02x03 - sh**t to k*ll

[bunniefuu]

From the Penn & Teller
Theater in Las Vegas, Nevada,

here's our host, Jonathan Ross.

Thank you, you're very kind. Thank you.

Welcome to Penn & Teller: Fool Us,

the only network show that doesn't ask you
to believe in witches, dragons, wizards,

or all that other cool stuff
in Tom Cruise's religion.

And speaking of little Tom,

all our acts tonight face
a real-life Mission: Impossible.

They have to try to fool
two of the greatest magicians of our time.

Now, should they manage
to achieve that incredible feat,

they will earn a starring guest spot

in Penn and Teller's
long-running Vegas spectacular.

Now let's meet the men
whose legend is even bigger

than their billboards around Vegas.

And they're huge, they're enormous,
much bigger than Criss Angel's.

His are tiny.

Please go crazy for Penn and Teller.

Mr. Teller, great to see you.
Great to have you here.

Here they are, Penn and Teller,
ladies and gentlemen.

Backstage, I've spoken
to some of the guys.

Some of them are very, very nervous.

Some are sweating.
Some have their heart racing.

One or two said
they've lost the ability to speak.

Have you ever been nervous in that way?

Ladies and gentlemen,
it's Penn and Teller.

You get yourselves comfortable, gentlemen.

Penn and Teller.

Let's meet our first potential fooler.

I'm Leon Etienne from Utica, New York.

And I'm Romy Low
from Melbourne, Australia.

And we are Leon and Romy,
America's rock illusionists.

I think what makes our magic unique

is we bring both of our very strong
personalities to everything we do.

We have a lot of fast-paced illusions,
a lot of fast-paced magic,

so it's basically a magic show...

With a rock concert.

When I first met Leon,
I thought he was incredibly c*ck,

and his confidence, I think,
rubbed off on me,

and then we ended up
to just really get along really well

and fell in love with a magician,
and then my life changed forever.

I think Penn and Teller
are absolutely incredible.

- But we're a cuter couple.
- Yeah, we're cuter.

Will you please welcome Leon and Romy?

- My name's Leon.
- And I'm Romy.

And it is an honor to be here
at Penn & Teller: Fool Us.

It really is.

Both Leon and I are each holding
a clear plastic bag,

each containing


That's 20 different decks of cards.

Which gives us 1,040 cards
for Mr. Jonathan Ross to choose from.

Jonathan, please join me
over here onstage.

Let's hear it for Jonathan!

- Thank you, sir.
- My pleasure, my pleasure. It's exciting.

Very exciting.

Teller, point to a bag of cards.

Mine? Ah, I'm so excited.
I was really hoping you would pick me.

That means that everything
that Leon is holding is useless.

Done.

Jonathan, please select one deck of cards.

The choice is 100% yours,
but whichever deck you choose...

- Is the one we will use.
- Ah!

And you got this
nifty-looking deck of cards.

Can you hold on to the box for me?

We're going to start
by shuffling the cards,

so we know we're starting with
a well-mixed pack of playing cards.

And, Jonathan, if you wouldn't mind,
please reach in there and touch a card.

- Okay.
- Any one. Doesn't matter.

- That one? Take it, take it.
- Okay.

And it's okay if I see it.
You can show it to me.

I'm not showing it to you.

- You got to show it to me.
- Show it to us.

Where's the fun in that? Where's the...

- Show it to them, at least.
- Let's see, what...

The 10 of Diamonds. So, folks,
Jonathan got the 10 of Diamonds.

And to make this official,
we're gonna have you put your name on it.

So take this marker and sign your name
on the face of that card.

This is the only one
you've ever signed for us, correct, sir?

- It certainly is.
- Correct.

- And I will take that back.
- So there we go, guys.

Ten of Diamonds
with Jonathan's signature.

We're now going to take that card

and, Jonathan,
can you confirm for everybody out there

that I am shuffling
this pack of playing cards

and that we are mixing your card
amongst all these other cards?

- Fully shuffled.
- Perfect.

Now, ladies and gentlemen,
Penn and Teller, Jonathan,

the idea here is to now try
and find Jonathan's card.

But I want to do this in a unique way

and a really dangerous way,
actually, as well.

In fact, this is so dangerous

that the producers were worried
about Jonathan's safety,

so they actually asked me
to provide him with a safety helmet.

But, Jonathan, this is Las Vegas,
so we have something a little different.

