02x01 - Precious Violin

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Welcome to The Repair Shop,

where cherished family heirlooms are
brought back to life...

This is the workshop of dreams.

..home to furniture restorer
Jay Blades.

Nowadays, everybody spends a fortune
on stuff that, once it's broken,

they just bin it. But everybody has
something that means too much to be

thrown away,
and that's where we come in.

Working alongside Jay will be some

of the country's leading
craftspeople...

Every piece has its own story.

It's amazing to think that some of
my work becomes part of that story.

I've always played with things,

I've always repaired things,
and I just love it.

There is a real pleasure in bringing
people's pieces back to life again.

..each with their own
unique set of skills.

The right tool for the right job.
They will resurrect...

revive... I'm warm, man!

..and rejuvenate
treasured possessions

and irreplaceable pieces
of family history...

Wow, she's fantastic!

..bringing both the objects...

Oh! This is what I remember.

..and the memories that they hold...
Wow! ..back to life.

Oh, my God!

In The Repair Shop today, it's a
team effort to revive a modern

design classic...

Hold on, hold on, hold on.
I can see it.

That's it. Yeah, do that one next.

Who do you reckon's going to get
to the end first? Well, I think...

I think I've got my money on Jay.

..and something to test the skills
of antique photography expert

Brenton. It's a box of bits...
A box of bits. ..at the moment.

What do you reckon?
LAUGHTER

But first, The Repair Shop is about
to take receipt

of a very special item.

Hello, you all right?

Yes, thank you.

Natalie Cumming from Shropshire
is here

with a precious family heirloom.

So, what is this, then?

It's a violin. It's a violin, yeah?

Restorer John Dilworth
is a violin specialist.

He's worked on some of the world's
most valuable instruments.

It's in a pretty poor condition.

There we go.

Wow! Yeah, that's seen better days.

A slight obvious problem there,
yeah. There is a bit, isn't there?

So, what's the story behind this,
then?

Well, the violin belonged to my
grandfather

and it was passed to my aunt,

who was sent
to Auschwitz in 1939.

That's some history.

My Aunt Rosa is a very well-known
violinist,

and she was invited to play
in the Berlin Philharmonic Orchestra
in the mid-30s.

Unfortunately, being Jewish,
she was arrested,

and they were all sent to Mauthausen
Concentration Camp.

And then, in 1939,

Auschwitz was opened and she was
immediately transported there.

Because she played the violin
and she played very well indeed,

that was her lifeline.

She was able to be part of the
women's orchestra in Auschwitz,

which lulled the new intakes
coming in

to a false sense of security.

This was what kept her alive
for the whole of the w*r,

then she finally returned home
to Leeds, and she died in '47.

The violin then passed to Natalie's
father, also a musician.

He didn't just use the violin
as a means to making a living,

he lived the violin.

That was his life.

And, fortunately,
I've got those memories.

That's what the violin
represents to me.

I'm afraid it's just stayed in the
attic all these years

and never been played.

Well, this was, I'm sure,

made in Germany towards the end
of the 19th century.

Mm-hmm. But this is rather alarming,
isn't it?

I would think that that damage
probably occurred in the camps. Yes.

Oh, that's... Yes. So someone's
repaired this, then,

is that correct? Yeah, it's a very
crude repair, I'm afraid.

Yeah, that is, yes.

It would just be so great
if it could be restored.

If it could be played again,
it would be such a bonus. OK.

John's been restoring
violins for decades,

but even the most seasoned of
craftsmen would feel apprehensive

handling an instrument with such
an incredible history.

The first job is to
take the top off,

open up the instrument, so I can

actually see what's
going on underneath.

This is where you find out whether
it's going to be an easy job

or a...or a tricky one.

You have to find out which way
the wood is splitting,

and if the wood is splitting
in your favour, that's great.

Hmm.

OK. Plan B,

we're going to go round the other
way and attack from the other side.

Ah! You winning? Yeah.
Yes, you're winning.

There it goes.

Hang on. I can't look.

I can't look, either!
You can't look?!
LAUGHTER

Yeah. Oh! There we go.

It's finally given way.
This, actually...

this little hole here,
there's a lot more original wood

surviving underneath that patch
than I feared. OK.

So we can take that off... Yeah.
..fill that hole,

but if this repair was actually
done in the prison camp,

I'd rather keep this piece and
just fix it, so that it's... Yeah.

