I may have been the daughter I was.
But you?
Okay, mob boss, b*mber,
but what kind of father were you?
I may have been the daughter I was.
[whispering]
But you? Okay, mob boss, b*mber...
[muffled] I may have been the daughter
I was. But you?
Okay, mob boss, b*mber,
but what kind of father were you?
[Teresa] You left a g*n
lying around the house.
[cell door opening]
[door closes]
[muffled] I may have been
the daughter I was.
But you...
Okay, mob boss, b*mber,
but what kind of father were you?
[Teresa] Dad, pick up the receiver.
Pick it up.
[clears throat]
To your ear, put it to your ear.
[in Sicilian] The other way around, Dad.
Grab it the other way around.
Turn it. Like this, good.
Put it to your ear.
Eh.
[Suro breathes heavily]
I was the daughter I was,
but you...
what kind of father were you?
[tense music in the background]
[inaudible]
[melancholic music crescendo]
[heavy breathing]
[music fades]
[music box music in the background]
[mice squeaking]
[rustling]
[music fades]
[Leonarda] Why now?
You could have said everything when Nino was alive.
Or never say it at all.
What's the point now?
Because...
[sound of pain]
...now Suro can't blow me up anymore.
- Thanks to you.
- Thanks to me?
[sound of affirmation]
No, no. You don't have to thank me.
Actually, it's better if we don't
say a damn thing to each other.
Instead I feel
that you would like to tell me something.
Tell me, Leo.
Don't censor yourself.
I can't think of Nino who didn't sleep
at night to arrest Suro.
[in Sicilian]
Because he had promised you.
b*tch, daughter of a c*cksucker!
With all due respect to your father.
[in Sicilian] And you... you had
the phone hidden inside the tile.
[in Sicilian] To warn him.
[in Sicilian] I'd break your face
even on the other side.
I did it to save his life.
[in Sicilian] In fact, it ended well...
Do you want to know what the only good thing is?
Do you want to know?
[punches the table]
That Nino died without knowing.
[in Sicilian]
You're so disgusting that death is better.
[knocking on the door]
And yes, I did censor myself.
What did you do to your face?
I fell with the scooter.
Did anyone see you?
- It's 3 in the morning.
- Please.
[Lanzardo] Go, go.
How did it go?
Did you manage to tell him everything?
Yes, everything.
He was very good.
[Nino] He slept the whole time.
I unleashed a mafia w*r
to get him back
[in Sicilian] ...and this is a little angel
with everyone except me.
[Nino, in Sicilian]
The more you love them, the more they f*ck you.
Okay.
[Nino] I'm going then.
Goodnight.
[tense music in the background]
[knocks on the door]
Actually, can I stay here?
[in Sicilian]
The driveway is full, full of rats.
[giggle]
Teresa?
Hmm?
[in Sicilian] I had an idea.
To rebuild Cosa Nostra.
I mean, yours and mine?
[in Sicilian] You and I are left.
And simultaneously declare
a small w*r on the state.
[in Sicilian] See what happens
when you leave yourself alone for half a day...
[in Sicilian] Only you and me,
just the two of us, where do we go?
[in Sicilian]
We have to get new men.
To do the dirty work.
I miss the old Christians.
I'm one who gets attached.
In fact, we'll take them back again.
[in Sicilian]
This is what the workforce is for.
[in Sicilian] Is it okay even
if these men... are women?
[rhythmic music in the background]
What do you mean?
I called Priscilla.
Everyone is coming here.
All your sisters?
And aunts, cousins, nieces...
I'm already regretting it.
But I am free and without criminal record.
They do the dirty work.
Do you have gender prejudices?
[in Sicilian] But aren't your relationships
a bit tense?
A bit shitty, you mean.
[Nino laughs]
[in Sicilian] But that's how things are.
Do what you can with what you have,
my father always says.
[in Sicilian] Which then someone else also said.
Someone important.
Anyway, well done.
Forgiveness is the first quality
of a true leader.
I'll k*ll Priscilla sooner or later anyway.
Eh...
No rush.
That'll teach her to breastfeed my son.
[♪ Hercules & Love Affair: "Painted Eyes"]
[music fades]
I can understand Mormora, Zigrino.
Those are men of power.
Power in Italy is never innocent.
Damn, but Giusy?
Even Giusy, holy sh*t!
