01x06 - After Shakespeare

[bunniefuu]

[♪♪]

♪ Forgive me baby

♪ I'll keep on
tryin' forevermore ♪

♪ my love for you will
grow stronger I know it ♪

♪ if you forgive me, baby

♪ forgive me, baby

♪ I'll keep on
tryin' forevermore ♪

♪ my love for you will
grow stronger I know it ♪

♪ if you forgive me, baby

♪ I know I messed up

♪ a whole lot of times

♪ I wasn't sure what I wanted ♪

♪ need more to take the time

♪ just believe me

♪ give me one more try

♪ comin' back better

♪ I'm gonna love you right

♪ forgive me, baby

♪ I'll keep on
tryin' forevermore ♪

♪ my love for you will
grow stronger I know it ♪

♪ if you forgive me, baby

♪ come on and forgive me, baby ♪

♪ I'll keep on
tryin' forevermore ♪

♪ my love for you will
grow stronger I know it ♪

♪ if you forgive me, baby

♪ forgive me, baby

♪ my love for you will
grow stronger I know it ♪

♪ I love you

♪ forgive me, baby

♪ my love for you will
grow stronger I know it ♪

♪ if you forgive me, baby

♪ oh, believe

[Theme music playing]

A horse!

A horse!

My kingdom for a horse.

[Laughs]

- "Blackula," right?
- No, ed. Shakespeare.

- What's wrong with you?
- You sure that's not the part

- where blackula comes flyin' down...
- no, no, no, it's Shakespeare.

I know, 'cause I went
to the park last night

with Sandy and I
saw it. It's part of our...

New cross-culturalization.

- You can't even say it.
- Yeah, but I know how to do the do.

And that's why this weekend
we gonna go to the Apollo.

Cooper: All right,
heads up! Who's up?

Ricciarelli: Old school and me.

And I.

All right, we just caught two.

Do you want the probable suicide

with an empty pill
bottle and a note,

or what's behind
door number two?

We're outta here.

- Who was on deck?
- Eddie: That's us.

Cooper: You got a male
body with five holes in it.

Count 'em, five.

Three twenty-seven east 103.

[Phone rings]

Torres.

Hey, papi. What's up?

Uh-huh. Uh-huh.

Hey, no problem.
You stay with me.

No, no, no, no, no.
Of course, I'm sure.

All right?

I'll see you tonight.

Te deo, papi.

That's your pops, huh?

- Eddie: Yeah.
- That's peace, man.

Seems like you guys
are really gettin' along.

Yeah, his pipes
burst in his building,

so he's gonna have to stay
with me for a couple of days.

It's nice, though.

For the first time, I
feel like we're getting

- to know each other.
- Que bueno.

- You get to live with your papi.
- Ha-ha...

Eat some rice and beans.

[Upbeat music playing]

Wong: Not a bad way to go.

First shot k*lled him.

Oh, yeah? How can you tell?

He never moved.
No defense wounds.

Big holes.

You should see the exit wounds.

Forty-five hollow
points will rip you up.

- You want to see them?
- No.

No, I'll take your word for it.

I just hate to see these
on the street, man.

Where's that from?

Argentina.

Cheapest forty-five
on the market.

A lot of bang for the buck.

Eddie: All right, honey,
now we're gonna take this

from the top one more time.

- How did he get in your bed?
- I told you,

I left the window open for him.

So, obviously this wasn't the
first time he was there, right?

Helena: He came
over lots of mornings.

- I was in love with him.
- J.C.: You loved him?

So, why the window? What's
wrong with the front door?

Helena: Keeping it a
secret was something

we had to do, all right?

Our friends don't mix so hot.

This is a los huerfanos block.

You mean, his crew
and los huerfanos

are in the middle
of a w*r, right?

Eddie: So what you did
is, you got next to him,

you took him out, bing-bang.
You're down for your crew.

- Isn't that what happened?
- That's ridiculous, all right?!

Eddie: Oh, it's
ridiculous? Sit down!

- I went out...
- Sit... sit down! Sit down.

I went out to get
some ice cream.

When I came back,
he was already dead.

I found him, I didn't k*ll him.

Eddie: Listen to me, honey. Now, we
got some more checking we have to do.

