07x08 - Brad Sherwood's Nuts

[bunniefuu]

From the Penn & Teller Theater

at the Rio Hotel in Las Vegas,

here's our host,

Alyson Hannigan!

Welcome to "Fool Us."

We can't wait to show you all the magicians

we have lined up for you tonight.

So we won't wait.

Ladies and gentlemen,

give it up for our Las Vegas legends,

Penn and Teller!

Penn and Teller give a slot in their world-famous show

and their coveted "Fool Us" trophy

to any magician who successfully fools them.

Let's see if our first performer can turn the trick.

So the first time I was on "Fool Us"

was about five years ago,

and Penn and Teller busted me.

But they didn't actually bust me.

They busted my assistant, who was a blowup doll.

Is that enough of a hint for you?

You got it, you got it.

- Okay.
- Thanks so much.

I do get a little aggressive with the crowd.

One of the biggest questions I get asked after my shows:

does anyone ever get pissed off and want to fight?

So I can see where they're coming from.

But everyone has a good time,

and it's all in fun.

My nightly show in Vegas is going great,

and people still come up to me

saying, "We remember you from 'Fool Us.'"

This is what an average night looks like for us.

And tonight, nobody's gonna forget me.

Especially my victim--

My volunteer.

Penn and Teller, tonight, we're gonna even the score.

Give it up for the hilarious Mike Hammer.

All right!

Thank you guys so much. Thank you.

Thanks for having me back, guys.

I was here five years ago.

I usually select someone from the audience,

but tonight, you guys are safe

because we've got a special guest.

He's a very funny comedian.

You saw him on "Whose Line Is It Anyway?"

He's here because Drew Carey turned me down.

Ladies and gentlemen, Brad Sherwood!

Let's welcome Brad Sherwood!

King of improv!

I'm just messing.

- How are you?
- How you doing?

Hello.

I didn't know you were so big.

I wouldn't have thrown that Drew Carey comment there.

That's all right.

I just want the audience to know

we did not set this up.

You do not know what's gonna happen.

Not at all.

I barely know what's gonna happen,

so let's try this out.

You got a--we need a 20.

Have you got a 20 on you?

- Really?
- 20--sure.

I'm already losing money in Vegas.

- All right.
- Oh, yeah.

- Here, I'll help you out there.
- Oh, great, get it.

Okay.

$2 bill? Who has that?

You. All right. 100!

Ladies and gentlemen, we will be using a hundred-dollar bill.

Is that okay with you? Hundred?

- Well, all right--
- Yes!

All right. You heard it.

Remember the hundred-dollar bill.

Would--would you like the money clip,

as well, since you...

- You don't need that.
- Okay.

Here, have a seat. You paid for it.

Oh, terrific, all right.

- Close your legs, sir.
- All right.

We don't need to knock out the front row, okay?

Try not to.

Here's what I'd like you to do.

I want you to think of a name. Any name at all.

Do not say it out loud.

And you're gonna write that name down

as big as you can on the front of the hundred.

- All right.
- I'll turn away.

We did not set this up.

Fold it in half, Brad, so nobody sees it.

Are you doing that?

- I am doing that.
- Okay.

Uh, I'll take a look now.

And we're good? All right.

I'm gonna take the bill back from you.

- I'll fold it in half again.
- Mm-hmm.

Finely into small quarters.

Oh, thank you very much. Oh, look.

Like a professional. Fantastic.

Now, you cannot see through this bill.

- No.
- How 'bout the open eye?

No.

I'm gonna try and guess

what the name is on this bill.

But first, I need to hide this underneath you.

And no, no, no, no.

Just underneath you. Not inside you.

Oh. I was gonna say.

Yeah.

Then I'd--I'd have to open my legs again.

- Open your legs.
- Yeah.

Well...

For another hundred, I'll show you some real magic.

Okay.

I don't wanna see anything else disappear.

Yeah, I got you. I got you.

- Behind me, that is.
- Yeah.

Lean to your right side. Lift up your left cheek.

- All right.
- That's actually your leg.

Here. Do it manually.

- Lift it up manually.
- All right.

There you go. There you go.

And sit back down.

- Get off my hand.
- All right.

Brad, here's what's going to happen.

I'm gonna look in your mouth.

I'm gonna see through to the other side of your body.

This is the weirdest trick you'll ever see.

