05x13 - Give the World Away

[bunniefuu]

♪ MTV ♪

♪ slow, determined music ♪

♪ ♪

[RIP] Check on those reindeer stalls.

Make sure those shavings
are extra deep, now.

Yes, sir.

Hey, baby.

Carter.

I want you to wash and wax the tractors.

Okay? And the maintainers.

Everything needs to be f*cking shiny.

- Yes, ma'am.
- Thank you.

What?

How am I supposed to run a ranch

if you sell everything we own?

Well, a business shouldn't
own anything outright, Rip.

You put a mortgage on the land,

you get a chattel loan for
the horses and the cattle,

auto loans for the trucks,

equipment loans for the tractors.

You service the loans with the mortgage,

and you service the mortgager
with the proceeds of the sales

of the horses and the cattle.

And you never pay any income tax

'cause you never show a f*cking profit

no matter how much money
the ranch makes.

You can't make enough on cattle
to service debt, Beth.

On a ten-year cycle,

you're gonna lose money three years,

you're gonna make money three years,

and you're gonna break even three years.

That leaves you one year

to decide whether
the ranch makes profit.

That's not a business model, Rip.

That's a pipe dream.

- [SIGHS]
- What are you doing

with all those horses
in Texas, by the way?

Travis is bringing a bunch
of 'em up here, but...

the big-money horses,
he's gonna sell down there.

He's got one showing tonight.

- Tonight?
- Mm-hmm.

f*ck.

Hey, can you do me a favor?

See if there's a dead leg to...
Where the f*ck is Travis?

Outside of Weatherford.

Weatherford, Texas, today.

Great. I owe you one. Thanks.

- You going to Texas now?
- Yeah.

I trust that slick m*therf*cker
as far as I can throw him.

Travis would never cheat us
out of a horse deal.

And I don't want you
around him without me.

So you trust him to sell
million-dollar horses,

but you don't trust him
around your wife without you?

Honey, he's a horse trainer.

He'd try to f*ck you
in front of me if he could.

Horse trainers are like Corriente bulls.

Well, lucky for me,

I got a cattle prod. [IMITATES TASER]

- You've been warned.
- I'll see you tonight.

♪ Sweeping orchestral music ♪

♪ ♪

[SIGHS]

Look what they're doing to it, Mo.

And there's nothing I can do to stop it.

Nothing legal, anyway.

It's up to the people now.

What can the people do?

It's hard to build a pipeline
if you don't have any pipe.

That's declaring w*r.

We're already at w*r. For 160 years.

Our side just stopped fighting.

[NEWSCASTER] Now to the
Big Sky Country of Montana,

the physical manifestation
of the American dream.

Towering peaks, clear mountain streams,

the gateway to our nation's
first national park.

And a governor who... now,
it appears... was m*rder*d

over the cancellation

of a multibillion-dollar
planned community

financed by one of the largest

private equity firms in the world.

Everyone thinks it's the son.

The son wasn't gunned down
in broad daylight.

I think we need to consider
the possibility.

Sarah Atwood was involved, or...

at least had knowledge.

I think we bring in an outside firm...

[SHOUTING IN HALLWAY]

and we start getting some...

some separation. Hang on.

[SHOUTING IN HALLWAY CONTINUES]

[SIGHS]

- What is this now?
- [DOOR OPENS]

Everyone here needs
to vacate this building.

I assume you have a warrant.

Bet your a*s I got a warrant.

[INDISTINCT CHATTER]

What's your position here?

I'm chief counsel.

Did Sarah Atwood have an office
on these premises?

She did.

Will you take me there, please?

♪ Slow, determined music ♪

♪ ♪

[NEWSCASTER] To recap, Sarah Atwood,

an attorney employed by the
Paradise Valley Development arm

of Market Equities PE Fund,

was shot and k*lled on Wednesday

in a brazen daylight attack in Helena.

Her last known contact

was with Montana Attorney
General Jamie Dutton,

a strong advocate for the development

his father canceled prior to his death.

Speculation of repeated sexual encounters

between the attorney general
and Ms. Atwood,

including one such tryst

in the exclusive Deerfield Club,
have been uncovered.

In addition, evidence has now surfaced

that the attorney general
stood to benefit

from a lease of land at the
center of the development.

How?

How could you know that?!

What evidence? What?

Who the f*ck are you talking to?

♪ Dark music ♪

[PHONE BUZZING]

♪ ♪

You having fun yet?

You destroy me, you destroy yourself.

You destroy the entire family.

You soil our name in perpetuity.

You lose everything.

You lose the ranch,
you lose your freedom.

Any legacy this family
has earned is eradicated.

Stop referring to it as "our name".

It's not your name, Jamie.
You have your own name.

Soon the whole world will know it.

Yeah, I know every secret, Beth.

I know all of 'em! I know all of yours.

I know all of his.
I know all of Kayce's.

Think about it.

Remember what I said, Jamie.

And unlike you, I keep my promises.

[PHONE CLICKS]

[SETS PHONE DOWN]

♪ Pulsing, dramatic music ♪

♪ ♪

♪ ♪

♪ ♪

♪ Grand, sweeping music ♪

♪ ♪

[ENGINE SHUTS OFF]

What did you do?

I showed the people
who came after my father

what happens if they come after you,

or Tate or any of us.

And now they understand.