I'm gonna have some uniforms
take you down to the station...

- What?
- Eddie: And ask you some more questions.

You're arresting me?

This doesn't make any sense.

I already told you
exactly what happened.

I don't know, ed.

- She seems awfully broken up.
- Yeah?

Well, maybe she's
broken up at the prospect

of spending 25 to
life. What do you think?

- Man: All right, all right.
- [People clamoring]

- What's going on?
- Man: Calm down, calm down.

[Indistinct chatter]

Don't be stupid,
Hector, talk to them!

- You calm down!
- Hey, cupid! Hey, cupid!

You better listen
to your sister, okay?

What you want with my sister?

The same thing we
want with you. Come here!

Thank you.

So, what were you
doin' at ten this mornin'?

Just kickin' it,
you know? Playin'.

- You know what I'm sayin'?
- You work?

[Laughs]

-School?
-You funny. You know, he's funny, man...

Shut up.

What time did you leave

the apartment this morning?

Who says I stayed
here last night?

Eddie: Oh, los huerfanos, huh?

Word is, you orphans
got a big problem

with the dozen love crew.

They started the mess.

J.c.: Yeah, and Wilson Edwards,

he was the main man, right?

Hector: Helena
didn't cap that punk.

And if she did, it
was self-defense.

You knew they were
doing each other, right?

I mean, how did
that make you feel?

My sister would never do that!

J.c.: When Wilson bought it,

he was butt naked
in your sister's bed.

She told us, "I love him."

My sister got more respect
than to go cheat on her boyfriend

- with some stupid...
- Boyfriend?

Tell us about this boyfriend.

Yeah, you guys
want to question me,

arrest me.

You ain't even worth
the paperwork, baby.

Ed, that kid's as
wrong as two left shoes.

We should be all over him.

The way I see it,
he's not even a factor.

This one's a slam dunk,
man. We got the suspect

- and some serious evidence.
- It's all circumstantial, man.

Besides, another thing...

Ice cream.

You really think Helena goes
to the store, buys ice cream,

then comes back
and shoots the guy?

I don't know. Let's go talk
to some of these people.

[Indistinct chatter]

Hey, papa.

Con permiso, senor.

- Policia.
- Si.

You know anything about what
happened across the street?

Mm-hmm.

You know Helena Montoya?

Yes.

Did you sell her ice cream?

I don't have
anything to tell you.

Look, you know we had to take
Helena down to the precinct, right?

Helena Montoya is a
good community leader.

Anybody who lives
in this neighborhood

knows she could not k*ll.

[Exhales]

Right after she left, I
went out in the street.

I saw a guy on the fire escape.

Did you know him?
Can you describe him?

Hooded sweatshirt.
Couldn't see his face.

Did you see him go
in through the window?

He climbed out.
Went up over the roof.

Up? Are you sure?

Look, you cops want to
do something about crime,

then come to our block
association meeting tomorrow.

Find out what's really going on.

Anybody who might
know will be there.

[Phone ringing]

- Lieutenant.
- Cooper: Ah!

Very good work.

Ricciarelli and old
school are takin' longer

- with the suicide.
- Excuse me?

Cooper: The teacher,
Helena Montoya, your suspect?

Helena didn't do it, lieutenant.

Yes, she did. I have
a D.A. on the way.

They found her in the room
with the m*rder weapon.

I like her for it.

If you want her out, find
me someone else, all right?

[Upbeat music playing]

[Vacuum whirring]

You're gonna drive certain
men crazy in that outfit.

- What? What?
- I just said,

you know, thank
you for cleaning up.

Oh, it's the least I can do.

Eddie, what about some
breakfast? Dos huevos?

No, no, I gotta get to work,
man. I gotta get dressed.

Eddie, your
breakfast is the most...

- Important meal of the day.
- Important meal of the day.

Let's have some eggs.

Hey, what's up, baby?

You know, you late,
man. What's up?

Well, I had to have
breakfast with my pops, bro'.

You were?

He is such a trip, man.

He's standing there
frying me some eggs

in his little boxer shorts

- and an apron, man.
- Ay, que lindo.

Is so good to see you
together again with your papa.

