- Hey, is this--
is this thing on?
- I think.
Look.
- I think. Look.
Look. It's on.
Look.
It's on.
It's on.
Look.
We about to pop off.
- OK.
- Oh man, it's on.
We going to this party--
Aight.
We going to this party tonight.
It's about to be crazy.
It's start about 10:30.
- What are you all talking about?
We talking about the party.
- Whenever we show
there, that's when
it's going to start for real.
- Hey, yo, what's up.
It's your boy AKA Pretty Boy,
AKA Mr. You All Already Know,
AKA I'm going to forget
what you guys say,
cause I ain't listenin'.
- I ain't got no flash.
- Tonight is gonna be the
best night of my life.
And that's all I gotta say.
- The party starts at 10:00.
We gonna be like, 10:15.
Make sure you be there early--
- Fashionably late, you know.
- --So we can look good when
we walking in late, you know?
And Derrick gonna have the
camera filming all night,
going on his blog, so.
- We about to go to
this party, right.
- It's Halloween.
I got my little sisters.
I've got to take them out first,
though, but we doing all that.
Come to the party.
What time it start?
- You done.
- No.
10:30?
- 9:30.
- 10:30.
You late.
- Yo, what up Joey?
- Joey!
- Whoa.
- Hey, he's always
doing something.
- Yeah!
Oh, y'all still recording?
- Yea, we recording.
- He ain't got no rhythm.
- It's your boy Big Joe.
It's the Big Joe Show.
Ohh!
Aww!
- I'm Derrick.
I'm Derrick.
I'm the new-- no what I mean?
No Spike Lee.
Just me.
- Just you.
- Anyway, why you all
in my hair though?
Anyway, I got a camera.
Everything gonna pop off.
I got it here to
go, camera on deck.
For the girls all
twerkin', let me know.
I can give you a card.
You can see what you been--
- Alonzo.
- Look.
- Trey.
It's his birthday!
- I'm going to get this
thing a birthday--
No.
- But that ain't no production.
Though.
- All right.
It's going down.
- My name is Alonzo Pierce.
I'm highly on the plane.
I'm conductor on the train.
I don't get wet when it rains.
So, you know?
- All right.
You all down for pizza?
I'm ordering pizza.
- Why is on my head?
- Nobody care about him.
Look.
It's my birthday tonight.
- Let him say something.
- It's my birthday, so
I'm trying to get, like,
a lap dance from every-- No,
not everybody, not everybody,
because--
- Fat girls.
- No.
- Aight.
- Why you got the pizza, fool?
- Just because you
go to church, you
know how to pray better than me?
- You don't even know who God is.
- Jesus, man.
- No, instead of a
prayer, we should just
like, beat box to it, man.
- We shouldn't.
- A beatbox prayer.
Can anybody beatbox?
Yo, where my man?
Who is the beatbox?
- OK.
- OK.
- Yeah.
- Hey, what time is the party?
- Uh, goon squad.
- 10:30?
- 10:30.
- Yeah.
- Who rappin'?
I ain't rappin'.
- I'm not rappin'.
- I'm not rappin'.
- I'm not rappin'. - I'm not rappin'.
- I'm not rappin'. - I'm not rappin'.
- I'm not rappin'.
- I'm not rappin'.
- So we just gonna
bop like we rappin'.
- Yeah.
- Yo.
- Yeah. - Yo.
- Yo. Yo.
- Yo.
Yo.
OK.
Check it.
Check it.
- Huh.
Huh.
Huh.
- You thought I was rappin', huh?
Oh, you got Nick here right?
- Nick.
- I'm gonna start.
We've got Nick here
for the ladies that
like the pretty boys
with pony tails.
- Nick?
- That's my boy Nick.
- You ugly.
Do something.
- We've got my boy
right here, Alonzo.
Anything, he got himself.
- My mom's a beautiful woman.
- Just in case something go
down, something come out,
we've got a church boy.
- Listen, tonight--
- Just in case we gotta pray.
- --Jesus saves, y'all.
- There's a special girl that's
going to be there, right?
She kind of special--
- She ugly.
- --She got a brother
who's throwing the party,
and my man right here
want to talk to her,
but he's scared
to say something.
He's here.
- I'm going to show
you, the people,
with my camera, who she is.
And I'm going to set him up.
- Yo, that's the ugliest
girl I've ever seen.
- It's going down tonight,
the most whack night
you've ever seen in your life.
- Girls, poppin'
bottles, dogs peeing.
17-- that means 17 lap dances.
- Childish, man.
I'm trying to go aware,
they want me to be quiet.
Look.
- Yo.
- Check it.
- Start off with
Jesus is my savior.
- Jesus is my savior, uh.
- It's Halloween.
- Hoes like to praise him.
- Uh huh.
- Any you all chicks,
you think you're cute--
- If you can't dance--
- --want a photo sh**t.
- --You can't dance,
Joey's gonna--
- And for everybody else--
- All you girls who
think y'all models,
if you y'all want to
do a photo sh**t--
- No.
We with all the girls.
All the dudes is haters.
You see how deep we are, you
get stuck out on camera, too.
Move, man.
I'm just saying.
I'm just saying.
Just a disclaimer.
- Yo, tonight we ain't
even about that.
10:30, you be there.
We gonna--
- I am too.
- He's 17?
- Want to party.
To party.
- Really?
Really, Joey?
Joey, really?
- They like these moves.
- Hey, check it out.
- I'll get the rest
of them later.
- Whoa.
Whoa.
- Cut, cut, cut, cut, cut.
No.
Don't go on again.
- I was vibin' out.
- Man--
- Jesus likes girls too.
- My dad's going
to k*ll you, bro.
You know how he's obsessed with
God and sh*t, and all that.
- Hallelujah, god damn, ahh.
- Anyway.
- Just ignore him.
- No relation to me.
- I don't think he read.
- Yo, move the party, yo.
Yo, hurry up.
Shut this camera off. Man,
let's go to the party, yo.
- White boys can't dance.
- Yeah, white boy with us
just says we too boring.
- This is boring.
Y'all n*gg*s is boring.
- What?
- Oh!
Oh!
- Hey.
I'm black too, man.
- All right.
You know what I'm saying, y'all?
- I'm getting hot.
- We about to sign off,
because it's getting hot.
- If you ain't there--
- There a black man on my back.
- If you ain't there-- - There a black man on my back.
- There a black man on my back. - --Tonight, you ain't nowhere.
- There a black man on my back.
- --Tonight, you ain't nowhere.
- Monkey on my back.
- If you ain't there--
- Monkey on my back.
- You know what I'm sayin'?
- All right.
- Turn the camera off.
- Let' get out of here.
Let's go.
I'm out.
- Hey, turn off your camera, man.
- I'm about to, man.
I'm about to.
- See what I got to deal with?
Don't worry about it.
Anything does pop off,
y'all gonna see tonight,
cause I'm on the camera.
Bah!
- Is y'all ready for tonight?
That's what I'm trying to find.
- Man, of course I'm ready.
It's my birthday.
What you think?
- I was born ready.
- I know you talk a lot, but
you don't really say nothing.
- I thought you just--
- I talk a lot, but you talk--
- Why you change the
subject so much?
- Sean, you lucky to be coming.
- For real.
- Man, shut up.
- I could have been
in church right now.
- I'm gonna tell
y'all this right now.
If you see me in a party, it's
putting them in a back seat
up this truck.
Getting some cutty for
one of y'all girls.
With another dude.
- With another dude!
- That's toe up.
- Really, Tre?