Make it look good. ..it fits better.
What's this? Just a bit of fluff?

Well, that is known in the trade
as the mouse. The mouse?

The mouse, yeah.
LAUGHTER

That's just accumulated bow hair and
all sorts of things, odds and ends.

And some people collect them,
and when they make a new violin,

they'll put that inside,
just for luck.

Next into The Repair Shop...

How do you do, gents? I'm Phil.
..Phil Jones has brought a piece of

his family history for Will

and antique photography expert
Brendan West.

So, what's in the box?

This is my great grandad's

old plate camera.

As you can see,
it's a bit worse for wear.

It looks more like a box of wood.

It's a box of bits. A box of bits.
It's a box of bits at the moment.

There's a lot of bits.
There's a lot of bits.

Excellent. What do you reckon?
LAUGHTER

So, this is a half plate camera from

the turn of the last century,
so 1900, 1910, something like that.

Yeah. My great grandad used to take
pictures for the w*r Department...

OK. ..during World w*r I. OK.

He was... That's his belt buckle
off his military belt.

Oh, wow, that's nice. That went
through World w*r I with him.

Really?! Yeah. The Battle of Hill 62
at Ypres, and...

So this has actually
seen the trenches?

Oh, yeah, yeah, yeah. Really?
It's been in the trenches. Wow!

So if that's been to Northern
France, it's in good condition,

isn't it? Yeah. Yeah. I would like,
in an ideal world, to use it again.

If not, just to have it
displayed properly.

Lovely. OK? Well, we'll get cracking
with that, and we'll give you a call

once it's ready. Thanks very much.
Nice to meet you. Nice to meet you.

Cheers. Thank you. Bye-bye.

Brenton's been overhauling antique
cameras for over a decade,

but this 110-year-old example
is really going to test him.

So we're going to be taking
the bellows from this camera...

..carefully, so that we can have
a pattern for remaking them.

There we go.
So, that's your bellows.

Got holes in them everywhere, and if
you held them up to the light,

they'd probably leak light
like a sieve,

which is not very good
for photography.

Over on his workbench,

John is cooking up a plan to
revitalise Natalie's beloved violin.

This is my mother-in-law's
old bain-marie.

It's been in our family
for generations.

This is the hot melted glue.

The violin's long and arduous life,

which included spending the w*r
in a concentration camp,

has taken its toll.

This rib, that was, I believe,

donated to the violin while it was
in the prison camp from another

instrument. I would like to keep
this as part of the violin now.

You know, cos it's part
of its history.

While the body recovers
from its structural surgery,

John turns his attention to
repairing the damage to the top...

The whole thing's resonating nicely.

..before the two parts can be
married back together again.

As I say, once we start gluing,
we're committed.

And we want a good,
strong joint here,

especially at the neck,

because that's what determines
everything about the instrument.

It won't be until John has completed

the restoration that he'll find out

if his repairs have also restored
the violin's voice.

If you get any stage of this wrong,
it'll compromise the sound.

Getting everything
in correct alignment,

getting all the tensions even,

all adds up in the end to giving
the instrument

the right voice, the right sound.

With the repairs dry, John can press
on with his sensitive renovation.

The next thing to do
is the fingerboard.

And this, I think,
is very moving, really.

You can actually see fingerprints in
it, and to think that was happening

in the prison camp and all through
the long history of the violin.

But, unfortunately, that's all got

to be smoothed out
to make it playable.

It's...quite an emotional thing,

getting rid of these...

the last traces of the family
that have owned it.

It's now ready to play on
for another 100 years or more.

A new item is on its way
into The Repair Shop.

Hello. Hi.

Chris and Tim have brought something
that's got Will and Steve scratching

their heads. Right. Right.

What have we got? I'll take that.

Right. It's a screen, but obviously
it's seen better days.

So it stands on its end... Yes.

..and you have to have it,
obviously, in a sort of...

Snake. Snake - good word, yeah.

To keep it from falling over.

Yeah. So you can hide things behind
it, you can divide a room with it.

I mean, you could do that
tantalising French fan dancer, dance

about behind it, and get changed
behind it if you want to!
LAUGHTER

I've got an image of Steve doing
that! I'm guessing more of a room

divider kind of thing, or
hiding your big TV, or something!