-Give me a hug.
-No, no, no, chill. Chill on that, man.

- One day at a time.
- Is good to see you like that, man.

So, what've we got over here?

Pulled all the rap sheets
on the dozen love crew

and los huerfanos.

These are some bad boys.

Guess who one of the
baddest of the bad is?

- Helena's little brother?
- J.C.: Well, it seems like Hector Montoya

is quite the little gangster.

Arrested eight times,
two years in spofford.

as*ault, as*ault, my
aggravated as*ault.

Shakespeare, man. You're
really on that tip, huh?

J.c.: Well, you know, I'm turnin'
into quite the little culture vulture.

But can't help but feel
there's a rather Romeo

and julietesque
rhythm to this case, sir.

Yeah, but the only problem
is Cooper's convinced

Juliet's good for the m*rder.

You know the dozen love crew

is gonna be comin' back hard.

So with Edwards
gone, who the man?

- The man? The man? The man.
- The man?

The man is Quentin morannis.

A young brother
with crazy ambitions.

Man: In the hole, baby.

It's on you!

Come on, I'm on it.

[Indistinct chatter]

Yo, five-oh has an attitude.

We want to talk to you about
your boy, Wilson Edwards.

Who had a beef with him?

I don't know, man.
Everybody loved Wilson.

Except that puerto rican b*tch.

J.c.: That's not what
we heard. We heard

they were knockin' boots
every chance they got.

You know, sleepin'
with the enemy.

Eddie: Some people
say you capped Wilson

just to get him out your
way. What's up with that?

[Laughs]

Man, go sweat somebody else.

We was playin' a game here.

J.c.: Anybody from los
huerfanos goes down,

it's gonna be me and
you, money. Believe that.

There's gonna be mad heat up in
there. You know what I'm saying?

Yeah, that black b*stard?

He got what was coming.
You hear what I'm saying?

You ain't listening,
stupid! You wanna die?

Stupid. Damn.

Where you goin', bra'?

Huh? You wanna run?

Let's go, come on!

J.c.: Come here!

Get off me, man!

Get off!

Whatcha doin' with
this forty-five, bra'? Huh?

- You better get off me!
- Whatcha doin' with this forty-five, bra'?

Get off me, bro'!

You know what's
stupid? Not carryin' a g*n

at 103rd, that's
what's stupid, man.

Maybe with your boys watchin' your
back, man, you still need protection.

You know what I'm sayin'?
You come here, blam, blast!

'Cause I'm real,
man. Get all you off.

- Yeah, you real, right?
- That's right, I'm real.

Yeah, you real
smart. You so smart,

you don't remember
where you got it, right?

Well, maybe a little time
away will help remind you.

- Whattya think, huh?
- I found it,

that's where I
got it. I found it.

See, that's funny, 'cause it's the
same kind of Argentina forty-five

that put all those
nasty little holes

in Wilson Edwards
in your apartment.

J.c.: So, I guess
you found two of 'em.

Eddie: 'Cause it looks like

your sister found her
g*n in the same place.

Are you two clowns gonna
lock me up, or what, man,

'cause I'm tired of sittin' here,
you know what I'm saying?

You know what I think, man?

You know what I think?

I think that if your sister
didn't do it, you did it.

You and her little boyfriend.

So, why don't you snitch
and give up his name?

Why don't you get me a lawyer?

J.c.: You know what
I got for you, man?

I got no time for you, stupid.

- Yo, we out, ed.
- Let's go get big sister out

and put this fool in, huh?

[Indistinct chatter]

Look, I told you it's over
between us, Armando.

Finished. I don't love you.

But I needed to see
you one more time.

Why? Why?

I didn't give you up, if that's
what you're worried about.

Did you have to k*ll him?

[Laughs]

So it's true about you two?

You know, I came here hoping

that you capped him.

I didn't do it.

But if I'd known
what I know now,

then honor mi padre, I k*ll
him myself in one second!

- I don't believe you.
- You know what?

I don't care what
you believe anymore.

I love you like no man ever loved a
woman, and this is how you do me?

Sometimes things
happen between people

that you just can't
stop, Armando.

Yeah, well, sometimes
people in love do

desperate things, Helena.

