01x06 - Prudence

[bunniefuu]

Grandiose music

...

Intriguing music

*-Ladies and Gentlemen,
the Louvre Museum

closes its doors
in one hour.

Please start moving towards
towards the exit.

...

Suspenseful music

...

Intriguing music

...

- 6 minutes ago while walking

from the Marly courtyard
in the expertise lab,

so I'd say 3 on the run,
if you're not lazy.

...

[Damn it.]

...

Keypad beeps

Dark music

...

"Signed Cat's Eyes,
Anne Sila

...

-Today's girls
-CHILDREN OF FORM

-We love to laugh and dance

Midnight Vienna

When others fall asleep

We become for the night

-THREE LIVELY PANTHERES

WHO IN A FLASH
KNOW HOW TO BOND

NO SOUND

SISTERS IN SOLIDARITY

ON LAND OR IN THE AIR

MEETING EVERY CHALLENGE

CAT'S EYES

CAT'S EYES SIGN

CAT'S EYES

CAT'S EYES SIGN

BELLES INCOGNITO
FABULOUS TRIO

IN MEPRISAL
OF ALL DANGERS

CAT'S EYES

*Light music

*...

She yawns.

*...

- Oh, sh*t.

She laughs.

*...

- Mmh!

*...

- Did you sleep well?
- Mm-hmm.

*...

What about you?

*...

You're beautiful.

*...

- You're beautiful too.

*...

Weren't you
back tonight?

- What are you doing,
Lili?

- Well...

We're making pancakes.
-Yeah, we are.

Do you often
to invite people over

when we're not around?
- We'll tidy up.

- You'd better go.

- But she didn't do anything,
Daddy.

- Go to your room!

- You're yelling at us
for what?

- You listen to me.

You make pancakes with whoever you want,
but not with my daughter.

- What's wrong with you?
- Next time

that you're pushing my daughter...
- To make pancakes?

We're not doing anything wrong!

Are you coming, Lili?

Lili.
Dramatic music

...

[Damn...]

...

She sobs.

...
...

Don't do that. Don't do that.

...
...

Lili!

...
...

Here I am.

The door slams shut.

-Alex? Alex...

What's up?

- We got into it
with Lili's father.

- Why?

- He saw us.

- So what?
-Well, he was delighted.

He even wants to pay
our apartment in Lyon.

- Do you want me
to talk to him?

- What do you want to say?

"You can take off
your big-a*s costume

"and accept your daughter
as she is"?

- We can smash his face in.
- We can file a complaint.

h*m* is a crime.
- Ask Lili for her opinion.

What the hell?

You're going to the Louvre
without telling me?

- While scouting, I came across the psychologist.
- She knows

that Cat's Eyes is out there,
so it's time to get a move on.

- We have to go tonight.
I'll go with you.

- You gonna be okay
with your ankle?

- Yes, it will.

- OK.

Light music

The Cat's Eyes is surely
in the lab's examination room,

where they perform
scientific analysis.

- And how do you know that?

- I attended, with the taf,
to the expertise of a painting.

It's a state-run lab
that does not belong to the Louvre,

but you have to enter
to enter through the museum.

Courtyard Puget access.
You need a badge. Tam managed that.

- I ran into a few guards.
-There you go.

From the Cour Puget,

we arrive in a corridor

which leads to several rooms,
including the lab,

protected by a numerical code
that must be found.

- Before entering the Cour Puget,
how do you enter the museum?

It's closed at night.
We're not going through the door.

...

- We're going through the roofs.

The nearest

of the Cour Puget,

is the glass roof
of the Cour Marly.

We'll go down this way.
-That's the way.

The moment you step
a foot on the ground,

it's going to sound all over the place,
so that leaves

a tiny detail.
It's knowing how to outwit

the security system
of the world's most heavily guarded museum.

- It's going to take a miracle.

-Yeah.

...

- I think I have an idea.

Lively music

...

- Can I play?
- No, you may not.

- Yes, it is!
- What do you mean, yes?

That's mine.
Where's your mother?

- Don't bother the lady.
Please, darling.

Excuse us.
- Yeah.

...

-Will you be all right, ma'am?

- Yes.
He's just a kid.

Thank you.

...

It's good for me, girls.
How about you?

- It's good for me.

...

Alex, where are you?

Alex?

Alex?
*-Wait.

A security guard checks me out.

Suspenseful music

...

That's it. I've got it.

*-We find ourselves
in front of the pyramid.

Lively music

...

- Good day to you.
Captain Chapuis.

- Zineb. Delighted to meet you.
I don't have much time.

