform.

Have you? Have you, maybe?

f*ck.

[GRUNTING]

All right, this is what's gonna happen.

You're done at the women's prison.

Hey. You're f*ck' done
at the women's prison.

You hear me?

You're gonna transfer to Anchor Bay.

- You f*cking hear me?
- Yeah.

Until I figure out what the
f*ck to f*ck' do with you.

- You hear me?
- Mike.

Son of a b*tch.

- You f*cking c*ck...
- [IAN] Okay, okay.

- Mikey. Mike, come on.
- How about that?

f*ck. You m*therf*cker.

- Come on. Come on.
- I'll be back, m*therf*cker.

- [IAN] Mike, f*ck him.
- [MIKE GROWLS]

- Let's go.
- m*therf*cker.

- We got to go. We got to go.
- f*ck!

[SOMBER MUSIC]

♪

[MONITORS BEEPING STEADILY]

[GRUNTS]

[PAINED GROAN]

[RETCHES]

♪

[ROBERT] That was a
waste of f*ck' time.

Waste of f*ck' resources.

- They got word we were coming.
- [CHUCKLES] Yeah, you think?

[CHUCKLES]

Why you looking at me?

I'm not looking at you,
Kyle, I'm looking through you,

to your f*cking brother.

Let's sidebar this sh*t, man.

There's nothing to f*cking sidebar, man.

It's just rinse and
repeat with this sh*t.

Mike gave us the tip.

Yeah, and then he f*ck'
tipped off Bunny Washington.

It's f*ck' unbelievable.

You're out of f*ck' line.

Mike caters to this m*therf*cker.

And then guy does f*ck'
drive-bys in broad daylight

and he f*ck' dumps
g*ns in the Heights.

Bunny's tip saved your life.

- Remember that?
- Oh, yeah? Says who? Mike?

I'm not in the business of
taking people's word for sh*t.

We are talking about the Mayor here.

Of what? The Crips
beat me half to death,

and then they get points
for tellin' Mike about it

- in the nick of f*ck' time?
- You don't know that

that's what happened. You don't know...

I know they just about widowed my wife

and orphaned my f*ck'
son. That I know.

You need to stand down.
You're not yourself right now.

- I need to what?
- Yeah, you need to stand down.

Shut the f*ck up!

- You're not 100%...
- f*ck you...

- everybody sees it.
- and your f*cking brother.

- You are not yourself right now.
- [LAUGHS]

f*ck you!

[ROBERT] Tell me to f*ck' stand down.

[LAUGHS]

[LINE RINGING]

- [IAN] Talk to me, Stevie.
- Hey.

- Bunny's warehouse is empty.
- What the f*ck do you mean?

I mean it's f*cking empty.
I'm not seeing a f*cking g*n,

not a b*llet, not a g*dd*mn
trace of dope, empty.

Christ. sh*t.

Hey. Tell Mikey he ought to
have a conversation with Kyle.

Yeah, I'm here.

What happened?

Hey. Kyle and Robert had words, man.

Okay.

All right, I'll call you back.

All right.

[ENGINE STARTS]

[SINISTER MUSIC]

Mike, what the f*ck?

Look, I don't know. I gave you an
address. What do you want from me?

You f*ck' knew,
m*therf*cker, didn't you?

Come on, what does it matter, Ian?

What does it matter?

He knows you're after him.
That's all that matters.

That's the important
thing. Bunny's on the run,

and Bunny's not selling.

It's a good thing.

Right?

Are you f*ck' smiling?

What the f*ck are you smiling about?

[DRAMATIC, MELANCHOLY MUSIC]

♪