(ominous synth music)
(ominous synth music)
(FleshEater growling)
(ominous synth cont.)
How far is this place, anyway?
Pass one of those over here.
(people chattering)
No, pass it down.
All right.
(people chattering)
Give me a kiss, give me a Kiss.
(cross talk)
- That's good.
- This is so much fun.
Those guys.
I'm Ralph.
- Ralph.
- Ralph.
(indistinct chatter)
(engine rumbling)
Here you go.
- Oh, great.
- Now, come on.
You tell me this isn't better
than any frat party on Halloween, huh?
This is gonna be the best
Halloween you guys had.
I'm telling ya.
(engine rumbling)
(indistinct chatter)
[Sally] I can't wait
to get (indistinct).
(distant chatter)
(engine rumbling)
- Where's he taking us?
- Sally's hiding
a beer over there.
- I don't know,
this is a long ride.
- I know.
- Yeah, well...
- I hope we don't
get too cold tonight.
- I know, I tell ya.
- I don't have a jacket.
- No one wants to share.
Hand me over another beer,
would you, please? Please?
(cross talk)
(laughing and chatter)
(engine rumbling)
I'm tired of being the one
supplying all the time.
(group laughing)
(indistinct cross chatter)
We're gonna build a fire.
First thing we're gonna do
is build a big fire.
- Yeah.
(indistinct chatter and laughing)
- It's beautiful.
- There we go.
- Finally.
- This is a great idea.
Hey, don't forget the cooler.
I got the beers, I got the beers.
All right.
Lisa, grab the radio, please.
Anything else?
And the sweatshirt.
Oh, how sweet.
There you go.
Come on off, Kim.
(thuds on ground)
Come on, I got you.
There you go.
You know, I'll bet these woods
get pretty g*dd*mn scary at night.
Who knows what might happen to us up here?
(ominous synth music)
Remember Sammy Perkins?
- Yeah.
Sammy and his girlfriend came up here
about a year or so ago to go parking.
Nobody's ever seen them since then.
Sammy joined the Army.
Yeah, and his girlfriend
Janie got pregnant,
went to Virginia to have
the baby at her aunt's.
That's what everybody thinks,
but a good source told me
that they were m*rder*d
right up here.
(laughing)
This guy is full of sh*t.
The story goes like this.
Old man Spence's dog came home one day
with a man's hand in his mouth.
And on it was a class ring
with the initials S.H.P.
Those are -- or should I say
were -- Sammy's initials.
Why don't you knock it off, Eddie?
Talk about something else.
Yeah, she's right.
Why don't you save the horror stories
for around the campfire?
(leaves rustling)
What's gotten into her?
Hey, Lise, why don't you
give our friend Eddie
some of this, huh?
Maybe he'll get stoned and fall asleep
and we won't have to
listen to him anymore.
No, thanks.
- Here.
- Hey.
Why don't you ever kiss me like that?
Well, maybe if you had
t*ts like her, I would.
Go to hell.
Hey, Lise.
Give me a break, will ya?
Here, this ought to cool you off.
(can spraying)
You as*h*le, Eddie.
This is a brand new blouse.
Grow up, Eddie, will ya?
What an as*h*le.
(leaves rustling)
(metal clangs)
(engine rumbling)
(engine revving)
(engine cuts)
(leaves rustling)
(ominous synth music)
(leaves rustling)
(ominous synth cont.)
What the hell is this?
(leaves rustling)
(ominous synth cont.)
g*dd*mn college kids on my property again.
(leaves rustling)
(ominous synth cont.)
What the hell is this?
Some kind of joke?
(ominous synth music)
(rock clattering)
(ominous synth cont.)
(wood thuds)
Jesus, what an ugly son of a b*tch.
(intense music)
(man screaming)
(growling and choking)
(body thuds)
(intense synth music)
(growling, snarling)
(intense synth music)
(growling)
(rock and roll music)
I feel like dancing.
♪ When you're having fun ♪
♪ You know you want to dance ♪
♪ This might be the night ♪
♪ For a new romance ♪
(people chattering)
♪ So kick off your shoes ♪
♪ And come on and dance ♪
(laughing)
♪ If you change your mind ♪
♪ Baby, we might find ♪
All night long, come on.
All night long.
♪ I might be the one ♪
♪ To take you home tonight ♪
Come on.
(laughing)
♪ And if you're having fun ♪
♪ You'll make me feel all right ♪
Let's dance!
(people chattering)
(chatter and laughter)
Why don't you come up and dance?
No, no, no, I'm watching you.
Oh, come on.
Oh, fine, just a little bit.
All night long, come on.
All night long.
(chatter)
Come on.
Lisa, what the hell are you doing?
Come on, with everybody watching?
You're worse than Carrie.
(laughing)
Yeah, right.
Hey.
(people chattering)
(rock music)
(ominous synth music)
(growling)
(birds chirping)
(grass rustling)
Give me that blanket.
Help me.
(hay rustling)
That's good.
Come on.
I've been waiting all
day to be alone with you.
What's your hurry?
We got all night.
Why are you holding back?
Didn't you want to be with me?
It's not that, it's just...
everything is going so fast.
This is our first night out, you know.
Are you saying I'm too pushy for you?
A little.
It's just... I don't think I'm ready
to get serious with anybody right now.
Who said anything about getting serious?
I just wanted to get together with you
and have some fun, you know, fool around.
First time I met you at Julie's party,
I wanted to be with you.
Well, maybe you don't understand
what I'm trying to say,
but when Julie fixed us up
to go on this hayride together,
I was really excited about it.
I mean, you are really cute.