- Oh, he roasted.
- Hey, yo, D,
whatever you do, keep
filming everything tonight.
Because all y'all ready?
- I'm ready.
It's my birthday, so we have
to get everything tonight.
- Yo, yo--
- But I'm saying like,
are you ready ready?
- Yo, yo, yo.
Listen to me.
- Yo, pay attention
where you driving.
- Yo, tonight is going to be--
- You keep looking back at us.
Stay on the road.
- We crash.
- Hey.
Listen to me.
Are y'all down?
Are y'all gonna get
f*cked up with me?
- You only turn 17 once.
- At at 4:00 in the morning
and just gonna get--
- That's why I got my camera.
- Ain't nobody
drinkin' tonight, bro.
- I'm going to hold
the camera, man.
- Quit worrying about it.
I know you ain't drinkin'.
You're preacher boy.
You're like 12 years old.
What?
- Man, you be drinking
at Communion.
- You lie.
- Yo, I'm aight, man.
- Ain't nobody drinkin',
but you the only
white boy that do that sh*t.
- For real.
You always get
sloppy drunk, Joey.
- I never get sloppy drunk.
- You be slippin'.
- Last time at Jimmy's, it was
a different story, all right?
Someone like, put something
in my drink or some sh*t.
- Jimmy got rufied, yo.
- Jimmy.
- You put something
in your own drink.
- I didn't put nothing
in my own drink.
- He got rufied, yo.
- He put it in his own drink.
- No.
- Hey, Nick.
I know you hot with that
ponytail and that beanie.
- You know I'm hot?
You trying to be a.
- It's cold outside.
What you mean?
- Hold on.
He got your Best Buy jacket on.
- I know you ain't talkin'
with your Mr. Rogers sweater.
- Your momma like this sweater.
- Hey, hey.
I know his neck is
itching right now,
so he's gonna be at the
party like this, ohh.
- What'd you say?
What'd you say his
shirt looked like?
- It looks like a
sock with sleeves.
- It's a hospital sock sweater.
- Yo.
- Oh my god.
- Hey, was you livin'
in a convalescent home?
- Like a lint ball.
- Hey, didn't your boy Mike get
jumped last year on Halloween?
- What that got to do with this?
- That happened like
five years ago.
Yo, yo, yo.
Listen up.
One two, three, four, five, six.
We've got six of us.
- There you go.
- If anyone jumps us, man,
you know we all-- dude,
there's like six of us.
- Hey, Derrick.
Derrick.
Hold on.
Derrick, did you
bring your lights?
- Ain't nobody gonna.
- Yeah, yeah.
I got the lights in the trunk.
We about to set up this.
- You brought your lights?
- What'd you bring
your lights for?
- Because we got set
up the skate scene.
- You bring your skateboard?
- He brought the board, too.
- We got to make this
dope video real quick.
- We might as well go over there.
The party doesn't start
for like another two hours.
- Oh, you passed it up.
Hey, bust a u-turn right here.
- Yeah, the warehouse
is perfect, yo.
It's perfect over there.
- Yo.
The party has
already started, man.
I don't know what we
doing going to your dad's.
- We're setting the lights up
for some like skateboard thing
for your student project, man?
That's bullshit.
- It's not a student project.
- Filmography class.
- It's exactly like that.
- It's a profession, buddy.
- One day we gonna be rich.
I'm gonna get big
off my skating.
- He spent all his
allowance on a camera.
- And Derek's going to get
big off his videography.
- Is it right here?
- Yeah.
- Is it right here?
- Yeah. - Yeah. Hey.
- Yeah.
Hey.
Make a left.
- Hey, yo, D. D. How
much that camera cost?
Yo, Derrick.
How much that camera cost?
- It cost too much, man.
Don't worry about it.
- You're holdin' out on us, huh?
- It cost more than this truck.
- You're holdin' out on us, huh? - It cost more than this truck.
- It cost more than this truck. - It cost enough.
- It cost more than this truck.
- It cost enough.
It do cost more than this truck.
- Hey Tre, where it is?
- It's right over there.
- Right here?
- Man, he passed it.
- You passed it, bro.
- Why we here again?
- Hey, make a u-turn right there.
Right there.
Damn.
- Yeah, this is stupid, man.
We should be at the party
getting drunk right now.
- The party ain't started yet.
- Just the sooner we can get
out of here, the better, man.
We always f*cking come
here, and it's bullshit.
All right?
- Yeah, it's current--
- It's cold, it's stupid.
- You can't go to the
party early, though.
- Why not?
- That's what you
like doing, weirdo.
- Why not?
Yo, go to the party
early, get drunk
and get the b*tches early.
- What, you going too
set up the party?
- What, we going to go there--
- Yo, listen to me.
The later we go there--
- 10 o'clock.
- I'm gonna throw away the keys.
- It's cold.
- f*ck you.
- Calm down, weatherman.
- Yeah, it's like nothing real.
- I've got the whip in here.
- Man, this skate
gonna look good.
The camera view and the cold.
- Nick, pop that door.
- There's going to
be sh*t coming out
your mouth, the little
smoke-looking stuff.
- Me and Nick going.
Nick, open the door.
- Let me handle this, aight.
- I can't even open the door, yo.
- Your car busted.
- This is an old ratty car.
- But y'all can walk.
As a matter of fact,
if we skatin'--
- We already here.
Where we gonna walk to?
- Get outta my door, man.
- You need to come out.
- What you mean?
- Why you lock it, man.
It's already unlocked.
- Come on, man.
Come unlock my door.
- Man.
- We ain't to worry about
going to the party early--
- You ain't got no
handle on no doors.
- --With doors like this.
- This car ratchet.
- Get out.
- Hey, hurry up.
Let me out.
- White boy first,
white boy first.
- Come out this side,.
Come on this side.
- Hold that door.
- Let's go.
Come on.
- What y'all got in the trunk?
- That's so lame, man.
And get your lights
out of my truck, boy.
- I'm about to, man.
- Yo.
Dude.
- It's gonna take time.
- We come here every
single time we're
about to go to a party, man.
Dude, the party's already begun.
Why are we here?
- Deal, man.
The party's not going.
- Why are you all
screaming so much?
- I'm not screaming at anybody.
- Look, Joey, Joey, Joey.
- I'm just-- I--
- Here, Joey.
- What?
- Play with yourself.
- OK.
I'm going to play with
myself, all right?
I'm going to keep the people
entertained, all right?
Because you all are boring.
- Shut up.
- I need a behind the
scenes on my phone.
- All right.
All right.
That's cool, thought.
That's cool, thought.
I mean, my
so that should be straight.
- Is it-- oh, yeah.
sh*t, it's recording.
- Get over yourself, Joey.
Hey, yo, be careful when you're
doing that on the ground.
- Oh Joey.
Joey.
You don't
want to-- man, I'm
not trying to get
you electrocuted
on camera, so be careful.
- Hey, look at me.
Yo, I look like
those little school
girls that take the pictures.
Hey, yo.
Joey, Joey, Joey.
We trying to do our
skating video, man.
- Yo, this is badass, man.
- WHy you so ugly?
- So ugly.
Shut your mouth, playa.
I know your mama's so good.
- Yo.
Welcome to the Joey Show,
ladies and gentleman.
Tonight, you're
going to experience
the most epic party
you ever seen.
Hey, man.
Like, I really feel
like it's going
to be a g*ng of
females there, though.
Like, we had so many
people passing out flyers
at the school and everything.
- It's going to be our girls.
The girls Anthony said he got.