God. You know, I
don't want to hurt you.

You don't get it.

Nobody can ever hurt me again.

Mackie: We've
already got half a dozen

empty apartments
in the building.

The lunas were only two
weeks late on their rent,

- and redmond evicted them.
- He's a pig.

I'd like to see
him try that on me.

I've written a petition
for the city council.

Please make sure you
sign this before you leave.

- I'll sign it.
- [Indistinct chatter]

Mackie.

These are the two detectives
I was talking to you about.

J.c.: How you
doin', sister? Listen,

anything that you can tell
us about this is real helpful.

And we need more people like
yourself and Mr. Martinez here.

Well, where were the cops
when we needed them?

My neighbors are so scared,
they are leaving places

they have lived for 20 years.

Eddie: Listen, if there's
anyone here who knows anything

about that sh**ting on


I don't know
anything about that.

But I've heard about a vacant
lot you should check out.

Under the Westside
highway at 125th street.

Go during rush hour.

Thanks a lot.

[Hip-hop music playing]

Eddie: 4-8-7-6-7, 4-8-7-6-9,



We got a run of serial
numbers. Missin' just two g*ns.

No, you're not.

Here's the one that k*lled
our friend, Wilson Edwards.

Seventy.

And we got this
off Hector Montoya.

Bingo.

You got any detainees
who might be willing to talk

about who's dealing
this firepower?

Nope. But we did
put a trace on these.

Two hundred
Argentina .45s got lifted

from a warehouse last month.

Eddie: Any luck getting
Hector back from rikers

for more questioning?

I mean, this time we'll
make that fool talk.

Montoya was arraigned
and r.O.R. By 9:00 A.M.

You want to find him, you
go on the street, gentlemen.

Eddie: I mean, what is this,
a freakin' revolving door?

We just booked him!

[Upbeat music playing]

J.c.: I'm tellin' you,
ed, for my money,

it's either Hector
or the boyfriend.

[Laughs]

Yeah, yeah. This is great.

It's my last day
in the 'hood, fellas.

[Speaking in Spanish]

I'm taking my mother to
live with my aunt in Jersey.

So you're Helena's
boyfriend, huh?

- Ex-boyfriend.
- Eddie: Good for you, 'bra.

Guys she sleeps with don't last
too long. You know what I'm sayin'?

Yo, check, you don't know
nothin' about Helena, all right?

J.c.: I know what they
say about black men.

I guess that's why she
liked Wilson better than you.

Just get out of my face.

Eddie: That makes you mad, huh?

Mad enough to climb a
fire escape and cap Wilson?

Armando: Look, man, I
was in Jersey that day,

putting in a floor for
my aunt's kitchen.

I got about 20 witnesses.

J.c.: So what's the rush, man?

Afraid of gettin' blasted?

Payback's a b*tch.

[Laughs]

Look, man, those dozen loves,

- a bunch of punks, okay?
- J.C.: And your crew's

a bunch of girl scouts, right?

Look, man, one day we're
down with the brothers, right?

Everything's cool.
Now what we got?

Dead bodies everywhere, right?

So who started this mess, huh?

Look, I don't know
and I don't care.

All I know is I got a
truck to bring to Jersey.

Any more questions, officers?

[Upbeat music playing]

- J.c.: This is it.
- Eddie: Yeah?

J.c.: I'd say it ain't exactly
state-of-the-art security.

Look at all these open bays.

Watchman: Been here
four years, no problem.

Then these boxes of
g*ns just up and disappear.

Talk about trouble. Whoa.

I know one thing...

Damn thieves knew
what they were after.

All these boxes
look the same to me.

Here, second shelf.

- No signs of forced entry?
- No, sir.

Who discovered the loss?

Watchman: Freight company
came for the shipment, no g*ns.

Same thing I told the feds.

This is only a bonded
warehouse, it ain't fort Knox.

Who owns this place?

Paycheck says
mohawk enterprises.

- What about the g*ns?
- Watchman: Russo limited.

Insurance company paid off.

They're the only ones
I haven't heard from.

[Train rumbling by overhead]

Heard the cops pulled a Haiti
on you and took your steel.

Hey, I got some friends,
you need anything.

