[ominous orchestral music]
[leaves rustle]
[birds tweet and squawk]
[leaves rustle]
[birds tweet and squawk]
[tense orchestral music]
[birds squawk]
[soldier yells in foreign language]
[soldier screams]
[soldier screams]
[dramatic music]
[rapid thuds]
[soldier groans]
[whooshing]
[g*n fires]
[tense orchestral music]
[g*n fires]
[g*n fires]
- Hold the position as long as you can!
Tobachi! Return to the caves immediately!
[g*ns fire]
- Agashi, Toyo, Hiroshi, Sampai.
Come with me!
[g*ns fire]
[g*ns fire]
- Sergeant, get them back!
[g*n fires]
[soldier screams]
[g*n fires]
[g*n fires]
[birds tweet and squawk]
[natives cheer]
[thud]
[tense orchestral music]
Come on!
Hurry! Go on!
Into cover!
All of you! Cover!
You! Go to the rear!
Go to the rear!
Come on!
Lieutenant Toyota! Lieutenant Tobachi!
Bring the boxes inside the cave!
Sergeant Yakuchi, hold
the entrance at all costs!
[tense orchestral music]
[g*ns fire rapidly]
[g*ns fire rapidly]
[expl*si*n roars]
[g*ns fire rapidly]
[suspenseful music]
[distant g*ns fire]
[soldier screams]
[g*ns fire rapidly]
Some day, we shall return for the boxes.
I swear, and you too must swear,
that no one shall return here,
unless, when we do, we return together.
- I swear, my colonel!
- I swear also, my colonel.
- Colonel, there is another
way out up this way.
[dramatic orchestral music]
[g*ns fire rapidly]
[g*ns fire rapidly]
[soldier screams]
[g*ns fire rapidly]
[expl*si*n roars]
[natives howl]
[tense orchestral music]
[steel clangs]
[grunts and screams]
[native screams]
[lively eastern music]
- All right, I shall see
the man now. Bring him in.
- [Servant] Yes, sir.
[peaceful eastern music]
- Ah!
Mr. Rex Larson.
- [Rex] How do you do?
- Your arrival here in our country
and your letter was quite a surprise.
- So was the attention
your servants gave me.
- It is the custom.
- Strange custom for a
businessman to frisk his visitors.
My guess is that you know why I'm here.
So we can cut through the formalities then
and get straight to the point.
Why don't we make a start
at the end of World w*r II?
In the Philippines.
- I was never in the
Philippines at that time.
So, I'm afraid I can be of little help
in your writing activities.
- I've come a long way,
Colonel, to find you.
- My rank in the Japanese Army in 1945
- Colonel Susumo Yakuchi
of General Yamashita's 14th Army,
assigned to the shovel
group in the mountains
of Northern Luzon, Philippines.
- This letter you have written
to Mr. Sugiyama...
I am that Mr. Sugiyama.
And you have requested my
assistant for background data.
- That was the intention
of a friend of mine,
who worked in US Army
Intelligence with access
to classified information,
but I persuaded him that it
would be much more profitable
finding Colonel Yakuchi.
- So far, Mr. Larson,
your data is not of much interest to me.
- I promise not to lose your
interest again from here on in.
A shipment of the highest
priority, in your sole charge,
up at the rendezvous point
to help your Imperial w*r effort.
Cases, Colonel, containing gold.
- Is it not likely that these boxes
would have been found by now?
- You were not, of course, alone.
Your two subordinate officers,
Lieutenants Toyota and Tobachi,
were the sole survivors, along with you.
Now, Colonel, I think the time
has come for us to drop this
oriental tea party and get
down to some hard drinking.
So the offer goes like this.
A half share,
for the map,
with or without your coming along.
- The map is quite valueless
without the man to interpret it.
No temptation is strong enough
to make us break a bushido vow.
- Get your finger off
that button, Colonel.
Your bodyguards are a bunch of amateurs.
Very inhospitable of you
not to show me to the door.
I gave you a choice,
but you played it your
way, Colonel Yakuchi.
And even if I don't
blast my way out of here,
be sure your government
will have the full details
in 24 hours.
[g*n fires]
[bodyguards groan]
[Yakuchi grunts]
[g*n fires]
[Yakuchi groans]
[peaceful eastern music]
- I am very saddened
to hear of the death of my
commanding officer. [sniffles]
As to your proposal,
I would like to be alone
for a few minutes,
to collect my thoughts.
