07x05 - Watermelon Surgery

[bunniefuu]

From the Penn & Teller Theater

at the Rio Hotel Las Vegas,

here's our host, Alyson Hannigan!

Welcome to "Fool Us."

Penn and Teller know a thing or two about magic.

In fact, they literally taught a MasterClass on it,

so the odds of any ordinary magician fooling them

might seem slim.

Well, we don't have ordinary magicians here,

we have the best in the world.

Can they fool our Las Vegas legends?

We'll find out soon because here they come:

Penn and Teller!

Here's the deal.

Penn and Teller award a slot in their award-winning magic show

and a shiny new "Fool Us" trophy

to any magician who fools them.

Maybe our first fooler is this guy.

Please welcome Guy Bavli.

Hi, everyone. Hi.

As kids, we always have dreams and fantasies

of what we would like to be when we grow up.

I loved superheroes when I was a child

and I always wanted to be one,

especially those who possess the powers of telekinesis.

Telekinesis is moving things, but without touching.

Because I have a dream to be one with superpowers

and, of course, a six-pack,

but I had one big obstacle.

I had a one-pack.

This is me when I was a child.

Four years old.

That made it impossible for me

to think that I could ever be a superhero, of course,

and then I started to explore magic,

and especially the magic of telekinesis.

And talking about telekinesis tonight,

I think nothing will be more amazing

than asking for the help of Alyson.

Alyson, can you come and help me, please?

Yeah.

- Thank you very much.
- Hi.

Thank you. Nice to meet you.

Nice to meet you.

Alyson, you played in this very famous show,

"Buffy the Vampire Slayer," and in that show,

you had powers of telekinesis

and you mastered witchcraft, is that right?

- Yeah.
- Yeah?

So I think I have the perfect thing for you.

Come with me. Come over here, come over here.

Okay, okay.

Ta-da.

Perfect.

Check it out.

Make sure it is a regular broom.

As much as a regular broom can be, of course.

Yeah.

Now, I have a question I always wanted to ask you.

In the show itself,

did you really have the powers of telekinesis,

or was it, like, all camera tricks?

Uh, it was a lot of props and camera tricks.

Damn it.

But let's try something

and maybe we'll try it with the camera, shall we?

Okay.

You see, this is the reality, all right?

But over here in the moment, we'll have a video,

a picture, a camera trick, of this specific broom.

So this is the virtual and this is the reality.

Sometimes, we can connect between both.

Watch.

See?

All right!

Oh, this is gonna be fun, this is gonna be fun.

Let's do it again, let's do it again.

Let's try it with a piece of wood, all right?

Okay.

Hold this. Put this aside.

Make sure it's--

you know, you're the eyes of the audience--

that everything is okay, it's legit.

Yeah.

That nothing is special in any way, shape, or form.

Very good.

We're gonna take this and just put it like that over here.

Very good.

As a child, I believed in the imagination.

I believe that I can look at something from far away

and then I imagined that my hand can stretch

and touch the object, just like that.

Obviously, this never happened,

so, uh, and then that's why I turned to magic.

And I wanted to see, you know, how the virtual world,

which is here, sometime today it's so vivid, it's so real,

that it overcome our reality.

Watch this.

Hah.

See, see?

Alyson, come with me, please.

Let's have some more fun.

Sit over here for a second, if you don't mind.

Sit over here.

Now, um, can you extend your right hand for me?

Very good. I'm going to get it here.

Have you ever felt telekinesis before?

Not today.

This will be your lucky day tonight, all right?

Oh, great.

In a moment,

I am going to touch you very slightly, all right?

Okay.

And I will ask you to close your eyes.

Every time you feel that I'm touching you,

I want you to bring the balloon up like this

and down like that.

So when you see the balloon going up in your hand,

you know that Alyson feels it.

Can we try it out very quickly?

Did you feel this? Very good.

And we'll try it one more time here.

Did you feel this?

Yes, very good.

Put it down. Fantastic.

Now open your eyes, open your eyes.

Don't worry, I will not touch you with my hand.

I will touch you with my third hand, all right?

Okay, yeah.

And I do it for two reasons.

One,

for legal reasons.

And the other one, because I can reach, okay?

So remember, every time you feel anything

you just take your hand up.

Okay.

But before we do this, Alyson,

have you ever been cloned?

I certainly hope not.

Ahh.

Your lucky day today.

Three, two, one, clone!

Ta-dum! This is you.

Thank you.