- Yeah.
- I'm gonna look in his mouth.

See all the way through to the other side.

Try and read the name off the bill you're sitting on.

- Okay?
- Okay.

I'm gonna ask you to tilt your head back.

- This'll stay on, yes?
- Yes.

- Okay.
- Hope so, yeah.

Okay. It's glued.

You--tilt your head back. Open wide.

- Sure.
- Don't breathe out.

Let me get that flashlight. Open wide.

The name starts with a B. Is that correct?

Or--or a C?

Or?

All right.

I gotta be honest with you, folks.

I cannot see through there.

- There's a blockage.
- Yeah.

You were eating some snacks, weren't you?

- I had burritos earlier.
- Burritos, yeah.

And peanuts? Peanuts--I saw peanuts.

- Yeah, okay.
- All right.

Peanuts! Yes.

We need to remove the peanuts

before we continue.

You're lucky this wasn't you, Teller.

Ladies and gentlemen, make some noise.

You're glad you're not Brad, everybody.

'Cause this could've been you.

Brad, close your legs 'cause this is gonna suck.

- Oh, jeez.
- All right.

Here's what I need you to do.

I almost feel bad.

I know what's gonna happen. Listen.

I've gotta put this in your mouth

and suck the peanuts out of the way.

But don't worry. I'm wearing a glove.

Good.

Tilt your head back. Open wide.

How's that feel? Pretty good?

All right. Open wide.

Open wide.

Move to your left.

Move to--there you go!

All right.

Stop me when you're-

The switch was right there,

and you could've stopped it at any point.

Oh, damn it.

Come back tomorrow. We'll go in the other way.

Oh.

All right. We'll cut that out.

Open wide, Brad.

Tilt your head back.

Well, your nuts are gone.

Listen, I didn't see your hundred-dollar bill.

You were sitting on it. Can you stand up?

Take a look underneath you.

- Uh-oh.
- Is it gone?

- It's gone.
- Hell yeah!

Magic. Thank so much, man.

All right.

Goodnight, everybody. -

- No, don't--
- What, no?

- Oh, okay.
- No, no, have a seat.

- Close your legs.
- Oh, all right.

I don't know if you remember that part.

You were sitting on a bill, and then we sucked it out.

Nice and loud.

What's inside the vacuum?

It's my nuts.

Take 'em out first before you say it.

- Hold those up nice and high.
- Oh, it is my nuts!

Show the audience. Show the audience.

Hold them up nice and high so the audience can see your nuts.

Ladies and gentlemen, one more thing.

Look inside the vacuum.

Do you see a hundred-dollar bill?

- I do not.
- No.

'Cause then I would've been Penn and Teller.

But if we push

his nuts aside...

there's something special in here.

It's difficult to see if you're further back.

I can tell by the lack of response.

Brad, there's something special in there.

There's a bill in there. Can you hold out both hands?

Closer, like you're gonna catch your nuts.

Amongst your nuts, what do you see?

"My hundred." Good.

You're too good for this routine.

- Did you write the name Snoopy?
- I did.

- Is that the same bill?
- I wrote Snoopy.

There it is, ladies and gentlemen!

Same bill, same guy, same nuts.

Let's give it up for Brad, everybody.

I'm gonna give you this as a souvenir.

Thank you so much.

And here's a few bucks for being a good sport.

Oh! Thank you so much.

You're awesome. Thank you so much.

My pleasure.

Keep it going on for Brad Sherwood,

ladies and gentlemen!

Thank you so much, Brad.

Thank you so much.

Mike Hammer, everyone!

Oh, thank you so much

for not asking me to volunteer.

Well, there...

Do you always abuse the people you bring on stage?

Yeah.

I wanted to get Penn,

but they said that wouldn't be good for my life.

So...

So does it ever go wrong?

I've had some weird things happen.

I had a--I do a--a trick

where I bring someone up on stage.

And I had my hands tied behind my back.

It's not an escape,

but I'm gonna do a pickpocket demonstration

with my hands tied.

And the guy tied me up and then left the stage.

And I'm standing there just tied up.

I told the audience--I said,

"Will someone come up and untie me?"

But they thought it was part of the show.

- Oh, my goodness.
- Yeah.

All right. Well, let's find out

if the boys know how you did--did your trick.

Okay. Thank you.

Boys.