Go ahead, man.

For me? Okay.

- Do you feel safe, sir?
- I'm channeling my inner showgirl.

You look wonderful.

Take a seat. Go, go.

- Romy?
- All right.

As Leon said earlier,

the trick that we are about to perform
is actually incredibly dangerous,

and we do need a few more items.

The first one's been sitting center stage
the entire show.

It's this ramp.

Now, guys, this ramp
is not going to make sense to you

until I introduce this next person.

This is our friend Jason from Las Vegas.

He is a professional skateboarder.

Jason, thank you for joining us.
Are you ready to help us out today?

Ladies and gentlemen,
we take the packet of cards,

we split it into two,
so Romy has a packet, I have a packet.

Um, Jonathan,
your card's in one of these packets.

Here's where it gets very interesting.
Romy and I are going to sit on the stage.

Ladies and gentlemen,
I'm going to need your help.

I'm going to say, "Go." When I say, "Go,"

I would ask that you all together count,
"Three, two, one."

Now when you get to one,
Jason is going to come flying over us,

in mid-air,
we're going to spring these cards.

He's going to reach in mid-air
like a skateboarding flying ninja...

- Hiyah!
- Hiyah!

...and catch Jonathan's signed card
in mid-air.

Pretty good. Are you guys ready?

- Yeah!
- Jason.

Are you ready, Jason?
All right. Ready? Go.

Three, two, one!

Come on, baby.

Yes!

Jason, come over here
and bring us the signed card, please.

- Oh, I didn't get it. Didn't catch it.
- You... You're serious?

- Yeah, I didn't get it.
- Really?

Well, it was
a heck of a jump anyway, right?

Yeah.

Thanks, man. Thanks.

Uh, Jonathan,
can you please come over here

and help us find your card on the floor?

Guys, I'll be honest with you.
It would have been too easy

to have Jason fly in mid-air
and catch that playing card.

The hard part of this trick
was actually getting the signed card

on the bottom of the skateboard.

- Jonathan, is that your card?
- That is my card.

And your signature.

- And your handwriting?
- That is my card.

- It is. Thank you, I'm Leon.
- And I'm Romy.

Thank you.

Penn and Teller are going to
talk about what they saw

and see whether or not they know
how you did what you just did.

Is it something
they would have seen before,

maybe in a different form,
or is this a brand-new illusion?

Probably, maybe in a different form.

I mean, there's a lot of tricks
that are like this

where it's basically a signed card
going to an impossible location.

We'll see how we did.

Well, it worked, certainly,
in fooling us, I think.

Whether or not you fooled
the two maestros, I don't know.

I might take this hat off
because I'm, A...

- Hurt your neck?
- ...getting a headache,

and, B, I'm thinking about
having an operation, so...

Penn, take it away.

You know, what we do in magic,
the major job to do in magic

is to take card tricks and try desperately
to make them interesting.

That is what...
That is the grail we're all looking for,

and I think you've got your finger
on that grail very, very well.

The one thing that led us
to be able to, we think, figure this out,

is, uh, how interesting it is

to watch you walk across the stage.

- You walk so nicely...
- Thank you.

...across the stage
that we could not take our eyes off you.

Hey, Penn, one minute.

I was walking around,
and I'm wearing a hat, and I get nothing.

- It's a hard business.
- You were more interesting to watch

walk across the stage than Jonathan was,
and therein lies why you didn't fool us.

Okay, so you're saying because Romy
was kind of heading over there

while other stuff was going on elsewhere,
you were keeping an eye on her,

that they didn't fool you,
that the trick was in some way dependent

- on what Romy was doing?
- Yes.

Okay, would that be the correct solution
to what happened?

- That is not correct.
- Not correct.

Okay.

This is the way
you could have done the trick.

When he picked the card,
which the card was a real selection.

You did not force the card
out of the real decks.

- That was all real, you could have...
- Right.

...and we watched you
control that to the top,

you could have handed her
the card with the box,

she could've walked across the stage,
left it over there,

it could have been copped over there,
walked across,

- put on to the bottom of the skateboard...
- Absolutely.

...then he could've brought it out
and done that.

- Yes.
- Yes, it would have.

But you didn't do it that way?

- We did not do that.
- No.

Okay, then you fooled us.

- Yes!
- Come on.

That was the most awkward...

So I jumped the g*n.
That was so exciting.