We walk away from this place,
I don't want it following us.

Is that what we're doing?

Are we... are we walking away?

I've been trying my whole life.

Finally gonna do it.

[DOOR OPENS]

♪ Quiet music ♪

♪ ♪

[ENGINE SHUTS OFF]

[JAKE] Think this is for the funeral?

Ain't never seen no bleachers
at a funeral.

- It's for an auction.
- What are they auctioning?

Everything, from the looks of it.

Hey. I got this.

He was my best friend.

I know.

That's why I got it, amigo.

It's empty.

[LLOYD CLEARS THROAT]

Should've shot that rank
sumbitch in the pasture.

Well, I wish we had.

We shot him as soon as we could.

Not soon enough.

Hating that horse ain't
gonna help. [SIGHS]

Some just ain't meant
to be tamed, and...

some ain't meant to be wild.

Hell, it was over before
Colby knew it happened.

One minute, he was out there
doing what he loved, and...

next minute, he was gone.

Gone from us, anyway.

Maybe he's still out there,
doing what he loves.

You know what I mean?

And now he gets to do it forever.

I didn't let 'em mail everything.

[EXHALES]

Thank you.

Let's go to work while there's still

some work to do around here.

Yeah.

♪ Slow, melancholy music ♪

♪ ♪

[INHALES SHARPLY]

[EXHALES]

[DISTANT SHOUTING]

- Pretty nice two-year-old now.
- Yeah. Whoa.

- Keep her loping, will you?
- You bet.

[RIP] Say, Ryan.

That ought to pay a lot of taxes.

I think the notion of
a lot of taxes is about

- to change around here.
- So what's the plan?

Well, there ain't much of a plan.

If it ain't nailed down,
it's getting sold.

Should we be looking for jobs?

I mean, there won't be much
but day work around here.

Now, I'm asking everyone
to stay until after the auction.

I'm gonna keep Lloyd and the boy.

The rest of you
shouldn't have any trouble

finding a new outfit.

How did Colby get kicked in a stall?

Well, the boy got cornered by that stud,

and Colby went in and tried to help him.

- He hit a hoof.
- [SIGHS SOFTLY]

Ryan, there's a reason why
we can't buy life insurance.

It's just cowboying. That's it.

Look, you've done good down in Texas,

and I want you to put
"wagon boss" on your résumé now.

♪ Soft, gentle guitar music ♪

♪ ♪

♪ Grand, majestic music ♪

♪ ♪

Course he has his own flag.

f*cking as*h*le.

I come all the f*cking way from Brazil.

We have a f*cking plane to catch.

Where's your f*cking guy? Come on, man.

Use your f*cking phone.
Talk to someone. [SCOFFS]

Is that your f*cking guy?

- Can I help you?
- Yeah.

I'm looking for Travis Wheatley.

He's at the main house.

Where is that?

Leave the way you came. Take a right.

First left, first right.

Road heads into the main house.
Big white columns.

Got it. Thank you.

♪ "Sun Ain't Even Gone Down Yet"
by Brothers Osborne ♪

♪ Sittin' on go since Monday ♪

[KNOCKING]

♪ Damn near ran out of runway... ♪

- Hey.
- Hi.

Um... I'm looking for Travis Wheatley.

You the masseuse?

Do I look like a f*cking masseuse?

[CHUCKLES SOFTLY] A very expensive one.

♪ That all-day buzz
came creepin' in... ♪

[TRAVIS] All right,
here comes the river.

And it's a sevens.

There's a pair of sevens,
pair of aces on the table.

All right, let's turn 'em over,
girls, see what we got here.

- What do I have?
- [TRAVIS] Well,

Mackenzie, there's a reason
that you're naked,

and it's... it's hands like that.

There's five aces out there.
No wonder they're losing.

There's five aces on
the table, but it's a...

In a big game, that can happen.

- Excuse me.
- [TRAVIS] It can happen.

What?! It can happen
on a big game anyhow.

- Excuse me!
- [LAUGHTER]

Sounds like an adult.

[BETH] When you're done

violating every f*cking

workplace harassment law
in existence, I'd like a word.

They don't work for me. I don't...

- Who do you work for?
- Oh. My mistake.

I'm sure the judge will
completely understand.

Well, if he's from this county, he will.

[WOMAN] Do you want to play?

I would rather have a gasoline enema.

Travis, I thought you were
showing our horses today.

Yeah, as soon as the buyers get
here, I'm going to show 'em.

Bunch of fat Brazilians
in tracksuits and jewelry?

That would be them, yeah.

They're in the parking lot
of your f*cking arena.

♪ We were headfirst in
'bout a quarter to ten... ♪

- Oh, f*ck. We got to go, boys.
- [BETH] Yeah.

I know what everyone has in here.

We'll get it handled.

I got to go this way.
I'm getting a shirt.

I'll be right back, girly.

- [INDISTINCT CHATTER]
- ♪ The days about as good... ♪

Hey, you want a ride to the arena?

♪ And the sun ain't even
gone down yet... ♪

You seem like a...

moderately-intelligent young woman.

How can you work for this f*ck?

Oh, I would never work
for a horse trainer.

Travis is my boyfriend.

I take the "intelligent" part back.

[CHUCKLES SOFTLY]

♪ "Down the Road Tonight"
by Hayes Carll ♪

- Thank you, Danica.
- It's 200, right?