It's so--

You know, Brad Sherwood's an old friend of ours.

Yeah.

You're an old friend of ours.

We were just relaxing and watching you work.

Oh, thanks so much, guys. Thanks for having me back.

- Great time.
- Thank you.

And I wanna point out

you're at the Four Queens

- on Fremont Street...
- Yes.

Doing magic all the time.

Yeah.

I believe

that's the most important thing

you wanted to hear out of me, right?

Once I've said you're at the Four Queens...

- I can leave!
- Doing magic nightly.

You'll be able to say, "Yep.

They busted me. Bye."

They busted me. See you.

No, I appreciate that. Thank you so much.

It's wonderful to see you again.

Oh, great to see you.

I guess I do have to get to

what the show is actually about.

No! You don't.

You could just keep talking about my show.

But I will say, last time you were on,

we talked about a cartoon bunny.

Yeah.

And this time, we'll talk about another comic book.

- "Superman."
- Okay.

Because Superman is also known as the man of...

Now good-bye.

See. He did this last time.

His code is so good, I don't know what he's saying.

Welcome to my life.

I never know what he's saying.

Oh! Thank you.

Okay. Thank you.

Thanks, you guys, so much.

They did--they did--no. I did not fool them.

- Okay.
- But they're awesome.

- Thanks so much, you guys.
- Thanks a lot, Mike.

- Thank you so much.
- Thank you so much.

Thanks, everybody!

- Mike Hammer!
- Thank you.

Don't go away.

We still have more amazing magicians for you.

Stay close.

Welcome back.

Take a look at our next potential fooler.

Don't blink, because here comes Lea Kyle.

Ooh.

* So get ready *

* So get ready *

Ooh.

* Three, two, one *

Lea Kyle!

Whoa. Wow. That's amazing.

You're probably the only woman that says,

"I'm just gonna change real quick,"

and we can believe you.

Thank you very much.

Yeah. Wow.

Did you make all of this yourself?

Yes. I make all the costume.

That is unbelievable.

- Thank you very much.
- Ahh.

And do you start with the design of a dress

and then work it into the routine?

Or start with the trick and work in the dress?

She did sewing studies.

And then she discovered magic.

And she decided to mix these two passions.

So how does it make you feel to be out here performing?

I am very happy to perform here.

It's a chance for--for me to be here,

and this is the first time that I perform in USA.

Oh, wow.

Oh!

Well, thank you for doing it here.

- Thank you.
- All right.

Let's see if your quick change gets you a quick trophy.

Boys.

Lea, we love that act.

So good. So beautiful.

And just moves right through.

And goes so much further

than we ever thought it would go.

We were--we were really happy

with five or six changes.

And you did, I think, 700,000.

Now, we've been doing this show for seven years,

and quick change

does not seem like magic to us.

We know the basics of quick change.

But...

This isn't a quick-change act.

This is a magic act.

Because we know how

all quick change is done,

and we do not know

how all your act is done.

There is stuff--

There is stuff in this act

that leaves us totally mystified.

Completely and utterly mystified.

Thank you very much. Thank you.

And um, I am--

I don't wanna open a floodgate here.

This does not mean

that quick-change artists

can come on and fool us.

Because quick-change artists can't.

Magicians can.

And Lea, we look so forward

to having you on our show in Vegas.

Thank you.

We have a fooler!

You did it!

Oh! Lea Kyle!

Thank you very much. Thanks.

Oh, turn around. Look.

Oh, thank you.

Lea Kyle!

Congratulations.

Thank you.

I can't believe my eyes,

and neither could Penn and Teller.

More visually stunning magic after this.

Welcome back.

Let's meet our next possible trophy winner.

I probably shouldn't say this,

but when I was 12,

my very first trick that I built

was a magic eraser

that helped me to pass a math exam.

Sneaky magic.

That's not really magic,

but it made my life easier.

For sure.

If my teachers see this program,

they will k*ll me.

I'm going to be a teacher.

I'm finishing my degree,

and I'm practicing in a school.

Now that I'm on the other side,

it's--it's different.

I make my own tricks.

I prefer doing magic close to the audience.

I learned a lot of magic,

but I tried to make mine.

Penn, Teller,

this is a classic card trick

but with my own ideas.

I hope you enjoy.

Please welcome the magic of Dante.

Hello, my name is Dante,

and I'm going to do a magic trick

you have never seen before.