And then people who just
hear it from word of mouth,
so like regardless of
anything, it should aight.
You know what the
crazy thing about that is?
It's my birthday.
- So it's going to be
fun without it, right?
It's like 10 times better.
- In this little Joey Show that
we have, we have performers,
we have, you know,
the things you'll
want to see, like people get
hurt, money, cars, girls,
and losers, like these guys.
So, hey, yo.
- I got the truck, too.
I get to keep them if I want to.
- Welcome to the Joey Show.
- Are they calling you right now?
- Hello?
- Come here.
I'm trying to get a lap
dance from all the females.
I mean, the seniors is
at the high school, too.
I know I just turned 17
and all, but I mean, like,
I'm basically grown now, right?
- Yeah, you grown.
I got a full Adam's apple,
so I feel like, in my book,
I'm grown.
- Can you have like
an Adam's apple?
- What you mean?
- Was that Kristen?
- Yeah, it's Kristen.
You know, Anthony's sister.
Our first performer, Nick.
- What are you talking about?
It's the Joey Show, man.
- The f*cking Joey Show.
- Come on.
You always think I'm playin'.
Like-- yo, chill, man.
Get--
- What you talking about.
Hey, yo,
Sean, you can't be
dragging that like that, man.
That's like-- that's
expensive equipment, man.
- It's good.
It's just an extension cord.
- Don't worry about it.
- OK.
Do you want to get fried?
The ground is wet.
- Yo, can y'all keep it down?
- Don't be all soft
on the phone, boy.
- I'm not playin'.
Seriously, I really
do care about you.
Like, for real.
- What are you talkin' about?
- You know how long ago that was?
Like, for real.
Like, come on.
That's childish.
Like--
- Come on, man.
It's childish.
- I promise you, though.
- Once you start making
promises to a girl,
that's when it's over.
Your fifth
grade class didn't
teach you about electricity?
- Don't question me.
I got a 98 in science.
Thank you.
Don't try me.
- Bam.
Hey, those things
is bright, for sure.
Hey.
This is really going to work.
- This dude's in love, man.
- I promise.
He just did it.
- We good?
Are we good?
He made a promise.
- So I'll see you tonight?
- Oh, no.
She's going to be
at the party, too.
Oh,
she gonna be there?
- See you tonight?
- Oh, no, man.
So I'm getting excited.
- That look good, right?
- Yeah.
Yeah.
That's going to look nice off
of the ground, because it's wet.
- Heck yeah.
Hopefully I can get
like the water flying
from under my board,
make it look all cool.
- Yeah, for sure.
Hey.
Well, let's do this
little interview.
Yo.
- What interview?
Cause, like, you
always behind the camera,
so I just feel like we
need to interview you.
It's the school project, so they
need to see, like-- you know,
it's behind the scenes.
- So you see what I do and
you want to do it, huh?
I feel-- I'm--
- No, I'm just trying
to get this interview.
I just want your
thing to be legit.
- Tre just like your face a lot.
- I feel you.
- Eh, shut up.
- You've got some
questions for me?
OK, yeah.
All right.
What made you get
into this filming?
- Oh, you was prepared, huh?
- All right.
I love you too.
- And he loves her.
And he loves her.
- All right.
Bye.
- All right, bye.
You don't bust out a bye.
Yo, Nick.
Nick, Nick, Nick, yo, listen up.
Hey, Nick.
- First of all, it's
Anthony's sister.
You know what?
Dude.
- She ain't the most
gorgeous girl in the world.
- Bro, she is beautiful, man.
- You tell her you love her, bro.
- I do love her.
That's my baby.
- You call him baby?
Joe, get the f*ck
out of here, man.
- Give us a serious answer.
- All right.
This might sound crazy, right?
But you know how
when you see stuff,
you can just-- you see stuff
through your eyes, right?
- Yes.
- Shut up.
I'm serious.
Like, you see stuff
through your eyes,
but you can't see through
other people's eyes.
Like, it makes sense in my head.
It might not sound
right when I say it.
But when I film stuff, it's
like-- it gives other people
a chance to see what
I see through my eyes,
or through my lens.
So it's like, it's
an opportunity
to give the world
not only a chance
to see something form a
different perspective,
but, like, from my perspective.
Perspective.
It's like living
through other people's lives,
like life in different angles.
- I guess, yeah.
- Well, yeah.
Yeah, yeah.
That was cool.
That was cool.
You expect that
answer, Tre?
- I swear to god.
She is-- I want to marry her.
She's everything, bro.
- I had a couple girls
I wanted to marry.
- No, but like, you know how like
some dudes might act like they
ain't got no
feelings for a girl?
But like, I swear to god.
I got feelings for her, like,
I will tell her I love her.
Like, I love her, man.
- You'll tell her you love her.
- Like if you love somebody, you
should tell them you love them.
- How tall I am or something?
- All right.
Let us know who
gave you a camera?
Like, where'd you get it from?
- Like the camera
that Joey's got now?
That camera?
- Yeah.
The one that he
shouldn't be holding.
- Um-- look at him though.
He better not break my camera.
But, um, my dad gave it
to me before he left.
Before he left?
Where?
Where'd he go, to the Army?
- Nah, he just left, man.
It was cool.
It ain't no big deal.
- Word.
Hey Joey, what the f*ck
is you recording for?
- Yo, man.
- Ain't that Derrick's camera?
Y'all on the
Joey Show, remember?
You're all my new performers?
- The Joey Show?
You're all my new performers? The Joey Show?
- You just performed a little something-something.
You just performed a
little something-something.
- That's D's camera.
- Huh?
- You performing?
What's your show about?
- I can perform too, man.
Well, it's about--
- Let me get you, man,
since you want to--
All right.
What's up?
- You all know that
girl Ashley MacGuire?
10th grade?
Oh, Brent's sister.
Yeah.
- Yeah, yeah, yeah.
What about her?
You like Ashley.
- Yeah.
Aww.
Out of all people, you
got a crush on somebody?
- Yeah.
- That's cute.
What you got to ask about her?
She a good girl, I think.
- I just don't know
how to talk to girls.
Oh.
- Aww.
- You got it?
- I got it.
- You got it?
Aight.
Welcome to the Joey Show,
ladies and gentlemen.
The Joey Show.
- And in the Joey Show, we
have performers and, you know,
things that y'all want
to see-- real people.
- I like that light.
- Like me and your brother Nick.
- Like myself.
So, hold on.
- Yeah, exactly.
- Tell the people who
your first performer
is going to be tonight.
- So, oh, yeah.
So to start the show
off, we're going
to have our first
performer, Nick.
- Oh, me?
- Yeah, Nick.
You.
- Oh, I didn't know.
- And you gotta show them
your, uh, special talent,
you know, because that's
what it's about, performance.
- All right.
Let me go get my prop.
- What's so hard about it?
Like, talk to her
like you talk to us.
- It's just-- she's just
so pretty, you know?
All right, man.
Look.
- I mean, you all ugly, so.
- How you do chicks, right?
- You don't just go up
to them from behind
and, you know, grab
them and be like yeah.
Then it's going to turn
around and give you this face.
All right.
Check this out--
- You can't.
- No.
But look, look, look.
When talking to females, you
just have to be comfortable.
You got to be confident.
Because for some reason,
girls have a sense-- like,
they just know when
you're not comfortable.
They can see it on your face.
So if you're not, they're
going to feel weird with you
now, because that's
just going to put them
in an awkward situation.
You know?