So I want you to connect to yourself

and especially to your virtual self.

Every time you feel something, you take your hand up.

Take a deep breath in, close your eyes,

let's start right now.

Virtual kinetics is something we all feel.

It's something that we have in our gut.

Sometime we feel it very vivid,

sometime we feel it a part of our imagination,

sometime, we feel it in our mind.

Sometime, we enjoy it.

You would love this one.

Hello.

Very good, open your eyes.

Open your eyes. Did you feel that?

Give her a big round of applause.

Do you see?

So I want to do it differently this time.

You know, all my life,

people told me what I can and I cannot do.

And then it took me years to realize it:

when people tell you that you cannot do something,

it's not because you cannot do it,

it's because they cannot do it.

And for them, the impossible is impossible.

So I think it is about time...

To burst that belief.

Thank you very much!

- Guy Bavli!
- Thank you very much.

How did telekinesis become your specialty?

Well, I was always fascinated by superheroes, for real,

and I was 237 pounds when I was 11.

Wow.

I was a big child.

Yeah, as a child, it's difficult, you know?

People make fun of you,

many people call you names and all that.

Magic, for me, was a way for people to see who I am

and not who I look like.

- It helped you?
- It helped me a lot.

- Aww.
- Yeah.

And now look at you. You're here in Vegas.

I'm here in Vegas! I love Vegas!

All right, let's turn our minds to the boys

and see if they know how your mentalism worked.

- Hi.
- Boys.

- Guy, Guy, Guy.
- Hi, hi, hi.

- Boy, nice act.
- Thank you.

Psychokinesis, all that kind of stuff,

is always so incredibly stupid.

People come out on stage and try to pretend

that there's some sort of reality to this

and it's always very awkward 'cause the audience sits there

going, "We know you're lying to us."

And they're talking voodoo, and they're talking,

"I can do things in the distance."

True.

And you took all of that away by laying it on "Buffy,"

and tying it with sympathetic magic

instead of some real sort of mind control

and being fun, and being light,

made the whole thing so incredibly enjoyable.

- Thank you.
- And wonderful and sweet.

And you got nothing but, like, a broom and a block of wood.

And yet, when you did those effects, the feeling was

just electricity in the room.

People just-- people just loved it.

They were just applauding, cheering.

We're of course, always looking in the wrong place.

You have a big, white balloon that you're tying onto Alyson.

The whole audience is looking at the balloon,

except for the two of us.

And then at the end,

you've got that wonderful, wonderful, wonderful

balloon that become despondent and was suicidal.

And I think as much as much

as we loved your act, I don't think you fooled us.

Did I give you enough stuff in there?

You moved right into it.

Okay.

All right, well, thank you.

- Thank you so much.
- Thank you.

- Thank you all.
- Guy Bavli, thank you.

Bye-bye.

Up next, Penn and Teller will take on more magicians

before performing a trick of their own later tonight.

Stick around.

You made it back from the break.

Let's hope our next magician

doesn't break under the pressure.

Let's meet him.

With five randomly-selected members of our studio audience,

please welcome world champion mentalist, Javier Botía.

Ladies and gentlemen,

I am the Spanish Mentalist!

Olé!

I have no limits.

And tonight, I'm going to read all your minds

at the same time.

Please, all of you, think of a color

and send it to me.

Got that, that one.

That one, as well.

Blue is yours?

Thank you!

Do you mind? Come here.

- What's your name?
- Tyler.

- Tyler?
- Yes.

Ah, I knew it.

I am the Spanish Mentalist!

Olé!

Please grab five different color pieces from the floor.

Pick the colors you like. Five different color pieces.

Maybe blue, maybe orange, maybe violet.

Orange is not a color,

orange is a fruit, okay?

What are you thinking about?

We'll be using identical blank envelopes absolutely empty.

Please pick one, pick one, okay?

Pick one.

When you have your election, shuffle them

and give one to its volunteer.

One for you, please.

Thank you.

Now, I will turn around

because I don't want to see anything.

Put your color inside your envelope.

Okay, everybody?

And finally, my volunteer. Are you finished?

Not yet.

Okay, no, you're not over.

- Now--
- Now I'm done.

To make it impossible-- why are you relaxing?

- Oh.
- Wake up!

To make it impossible, now collect them.

Collect all of them. I don't want to see anything.

Collect all of them, mix them, and hand her over again.

Now, the situation is completely random.

Nobody knows the content of any envelope.