- Thank you for seeing me.

I don't get it.
It's been a week.

you've been entrusted with the painting,
and nothing moves.

- Sorry. Between the Vermeer
rediscovered in Amsterdam

and the conference we're planning,
we're swamped.

A phone rings.

Yes ?

Yes, here I am. You'll have to excuse me.
I'll just be two minutes.

*Oriental music

*...

- You can run the slides,
please?

*-Ladies and Gentlemen,
welcome to this conference

about...
-Turn it up!

*-...in the Middle East.
-Yeah, that's good.

*-Yemen is a country
whose culture...

- Shall we?

*-...attracts envy.

Traffickers profit
from wars

and political instability
for...

- This is it. Here it is.

- It's magnificent.

Where's the painting?
then?

- Please come this way.
- Thank you.

- Why do you
you want to check

that the painting's still there?
Are you paranoid?

- There are dealers
who will do anything

to get it back.
I prefer to be cautious.

- Yes, but first you'd have to
through the museum

in the world.

- If you only knew...
With them, anything is possible.

Suspenseful music

...

- Don't worry.

...

It will be processed
by the end of the week

following protocol.
He'll reveal his secrets.

- I'd like to know why
so many people are after him.

...

- How are you getting on
with the Cat's Eyes?

- It's rotting
rotting in the lab.

We need to give them
pressure on them.

- I'll take care of it.
Has Chassagne reappeared?

- No trace of him.
He never came home.

- I have the impression he's gone on holiday
vacation with Godard.

- That's kind of the idea.
- I knew it would be.

And our thief?
- No new robberies.

Nobody knows about it
or wants to report it.

- I don't get it

that there is no connection
between the flights.

Between the kakemono at the Eiffel Tower,
the Fragonard at Godard's,

a dozen paintings
at Versailles...

It just doesn't make sense.
And then, the Cat's Eyes

that she wanted back...
This case is a mess.

- Who is this thief
named after a painting?

Either she wants to make a mess
in the art world,

or it's a personal
revenge.

- We don't know.
- These paintings

don't they all come from the same
from the same supplier?

- Put them together,
we have a treasure map.

-Now's not the time.
- It's to lighten the mood.

- Boss, otherwise,

another track:
the one known as "the brute".

Here's the deal.
A masked woman shoots at us

in Versailles.
Another beats up the deminers

and says he works for Chassagne.
A third, that same evening,

beats up Durrieux and looks for Godard.
They're the same person.

She assaulted Durrieux
and k*lled Rupert to clean up.

- Why do you think so?

- The Louvre security team
has spotted a woman

who has the profile
profile.

She is interested
access to the lab

where the Cat's Eyes is.
- Has it been identified?

- No, she doesn't.
She turns her back to the cameras.

- I'll show the photos

to Durrieux.
We'll see if she recognizes it.

- Will you keep me posted?
- Yes, I'll let you know.

- I'm sorry. I shouldn't have gone that far.
I shouldn't have gone that far.

- You said it,
so you meant it.

- There was one thing
I was right about.

- What's that?
- Tam means more to you

what you wanted me
would have me believe.

- I didn't want you to believe anything.
I wasn't aware of it.

*Jazz music

*...

Doorbell

*...

Good evening, Hélène.

- Quentin,
what are you doing here?

- I'd like to ask you a few questions,
if you don't mind.

- Of course. Come in. Please, come in.
- Thank you for your time.

*...

Mr Degriaux,
I beg your pardon.

I'll give you a few minutes.
- You're welcome. Good evening.

- Good evening. Good evening.
- You're welcome. Please, come in.

- Mme Durrieux?
Excuse me.

If I take both,
how much will it be?

- Both? 150,000.
- 150,000, anyway.

- But I assure you,
in a year's time, it will be worth twice as much.

- I'm going to make
a little mistake.

- I'll leave you to think about it.
- Thank you for your time.

- I'll be back in a moment.
- All right. Okay.

-You're welcome.
Please, sit down.

- Thank you.

*...

- So, did you find
the crazy woman who attacked me?

- We're on to something.

Is that woman,

Look familiar?
- Well, she's from the back.

- Yes, I know,

but look at his clothes,
his attitude.

Isn't there something
that speaks to you?

- No.
- OK.

And this painting, does it
mean anything to you?

- He's in Versailles,
this one.

The Cat's Eyes, 20th century,
Frederik Fritz.

- It's been stolen.

It wasn't the highest rated.

OK.
And these two paintings,

Sound familiar?

It's a Fragonard
who was at Godard's,

the expert you know.