So if you come at her, you
like, you know, you confident,
you got good
conversation, then she
going to like that,
because you're not
going to be the
average dude, you know?
- All right, so look.
Skateboard, right?
- So show me what you got here.
- I got you, Nick.
I got you.
- You know how all
skateboarders like, do tricks?
I don't do tricks, you
know what I'm saying?
- You don't skateboard.
- I make movies.
- Oh, you make movies.
- I make movies.
When you look at
me skateboarding,
it's like, wow, he
just really did that.
Like, watch.
All right-- don't even get me.
Like, get my feet.
- He about to do a trick now.
- Yeah, get my feet.
Is he going
to do something crazy?
- All right, you ready?
Watch what the water does.
It's a move.
You know what I'm saying?
Like, watch.
Watch.
Now, make sure
you're getting it.
- I got you.
- Ooh!
- You saw that?
No, hell no.
You ain't do sh*t.
You
ain't do nothing
- What was that, man?
Yo, yo.
- The water hit the front wheel.
- Next performer, moving on.
Anyway, I'm going to
show you all my talent.
- But y'all don't appreciate it.
- You read that on a book?
Like, you read that?
No.
I'm just a smooth operator.
That's what I am.
- Look, man.
It's simple, right?
You know how you say she pretty.
Just don't take
it her like that.
Don't treat her
like, oh, so pretty,
because everybody do it
because she's pretty.
Just treat her like
a regular girl.
It's going to catch
her off guard,
and she gonna be
like, intrigued.
You know what I mean/
- I'm going to show you
my hidden talent, boy.
What's your talent?
- Imma spit.
- You're going to to spit.
- Imma spit fire.
You the new Eminem?
- And-- and you
gonna feel higher.
What?
My moves?
You wanna see my moves?
You don't want to see my moves.
- Come on, yo.
- You don't want to see my moves.
You want to see my moves?
Ladies and gentlemen, you're
about to witness, Joe.
Uh!
Wow!
No.
It's too much.
It's too much.
What's that
with the sound effects?
- Like fire.
That's what I'm tripping
off of, the sound effects.
- Well, because, dude, people
don't make sound effects
when they dance,
so I'm original.
So I'm original.
There's
a reason why they
don't make sound
effects when they dance.
- Why not?
You got your little
religion thing going on
and everything, but I
feel like, you know, like,
stick with that, stay
strong with that.
And if she can't
respect that, then
obviously she ain't
the right one for you.
But, I mean--
Kind of
like these fools.
Yeah, for real.
Seriously.
- Aww.
He's going to get
all sentimental on us.
- Look, man.
Don't even trip
over it right now.
There's going to
be so much girls.
Save that till Monday
when we're back at school.
You're talking about girls,
we're talking about girls.
- What I know about girls?
Hey, he's
doing something.
Hey, he's
doing something.
- Yeah?
Hey, Joey, can
I tell you something,
from a friend to a friend?
If this was a video, I
wouldn't even comment on it.
I would just like,
leave the page.
I would just like,
leave the page.
- Yeah.
Come back to the Joey Show.
Watch the camera, man.
- Yo.
Yo, I'm going to be
careful with your camera.
What, you want it
back or something?
What?
You shouldn't
have given it to him.
- It's your boy, Joe-Joe.
We about to rep a three-one-two.
Yeah, man, I know
you ain't got no mustache,
but at least y'all have
something in common.
You good, man.
You good.
Joey, what are you
doing with my camera?
- Appreciate it, yo.
- What, you want the camera back?
- Hey, Sean.
I got a piece of advice for you.
Tell them what they want to
hear in a way they've never
heard it before
I don't even
know why you let
him see the camera
in the first place.
He ain't got the money to
replace it if he drop it.
- Come on.
Videotape us.
Videotape the boys.
- Come on, get us.
- I'll videotape the boys.
What you players got?
- We chillin', we chillin'.
- You chillin'?
What you going to
tell the people?
Speak, speak.
- I'll be like, people
what you look at?
Joey, I just
want to let you know--
- Dude, what the hell
are you doing, man?
Hey, watch out.
Come on, now.
Hey, watch out. Come on, now.
Come on, now. He's on the camera.
Come on, now.
He's on the camera.
White boy.
White boy.
- He had them drawers
on yesterday.
- No.
- Man.
- Say it once.
- You're all f*cking
assholes, man.
- Give me my camera back.
You're going to
waste my battery.
- f*cking as*h*le.
- He gonna get mad when
somebody messes with him,
but if he every pull joke on us.
- Thick neck, though, for real.
Girls ain't gonna
feel that, though.
- Yo, what are you talking about?
- It'll turn blue.
- Grab that jacket.
Messing with your neck.
That's what he's trying to say.
- That's like muscle, right here.
It's thick because it's muscle.
Like, it's thick.
You know what I'm saying?
- Oh, god.
- Take your dirty jacket
out of my car, man.
That's the only thing
thick in the hair, weatherman.
- You made my car wet.
- Damn cold.
Can we like, leave now?
- You want some candy, bro?
- We don't go there on time.
- And why you talking to
Anthony's sister anyway?
That's stupid.
- That's my baby.
- She's not even all that fine.
I mean, she fine, but
she not like fine-fine.
- I don't care what nobody says.
That's my boo.
- Alonzo, your dad is going to
k*ll you when he sees this car.
- Look at this little boy, man.
He's got all the candies.
- Whatever, you're
not even listening.
Oh well.
- Hey, put my candy back.
- Check out.
- Give me some.
- He's like female height.
It's perfect.
- Hey, quit teasing.
He never hang with us period.
- Oh, yeah.
- Derrick, you good?
You good, D?
- But I am ready
for the party, yo.
- Man, quit smoking that sh*t.
- Ahh!
- Uh oh.
- Hey, man, what you do that for?
- You can't get in my dad's
car and do that sh*t.
- Fiend.
- Quit that, bro.
- Disgusting.
- That sh*t is filthy.
- Hey, Joey.
n*gga.
- n*gga.
- Yeah, you ready
to mess with him?
- Tonight, it's on.
I don't care what you guys
say, I'm gonna k*ll all of you.
- Hey, watch it.
Watch it.
Watch out.
Turn around.
Yo, this dude is so lame.
- That's our homie.
- What are you talking about?
- Oh, hey, that's Anthony.
Hey.
Try to see if I can
get in for free.
- Who's that?
That's
your boy Anthony.
It's your party.
Hey, it's your brother.
- Yeah, this dude
talk more than Joey.
- What up?
Trick or treat, b*tch.
Aha!
What's good with y'all?
What's good with y'all?
- What's up, man?
Rico Suave.
- Oh, we're going to
his place, right?
- Yeah.
- Trick or treat, b*tch.
- f*cking right, man.
- Yeah, man.
- Yo.
- What up, bro?
- I'll see you in the all-- Whoa,
whoa, who-- wait, who is this.
- Hey, can I get in for free?
It's my birthday.
- Hey, can I get in for free? It's my birthday.
- Joey?
- Joey?
Wait, wait, wait.
Joey Fatone from the
Backstreet Boys?
- Who is that?
- Whew.
- Don't smoking that sh*t.
What the f*ck?
- Hey.
Who this right here?
- This my cousin Sean.
- OK, OK.
Oh, wait.
This is preacher boy, huh?
- Yeah, you remember Sean.
- OK, you're reading
that good book.
I say, OK.
OK.
- You already know.
- Hey, hey, just like God
made Adam, he made Eve, too.
So, you know, we got
plenty of that for you.
- Genesis.
- Genesis.