[claps]
- As long as you see things my way,
why not?
[suspenseful music]
[Toyota grunts]
[Toyota sighs]
[Toyota grunts]
[ominous music]
[sword clangs]
[Toyota groans]
Look, anything that goes on
in this house and anything
that concerns Mr. Toyota concerns
me, so get out of the way.
Blast! b*stard...
[percussive eastern music]
[Tobachi speaks foreign language]
- Continue the exercise.
- Tell me, Mr. Tobachi,
who are these men here?
- These are my up and coming students.
- Really? Very impressive.
- How do you know my name?
- Oh, you're a very well-known man.
- Who are you?
- Oh, well, let's just say
I was a good friend of
Colonel Susumo Yakuchi,
or maybe I should say,
the late Colonel Susumo Yakuchi.
- I did not believe I would
ever hear his name again.
- Well, you're gonna hear a lot more.
- If I take you to the gold,
what will be my share of the money?
- 10%.
- - 50%.
- 20% and that's final.
- 30%.
The cave has many chambers.
It could be difficult to remember
where the gold is buried.
- Could be.
Okay.
Suppose we make it 25%.
[upbeat orchestral music]
- Doro, where's my father?
- Oh, Miss Jefferson.
He's in the study with a gentleman caller.
- Did the gentleman caller
say what his name was?
- Yes, he did. Mr. Larson, I think it was.
Your father says he's not to be disturbed.
- Is Cal in there with them?
- No, Cal didn't come home last night.
- Oh.
Hey, Doro, be a love and
run a bath for me, will you?
- Certainly, Miss Jefferson.
- Half?
Why, that's ridiculous.
Are you serious?
- Now, I'm sorry you feel that way.
Perhaps you should look
elsewhere for finance.
- You know perfectly well
that I can't go elsewhere
for a deal this big.
- Then perhaps you can
appreciate my position.
It is my money that
finances the expedition.
It is my connections
that can smuggle the gold
out of the Philippines without
government interference.
And it is my contacts
who will convert the gold
into cold cash on the world market.
- I knew this was going to be difficult.
- Precisely. You see, you have no choice.
Now the details.
I will put the expedition
together right away
before the rainy season starts.
I have the man to lead the expedition.
- Oh?
What's his name?
- Mark Forrest.
- Forrest?
- Why, do you know him?
He's not short on references.
The going is rough,
and the natives can be pretty
dangerous in that area.
We need a man with his type of experience.
- But not Mark Forrest.
It's out of the question.
- Look, you two may have had
disagreements in the past.
I don't know the details
and I don't want to know,
but this is business.
And by the way, you'd better leave the map
in my safe-keeping.
- You think I'm mad?
That map is staying right
where it is, with me.
So why don't you just relax?
Don't worry about a thing.
Just stay home and leave
the gold-trekking to me.
- Oh, but I'll be coming along, too.
With a deal this large, I don't
want anything to go wrong.
- You mean you just don't trust anybody.
- And my man Cal will be coming along.
Just to make sure
that nothing happens to me.
- How cozy.
- Well, Mr. Larson, I'm
sure you have things to do.
You'll need a week to make preparations.
We should be able to leave by the fourth.
- I'll be seeing you.
Just keep that Mark
Forrest a long way from me.
[door closes]
[door closes]
- Ah, Janice. Are you back already?
I thought you'd be gone all day.
- Oh, I changed my mind. The
town's too hot and crowded.
Anything interesting
happen while I was gone?
- You know, when your voice
has that tone about it,
it usually means you know just
as much about things as I do.
- Why, Father!
You sound as if you're
accusing me of eavesdropping.
- Just how much of the
conversation did you hear?
- Not much.
Just that you're taking an
expedition into the jungle.
- That's exactly what I am going to do,
but you're staying here.
- You'll need me to look after you.
- Confounded daughter,
why don't you go off
and get yourself a husband or a lover
instead of smothering
me with your affections?
- Father!
You're all I've got
and I'm not going to let
anything happen to you.
- Janice, I appreciate your concern,
but it is out of the
question for you to accompany
a group of men into such
dangerous territory.
I don't want to hear
another word about it.
