01x07 - Durrieux

[bunniefuu]

Grandiose music

...

*-If you persist,
you'll be putting your daughters in danger.

*If you want to stick to business,

*you loop the sale,
the following

*and all will be well.

- She made Dad sing.

- She forced him to sell
stolen paintings.

-There's a video.

- Watch.

Intriguing music

...

-Sylia, darling,

I organize our escape
the four of us,

but Hélène keeps a close eye on me

and I'm too involved
to go to the police.

*I didn't want
to worry your sisters,

but if anything happens
to me,

use the videos
to protect yourself.

*I know you'll take
take care of them,

and they from you.

I love you.

...

- He pretended to be dead
to protect us.

- He had been recording
recording

conversations, deliveries.

He wanted to be safe
to bring her down.

- Why he didn't come back

looking for us?

-Because he's a coward.

He should have listened to me.

Hello, girls.

- You, I...

- Stop it, that's enough!
- Alex, stop it!

- Stop.

- Don't make me. I love you.

- I hate you!

- Stop!
Where's our father? Where is he?

- I don't know about that.

I didn't believe he was dead,
but I don't know.

- You used us.
- No, I looked after you.

The computer. Here.

[-Calm down, please.]

- There's one thing
I don't understand.

If the gallery burned down,

works that have reappeared,
is it you?

- No. Dalembert.

- Who's he?

-A man who worked for me
and took my place.

You led me

to him.
I asked myself some questions

in Versailles

and then Quentin put me
on the trail of your exploits.

I don't know what
happened with Dalembert,

but the paintings
were stolen before the fire.

Except that they belonged
a network

I used to work for.

By taking these paintings,
Dalembert ruined me.

When they have been declared
destroyed,

I was threatened with death.

I promised to pay it back,
but it hasn't been easy.

Thanks to you,
I can take everything back from Dalembert

and settle my accounts.

You go back to his castle
and bring back my paintings.

- We'll never work for you.

- Are you sure?

Now..,
you'll have no more proof.

In one phone call, I reveal
who the Cat's Eyes are

and you end up
the next 15 years in prison.

That would be a real shame.

"Signed Cat's Eyes,
Anne Sila

...

-Today's girls
-CHILDREN OF FORM

-We love to laugh and dance

Midnight Vienna

When others fall asleep

We become for the night

-THREE LIVELY PANTHERES

WHO IN A FLASH
KNOW HOW TO BOND

NO SOUND

SISTERS IN SOLIDARITY

ON LAND OR IN THE AIR

MEETING EVERY CHALLENGE

CAT'S EYES

CAT'S EYES SIGN

CAT'S EYES

CAT'S EYES SIGN

BELLES INCOGNITO
FABULOUS TRIO

IN MEPRISAL
OF ALL DANGERS

CAT'S EYES

-Yes?

- Hi, there.

Hello, boss.
- You're not off work?

- I can't go round in circles anymore.
Where are we?

- You haven't read the press.
Since the Louvre robbery,

we're the laughingstock of the country.

-The thief and the brute

are not on the same side.
-We've had confirmation

that paintings by Chassagne
had been stolen.

-If we want to find
identity and motivation

of these two women,
it's time to look

of the Chassagne supplier,
the big shot, "el jefe".

Find out who's
behind Cat's Eyes.

Come on, go! We're off.

Chapuis.

- Yes, boss?

- You go back to work,
but take it easy.

- Yes.

- We need your help.

- You must have been right about Tam.
I'm having second thoughts.

- Took you long enough.
What made you change your mind?

Soft music

...

- There are a few things I need to check.

- If it's her, are you going to arrest her?

- I'll do what I have to do.

...

The music intensifies.

...

-Here it is.

To think that he gives money
to Paris museums.

He has even set up a foundation.

I've seen it somewhere before,

don't you?

He had to stop by
Dad's gallery.

- What the hell is she doing,
the other psycho?

She's preparing
Armageddon.

-She's completely nuts.
-Yes, she is. She's crazy.

-It's moving.
-No, don't worry.

This is the staff arriving.

-Yeah...

They will be searched
on entry and exit.