And I haven't been out
with a lot of girls.
I just never had any girl
treat me the way you have.
Well, I'm sorry.
I don't mean to come on so strong,
but it's just that I really like you,
and I want you to know it, you know.
So why don't you come a little closer?
Come here.
(hay rustling)
(birds chirping in distance)
(woman breathing heavily)
(door thuds)
Did you hear that?
Something's in here.
(ominous synth music)
I'll bet it's that damn Eddie.
If it is, I'm gonna k*ll him.
Is that you, Eddie?
Little pervert.
You think you'd sneak in here
and get yourself a cheap thrill?
Get out of here, Eddie.
(ominous synth music)
(growling)
I don't know who the f*ck you are, man.
Get out of here.
(yelling)
(body thuds)
No, no...
No!
(growling)
(dramatic synth music)
Oh, sh*t!
(growling)
No, no!
(yelling)
(grunting, choking)
(dramatic synth music)
(growling)
(gasping)
(growling)
(intense synth music)
(group chattering and laughing)
You guys want to play
Frisbee or something later?
What do you think?
- Yeah, yeah.
- Is that bullshit or what?
No, it's real nice out there.
Yeah, why not?
We can do that later.
- lt is.
Later.
We're here to drink beers.
Who got the beer, anyway?
(indistinct chatter)
Yeah, could you throw me one, please?
Sure.
(chatter and laughter)
I'm not kidding.
It's okay.
Yeah, quit your complaining, will you?
It's gone.
- Yeah, it is.
What can I say, I started it down there.
Well, I don't know.
Hey, Lise,
you better make sure Ralph
doesn't drink all the beer.
(laughing)
He's been going at it pretty good
ever since the hayride.
(laughing and chatter)
Eddie, you as*h*le.
(laughing)
You're stupid.
(group chatter)
Before you get too comfortable,
I suggest you gather up some firewood.
- Yeah, firewood.
- That's not a bad idea.
What time are you coming back
to pick us up, anyway?
It's up to you.
I can pick you up anytime
from midnight 'til tomorrow morning.
Yeah, tomorrow morning sounds good.
(laughing)
If you want to stay here
tonight, that's fine by me.
But I'd like to warn you
that it gets mighty cold up here,
and all you have is those blankets.
Well, Carrie and Bill could
stay warm in a snowstorm.
(laughing)
But I'm not sure about the rest of us.
Tell you what, I'll
come back at midnight.
You tell me by then, okay?
All right, that sounds good.
(leaves rustling)
Well, better go get some firewood.
I ain't getting no
firewood without some beer.
Hey, Kim, right here.
Here you go.
(group chatter)
(leaves rustling)
I'm not carrying it.
Come on, please.
- Or else what?
- You can carry this.
I'm always carrying everything.
Well, show me where there's lots.
Well, there's lots.
There's a good one,
right over here.
- Aw, babe.
We can't even use that for kindling.
Yeah, look, it's good, it's old.
This is good and old.
- Now, give it here.
I'll break it.
- Thanks.
Did you hear that?
(growling)
(intense synth music)
Hey, it's only me.
Man.
(laughing)
Eddie, you really are an as*h*le.
Did you know that?
Oh, I scared you, didn't I?
Yeah, well, you're a
real jerk, you know, man?
Why don't you just stop playing your games
and give us some help here?
Oh, excuse me, boss.
You see, I must have come up here
with the wrong impression.
I thought we were here to have fun.
Yeah, well, you call that fun?
Yeah.
Here, carry that.
(leaves rustling)
(leaves rustling)
(engine stutters)
Come on, damn it.
(engine stutters)
sh*t.
(birds chirping)
(dramatic synth music)
You scared the sh*t out of me.
Oh, hey, man. I didn't
mean to scare you that way.
Well, you did.
Sorry.
Listen, we're going through beer
a little faster than
we figured back there.
Any chance you'd bring us back
a couple six packs when
you come back later?
Sure, why not?
(leaves rustling)
Kids.
You didn't bother me,
but you scared Lisa.
You know what I mean?
He didn't mean anything by it.
It's only a joke.
Come on, we're up here for fun.
Hey, it was pretty serious.
(group chatter)
Well, you take care of the beer?
It's handled.
He's gonna bring back a couple six packs.
- All right.
- Aw, damn.
I should have asked him
to get me cigarettes, too.
Well, I haven't heard
the tractor start yet.
Do you want me to try and catch him?
No, no, sit down. Sit
down, relax. I'll do it.
I need smokes, too.
What kind do you want, Kim?
Kool, thanks.
Kool.
(group chattering)
Did I miss anything?
(leaves rustling)
(ominous synth music)
Now what?
(choking)
(growling)
(ominous synth music)
(growling)
(screaming)
- Hey, Eddie. Eddie.
- What?
How long has Lisa been gone?
- Take a walk.
- I don't know,
it's been a while.
Hey guys, I think I'm
gonna go check it out.
See where she is, all right?
- All right.
- I'll be back.
- Be careful.
- I will.
(leaves rustling)
(intense synth music)
(growling)
(screaming)
(Lisa screaming)
- What the hell?
- Lisa!
(leaves rustling)
(intense synth cont.)
(growling)
(grunting)
(body thuds)
(stick thuds)
(growling)
(intense synth cont.)
Bob! Kim!
Oh, man...
(gasping)
God, what happened to her?
Something attacked
her in the woods, man.
Look at her shoulder.
It bit right through her.
sh*t, she's bleeding bad.
We gotta get out of here.
We gotta get out of here now.
What about that farm house we passed?
Whatever we gotta do,
we gotta do it quick, man.