Hey, we take care of our own.

And we gonna be takin'
care of some other folks.

Whatever.

I got what you need.

Right over here.

Got some unfinished
business, right?

What you know about my business?

Word is, dozen love's are limp.

You guys let some p.R.'S
take out one of your own,

and you didn't
do nothin' about it.

You enjoy talkin' trash?

Limp?

You gonna see who's
hard when it's payback time.

I just call it the way I see
it, you know what I mean?

Well, we gonna be bringin'
back some more friends.

[Indistinct chatter]

[Upbeat music playing]

Eddie: Stupid little punk.

[Indistinct radio chatter]

He wrote his own
death certificate, partner.

Forty-five, right?

Yo. How'd it go down?

Look, man, ask
anybody, all right?

It was the brothers.

They just came rollin' up here,

and just... just pow-pow-pow!

- You saw it?
- Saw it?

No, man, I ain't see anything.

People are saying.

Anybody see anything? Huh?

What's wrong with
you people, huh?

You gonna keep hating
each other? Is that it?

Man: Hey, you ain't my
mamma, n*gg*r lover!

Yo, whoever said that got
the cojones to come out front?

Say it to my face? Huh?

Come on! What is wrong
with you people, huh?

Ed, ed. Come on.

We ain't gonna get
nothin' outta them.

Helena: No.

No, no, no, no!

[Helena sobbing]

Helena.

Helena, listen to me!
Helena, listen to me!

Everybody's gone.

Listen to me, Helena.

Your brother was
k*lled with a .45,

and I'm betting it's
the same kind of .45

that k*lled your boyfriend.

- Where are they coming from?
- I gave you everything.

Come on, sister, we have to know

where they're
gettin' this steel from.

Help us out, Helena.

Dodge.

What's that?

Come on.

Eddie dodge.

Where can we find him?

Hector said he
works for his brother.

Some place on Times Square.

Can I get a uniform over here?

- Officer: Right away.
- Come here.

Take care of her.

Hector...

- [Cries]
- Eddie: Back off!

Back away from her!

[Upbeat music playing]

Eddie: Nice of you
to have a record.

It's gonna be a pleasure
to bust your ugly mug.

- Check it.
- Um...

Look, I got 42nd street covered.

- You take 43rd.
- A'ight.

I'll meet you at
Mickey d's in two hours.

[Puerto rican accent]
Okay, I'll see you there, man.

Okay, baby. What it is?

♪ Let me see that tootsie roll ♪

[The 69 boyz' "tootsie roll"]

♪ Yeah, 1994

♪ 69 boyz backed
up by quad city d.J. ♪

♪ One time cotton
candy sweet to go ♪

♪ let me see that tootsie roll ♪

♪ come on, tootsie roll

♪ just make that tootsie roll ♪

♪ here we go, here we go

♪ just make that tootsie roll ♪

♪ yeah, tootsie roll

♪ let em see that tootsie roll ♪

♪ get up and roll

♪ and make that tootsie roll

♪ to the left, to the left

♪ to the right, to the right

♪ to the front, to the front

♪ to the back, to the back

♪ now slide, slide, baby

♪ slide, just
slide baby, slide ♪

♪ just slide, baby, slide

♪ come on, come on
to the left, to the left ♪

♪ to the right, to the right

♪ to the front, to the front

♪ to the back, to the back

♪ now dip, baby, dip

♪ come on, let's
dip baby, dip, baby ♪

♪ dip, baby, just dip
baby, dip, just dip, baby ♪

♪ cotton candy sweet and low

♪ let me see that tootsie roll ♪

♪ whoop, whoop, whoop

♪ oh, baby, baby let it roll ♪

♪ just roll, just roll
just roll, just roll ♪

♪ to the roll to the roll ♪

♪ to the roll, to the roll
to the roll, to the roll ♪

♪ come on, come on to the roll ♪

♪ just roll, just roll just
make that Booty roll ♪

Selling g*ns to minors.

Selling g*ns within a
thousand feet of a school.

And if we can prove
prior knowledge

on any sh**ting,
it's a conspiracy.

J.c.: My guess is, after
we're through with you,

the feds gon' get you on a rico.