Thank you.

- Wow.
- Oh, my God.

- Oh!
- Oh, my God, thank you so much.

- Thank you.
- Thank you so much.

Thank you, thank you.

- Las Vegas, baby!
- Whoo!

Ladies and gentlemen,
they fooled Penn and Teller.

Romy and Leon, Leon and Romy,
congratulations,

you're coming back to Vegas
as part of the show.

- Let's hear it again.
- Yes!

What a day! Congratulations.

- Thank you so much.
- Romy and Leon, ladies and gentlemen.

Leon and Romy.

So far tonight, one magician
has fooled Penn and Teller

and earned a trip back here to Vegas.

So let's meet our next contender
and see if they're up to the task.

Hi, I am Mike Hammer,

and I do a comedy magic show
here in Las Vegas five days a week.

I've been doing magic
ever since I was a kid.

I thought it was cool back then,
and now it's... Eh, it's okay.

Have you ever seen this one?

I will tell you, though,
the cool thing about magic

is it really does get you the chicks.

How about...

Chicks love the magic.

They usually come out the other end.
You want to see that?

I'm just saying. They're cards.

I still got it.

Penn and Teller
are the best in the business.

The one reason
I think I can fool Penn and Teller

is this is Vegas, and I'm gambling

that they've been too busy
to focus on the latest methods.

We'll see.

So, time to have some fun.

This next performer
doesn't take his magic seriously

or his career seriously
since he's a magician in the first place.

Will you please welcome Mike Hammer?

All right!

Thank you.

Thank you so much.
That was well-rehearsed applause.

Tonight, what I'm about to show you is
brand-new unless you've seen me before.

We do need someone from the audience.

Don't look the other way
like I can't see you, sir.

- You, what's your name?
- Kyle.

Kyle, come up.
Give it up for Kyle, everybody.

How you doing, sir?
Look at you. You look like a professional.

- Oh, yeah.
- Just don't screw it up, all right?

Stand over here. This is Kyle, everybody.

Listen, Kyle, have you ever been
on a blind date before?

- No.
- No. You're not on one now?

Okay, all right, all right.

Look, I'm going
on a blind date, and actually,

this is what she's supposed
to look like right over here.

She told me that's what she looks like,
so we'll see what happens.

Now, it's not important
what a woman looks like.

What's important, Kyle,
is the way they're dressed.

And that's where you come in.
Do you know women's clothing?

- Not really.
- Not really.

Well, I've got over here
some markers, all right?

And I want you to just go ahead
and choose five markers.

- All right.
- Five markers.

Different-colored makers would be good.
There you go. Two... Oh, you're quick.

- What do you do for a living there, Kyle?
- Landscaping.

Landscaping. Wow. That's fun.

So go ahead. Go ahead.

There you go, that's probably...

Yeah, okay, there you go.
Okay, good, good, good.

We're just going to place them over here.

I'm going to ask you to stand
right over there in front of the...

This bin over here. This trash bin.
And now listen up, Kyle. Here's the...

Oh, you don't have to
roll your sleeves up.

I'll be doing the magic.
It's cool, though, all right?

Right over here. This is a blind date.

It is a blind date
that we're going to be going on,

so one of us needs to be blind, all right?

- Okay.
- Yeah, sounds exciting for a landscaper.

Want you to go ahead and take this tape,
seal your eyes shut so you can't see.

- All right.
- I'm kidding, I'm kidding. I'm kidding.

What kind of freak are you? My God.

All right, so, did you see that?
He was, like, going to do it, too.

It's crazy. You're my kind of landscaper.

Hold that in your right hand.
Hold this in your left hand.

Don't get the tape
stuck next to each other.

I don't know where I will get more tape,

- all right?
- All right.

I'm going to seal my eyes shut, all right?

'Cause I don't want to see
what you're about to color over here.

Okay.

Yeah. It's like Botox.

Maybe a face-lift.

Here, let me take this from you, Kyle,
all right?

Don't do that move unless
your hair is permanently affixed.

Look, there we go. All right.

- Let me take that last piece of tape.
- There you go.

- Is this the sticky side? I can't tell.
- Yes.

I'm kidding, Kyle. I kid.

All right.

Hey, don't get up and leave,
people, all right?

Yeah, I know what that sounds like now.

- Kyle, come over here, buddy.
- All right.

- Is this your shoulder?
- Yes.