Since we got here,

we didn't see any flaws.
I don't know how we're going to recover

paintings.

His cell phone vibrates.

I'll be right back.

Intriguing music

-What's she doing?
-I don't know what she's doing.

- What's up with you?

- Nothing, it's my contact in Yemen,
the guy at the museum in Sanaa.

- So, did he find Dad?
- Well, no.

He never heard of
of Michaël Heinz

and there's nothing to match
with my photos.

- He had to change his identity.

We've been looking for 15 days.

Yemen is huge,
and there are w*r zones.

- Yeah, you're probably right.

- We may no longer have a choice.
- What are you talking about?

- We can ask Quentin for help.

- No, he doesn't.
- He has resources we don't have!

I'm sure he'd help.
- Alex, no.

We leave him out of it.

- Come on.

She's right, too.

Dark music

...

Intriguing music

...

- Ah, Hélène! Hélène!
It's good to see you.

Come in, come in, please.

Come in, I tell you.

It means a lot to me
that you came.

- Why am I here?

-Do you remember

of my little sister, Prudence?

- Good afternoon, ma'am.

- So...

Is that what you're selling these days?

It pays,
these emerging artists?

It's not as good as a Caravaggio,
but everyone does what they can.

- I don't really have a choice.

I haven't had access to the market
for a long time, as you well know.

- Yes, I know.

I suggest you fix it.

- What's the occasion?

- Don't you miss our dinners?

Our laughter at c*ck parties
at auction sales?

You were putting
a lot of pressure with Michaël

so we can unload
your stolen paintings.

But you knew how to treat us.

If you want to come back

in the network, let's talk about it,
I'm not against it.

I could plead your case
so we can get on with it.

- In exchange for what?

- There are girls

who stick their noses
in our business,

there are thefts...

It irritates buyers,
it's bad for business.

Do you have any idea
who they are, by any chance,

through your networks?

I propose a return
to the good old days

in first class.

What do you think?

-Girls?
It's me, it's Abel.

Hi, Syl, it's me.

We left a package
for you at the café.

I'll leave it in the kitchen.

Can you tell me if we're having dinner
tonight?

I love you.

Squeaks

...

Intriguing music

...

Syl?

Syl, are you there?

...

- Are you ok?
- Yeah, you?

- Yeah.

Sorry, it's hot right now.

- With your schedule
of a minister.

- Yeah. Tourists are back,
we have to take care of them.

- I'm not going to complain.
- No, you won't.

How's it going?
- Uh-huh.

Do you want to have dinner here
or on the move?

- Here is good.
I'm exhausted.

Pour me a small glass of wine,
please?

- Yes. Meursault ?

We'll be visiting
castles for the wedding

this weekend?

Have you spotted any?
- Yeah, I did. Definitely.

I haven't fallen in love with it yet.

- I'll show you
what I've selected.

- How are you?

What's up?

- I want you to take care of yourself.

- Why are you telling me this?

- A feeling.

I know you're
on several fronts right now

and I don't want you
to ruin your health.

Or worse, that you're in danger.

- OK.

- You know I admire you.

With what you've been wearing
for years...

I'm sorry.

for not being able to hear
what you had to say.

Soft music

...

- Thank you.

...

- What's up?

- We've looked everywhere, there's nothing,
not a tunnel, not a passage.

- Forget it, you have to be
invisible to get in there.

- I know how to do courses,

but invisibility capes,
I'm not sure.

- You guys are geniuses.
- That's sweet.

Thank you for recognizing this.

Light music

- Any ideas?

...

-Housekeepers,
household staff,

that's them,
the castle's invisibles.

They have access to everything,
we don't calculate them.

...

- But... Oh, boy.

OK.

Intriguing music

Hello.
- Good morning to you.

Captain Assaya, BRB.
Cut the engine.

Are you Inès Riviero?

- What did I do?
- You, nothing.

But your boss is under investigation.

You're going to take a day off.

- OK.

...

I'm in front of the gates.

*There's a keeper just ahead.

*Can you see me now?

- Yes, we can see you.
*-They open.

...

Welcome to the mad house.

[Hello.

[What a dickhead,
that one too].

...

I've got a view of the castle.

...