We believed them, worked like fools.
Nino was right.
Not to share anything,
not to trust anyone.
The pool, the pool... forget the pool.
He was alone, and only that way could he succeed.
And he did succeed, if it wasn't for me.
That's right, you can say it.
I have to warn you that if we go ahead,
I don't really know what might happen, but...
but you, for sure, will end up in jail.
[Grongo] We hope to get
someone else in there too.
The problem is that without evidence
we can even accuse them of having...
...I don't know, shot Kennedy.
I can give the first one.
I heard Suro's archive with my own ears.
Costardello was with me.
He's dead, I almost was.
They just burned my house down.
But who?
[in Sicilian]
A kind of automaton with a toupee.
Stefano Testanuda, Services.
One of Mormora's men.
[in Sicilian] She knows them all.
[church bells ringing]
Okay, what do we do?
We learn from mistakes.
And like Nino did, absolute silence.
Too many of us already know.
Let's look for evidence, but without making noise.
[Grongo] Yes.
We have to continue living
as if nothing had happened.
This is the part
you're very good at, right?
Okay, I have to go.
I'll leave you to it, keep me updated.
By the way, does the name "Balduccio Remora"
mean anything to you?
Because he came out of nowhere
and bears the name of a dead man.
He's not one of yours too, is he?
No, never heard of him.
[Lanzardo] But why?
Who is he?
The one who handed me Suro.
[tense music in the background]
[Leonarda] Good morning, Doctors.
[Priscilla] Can we be safe
in this sh*thole?
Are the carabinieri coming back?
There is no safer place
than a property under seizure.
[in Sicilian]
Why did you make me come
to this property under seizure,
cousin from South America?
Because there are times
when hate can be transformed...
[Teresa] Into disgust.
Which then over time becomes annoyance,
which becomes indifference.
And then maybe, in the end,
we can reach a collaboration.
[in Sicilian] Especially if there's someone
to hate more.
The best regimes in history
were born this way.
Now ours is a w*r between the poor.
[in Sicilian]
We no longer have property, money,
men, honor.
[Teresa] We no longer even have a way
to be enemies.
[in Sicilian]
What is the only thing we have left?
A bigger enemy.
The State.
I went to see Dad.
[in Sicilian] They beat him up.
He's reduced to a larva.
[in Sicilian]
He may have been the father he was,
but those infamous pieces of sh*t
have to pay.
[in Sicilian] I am the eldest.
If someone has to be in charge, I'm in charge.
[in Sicilian]
Isn't it enough for you to breastfeed other people's children?
[in Sicilian]
Marianuccio doesn't latch on anymore.
[in Sicilian] If you can't be a mother
how can you be the boss?
Ladies, calm down, please.
[in Sicilian]
There's nothing to command yet.
[in Sicilian]
Unless... we find another way.
[in Sicilian] And what do we do with it?
Eight hundred copies and w*r on the State.
[in Sicilian] Ah, is there by any chance
any of the ladies present
who is not afraid of mice?
[indistinct shouting]
[mice squeaking]
[Grongo] Here it is.
The extent of our failures.
Every time they took Suro away from us
when we were about to catch him.
[Grongo sighs]
I measured them, two meters and 23.
[Grongo] Look.
[Lanzardo] Ah.
Eh...
How long has it been since you went
to see Giusy?
A while.
[tense music in the background]
[screams]
[in Sicilian] Rats everywhere, disgusting!
- The plagues of Egypt!
- Calm down, calm down.
- Call pest control!
- I'll call them right away.
- [female voice] Disgusting!
- [female voice 2] Oh, my God!
- [screams and murmurs in the background]
- [rhythmic music in the background]
[muffled voice] Pest control.
Did you call us?
- I didn't even have time...
- We have to evacuate the building.
You have to leave too.
There are harmful products,
lethal to a man.
After the intervention, we air for 12 hours.
Nobody can enter, eh!
[guard] The booth is mine.
[microphone whistle]
Please evacuate the building
to proceed with pest control.
- Evacuate, evacuate.
- Attention.
[Priscilla] I repeat.
Please leave the building
to proceed with pest control.
[Leonarda, in Sicilian] All the trouble
he caused and he's back here again?
Eh, Palamita?
[Palamita, in Sicilian]
Marescia', do you want to know what it says here?
"The enemy..."
The enemy is the devil, it's a metaphor.