Do you understand?
- Yes, Father.
- Then off you go.
I have a lot of things to do this morning.
[upbeat music]
[patrons cheer and applaud]
- Hey!
- You need some help, sister.
[chuckles] Look at that.
Come on, come on! [laughs]
Hey, look, a little
present for ya. [laughs]
- Get 'em off!
- Come on, baby!
Take 'em off!
- See what you got there!
[laughs]
- Oh, come on, I'm waiting
to see it all, baby!
[laughs]
- Hey, that was the worst. [laughs]
Beautiful!
- Beautiful! [laughs]
- Hey, come on. Come on, join in.
Give us a little kiss, babe.
Oh, look at that. Shake them, baby.
[patrons cheer and whistle]
Woo-hoo!
Shake it!
[patrons cheer and whistle]
Woo-hoo!
Oh, baby! Oh, will ya look at that?
- Hey, Jake, you ever
see such beautiful girls?
Hey, Jake!
Look at this big bald black b*stard here.
- Yeah, he is big, isn't he?
- Hey! The n*gg*r likes one of our girls.
I think he's trying to break up our party.
- Hey, Bill, leave him alone, will ya?
- Well, I don't like n*gg*r*s.
- I don't want any trouble.
[grunts]
Hey!
[Jake groans]
[glass shatters]
[table clatters]
[thuds]
[grunts and groans]
[grunts and groans]
[thuds]
[grunts]
[thuds]
[grunts and groans]
[glass shatters]
[thuds]
[grunts and groans]
[thuds]
[chair clatters]
[thuds]
[thuds]
[whistle blows]
[thuds]
[background chatter]
First time in my life a white man
ever helped me out in a fight.
- I didn't like the odds.
There's a first time for everything, huh?
- Can I give you a lift, Mr. Forrest?
- Is this yours?
- Hell no, it belongs to the boss.
He's the one that bailed us out.
He told me to take you to your place,
and he'll see you later.
- Sure, you can give me a lift.
I'm not so sure I wanna see him, though.
[Cal chuckles]
[upbeat music]
[spoon clinks]
[knocks]
Shove off.
I've paid up.
[knocks]
I said shove off, I've paid up.
[glass clangs]
[door closes]
- Are you expecting trouble?
- Why, you could say that,
pal. You could say that.
- From what I hear, you
already have plenty of it.
- Yeah, well, you might
be right, Mr., uh...
- [Douglas] The name's
Jefferson. Douglas Jefferson.
You kept my man Cal out late last night.
- Well, Mr. Jefferson, Douglas Jefferson,
what can I do for you?
- They tell me you'd come
down in the world, but this?
- Look, Mr. Jefferson, this
might not be the Hilton Hotel,
but it's my room, so before
I kick your a*s out of it,
I'm gonna give you the option
of telling me what you want here.
- My apologies, Mark.
It is Mark, isn't it?
- They seem to know everything about me.
What else did they tell you?
- Mark Forrest, American.
Old Southeast Asia hand. Not
averse to breaking a few rules.
Last venture... Well,
we won't go into that.
- Right, all correct.
Especially the last part.
- They also tell me that you're
experienced in the jungle.
Career?
- You haven't answered my question.
- Now, I think I've got
a proposition for you
that'll bail you out,
especially if you have
all the qualifications you claim to have.
- I don't claim anything.
- I've got a project that'll give you back
your self-respect, maybe
get rid of your self-pity.
- If I need some moralizing,
I'll go to church.
Now, come on, get to the point.
- Maybe give you some
real money for a change,
instead of handouts.
It'll be hard work,
though. It won't be easy.
Look on this as a deposit for
your services, non-returnable.
You're in a mess,
and I have a feeling
about you, Mr. Forrest.
Call it a loan, if you prefer.
Until we get this thing off the ground.
We're setting up an expedition of sorts.
It would help us out, you coming along.
I'll fill you in on the
details at a later stage.
What do you say?
- Well, I'll think about it.
- I'll be in touch shortly.
- Hey, you uh, you forgot somethin'.
- I explained. Keep it, it's yours.
Until tomorrow, then.
- Well... Well, this
doesn't mean I'm saying yes.
I said I'd think about it!
[door closes]
[peaceful music]
- Thank you.
Good morning, Forrest.
- Morning.