Look at this fool trying
to bring it back over here,
you know what I'm saying?
Don't even trip, man?
- And you remember D, right?
- Hey, what up, D?
How you doin', man?
You good?
- I'm coming to your party.
Everything.
- Oh, hey, you gonna wanna film.
You gonna wanna film this.
- Hey, yo.
Hey, yo.
Hey.
- Whoa, whoa, whoa.
- Your sister going
to be there tonight?
- Well, you know I got girls.
Come on.
You know I got girls
everywhere, man.
Latin girls, black
girls, white girls.
- Is your sister gonna be there?
- Yeah, she's going to be there.
- Come on, Nick.
Why would you bring
that up right now?
- Wait, wait, wait.
No, no, no.
Hey, hey.
- Anyway.
Anyway.
- He's stuck on stupid
with this girl.
- What time the party start?
- Be there at 10:00.
I don't know about this
cat right here, though.
- That's a nice little car.
- He playin'.
He playin'.
- What time the party start?
- Yo, he's just joking, man.
Yo, I brought it up.
It's fine.
It's fine.
- What are you-- dude.
For real, though.
I'm trying.
- I mean, like, you
know what I'm saying?
We're good, though.
- All right.
- Yo.
- Calm down.
- I'll see you, though.
- Hey, what time it start?
- I'll see you, though. - Hey, what time it start?
- Hey, what time it start? - Yeah, you get there at 10:00.
- Hey, what time it start?
- Yeah, you get there at 10:00.
- We gonna be like
10:15 or whatever.
- Yeah.
- All right, suck his
d*ck already, Joe.
Come on.
- Hey, yo, I'm going to see
you at the party tonight.
- That sh*t's hot.
- Dude, it's going down, man.
- Hey, hey.
- Your boy said it.
We've got chicks in jacuzzis.
- What?
- You're always on his ba*ls.
- Dude, I'm just f*cking happy.
The sooner we get out of
this place, the sooner--
- The problem is like, you're
going to this man's party,
talking about his little
sister right in front of him.
- So?
I ain't going to
his party for him.
- Anyway.
- His sister ain't all that.
- Yo, set up these lights
to see some tricks,
and ain't nobody
doing no skatin'.
- Aight, man.
What, you want me
to do some-- you
want me to throw some Tony Hawk?
- Give me that.
- Yeah, whatever.
- What, you want me to
do some tricks for you?
- I didn't set up these lights
to hear y'all talk, man.
Is somebody going
to do some tricks?
Hey,
Joe, hope on a board.
- I'm going to do some skating.
- All right.
Let me get my board.
- I'm going to do some
skating for your boy.
- OK, Joey.
- Damn.
First white man can't jump.
Now white man can't skate.
- What?
You were supposed to be
born knowing how to skate.
- Tre, shut the f*ck up.
I told you we weren't
supposed to be in here.
- Now he mad.
- Look.
It's cold, it's raining.
Why the hell are we here?
Oh, hold up.
Hold up.
You was happy when
Anthony was here.
You was happy when Anthony
was here, but now you mad.
That's you're f*cking fault
you fell off the skateboard.
- Yo, do you not see what
f*ck' happened here?
It wouldn't have if we had
been the party right now.
We want to be fashionably late?
Look at that sh*t.
- Fashionably late.
- You want to be
fashionably late?
- You got those pants
from the thrift store.
Come on, now.
- Goof shoes.
- I'm going to drive by myself.
I'm ready to go, man.
I'm ready to meet
your girl, Crystal.
She mine.
- She's not coming, man.
- She fine.
- Yeah, I feel you.
What time?
- Come on, Nick.
She mine.She fine.
- Ohh.
- 10:15.
- 10:15?
We're only going
15 minutes late.
- Get off the door.
- Come on, man.
- You know you ain't--
- I'm not trying to
walk in there first.
We going 15 minutes
later, like.
- It's not early.
- You hear that?
- Hear what?
- We should leave at like 11:00,
but we need to do something.
- Help!
- Yo, wait.
That's Lonzo's chick.
- Who the f*ck is that?
Help!
Please, someone help me.
- It's Halloween, you know.
- Lonzo girl.
- Hey, is that--
- Please somebody help me!
- Yo, what the f*ck is this?
- We have to get out of here.
- Whoa, whoa, whoa.
- Oh!
- You have to get out of here.
You have to get out of here.
- What the f*ck?
Why is she bleeding?
- Calm down.
- Yo, what happened?
- We have to get out of here.
- Yo, don't touch me.
- Look at her leg, bro.
- Is she on her period?
- Oh my god.
- Let's get her out of here.
- Let's go.
- We have to get out of here!
- Let's go. - We have to get out of here!
- We have to get out of here! - Yo, what happened?
- We have to get out of here!
- Yo, what happened?
What happened?
- Whoa.
Whoa, whoa, whoa.
- We've got to get her
the f*ck out of here.
Hey, wait.
What happened?
- We have to get out of here!
- God damn.
- What's your name?
- What's your name?
- Erica.
We have to get out of here.
- We don't even know you.
What are you talking about
we gotta get out of here?
We don't know you.
- Oh my god.
- Hey.
- We've gotta get outta here.
- What the f*ck is that?
- We don't even know you.
Yo, what's she hiding from?
- Nick, Nick.
- Dude, dude, dude.
- What's your problem?
- It's my boy--
Oh, sh*t.
- Oh, sh*t.
- Go!
- They just shot at us.
- They just shot at us!
- Go, go.
- What the f*ck?
Go!
- Go!
- Get out of here, Joey.
- Joey, where are you at?
- The f*ck?
- Everybody let's go!
- What the f*ck!
- Yo, did they just
sh**t at us, man?
- Yes, they just shot at us.
- The f*ck!
- Oh my god.
Hey, hey.
Watch y'all step.
I don't know what
my dad keeps here.
f*cking.
- They just tried to--
- Yo yo!
Hey, man.
This is not no joke.
- It's Halloween.
- Like come on.
- It's Halloween.
They could get
away with it easy.
Are you serious?
They just opened the doors!
- Go, go, go.
- Dog, this is not no joke.
Joey, Nick, come on, now.
Come on.
- Cool, man.
- You're playing, right?
- Yeah.
- No, they're not playing.
They're like twice our size.
Are you serious?
- Come on.
Come on.
Look, they're
coming towards you.
Come on.
- f*ck!
- Dog, this is not no joke.
- Let me talk to the guy.
Let me talk to the guy.
- Joe.
Nick.
Joey.
Joey--
- Ahh!
Ahh.
What the f*ck
is going on, man?
- Now what the f*ck, man?
What the f*ck is that?
- Yo, girl.
Who the f*ck--
- I told you, they
just attacked me.
- She got blood everywhere, D.
- Come on, man.
Calm
down, all right?
- No, no.
- It's cool, man.
- I told Joey it wasn't a joke.
What are we going to do?
No.
You've got to k*ll this.
It's your fault.
- Yo, I know it's my fault, man.
- You don't even know
who this chick is.
Just a girl upstairs.
We don't know who she is.
They gonna get us next if
we don't get out of here.
We have to go.
- We've got to go.
No, no.
Come on.
We have to go.
We have to get out of here.
Come on, man, please.
- We have to get out of here.
- I know.
- We have to go.
Did you see what
happened to Joey.
- Shh.
They'll hear us, man.
They'll hear.
Erica,
what are you doing?
- Oh, sh*t.
Oh, sh*t.
- I should've stayed home, bro.
- Why you invite me?
- Sean, Sean.