I don't have a turnback horse
I'd sell you for 200,000.

It's two million, and you know it.

♪ Asphalt monkeys ♪

♪ Holy rollers, signal callers ♪

♪ Truck stop angels... ♪

I have to ask, 'cause I
am f*cking fascinated.

He is probably the most arrogant man

that I have ever met in my entire life.

Condescending, misogynistic,


Can you please explain the appeal?

You ever seen him ride before?

♪ Listen to Ray Wylie Hubbard ♪

♪ All going down the road tonight ♪

♪ Drunken angels, blacktop racers ♪

♪ Holy rollers, whiskey chasers ♪

♪ Lonestar drinkers, midnight ramblers ♪

♪ Dirt road divas, highway gamblers ♪

♪ Moonshine mamas... ♪

[WHOOPING]

♪ Dalai Lamas, ol' pill poppers ♪

♪ High-school heroes,
back-row preachers... ♪

- [MAN] Yeah!
- Come on.

- Come on!
- ♪ Tantric teachers ♪

♪ Teenage cuties politickin'... ♪

- Okay, yeah, I get it.
- [CHUCKLES SOFTLY]

[LAUGHING]

♪ All going down... ♪

What do you think of that?

We'll take him.

I want a vet check.

[TRAVIS] Well, now, hold on a second.

Let's see what the other
buyers have to say.

- What other buyers?
- So he's at two million.

You go 2.1?

Okay. Well, they're at 2.1.

- You didn't say other buyers.
- Well,

when you go shopping
for a house, do you think

you're the only one f*cking shopping?

- It's 2.2 to you.
- [SIGHS]

- Going once.
- 2.2.

Okay, it's 2.2 You go 2.3?

Who are they?

That's just the maintenance crew.

They drag the arena.

- The maintenance crew.
- Mm-hmm.



Three million.

That's all.

No more back-and-forth.

Take it now, or shove
it up your f*cking a*s.

[CHUCKLES] He's your horse now, buddy.

You shove him anywhere you want him.

- Danica.
- My God.

[TRAVIS] Give them wire instructions.

Have them sign a purchase agreement,

and I'll see you at the house.

We're done!

- All right.
- [INDISTINCT CHATTER]

[BETH] Maintenance crew, huh?

Nice touch.

Yeah, they clean up
pretty good, don't they?

- [SOFT CHUCKLING]
- [BETH] Well, what next?

Well, whenever you sell a horse
for $3 million dollars,

you collect the money, you
get the f*ck out of there,

and then you go celebrate.

- Yes, sir.
- Let's go.

You coming with us?

- Um...
- [LAUGHS]

♪ Me and Mama Casey's got
a mind of our own ♪

♪ If you're looking for me,
follow this road... ♪

[WOMEN YELP]

[WOMEN SCREAM]

Un-f*cking-believable.

I'd outgrown all this by the
time I was in eighth grade.

It's rank.

Can you believe he sold that
horse for $3 million dollars?

Yeah, old Travis, he's tricky.

There isn't a cooling-off period

in the horse business, is there?

Oh, hell no.

If that son of a b*tch dies

on the way home in the trailer,
he's not your problem.

But they'd have had him
insured for five million

before they put him on there.

How bad did they get cheated?

Oh, they didn't get cheated at all.

Look, the toughest cuttings
in the world happened

in that arena you were just in.

And that stud's won everything
there is to win there.

And look, by the way, a horse is worth

what somebody's willing to pay for it.

I had a customer bring me a horse

they paid a million dollars for.

I couldn't sell pony rides

on the son of a b*tch at the state fair.

I had another client bring me a horse

they paid $9,000 for at auction.

That one won 200,000,

put three babies in the Futurity Finals.

There's a lot of luck.

It's like a lottery ticket...
if lottery tickets bucked.

This is the first adult conversation

I've had since I've been here.

[CHUCKLES] Yeah. Well,

they won't be solving any of

- the world's problems tonight.
- [CHUCKLES]

They might make some new ones, though.

Yeah. Certainly has that look to it.

Yeah.

[INDISTINCT CHATTER]

- Hey, Travis.
- [TRAVIS] Mm-hmm.

When you're done partying
like it's 1989, I'd like a word.

'89 was a pretty good year.

- [DOOR CLOSES]
- [SIGHS]

[COUNTRY MUSIC PLAYING]

[TRAVIS] You didn't want to go swimming?

We're gonna have chicken fights.
And then I got a deep fryer.

We make corn dogs.

You are such a f*cking as*h*le,
it is almost attractive.

That's fair. I get that.

- Almost.
- Yeah.

That's kind of part of my appeal.

I need you in Montana for the auction.

Well, the horses are
on their way there now.

I'll be there tomorrow.
You don't need me for that.

No, I need you for all that sh*t
you just did in the arena.

All the f*cking fireworks,
all the fascinating mess

that people, for some reason,
want to be part of.

And then they'll pay
$3 million dollars to do it.

I don't have anyone who can do that.

I don't know anyone who can do that.

Look, I don't get paid
a commission at an auction.

Well, did you make a commission tonight?

Of course I did.

How much?

Well, it's five percent to me.

It's five percent to the buyers...

Wait, I-I paid you $300,000
for that f*cking circus?