Come on, go!
Wait, what about Bill and Carrie?
Oh, Jesus, I forgot about them.
Look, take her up to the farm house.
Me and Sally are gonna
go get Bill and Carrie.
We'll meet you there.
All right, be careful.
Come on you guys, go!
- Come on.
Go! Tony, help me out, please.
(chatter)
(intense synth cont.)
(intense synth music)
(birds chirping)
(leaves rustling)
(intense synth cont.)
Carrie, Bill!
Carrie? Bill?
(gasping) Oh, God.
(growling)
(dramatic synth music)
Jesus Christ.
Sally, come on, let's get out of here.
(suspenseful music)
Let's go.
Hold her tight, come on.
Come on.
- Slow down, Tony.
Slow down.
- Come on, come on.
Hold on, baby, we're almost there.
Come on, I got you.
I got you, come on.
Come on, you're there.
- It's gonna be all right.
Come on, come on.
(suspenseful music)
Tony, run ahead and get the door.
- All right.
- Let's go, hurry up.
Come on! Come on!
- All right.
- You're gonna be all right.
- Come on.
You're gonna be all right.
You're gonna be okay.
Let's go, come on.
(door opens)
Let's go!
f*cking bit right into her shoulder.
Get her in here, get her in here.
(door slams)
Everybody in, shut the door.
Come on, baby, come on.
(gasping)
Come on, all right, in here on the table.
Let's go, honey, I got you.
On the table, lay on the table.
Kim, help me out, please.
(gasping)
Move her back some.
Oh, Jesus Christ.
(gasping)
You're okay.
Hey, Julie, what I want you to do
Is look around the place, okay?
Find anything we can use
for weapons, all right?
You guys, come on,
there's gotta be some hammer
and nails around here.
Find it, board up the front door.
Tony, you count all the windows
and board them up, too, all right?
All right.
Here.
Got some nails, here.
- All right.
- Go board those things up.
(tense music)
- Look what I found.
- Oh, fantastic.
Tony, make sure you
board up that door first.
Hey, you can't do that.
What about Bob and Sally and the others?
You can't leave them out there.
- The hell we can't.
- Eddie!
They should have been here by now.
Tony, board it up. Now.
Lift your head up, Kim.
(Kim gasping)
You gotta do something.
Hold on, babe.
Hold on.
We're gonna have to
stop that blood somehow.
Give me your band an a.
(gasping)
Lise, baby, come on.
(gasping)
(shushing)
Come on now.
Put it on, put it on it.
Just hold it down, hold it tight.
Hold on tight.
I know it's gonna hurt, baby.
You gotta take it, hon.
Come on, it's gonna be all right.
Just hold on. Hold on to me.
Lisa, Lisa!
Oh, baby.
(hammering)
(indistinct chatter)
Get that window.
Go get some nails and some
boards for that window.
Go get that thing taken care of.
Okay, all right.
(tense music)
(door pounds)
What the hell?
Ralph, open the door.
(bangs on door)
- No!
- Come on, man.
These things are right behind us.
It's too late!
Go find someplace else to hide!
Oh, you b*stard!
(bangs on door)
(ominous synth music)
Come on.
That f*cking Eddie.
When we get out of here,
I'm gonna k*ll him.
What's happening?
What's going on? I don't understand.
Was Carrie dead?
Yeah, and Bill too.
I don't understand what's going on.
But we're safe down here.
We'll be all right.
Eddie, what's going down?
Nothing.
Who was at the door?
No one.
Man, I heard you talking to somebody.
Who was at the door?
It was Bob and Sally.
Why the f*ck didn't you let them in?
We can't.
Those things are too close.
We can't take the chance.
What are you talking about, man?
You're crazy.
- Ralph, no.
You son of a b*tch.
You're gonna leave them out there to die?
Those things are too close.
We can't take the chance.
You mother --
You b*stard.
Get away, or I swear to
Christ, I'll sh**t you.
Yeah?
How's that, boy?
(body thuds)
Huh?
How's it feel being on
the other side of the g*n?
- Ralph...
- I ought to blow your
f*cking head off.
- Don't do it.
Don't do it.
Eddie, come here, hurry up!
What's up?
Ralph, this phone works.
There's a dial tone.
You gotta be sh1tting me.
On... all right!
(phone dialing)
Come on.
(phone ringing)
(ominous synth music)
911 is your emergency
or medical assistant,
how can I help you?
Hello, I know this is gonna sound
a little screwy to you, all right?
But there were a bunch of us,
and we were at Spence's farm,
which is off of Route 5,
and we were taking a hayride,
and we were attacked.
[Dispatcher] Attacked?
We were attacked by some kind of a --
- Man.
- We were attacked by a man.
Some kind of a lunatic.
It was a monster.
Some kind of a monster.
Now, was this monster a Godzilla type,
or a Frankenstein type monster?
Look, I don't have the time
to be jerked around right now.
You have got to believe me.
Just send somebody out to
Spence's farm on Route 5, please.
Sir, it is Halloween.
If I send an officer out there
and we find out it is a prank,
you're gonna be in more
trouble, I assure you,
than any monster could ever give you.
This is no prank, okay?
Could you just believe me and
send a policeman or somebody
out to Route 5? 7 Spence's farm.
My girlfriend's been hurt.
The least you can do is send an ambulance.
There's a bunch of us.
We're holed up in some old
kind of farm house here.
(phone line rips)
No...
(dial tone)
(phone thuds)
The line went dead.
Oh, no.
Well, finish boarding up the windows.
All right.
