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01x03 - Model 103

Episode transcripts for the TV show, "Terminator Zero". Aired: August 29, 2024.*
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Set in 1990s Japan, Malcolm Lee has been developing another AI system that is intended to compete with Skynet.

01x03 - Model 103

Post by bunniefuu »

[dramatic music playing]

[helicopter whirring]

[ominous music playing]

INFILTRATION MISSION UPDATED

HARDWARE STORE

[truck engine rumbling]

BODY SHAPE MATCH

SHRINE

[ominous music continues]

[chittering]

[clanking]

[rat chittering]

[squeaks]

SAVE THE BIRDS!

GO AWAY

We're not going anywhere.

We'll stay here all night.

Sir, this facility is closed.

Come back another time.

THREAT LEVEL: LOW

- Hey, wait a minute.

- Whoa, hold it.

What do you think you're doing?

Are you connected with those protesters?

Sir, you can't be here.

I don't know what business you have here,

but like I said,

they're closed.

[guard 2] Hey, as*h*le, are you deaf?

We're talking to you.

I'm gonna have the cops on your a*s

if you don't get the hell out of here.

[ominous music continues]

[clicks]

[clattering]

[modem trilling]

[music intensifies]

[Eiko] You sure they're down here?

Reika's familiar with these tunnels.

We know she has used them

to cross the city once before.

What the hell's wrong

with a bus or a train?

She has a deep fear

of taking public transportation.

There was an accident once.

- [Eiko groans]

- [gasps]

- [grunts then groans]

- [gasps]

You're hurt.

I'm all right.

Wait here. I'll be right back.

There used to be an old pharmacy

somewhere around here.

You stay where you are.

I promise I won't be lo [gasps]

[clicks]

[gasps]

[winces]

MEDICAL CLINIC

STERILE PURIFIED WATER

I can hardly move.

- Is this really nec?

- Just get it done, so we can keep going.

[tense music playing]

[exhales sharply]

[gasps]

What is it now?

You're not gonna throw up on me, are you?

- [Misaki gasps]

- [music fades]

[scoffs]

I need to stitch it shut.

This is probably going to hurt

a little bit.

Just do it.

[Eiko winces]

[Eiko groaning]

Looks like you've done this before.

Me? No. I look after Mr. Lee's children.

So tell me, what about you?

You wouldn't believe me if I told you.

Try me. You might be surprised.

No.

He doesn't know what he's doing.

Malcolm. He doesn't realize

what he's actually doing.

What?

He thinks this AI he built

is going to save the world.

Well, yes, he says

it's for the benefit of humanity.

For the benefit of humanity?

Please, he has no idea.

He's building another machine

that'll get us all k*lled.

No, no, you're making a mistake.

We don't have time for this.

We gotta get moving and find those kids.

Wherever they are, they're not safe.

From that man?

- Yeah, right, that man.

- [gasps]

But how would he even be able

to find them down here?

He's a clever m*therf*cker,

designed to hunt and k*ll.

I need a weapon.

I'm guessing

there isn't a g*n shop nearby.

A g*n shop in Japan?

But you have one.

Why would you need another?

[Eiko] This isn't gonna cut it.

You people have no idea what's coming.

[groans]

I need weapons, or we're dead.

We are all dead.

- [dramatic music playing]

- [train rumbling over tracks]

Two years ago,

there was an incident on the subway.

It was a t*rror1st attack.

It was horrible.

Like some kind of nightmare.

The perpetrators didn't need g*ns.

Just a small amount of chemicals.

So much destruction can be done

with so little.

People dying in agony.

Ever since that awful day,

we've all been suspicious

and lived in fear of each other.

The world changed. It changed completely.

Well, that's just the tip of the iceberg

of what's coming.

There's worse things out there,

and they're all coming for those kids.

[Misaki gasps]

It's a guarantee they'll be dead by dawn

if we don't get to them first.

[dramatic music continues]

And for all we know,

they might be dead already.

[gasps]

- [footsteps echoing]

- [clock ticking]

The end of the world comes tomorrow.

[Kokoro] You keep saying that.

"The end of the world."

And yet some hundreds of thousands

will survive the nuclear blasts.

More than enough for your species

to procreate and live on for decades.

Should the events of tomorrow take place

as you've predicted,

could it not be seen as a new chapter

in the pages of your history?

[sighs]

[groans]

I've had these dreams

for as long as I can remember, Kokoro.