- What you doing right now?
- Yo, we gotta help Joey.
- Go find help.
Ain't no f*ck' service,
so don't try that sh*t.
- Oh, no, no, no, no.
- I need you to man up right--
I need you to man up right now.
- I ain't going by myself.
- Derrick, go with him.
Recording everything.
Record everything.
- This sh*t stupid, dog.
- Go.
- D, you coming with me?
Come on.
Come on, you big, man.
- Aight.
sh*t.
- Yo, if you not back
in 10 minutes-- go.
You act
like a little girl,
and I don't even know what
I'd be doing out there.
Shut up.
Joey.
Maybe we
should.
Maybe we
should.
Don't
Ugh.
- He's moving.
Watch my back, man.
I got you.
- Joey.
- Where you going?
- Yeah.
I'm coming down.
You good?
- Yeah, man.
- Aight.
sh*t, come on, man.
Joey.
Joey.
You all right, man?
Oh, sh*t.
What the f*ck?
- What man, what?
- Go, go, go, go.
What the f*ck, man?
What the f*ck is that?
- Oh, man.
- Where we t?
I don't
f*cking know, man.
We gotta get the f*ck
out of here, man.
- Oh, no.
No, no, no.
I don't know what
the f*ck is going on, man.
- I wasn't even supposed
to be here tonight.
We're all supposed to
be trick or treating.
Shut up, man.
- I don't even know where Tre at.
Nick dead, probably, man.
- Shut up, man.
Don't f*cking say that.
Yo, we've got to figure out
what the f*ck we're going to do,
man.
- I don't know, man.
Chill, man.
We gonna be aight.
Stop crying.
- I would think-- hey.
Hey.
Check it out.
The f*ck, man.
I told he wasn't dead.
I was jokin', bro.
He's alive.
That's Joey, yo.
We got to help him.
I'm going, bro.
I'm going out.
- We've got to help him.
Oh, oh--
What's that?
It's Nick.
f*ck, that's--
Shh.
Who the f*ck
are these guys, man?
I've got to help him, bro.
I've got to help him.
No.
Shh, shh, shh.
No.
Shh.
Easy.
- Oh, sh*t.
f*ck.
Yo, you just scared me.
- They just stabbed Joey.
They just stabbed Joey.
- We just saw that dude.
- Yo, be quiet.
Shh.
Shh.
- They don't we here.
Shh. - They don't we here.
- They don't we here. - What the f*ck.
- They don't we here.
- What the f*ck.
Roll up your window.
Shut up.
- Ow.
- Don't even worry about it.
- They just stabbed Joey, man.
They just stabbed Joey.
We saw that too, bro.
We saw that too.
- This can't be happening--
not on my birthday, man.
This can't be happening.
- Yo, calm down.
Tre, calm down, man.
- Listen.
We all just need to calm down.
We just need to
think, all right?
- How are we supposed to stay
calm when Joey just died?
They just k*lled Joey.
- Chill out, chill out.
- What can you not
understand about that?
They just k*lled--
this is not OK.
I don't know, man.
I don't know.
- Listen, listen, listen.
Listen.
- This is not no-- no.
I've never seen
nobody die before.
I'm not-- no.
I'm not trying to go k*lled.
Not on my birthday.
- You think I saw
somebody die before, too?
- Not on my birthday.
- Shut up.
- Ahh!
- Oh, sh*t.
What the f*ck, man?
We don't deserve this.
We have to find a way out.
Yo, we have to find a way out.
There has to be a your
weapon here somewhere.
Oh, sh*t.
- What am I doing?
- I apologize if I ever
did anything to y'all.
Like, I swear, I apologize.
I just don't want-- ahh!
- Oh sh*t!
- Don't move.
- Someone's coming.
- Yo, yo, flash your
headlights or something.
Flash the headlights, dude.
- Man, flash the headlights.
Come on!
- Calm down, Tre.
Tre, back off.
Back off.
- We have to get their attention.
Flash your lights.
Hey.
Over here.
Hey.
Hey!
- Try to get his attention.
Get his attention.
Come on, please.
We got him.
We got him.
- Try to hook the door.
- Come here.
No,.
No, no.
Run!
Run!
No, no, no!
Run!
No!
Holy sh*t.
Oh my god.
Why the f*ck is this
happening to us?
Oh my--
We have to find
a way out of here, man.
Oh jesus.
We've got to go.
We've got to go.
We have to
find a way out of here.
Why, man?
Shh.
- Did they just say
something to each other?
- Oh my god, man.
- Yo.
- Why did this have
to happen to us, man?
What are these
I swear, I'm sorry.
I swear, I'm sorry I
brought you out here, man.
I swear, I'm so sorry
I brought you out here.
It's good, man.
Dude, I love you man.
Man, we have
to get out of here.
Find a way out of here.
- Look at this, man.
Just f*cking
throw him in the trash.
What type of assholes--
Animals, man.
I'm not trying
to die tonight.
Come on.
We have to find a
way out of here.
These aren't humans.
These are animals.
Look at them.
Look at them!
Look at them. Look at them! Look at them!
- Oh my god, no.
Look at them!
- Oh my god, no.
We have to get out of here.
We have to find a way out.
Find a way out of here.
He just dumped-- he just
threw her in the dumpster.
- Tre, we can't leave and
risk the lives of Nick
and them all dead too.
- f*ck.
Oh my god, man.
- Listen, listen, listen.
We don't know.
No, no.
We don't know. No, no. No, no.
- Shh.
We don't know.
No, no. Shh. Shh.
Shh.
Shh.
Shh.
He's back in the light,
back in the light.
- You don't think
I'm scared too, man?
Oh, you know what?
- Oh my god.
Joey.
We have to get out of here.
I don't care.
No.
We have to leave.
Look.
I don't care.
Look.
They left us.
He just took that random
girl out of nowhere.
Over us.
Tre.
Tre.
- We the ones who
grew up with him.
Tre, do you see that?
Look over there, man.
You see that f*ck' blood?
That's Joey.
You going to let
that go in vain?
- OK, bro.
Are you trying--
Are you going to
let that go in vain, man?
- OK, if we go in thre,
what if we get k*lled too?
No.
I'm not about to
get k*lled for them.
- You won't k*lled for them.
They're your friends
in there, man.
- OK.
Alonzo left us.
Alonzo left us for some chick.
- So you want to leave him?
You want to leave him?
- Yeah, I want to leave him.
He picked up some
random chick over us.
Are you serious?
This whole time he took her.
We're not upstairs with him.
- I was upstairs with him.
- No.
When we went in my warehouse,
he took her upstairs.
We stayed down there.
Are you serious?
And y'all want to go
back in there with them?
- It was your a*s
that busted off.
What you talkin' about?
- You act like I knew that
this was going to happen.
Are you serious?
Come on.
We need to just get out of here.
Look.
Right now, we don't even know.
We might be the only ones left.
- Alonzo ain't dead, man.
- Look, we can make
it out of this alive.
- Look, man.
- Derrick, no.
No, Derrick.
Come on, now.
Like, look.
I know we was
working on a project.
It really doesn't matter now.
- I know what you said.
- No.
You wanted to make it big
on your films and stuff.
We not going to be
able to do anything.
Like, seriously, come on.
We're not going to
be able to live.
We haven't even
graduated high school,
and you're not trying
to get out of here?
You want to save your
friends who left you already?
No.
No, I don't care.
- No!
- No, I'm not.
No.
I'm not.
I'm not risking
my life over them.
No.