(hammering nail)
(nails clatter)
(hammering nail)
No way those things
are gonna get my a*s,
no way in the world.
(hammering cont.)
Hey, Lise.
Has the bleeding stopped at all?
I think so, but she's still unconscious.
- Jesus Christ.
- Let me get this over her.
You're gonna need this.
That's okay, she needs it more.
She might be okay if help comes.
(hammering)
All right, that should hold it.
God, Tony, I'm so scared.
Oh, I know.
Look, I'm sure everything's
gonna be all right, okay?
Do you really think
that's gonna keep them out?
I'm sure it is.
And somebody's gotta be on the way.
I hope so.
Look, I'm gonna go and make sure
everything else is secure, all right?
- Okay.
- Okay.
(smashing window)
(screaming)
(tense synth music)
Tony!
Ralph, get in here!
(smacking)
sh*t!
Move out the way.
- sh**t her out!
Move out of the way and I'll sh**t her!
Move it!
Oh god, it's Carrie!
(growling)
Well, get the f*ck
out the way, I'll sh**t!
sh*t.
(door pounds)
(yelling)
Ralph! Ralph!
(door bursting open)
sh*t.
(g*n fires)
That sounded like a g*n shot.
Where did they get the g*n?
I don't know,
but maybe they'll k*ll those things off.
All right, now you
board up that door now!
(tense synth cont.)
Tony, get in there and help Eddie.
Right.
Was that Carrie?
No, she must have ran off.
That was the driver, I think.
Came right in through the door.
Well, did you k*ll him?
(hammering)
What do you mean, did I k*ll him?
Aren't they already dead?
I don't know, I shot
him right in the face.
Isn't that enough?
Do you think help's gonna get here?
(hammering in background)
Look, Julie.
We called, all right?
If they're gonna come,
they're gonna come soon, okay?
(suspenseful synth music)
(window smashes)
(growling)
(screaming)
Oh, my god!
(suspenseful synth cont.)
(yelling, growling)
Kim!
Jesus Christ, Kim! Kim!
(tense synth music)
(growling)
No, no!
(gurgling)
sh*t.
(suspenseful synth music)
Oh, my god!
(growling, snarling)
(g*n firing)
(screaming)
(body thuds)
(music softens)
(door slams)
(tense synth music)
(growling intensely)
(wood thuds)
(screaming)
Tony!
(growling)
(screaming)
(grunting)
(tense synth music)
(smacking, growling)
(screaming)
(snarling)
(cables thudding)
Oh, it's horrible.
I feel so scared.
(thudding, rumbling)
(gasping)
(shushing)
We gotta keep quiet.
Harv, come in, please.
Yeah, Terrie.
Harv, this is dispatch.
We seem to be getting a report
of some disturbance on
old man Spence's farm.
Spence's farm?
Yeah, we want you to go
down and take a look, okay?
Some crazy kid called here and said
he and his friends were
holed up in a tool shed,
and they were being
attacked by some monster.
Sounds wild.
It's probably a crank,
'cause it is Halloween,
but he did sound serious.
We may have some kind
of trouble out there.
Okay, I'll check it out.
Yeah, keep an eye out for
old man Gornick's son, too.
He was driving some kind
of a hay wagon this morning
and he just vanished.
His mom called and said
he never came home,
so there might be some
kind of trouble out there,
I don't know.
Okay, you got it.
Thanks, Harv.
(engine rumbling)
(crickets chirping)
(ominous piano music)
(door slams)
(water running)
(tapping bowl)
Chris, mom told you to wait.
Who cares?
You're gonna get in trouble.
(footsteps tapping)
Oh, Chris, I asked you to wait
until I was finished with your sister.
Look at the mess you're making.
Now we've gotta hurry up.
Okay, let's put a little bit of this on
and we'll be all ready to go.
(ominous piano music)
(water running)
(door squeaks)
(ominous piano cont.)
(ominous piano music)
(hair dryer blowing)
(ominous synth music)
What's taking Susan so long?
I think she's in the shower.
I heard water running.
I'll be right back.
(footsteps)
(ominous synth music)
Susan!
Susan, can you hear me?
(hair dryer blowing)
Yes, I heard you.
Please hurry.
The Kids are anxious to go
and I need you to answer the door for me
til my husband gets home.
I'll be down in a minute.
(hair dryer blowing)
(ominous synth cont.)
Do you want a caramel apple?
Yeah.
I'll get it for you.
No, no, no, no, no. Not
two messes now this evening.
Later, we'll do that later.
Okay, Heidi, let me put a
little bit of this on you,
and we'll be all ready to go.
(knock on door)
Damn, the trick-or-treaters
are here already.
Aw, can I get it, please?
I want to see how they're dressed.
Okay, honey.
The candy's in the
basket by the front door.
But just one piece of candy
for each trick-or-treater.
Okay?
- Okay.
(ominous synth music)
Wow.
You're supposed to say, "Trick or treat!"
(growling)
(Heidi screams)
(candy thuds)
(growling, snarling)
I'm gonna go check on Heidi.
I'll be right back.
(suspenseful synth music)
Heidi! Oh, god, Heidi!
(growling)
(screaming)
Mom!
(growling)
(tense synth music)
(door thuds)
(growling, yelling)
(suspenseful synth music)
(screaming)
(growling, snarling)
(thuds)
(growling, gasping)
(screaming)
(tense synth music)
(fabric tearing)
(snarling)
(tense synth music)
(engine humming)
(car door slams)
(crickets chirping)
(ominous synth music)
Susan.
Susan?
(ominous synth music)
Susan?
(knocking on door)
Susan?
Oh, my god. Susan.
Oh...