Unacceptable.

Oh? Then tell us
where you got the g*ns.

I want a deal.

No, no, no, no. You
show us yours first.

I'm workin' for a guy.

He pays me to get the
g*ns out on the street.

Eddie: You get a cut?

I get the g*ns for free,

as long as I sell 'em
north of 96th street.

That's nice for you.

What does your
boss get out of it?

- Fear.
- J.c.: Fear?

- Mm-hmm.
- Why?

That's bad for business.

Not if you get the old
people to move out.

You get to buy up
the block cheap.

Got a name?

You got a deal?

Oh, what are you, a comedian?

You give us a name,
then we'll talk about

a deal later, all right?

Clark redmond.

I know that name. The
guy's in the paper every day.

What's redmond doin'
with a guy like you?

You don't believe
me, check it out.

Redmond owns five
buildings on 103rd street.

Two more on the same
street owned by mohawk.

Three down the block are
owned by Russo, limited.

See, now we got the .45s

connected to
properties in the 'hood.

And we have redmond,
who's the chairman of both.

It's real simple.

Mohawk to Russo,
Russo to redmond...

It's a triple play.

We still don't have
enough for an indictment.

I say we wire dodge and
send him in to meet redmond.

Torres, you read my mind.

- Can you do me a favor?
- What?

Can you do this all, because
I gotta get to the market.

[Puerto rican accent] Ah, Eduardo's
going to cook dinner for his papi.

That's good, man.
Glad to see that.

No, see, Eduardo's
papi is going to be home

in his own apartment,
while Eduardo...

- Si.
- Will be home cooking

for the lovely Gina.

[Normal voice] Go,
boy. You do that.

Eddie [puerto rican
accent]: I'm coming, Gina!

I'll be there in just a minute!

[Mike laughing]

[Puerto rican dance music
playing over speakers]

Gina: Eddie, you never
told me about your father.

He's so hot!

The hottest.

Hey, papi.

Can I talk to you for a minute?

[Turns down music]

Hi.

I'll put 'em in the kitchen.

Eddie, I'm sorry.

Listen, I know I
should have called.

The pipes were put
in wrong, so it's...

It's gonna be a little while.

I know it's an imposition.

No, no, no, it's
just that, you know,

we were planning this
little romantic evening.

- Her, me.
- Oh, geez, say no more.

I'll go to Natalie's, and
I'll come back around 3:00

and I'll crash on the couch.

It's no problem.

You know what?
No, no, you stay here.

You stay here. I'm gonna go out.

Let's go out to dinner. Let
me take you out to dinner.

I'll take you to your
favorite restaurant.

- We'll go to Victor's, I'll...
- Gina: With all this food?

Oh, don't be ridiculous.

We have so much
food... You're gonna stay

and you're gonna cook. Mwah.

Besides, your father
has so much to tell me.

He hasn't even started
telling me about Xavier cugat,

and he has all these new
steps he has to teach me.

I'll go cook dinner.

[Speaking in Spanish]

J.c.: I don't trust
this dodge character.

Eddie: Yeah, well, he ain't got
no place to hide with a wire on.

J.c.: I'm tellin'
you, this guy's fire.

Dodge [over comm]:
Where's redmond?

Kinsoling: It's okay.
You can deal with me.

Dodge: You got my forty-fives?

They're on order,

but I can get you all
the nines you need.

Nines don't sell.

They don't do enough damage.

Kinsoling: Really?

It seems to me you
filled that kid Wilson

full of so many holes

you could have
used a twenty-two.

J.c.: I told you.

Dodge: When will
my forty-fives be in?

Kinsoling: You'll get a call.

Eddie: Give it up!

Yo, hands up! Freeze!

Don't move!

Sit down!

Where was redmond, huh?

Who was that fool, man?

Kinsoling, redmond's assistant.

Damn, man.

That's some bad luck, baby.

He's nailin' you for
the Wilson m*rder.

So you know what?

All deals are off.

Without me, you have no
way of gettin' to redmond.

I'm willin' to play ball, if
you drop the m*rder charge.

You're outta options, baby.

You're going assist,
and then we'll think about

talkin' to the D.A.