So.
"The enemy behaves like a woman,
because despite himself he is weak,
and wants to appear strong."
Nice. Very modern.
[in Sicilian] I'm glad that no one
knew that he had decided
to collaborate and betray Suro.
Otherwise, I wouldn't have had
the pleasure of seeing you again.
[in Sicilian] Palamita, cut the crap.
- Balduccio Remora, what do you know?
- Never heard of him.
Are you sure?
Never heard of him.
[rhythmic music in the background]
Never heard of him.
Look, in your position
it's in your best interest to have us as friends.
[Leonarda, from video]
I repeat again, Balduccio Remora what do you know?
Never heard of him.
- Never heard of him.
- Never heard of him.
- Never heard of him.
- Never heard of him.
But who?
If I haven't asked you anything yet.
Better safe than sorry.
I already said it.
Never heard of him.
[Priscilla, on microphone]
Please leave the building,
to proceed with pest control.
[mice squeaking and indistinct chatter]
[in Sicilian] Oh, you have to go
to your homes!
I guess you can't
tell us anything about Balduccio Remora either.
[Lumumba] No.
What if I have you all sent to 41-bis,
until one of you talks?
What if I have you sent back to Senegal?
[Leonarda] Expired residence permit.
The trial will take years.
To send you back to Senegal,
we'll send you back immediately.
And I think you don't have
a great relationship with Senegal.
Or am I wrong?
Maybe we can do something, right?
[Nicola] We can do something.
You help me and I help you.
[tense music in the background]
You are worse than the mafia.
Balduccio Remora, what do you know?
[Leonarda]
I know he lived in South America,
that he had a pasta factory in Cuzco,
a wife and two children.
[muffled voice] Watch out!
- [Lanzardo] What are you doing?
- [Grongo] It's nothing, it's my fault.
- [Lanzardo] Be careful though, eh.
- You must excuse me.
- Thank you.
- Come on, let's not waste time. Let's go.
[Leonarda, in Sicilian]
But how is it that this guy,
from kneading flour,
now commands all of you?
I only know that Tracina wanted him
here with us
and he stayed.
Tracina?
When he arrived like this, out of nowhere,
didn't you ask yourself some questions?
I'm afraid I can't help you.
[Lumumba] I don't know what you want to know.
[music fades]
[Teresa, in Sicilian]
There's no one left.
[in Sicilian] Let's go.
- [punches the table.]
- Okay,
then I guess you'll send us
a nice postcard from Senegal.
Take him away!
[♪ Teddybears: "Ahead of My Time"]
[in Sicilian]
Here are the files of all the trials
of Palermo and province.
[in Sicilian] So tomorrow you know what a nice
surprise they'll find.
Oh.
[in Sicilian] Is it locked?
Oh...
[in Sicilian] I think you need the pin.
[in Sicilian] Damn, crazy stuff.
[in Sicilian]
The technological breakthrough has happened.
[Teresa] Okay, try 0-0-0-0.
[Nino] 0-0-0...
[error notification from alarm]
- [in chorus] No...
- Okay, 1-2-3-4.
No, come on...
[in Sicilian]
It can be like the ATM,
- after three it locks.
- Try 6-6-6.
[in Sicilian] Yes but if it locks
what have we come to do?
[in Sicilian] I came here
from London, you have nothing to do.
Try: 5-6-7-8.
[indistinct chatter]
[sound]
[in Sicilian] Be quiet for a minute!
[they cheer]
- What was it?
- Paolo Bray's date of death.
[♪ Teddybears: "Ahead of My Time"]
[in Sicilian]
You know what you have to do, right?
Let's go!
Are we sure there are no
copies on the computers?
[in Sicilian]
Don't worry, only the originals are valid.
Signed, countersigned and stamped.
That's the beauty of Italian justice.
We need more copies.
We need more copies!
[music fades]
[Teresa, in Sicilian] Shall we go?
You go ahead, I'll join you now.
[in Sicilian]
She wants to wage w*r on the State
and then she's afraid of four mice.
[Priscilla, in Sicilian]
Did you load the documents onto the van?
I sent Aunt Bisa and Aunt Anna
to get two more vans, because
they couldn't fit all the stuff in.
[in Sicilian]
Maria if you are slow, hurry up.
Since when has she been here?
[Luvi] Since her caregiver can't be found.