Not even them.

Tell me when you finish, okay?

Not yet.

- Now I'm done.
- Okay.

And now sit.

Ladies and gentlemen,

tonight, I will show you

that I can predict every single hidden color.

Many mentalists use tarot cards for predict.

Maybe look at his ba*ls-- his crystal ba*ls.

But the Spanish Mentalist

prefer interpret a

Spanish masterpiece.

Maybe you, you will be this one.

Come here in this position. Yes.

This is your place. This, this.

Thank you.

And you will be the woman with the rose.

And that is your position, okay?

Can you do-- palmas?

- Yeah.
- Okay, go there.

And I think you will be the dancer.

Okay.

Go the center.

Can you play guitar?

The "Titanic" song, that's about it.

Okay, pretend.

Go to the corner.

Now, everybody, in his position.

Uh, this is a mess.

It's okay, don't worry.

I am the Spanish Mentalist,

and I can do everything.

You.

No, no, no, no.

With my Spanish mental power, I predict your hidden color

is pink!

Open your envelope!

Hey, hey!

Go away.

I am working, go away.

I look in your eyes, and you look like a bull.

Olé!

Everybody with me now!

Olé!

I predict your color is yellow!

Open your envelope!

Move to the center, move to the center.

Something is wrong.

Perfect!

Ladies and gentlemen, tonight,

I will show you I can predict every single color.

Maybe I was lucky.

No, amigos.

I am the Spanish Mentalist!

Olé!

And tonight,

- I have a dream.
- Olé!

I have a dream that one day,

this audience will reach up

and discover the truth behind my prediction.

I have a dream that one day

my three volunteers

will not be judged by the color of the cards.

Always, open your hand!

My prediction--open your note. Show your color.

This is blue.

Open your envelope, show your color.

This is green.

Open your envelope.

And your color is...

red.

The biggest prediction in "Fool Us" ever!

Javier Botía!

Thank you, thank you.

That was awesome. That was so entertaining!

Oh, uh, excuse me.

Ah, I find a green card.

So how did this cure you?

Magic, for me, is the best therapy

because when you have a very big problem, you are sick,

you need believe that the impossible is possible.

Yes.

That's beautiful.

Javier, should we find out if you fooled them?

perdón.

- Mis amigos, Penn and Teller.
- Yes.

What a nice--what a really nice presentation.

Just crazy and stage-filling,

and I just got nothing but good to say,

but while I'm saying the good, see,

I'm having a lot of trouble complimenting you

because I really want to figure out this trick.

And Teller and I have been bagging on it

because the idea is you're doing a big, funny routine,

and when someone does a big, funny routine,

we usually figure that's the important part of it--

is that it's big and funny.

The important part of it is not that it's super mysterious,

so we can probably figure this out.

And while everybody else was laughing,

we were kind of watching carefully.

And when you handled those envelopes,

you took the envelopes and you just kind of threw them around.

Didn't care who you gave what to.

And as soon as you do that, we start to worry,

'cause we say, "You know, the Spanish Mentalist--"

Olé!

Is trying to get us to not care about the envelopes.

He's trying to get us to go,

"Well, those envelopes don't matter.

He doesn't care about the envelopes."

So that means we care an awful lot.

Uh, I need translator because I can't understand you.

I understand better Teller, always.

I'm gonna come up there.

What I'm saying is can I look at one of those envelopes?

Oh, of course.

I can look at one of the envelopes?

Yes, the envelopes?

No, no, not the one you're gonna take,

I'm gonna take the one that I'm gonna take.

- This envelope here.
- Yes?

There's nothing strange about this envelope?

Nothing is.

Nothing strange?

I thought there was gonna be

something strange about this envelope, I--I really did.

I thought we came up here to bust you.

Uh, but...

Oh, my God. I'm dreaming.

- You know what I'm thinking?
- Do the pose.

I'm thinking that you are the Spanish Mentalist!

Do it!

And you have fooled us, Spanish Mentalist!

What?

Yay!

- Thank you.
- Amazing.

Ta-da!

- Thank you.
- Beautiful job, beautiful job.

Javier Botía!

I'm cured, people!

Javier Botía! Whoo!

Olé!

Condolences to Penn and Teller

and congratulations to our latest fooler.

We'll be right back with more "Fool Us."

Welcome back.

Penn and Teller have been bested once already.

Can our next magician pull it off, too?

Take a look.

I am B.S. Reddy from India

David Copperfield!