It's the trick where two cards

and they choose one.

Well, you may have seen it, but I don't care, okay?

Just tell me stop when you want, please.

Tell me stop. Tell me stop.

Stop. Okay.

It's okay that I can see the card.

We also need two more cards.

The two red kings. Okay?

So here's one,

and here is the other one.

What this absolute new trick consist of

is the following, okay?

I'm going to place one of the kings on top.

Here.

And one of the kings on bottom.

And I'm going to lose this card

here in the middle.

Here.

And I clearly show that it's still there,

that it has not been teleported...

yet.

Okay?

Your card lost,

and at the count of three,

the two kings and your chosen card.

One, two, and three.

The kings and one card.

It can't be other than your jack of clubs.

Thank you very much.

I know.

Let's go a little farther, okay?

Place the two kings carefully like that

on the table.

Carefully, carefully.

Carefully.

Now, I know what you are thinking.

That I'm hiding something under the two kings, but no.

Okay?

Carefully like that.

Your card is lost again, okay?

And now with a wave of my hand,

between the two kings appears one card

that can't be other than your jack of clubs.

And that's incredible and totally magical.

Oh, I--

I know that I'm sneaky,

and you probably think that I'm still hiding something

under the two kings, right?

But one thing.

Let's get rid of these ones.

And let's take this trick

to the next level.

If you can see through the kings,

there can be nothing behind, right?

So...

I'm going to place your card here.

Your jack of clubs there.

And I'm going to place the two kings

here in the middle, okay?

I'm going to place it there.

It--it's clear enough. Isn't it?

There's no cards between those two kings, right?

There's no cards.

So I just have to wait.

And the magic happens.

Here appears one card...

that can't be other than your jack of clubs.

Thank you very much.

Well, I didn't lie to you when I came here

and said that I was going to do a magic trick

you have never seen before.

So let's try.

If I place your jack of clubs

here in the middle...

Okay.

Your jack of clubs.

This is the trick

in which two cards here

without a center

and the selected one.

Okay?

I'm going to do it very slow.

One...

two...

and three.

Here appears one card

that can't be other

than your jack of clubs.

Thank you very much.

Let's hear it for Dante!

Wow. So you're sneaky.

You like sneaky magic?

Yeah. I love sneaky magic.

Do you love what's happening with magic in Spain?

Yeah.

I love all the magicians in Spain.

If you want to see good magic, go to Spain.

Not to see me. No.

You can go to Spain and see very good magicians.

Yeah.

So what do you like most about performing live?

I love the faces

of the audience.

When you do a magic trick, and they say,

"Wow." -

"How you did that?"

And you say...

- Magic.
- Of course.

All right.

Well, Dante, Penn and Teller look ready

to tell us how they think you did your magic.

- Okay.
- Boys.

Well, Dante, you came out

and gave us a-- made us a promise

that you were gonna show us something

we'd never seen before,

and you absolutely did that.

- Wow.
- You did that.

Thank you.

What I really loved about it is how you

actually give away a lot of magic secrets

as you go through it.

You give a lecture

on how to do this basic trick.

Most important, you teach them during that,

that you're using all normal cards,

'cause this is the way you handle them.

This is the way you do it.

But I keep coming back to the fact

that you said you'd show us something

we'd never seen before.

And I think-- and I'm just gonna ask you--

this is really yours, right?

- Yes.
- You invented this?

Yes.

That's astonishing.

Thank you very much.

Thank you very much.

There's performance on this

and there's also craftsmanship on this

that is just beyond our wildest dreams.

It really is something we've never seen before.

Thank you.

And it really was-- was beautifully done.

And it was so amazing that, um,

although we didn't see anything directly fishy,

there's only one way this could be done.

We think we know what that is,

and we think it's because

the real method on this is that you're a genius.

You did an amazing job...

Thank you very much.

At showing us something we'd never seen.

But I don't think you fooled us.

I think maybe you know what I mean.

So, Dante, does Penn understand

how you did your trick?

Yes.

He understood how I did the trick.

- All right.
- Oh, it was so good.

- Thank you.
- Well, thank you so much.

- Dante!
- Thank you.

Still to come, more magicians for Penn and Teller to watch

and a trick for Penn and Teller to perform.

Stay close.

Welcome back.

Our next potential fooler is flying in.

Let's see if he can stick the landing.