- Doesn't ring a bell.

I hear that,
with Captain Assaya,

it's over.

- Yes, that's right.
It's over with her.

- She doesn't know what she's losing.
Tam, on the other hand...

- I know what you're going to say.
Tam and I talked about it.

Me and her, it's over.
We're over.

I'll leave you with the photos.
You remind me

if you remember
anything.

- Yes.

- Come on. Thank you, Helene.
Enjoy your evening.

Please take care of yourself.
- Thank you for your time.

Disturbing music

...

And I thought

that all those paintings
had burned with you...

...

Doorbell

...

...

...

Intriguing music

...

So, Sylia's
of Sylia.

Error beep

...

Tamara,
in July '95.

...

Damn.

Alexia,
in February 2004.

...

...

...

Well, of course!
The day

of your death.

...

What the hell are you doing,
girls?

...

- Hmm...

His phone rings.

...

Yes ?

*-You'll be happy.
- Did you get the Cat's Eyes?

*-Not yet.
I'll take care of it tonight.

I convinced a security guard
to let me in

in the museum
and lead me

to the room where the painting is.
- Watch out. Yes, you are,

you found it,
so did the Cat's Eyes.

You underestimate them.

*-Well, that's good.
I can't wait.

If I run into them,
we'll have a lot of fun.

- The priority,
is the painting.

Dramatic music

...

Suspenseful music

...

Lively music

...

Alarm

- To all agents,
movement detected in room 405.

*-We visit the site.

...

- OK. Cutting.

...

Suspenseful music

...

*-RAS. There's nothing here.

Alarm

- Things are moving in 702 too.

*-OK. Roger.

- What the hell is this?
- I don't know what it is.

...
Action music

...
...

- CLEAR.
*-OK. Look closely at the

from the ground.
Jin saw luminous features

that move fast.

...
...

Damn, it's beeping in 700,
now!

- What do you mean?
I don't get it.

I disengage
and cut the 700.

- OK.
Back to 700.

...

...

- Beeping in 405.
That's not normal.

...
...

*-In 800, the alarm went off,
but nobody's home.

- To all agents,
meet in the east wing.

...
...

...

- They've been dumped.
You're doing great.

- Not bad,
these little cars!

- Well done, Alex.

-Thank you for your time.
-Thank you.

This is it. They're all
in the opposite wing.

Phase 2?
-Yeah, we are.

- Automatic mode activated.

Pim.

- Pam.
- Poum.

- Come on, go.

...

...
...

-I've told you.

I have lines of light
on the benches.

Beeps on 700
and 702 too.

...

-Still nothing here.

*Detectors are faulty.

- Something's going on.
It's not right.

...

- Good evening. Good evening. Police.

We need
to go to the security headquarters.

...

...
...

-Yeah.

Who's courting Marly?

Roger, is that you?

*-I'm not in Marly.
I'm in room 214.

...

Can you deactivate
the next room?

- OK. It's disabled.

- Go to Marly.
This place is a mess.

*-OK. I'll get it.

- Good evening, Captain Chapuis. Captain Chapuis.
Have you had any intrusions?

- Yes. I don't get it.
Alarms ringing everywhere

and we don't see anyone.
*-Room 700 for the PC.

We figured out
what the hell was going on.

It's a remote-controlled car.

...

-How could this happen?
Did some kids forget them?

- No, it's not. Someone is
ordering them.

- No, but sure.

- f*ck, the painting.
Theo, the Cat's Eyes!

We need to go to the lab.
- Are you sure about this?

Alarms are the opposite.
- Yes, that's why.

- Gwen, things are moving at the Louvre.

Cat's Eyes attempts
to attack the lab.

*-Isn't that the brute?

- A diversion
with remote-controlled cars,

it's signed Cat's Eyes.

Suspenseful music

...

- You can also enter the lab
through the auditorium.

- OK. Theo, you go
through the main entrance.

- Okay, that works.
Come with me, please.

...

- Over there.

...

Anything on your end?
- No, I haven't seen anything.

- OK.
Open the door.

...

*-Nico, come to court Marly.
We need your help.

- Roger that. On my way.

...

- We're searching everywhere, Theo.
Maybe she's here.

- Impossible to enter here
without the code.

- Maybe she does.
- h*! What are you doing?

- Just doing my job.
Don't you see?

Theo, search the crates,
even at the bottom.

- No. Sarcophagus Sarcophagus :
hyper fragile.

- I do as I'm told.
I beg your pardon.

- h*!
- Excuse me. I'm so sorry.

[-sh*t, that's good.]
There's the painting.