- Have you come to a decision?
- I have.
Not interested.
I've only come here to return your money.
- That's a pity.
Still, I expect I'll be in
safe hands with Rex Larson.
- Rex Larson? Well, how is he involved?
- A minute ago, you said
you weren't interested.
You are changeable.
- A minute ago, I didn't know
that Larson was involved.
- The expedition we talked about
involves a trek through the jungle.
At the end of that trek is a pot of gold.
The pot is a large pot.
Enough for everyone.
- I take it the gold is hot?
- In a manner of speaking, yes.
- Not interested, as I said.
Thank you for the offer.
[background chatter]
[smooth jazz music]
- I'm sorry to disturb
you so late, Janice,
but it's important.
- Well, don't keep me waiting. What is it?
- I have to make a trip to Hong Kong,
and I must leave early in the morning.
There's a man called Mark Forrest.
- Yes?
- We are one man short on the expedition
and that man is the most
important man of all.
- Mark Forrest?
And you would like me to
persuade him to come along?
- Why, yes. I have a picture of him here.
- Where do I find this elusive man?
- Cal will show you his regular haunts.
In fact, I think you'd better
take Cal along with you.
Some of them are not fit
for a girl to be alone in.
- And if I do?
- And if you do what?
- And I do persuade this
Mark Forrest to join you.
Do I come along, too?
- An expedition like this
is no place for a girl.
The terrain is rough. The
jungle is hot and unpleasant.
There'll be no washing facilities.
- Father, I'm a big girl now.
Well?
- All right. You can come along, too.
You haven't yet asked the
purpose of the expedition.
- I heard the word gold mentioned
when you and Mr. Larson were talking.
- It was left at the end of the w*r.
There will be a large
reward for the finders.
- Oh! I think it's going to be fun.
- I do hope you are right.
[upbeat jazz music]
[warm orchestral music]
- Well, hello.
Sit down, beautiful, and
I'll buy you a drink.
Mack, champagne for the lady.
- You haven't paid for the last drink yet,
or the one before that,
or the one before that.
- It's all right. I don't want a drink.
- You don't want a drink?
You come to a bar and
you don't want a drink?
She doesn't wanna drink.
- I came here to talk.
- We”, sit down and talk.
That's not gonna cost anything.
- Can't we talk outside
where it's quieter?
- Depends upon what you want to talk about.
- My name is Janice Jefferson.
- Oh.
Well, I'll save you some
time. The answer is no.
- But you didn't know what I have to say.
- It doesn't matter.
Won't matter what you say.
It's not gonna change my mind.
- I'll wait outside, just in case.
- You're gonna have a long wait, lady.
Mm.
Mack, come on. Let me
have another sh**ter, huh?
- Coming up, Mr. Forrest.
By the way, you haven't paid for the-
- I know, I didn't pay for the last one,
or the one before that
or the one before that.
That damn young lady.
Well, Miss Jefferson, you
said you wanted to talk.
How long were you prepared to wait?
- [Janice] All night, if necessary.
- Hm. All right, I'll listen.
Better be good.
[peaceful orchestral music]
Come on!
Put that over there.
- Yes, sir.
- And that, put it over there.
Keep it out of the center
way so we don't trip on it.
Come on, come on.
And that over there.
Come on, hurry up.
Over there, over there.
[rooster crows]
That's it.
- You be quiet now.
Shh.
- Keep it out of the passageway now.
- Morning, Mark. Everything okay?
- Won't be long.
- Good.
- Hello, Janice.
- Hi. Is it safe?
- It'll take a typhoon to sink it.
Hello, Cal.
- Hi, Mark.
- God.
Mr. Jefferson.
When I came to you with this
deal, you never said anything
about all these people
coming along with us.
- [Douglas] Yes, there are
more of us than we anticipated.
- What did you do, run an
ad in the local newspaper?
You could hardly have
been more successful.
- Okay, we're all ready!
Ready to cast off!
Let's go!
[bright orchestral music]
Your call was very welcoming, Mark.
My last job was finished,
and I would like to thank-
yes, Maria and I would like to thank-
- Aw, come on now. You
don't have to say anything.
That's what friends are for.
I didn't invite you here out of charity.
You know the jungle better than anyone.
- We missed you, Mark.
You were away a long time.