Regular shots

...
...

That's it, I'm there.

...

*-Don't take any chances.

You have to check that the paintings
are in the office.

- I know.

*-It's okay.

*We have a return.

Good luck with that.
- It'll do, don't worry.

...
...

...

- After the bedrooms,
you'll do the cars.

The keys are on it.

Thank you.

Who are you?

- I'm replacing Inès.
She warned us.

- I don't know anything about it.

- Yet she called.
I was there.

- Hello, Inès? Please call me back.

A girl pretends
to replace you for the day.

The search.

- Of course you can.

What's next?
- Let's start with the dust.

Please follow me.

For this day,
you'll finish with the chandelier.

Dust the statues.

Always from head to toe,
statues.

Understand?

*Mobile game sounds

*...

This room is off-limits.

*...

- But no...

f*cking hell!

Shitty game!

Eric, new phone.

And air it out, too.
It stinks of old!

...

- Girls, can you hear me?

*I found Dad's paintings.

I'm going to film for access.

We have a window here,

*but I don't think
accessible.

Here are Dad's paintings.

- Yes, you can see them.

- I think there's access
through the little balconies at the top.

Here, there's another...

Hello.

- Who are you?

- Ilana. I'm replacing Inès.
She's ill.

- Look at me, look at me. Who the hell are you?

- Ilana.
- Ilana what?

- Novak. Ilana Novak.

Would you prefer that...
- What do you do for a living?

- What do you mean?

- Here, I mean,
what do you do?

- Uh... I... I... Dust.

- The dust.

Can we see?

- Of course you can.

You...

The paintings?

Intriguing music

...

-The source.
-What is it?

-The source, the naked woman,
she gathered dust.

- Ah. I don't know
about art.

...

- The wheels.
- I beg your pardon?

- I need the wheels done.

- Oh yes, of course.

Inès had warned me,
I didn't understand.

...

- Lower.

...

Lower.

...

That's better.

...

Much better.

- So much the better.

- What about floors?

- For floors?

- Bleach, pure or diluted?

- Diluted, sir.
- Lost, we never use

bleach near the paintings.
If you'd seen Inès, you'd know.

Eric! Eric! Eric! Eric! Eric! Eric! Careful! Careful!

Move your a*s, damn it!

- sh*t!

-Come and get it!

Catch it!

It's her, it's Cat's Eyes!
Catch her!

Catch her, catch her!

What are you doing? What are you doing?
Stop her!

Eric! Eric! Eric! Eric!

*-Tam,
we're right behind you, look.

- Catch it!

*-Tam, take the balcony!

*There's no one there. Follow me.

- She's not alone!
- OK, I'm coming.

- Adam, help!

*-There's a staircase on your right.

*You're in no danger.
The guards are on the other side.

Trace, trace!

Dynamic music

...

Come on, Tam, come on.

*In front of you, 100 m,
there's a parking lot on your right.

Go ahead, trace, on your right.

*Can you see their crates?

Wait, see if there are
the keys on the quad.

Tam, hurry!

...

*I've got bad news,
they're coming. Hurry, hurry, hurry!

- OK...

How does it work? Go ahead.

And off we go.

Hop.

- Tam, they're here.

- Ah, f*ck! Holy sh*t.

Repeated shots

- My car is bulletproof!

- Oh, my darling.
- You're not afraid, that's good.

I can't wait to see you again.

- Is this what you want?
- Can't wait...

Be smart,
I'll find you!

- Poor psychopath.

-Can you hear me?

I'll lobotomize you
and cut out your brains!

You'll see!

Intriguing music

...

- There's Quentin.
- Quentin? What?

- There's Quentin.

- What's up, girls?
- Hey, guys.

How's the arm?
- Yes, it's fine.

Can I talk to Tam?

- Well, yeah.

Is everything okay?
- Yeah, I'm fine.

We'll have to stop playing.

I'll be frank.
Is that you, Cat's Eyes?

- What's up?
- Answer the question.

- Did you take a blow to the head?

- I understood
when you kissed me.

- You mean, at the apartment,

when you gave me the wind?

- In the Louvre.

- At the Louvre?