If... we get a solid
bust on redmond,

and if you help us nail
whoever shot Hector.

You'll never get redmond.

Redmond: And your
support of this project

means a great deal to me.

Thank you, ladies and gentlemen.

I want to assure you that

I and the entire redmond group

will continue to work for
the future of New York City.

[Light applause]

Reporter: This way, sir.

Right over here, Mr. Redmond.

Excuse me. May we have a minute?

- Redmond: Yes?
- J.C.: Good day, sir.

We understand that you've
been breaking the law.

Excuse me?

J.c.: ill*gal evictions uptown,

forcing tenants out.

Our lawyers would never
allow us to do anything ill*gal.

However, since I'm
trying to transform

this city's non-functional
housing stock,

I'm sure some tenants are upset.

Everything's legal, huh?

Well, what about pushing
g*ns on 103rd street?

g*ns?

Eddie: We've confiscated
over a dozen g*ns

that have evaporated
from warehouses you own.

Redmond: I own
a lot of property.

I can't pay attention
to minor theft.

That's what insurance is for.

We're talkin' a pattern here

of easy access and opportunity.

You're more than liable.

You're connected to everything.

It's only a matter of
time before we track back

to you, baby.

Goodbye. You want
to talk to me again,

call my attorney.

Chill.

What the hell is goin' on?
Have they got anything?

Ah, of course not.

This is drawing
too much attention.

Well, you wanted
the buildings cleared.

Watch your mouth.

Shut it down
and get a lid on it.

How?

Don't ask stupid questions.

[Jazz music playing]

Whatcha lookin' at?

I have a proposal for you.

I don't know who the
hell you are, Clyde.

But I know who you are.

Oh, yeah? Who am I?

You're dead, or
you're in jail by the time

you're 25, unless
you find a better way.

Like mine.

Hey, you better put that away
before somebody takes it away.

You know what
these are, Quentin?

I understand you did business

with my boss's
representative, dodge?

- So?
- Well, dodge

is gettin' a little flaky,

and, uh, we're lookin'
for his replacement.

- You got a problem.
- Kinsoling: Really?

Can't nobody find dodge.

Word is, he been busted.

You see, you've already
become so useful.

Dodge is out, you're in.

I mean, you know,
if you want in.

I want you to be here.

Mohawk warehouse, room d-3.

All right?

All you gotta do is take out
the head of los huerfanos.

The guy's name is Armando.

He'll be here tomorrow at five.

Oh, yeah.

- Hi, babe.
- Eddie: Hey.

He's never sounded better.

Yeah, looks like my
lady thinks so, too.

Natalie: Who, Gina?

Eddie: You've already
been introduced?

Well, she's been here
for the past three nights.

That's great.

That's great.

Natalie: You know, Mike's
a very fascinating guy.

Women have always adored him.

But I think you're jumping
to the wrong conclusions.

No, I think he's the one
that's doin' all the jumpin'.

- I'm gonna go. I just...
- Now, don't be silly.

Go and let him know you're here.

With Mike, it's the
music that matters.

I guess some other
things matter more to me.

- I'm gonna go.
- Come on. Uh-uh.

J.c.: Boo-yah!

If only nabbin' redmond
was that easy, man.

Please, man.

See, with a guy like redmond,
who's got so much money...

He can bend the
system anyway he wants.

The prosecutor's
not gonna go for it

unless we come up with
something more substantial.

Get that outta here.

Yo, we got company.

- There's wonder woman.
- Why is it

that every time I'm
around a teacher

I feel like I've done
something wrong?

Detectives, this is
my student, keesha.

She has something to tell you.

Hi, keesha. How you doin'?

Why don't you sit down?

Go on, honey.

I saw some g*ns at
my friend Lisa's house.

Boxes full.

Who has these g*ns?

Lisa's older brother.

His name is Quentin.

That's Quentin morannis.

Yeah. You hear anything else?

Quentin was talking
about "it's time for payback."

Some guy called Armando.

He's gonna be laying for
him in some warehouse.

Thanks.

[Tense music playing]

Check it, baby.

I see it.

Let's do it.

J.c.: That's Quentin morannis.

- Damn.
- Eddie: Yo.

You take Quentin,
I take Armando.