No offense, Penn and Teller.

Please welcome Indian illusionist, B.S. Reddy.

Most respected Mr. Penn. Honorable Mr. Teller.

I am B.S. Reddy.

This is Miss Suma, my magic partner of many years.

We have worked together

for so many performances and so many stages,

we have almost become like magical twins.

And you know what

they say about twins.

They know each other thoughts,

they feel each other feelings,

but even more mysteriously, what happens to one of us

is happens to other.

Don't believe me? Please observe.

First, I'll pass these chains around my body

and pull them completely through.

Solid through flesh.

One, two, three!

Now, what did I tell you?

I was just cut in half.

If it happens to me, it also happens to Suma.

Please watch.

Hyah!

B.S. Reddy!

Hi, nice to meet you.

- Nice to meet you.
- Wow.

I'm worried about both of you.

I want to, like, make sure

you're not bleeding or anything.

- No.
- Okay, good.

So did you create this illusion?

Yes, which is never seen before,

never performed by anyone.

- Wow.
- Yeah.

Did you have a magic mentor or were you self-taught?

Yeah, I'm a self-taught magician.

Yeah, and in India,

we don't have any proper magic organization,

Magic University,

so I started one Indian Magic Academy.

That's amazing.

All right,

let's see if Penn and Teller know how your illusion works.

Boys?

The principles you're using,

we've seen some of those principles before,

but never this good.

And one of the things you did

that no one ever does in illusions of this kind

is give us a cause and effect, you know?

You said you'd been working together a long time,

what happens to you happens to her, it's a surprise,

but it's also inevitable. That makes it really beautiful.

We're doing a show right now in London

called "Magic Goes Wrong"

that uses a principle very similar to this.

What disturbs me is that

y-you do it better.

But it's just beautiful

the way it uses some of the black arts, shall we say,

and some of the bending.

And the fact that you do something that,

in this type of illusion,

the person usually turns themselves

and that gives away a lot of the trick.

With you taking her and because she's smaller,

doing that and then doing that

makes it much stronger and much more deceptive.

And then you set it all up with the chains,

which are a trick called grandmother's necklace.

And we thought it was beautiful,

the best thing like that we've seen,

but I don't think you fooled us.

So B.S., do you agree they know how your trick was done?

Of course. They are legends.

I know they can figure out anything.

Aww, thank you so much. B.S. Reddy!

See more of the world's best magic when "Fool Us" returns.

Welcome back to "Fool Us."

I've checked our schedule

and the next fooler is coming in right now.

I was a late bloomer to magic.

When I was 21 years old,

I started working at a toy store

called The Wizard's Chest.

They had a magic counter, but they had no magician.

I was only a temporary hire,

so I figured if I learn some of this stuff,

maybe they'll keep me on through Christmas.

The first magic trick I learned

was called the prayer vase.

I took it home and I practiced, and I practiced,

and I started what we called demoing the magic trick.

At the end of the day, I sold all of them.

There was none left.

I had no other trick to do,

so I had to go home and learn another one.

And that's how I got hooked.

Penn and Teller, I have a little secret

that makes this trick a little extra special.

Let's see if you can figure out what it is.

Please welcome the magic of Chad Allen!

Thanks, everyone.

Penn and Teller, can you come to the table, please?

You'll need to cross, so Penn here, Teller here.

I'd like to show you a card trick

like you've never seen before.

Penn, will you shuffle these cards for me, please?

- Sure thing.
- Give them a good mix.

I will.

To make this more challenging,

I'm also going to deny myself my sense of sight.

So Alyson,

would you stand behind me and cover my eyes with your hands?

Okay.

Cup them tightly against my face.

As Penn and Teller know,

this is a genuine and effective way to blindfold someone.

- Penn.
- Yes.

- Did you finish shuffling?
- I did.

- Can I have those back?
- Sure can.

Thank you. Are they face up or face down?

They are face down.

Face down, thank you.

Teller, will you take any card you like?

Right there?

Here's a pen.

I want you to sign the face of the card,

making this a unique object of interest.

Teller, you done? That's smart.

The guy who's blindfolded

is asking the guy that doesn't talk.

All right.

Teller, will you just do me a favor

and put your card right back?

Great.

And can everyone see Teller's signature?

- I can.
- Yeah? Okay, great.

Right now, I'm effectively blindfolded by Alyson.

Okay.

And to make this a little more interesting,

we're gonna do what scientists call a double-blind experiment

by concealing the cards inside this bag.