We've got the Cat's Eyes.
OK.

- Everything is protected by a code.
No one can get in.

- Back to the Marly courtyard,
where the last bell rang. Hurry back.

...

Is it OK?
Can we go now?

-OK!

...

- Theo, you stay here.

- What's up? On your own?
- Call me if anything moves.

- Audrey for Jin.
Back to Marly court.

...

He blows.

[-Go on, Theo. Go on.]

...

Mastery.

Mastery.
...

You're a cop now.
A real one.

OK? You catch bad guys.
Nothing can happen to you.

No one will steal
this painting.

No one will steal this...
Ah!

Theo gasps.

...

Show...
Show yourself, Cat's Eyes!

Come on, let's go! I'm waiting for you!
I used to do taekwondo!

I'll f*ck you up!
I don't give a f*ck!

I've got nothing left to lose!
- Meow!

- Ah!
[Come on, I surrender.]

- Hush, hush.
[-I surrender. You win.]

[-Don't worry.]

You're just going to
a little sleep.

- The chicks are crazy.
Everything went according to plan.

They disabled the alarms
in their path.

- You wanted a miracle?

I give you Quentin Chapuis.
- What's this?

-I don't know. I thought it was cool. I thought it was cool.

- You watch too many movies.

- Let me have that.
- We'll hide it

in the auditorium.
- I take the g*n.

- Will he sleep long enough?
- Usually about an hour.

- Ah, it's heavy!

- I'll take care of the code
for the door.

Electronic beeps

*-OK.
Open the door.

*-Roger. Be right there.
- What's up?

- She's got her arm out front.
I don't see the code.

- How are we going to do it?

*-Open the door.
- Please wait.

- What's up?
- Shhh.

*Digicode melody

She hums the melody.

...

Error beep

[-What's she doing?]

...
...

[-f*ck... f*ck.]
- Hey...

...

The door unlocks.

Yes! Come along.

[Holy cow!
What are those scabs?]

[-Are you kidding?
They're Vermeers.]

[-Of what?]
[-Let it go.]

[-Can I take this
for my bedroom?]

[-Don't touch.
It's very fragile.]

[-I'm fine. Just kidding.]
[-Don't kid.]

[-You told me to make jokes
when I was stressed.]

[-Not there.]

- Girls...

- OK, the SD card.

- I think I feel
I feel something.

- What's wrong?
- I just can't...

-Ooh!
- AH!

- Good evening, kittens.

The picture.

Give it to me.

[-No.

[No, no.]

Tension music
- No!

...
Alexia cries out.

- Come on, here! Take this!
- The painting.

- You're not so smart!
You're not so smart now!

- Come on, let her go!

Impressive music

- Ah!

- Get the f*ck up.
sh*t, the door.

It's locked.
- I don't have the code.

-Tam, what's the code?
-Don't f*ck around!

Come on, Tam!

Articule!

- 45...
- 45.

- 4569.
- Doesn't work.

Damn it!
It's not working!

- It doesn't work!
It doesn't work!

- Girls...
- I can't hear you!

- Girls...
- Articule!

- Girls!

...

Is the door stuck?
That's too bad.

Shots fired

...

- Don't touch them!
Don't touch them!

...

- Little, little, little...

Come out of hiding

[or I'll crush your head.]

...

Come on, you.

...

-Come on, let's go!
- You want some too?

...

See you soon.

...
Repeated shocks

...
...

...

...
- No. No !

...

Girls!

-Well, then,

where are you going,
girls?

No, don't go.
This is starting to be fun.

...

- You want this,

you b*tch?
You don't care about them.

Come and get the painting.
Come and get it.

Come and get it.

Come on!

Come on!

...

-Come here, you.
Come here! Ah!

Holy sh*t!

...

Ah!

Coming through!
-Look behind the seats.

Attention.
We heard g*nshots.

...

He snores.

...

Tension music

...

...

- Hey! Police!

Stop right there!
Hey!

...

Stop right there,
I say!

h*!

...

h*, stop!
The Paris Olympics are over!

Hey!

...

He snores.

[-It's okay. We can go.]
[-OK.]

...

- How are you?

[-I'm stressing about Tam.]
[-Hey, it'll be okay.

[It's a Chamade. OK?
Nothing happens to the Chamade.

[Go on.

[Come on.]
- Ah... Police.

Uh, excuse me.
What station are we at?

- I'm so sorry. I'm sorry.
- I'm sorry. What?

- Oh, f*ck!
Oh, I'm so sorry.

He seems so nice.
*-Ladies and gentlemen...