- [snores]
- Maybe she had him k*lled.
We can look for him inside a pillar.
[opera music]
[Giusy, in Sicilian] It wasn't me.
[nurse, in Sicilian] Who was it?
The Holy Spirit doesn't smoke.
[in Sicilian]
I told you it wasn't me.
Okay.
Good morning.
Giusy's relatives?
[Luvi] Yes, sort of.
I'll be back later anyway.
[in Sicilian] Yes, yes, goodbye. f*ck off!
Giusy, look who I brought you.
Good morning.
Grongo and Lanzardo. Your men from the pool.
[Grongo] Giusy...
we wanted to ask you a few questions, mh?
[Grongo] Do you remember,
"Rose Clinic" investigation?
In 2003.
Nino's operation.
It was canceled for security reasons
a moment before the raid was launched.
Don't you remember it?
And the one in 2004,
about the infiltration at the airport?
Giusy?
Giusy, do you remember that time when
I found a b*mb outside the room in Mondello?
- A b*mb?
- Is there a b*mb?
I told you we had to find a way
to save Nino.
- And what did you do?
- There's a b*mb!
Life is beautiful like this. Easy, comfortable.
Disgusting,
you pretend you don't understand anything anymore.
Ernesto, come on.
I don't even believe in her Alzheimer's anymore.
[Lanzardo]
Yes, I'll come and remind you who you are.
A mobster.
We better go, so here...
Yes, I'm coming.
I told the truth, Giusy.
About that thing that every now and then
we help the mobsters, as you say.
I want to send them all to court,
but I need your help.
Can you do it, Giusy, can you help me?
Giusy.
[Lanzardo]
Who performed the autopsy on Costardello?
Why do you think they did it?
Cremated in a hurry.
The mice in the prosecutor's office
are a warning.
All the papers from the old investigations
are there.
I don't feel safe,
we have to watch our backs.
[nurse] Fabrizio! Run!
Giusy!
- Giusy!
- No!
[opera music in the background]
[nurse] Fabrizio, call
an ambulance, please.
Lawyer, may I?
You are Cataldo Palamita's lawyer,
aren't you?
- Yes, but...
- From today you have won new clients.
Let's go!
Ok... thank you.
I don't understand, but...
Who are these gentlemen?
- Then... Why me?
- It's your lucky day.
Ah.
And what... Excuse me, above all, who
are you?
Balduccio Remora.
The hearing begins in 5 minutes.
[in Sicilian]
Let's go, I'll explain everything
on the way.
Actually, we should arrive as if...
I had just acquitted Göring
at Nuremberg.
Or was it Goebbels?
[in Sicilian] Are you asking me?
Himmler, maybe...
Anyway, well, that's what my partner
used to say.
Now we are your partners.
[gasps] Excuse me, the bag!
[President] They have asked to be present
and the defendants have been brought in
Perchia Giuseppe, Zerro Manfredi,
Zerro Francesco, Sene Diop Mario,
- Palamìta Cataldo Silvio...
- President, Palamita.
[President] Yes, lawyer. Palamita.
May I continue?
Palamita Cataldo Silvio Maria,
Caccavale Nunzio,
Donzella Pasquale, Donzella Giuseppe,
- [Boccanera] President...
- [microphone whistle]
What is it, lawyer?
Are you in a hurry to start?
The prosecution has requested the rejection
of your appeal as well,
but if you have had the consent
of your colleagues to argue first,
please.
There are beings who have suffered so much
and who not only have not died,
but have built a new fortune
on the ruin of all the promises
of happiness that heaven had made to them.
[indistinct shouting]
President, judges,
Mr. Prosecutor and dear colleagues.
These are not the words of my clients.
I guessed as much. So?
They are from Alexandre Dumas.
Because this is the content
of each of the files in your possession
with which you are now detaining,
at this point ictu oculi,
illegally, my client
and all the suspects.
But what am I saying suspects?
All the free men who have asked
to appear in this courtroom!
[they exult]
[President] Silence!
[Boccanera] That's right... President.
Is this how the prosecution intends to argue
the existence of precautionary requirements?
Is this Italian justice?
[indistinct chatter]
Silence in the courtroom!
I insist on the acceptance
of my request
for revocation of the precautionary measure
and, by oral delegation of colleagues
in the same proceedings,
inviting you to verify the documents
and documents in your file.