I can't see the cards.

Now, neither can all of you.

Penn, do me a favor.

Will you pinch your fingers together like this?

- Mm-hmm.
- And take the bag. Yes?

And now shake it towards my right ear.

Oh, that's interesting.

I think I hear Teller's card.

Now, Penn, would you agree

that Teller had a free choice of card?

- Yes.
- You would, okay.

And I was blindfolded when he chose that card, right?

- That's correct.
- Okay, good.

And the card's somewhere inside this bag?

I think so.

So far, I've been doing this without my sense of sight.

Mm-hmm.

Now, I'm going to do it without using any sense

of responsibility.

Do I have to be here?

Nobody moves, nobody gets hurt.

Okay, you can let go, Alyson, thank you.

- Oh, thank God.
- Okay.

- Penn.
- Yes.

Do you know what card Teller chose?

- Yes, I do.
- You do.

What was it?

The queen of diamonds.

There's a card on that blade.

Teller, you chose the queen of diamonds.

Take the corner of the card and pull.

I won't move.

And is that your signed card?

I do believe we've seen a miracle.

Thank you, Penn, and thank you, Teller.

Thank you, Alyson.

Chad Allen!

- Well, that was very brave.
- Thank you.

Especially to have them up here so close.

Well, remember in my package,

I mentioned that I had a surprise

I wanted to share?

Sure.

I don't want to say anything, so can you read that?

Hmm.

Is this supposed to be our little secret?

- Our little secret. For now.
- Okay.

Let's go to the boys and see if you've bagged a trophy.

- All right.
- Boys?

- Hello, Chad.
- Hey, Penn.

It said in the package there that you had a secret,

which I think you kept from almost everyone.

But I'm not gonna get to that right away.

Okay.

But the other thing is, uh, Chad Allen is your name.

Yes.

This trick is a wonderful, wonderful trick

and it made me think of someone

who might be a relative of yours.

Do you know Don Alan?

- Yes, I do.
- You do?

And that might give you a little bit of information,

but the trick was done absolutely beautifully

and we absolutely loved it,

but I think that secret that I haven't mentioned yet

makes the trick that you did

about a thousand times more amazing.

So you've done something crazy here

in that you've done a trick that was actually

about a thousand times better than you let the audience know.

- Do you want to tell them that?
- Sure.

I have no sight at all.

I'm actually blind.

So Chad, did they figure out your trick?

- They did.
- Aw, well, thank you.

- Thank you.
- Oh--

Chad Allen!

We have one more major dose of magic for you.

This one will be administered by the masters themselves.

Penn and Teller perform next.

Penn and Teller spent lots of time in their magic laboratory

concocting strange and unusual tricks.

Here with one of their newest creations,

Penn and Teller!

We need someone with a ring.

Anybody got a ring? A really distinctive ring.

Who's got a ring and a really distinctive ring

that you recognize quickly?

It's also gotta come off your fingers--mine barely do.

But I need someone that has a ring

that will come off their finger and will come up on stage.

And Teller has found someone. Right up here, please.

And what is your name, our newest friend?

Say it again?

- Bonnie.
- Bonnie.

- Hello, Bonnie.
- Hello.

Teller's got the ring here.

Now tell us about this ring here, Bonnie.

Well, it's a very special ring

because an ex-boyfriend, I said,

"Done with the exes and marrying myself."

- Oh, did you really do that?
- Yeah.

But I put it on the middle finger,

so it was like, [bleep].

- Which stands for "Fool Us."
- Exactly.

And what is this ring made of?

It's platinum and it's really good diamonds.

Do you believe it's real platinum?

Yeah, it is, it's platinum.

What, they told you that when you bought it?

That's what they told me.

'Cause there's only one way to test real platinum.

Oh, God.

And that is to put it in boiling acid.

And I've got some good news

and some bad news for you, Bonnie.

The good news is that was real platinum.

Oh.

was real platinum.

Yeah, um.

We've--we've dissolved it there.

It was very special.

We've also proven that you weren't a witch,

so that's good.

But we have here a hypodermic needle, Bonnie.

- Okay.
- And we're gonna suck up

some of Bonnie's ring goodness.

And that is boiling and it's very hot,

but I'm gonna suck up--

and you'll see the platinum and diamond opulescence

that's dissolved in the acid there, Bonnie.

And, uh-- ah, there we go.

Can you see how good a ring that was?

You can see the opulescence in there floating around.