- This Cat's Eyes
is a vigilante,

but in this case, she screwed up.

And then it gets dangerous.
Do you agree?

I don't know what she's after,
but I'm going to stop her.

I wouldn't want her
to have her k*lled.

Do you understand what I'm saying?

- I'll give her the message
if I meet her.

Soft music

...

- Garbage!

How can you trust
a dangerous cleaning lady?

k*ll it, get rid of it!

- She's too scared of us
to do it the other way around.

- She brought home
an incognito stranger.

Thank God I was there.
It could have been worse.

- You let her get away.

- How did you expect me
to do, stupid?

You think this is a good day
to piss me off?

Find these girls and find out
what they have against us.

- I know that.
- You do?

- Yes.

It's because
your little secrets.

- My little secrets?

- Clearly,
they're after the collection

of your favorite paintings

and you never wanted
the origin.

To keep us moving,
and before they come back,

do you have something to tell me?

- Careful.
-Mh-mh?

- All these paintings here
belong to an old friend.

As a favor to him,
I've been hiding them for 12 years.

- Did he ever get them back?

- No.

That's why, after so many years
years, I've decided to sell them.

- And this friend, do we know where he is?

- No.
- Well, yes...

What's his name?

- Michaël Heinz.

He was part of the network.

You were still in prison,
back then.

- Super.

Is that why
you never told me?

If you resell them
and the network finds out,

necessarily,
we're both dead.

So, my advice...

Either give them back,
or destroy them.

- These paintings belong to me.
They cost me my legs.

I didn't lose them
in an accident.

The network crushed my legs

to find out
where my friend Michaël was.

These paintings are inside me,
do you understand?

It's me, it's my whole life,
my whole history.

You wouldn't understand.

Careful... Come on, leave me alone.

- If you only knew
what I had to endure

to pay off these paintings
that never burned.

When I think that it was there,
all those years ago.

When do you plan to take action?

- The castle is guarded
by an army.

There are 30 guards
who take turns day and night.

- You'll find a solution.
You got these pictures.

- She doesn't get it, the old lady.
- Alex.

- Even if we get in,
we can't get out again.

Tam almost died!
- Alex.

- I'm very disappointed in you, Alex.

At the same time, I knew
I knew I'd have to use

a magic word to motivate you.

Ethereal music

...

-Who are you working for ?

*He groans.

*...

*...

*He coughs.

- Where is it?

Where the f*ck is it?

- Will you calm down?

I find your father

and this is how
you thank me?

- How did you do it?

-Thanks to you
and your contacts in Yemen.

And then, a little me too,
who has friends...

let's say, in the region.

More efficient
than museum curators.

- I want to see it.

-You can see for yourself,

if you take me back

my paintings.

Your father will be here
in a few days.

Do you want to see him alive again?

You bring me back my paintings.

Heavy music

...

- They've stepped up security.
- Watch.

- No wonder, with my visit.

-We can't just walk into the office
and take out the paintings.

You have to force him
out his paintings.

-Go ahead, develop.

- He has to panic.

Let him have the heebie-jeebies
and get rid of his paintings.

- Like, we make a mess
at the castle,

we put the works on trucks
to keep them away.

- We intercept the trucks,
recover the paintings.

- Making a mess. Love it.

It's going to be w*r.

-If we succeed,
he won't let us go.

We'll have to do what Dad did.

We'll have to disappear.

- What do you mean, disappear?

- I'm sorry. I'm sorry.
We have no choice.

- It's dead.
You don't care, you have no life.

You have no one here.

But what about me?
what am I going to tell Lili?

What about her? She's getting married.

How do you think he'll
react, Abel?

- I don't know.

But Tam's right,
we can't involve them in this.

We need to protect them.

We mustn't see them anymore.

Intriguing music

...

[-What are you doing here?]
- You didn't answer me.

- What did you expect,
after what happened?

- I know, I shouldn't have.
I'm sorry. I'm sorry.

But he had it coming.
-Yes, he was a jerk.

But he's not a bad guy.

We talked
and he calmed down a bit.

- What did he say?

-He said he wasn't
ready for it yet.

He really took a bus.

You were right.

I should have talked to her,
it would have been less violent.