Screwed up big-time last night.

Had the wrong landscaper.

So feel around my face.
Make sure that tape's on pretty good.

- All right.
- You don't have to poke

in the eye sockets, Kyle. Okay.

Kyle, reach in the cup.
Take one marker out of the cup.

Let me know
when you've got it in your hand.

Got it.

Go ahead and color in.
Do you see her shirt?

- Yes.
- Color it in.

Do it as fast as you can,
but keep within the lines.

When you're done, put the marker
inside that waste bin below by your feet.

- Do you see it? Do you see the bin?
- Yes.

- All right, are you still coloring?
- Yeah, I'm done.

- Okay. Did you drop it in the bin?
- Yep.

Take out another marker.

Let me know when you've got
that marker in your hand.

- Okay.
- Okay.

- Go ahead and color. Do you see her belt?
- Yes.

Color in her belt, all right?
Color in her belt. Do a thorough job.

When you're done,
put the marker inside the bin.

You don't work for the post office
on the side, do you?

- No.
- Okay, as you can see,

this is not set up, folks.

I would have chosen someone
who could color quicker.

- Throw it in the bin when you're done.
- All done.

You done? Take out another one.

- Okay.
- Any one you like.

- You got one?
- Yep.

Color in her hair.
Can you guys see the picture,

or is he blocking it?

- You're blocking it.
- Which way?

Poor stage presence.
Move over just a little bit.

Did you finish the hair?

- Uh, no, not yet.
- Okay. Take your time.

I got to let you folks know,
out of all the audiences I've ever had,

you are the most recent,
so thank you so much

for being here.

- Are you done?
- Yes, all done.

All right, that applause
should fill in that gap of...

Right there, drop it in the bin.

Take out another marker.
We're almost there, Kyle.

- All right.
- All right.

- And you got one?
- Yep.

Go ahead and color in her shorts,
all right?

Color in her shorts.
And, uh, you don't have to style her.

Just color it in.
It will be quicker that way. All right?

And, uh, then how many...

- We have one marker left, yes?
- All right.

- One marker left?
- Yes.

Kyle, any form of communication
would be helpful.

Okay, color in both sides.

Let's give him a...

While he's finishing up that picture
over there, I'm going to remove the tape.

This is my least favorite
portion of the show

since Kyle stuck it in my hairline.

All right.
One more week, no more eyebrows.

You should get into tape, sir.

This is good. So you went with red hair,

blue shirt, yellow belt, purple shorts,
and green socks.

So these are the colors you chose.

Ladies and gentlemen,
I'd like to introduce you

to my blind date.

You may recognize her by her picture.

I'd blow her up by mouth,
but it's my first date.

Red hair, blue shirt, yellow belt,
purple shorts, and green socks!

It's the same.

And I'm not seeing anybody else
tonight, ladies and gentlemen.

Tell you what, you can have her.
I'll take this one.

I need her for the carpool lane.
Thank you very much.

Kyle, everybody. Thank you so much, Kyle.

Mike Hammer, ladies and gentlemen.

- That was terrific.
- Thank you, thank you.

Very funny.
Really intrigued on how you did that.

And it's hard to tell how old she is.

Well, she's had a lot
of plastic surgery, so...

Okay, okay. She's sort of deflating a bit.

- Should I blow somewhere?
- She is deflating, yeah.

- That's her ego.
- Okay.

The fellows are conferring.

I know they enjoyed it
and the audience enjoyed it.

- But I think they...
- I'm hoping they weren't paying attention.

Okay. Okay.

Okay, the gentlemen,
I think they're good to go,

from the look of things. Penn.

What a great, great presentation.

Oh, thank you so much.
Oh, this, yeah, thank you.

- A great presentation of that trick.
- Of that trick.

As we've said,
it's a great presentation of that trick.

- Already you get a little nervous.
- Yeah.

But I will tell you,
and you can just stop me...

- Stop!
- ...whenever you want.

Uh, you like cartoons?

- Yes, I like cartoons.
- Yeah, everyone likes cartoons.

You like cartoon rabbits?

Yeah, you like Bugs Bunny, right?
You like Bugs Bunny?

- Yes.
- That's a cartoon rabbit.

There's another cartoon rabbit,

kind of named after the...
The thing they do with the...

Anyway, these guys are
fantastic performers.

- That enough of a hint for you?
- You got it, you got it.

- Okay.
- Mr. Mike Hammer.