Those your your
brothers, and you're
going to sit here--
you're going to sit here
and say you don't want to go?
- For real, bro.
We raised up with each
and every one of them.
You're going
to sit here and say
you don't want to
go over a girl?
OK.
We know he be actin' like
a little b*tch sometimes,
but still, man.
That's your boy, Alonzo.
Joey?
Joey's f*cking dead.
- Yeah, he's dead.
- OK--
- He's dead, we're alive.
OK.
You don't even know.
- They could be upstairs
dead right now.
- Or they can't be.
- Are you serious?
Or we can go back
because they could still
be alive.
They could be waiting for us.
So you want to leave?
If we leave right now, how
are you going to get out?
You going to take
his car and leave?
- We have to find something.
We have find something
can use to defend
ourselves from something.
How we gonna look.
Tell me what the f*ck happened.
- There has to be something here.
No, no, no.
f*ck that.
No, no, no. f*ck that. f*ck that.
Tell me what the f*ck happened.
f*ck that.
Tell me what the f*ck happened.
- OK.
I was walking home.
I don't know what happened.
They just came and attacked me.
- Who the f*ck are they?
- I don't know.
They k*lled
two of them-- no.
And they stabbed
one of my friends.
- I know.
But I-- I just-- I
don't know what to do.
And the rest of
them might be dead, too.
sh*t.
Oh, sh*t.
No.
Yes.
But I need you to tell
me what happened again.
Tell me exactly what happened.
- I was walking--
- Exactly what happened.
- OK, let me talk.
I was walking home.
I went and saw a movie
with some friends.
I was walking home
alone, and these guys
just came and attacked me.
They-- they started
punching me and kicking me,
and then all of sudden,
they just started fighting,
and I ran away.
And then they shot at me, and
that's why my leg is bleeding,
I guess.
I just want to go home.
That sh*t's crazy.
- I just want to go home.
- Wait.
But we're going to
have to stay here
until my friends come back.
I told them to go look.
Until my friends come back. I told them to go look.
What if they don't come back?
What if they
don't come back?
They going to come back.
Don't worry about that.
- OK, I know you think that
they're going to come back.
- Don't worry about that.
- But what if they don't?
They will.
I told them to come
back in 10 minutes.
If they're not
back in 10 minutes,
we're gonna find
our way out of here.
- Your friends already died.
What if your other
friends don't come back?
- Don't f*cking talk about
my friends like that.
This is your fault, anyway.
- I get that.
I don't-- I don't even
care if you guys leave me.
I just want to get out of here.
We need a plan.
I'm not
trying to blame you.
I just need to know what
the f*ck is going on
so I can know what to do.
- Mom, Dad, whoever's
watching this,
this will probably
be the last time
I get to say
anything to anybody.
Um, tonight was supposed to be
the best night of our lives,
and it ended up being
the exact opposite.
I mean, Joey's dead.
I'm just-- I just don't know
I really don't even
know what's going on.
I thought I was joking.
I was wrong.
I never really planned
on having a death speech,
so I really don't
know what to say.
Um, so, I guess that's that.
f*ck.
All right, you
want to sit in here?
Make yourself useful.
- OK, well, I'm going
to be alive then.
OK.
- So if you don't come back,
then I'm going to be alive.
I'm going to be in here.
- Tre.
Tre.
I love you, man.
- I'm going to be alive.
No.
I'm going to going to go
back in there, for him.
Tre, I love you, dog.
I'm not even going
to fuss with you.
You sit in here-- OK.
You can sit out here.
- So why can't you see
that I love you too?
I'm trying to save you.
Trevon, look,
this is what yo gonna do.
We gonna go in there.
We gonna help them.
We gonna go in there. We gonna help them.
We gonna help them. You stay out here.
We gonna help them.
You stay out here.
You get a signal on your phone.
OK?
It's aight, it's aight, man.
We gonna be OK.
- You kidding me.
Look, Trevon,
it's cool, dog.
You sit in here,
you get a signal
on your phone to
help all of us, OK?
You get a signal,
you call for help.
You won't be a hero today.
And we going
to be OK, all right?
Tre.
- I'm not trying to be here
without y'all, though.
Like, seriously?
No, man.
Like, seriously? No, man. No, man.
- Lock the doors, man.
No, man.
- Lock the doors, man.
Tre, It's cool, man.
- Sean--
- We good, bro.
- Sean, come on.
- Don't worry about us.
Tre, you
need to be here.
- Don't worry about us.
- You need to be here with me.
Come on, man.
That's not-- that's no right.
We just seen some more
people get k*lled.
- Calm down.
Calm down.
Aight?
- Sit in here.
- Listen, D. You ready, man?
We gonna go in.
Yeah.We about to go.
Tre, sit in here, and
you get a signal, man.
When you get a signal,
you call for help.
And you sit in here with
the doors locked, man.
We're going to be back.
- I'm not trying to be
in here by myself, man.
- The doors are locked.
You made a good point, bro.
- You can do it.
You're good.
Tre.
Tre.
Listen.
- Hey, whatever, man.
I don't even know.
I don't even care, man.
Whatever.
- Listen.
If them dudes come back,
you just need to hide.
We just did it.
- Just lock the doors.
Lock the doors.
Come on.
You ready, Sean?
- The door's already locked.
Yeah.
- Sean, you ready?
- Whenever you ready, bro.
Come on, bro.
We gotta-- we gotta
help him, man.
We can't just sit in here and
let sh*t go down like that.
- Tre.
Tre.
- All right, man.
Listen.
We gonna make it
through this, aight?
We just need to
calm down, aight?
Have faith, bro.
It got me through
everything in my life.
D, you ready?
- Yeah.
Let's go, man.
- Got you through
everything-- we've
just seen some-- whatever, man.
- Let's go.
- Oh god.
Something there.
Go up.
- Up?
- Yeah.
Go up.
- Come on.
Let's go.
- Did you find help?
- Does it look like
I found help, man?
- I sent you to find help.
- Trevon's trying to find help.
He's in the car alone.
- Sh.
- What happened?
What happened?
- Listen, man.
Listen.
Listen.
Listen.
- Shh.
Listen.
They k*lled Joey.
Joey dead, man.
They slit his throat.
This guy with the hoodie.
- He's dead?
- They slit his throat.
They slit his throat, and
then they k*lled these two
other dudes, and they just
threw them in the trash.
- I don't know.
- D, when was the last
time you seen Nick?
I don't know.
I thought he was with y'all.
We gotta go.
- Nick could be dead
for all we know, man.
- All right.
Calm down.
- All right. Calm down.
Calm down. Calm down.
Calm down.
Calm down.
Calm down.
Calm down.
This is what we're going to do.
We're going to
find Nick and we're
going to get the
f*ck out of here.
After that, I don't know
what the f*ck to do.
- OK, so--
- I don't even know
where they at right now.
- Hold on.
What happened?
I don't know.
I don't know.
I don't know, man.
OK.
Listen.
OK. Listen. Listen.
Calm down.
Listen.
Calm down.
- We have to calm down.
- I found this sh*t.
I found it.
So if they come, we shred 'em.
But we can't stand here all day.
We've got to find Nick and get
the f*ck out of here together.
- Listen, I'm with D, man.
- You can't use that
against two people.
- Nick or not, we've
got to get out of here.
I don't know.
We've got to get the
f*ck out of here, man.
Trevon-- Trevon is in
the car trying to--
- Why'd you all leave him in
the car by himself, then?
- He wanted to stay by himself.
That's the thing.
- He wanted to stay by himself. That's the thing.