[-Hey, Lili, trust me.

[He'll see that you're happy
and he'll accept you.

[It has to be.]

Someone enters.

- Alex, I got you a bag.

She was startled.

- Are you leaving?

[-Yes.]

- How long will you be gone?

[-Yes.]

- Were you going to tell me?

- I didn't know how.

It's not just me,

in history.

- Your sisters.

-But that's not all.

I do it for me

and for my father too.

It's alive.

Soft music

...

[I really wanted to be your wife.]

...

I swear.

...

- I love you.

...

- I'm on my way.

Coming, coming.

What are you doing here?

- I just don't get it.
- Why don't... You're drunk.

- I just don't understand
how you could believe

that I could k*ll someone.

- Come on, stop drinking.
You've had enough. Come on, put it down.

- So we're going to kiss,
you'll compare...

- Stop it, Tam.
Tam, stop, you're drunk.

Please calm down.
Give me that, please.

Come here. Come and sit down.

- You thought you loved me

more than I loved you,
but I didn't.

- I never believed that.

Why do you say that?
- Yes, I am!

- Oh.
- I was just scared.

I was afraid you'd realize...
that I'm a piece of sh*t.

- But don't bullshit me.

I'd never leave you.
You're exceptional.

You're beautiful.

She's crying.

- I can't stand losing
people I love.

I can't lose you,
please.

- You'll never lose me.
I'm always here for you.

Hey...

Here I am.

- Can I give you a lift?
- Sure, thanks.

Intriguing music

...

What is it?

...

- We'll stand here.

How are you?

His phone rings.

...

- What's going on?
- She's been drinking,

she came to the house.
- Please come in.

-Please note.

Sylia, do you have a pill for her?
- Of course I have a pill. Put her on the couch.

- It's okay, don't worry.

How's that? Hop.

- I don't want you to die.

- I'm not going to die.

His phone rings.

- Resign from the police,
please.

...

- Wait, don't move.

Hello?

Talk slower,
I can't understand you.

Why not? Dalembert, tonight?

Go ahead, I'm coming. See you.

It makes me so happy
to see you drunk.

I have to go, I have an emergency.
- OK.

- See you later.

- Mmh...

- You didn't fake it,
you stink of piss.

- Gin mouthwash.
Very effective.

Dad can't be far.

Tomorrow, we'll be with him.

Intriguing music

...

A helicopter flies by.

...
...

His phone rings.

[-Hello?]
*-Alex, do you copy?

[-Yeah, I'm in the zone.]
*-OK, we won't be long.

All right, don't f*ck around,
wait for the signal, OK?

[-I'm ready.]

*-Take care.
[-Don't worry.]

...

[Tam, can you hear me?]

*-Yeah.

[-I'm in front of the castle.
I'm waiting for your signal.]

*-The cops aren't here yet.
We'll let you know when they arrive.

*Lonely Days",
The Shuffles Inc.

*...

...

- Yes?
*-Mr. Dalembert?

- Mh?

- Some cops are asking
to speak to you.

- At this hour?

*-They have been alerted
of a burglary at the château.

- What's up? Hold on a second.

...

Fine, let them pass.

We'll receive them.

...

- Okay, I see them.
There they are.

That's it, can I launch?

Hello?

But answer, we must hurry!
*-Pardon! You can throw.

*Operation July 14,
I hope you've had enough!

- Yeah, don't worry.

...

Hasta la vista.

Fireworks display

...
...

-Be careful!

Be careful!

Be careful!

Be careful!

What the hell?

Do something!

-It's not the cops.

It's a Cat's Eyes.

Eric, stay here.

- k*ll them!

...
...

- Well done, b*tch!

Here, take it! Go on, take it!

Intriguing music

...
...

-A car arrives.

...

- What the hell?

- Maybe they're having a party.

-They're not Cat's Eyes.
They're real cops.

- It's pulling, get down!

...

-Stop, stop!

...

- What the hell am I doing here?
- Hey, calm down.

Damn it, we've got to move!
Come on, follow me.

- Come on, come on!

...

- Keep yourself busy

of the car!

I take care of her.

...

- What the hell are they doing?

...