- Well done, great performance. I loved it.
- Thank you.

- Thank you so much.
- I know you loved it.

Let's meet our next contender.

My name is Shin Lim.
I live in Boston, Massachusetts.

I originally went to college
for piano performance.

Unfortunately, midway through,
I got carpal tunnel in both hands,

and because of that, I just decided
to pursue magic as my main career.

I think all the years of performing piano
and learning music theory

really influenced my magic in a sense that

I naturally was able to synchronize
my magic to the music,

so every beat, every movement
is justified through the music.

By not speaking during my act,

it almost gives a more mysterious look.

I want the world to see
a different side of magic,

to take magic seriously,
and respect the art.

We've already asked two randomly selected
members of our audience

to join our next performer
onstage in advance.

Now, prepare yourself to experience
the magic of Shin Lim.

Shin Lim, ladies and gentlemen.
Wow.

Ladies, thank you so much for your help.
You may go back to your seats now.

Let's thank our volunteers.
Thank you so much.

You know, I loved every second of that.
And I know the audience did as well.

I felt like we were
in the church of magic.

And I loved the fact as well
that you cleaned up after yourself.

- I did.
- My mom would have been really, uh,

really proud of you.

So you were a concert pianist,

- but you got the carpal tunnel going on.
- I was, I was.

So first a pianist and then, um,

seven years ago,
I decided to pick up magic,

- and now I'm here.
- So you've done all this...

You've learned that
or created that in seven years.

Wow, that's all the more
remarkable, isn't it?

I mean, that's just...

...extraordinary.

Now, you choose not to speak in the act,
at least not to us. Why that decision?

Uh... I feel like
it's interesting because...

No, I just think it...

Did you do enough, though,

to fool two of the smartest minds
in magic right there, Penn and Teller?

- I don't know. We'll see.
- Let's find out. Mr. Penn, Mr. Teller.

A lot of people do card tricks.

The idea of doing card tricks,
which are silly at their very core,

really seriously
and really, really importantly,

is wonderful.

And I believe

that is the only use of smoke

I've seen in a magic trick
that was sincerely beautiful.

Now watching this,
you did a lot of tricks.

And I want to tell you
that we caught some stuff that you did.

And there is this theory on magic
that I believe very much, which is,

once one thing is seen to be phony,
the whole thing crumbles.

And it crumbles completely,
so it needs to be perfect or not at all.

But,

at the end of that,
even with the little moves that I saw,

I felt it was perfect.
And as Teller said...

We didn't even know how you vanished
the m*therf*cking marker.

Yes!

So you, sir, fooled us.

Wow.

Amazing. Beautiful, beautiful.

Beautiful.

Shin Lim, ladies and gentlemen.
He fooled them!

What a beautiful routine there.
So beautiful.

Shin Lim.

I'm sure you'll be seeing
a lot more of him.

Well, it's been quite a night
here on Fool Us.

Two acts have managed to fool
the nearly unfoolable Penn and Teller.

Can we make it three?

Let's meet our next contender
and find out.

I'm Peter Boie, and I'm from
the great state of Maine.

When I was three years old,
a magician pulled a quarter from my ear,

and I remember it like it was yesterday.

And that's what got me
interested in magic.

I got paid 50 bucks to do my first show
when I was 15,

and when I was, I don't know, 17,
and I said, "I'm not going to college.

"I'm going to be
a professional magician,"

my parents, they were like, "Okay."

And that was it.

I'm on the road a lot.
Probably 150, 200 days a year.

I love what I do.

If I didn't get paid to do it,
I would still be doing it.

I love that connection with an audience.

It's just this ball of unexplained energy

that happens when your show's
kicking on all cylinders.

I've performed in every state
except Delaware and Hawaii.

If anybody is watching this,
please book me in Hawaii.

Don't worry. We're not being cheap.

We're not trying to
save money on the lighting.

In show business, this is what
we call "atmosphere."

I'm setting the scene
for our next performer.

Welcome to the spooky world of Peter Boie.

The spiritualist movement started in 1848.

To prove that spirits were real,

mediums would try
and communicate with them,

and they would communicate back
by writing messages.

A common object at the time
in schoolhouses

were writing slates or chalkboards.

Sort of like these,
which is what we'll use.

I need a couple people to help me out.

Would you mind helping me out?
What is your name?

- Melanie.
- Melanie, very nice to meet you.