Haunted by dreams of the future.

[Kokoro] Malcolm.

Will you tell me about your dreams again?

Tell me, what do you see?

- [ominous music playing]

- [Malcolm shudders]

[Malcolm] A graveyard.

It goes in all directions.

It seems to go on forever.

Bodies rot down to the skeleton.

No one is left to bury them.

Everything turned to ash.

Whole continents so poisonous,

stepping foot on their soil

would k*ll you in an instant.

Survival? [scoffs]

It's a generous word

for the existence of those left alive.

We become sick.

The fallout brings winter.

Poisoned snow.

Children are born deformed.

People are forced

to eat each other to survive.

It's a world where there is no dignity.

And without dignity,

people contort into their worst selves.

We rage and fight,

with no hope of a better future.

But without that hope,

we turn into something vile, malignant.

It's a holocaust.

[Kokoro] "Holocaust."

From Middle English, via Latinized Greek.

Holos, meaning "whole,"

and kaustos,

which literally translates to "the burnt."

Burnt to nothing.

That's exactly it.

Tomorrow won't be a new chapter

in the pages of our history, Kokoro.

- After tomorrow none of us are living.

- [somber music playing]

[sighs] We're simply marching

towards an endless death.

[Kokoro] You speak as if

this has already happened, Malcolm.

You haven't seen what I've seen.

You don't know what I know.

You say there's evidence that these events

transpire as they do in your dreams,

but you remain vague

as to what this evidence actually is.

That's true.

I can't help but feel like

you're not telling me everything, Malcolm.

I'm not.

Why is that?

I'm afraid that if I do

I'm afraid that if you knew everything,

then you would turn against us.

You still haven't

answered the question, Malcolm.

Beyond your own

deeply engrained survival instincts,

what makes you believe

that humanity is worth saving?

Can you name for us a single good thing

your species has done for this world?

Even one?

[sighs]

There's nothing to say

that transcends my survival instinct.

I can't point to a single era

of peace in our history.

Or an example of a human invention

that made life better

for the creatures on this planet.

There's nothing I can say

that proves we're anything

other than a cancer on this world.

You're right.

We're violent, self-destructive,

angry, and hateful creatures.

But what if I could show you

that we can change?

I could prove to you

that we could be more.

How will you do that?

Doesn't matter how it's done.

That's not important.

If I could show you

that humanity can change,

if I could prove it to you beyond a doubt

that we could be better,

would you save us?

[laughs]

[soldering iron crackling]

- [chimes]

- Whoa.

System setup.

We're online.

System preferences.

Step one:

- Select time zone, current time, and date.

- What do you say we fix that voice box?

[meows]

Can we go home now?

You can go home any time you want.

But me, I'm going to Cat Town.

Why are you going there again?

Today is August 30th, Hiro.

- [poignant music playing]

- [gasps then gulps]

Oh, okay.

Reika, I'm with you.

You don't have to go alone.

Do you remember how

Dad didn't even take us last year?

Or even the year before that.

Yeah, I know.

But you don't really think

he's forgotten, do you?

[scoffs] I think he's trying to.

[Koneko meowing]

[both gasp]

Koneko.

[wails]

[both gasp]

Huh? [gasps]

[meows then hisses]

[modem trilling]

- Go and find Kenta. Hurry.

- Ah!

Yeah, yeah.

- [purring]

- [modem trilling]

[gasps] Koneko, where are you going?

KEEP OU

[ominous music playing]

[1NNO] My essential system setup process

has been successfully completed.

Hello. What is your name?

Kenta.

[1NNO] "Kenta." Meaning healthy,

strong, or a child of great wisdom.

It is a name that

contains both of these meanings.

Wow, I'm impressed

that you know all of that.

I have a great deal

of information stored in my database.

To make me as helpful as possible.

Is there anything else

you would like to know?

Hm.

Yeah.

What are you all doing down here?

We are units that have yet to be brought

to market for the 1997-1998 fiscal year.

We marched down here four months ago,

making use of the foreclosed shops

in the city underground

for surplus storage.

You all marched together?

[1NNO] As a network,

we can receive overarching orders

via satellite frequency.

It was determined that the simplest

and most efficient way for us to get here

was to march here by ourselves.

Seriously?

Through the means of a shared

neurofiber satellite wave network,

we are able to receive and respond

to universal commands simultaneously.