Ah, yes. It's articulated
and it's wired together.

So there's wires running through the
whole of it from one end

to the other? Yeah. And this has
broken off?

Yeah. Is there anything else
that's broken?

There's a piece of damage on one of
the ends.

One of the end pieces
has snapped off.

Oh, I think I've just found
the broken piece here.

There it is, yeah. Right.
Whereabouts did you get it from?

Well, it's not ours... OK.
..it's our daughter Rosie's.

When Rosie was a student in London,
about 13 years ago,

there was a chap throwing it out and
it was on the pavement, and she

asked the chap if she could take it.

So he said, "Well, you can
have it for six quid."
LAUGHTER

And, being a student, you know, six
quid was a lot of money, but she

gave it to him because she just
loved it, and to make it so it will

last and it won't degenerate
into a pile of firewood, you know,

it would just be fab for her.

It transpires the screen that was
destined to be scrapped is, in fact,

the creation of Finnish architect
and designer Alvar Aalto.

He is considered by many to be
a pioneer of 20th-century design.

Ready?

That is really stiff wire, isn't it?

Really stiff wire. It's no wonder
it's pulling through.

On that end there, that...
It's really, really tight.

It's actually ripping through
this section, isn't it?

Yeah. OK, what I'll do is, I'm going
to try to force this flat.

It's going to break in places, but
if you can order or get me some

wire... Yeah. ..I can make a start

on the woodwork and then take it
from there.

OK, I'll get that sorted for you.
Thank you.

Thanks, Steve.

Over on his workbench,

Brenton's about to make a new screen
for the World w*r I camera.

This is a clear piece of glass,

and what I've got to do is, I've got
to grind one side of it

to make it opaque.

It needs to be opaque because this
screen,

the equivalent of a viewfinder,

is what the image is projected onto
when taking a picture.

You just start

to make circular motions.

So this process takes
about half an hour.

You feel it in your hand - it's like
sand, very fine sand.

You can actually feel it
grinding the glass.

And that's looking quite good.
As soon as that's dried off...

It looks pretty good to me.
Yeah, that's good.

Excellent. So that goes in there.

Perfect.

To make sure the light hits

Brenton's newly created plate
correctly,

his next job is to get
the mechanism working.

So I've just cleaned this shutter up
and it hasn't been shot for probably

100 years. So the next thing to do
now is to fire it and see if we're

going to get an activation...
CAMERA CLICKS

..and brilliantly, we do.

Wow!

While Brenton overhauls the
100-year-old mechanism,

The Repair Shop's leather expert,
Suzie, is working on a secret

project for the camera's owner,
Phil.

He brought a belt buckle
that belonged to his relative,

that he'd had in the w*r, and we

thought it would be a nice idea
as a surprise

to make the belt buckle up
into a usable belt for him.

What I'm doing here is staining
the edge of the leather.

And the key is not to drip the edge
stain down.

Meanwhile, repairs are underway
on a more contemporary classic.

Having sanded the screen's 82 slats
three times each side,

then polishing and
varnishing them both sides,

Will can now turn his attention
to the broken piece.

I found some pine which sort of
matches pretty closely to the piece

that I need. So I'm just working out
a way to join both pieces together.

Now comes the task of transforming
the individual slats

back into a Nordic design classic.

Are you ready?
Have you got the wire? I have, look.

Let's give it a whirl.
Now, let me just get this right.

Steve, you're going to feed his wire
through this? Yeah. All right,
let's see this. Let us begin.

Hold on, I've got
to find this hole first.

Well, that's the thick one. Come on,
I'm in the lead.

That's it. OK, Steve, it's not
a race, you're not going to win
anything!

I'm just doing it! I just...

Give me, give me some of that.
Yeah, go, go. Thanks for taking
over, Jay.

You're more than welcome, sir.
You're more than welcome. That's it.

Whoa, whoa, whoa, we've missed one,
we've missed one. Missed two.

Why don't have some sort of rhythm
going, like... Yeah. .."heave-h*,"
or something?

Then you could do it in time.
I totally agree with you.
LAUGHTER

At the beginning we didn't
have a rhythm,

but now we're like the Commodores.
LAUGHTER

No, no, Steve's got it.
Look, look, look. Yeah!
LAUGHTER

Yay! He won. I let him win.

Antique photography expert Brenton

has been overhauling
a century-old camera.