- Yeah, I hit the skids
there for quite a while,
but now things are lookin' up.
They're gonna be lookin' up for all of us.
- Can I get you anything, Boss?
- No, thank you, Cal. I have
Janice mothering me as usual.
[Cal chuckles]
- Sure looks lonesome out there.
That jungle holds many secrets.
- Nothing we can't handle.
- [Janice] You nearly caught me, you know.
- I did?
At what?
- Listening at the door.
- Oh, I see. And that's
why you came along?
- No.
- Uh-huh.
- Tell me, Mr. Larson. How
did you come by the map?
- An acquaintance of
mine left it in a will.
- Can I have a look at it?
Can I?
- "Map is of no value," Miss Jefferson,
"without man to interpret it."
- [chuckles] Was your
acquaintance Japanese, then?
- All that needs to
concern you, young lady,
is that I'm the man who's
going to interpret the map.
- Oh, I see!
It's your security.
- May I join you?
- Sure.
- I see you've fallen for Mark.
He's a straight enough guy.
- I haven't fallen for anybody.
- But why did you come on the expedition?
- To look after my father.
He's old.
- He looks as if he
can look after himself.
- It's his heart.
He has to take special pills
and he forgets to take them.
- Mark was my man for many years.
- Really?
- Everybody looks hungry. I
think we'll break out the food.
Janice?
- No, thank you. I've
just lost my appetite.
[Tobachi laughs]
- What the hell's so funny now?
- I think that man don't
like you very much. [laughs]
- Oh, you do, do you?
Well, the feeling's mutual.
He tried to k*ll me once.
- He must have a very
good reason. [laughs]
- Oh, what the hell would you know?
- I do hope we don't
live to regret this trip.
- Why, Father, what makes you say that?
Everyone looks so cheerful.
- We'll pull in here and camp the night!
- What the hell's going
on, Forrest? Why here?
- I hired Fernando to be our guide.
He wants us to camp here
tonight, we're gonna camp here.
- Well, just remember.
You were hired, too.
- You go ahead, Fernando.
Pick a place to camp.
I'll come along with the
others and bring the gear.
- Sure thing, Mark.
It's really good to be
working with you again.
- You made a proud man of him. Thank you.
- Aw, don't you say anything now.
Just seeing you with a smile on your face
is good enough for me.
- The English girl has
taken quite a fancy to you.
- Maybe, but I think she
gives everybody the eye.
- You know better. I used
to look at you that way.
[Mark whistles]
[birds chirp and tweet]
[Tobachi laughs]
[Janice laughs]
- What an extraordinary fellow.
[Tobachi laughs]
[chuckles]
[Tobachi laughs]
- And the snake bit him?
- Right on the end.
[group laughs]
- And he died?
- Yeah.
Nobody wanted to suck the poison out.
[Tobachi laughs]
Fernando, you take the third watch.
I'll wake you up around two
o'clock. Get some sleep now.
- Sure.
- Goodnight, Jefferson.
- Time you were in bed too, Janice.
We've got to make an early start.
- I'm very tired. I'm going to bed.
You coming?
- I'll join you in a minute.
- Okay.
[warm orchestral music]
- [Mark] Oh, it's you.
- Were you expecting someone else?
- You shouldn't be creepin'
up on me like that.
I could've shot you.
- I'm sorry, Mark. My
mind was on other things.
- Does Fernando know you're here?
- No, he's turned in.
I felt lonely.
I needed to talk to someone.
To you.
- I really don't think you should.
- Is it so bad being alone with you?
- Seven years is a long time.
I've changed. Everything has changed.
- What is seven years, Mark?
You know I can never forget
the time we had together.
The way we made love. The way you held me.
Stop it.
- So close, so very close.
- I said stop, that's enough.
- You don't mean that.
Say you don't mean it.
- Maria, I don't feel anything for ya.
Anything.
[brooding orchestral music]
[suspenseful orchestral music]
[snake hisses]
[snake hisses]
- Maria.
Don't move.
For God's sake, whatever
you do, don't move.
[snake hisses]
[Maria screams]
[yells]
[dramatic orchestral music]
[yells]
[Maria screams]
- What happened? Are you all right?
- He's bitten by a snake.
[Fernando groans]
Please, help him!
- What is it?
What's happened?
[Fernando groans]
- Cal! Cal!