(tense synth music)
Jesus Christ.
(growling)
(all snarling)
Oh, god, no.
(growling)
Terrie, I'm getting out of the car now.
(crickets chirping)
(ominous synth music)
Oh, Jesus.
(snarling, growling)
Halt!
(snarling)
Halt!
(hissing)
(g*n fires)
(growling)
(g*n fires)
(body thuds)
(snarling, growling)
(g*n fires)
(body thuds)
(gasping)
(tense synth music)
(door slams)
Terrie! g*dd*mn it, Terrie,
open the radio!
(snarling, growling)
Please, get on the radio.
I need help quick.
I'm at Spence's farm.
These kids have turned into maniacs.
They're trying to k*ll my a*s!
(suspenseful synth music)
(growling, snarling)
(g*n fires)
Send help!
I'm wounded and these kids are not human!
I shot one in the chest,
but it never fazed him.
I shot two in the head
and I think they're dead.
(smashing window)
(screaming)
(window smashing)
(tense synth music)
(screaming)
(snarling, growling)
Harv, Harv, come in!
(dialing phone)
Vince, Vince?
This is Terrie from dispatch.
Yes, I sent Harv out to Spence's farm
for a disturbance and he called.
I think he shot someone,
or someone shot him.
I don't know, I lost contact with him.
I don't know.
He might be dead.
Something's really...
Okay, red ball it.
(ominous synth music)
(crickets chirping)
(cellar door thuds)
(suspenseful synth music)
Come on.
(gasping)
Jesus.
(tense synth music)
(growling)
(g*n fires)
Damn.
(items rustling)
Did we have a lot of
trick-or-treaters tonight?
More than I expected.
The Jenkins kids were here again.
Jeez.
So... so how long ago did
you run out of candy?
Must have been about half an hour
before trick-or-treat was over.
And by the way,
are you gonna feed the horses tonight,
or do I have to do it again?
Yeah, I'm gonna feed the horses.
I have my stuff right here.
Thank you.
(silverware clinks)
(clothes rustling)
(mug thuds)
(faucet runs)
(silverware clinks)
(door slams)
(ominous piano music)
(footsteps)
(ominous music cont.)
(gate rattles)
(gravel rustling)
(horse huffs)
(gasping)
Wait.
You all right?
- Yeah.
- Let's go, come on.
Wait.
How do we know he's not
one of those things?
We don't, but we gotta take a chance.
We gotta talk to somebody.
Come on.
(suspenseful synth music)
(horse whinnies)
Hey!
(gasping)
What the hell do you kids
think you're doing here?
- You gotta help us!
- Please, you gotta help us.
- Help you?
- We were up at the campsite.
- We're being chased.
- And our friends --
- Monsters or something.
- They're all --
Wait a minute, who's after you?
- Our friends.
- The monsters.
- They've all got k*lled.
- They're trying to eat us.
- Monsters? Wait a minute now.
- They're k*lling our friends.
Is this a Halloween gag, or what?
- It's no gag!
- This isn't any gag, man.
You gotta help us!
They're coming!
- They're chasing us.
You gotta get us out of here.
There's something in the woods.
And they're all coming this way.
Wait a minute, you're
serious, aren't you?
- Yes!
- I'm telling you,
they're coming after us.
You gotta get us to a phone.
There's police up here,
they couldn't help us.
Hold it, hold it.
How'd you cut your face?
- Listen, I'm okay.
- She's all right.
You just need to get us
out of here.
- Get us to a phone.
- Please, please.
- That's all.
We just gotta get out of here.
Listen, I'll let you go up to the house
and use the phone.
- Good.
We can straighten that
out up there, all right?
Now, come on.
This better not be any kind of Halloween
trick-or-treat thing.
(ominous piano music)
A Beaver County couple was charged
with running a sophisticated
prostitution service
that let clients charge their bill
on Visa and MasterCard.
- Look at this.
[Newscaster] The couple,
Josephine (indistinct),
surrendered to be with police today.
I'm not giving that to 'em,
you give that to 'em.
An escort service.
But the grand jury presentment
alleges the escort service
was a prostitution operation.
The Coraopolis Borough Water Authority
will raise its rates 18% next year,
and that means a typical customer
will pay $48 more a year.
The increase would pay for more than
one and a quarter million
dollar improvements
needed by the water authority.
Two homes were destroyed in
fire last night in Chippewa
and the cause of the blaze
is under investigation.
There is suspicion on this one.
It started in a home at
181 South Hope Street
and spread very quickly.
It burned about four hours
before being brought under control.
Total damage is listed at $80,000.
Fortunately, there were no injuries.
And out.
Break, 30 seconds.
(indistinct chatter)
- Your hair looks fine.
- Great.
- Check your makeup.
- Oh, thanks, Cookie.
I'm as pretty as I want to get.
(laughing)
Oh, boy.
I think I'm gonna let you read this one.
What?
[Producer] Standby,
coming up on one, please.
Oh, thanks.
[Producer] And...
We've just received
(ominous synth music)
What this newscaster thinks
is a very strange and unconfirmed report.
I repeat, unconfirmed report.
(door slams)
The Beaver Police Department--
- Jackie?
Informed us there have been reports
of some attacks by what they refer to
as people that appear to be dead.
As I said, we've not been able to verify
these bizarre claims,
and as we all know, it is Halloween night,
but just to be cautious,
we are asking that anyone seeing
any suspicious looking character
on or around their houses
(growling)
To call the Beaver Police Department.
Jesus H. Christ.
(suspenseful synth music)
- Oh, no.
- Holy sh*t!
How did she get in the house?