When you do whatever
you do, whatever you do,

you put together a stock dealer
or close some kind

of business deal, you
don't get a commission?

The circus is what you're paying for.

- This ain't nobody's hobby.
- All right, Travis.

[EXHALES]

My husband...

your friend, remember?

And I.

Our ranch, it is in trouble.

I need your help.

With the auction.

No commission.

Please.

I can tell that was hard for you to ask.

I respect that.

I have an idea.

[LOUD ROCK MUSIC PLAYING]

We're gonna play cards for it.

[LAUGHS] I know what you're thinking.

- [LAUGHTER]
- [CLAMORING]

Hey, what are you wearing
under that dress?

Just so I know how much you can bet.

My husband's gonna k*ll you...

with his bare f*cking hands, Travis.

He is gonna tear out
your heart with his hand.

- He's gonna find this funny.
- Really?

He's gonna find it really
funny. It is funny.

All right.

Take a look at mine.

Whew. That's a good hand.

- Do boots count?
- Yeah, boots count.

Boots count.

Everything counts.

Okay, here we go.

- You didn't bet anything.
- Uh, well,

I bet my commission,
which is to say I'm all in.

One, two queens

and an ace.

I'm all in.

- Really?
- Really.

c*ck, I like it, all right.

Burn another one.

And turning up another ace.

Got an ace under there? Huh, huh?

I don't think you do.

All right, one left.

Burn another one.

And we got a nine.

Don't think that nine helped.

Turn them over.

Oh, f*ck did help, look at that.

Wow. Queens over nines,
that's a monster hand.

What do I got? I got...

I got one of those.

- Oh.
- Um, so I've already won.

With them aces over.

But then I got, I have another one.

With his bare f*cking hands, Travis.

- Bet's a bet, here.
- You know,

I hope you enjoy this,
because this is probably

the last thing you're gonna f*cking see.

I'm gonna make him a video.

- f*ck you.
- I'm just kidding.

You don't got to strip for me.

Save it for your hubby.

I'm gonna get a flight
out tomorrow morning.

- I'll be there by noon.
- Wait, you're coming?

- Yeah. You asked me to help.
- So what the f*ck was this?

- I'm just f*cking with you.
- Travis, you're such a child.

Hey, we really are gonna have corn dogs.

Go play with your f*cking friends, okay?

The corn dogs was real.

I'm gonna go get 'em right now.

There's a stripper pole in the garage.

Get over there in a bit.

Cowboy twilight zone.

[LOUD ROCK MUSIC PLAYING]

You leaving?

As fast as I possibly can.

This is usually some
pretty good watching.

You know, there's a term for that.

It's called a material witness.

[SHOUTING]

♪ ♪

♪ Somber music ♪

♪ ♪

Damn. Is that Charlie Ferguson up there?

Sure is.

Well, you pulled out
all the stops, didn't you?

Well, I'm trying to think
of everyone that meant

something to this place.

Give them a chance to send it off right.

It's gonna ball up Gator's shorts.

You know, these chuck wagon cooks,

they're as jealous as new wives.

Yeah.

Listen, there's something
I wanted to talk to you about.

I want you to stay on.

All right?

Anything to stay on for...

Hell yeah, there is,
when we build it back.

[SIGHS]

I've been here 43 years.

- Yeah.
- It's my home.

Sure hated the thought of leaving.

Thank you, boss.

Means more to me than you know.

I know what it means to you.

That's why I asked.

♪ ♪

- [OWL HOOTS]
- [INSECTS TRILLING]

What are you doing?

Trying to summon the courage.

So it's true.

Did I sleep with her?

Yes.

Did I have anything
to do with my father?

No.

Nothing.

Let's not talk about this on the street.

Come inside.

[TRAIN WHISTLE BLOWS IN DISTANCE]

James is asleep, so voices down, got it?

Got it.

You had nothing to do with your father?

Nothing?

Zero knowledge?

None.

Did she?

Did...

she?

I didn't know anything
until after the fact.

As attorney general,

why didn't you arrest her, Jamie?

Because... [STAMMERS]

if she employed someone capable

of getting to my father...

and then look what they did
to her the next day,

after the medical examiner
changed their findings...

what are they willing to do next?

- [SIGHS]
- P-Plus, I look complicit.

Oh, you are complicit.

Jamie, you are the
definition of complicit.

Well, what do I do?

I-I-I don't know.

- [INHALES SHARPLY]
- I don't know what to do.

What-what do I... wh-what do I do?

[SIGHS]

♪ Iow, somber music ♪

♪ ♪

The only reason I am helping you

is because we share a child.

And your legacy is that child's legacy.

How do you know she was involved?

She told me.

Do you have any evidence?

Anything tying her to the m*rder?

Nothing.

So you don't know.

You just know what she told you.

Correct.

When they complete her autopsy,

will they find your DNA on her?

Very possible.

Will they find it in her?

No.

Call a press conference.

Launch an investigation into
her death and your father's.

Clarify that you worked closely with her

to restore the development.

Steer into the crash on that.

Vehemently deny any affair

and blame those who insinuate it

on purposely spreading disinformation

and threaten them with
obstruction of justice.

Praise your father's convictions.

Herald his love for
Montana and its people.

Declare his death
more than just a m*rder.

It is an outright defiance
of the rule of law.

John Dutton's m*rder was more
than just the m*rder of the man.