Okay.

We're gonna talk a little bit about homeopathy.

Homeopathy is a pseudoscience, or as we say, bull[bleep].

The idea is the more you dilute something,

the stronger it gets-- that's nonsense.

We do have things that are real like DNA and stem cells.

They're able to take the essence of something

and grow it,

but we need to grow something to grow the essence.

We need an artificial womb.

And the closest we have is this watermelon.

Have you examined this watermelon thoroughly?

I did.

Does it seem like a nice, healthy watermelon?

- I wanna bite into it.
- We're gonna try to grow--

you will. -

We're gonna try to grow your ring in there.

Would you take this hypodermic needle

full of Bonnie ring goodness

and would you inject it into the watermelon?

But keep in mind,

the watermelon does not feel pain like you and me.

It's like a lobster.

And don't just skin pop it. Go for a vein.

- sh**t it up, sh**t it up.
- All right, here it goes.

Inject it all the way.

And when that blood shoots up the dropper's neck,

that watermelon feels like Jesus' son.

Inject it all, you gotta get it all.

- I want the whole ring.
- Got it.

Now put it in the sharps container right here.

Safety first.

And children watching at home,

make sure you ask your parents about buying you a souvenir

Penn and Teller hypodermic needle.

Now, um, Bonnie.

Your ring is growing

in the warm, pink insides of the watermelon.

The diamond's gonna get bigger? Yes!

It will grow to that size, maybe.

Now I want to show you something.

We're gonna do some real science now

with laparoscopic surgery.

Back over here, but don't get too close to the watermelon

because there is some watermelon shrapnel

when we do this.

As we, uh--

a little bit, yeah.

Now you can move a little closer, here.

We also have a laparoscopic camera here, Bonnie.

Oh, cool.

And you can see your face in the monitor there.

- Well, hello.
- And now we're going in!

We're going in.

You know, when I look at that, it looks to me like

well, it looks to me a little bit like

the inside of a watermelon, doesn't it?

Yeah.

Teller's fishing around in the watermelon

and--oh, what's that, Teller?

Up a little bit, up a little bit.

Oh, I think I saw it.

Look at that, look at that growing inside

the moist, pink goodness of the watermelon.

There is Bonnie's ring.

Goodness gracious.

But other magicians might be done right there.

We're gonna take the next step.

I have here a surgical tool

which I shudder to think what it's used for.

I'm going in, Bonnie, I'm going in.

Watch me going in, watch me going in.

I'm going in, I'm going in.

I'm gonna try to-- see, any other magic act

the end would be the object in an impossible location,

but with Penn and Teller, it's the extraction--

oh, look at that.

I got a hold of it. See me? I'm holding it.

- I'm holding it there.
- It's gorgeous.

Now, you bought this ring for yourself?

- I did.
- Now, I want you to see this.

It's gonna come right out this hole here.

- Look at this, Bonnie.
- Okay.

You bought such a [bleep]damn opulent ring

for yourself.

It will not fit out the tender hole of the watermelon.

Okay.

So we're gonna do a cesarean.

We'll do a cesarean.

- Okay.
- Take the knife, Bonnie.

Well, I've had natural childbirth, so.

Cut it right there. Take the knife right there.

Be careful, it really is sharp.

And cut the watermelon right in half.

Careful not to cut the plastic there.

There you go, Bonnie.

- All the way down?
- Yeah, all the way down.

All the way down, Bonnie, all the way down.

Beautiful, Bonnie.

Now Bonnie, I want you to see this moment,

'cause this is a great moment, Bonnie.

I want you to see nothing's being switched,

nothing's being changed.

There on the end of my tool is your ring.

Now, Bonnie, take a hold of that.

Don't put it on your finger yet, but take it.

Because Bonnie, I have a very special gift for you, Bonnie,

A very special gift.

I have, first of all, a Wet-Nap

so you will not be stinking of watermelon

- for the rest of the night.
- Thank you.

I also have a bowl here to make a nice fruit salad.

- Yes.
- We have a spork,

and a little umbrella,

and to make it really classy,

we have your ring there, Bonnie.

- There you go, Bonnie.
- That's awesome, thank you.

- Your watermelon, your ring.
- Amazing.

What a good idea, buying that ring.

- Wow.
- That's Bonnie there.

Bonnie with the watermelon.

We've run out of time,

but we haven't run out of fantastic magic.

We'll be back with another great episode

of "Fool Us" next week.

See you then.