What the...?
(growling)
(suspenseful synth music)
Quick, save yourselves.
Get out of here!
(g*n c*ck)
(feet stamping)
(growling)
(suspenseful synth music)
(g*n fires)
(growling)
(screaming)
(choking)
(newscaster chattering)
(growling, snarling)
(people chattering, laughing)
(nozzle sprays)
(pop music in background)
So where the hell is everyone else at?
Ah, the hell with everyone else.
The most important people in the universe
are here tonight.
All right.
I am gonna drink you to death.
Never!
♪ Look at my honey ♪
♪ You know she reminds me ♪
♪ That I have to make that money ♪
♪ Just so l can see ♪
[Mad Mike on Radio] This is Mad Mike,
coming to you from the darkest shadows
this Halloween night,
reminding all you guys
to grab your ghoulfriends
and hold them close,
'cause it's a full moon tonight,
and who knows where the wolves are?
Why don't you get us a couple of beers?
[Mad Mike on Radio] I've got
another four in a row for you
from WHNG, starting with, "Starting Over."
Joanne sure makes
that cheerleader outfit
look good, don't she?
She does.
She looks a hell of a lot better
than the ones we have on campus.
Did you see the way
they checked out her a*s
when she walked by?
What do you expect?
They're only human.
Yeah, but they're our boyfriends.
Of course, you couldn't tell.
They haven't paid much
attention to us tonight.
All they've done is huddled together,
talk about football, and
check out other girls.
I've seen you check
out other guys' butts.
Well, I never should
have worn this costume.
Everybody here is dressed sexy except me.
I don't blame 'em for ignoring me.
Here, I'll fix that. Come here.
There.
Quit complaining, already.
Let's just have a good time.
Yeah, let's have some fun.
♪ As you know ♪
(music resumes)
♪ l left a wife and a child ♪
Oh, give me another one.
Sure.
Come on, Andy.
Don't you think you've had enough?
You're drunk.
Nag, nag, nag, nag, nag.
Why don't you just put
a leash around my neck
and drag me across the floor?
You've got your nerve.
Ah, you're no fun anymore.
I'm gonna go over here
and drink with those guys.
(ballad plays on radio)
What's the matter?
Can't your boyfriend handle his beer?
He flunked two of his
exams the other day.
I think he's trying to get
rid of his frustrations.
Well, you know,
a few frustrations
you know you'd like to get rid of.
I think I could take you under my wing.
Knock it off.
Save your passes for the
football field on Saturday.
Where's your date, anyway?
I don't know, she's around somewhere.
Well, I'm sure she
wouldn't appreciate you
hitting on me while she's gone, would she?
She doesn't care, she loves me.
Well, it bothers me.
♪ Starting over ♪
This is a really great party.
Yeah, it's getting better all the time.
I really like your costume.
Thanks, I like yours.
It's probably the best decoration in here.
That's a really great song.
Come on, let's dance.
You bet.
♪ Just get on your feet ♪
♪ Dance by yourself ♪
♪ I don't care ♪
♪ Practicing every day ♪
♪ Staring at basement walls ♪
♪ But I couldn't hear you ♪
♪ If you screamed at me ♪
♪ But I hope you'll come ♪
Why don't we head off somewhere
where we can be alone?
Yeah, you bet.
Come on, over here.
(hay rustling)
Why don't you turn the light off?
(hay rustling)
This hay is k*lling my back.
Would you go on the bottom?
You bet.
(hay rustling)
You know, my roommate
didn't even want to come
to this party tonight.
She said all you football guys
would do nothing but drink beer
and r*pe us girls.
Yeah, well, your roommate
don't know nothing.
Yeah, it's like when
I went off to college.
My dad said I better watch myself.
You know, with all those guys around.
Yeah, well, your father
don't know nothing, either.
Yeah, I guess I can take care of myself.
It's not like I'm loose or anything.
I'm particular about who I go out with.
I don't just date anyone, Paul.
Paul? Steve.
My name's Steve.
Yeah. Steve. I meant Steve.
I don't even know a Paul.
Oh, yeah, right.
Come here.
(hay rustling)
(music in distance)
(panting)
Sounds like a party.
No, they're not gonna believe us.
We'll make them believe us.
We have to.
No one else has to die
tonight, I promise you that.
Are you okay?
Yes. No.
I'm scared to death.
I guess I'm all right, though.
Look.
We're gonna make it.
We've come too far to give up now.
I can't take much more of this.
I really can't.
Sally, I love you.
I love you, too.
Come on.
(footsteps pattering)
Andy, do you realize your buddy Scott
is hitting on me?
He was just drunk.
He's drunk? What about you?
Well, somebody has
to drink all this beer.
Just because some people
didn't come to your party, Andy,
is no reason for you to get so drunk
that you spoil it for me
and everybody else.
(radio DJ chattering)
I went through a lot of trouble
to put this party together.
I don't hear anyone else complaining.
You're just complaining,
and I'm not drunk.
Andy, you're drinking too much.
Come on, just lay down.
Andy, come on.
- Leave me alone,
leave me alone.
- You're drinking too --
Hey, listen, we need your help.
We were with all our friends,
and we were attacked by --
- Let me explain.
Now, this is gonna sound very strange,
but you've got to believe us.
Who the hell are you guys?
What are you doing here?
I didn't invite you.
Where are your costumes?
You look like sh*t.
- Look,
I know we weren't invited,
but --
- Then what the hell
are you doing here?
Shut up, Andy. Let him talk.
Look, we need your help.
There's these people out
there, they're crazy, K*llers.
They're all over the place.