He's refurbished
all the components,

now all he has to do is build
a working camera from them.

So it's a bit of a jigsaw puzzle.

I just start at the bottom
and work my way up.

Oh, there we go.
I didn't think that

was going to fit for a minute.

Yeah, that's good.

The 100-year-old camera is rebuilt,
but will it work?

Guys, we're going to take a picture.
Are you ready?

Luckily, there's a motley crew of
models on hand to test it on.

So, just there you want us, yeah?
Yeah, if you could just line up.

We'll line up along there.
Line up along there.

What a pretty bunch.
Is it, stay very still?

You'll have to keep quite still,
yeah, please.

Shall we pose? You look beautiful.

You don't have to do anything
for a second.

OK. Are you ready, guys?

Yeah. OK, three, two, one...
CAMERA CLICKS

Oh, God! Fingers crossed, that's it.
Yes! Thank you, thank you.

You got that photo, yeah?
Yeah. Keep...

h*-h*-h*! Guys, have a look at this.
Come and see this photo.

What have you got?
That looks old time, innit?

Wow! Oh, look at that!
Wow! That is absolutely brilliant.

It's amazing. That's right, an old
lens makes you look old-fashioned.

Yeah. I actually look like I'm a
time traveller compared to you guys.

Like, how can someone in those times
have such white teeth?
LAUGHTER

Or such knobbly knees.
Knobbly knees?! Yeah.
LAUGHTER

Phil Jones came to The Repair Shop,

longing to take pictures with his
great-grandfather's camera.

How are we doing, Phil? Mr Blades,
sir. You all right? Yeah. Let's go.

Brenton, nice to see you again.
Nice to see you.

What was it like when you dropped it
off? Oh, it was a box of bits.

So, would you like to have a look?
I would, yeah.
LAUGHTER

OK. There is your camera, sir.
Oh, my God!

Wow!

It is absolutely amazing.

That's brilliant. Do you want
to have a look? Yeah.

I don't want to drop it!
LAUGHTER

And it all works. The shutter works,
everything works on it.

That's amazing. Absolutely amazing.
I can't believe you did it.

I'm glad you like it.

Thank you very much, sir.
No problem at all.

So, how does it feel to have it all
restored and working?

I...

I'm lost for words.

I did not think it would be done.
I was expecting a phone call,

saying, "Look, we had a go..."
LAUGHTER

"..but..." But you're forgetting
where you've come to -

this is The Repair Shop, mate. Yeah?
We can't give you that phone call.

It's working as well! Oh, I'm...

I'm amazed. And we've got one more
little thing for you.

What's that? Well, when you came in,
you left us a belt buckle.

I said to the missus when I left it
here, you know, I said,

"I left it with my photographs..."
Oh, my God! Suzie...
LAUGHTER

Suzie had the idea of making a belt
for you.

Wow! So that's your buckle, and
that's Suzie's belt she made you.

That's...that's beautiful!

Thank you very much. Oh, bless you.

Brenton, thanks for everything -
the belt, the camera.

It's been a pleasure.
Chuffed to bits, chuffed to bits.

I'm glad you're pleased. Yeah,
that's... Really, really good.

I'm amazed.

I feel...totally shell-shocked.

I'm just amazed at the work
that they've done.

I did not think it could ever
turn out that good.

And when I saw this belt...

it...

I got a bit emotional. But, erm...

this is something I'm going to
treasure.

I'm going to keep it forever.

Will and Steve have reached a
crucial stage with the classic

mid-century screen...

Righty-h*, here we go.

..tightening the wires that keep the
82 individual slats together.

So, if I pull this tight...
HE GROANS

If I'm just tensioning...

Too tight and the screen won't be
flexible enough to stand up.

Too loose and the screen
will simply fall over.

That should be it. Is it in?

Yeah. Perfect.

That's good. That's good, yeah.

Now we can tighten it,

tension it even more the other
side with the key. Yeah.

But not too much tension. You keep
on putting too much of this tension

on and it's causing some tension
with me.

Don't worry about it, my boy. You're
making me feel tense. I'm sorry.

OK, moment of truth.
Moment of truth.

Do you know, it's all going to go,
"Whoa!", like this.

LAUGHTER
It's not going to, Steve,

especially with that tension
you've been putting on it.

