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thee
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wasone for you and me grow grow tree
never get to easy
the
[Music]
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your breakast in the
pan I'm going out in the yard let get do
it
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oh don't bother with that now have you
fed him yeah good go in and get your
breakfast oh can't I H you to the car
you know you can't manage that by
yourself now go along in go on
where's mom looking out Sandy blasted
animal more trouble than he's
worth
Mom where's me shoes
coming it's all for me no here give jip
some
no I don't want any you'll have to Hitch
Sandy up yourself chip can't manage him
and he's too much for me damn animal no
no
no served your father well enough got
rest his soul yeah but that's over we
don't need him anymore so what are we do
throw him on the scrap Heap that place
we was talking about they check him no
For Heaven's Sake mom don't want him and
I don't want him you're the only one but
Dad wouldn't want us to take but Dad
ain't here
I can look after him I used to help
Dad you're a good lad but I don't want
to see him go I want Sandy here with
us have you taken that floring up to
Winchesters yet he called again you know
I know Mom he told me he'll have it
today there's your boots I clean them
well he'll be glad of that as he've been
waiting a long
time sure old grumbler uhuh he was very
good to your father I know Mom he have
it today I told you
[Music]
hey K what's that you're shouting what
oh when you call what you say oh
firewood Timber oh that's good that's
nice I like those old Street
cries and you're your dad you know sorry
he's gone recognize his cry anywhere the
beute it was you could hear in the mile
off you going to carry on the business
well I don't know I suppose so look I
could do a nice little story on you uh
taken over from your dad following in
the family tradition and all that would
you call in on the office on the way
back uh well talk it over at any road
well and we'd pay you not much of course
but uh two quid but you wouldn't mind
would you you're picture in the paper
and Sandy here and'll be good for
business a bit of publicity
okay all right then on your way back off
you go
then come on let's hear you
shout on
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take
the play
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[Music]
hey Dora try jumping him that'll be the
day won't it boy go on boy go on show us
all come on we you just show him come
on come
on you just show him
L go on
go
on come on come on
that's it's like an old man getting out
of the bath how do you
know hey who's
that oh it's okay on and suer can see
what they want
this is the place all right it must be
look at all the
horses they all look unhappy to me what
so silly how do you know I just do it's
like prison don't
be oh hello Mrs hello young um well my
name is Mrs Williams we were told to
come here was you well this ain't no
tourist at attaction as far as I know oh
no I mean you see we've got this um this
old horse
Sandy well my husband's just
died I'm
sorry Colonel
shop what you better come in then oh
look and you go look at the oers
horrible great things right I come and
get you one the D
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come
here come
here yeah
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come on
[Music]
here hey
do y I want you to take a picture
picture of that boy in that horse him
yeah who is he the son of the firewood
man who died I've got an idea for a nice
little Story come
on fire
[Music]
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you flying the
donkeys D old
things who are you then jip jip Williams
me mom's in there it's not another horse
I hope what do you mean look mate we got
more than we can cope with already we
can't take anymore yeah we got one Sandy
your mom wants to bring him here
oh listen
s don't let her it's too cruel I don't
think I could bear it he whips him you
know oh yeah and starves him hates him
he does he gets his pleasure out being
cruel like a a torturer I've seen
him his
face the see it's all screwed up an
horrible clutching his whip in his hand
and
sometimes
what C of
Nils do you know about them
things the torturing
[Music]
first his dad then his horse yeah it's a
good story not with us to blame it
isn't we should do something about it
really have something to
help yeah why
not why don't we run a so story boy Los
his dad his friend he horse and his job
the examiner comes to his rescue help
this poor your boy on His Feet Again The
Examiner finds a horse for a boy who's
lost his only
friend how much would it cost a new
horse not much 50 70 something like that
we can start a contribution fund
subscription all the readers send in
their shiing to help a saded boy start
life again yeah I can see it now come
on you think it'll work I'm sure it will
come
on come
on for
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[Music]
oh my
word Willie how's that then eh front
page and
all appeal what's the appeal for a new
horse they're getting us another one
another one we don't want another horse
we didn't even want Sunday no this is
different we might get a good one but
what do we we don't want
one oh my goodness what am I going to do
with it we can't even afford to keep it
we will with that we'll get more
business you see people are
soft-hearted I've lost the only true
friend I
had now I'll have to get a barel and
push the wood around myself did you say