They k*lled all of our friends.
Look, they k*lled a cop
and some friends of ours.
They're heading down this way now.
Oh, if they're in
costume, they can come in.
If not, get the hell out.
Look, this is no joke.
Look, do you have a phone?
Is there anybody's car we can borrow?
- A car?
- Just...
haven't you been listening to the news?
It's all over the news!
- It was on the television.
We saw it.
- Come on.
There's people everywhere.
It's not gonna be long until they're here.
I think you've seen just one too many
cheesy zombie flicks, pal.
What in the hell is with them?
Oh, they're just a bunch of losers
that crashed the party.
Some people died tonight.
We're not lying to you.
There's something out
there on Spence's farm.
And it's gonna come up here.
You can't let them get you.
- They aren't even in costume.
Ah, here's a great costume.
Hello, my darling.
Come dance with me and
I will suck your blood.
(growling)
(screaming)
Oh, my god!
(screaming)
They're here.
(screaming)
(feet stamping)
(yelling in distance)
Come on.
This looks like a good place to hide.
Oh, my god.
(screaming in distance)
(growling)
(suspenseful synth music)
(growling, hissing)
(yelling, screaming)
(growling)
(wailing)
(girls screaming)
(thudding, pounding)
(wailing, gasping)
(growling)
(suspenseful synth music)
(screaming)
(growling)
(screaming)
(suspenseful synth music)
(distant screaming)
Oh, that damn Andy.
Probably started another fight.
I'm gonna go check it out.
Why don't you stay here.
Stay in the mood.
- Sure.
(hay rustling)
(all screaming)
(intense synth music)
What the...?
(fist thuds)
(growling)
(growling)
(screaming)
(intense synth music)
(screaming, growling)
[Mad Mike on Radio]
Hey, kids. Listen to this.
We interrupt our four in a row
with a news hit --
(screaming)
Of the dead walking the earth.
From Beaver County.
The zombies are on the prowl.
Hungry for living flesh.
So if a ghoul invites you to dance,
just say no. (laughing)
(ominous synth music)
Give me your attention, men.
I want you to understand
we have a dangerous situation here.
I've already lost one man.
Most of you knew Harv Morgan.
I want to get those
things that k*lled him.
Now, we're gonna split into groups.
No less than two people to a group.
We're gonna head west until
we meet up with a group
coming from the east with Deputy Garing.
What are we looking for?
Yeah, Sheriff, what are these things?
They're dead things.
They're dead and they're
attacking people, k*lling them.
Eating parts of their bodies.
Believe me, I saw what was left of Harv,
and I don't want anyone
taking any chances with these things.
What I want you to do is
get out there and k*ll 'em.
Don't try taking any prisoners.
Once you see 'em, sh**t 'em dead.
Now, the last message Harv
got through to the dispatch
was that you had to sh**t
'em in the head to k*ll them.
Hitting "em anywhere
else is not effective.
So aim for their heads, sh**t to k*ll.
Even if it's somebody you used to know.
Remember, they're dead
and they're dangerous.
If you don't k*ll them, they'll k*ll you.
Don't anyone wander off by themselves.
We want no mistakes and
no people getting k*lled.
Once you see 'em, sh**t 'em dead.
Vince, what I want you to do
IS go up on top of the hill over there,
use the scope.
Look around. You see
anything, yell down to us.
The rest of you, now,
we're gonna go off to the west,
break off in groups of
threes and scan this field.
All right, let's go.
(men chattering)
Deputy Garing.
My group's heading your way.
Start yours out now.
Send a couple men up
to check out the Dodi
house on Lonkard Hill.
[Deputy] Okay, Sheriff,
I'll start them out now.
Make sure Sergeant
Mitch takes his group out
to check the Zipid Farm
and Doc Petragula's place.
I want it cleared all
the way to Manns Creek --
(gravel rustles)
(doors open)
[Deputy] Okay.
[Sheriff] Base, base!
(doors slam)
Come in, base.
[Dave] Base, Sheriff.
[Sheriff] Dave, who the hell
let those news people through?
I told you, nobody
passes those road blocks
without my okay, damn it.
Now, follow orders.
Nobody else through
without my authorization.
You got that, Dave?
[Dave] Got it, Sheriff.
(gravel rustling)
What's going on here, Sheriff?
Basically, all I can tell you
is we got some things running around
out there k*lling people
and we're trying to get it under control.
What are these "things,"
as you call them?
Right now, I couldn't
tell you precisely.
You know, you're being
pretty vague about all this, Sheriff.
Well, I can't be any more
precise than I've been.
We just don't know right now.
Well, do you suppose
this has any connection
to reports we had years back
about a Satanic cult that
was operating out here
at Spence's Farm, and as I remember,
there was reports of human sacrifices
and other occult occurrences.
Well, I was just a rookie on the force
when all that happened,
so I really couldn't answer.
Although, we do have somebody
investigating that right now.
Do you have any idea how
many you've k*lled so far?
I couldn't give you an
exact number, but quite a few.
Now, these things, as you refer to them,
I understand they may be local Kids.
Shut that damn camera off.
We don't know whether they're kids or not,
and we can't put that out.
Otherwise, we'll have every
parent in the county down here.
Now, what we need is to get
the situation under control.
Once we do that,
I'll be happy to answer
any question you have.
Now shut that off.
(ominous synth music)
All right, think we're gonna get
any of those things today, guys?
I sure hope so.
I sure hope.
I don't even know what one looks like.
I don't know, can we get 'em now?
Until after we k*ll them?
- Oh, I'd love that.
- Lovely idea, Yeah, yeah.