- What the hell?
- I don't know what it is.

- What the hell?
How do we do this?

- I don't know. Turn it down.
- Damn it.

Syl, what are you doing?
Help me, please!

Mute the sound.
They're coming.

*-Traffickers
from all over the world...

- Okay, that's it.
Let's go. Let's get out of here.

- Wait a minute. Wait a minute.
-Wait for what?

- I think I saw Dad.

- What the hell are you talking about?
-It's a conference

on Middle Eastern trafficking.
- What does this have to do with Dad?

Intriguing music

-Dad knew some guys

from the Middle East who wanted
him to sell works from there.

-So what?
- He didn't want to.

He thought it
it was traffic.

...

- I'm a little lost,
right now, Syl.

- That's him there.

In the background.
Recognize him?

- No.

- He's grown old.
Impossible...

-I don't understand.
What's that supposed to mean?

-This means
he's not dead

in the fire.
Dramatic music

...

Camera clicks

...
...

...

Let's go. Come on, let's go.

[-Dad...]

...

...

Someone approaches
running.

...

- Over there!
That way!

-There are two individuals near
the auditorium! Come on, let's go!

Suspenseful music

...

She grunts.

...
Rhythmic music

...

The music darkens.

...

- Hey!
- Oh!

Tamara gasps.

...

- The picture.

...

You coward!

...

Well, who are you?

Why are you chasing after this painting?
What's it worth to you?

...

- Hey! Hey, you!
Police!

Drop the g*n!
Drop the g*n, I said!

Drop the g*n!
Put it down.

Just do as I say.
Put it down. That's it. That's it.

g*nsh*t
Ah!

Disturbing music
Quentin moans.

...
...

- Quentin?

Can you hear me?

You have to press hard.
Press hard.

Press hard,
I say.

Poignant music

- Who are you?

...

...
Police sirens

...
...

Who are you?

...
...

- Press.

- POLICE!

-Get away from him!
Get away from him, I tell you!

Get up!

Get up! Get up!
Get away from him!

Get up!

Get away from him!

Listen up!
Get up! Get up!

Put your hands on your head.

Take a step back,
hands on your head!

Put your hands on your head!
Get away from him!

He groans.

Put your hands on...

Call for help!

...

Stop right there!

Stop!

-You stop!
-You stop!

- Kneel down,
hands

in the back of your head!

I want to see your face.

Turn around! Turn around!
I want to see your face!

...

- Stop!
- Stop right there!

- Stop right there!

Police hubbub

- Look there!
- Where is it? You can't see!

Ambulance siren

...

- Hold still, hold still.
You'll be all right.

...

- My arm hurts.

...

- Why take these risks?
We were on our way.

...
- I don't know.

I thought we
we were going to get it.

...

That we would finally
who it is.

...

It wasn't the thief
who shot me.

It's the brute.

...

- I'm good.
I'm wired.

- What's up?
- She doesn't answer.

Tam, we just went out.
Call back as soon as you can. Bye.

The birds are singing.

A motor whirrs.

...

The birds are singing.

...

- Here.

...

- About time.

...

- Next time,
you go yourself.

...

- It's the original.
- Ah... [No kidding.]

...

What's so special about
about this painting?

- No idea.

And I don't like it.
Here you go.

...

Here!
- And what do I do with it?

- Put it with the others.

We won't be able to resell it
for a long time.

...

And Cat's Eyes?

- Not yet.

...

- Be careful...

- You're getting soft.
- You're getting soft.

[-Connard.]

...

- Tam?

Tam, are you there?

Tam...

How are you?

Tam, are you okay?

- Quentin was
shot.

He saved my life,
damn it.

-How's he doing?

- I think I'm okay.
It was in my arm.

- And the painting,
where is it?

- I couldn't keep it.

But I got this back.

Intriguing music

I've been waiting for you.

...

- We found this,
last night in the Louvre.

...

- Dad?

...

Wait a minute, wait a minute.
But he's alive?

- In any case, he didn't die in the fire,
he didn't die in the fire.

- He faked it
to become a smuggler.

- No. There's got to be
an explanation.

- We'll see what
what he has to say.

...

The music intensifies.

...

- Give me the card.
No, here.

- What are you doing?
- I need an adapter.

...

Thank you.

...

Suspenseful music

- This is two days
before she disappeared.

...

*-If you persist,
you'll be putting your daughters in danger.

*-Is that a threat?
*-Not at all.

If you want us to stick
to business,

you close this sale
and the following ones, and everything will be fine.

...

- THIS IS HELENE'S VOICE.