It was the m*rder of the
citizens of Montana's right

to choose their representative,

and for them to freely execute
the will of the people.

It was a m*rder of their freedom.

And you will avenge them.

And whatever you find
in this investigation,

you make it public
every step of the way.

You try and connect her to it.

No matter how thin the case,
you must connect her to it.

If she did it...

then it died with her.

[INHALES DEEPLY]

[EXHALES]

Thank you.

♪ ♪

This speech will determine
the course of your life, Jamie.

Your political future is tethered to it.

[DOOR CLOSES]

♪ Slow, somber music ♪

♪ ♪

[DOOR CREAKS]

[FIRE CRACKLING IN FIREPLACE]

[RIP] Oh, sh*t. [GROANS]

[RIP GROANING]

Oh, Christ. I warned you.

Yeah, you didn't warn me enough.

- You get him sold?
- Mm-hmm.

Yeah?

$3 million dollars.

Well, sh*t, you seem pretty pissed off

- for $3 million dollars, honey.
- Yeah.

For the past five hours,
there's just been one question

swirling around in my mind.

How is that smug prick your friend?

[CHUCKLES]

Yeah.

Well, about 20 years ago,

he was, uh, training horses
for your dad, and...

he took his help out to this bar,

and I was with this girl,
dating her, and...

Oh, I want that b*tch's name
and last known address.

Well, there's a bunch
of railroad workers there,

and one of 'em tried to
cut in on my girl, and...

Oh, so now you're dancing
with this f*cking wh*re?

Honey, do you want me
to finish the story?

Yeah, fine. Go ahead.

Okay.

Well, I told this guy
to back off. He didn't.

And I introduced his
f*cking face to the floor.

And the next thing I know,
the whole f*cking bar stood up.

I mean, I'm talking about 20
of these son of a b*tches.

So Travis comes over
to me, and he's like,

"Amigo, you better get
the f*ck out of here".

And I'm like, "No sh*t".
But now I'm surrounded.

So, one of these railroad
workers walks over to Travis,

and he goes, "You better take a walk".

And Travis is like, "I can't do it.

You want to get to him,
you got to come through me".

- Really?
- Yeah.

So the next thing
I remember, man, we're...

I mean, we're getting
the sh*t kicked out of us.

We're on the ground
getting kicked, stomped.

And I look over at Travis,
and I'm like, "Is he smiling?"

And he goes, "Rip! I think we
got 'em where we want 'em".

[BOTH LAUGH]

So they toss us out of the f*cking bar.

And we're in the street, and he's going,

"I'm going back in there
to get my f*cking hat".

- I'm like, "What?" Oh, Jesus.
- [LAUGHS]

So he goes in there in
front of this whole group.

He's, like, looking around,
and they're all looking at him

like he's f*cking crazy.

And he finally finds his hat.
He picks it up,

and one of the guys is
kind of tucked over way...

Travis sees him, and
he's wearing my hat.

And mind you, Travis has got
his f*cking nose broken,

fractured jaw, ribs busted.

He walks up, and he's
just a bloody mess.

And he's looking at this f*cking guy.

And finally, the guy just takes
my hat off and hands it to him.

♪ Slow, gentle music ♪

I mean, sh*t, Beth,

how many friends you
got like that, you know?

Just you.

Mm.

[SIGHS]

You want to walk me
through the strip poker?

Well, he's your friend.

Sure he'll tell you all about it.

[RIP LAUGHS]

Oh, I'm sure he will.

♪ "Better Year" by Sam Barber ♪

♪ If it's late and you
hear me calling tonight ♪

♪ But I ain't right there
and you're wondering why ♪

♪ I've made my way to the severed seas ♪

♪ Where the sun burns hot
and the wind does sing ♪

♪ Days away from where I left ♪

♪ There's heaven-sent eyes
in a pickup bed ♪

♪ I'm trying harder to get on back ♪

♪ But the tide's moving in
and God's pushing the raft ♪

[LIVELY CROWD CHATTER]

♪ A thousand miles have worn my feet ♪

♪ And the body I hold
ain't getting sleep ♪

♪ Your sweet touch moving closer to me ♪

♪ Well, it ain't what I got,
but it's what I need ♪

♪ Hold on, my dear ♪

♪ 'Cause I'm fighting like hell
to face my fears ♪

♪ Someday I'll tame the fires
that brought me here... ♪

[MONICA] You really think

this will raise enough money
to cover the taxes?

It won't even make a dent, Monica.

This money services the debt
for the mortgage,

which will cover the taxes.

But it'll run out.

And we'll have to start selling
off pieces to cover the debt.

Then who knows?

There is no solution.

We're just buying time
while we look for it.

♪ That's a part of me
I hope you do not meet... ♪

Uh, the coroner's office just called.

They're ready to release him.

They just want to know
what funeral home.

Well, they got to send him here.

They don't send him anywhere.

Someone's got to go pick him up.

- No child should.
- [BETH SIGHS]

I can arrange this.

Please.

Thank you.

♪ Hold on, my dear ♪

♪ 'Cause I'm fighting like hell... ♪

[BREATHING SHARPLY]

♪ Someday I'll tame the fires
that brought me here... ♪

Beth, what's happening?

They're bringing my dad home.

I want the funeral right after this.

- Who do you want to invite?
- Nobody.