- Thank you very much for helping out.
- Nice to meet you.

If you would, please have a seat there.

You can give a round of applause
to Melanie.

And one other person.
You, sir, what is your name?

- Bill.
- Bill?

Please give a big round
of applause for Bill.

Come on up here, Bill.

Please have a chair.

Melanie, please take your chalkboard.
I want you to wipe it down.

Make sure there are no marks
on either side.

Make sure there are no marks.
Bill, please do the same.

- Sure.
- Wipe it down on either side.

Yep, just go ahead and give it a wipe.

And I'll take the rag back.
Thank you very much.

Melanie, I'll take the rag back
and the chalkboard.

Now, when they were about to communicate,
they would take a piece of chalk

and slide it in between the chalkboards

in case someone or something
felt like communicating.

Would you mind holding on
to the chalkboard just like this?

Rest them on your lap.
We'll get to them in a bit.

Melanie, close your eyes.
Keep them that way till I tell you.

Over the next minute or so, Melanie,

I need you to concentrate on any
physical experience that happens to you.

Don't be scared and don't move,

but be aware of any sensation,
whether it be hot, cold, tickling,

or anything else that you might feel,
and remember it.

Melanie, open your eyes.
With your left hand,

point to where it felt like
something touched you.

Your right shoulder.

How many times did you feel it?

- Twice.
- You felt it twice?

Yeah.

Melanie, I didn't touch or come near you.

I actually touched Bill twice
on your right shoulder.

- Isn't that right, Bill?
- Yes, you did.

Bill, before we started,

you guys cleaned those chalkboards, right?
There are no marks left on yours?

- There are no marks left on yours?
- No.

Have you felt anything weird, warm, cold?

- No.
- No?

Bill, thank you very much for your help.

- No problem.
- I appreciate it.

Melanie, thank you very much.

Please give it up for Bill and Melanie.
They were fantastic.

Peter Boie, ladies and gentlemen.

Good stuff. Wow.

Okay, so Penn and Teller are going
to deliberate as they always do.

Very spooky, great scene setting.
I loved all of that.

When you perform this, normally,
what kind of reactions do you get?

Do people get a bit spooked out?
Do they get creeped out by it?

Yes, they do. Yeah, some... Yeah.

The reactions range from stunned silence
to sometimes a scream or two, you know.

Penn and Teller are ready.
They've had a good talk about it.

Well, you know, uh,

we get asked all the time what
the hardest things to do in magic are.

But one of the hardest things
to do in magic

is to stand centerstage and tell a story

that the audience is engaged in
and believes in.

And a lot of times, we've seen
a lot of people come out

and tell the story
and no one gives a damn.

And you stood there,

and the whole audience
was completely rapt in their attention.

Now we do a trick in our show called
The Magic b*llet or The b*llet Catch,

and it's one of the tricks
we're most proud of.

And we got help for that trick
by a man by the name of Steve Shaw.

And Steve Shaw also did

something very close to the Genesis song
Invisible Touch.

And your performance of it
was beautiful for us.

We're so happy,
and this is an important thing to say,

that you did that without a gimmick.

You did that with real magic
and real thought,

and there's people who do that same trick
with a gimmick.

We don't like it as much.
You did a pure Steve Shaw,

and you also did the slate routine
absolutely pure,

just the way the spiritualists did it.

And we loved the whole package,
and I think you know

that once we've said Steve Shaw,
you probably didn't fool us,

but, boy, did we love that routine.

Well, thank you very much.

Peter, let me just double-check.

The mention there of Steve Shaw and
one of your favorite prog rockers Genesis,

that was enough information
for you to feel confident

- they know what you're up to.
- They know what I'm up to. Yeah.

Wow. But they commended you
and said you did a great job.

- That's high praise, isn't it?
- Yeah

I'm honored. Thank you very much.

And we loved it as well.
Peter Boie, ladies and gentlemen.

Great performance.
Well done, congratulations.

Peter Boie.

It's time to close the show,
and that means a performance

by two of magic's all-time greats.

One is big and tall, the other is babyGap.

Ladies and gentlemen,
the fabulous Penn and Teller.

The next trick is done
with just a piece of thread.

The exquisite, sublime
artistry of Penn and Teller,

ladies and gentlemen.

That's all the magic we have
in our wands for tonight.

We'll see you next time.
Till then, good night from Las Vegas.