I have concluded, thank you.
- [clamor]
- [laughs]
[rhythmic music in the background]
Read this!
b*stards!
[♪ Clap Your Hands Say Yeah:
"Satan Said Dance"]
Oh, where the f*ck are you going?
There are no grounds to proceed,
Marshal.
[shouting and applause]
[Teresa, in Sicilian]
Look what you've done.
Now it's your turn.
Enough!
[in Sicilian] I'm changing jobs!
It's all pointless anyway,
we'll never make it.
[in Sicilian]
- I understand, Leo, but now stay calm.
- What the f*ck am I doing, Nicola?
Am I going to deliver packages?
Am I going back to dealing?
[in Sicilian] Or am I going to be a mafioso.
[in Sicilian]
Should I get a recommendation from
Palamita?
Or should I ask for an interview
with Balduccio Remora.
[in Sicilian]
It was him, always him and still him.
Balduccio Remora of this d*ck!
[in Sicilian]
He f*cked me and he made a fool of me!
[in Sicilian] Now I'm starting to understand
my brother's obsession with Suro.
But Tracina...
[in Sicilian]
Where the f*ck did Tracina come from?
What the f*ck does Tracina have to do
with it now?
We start the investigation
and this chaos happens,
is it a coincidence?
Is it a coincidence, in your opinion?
- You say it's all connected?
- I don't even trust you anymore.
Okay.
Mormora will also come to Giusy's funeral.
You...
Do you feel like being wired?
Yes, what do I say to him?
"Remember the good old days
when we dealt with the mob?"
Okay.
[knocking on the door]
The witness protection papers.
Nino, rightly,
didn't leave them in the prosecutor's
office, did he?
- Hi, huh.
- [Leonarda] Hi.
[in Sicilian]
Doctors, are you here? What a mess.
We also have to thank Balduccio Remora
for this.
[in Sicilian]
What have you done, have you been crying?
Giusy is dead, she k*lled herself.
[Lanzardo]
Did she really k*ll herself, though?
[in Sicilian]
What the f*ck is there to cry about?
[cries]
Okay, sorry, condolences.
Listen, where did she keep these papers?
[Grongo]
Luvi, at this point we would go.
[Luvi] Ok, I'll contact you tomorrow
morning for the details.
[Lanzardo] Goodnight.
[in Sicilian] Where are they? Eh, where
are they?
[Luvi] It's all in here.
What are you still looking for,
Balduccio Remora?
Listen, I don't have time to explain
and I don't really want to either.
If you'll excuse me...
Come on, Mandorla, let's go to sleep.
[♪ Fiorello: "Sì o no"]
- [champagne bottle uncorked]
- To freedom! The most beautiful thing
there is!
[all, in chorus] To freedom!
[in Sicilian]
- You talk, I'm scared.
- But what fear and fear,
you're not afraid of anything.
Go.
[in Sicilian]
Come on, pretend they're mice.
Go.
- Go!
- [clears throat]
- The celebrations are sacrosanct.
- Voice, Teresa, voice!
The celebrations are sacrosanct.
[Nino] Turn off the music, come on!
But we are only at the beginning.
We all know that, right?
Now we are many and strong again.
But are we ready to wage w*r
against a new enemy?
Or do we have to keep hiding?
[in Sicilian] Like mice.
My father was a leader.
The greatest of them all.
But at what cost?
[in Sicilian] How many families did he have
to exterminate, or betray?
And why?
[in Sicilian]
Because he sided with the wrong side.
With the state.
He let himself be subdued.
But we don't.
We go straight at it,
until he submits.
[in Sicilian] f*ck, Teresi',
now you sound like my sister.
[in Sicilian]
You mustn't call me "Teresi'".
Here, nurse him.
[in Sicilian]
- Have you become a braggart?
- Dad said so too.
So let's do this w*r.
[in chorus] Yes!
[rhythmic music resumes]
In the name of the Father, the Son
and the Holy Spirit, Amen.
May the Madonna accompany you.
[in Sicilian]
Palamita, satisfy my curiosity.
[in Sicilian] This new vocation
doesn't prevent you from doing
the things you did before, right?
[in Sicilian] What things?
- [in Sicilian] k*lling.
- [in Sicilian] Kidnapping.
[in Sicilian] Blowing up.
[in Sicilian]
No, I talked about it with a monk.