This is our last f*cking circus, okay?

The funeral's for him and for him only.

Come here. Hey, it's okay.

Come here.

[AUCTION MANAGER OVER P.A.]
Ladies and gentlemen,

welcome to the Yellowstone
dispersal sale preview.

We'll begin with the dry work
in lot number 44:

GT sh**ter, a six-year-old stallion

by Gunners Tinseltown and out
of the Hollywood Dun It mare.

He's already won over 140,000.

And, boy, that is a big bull-
dragging-looking stud, ain't he?

Yeah, a lot... a lot of
these performance horses,

they don't have the size for
ranch work, but he sure does.

[AUCTIONEER] Well, the Yellowstone

has always sought out a lot
of bone for their horses.

Well, they need it,
if you're gonna run up

and down these mountains
all day. [LAUGHS]

♪ "Get to Work Whiskey" by Ward Davis ♪

♪ Get to work, whiskey ♪

♪ Dig in with me ♪

♪ Drown these memories ♪

♪ Get me high ♪

♪ Give me your best shot ♪

♪ Whatever else you got ♪

♪ That woman done wrecked me,
you got to fix me ♪

♪ Get to work, get to work, whiskey ♪

♪ Lately it seems like
you been slacking ♪

♪ I expect results for what I paid ♪

♪ No, I don't want ♪

♪ To send you packing ♪

♪ But I'll crack the seal
on old Jose, yeah ♪

♪ Let's not let it come to that ♪

♪ f*ck me up, what say you, Jack? ♪

♪ Oh ♪

♪ Get to work, whiskey ♪

♪ Dig in with me ♪

♪ Drown these memories ♪

♪ Get me high ♪

♪ Give me your best shot ♪

♪ Whatever else you got ♪

♪ That woman done wrecked me,
you got to fix me ♪

♪ Get to work, get to work ♪

♪ Whiskey ♪

♪ Get to work, get to work, whiskey ♪

[EVAN FELKER] How are we doing,
ladies and gentlemen?

We're the Turnpike Troubadours
from Oklahoma.

Thanks for being so kind to us.

♪ Lorrie lit a cigarette
and smiled and waved ♪

♪ The smoke out of her face ♪

♪ With black hair brown
from the summer sun ♪

♪ Green eyes looked around the place ♪

♪ And she told me that she
loved me, and I grinned ♪

♪ And grabbed her hand
and I said, "I know" ♪

♪ Let's get from here now, darling ♪

♪ If we're going, let's go on and go ♪

Just day work around here now?

I'm afraid so.

[GATOR] Hear Wagonhound,
Sunlight, they're always looking

- for hands.
- Yeah.

You got that new deal of Turner's, too.

Flying D.

- Now, that's buffalo, right?
- Yeah.

You don't want to chase buffalo around?

- [LAUGHS]
- No, sir.

Hell, I'm going back to Tejas.

Sixes hiring?

Sorry.

Only married men work
camps on the Sixes.

- Why only married men?
- [EMILY] 'Cause they don't want

a bunch of you coyotes chasing
the vet techs to hell and back.

- [LAUGHS]
- You mean like that coyote

right there with his
hand in your pocket?

- That's what I mean. [LAUGHS]
- [HOWLS]

- [LAUGHS]
- Although, to be honest,

she did most of the chasing.

Hell, chase you with a broom maybe.

- [LAUGHTER]
- Tell 'em the truth, baby.

- Tell 'em.
- All right. No, I-I must admit,

I was smitten at first sight, for sure.

- [JIMMY] Thank you.
- Must have been the way

you were holding that
stallion's p*nis, baby.

- [LAUGHTER]
- For veterinary purposes.

He keeps saying that, but...

I haven't heard that story yet.

There's my cowboy.

Oh, hell yeah.

Come here, you.

[LAUGHS]

♪ Well, good lord, Lorrie... ♪

[CHUCKLES]

♪ Could it go more wrong? ♪

Mmm. [CHUCKLES]

[VOCALIZING]

[HARMONICA PLAYING]

Missed you.

I missed you something awful.

[WALKER AND LARAMIE
SPEAKING INDISTINCTLY]

[LARAMIE CHUCKLES]

[SONG ENDS]

[CHEERING, WHISTLING]

- [INDISTINCT CHATTER]
- [COUNTRY MUSIC PLAYING FAINTLY]

[SIGHS]

Hey.

So, remember what I told you, okay?

Keep tonight's drinks light.

You make tomorrow's doubles.

Yes, ma'am.

And if anyone gets loopy...
[CLICKS TONGUE]

- Okay?
- Got it.

Hungover bidders do not spend money.

I understand.

[SPEAKING INDISTINCTLY]

See you later.

[BARTENDER] You got it.

Uh, you know what, mm, I'll take this.

Thanks.

You in the market for a rope horse?

[CHUCKLES SOFTLY]

No, I just, um...

I just wanted to come see it.

I used to ride out here
with your father.

When we were teenagers.

Well, I wonder which tree you rode to.

I don't have to wonder what
you did once you got there.

[CHUCKLES]

It's actually, like, right...

right around there.

- There? [SCOFFS]
- Yeah.

You didn't get very far from the barn.

Oh, with your father,

just getting out of the barn
was an accomplishment.

Did you know my mother?

Yeah. Very well.