- Shh.
- Shh.
- Why the f*ck did
he want to do that?
- I don't know.
You should have
told him, Sean, we
shouldn't leave him by himself.
He was
going to leave you.
We just need to go, man.
- OK, then, let's go.
Come on.
- No.
Wait, wait.
Listen.
We have to have a plan, because
we don't know where they are.
So we gotta stick
together at all times.
OK, then let's
go all together now.
- At all times, we
stick together.
I don't want to to just
sit around and wait for this.
- Sean, right behind me.
Right behind me, OK?
- All right, man.
- D, film this sh*t,
the best you can,
cause whatever happens--
whatever happens, D,
they need record of this sh*t.
We need record of this sh*t, OK?
- Listen.
Let me go first, OK?
Sean, you stay right behind me.
- All right.
- Don't f*cking leave from
right behind me, aight?
- Aight.
I'm right with you.
- D, keep filming this sh*t,
because whatever happens,
we gotta document it.
- Look, man.
Don't f*cking tell
me that again.
Don't f*cking tell
me that again.
- What?
What?
- Turn around, Nick.
Go.
- Nick, go.
Ahh!
- They're all over me.
- They got stabbed
in the hallway.
- I told you get the
f*ck out of here, man.
- This ain't my f*cking fault!
- Shh.
We need to leave.
- What's the point of leaving?
It ain't gonna do nothin',
Nick already dead.
- All we gotta do is
worry about getting out.
All we gotta do is worry
about getting out, D.
Why the f*ck he dead?
- OK.
Let's just get out of here.
And then you can
hate me all you want.
- Ah, man.
For real?
Leaving her ain't
gonna do nothing.
That ain't even gonna matter.
She's
f*cking holding us up.
- It's not gonna matter.
- I am not holding you up.
- It's not gonna matter. - I am not holding you up.
- I'm not going to leave her here.
- I'm not going to
leave her here.
That's the point.
I don't know her, so I'm
not going to leave her here.
You're not thinkin'
straight right now.
You're not thinkin'
straight right now.
Nick, come here, man.
You're not thinkin'
straight right now.
sh*t.
Ahh.
Gah.
Ah.
Ah.
Come here.
Come here.
- Let's get the f*ck out of here.
I'm going
to get the keys.
I'm going to get the keys.
Stay here.
I'm going to get the keys, dude.
- Wait, Alonzo.
- No.
Stay here.
What the
f*ck did you want?
The f*ck was you
chasin' us for, man?
What'd you say?
What?
What is this?
Nick, I'm going to get
you out of here, man.
Nick.
Nick.
Man.
Nick.
Nick, wake up, man.
Nick.
You can't leave me, bro.
Wake up.
It's all your f*cking fault.
- It's not my fault.
You know who
the f*ck they are.
- I don't know who they are.
I don't know.
Please get out of my face.
Don't f*cking touch me.
- I understand you guys
want to record this,
but I don't want
to be part of it.
We're all a
f*cking part of it.
It's all your damn fault.
- I told you guys
we needed to leave.
No one wanted to listen to me.
It's not my fault.
- Shut the f*ck up.
- I just want to go home.
It's all
your f*cking fault
all my friends dead--
because of you.
- I just want to go home
like everyone else.
Shut the
f*ck up or I'll
shut the sh*t out
of you right now.
- OK, then stop talking to me
if you want me to shut up.
Don't touch me.
I swear to God,
when I get out of here,
I should k*ll you myself.
- Great.
Then let's get out of here
and then you can do that.
Shut the f*ck
up, you stupid b*tch.
- OK, then stop yelling at
me and stop talking to me.
I just want Alonzo
to come back, OK?
f*cking blood.
Oh, sh*t, man.
Oh, no.
Man, Sean.
I didn't mean for this
sh*t to happen to you.
I swear I didn't.
Oh, f*ck.
Be strong, man.
God got you, and
I'm k*lling for you.
That's my word.
You just gotta hang
on a little longer.
We'll come back for you.
I need the keys, man.
We're going to get help.
I'm going to come back for you.
I'm sorry about this, man I'm
going to make everything aight.
I'm sorry for all this, man.
I'm sorry for having you out.
Good, man.
You gonna be aight.
I gotta go.
I apologize, man.
I love you, man.
I gotta go.
- Behind you.
- What?
- Behind you.
What?
- Behind you.
sh*t.
Oh, sh*t.
What the f*ck do you want, man?
What the f*ck do you want?
- Ahh!
Nick, wake up.
Nick, wake up, man.
Yo, Nick.
We about to get
out of here, bro.
Come on, Nick.
We gotta help him to the car.
Yo, we can't leave him, man.
We can't f*cking leave him, man.
- He dead, Derrick.
He dead.
We can't
f*cking leave him there.
How are we going to just
leave him like this, man?
- We gotta go.
We can't
f*cking leave him, man.
- We gotta f*cking go.
- Let's go, man.
Let's go.
Alonzo, I gotta
tell you something, man.
- f*ck f*ck f*ck f*ck f*ck!
sh*t!
- OK, we have to do something.
We can't just wait.
Um--
- We got to
put his body in the car.
D, we can't f*cking leave
his body right here.
We can't leave his
body right here.
OK.
Let's put it in the
back seat or the trunk.
- Let me think.
Let me f*cking
think for a second.
- OK.
It's all
your f*cking fault.
- It's not my fault.
It's your fault.
You don't f*cking
care about us, man.
I'm sorry, man.
I'm sorry, man.
I swear to god I didn't know.
- f*ck.
Come on, man.
We'll get the f*ck out of here.
No problem, guys.
We gotta go, man.
f*ck, man.
Get the f*ck out of here.
Let's go.
Come on.
- Yo, man.
- Oh, sh*t.
f*ck.
sh*t.
D. Oh, f*ck.
f*ck, f*ck, f*ck.
What is this?
sh*t.
Where'd she take you?
Record this.
Just let her go free.
Same damn thing as I do.
- No, no, no.
No.
Wait, wait, wait!
Rolling.
Stop.
- Here?
Yeah.
Yeah.
This is the place.
I seen her.
Coming out of the van.
- Put the cameras away.
Billy.
Just repeat your name.
- Billy Craps.
Why are we
- Because Erica Shaw
took something from me.
What did she
- My sisters.
And the courts just
let her go free.
But mate, it's
possible other people
will be involved tonight, Billy.
Are you prepared for that?
Tell them.
- My name is Rick Craps.
I'm Billy's uncle.
And I guess this is what
you call confession.
We're outside of Shaw's.
And tonight, we're going
to k*ll Erica Shaw.
We have waited two years
for the court systems
to serve us justice.
Meanwhile, she walks free.
My nephew Billy
called me last night
and described the
emptiness in his heart.
And it will never go away.
It's the same emptiness I feel.
What we're about to
do is not our fault.
The court systems failed us.
So you clean up the mess.
Welcome to our World! Where we serve you cookies to ensure you get the best viewing experience on our site.
Did you know that you can remove censorship board-wide, use our advanced search functions, be notified when new content is posted, join our memberships, set episodes to show in any order you want & more if you are logged into your account?
Register or sign in here: ucp.php?mode=register
Did you know that you can remove censorship board-wide, use our advanced search functions, be notified when new content is posted, join our memberships, set episodes to show in any order you want & more if you are logged into your account?
Register or sign in here: ucp.php?mode=register
Loss of Life (2013)
Moderators: Maskath3, GabrielAlejo2341, sidolanters, Maskath3, sidolanters, GabrielAlejo2341