- Keep your eyes open, ed.
- Yep.

[Tense music playing]

Time to die, punk.

Eddie: Drop it, morannis!

Y tu, tambien, Armando.

You ain't gonna sh**t
'cause you ain't in danger,

- so back off!
- J.C.: Why?

So we can go on
killin' one another?

Eddie: Kinsoling
played you, man.

It was all a set-up.

Dodge k*lled Wilson,
not los huerfanos.

He k*lled Hector!

He's gonna pay for it.

But you... Haven't
done anything.

Yet.

So give it up.

So, I ain't got nothing to lose.

Eddie: But you know the game.

You plea it out.

It's better than being dead.

That's it.

That's it.

All right. Back off!

I said, back off.

It's... it's all right, David.

Gentlemen?

Eddie: David kinsoling,

you're under arrest for the
m*rder of Wilson Edwards

and for criminal sale of
firearms in the first degree.

You have the right
to remain silent.

A right I'm sure he'll exercise.

Oh, don't be so sure about that.

We're comin' after you next.

[Jazz music playing]

Natalie: Well, hey.

You seen Mike?

He's not here yet,
but any minute.

- We go on shortly.
- All right.

But you can't stay
if you gon' be a jerk.

Look, I'm over that.

- I promise.
- You promise?

- I promise.
- Okay.

I gotta go.

- You have a good set.
- Okay.

[Indistinct conversation]

- Why don't you wait for me?
- Okay.

I've been trippin'.
What can I say?

Listen, I've given you
reason enough to doubt me.

I guess I was just worried
about us, you know?

At least you care.

There was a time back then
when I know that you didn't.

I tried hard not to.

So, how's Gina?

Wanting to be with you.

[Eddie chuckles]

I don't even know what I
was thinking. I mean, I do.

You always kept telling me
that women love sax players.

Oh...

Eddie, I'm trying
to be responsible.

Seems like it's working, roomie.

Well, thanks, but my apartment's
gonna be ready over the weekend.

- Good.
- [Laughter]

Listen, hang in here.

Why don't you talk to Gina?

All right.

[Eddie sighs]

Natalie: I've
heard it all before.

And love is a two-way street.

You have to give
something to this relationship.

♪ I gave you the best ♪

♪ best years of my life ♪

♪ and I gave you a woman ♪

♪ who stood by your side ♪

♪ through all your
ups and downs ♪

♪ your rights ♪

♪ and all your wrongs ♪

♪ and god knows
there were wrongs ♪

♪ I should have been long gone ♪

♪ but when I made
you that promise ♪

♪ for better or worse ♪

♪ I said I'd stay by your side ♪

♪ I swallowed my pride ♪

♪ and now you're asking me ♪

♪ to understand
and I'm tellin' you... ♪

[Puerto rican accent] Professora,
we comin' to see you, baby.

We crazy, okay.

Helena: Crazy.

Put a smile on your face.

- Thanks.
- Now that you're in the clear,

we should just
start talkin' about

how we're gonna get
peace on this block.

What about Hector?
That's not over yet.

[Normal voice] You're
right. But we got the guy

and we got the g*n,
so why don't you just

let us handle the
payback this time, all right?

Eddie: No one else needs to die.

No.

Two men I loved, that's enough.

Thank you. Thank you.

We're just doin'
our job, you know?

Which is why I have
another favor to ask you.

What's that?

Come to my school
and talk to my kids.

Show them that if two
clowns like you can get along,

they can.

[Puerto rican accent]
No problema, teacher.

Natalie: ♪ you lift me higher ♪

♪ one boy and one girl... ♪

♪ I should have cared
about your feelings ♪

♪ when you don't give
a damn about mine ♪

♪ well, I don't want to know ♪

♪ I couldn't care less
about your feelings ♪

♪ don't you know ♪

♪ you should have
cared more about mine ♪

♪ and I don't want to know ♪

♪ it really doesn't matter
why you're leaving ♪

♪ you should know ♪

♪ you're really
throwing away your life ♪

♪ and I won't sympathize ♪

♪ you've hurt me ♪

♪ for the last time ♪

♪ god, no tears
left to cry, baby ♪

[Wolf howls]