I think I've been to more funerals...

on this ranch than
anywhere else in the state.

You have it in you for another?

When all this is over,

I'm laying him to rest.

There won't be any...

spreads of food or 300 friends
that he hasn't seen in 20 years.

Just his family, his cowboys, and...

you, if you want to come.

Yeah.

I'd be honored.

And I'll absolutely dread coming, but...

but I will.

Yeah.

I'll dread it, too.

[CROWD CHEERING, APPLAUDING]

[TURNPIKE TROUBADOURS'
"PAY NO RENT" PLAYING]

♪ Hear the clicking of the dominoes ♪

♪ Shaking up a game ♪

- ♪ If we lose a hand ♪
- [CHILDREN LAUGHING]

♪ I bet I'll know just who's to blame ♪

♪ But if we hear "21" ♪

♪ If we make that call... ♪

How you doing with all this? You okay?

♪ Just feeling ten feet tall... ♪

You want to dance?

Do I want to dance?

You do know how, right?

Well, I know how. Do you?

Yeah, I know how.

Well, why am I just now
learning this? [CHUCKLES]

♪ To really love someone ♪

♪ But when it comes back around ♪

♪ That's heaven on earth ♪

♪ You never know
till the end, my friend ♪

♪ What your love is really worth ♪

♪ Are you cracking jokes
with the common folks? ♪

♪ Are you serving to the well-to-do? ♪

♪ I've traveled round
and I ain't found ♪

♪ Nobody quite like you ♪

♪ And is all this living ♪

♪ Meant to be or a happy accident? ♪

♪ In my heart you pay no rent,
well, in my heart ♪

♪ You pay no rent... ♪

What are we doing?

Just... making memories here.

While we still can.

Beth told me her plan. Doesn't
sound like one with a future.

Well, I have a different plan.

Mine guarantees a future.

Care to tell me what it is?

No.

Not telling anybody.

Not yet.

I know in my heart it's gonna work.

And I know it's the right thing.

♪ Are you serving to the well-to-do? ♪

♪ I've traveled round
and I ain't found ♪

♪ Nobody quite like you ♪

♪ And is all this living meant to be ♪

♪ Or a happy accident? ♪

♪ In my heart you pay no rent ♪

♪ Well, in my heart you pay no rent ♪

♪ ♪

♪ Now we're shaking up the dominoes ♪

♪ Beneath the neon light ♪

♪ Knowing anybody else... ♪

I'm gonna be home late.

Yeah? Where you heading?

[SIGHS]

Women can't talk to men
about their problems

'cause they just try to fix 'em.

Her problem can't be fixed, so...

She just needs someone who'll listen...

let her know it's okay
to keep on living.

♪ To the well-to-do? ♪

♪ I've traveled round
and I ain't found ♪

♪ Nobody quite like you ♪

[SIGHS]

You know what I do
when I'm really upset?

When my day can't get any worse?

I go to a bar.

Not a cowboy bar or a hole-in-the-wall.

But a bar for the tourists
and the transplants.

Those rich f*cking invaders
that wrecked this place.

I go to the bar.

I order a drink.

And I sit there and I wait.

I wait for one of them f*ck
to come pick me up.

And when they do...

[SHUDDERS]

I slice them from pecker to sternum.

Metaphorically speaking, of course.

I don't know what that means.

You want to get drunk with me

and f*ck with a bunch of out-of-towners?

Let me grab my hat.

Attagirl.

- [CRICKETS CHIRPING]
- [SOFT JAZZ MUSIC PLAYING]

[INDISTINCT CHATTER]

[TEETER] This place is pretty fancy.

It's a great bar.

Garbage people.

Where are they all from?

L.A.

San Francisco.

New York.

All the failing cities of our nation.

They come here every summer,

like locusts,

buying up all the f*cking houses,

saying they live here year-round

so they don't have to pay
the taxes that they voted for.

[CHUCKLES SOFTLY] All right.

We got one circling the decoys.

Put out a little more bait.

Hurry up.

Finish your drink.

[GULPS]

[EXHALES]

[SNIFFS]

Get another round for these ladies.

Hi.

- [CHUCKLES]
- Hey.

- My name's Aaron.
- [CHUCKLES]

Of course it is.

- [CHUCKLES]
- Okay, let me guess,

Aaron.

Not Yale.

Right? You're too handsome

to have the GPA for
an Ivy League school.

Penn State.

Yeah. You look like,
uh, one of those guys

that picks the college
for the football team.

[BOTH CHUCKLE]

Ivy League for grad school.

'Cause your dad paid for that.

And then you, uh... you traded

for Morgan Stanley or...

BofA.

You don't like to work hard
enough for Goldman or Vanguard.

You've got a two-kid look about you.

But your wife, she f*cking bailed

soon as the youngest was out of diapers.

She was tired of you f*cking
your interns, right?

She burned you so bad in the divorce,

you said, "I am never doing that again".

You moved to Miami the second you saw

your first surgical mask on Wall Street.

You never went back. You bought a condo.

You bought a f*cking boat.

And you've just been banging
all these wannabe models.

Just, you know, trying
to f*ck away that d*ck

you sucked that summer abroad.

- [CLEARS THROAT]
- But you know what they say,

Aaron?

You suck one c*ck, and you
are a c*cksucker for life.

Run along now.