Give it up for the magic of Takamiz Usui.

Oh. Thank you.

Already sit down.

Okay. I'm sure you recognize this.

Uh-huh.

You think it's a children's toy,

a puzzle to be solved,

and that is true.

But it also has magical properties

for the right puzzle.

Please mix up.

- Any way?
- Yeah.

- Very mixed.
- Okay.

So just a few turns is all we need.

- Well...
- And do you know, Alyson?

- The cube...
- Yeah.

Can magically-- magically absorbs color

from anything it touches.

- Really?
- Okay.

- I didn't know that.
- Let me show you.

Okay.

All we need is a single color

like this bag.

Mm.

Watch this.

You don't believe it?

Watch it again.

Yeah.

See?

Now you try.

Choose a color.

Sure. I'll try green.

Green. Okay.

You try.

Please.

And look at what you've done.

Hey!

Oh. Very good.

Very good.

But I wonder if it's the cube that is magical,

or the bag.

- Alyson?
- Mm-hmm.

Which color is your favorite?

Well, I just picked my favorite.

But I'll change to blue.

Oh. Change to blue.

- Okay.
- Yeah.

So wouldn't it be amazing if this bag

could magically change the color of your cube

without me touching it?

Yeah.

So please take the bag

and shake it.

Yeah. Enough.

Wow. Amazing.

All six sides changed.

But I don't think

it's the cube that is magical.

Or the bag.

It's something else.

So let me prove it to you

with another cube.

How about this one?

Or this one?

I also have another one.

And one more.

Oh. This one is my favorite.

Oh, this one is so cute.

This one is very popular.

Oh.

I recommend this. No reason.

And--oh. This one is pretty good.

And this one--

also, this one is very famous.

Oh.

Wow.

This is very...

Puzzling.

The truth is

the cubes are not magic.

The bags are not magic.

You are magic.

Hey!

Please hold out your hand.

What is your favorite color?

Blue.

You chose the color, right?

Yes.

And give me your magic.

Like this.

Thank you.

Check it out.

- -
- Ooh.

Thank you, Alyson.

Wow.

- Whoa.
- Thank you very much.

- Thank you.
- Wow.

Takamiz Usui!

Ahh.

Wow.

So why did you choose to do magic with the cube?

So you're the pioneer of this style?

It's his secret, and that's his trick.

- Yes.
- Yes.

All right.

Well, let's see how much your unique techniques...

- Mm-hmm.
- Puzzled the boys.

Boys.

- Hello, Takamiz.
- Hi.

I've gotta ask you.

This is the most important question to me.

Did you invent this stuff yourself?

Everything that you saw tonight, I invented it.

Whoa.

Unbelievable. Unbelievable.

There are feats of engineering

that we--we know are there

and just beautiful.

Also, it's not just

props and inventions.

There's also just raw skill

that's being done at blinding speed

that just--just amazed us.

We--we--we loved the routine.

But I do not think, uh, you fooled us.

And I tried to sneak some stuff in there.

I don't know whether the translation

is gonna get through.

So do you think you fooled them?

- I thought I did.
- Mm.

You thought you did?

Do you need a little more information?

We can't seem to decide on this.

I will repeat for people watching

that we have microphones on,

and the judges hear everything that I say,

everything that Teller says.

And the judges also know

how every detail of the tricks are done.

So up in the booth,

they're listening to everything,

deciding whether what we said

is close enough to what Takamiz actually did.

It is now out of our hands,

and it's in the hands of the adults.

So we're going to the judges.

And the judges are telling me

that Penn and Teller do know how you did the trick.

- You did not fool them.
- Okay.

But thank you so much.

Okay. Thank you.

Thank you.

Takamiz Usui!

Penn and Teller aren't done with you yet.

You get to see them perform one of their newest routines

for the very first time on television

when "Fool Us" returns.

We close out every show in the best possible way,

with a performance by one of the greatest duos

in the history of entertainment.

Ladies and gentlemen,

the incomparable Penn and Teller!

Thank you. Thank you.

Um, we're gonna do--

we're gonna do some ill*gal stuff for you.

We're gonna get a little bit ill*gal.

And we need to borrow a bank note from someone.

A bill.

Now, a lot of magicians try to borrow a hundred,

or a 50 or a 20

to make their tricks seem more important.

But all we need is a single.