- He's been bitten by a snake.
[Fernando groans]
[Cal spits]
[Cal spits]
Can you do anything?
- Fernando.
[g*n fires]
[Fernando groans]
[brooding orchestral music]
[hammering clacks]
All those years, he
never asked for anything.
And now he's dead.
He died, he died for what? I don't...
[birds tweet and chirp]
[insects buzz]
- I trust you're not going
to let the unfortunate death
of your friend affect your
role on this expedition?
- Don't you worry. I
hired on, I'll do the job.
But it is unfortunate.
Fernando was a good man.
- And that just may be, but-
- You and I both know that
we never really needed him.
It was his idea to bring him along.
Jailbird.
[Mark grunts]
- Forrest, stop it! Forrest, for god sake!
Tobachi, drag him off!
- You son of a b*tch, I'll k*ll you!
- [Douglas] Now are you
going to lead the expedition
or aren't you?
- Yes, yes, yes!
[sighs]
[Tobachi chuckles]
[boat engine hums]
- What you have there? Worry beads?
Are you worried?
- No, I'm not worried.
They bring me good luck.
[Tobachi laughs]
- Sure, he's worried, Tobachi.
At the overcrowding.
- Not made any easier by your presence.
- You should've stayed where you belong.
This company's too good for you.
- Where I've been, I've met
all the scum in the world,
but none to equal you.
[Tobachi laughs]
How long have you worked for Jefferson?
- 30 long years.
- You ever think about quittin'?
- Well, my father worked
for him and when he died,
I didn't have any place to
go, so I just stayed on.
- You know what I can't figure out?
Jefferson, with all his money.
Why would he go off on
an expedition like this?
- Well, the money was Mrs. Jefferson's.
Ever since she died, he's been
trying to prove to himself
he can make it on his own.
Now he's doing it for Janice.
- Well, maybe at one time,
but I think he has a different motive now.
- Excuse my curiosity, Mr. Larson,
but are you looking for the lost gold?
- Where did you hear about the gold?
- Hell, everybody here
knows about that legend.
You're not the first to
hire this boat, you know.
- Ah.
Anyone ever find it?
- Not as far as I know.
- Yeah.
That figures.
[leaves rustle]
[birds tweet and chirp]
- Oh, Forrest needs to
take a look at the map.
If we're ever going to make
any headway out of here.
- So?
- Just as Fernando had to see the map.
- Here.
[brooding orchestral music]
- The jungle is so beautiful, isn't it?
- Yes.
This is my favorite time.
We would sit here at
the edge of a clearing,
and just look out into the trees.
We were so much in love.
- I thought you and Mark-
- What we had was a long time ago.
I realize that now.
I tried to relive our time together.
For a moment, I thought I could.
- Look, I'm sorry if I
seemed cruel to you before.
I'm so sorry about Fernando.
- Maybe if I had been with
Fernando, and not with Mark,
he might be alive now.
- You mustn't blame yourself,
Maria. You weren't to know.
Look, I'll stay away
from Mark from now on.
- No.
I know Mark.
Even if you did so, he
would never come back to me.
[suspenseful orchestral music]
- Sit down, won't you?
For two years, I've been searching
and hunting for you.
I thought that you were dead,
that I'd lost you and you were gone.
But then your name,
and suddenly you're here.
For five years,
locked in my concrete cell,
with only one thought in mind.
And now you're here.
There's no escape for you.
No way out.
- Somebody had to be the fall guy,
and you drew the short straw.
But things are different now.
There's a lot of gold
out there. A lot of it.
We can all be rich!
That's what we're here for.
- I didn't come for the gold.
I came for you.
So you can start thinking of when
and how.
[suspenseful music]
- Here. Fill this.
[water splashes]
[ominous orchestral music]
[birds tweet and chirp]
[porter screams]
[water splashes]
- What are these tracks?
- This is crocodile country.
- This shirt belongs
to one of our porters.
- Uh-huh. Does a porter wear a Gucci hat?
- What do you mean? It's no joking matter.
- Well, if this belongs to
who I think it belongs to,
it isn't a joking matter.
- Larson? Why, that's impossible.
- Mr. Jefferson, Larson and
one of the porters is missing.
- Funny time for him to be missin'.
- Why do you say that?