I'm not paying for those drinks.

You got one of these, m*therf*cker?

Yeah, I didn't think so.

Are you psychic?

You just got to learn how to read

the tea leaves, Teeter.

Okay? That is all life is.

Hell, you're a witch.

Yeah, I'm a f*cking witch.

Oh, we got another already.

Slam it.

You want to have a go?

Yeah, sure.

[SIGHS]

Those are empty.

That they are.

What are you drinking?

Your m*therf*cking a*s

after I shove your head so far up it

you got heartburn
in your f*cking eyeball.

[MAN LAUGHS] What the f*ck?

Yeah, let's take the girl
with Tourette's to the bar.

That'll be fun.

Teeter?

I showed his f*cking a*s.

I'm not sure this is the game for you.

Hey, thanks for taking me out.

I know you know how I'm feeling.

It ain't gonna make it go away, but...

[BETH] Nothing makes it go away.

There's a hole in your heart now.

There's a hole in mine, too.

How do I fix it?

Teeter, when I figure that out,

you will be the first to know.

♪ Soaring banjo music ♪

♪ ♪

♪ O say does that ♪

♪ Star-spangled ♪

♪ Banner ♪

♪ Yet wave ♪

♪ O'er the land of the ♪

♪ Free ♪

♪ And the home ♪

♪ Of the ♪

♪ Brave? ♪

♪ Slow, somber music ♪

♪ ♪

[AUCTION MANAGER] I ask
you all to remain standing

as we honor a man who dedicated his life

to preserving our way of life.

Just as we honor a cowboy

who gave his life in service
of that land and the livestock

that nourishes your body.

Dear Lord, we know you have
already received them both.

That they look down
on their family and friends

and know a love and peace
that we all seek.

We know they look down
and see us all hurting.

Hurting from their absence in our lives.

If John Dutton were here today,

his one hope would be
that he inspired in you

the tenacity to persevere
in a world that sees you,

the farmer, the rancher,

the food producers of
this nation and the world,

as an obstacle

instead of the keystone
to their very survival.

May we all learn from
John Dutton's tireless defense

of your freedom and your purpose.

And may we look to the life of a cowboy,

Colby Mayfield.

Mountain valleys for an office,

a horse for his commute,

a rope for his chores,
and a hat for shade.

That is freedom.

Colby died exercising that freedom,

and John Dutton died protecting it.

To both, we say farewell...

and thank you.

♪ ♪

Please be seated.

♪ ♪

[CRYING]

All right, first horse of the day.

Somebody give me 200,000. Here we go.

Ten. 20. Bid 20,000.

[CHANTING] Anybody, anybody
gonna be 30, then 40, then 50.

- Anybody gonna be 60.
- [RINGMEN CALLING OUT]

Yes, 60,000. Anybody gonna be 70. 80.

- Gonna be 90... 100.
- Three and a quarter...

Anybody gonna be... 125,000.

Anybody, anybody gonna... 150.

Anybody gonna be two. 200. 250.

Gonna be 300. 300.

[WHOOPS]

Now have 350. [BABBLING]

Right quick now. 75.



Gonna be 40. Anybody,
anybody gonna be four?

Sold. 375,000. Thank you.

♪ ♪

[AUCTIONEER CHANTING INDISTINCTLY]

- That's sold. 350,000.
- [APPLAUSE]

♪ ♪

♪ ♪

[CARTER] What now?

I mean, what are my chores now?

There's no horses to feed,
no stalls to clean.

I don't know what I'm supposed to do.

I guess you sleep in.

[BIRDS CHIRPING]

Hey.

So, how'd we do?

It was big.

With the cattle,
a little over 30 million.

Huh.

Buys us another year.

Longer if the rates come down.

It's good news, Kayce.

Well, the closest thing we're
getting to good news this week.

Hmm.

[SIGHS]

Will you promise me something?

Anything.

Don't spend a dime of your money
or anything that you've earned

on this place.

Not a dime. It...

You can't save it that way.

Yeah, I know.

You either.

I... I don't have any money.

Yeah, you... you do.

Little over 30 million.

[LAUGHS SOFTLY]

Can I ask you a question?
Business question?

Sure.

Let's take your car. Uh, how
mu... how much is that worth?

Uh, it's leased, so it's not
worth anything to me.

But if-if you owned it.



And if you sold that to me

for one dollar, would that be ill*gal?

It would be stupid,
but it wouldn't be ill*gal.

Okay, so I buy this car for one dollar,

and then I take this $300,000 car

- that I bought for one dollar...
- [SCOFFS]

and I register it.

What do I pay in sales tax?

Is it based off

what I paid or the value of the car?

- What are you cooking?
- Just answer the question.

Tax is based on what you paid for it.

That's what I thought.

- [TRUCK DOOR CLOSES]
- [ENGINE STARTS]

Why didn't I think of that?

Kayce!

[PANTING]

Who?

Give me a day, just to make sure.

You are smarter than
you look, little brother.

- That ain't saying much.
- Tate.

Thank you.

♪ Uplifting orchestral music ♪

♪ ♪

You told her. You want to tell me?

I didn't tell her anything.
She figured it out.

Figured out what?

The only way to save this place.

Got to give it away.

♪ Pastoral music ♪

♪ ♪

♪ Dramatic orchestral music ♪

♪ ♪

♪ ♪