A one single dollar bill.

We're not even gonna take it from you.

I'm gonna buy it from you.

You have noth-- nothing to risk at all.

I'll buy a dollar bill from somebody.

Anybody have a dollar bill in the audience?

Okay. Somebody there?

And you have a dollar bill? You're right close.

Come on up here.

And bring your dollar bill up here.

And what is your name, our newest friend?

- Christian.
- Hello, Christian.

My name is Penn. Nice to meet you.

Can I see your--your bill here?

Just stand over here next to me.

And I'm gonna take your bill,

and I'm gonna give you my bill,

and kiss it good-bye.

Mwah.

And I'm gonna kind of roll this up on the inside

so that that's where my spit is.

And keep that away from your nose and mouth.

You don't know what kind of vector I am, okay?

Now, Christian, I'm gonna have you--

know this serial number.

Serial number's really important in this trick.

So I'm just gonna rip the bill.

Now, this is still legal--

it's still--I'm trying to be very careful

that I don't rip too much of it.

'Cause it's still legal tender

if you have more than half.

So I'm gonna have more than half here.

It's really fun to rip a dollar bill

if you wanna rip a little bit.

You wanna get the final bit? Just rip it off there.

There you go. There you go.

Now just--you've got the serial number there.

And now I bought this bill from you.

This was your bill. Now it's mine.

And Christian, I'm gonna do something ill*gal.

It always perplexed me why this was ill*gal

'cause destroying money just means that

everybody else's money is worth just a little bit more.

But it is ill*gal.

Now, I wanna tell you, Christian,

this theater we're in now,

Penn & Teller, has my name in it.

The show, "Penn & Teller: Fool Us,"

my name in it.

Side of the building, 300 feet tall,

my picture.

I'm doing very well, Christian.

Very well.

Which means money means nothing to me.

I'm gonna destroy it. Look at this.

I'm just destroying money right in front of you.

To me, it's just green confetti.

I don't care.

The bill that was yours that I bought from you,

I have now destroyed.

Expect for that serial number you have there.

But you know, Teller and I have been working together



And there's a little bit of rivalry.

When I do something, Teller wants to do it more.

So Teller's gonna do something way more ill*gal.

'Cause he has something in there

that it's ill*gal to possess,

and that is treasury paper.

This is the paper that bills are printed on.

It's made by the Crane Paper Company in Massachusetts,

and they've been making it

since before there was a United States.

'Cause they made it during the Revolutionary w*r.

Now, if you examine that, you'll see

it does not feel like regular paper.

It feels like a bill

because it is 75% cotton, 25% linen.

It's called rag paper.

Now, I don't know how good your eyes are,

but hold it up to the light.

I can't see this. Maybe you can.

You'll be able to see little tiny, tiny threads

of red, blue, and metallic.

You see that there?

That makes it harder to counterfeit.

Now, possessing that is ill*gal.

But Teller's gonna go a step further.

I destroyed a dollar bill in a felony.

But Teller's gonna risk

a $250,000 fine

and 20 years in prison

to do something really stupid.

He is counterfeiting

a $1 bill, Christian.

A $1 bill.

And not even the complete $1 bill.

There's one part he didn't bother with.

That part right there that's kind of vaguely shaped.

Like what you have there, Christian.

You have your serial number right there.

Now, we've gonna check this. There's a serial number.

We're gonna see if it matches the serial number on this bill.

So very loudly, Christian, read out the serial number, please.

L-0-9-1-7-2-3-2-8-R.

Yes! Perfect!

Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.

After all these years,

all these years of Penn and Teller,

you think we bluff?

You think we bluff?

There's the serial number right there.

Now, there's your piece.

Now, yours looks like

you've been carrying it around in the bottom of your shoe.

This one's brand new.

This one's old and disgusting.

But you watch.

Look at the serial numbers.

The serial numbers match.

But more important than that,

watch good ole George's face

go right back together perfectly.

That matches exactly right there.

And the serial numbers.

Teller, nice job.

Christian, you can keep this.

But promise me

you'll destroy it before you leave the casino

'cause possessing counterfeit money,

that's a felony, Christian.

That's a felony.

That's a felony.

Ahh.

What do you wanna do ill*gal?

Wow.

Teller just committed a crime,

so we gotta go before the FBI gets here.

We'll be back next week when the heat blows off.

See you soon.