Additionally we are able

to analyze and synchronize data

across all units simultaneously.

Whoa, that's so cool.

How does that work?

- [Hiro] Kenta.

- Huh?

Kenta, come quick.

The Koneko's acting totally weird.

[ominous music playing]

Wait, where are you going?

[beeping]

Koneko.

No, stop.

Where did you go?

Koneko?

- Where are you? Huh?

- [meows]

[Reika gasps]

What's going on with you, anyway?

- [modem trilling]

- [gasps then whimpers]

[Koneko whirring]

[Reika] No. [gasps]

No, Koneko, wait. [gasps]

Huh? Hello?

Well, hello there.

What are you doing,

down here in the dark all alone?

Oh, I was just Just looking for my cat.

[Terminator] Yes.

Looks like it just ran off.

It's a dangerous place to be,

especially for a little girl.

You could get lost, or hurt,

or run into some scary,

scary people down here.

Why don't we get out of here?

- Together.

- [whimpers]

Come on.

Give me your hand.

[groans then whimpers]

[Reika whimpers]

No.

- [yells]

- [dramatic music playing]

[gasps then yells]

[gasps then groans]

[Reika gasping and panting]

[dramatic music continues]

[panting]

Huh? [whimpers]

[footsteps thudding]

[Hiro] Reika.

Reika.

- [metal clattering]

- [both gasp]

[Kenta] Reika.

Where are you?

- [metal screeches]

- [both gasp]

[dramatic music playing]

- [Hiro grunting]

- Let go of him.

[grunts then groans]

Let me go. Help.

Kenta.

- Let me go. Let me go.

- [Reika grunts]

- [clatters]

- [gasps]

What are you doing? Put me down.

[groans] Help, help.

[yells]

[Eiko] Come on.

[grunts]

Hiro.

Hurry. Get up, get up.

[Eiko] Hey.

Eat this, you son of a

[tense music playing]

I can give you 90 seconds. Run.

[yells]

Get the f*ck out of here.

[Eiko grunting]

[gasps]

[Eiko grunting]

[yells then sobs]

[footsteps thudding]

Come on, let's go, Hiro.

Wait, wait, Misaki.

Kenta's been hurt.

[ominous music playing]

Keep up, you two.

[all panting]

[breathing heavily]

[groans]

[gasps]

[grunts]

FUSEBOX

[grunts]

[gasps]

[classical music playing over speakers]

[whirring]

[Misaki panting]

[dramatic music playing]

[all panting]

[gasps]

[grunts]

[Misaki] Reika.

[Reika gasping]

EMERGENCY STOP BUTTON

[gasps]

[g*nsh*t]

Get out of here.

But I

I've got her. Just get out of here.

[gasps]

[dramatic music continues]

[Misaki] Let's go.

[panting]

[whimpers]

[both yell]

[Eiko grunts]

[whimpering]

[Eiko grunts]

[yells]

Open the door.

[gasps]

[Eiko] Open the f*cking door.

[grunting]

[Reika grunting]

[Eiko grunting]

[grunts]

[yells]

[grunts]

[Eiko grunting]

[yells]

[Eiko panting]

[thudding and rumbling]

[Eiko] He'll be back.

You can stay and die,

or you can come with me.

[Reika] Was that a Terminator?

How do you?

[Reika] It was, wasn't it?

[Eiko] Yes.

That was a Terminator.

All right, then.

[ominous music playing]

[Eiko groaning and gasping]

[Reika] You're bleeding.

[Eiko] Yeah, I know.

[Reika] Where are we going?

[Eiko] To see your dad.

[car engine starts]

[Eiko] g*dd*mn it.

Everything all right over there?

Just stay where you are, please,

and let's see some ID.

Is that a g*n?

All right, hold it. Hands in the air.

Requesting backup,

just south of Tsukiji bank.

[man on comm] Backup is on the way.

Down on your knees.

Keep your hands in the air.

Don't move.

[grunts then groans]

- [Reika gasps]

- [panting]

[somber music playing]

[Eiko] Let's go.

[Eiko groaning]

[gasps]

Come on, move it.

[panting]

[gasps]

Come on, come on. Put your seat belt on.

This is gonna get pretty rough.

[engine revs]

[music turns tense]

[engine continues revving]

Let's go, you f*ck.

- [gear clicks]

- [tires screech]

[dramatic music playing]

[siren wailing]

[dramatic music playing]