I'm really happy with that. That's
fantastic. It's great, isn't it?

Yeah. Yeah? Wahey!

Erm, Steve? Yes?

I don't know if you can...
LAUGHTER

Yeah?
LAUGHTER

Chris and Tim are back, this time

with the screen's owner -
their daughter, Rosie.

I'm a little bit excited, but also
a bit nervous, because it wasn't

in the best condition,
and I know it wasn't.

So, yeah, I'm just full of
trepidation, really.

Hello. Hiya. So, Rosie, I've heard
a lot about you and your screen.

Have you ever had
a chance to actually use it?

No. I'm already very surprised
to see

that you've got something flat
underneath...

Well, you know. ..the red sheets.
LAUGHTER

Would you like to have a look?
Yes, please! OK.

Oh, my God! Look at that!

LAUGHTER

No! Come and have a look.

It's not the same one, is it?
Shall we stand it up? Shall we?

Yeah. Yeah, let's. Ready?

Oh, look at that! Oh, I can't
believe that!

Look at it, it's undulating at last!
LAUGHTER

I can't believe it.
It looks amazing.

So, are you going to use it now?
Yes, please. Yeah?

Yes, yes, I think that would
be very nice.

I'm so happy for you.
That's wonderful.

I can't believe that I managed to
get hold of something as beautiful

as this. I just never, ever imagined
that it would ever look like that,

so I'm really thrilled.
It's such a transformation.

Over at John's desk, he's
fine-tuning Natalie's violin,

which survived the w*r in a
concentration camp

with her aunt Rosa, before being
played professionally by her father.

That looks nice, John. Hello, Jay.

You all right? Yeah. How are you
getting on? Well, it's job done.

So, have you finished then? Yeah.

So the last thing to do is put
the mouse in, isn't it?

Yes, yeah, I guess so.

This little ball of fluff had been
gradually building up

over the 100-odd years
since it was made,

so it seems appropriate
to pop it back in.

In you go. Back home. There you go.

The mouse has gone home, yeah,
And the violin is finished.

John's labour of love is complete.

The violin has passed down
the family line,

sustaining knocks and patches
throughout its turbulent history,

and in recent years had fallen
into total disrepair.

But John's biggest test remains -

has he got the violin looking and
sounding as Natalie remembers?

Hello, Natalie. Hello.
How you doing? All right, thank you.

Nice to see you. Likewise. You've
come for your violin? Yes, please.

John? Natalie's here.

Hello, John. Hello, Natalie. Lovely
to see you again. Yes, and you.

There it is. Wow.
All in one piece again.

It looks lovely, doesn't it?

Yes, we've put all the bits
and pieces back in.

And those parts there...
That was the main challenge.

I've kept the pieces that were put
in. What a wonderful job.

When was the last time you heard it
played? Well, before my father died,

which...he died in 1983 or '84.

So, what do you remember most fondly
of your dad's playing?

He loved the Hungarian music,

the cigany violin music,
that kind of thing. Wonderful.

So we do have someone who can play
it. Chris, if you don't mind?

The honour of playing the violin
for the first time

since Natalie's father falls to one
of the country's leading violinists.

John has drafted in
Christian Garrick,

who has also composed
a special piece

in honour of Natalie and her family.

I think this is just the man to play
your fiddle for you.

It would a great pleasure.
It's very exciting.

HE PLAYS EASTERN-FLAVOURED MELODY

LAUGHTER

That's wonderful.

Absolutely wonderful.
What is that song?

It's a wee song which
I imagined today,

reading a bit of your history,

and I thought we'd call it
Rosa's Wishing Waltz.

Oh! I can't believe it.
LAUGHTER

Thank you so much. It is wonderful.

It is wonderful.
I don't have words to say.

I'm beside myself. I...
You know, the history of this

violin, I'm grateful
to be a part of it.

It's just incredible that you've
been able to restore it as you have,

so thank you so much.

I'm very pleased to have been able
to help. Thank you for playing.

That was wonderful. An honour.
Absolutely wonderful.

I just feel overwhelmed.

I didn't realise it would be

restored to how I remember
it being played 30 years ago,

and it was just beautiful -
the melody, the tone.

I was suddenly transported back.

I could see my father playing.

It was beautiful, beautiful.

Join us next time as more items
are given a new lease of life...

Wow! ..in The Repair Shop.