- Well, how the hell can we go any farther
without the rest of the map?
- I took the precaution of
securing the map yesterday.
- Less people, more gold.
[laughs]
- [Douglas] We're going
to see the boat off.
Why don't you come along, Janice?
- Oh, all right.
[birds tweet and chirp]
[boat engine hums]
[water splashes]
[water splashes]
[water splashes]
- Hey, Mark.
You get some rest.
I'll take the first watch.
- I hope I'm not disturbing you.
Thanks.
[warm orchestral music]
- Well?
- I just wanted to talk.
- Well, you don't mind if
I just listen, hmm?
I'm sure you didn't come here
just to discuss the weather.
- Maria and I were discussing you today.
- Oh, I see.
What was said?
- You two were very much
in love, weren't you?
- Yes, that's right.
That was a long time ago.
- Even after Fernando...
I'm sorry. I know he was your friend.
- He was more than my
friend. I owe him my life.
- Do you want to talk about it?
- Not really.
It happened in Korea.
Seems so long ago.
- And after?
- After, I went on a mission,
and Maria moved in with Fernando.
That's the end of the story.
- Why did you hate Larson?
- Say, you are inquisitive, aren't you?
I've got a question for you.
- Yes?
- What brought you to my tent?
- Not to discuss the weather.
[birds chirp and squawk]
[water splashes]
[ominous orchestral music]
[peaceful orchestral music]
[suspenseful orchestral music]
[music swells and intensifies]
[water splashes]
[ominous orchestral music]
[g*n fires]
- What the hell was that?
Where's Cal? He's supposed
to be on guard duty.
- That must be him sh**ting
at something in the jungle.
- He might need some help.
Let's go.
- Let's go, come.
[g*n fires]
[dark orchestral music]
- Hey, Cal. What the
hell are you shootin' at?
- Maria's dead. I tried
to get your attention.
- Oh, my god!
Oh, my god, Maria.
Oh, no. Not her too.
Well, how did it happen?
Well, you were on guard duty!
You must've seen something.
- I saw Maria going through the
clearing and I followed her.
Then I heard the noise in the trees
and I stopped to investigate,
but I didn't see anything,
then I headed out after her again
and I found her lying in the water.
- Maybe that man k*lled the girl.
- Hey, man, I liked her too
and she was too young to die.
You keep lookin' at me like that,
I'm gonna bust you in the mouth.
- You threaten me?
I k*ll you!
- Okay, you two. This
won't resolve anything.
It's obvious the girl drowned.
- Drowned? What the hell
are you talkin' about?
She could swim before she could walk.
No, somebody or something had to k*ll her!
- I admit the whole
affair is very strange,
but accidents do happen.
- Now what the hell are you talkin' about?
Four people have died already.
Are you tr yin' to tell
me it was accidental?
No, I don't go along with that.
- Look, Forrest, if you're accusing Cal,
he's been with me a lifetime.
- I'm not accusing Cal!
- We were all in the camp.
Only Cal was in the forest.
Only he could have done it.
- I can see that talking
isn't going to do any good.
We must take more care.
My god, Janice!
Janice!
Janice!
Have you seen Janice?
Oh, there you are.
- Father, what's the matter?
- Thank God you're safe.
There's been another accident.
- Another accident?
- It's, it's Maria.
She's, she drowned.
- Oh, my God.
[brooding orchestral music]
- Why are we stopping?
- Keep hearing those sounds.
- Jungle sounds. Nothing to worry about.
- I'm sorry, Forrest,
but we must press on.
Nothing must stop us
from reaching our goal.
Nothing.
- Nothing, father?
[bright acoustic guitar music]
[Cal gasps]
[Tobachi grunts]
[tense music]
[grunts and groans]
[grunts and groans]
[grunts and groans]
[Tobachi and Cal laugh]
- The porters! They've gone!
- They took off in the
middle of the night.
- But how? Why didn't you stop them?
- They'd have gone sooner or later.
And I should've gone along with 'em.
- But the gold. Who is
going to carry the gold?
- Oh, your gold. That's
all you can think about.
With all these deaths,
it's your lousy gold.
- Just get me there and I'll
see you get a fair share.
[suspenseful music]
[leaves rustle]
- We don't have to cross
that bridge, do we?
- Just follow behind me.
You'll be quite all right.