that well yeah something like that oh
how could you that that that's just a
pack of Lies but where's the harm we get
a horse they get Sandy off their
conscience business will improve so
everybody's happy oh I don't know if
only your father was still alive then
when it's all died down we'll get rid of
the thing like you were getting rid of
Sandy up at that Home Place what's wrong
with
that don't worry Mom I know what I'm
doing it's not the old horse I want any
more than you do it's the other things
not being a nobody in this town people
coming to us for their Timber being able
to tell Winchester to go jump in a lake
that's what I want
the horse who wants a
horse take one more for
[Music]
[Applause]
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luck one more
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[Applause]
[Music]
[Music]
and a right scono neg they found for him
too I can't see him pulling a cart
anywhere let alone bringing happiness to
a local boy look at this The Examiner
helps to wipe away the
tears you wouldn't believe it would you
money pouring into this wred newspaper
office people sobbing over a cooked up
story and probably they've got a dog
chained up at home and starved of
affection but this one's deserving I
mean he needed the horse needed it
needed it nothing he didn't even want it
I his mother up here a couple of weeks
ago trying to get rid of a horse why
they have to give him another one Heaven
only
knows and where's all this extra trade
we've heard so much about I've seen none
of it oh give over Mom how was I to know
all that's come out of this is is just a
broken down old horse that your father
wouldn't have given house room to all
right leave it it can't pull the c or
nothing I don't know what they were up
to buying a thing like that
where he going out yes well don't expect
me to look after your horse I've got
enough to
do I'll look after the oh now jip don't
you start but I will I know how look I
know you would if you could love but you
don't know anything about it I do now
jip don't argue you've never had to look
after a horse I looked after d and
you're not going to start now we'll just
get rid of it before we get too far it
right no no Mom
[Music]
no
jip oh whatever's the matter love don't
send him to that place oh but it's nice
T he Ching they're cool they'll beating
don't be so silly they will I know they
will just being silly it's the best B
for in that place they know how to look
after horses there that's their job now
come on come back
inside keep
yours what are we going to do no one
loves you except me
[Music]
well we can go and another a look can't
we know I'm in
looking but if you don't like it we'll
come home again how's that
[Music]
[Music]
[Music]
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I hear knocking but you can't come
in should do that outside open the
cage nice see you bright and early
[Music]
[Music]
a
[Music]
come on come on you obstinate boot come
on
Telephone Colonel's in
there Steve Dora that jamn newspaper
horse has run off and the little boy
with it Polie say he's heading this way
get your horses go by the ridge
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[Music]
[Applause]
the
[Music]
[Music]
[Laughter]
[Music]
well you see we were going to send him
to the Colonel's place you know po oh
Folly foot only uh well jip got so upset
so we didn't of course not they're
Inseparable real pales well of course
they are saved the boys's life didn't
they examiner's gift for saves boys's
life it's the great story eh
colel look he's thin and in poor
condition his coat is dull his hoof
needs seeing to he really does need care
how much would it cost but why don't you
let us take him look I'll talk to him
but the horse saved the boy's life oh
look he did what any tired horse would
do he stood still on Hill because he
didn't want to go any further the police
would never have found the boy if it
hadn't been for the horse and he want
him to suffer for that but he won't
suffer I can look after
him y Jim he's not in any condition but
what do you expect them to do if they
haven't the money then you shouldn't
have given them a horse it's been the
best story for years marvelous stuff
well you've had your money's
worth look listen listen G we can feed
him properly give him nice hay lots of
hor nuts fields for him to run in and
look you can come and see him anytime
you want to just to see that he's all
right and then there's Dora and Steve
they know all
about thank you what the great great
human Colonel bef friend's horse lover
we'll get a shot of the colonel and the
horseed what's the use you're
impossible well thanks very much for
trying anyway sir oh we'll
manage will
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you of course we will work with you
we'll
[Music]
manage the terrible of the
for you and me
grow to
[Music]
EAS to
[Music]
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01x06 - The Charity Horse
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Originally inspired by Monica Dickens' 1963 novel Cobbler's Dream (republished in 1995 as New Arrival at Follyfoot); she later wrote four further books in conjunction with the series—Follyfoot in 1971, Dora at Follyfoot in 1972, The Horses of Follyfoot in 1975, and Stranger at Follyfoot in 1976.
Originally inspired by Monica Dickens' 1963 novel Cobbler's Dream (republished in 1995 as New Arrival at Follyfoot); she later wrote four further books in conjunction with the series—Follyfoot in 1971, Dora at Follyfoot in 1972, The Horses of Follyfoot in 1975, and Stranger at Follyfoot in 1976.