- What are we looking for?
- Wait, hold it, guys.
Hold it.
(ominous synth music)
I think I see something.
Hey, there's two of 'em.
- Yeah!
Let's get the b*stards.
(g*ns firing)
(growling)
Well guys, should we go gut 'em?
- Yeah, let's get 'em.
- Let's get 'em.
(growling)
(g*ns firing)
(grass rustling)
(growling)
There's one.
(g*ns firing)
(wheat rustling)
(ominous synth music)
Jack, check that one
out with your scope.
That's one of 'em,
whatever the hell it is.
(g*ns firing)
(growling)
(ominous synth cont.)
(growling, snarling)
(g*ns firing)
(growling)
sh*t, there's one now!
Get him!
(g*ns firing)
(grass rustling)
(ominous synth cont.)
Look, there's one now.
(growling)
sh**t, sh**t!
Don't sh**t her.
It's my daughter, for Christ's sake.
sh**t!
(g*ns firing)
(g*ns firing)
(growling)
(body thuds)
(footsteps in gravel)
(ominous synth music)
Look at the blood here.
Somebody bought it here.
That's for sure, man.
(ominous synth cont.)
Watch out, look!
What?
sh**t her, damn it!
(g*n fires)
Good shot.
I'm gonna go out and see
if that thing is dead.
Yeah, good idea.
(ominous synth music)
(growling)
Holy sh*t!
(g*n fires)
(body thuds)
What, did you get another one?
- Damn Kid.
- A Kid?
Yeah.
Why don't you go and check out the house
and I'll go around back.
(ominous synth cont.)
Oh, what a mess.
(growling, snarling)
(flies buzzing)
(growling)
(g*n fires)
(ominous synth music)
(birds chirping)
You okay, sweetheart?
(growling, hissing)
(g*n fires)
(body thuds)
(child zombie whimpering)
(tense music)
(g*n fires)
(g*n fires in distance)
(suspenseful synth music)
Hold me.
Oh, you're shaking.
It's cold, I'm scared.
Just a little while longer.
We're almost out of this mess.
We're almost home.
Home...
I had an argument with
my mother before I left.
She didn't want me to go on the hayride.
She thought some of the
guys might cause trouble.
Some of the guys? Like me, huh?
Bob, there's something
about me that you should know.
What? What's wrong?
It's just that I care about you.
And being with you isn't
like being with anybody else.
You know, I've never met
anyone like you, either.
How long has it been now?
What, a year?
Almost two.
But listen to me a minute.
I think you're the one.
One? One what?
The one I want to marry.
You know what?
I feel the same way, too.
I mean it, I really
mean it. I depend on you.
I trust you.
I Know you're gonna get us out of here.
Let's go away someplace.
Forget about everything that's happened.
Do you want to go away with me?
Sure, baby.
Where do you want to go?
How about Tampa?
Remember last summer?
Remember how much fun we had?
Remember how sunburned you got?
Tampa would be a nice place to have kids.
Have so much fun.
Take real family vacations.
Oh, yeah.
That sounds so nice.
As soon as we get out of here.
The future lies ahead.
Isn't that what your sorority motto is?
Yeah, the future.
I can hardly wait.
(soft music)
Sweetheart.
I think the sh**ting has stopped.
Come on, I think it's safe now.
No, no.
I just want to stay here with you
for a little while longer.
Come on, think of all
the things we have to do.
All the plans we're gonna make.
Yeah, it's gonna be great.
It's gonna be great, isn't it, Bob?
We're gonna be so happy, I know it.
Oh, yeah.
Very happy.
Come on.
(ominous synth music)
Come on.
Hey, Jim, did your men see any
on the other side of that field there?
No.
Did you see any, Vince?
I didn't see anything,
didn't get anything.
Vince, there's two over there.
I'll get 'em.
(g*n fires)
(body thuds)
Oh, no!
Jesus Christ, no!
Don't sh**t, no!
(g*n fires)
Good shot, Vince.
Yeah, I'm getting pretty good at this.
I wonder if there's any more around here.
Okay, I understand.
We're on our way.
That was Vince.
He just saw two coming
out of that barn up there.
That whole damn place must be full of 'em.
Be a good idea to torch that thing.
Why don't you two go start on it?
All right?
Dave, send the fire trucks in.
I'm going to torch this barn down here,
and I don't want the fire
getting out of control.
[Dave] 10-4.
(ominous piano music)
Sheriff, the Chief's been notified.
Okay, Dave, be a good idea to send
an ambulance down with it.
If it's back here, send it on down.
[Dave] Already on the way, Sheriff.
(ominous music cont.)
(sirens wailing)
(fire crackling)
Keep your eyes open, men.
I don't want anything
coming out of that barn,
alive or dead.
(fire crackling)
(ominous synth music)
(zombies growling)
(zombies groaning, growling)
(fire crackling)
(sirens wailing)
(doors open and shut)
(fire crackling)
Let the barn burn to the ground, chief.
Just keep the fire contained.
(wood crashing)
(fire crackling)
(fire crackling)
(ominous synth music)
(engine humming)
(birds chirping)
(dogs barking in distance)
(car door slams)
(gravel rustling)
(ominous synth music)
(metal clangs)
Jesus.
(intense music)
(ground rustling)
(metal bangs)
(intense music)
(gasping)
(intense music)
(banging metal)
(suspenseful synth music)
(banging metal)
Jesus Christ!
(zombie growling)
(choking, screaming)
(g*n fires)
(intense growling)
(music cuts)
(suspenseful music)
(music intensifies)
(music intensifies)
(music fades)
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Flesheater (1988)
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