Saint Michael carried the sword, right?
[in Sicilian] Good then.
Gentlemen, to the health of our leader.
- Cheers!
- [in chorus] Cheers!
[bell tolls]
[Nino] Satisfy my curiosity,
but didn't you work for Luvi Bray?
Actually, I worked with Luvi Bray.
- How do you know?
- I did some research on the internet.
Well, it's over between us, unfortunately.
How come from an icon,
let's say, of the anti-mafia,
did you end up being the devil's advocate?
Good question.
You know why... Can we use the informal
"you"?
Because the good guys have always
treated me like an as*h*le.
[Nino] We, on the other hand,
have big plans for you.
[melancholic music in the background]
[sighs]
[music fades]
[Mormora] Never a day of peace.
Have you seen what a mess happened
with those...
[notification from mobile phone]
...those annulled arrests?
How many proceedings are we talking about?
Five, six... thousand.
What?
[Mormora] We made a pretty big fool of
ourselves, in my opinion.
Stay focused.
[Luvi] What is it, a new w*r?
Suro is in jail.
Now another pain in the a*s has arrived
just like him,
indeed, in my opinion, even worse.
It's ringing.
[clears throat] Ah.
It seems like a familiar atmosphere.
Do you remember the years when Giusy was
head of the pool?
Yes, yes.
Those were difficult years, huh.
[Luvi]
We were called upon to make controversial
choices.
But then again, there were attacks
to stop,
hundreds of human lives were at stake
and...
In short, when the end justifies
the means, right?
But if...
...if you went back, would you do it all
again?
[cell phone rings]
Do evil, to preserve good.
- I often think about it, you know?
- Good.
Now can you answer that f*cking phone,
please?
Yes.
- Hello?
- [Boccanera] Luvi.
- Luvi, dearest.
- Matteo?
In person.
So you still remember me.
- But where are you? Are you okay?
- [Boccanera] I'm fine, I'm fine.
Here, I'm glad. But, Matteo...
It's not a good time.
Luvi, I wouldn't want it to sound
a bit threatening,
but the moment could get worse
if you hung up on me.
Excuse me?
[Boccanera] I know you're with the minister.
Put him on.
I'm not putting anyone on, Matteo,
what are you thinking?
[Boccanera] Luvi, it's us.
It's us who have the trial papers.
[Luvi] Us, who?
What do you mean you have
the trial papers?
[Boccanera] A few things have changed
since the last time we saw each other.
You, Luvi, never gave me credit.
Remember that time I brought you Palamita,
and you did all that...
Oh, listen...
We want a negotiation with the state.
Who the f*ck is this guy?
Who the f*ck is he?
♪ Brothers of Italy ♪
- [whistles]
- Eh.
[upbeat music in the background]
[cell phone vibration]
- Minister.
- [Mormora] Major,
I'm sorry to bother you
during your vacation.
Always available.
[Mormora]
Well, we need your services
for a 90s style revival, let's say.
Certainly, Mr. Minister.
[Mormora] I'll be expecting you in Rome.
[music fades]
[Nino] Balduccio Remora.
The cousin from South America.
- Who remembers this guy's face?
- Exactly.
[Nicola] You know, he reminds me of someone?
[Lemargo]
It's the shape of his eyes.
His determination.
[Luvi]
Did you find out who Balduccio Remora is?
Why didn't you tell me right away?
[Luvi] He's leading a negotiation
against the state to get the archive back.
We give them something,
they give us something else.
In my world, this is called
"capitulation."
Let's make sure he gets the archive back
and justice is done.
[Teresa] If you go back to being a judge,
let's hope I don't have to
blow you up.
How messed up are we.
A blackmail weapon
is only good as long as you don't use it.
It's a bluff.
Oh, who's sh**ting?
I have a file this high
on Balduccio Remora.
[Leonarda] Maybe he was innocent before,
but now?
[Luvi] It's our last night.
[Nino, in a low voice]
And we have to spend it like this?
All crying?
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02x05 - Episode 5
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Italian crime drama follows Nino Scotellaro, a Sicilian prosecutor, dedicates his entire life to fighting the Mafia but is suddenly accused of being part of it.
Italian crime drama follows Nino Scotellaro, a Sicilian prosecutor, dedicates his entire life to fighting the Mafia but is suddenly accused of being part of it.