- I'm not going to cross this bridge.
- Aw, come on, Tobachi.
Come on by me.
- I'll never cross.
- Come on, Tobachi.
- No!
- Come on, man.
[grunts]
- No! No, never.
Never!
[Cal groans]
[Cal screams]
[ominous orchestral music]
[suspenseful orchestral music]
[leaves rustle]
- Uh-huh.
Well, according to the map,
we should be coming
very close to the cave.
- Yes, it's shown quite clearly.
Does this area look familiar you, Tobachi?
- 36 years later, area looks much changed.
I will remember when we find the cave.
- You know, if we can get off that ridge
and get down that ravine,
we'll be in business.
Jefferson?
Where did he go?
He shouldn't be going off like
that. That's very dangerous.
Jefferson!
[tense orchestral music]
[birds tweet and chirp]
Jefferson!
[Douglas screams]
[dark orchestral music]
No!
No, don't look, Janice.
[Janice screams]
[ominous orchestral music]
This must be the cave.
What do you think, Tobachi?
- Yes, yes. This is the
place we fought the natives.
- We'll all be k*lled. That gold's cursed.
Oh, my father's dead. We'll all be k*lled.
Why did we ever come
into this damn jungle?
- Oh, honey, everything's
gonna be all right.
Look, we've come this far.
Let's go in and see if
the gold is really here.
[suspenseful orchestral music]
- We go this way.
- Is this the place?
Oh, watch the rock.
[suspenseful music]
- Ah, this place we hide the gold.
[rocks clack]
Ah! There.
- Who were they?
- I don't know. Ask him.
- [Tobachi] We find gold, I keep half now.
- Why don't we divide it equally?
There's three of us here.
- [Tobachi] No!
[screams]
[tense orchestral music]
- Janice?
Janice?
Janice.
Janice!
Oh!
Janice.
Janice!
Are you all right?
- Yes.
- What happened to you?
- Someone grabbed me from
behind and dragged me off.
- Well, who was it?
Let's go back and check.
Can you make it?
Okay.
Watch your step. It's very slippery.
[suspenseful music]
Where is he?
I left him right here.
[Janice screams]
Jesus.
- Oh, Mark, please let's leave now.
- No.
There's someone else in the
cave and I wanna know who.
- Really?
No unnecessary moves,
unless you wanna be next.
- So the devil appears again.
I might've known.
- I thought, I thought he
was dead. What's going on?
- Greed.
Just plain greed. He wants
all the gold for himself.
- Save your breath,
Forrest, you're gonna need
all your strength to carry
that load out of here.
- Then it was you who k*lled my father.
- Well, that was unfortunate.
It was meant for lover boy here.
- You b*stard.
- Stuff yourself in that hole, Forrest.
And pull that gold out.
I always said there were too
many people on this trip.
[rocks thud]
- What're you going to
do with all this gold?
You gonna buy yourself a new conscience?
- [Rex] You don't suppose
I'm gonna share it with you.
- Then you would've
k*lled my father anyway.
- [Rex] No, I don't think so.
I think I could've got
him to see things my way.
Especially since you were here.
- You are a b*stard.
- [Rex] Listen, I can k*ll you now.
So get on with it!
- Aren't you gonna help?
- [Rex] No, I think I'll just watch.
Get on with it!
[Mark grunts]
[Mark grunts]
[Mark grunts]
- You have a lot to answer for, Larson.
Five years is a long time.
- [Janice] What do you mean, five years?
- Oh, haven't you told her?
How you did five years?
- All right.
Larson and I were partners long ago.
Yeah, it's not easy to believe, is it?
And we needed financin'.
And so he found us a financier.
A government man. A government official.
But the money belonged
to the Java government.
Of course, they found out about it,
and he got tipped off and left me behind.
I got five years in prison.
- The trouble with you,
Forrest, is you talk too much.
Now get that crate open!
Don't get clever, Forrest.
[hammering thuds]
[ominous orchestral music]
[Janice grunts]
[groans]
[g*n fires]
[tense orchestral music]
[g*n fires]
[birds squawk and chirp]
[tense orchestral music]
[Janice yelps]
[g*n fires]
[screams]
[dramatic orchestral music]
Let's go home.
[bright orchestral music]
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Invaders of the Lost Gold (1982)
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