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Live and Die in East LA (2023)

Pop Goes the Weasel?! Thriller & Mystery Movie Collection.
(Psychological/Film Noir/Mystery/etc.)

Moderators: Maskath3, sidolanters, GabrielAlejo2341

Live and Die in East LA (2023)

Post by bunniefuu »

Once upon a time, there

was a small caterpillar.

But she was born

with a big scar.

Her wish was to turn into

the most amazing butterfly.

And unless she went

deep into the forest

and found the flower

of dreams, she

would never become

what she envisioned.

The path ahead was treacherous,

full of cunning and poisonous

animals.

She inched along unnoticed,

despite a snake lurking

in the woods.

But her dreams were

stronger than her fears,

so she continued on

deeper into the forest.

Little does she know, that

even the smallest decisions

can lead to the

largest consequences,

such as this story.

All right.

Looking good.

Looking good.

Leaning back.

Arch your back.

Looking good.

Beautiful.

Walking this way,

looking beautiful.

Walking towards me.

Very sexy.

Beautiful.

Arch your back, please.

OK great.

Turn around.

I'm going to have

you start walking

towards that door over there.

In the home of the

gangs with cop killings, always

knew life was a b*tch.

So I never got feelings.

It's game four at the staples,

man, you ain't got no wins.

You in the City of Angels,

but you ain't got no wings.

I'm going--

Well, the house is in Watts,

but they operate out of East LA.

Well, he's picking

up his kid at 3:00.

But he's never bad

before 4:00 or 4:30.

It's going to be smooth.

I promise.

Trust me on this.

No, I don't.

Carlos is a thing of the past.

Tony, I want to be a part

of your organization.

I'll do whatever it takes.

I don't care.

Tony's not like a f*cking

lowlife, you know what I mean?

He's a businessman.

Is he f*cking with us, or what?

We're good, right?

Yeah?

Relax, homie.

We're doing the quinta.

If it's all there, you leave.

Economics, make good

impact and good money,

and I can help my neighbor.

My grandfather told me it was

hard for me to be an astronaut

because my family is poor.

But I know living in the

United States of America,

a dream like this can come true.

Where'd you go count?

The liquor store

down the street?

You want me to f*ck

this hole up right now?

- There's two grand short.

- Two grand?

Wait, wait, wait.

Hold on.

What do you mean

two grand short?

That's bullshit.

f*ck.

What the f*ck!

Hey, you probably

f*cking took some.

That's bullshit.

It was all there.

Angel, I'm going to

go show this to dad.

Shut the f*ck up.

Shut the f*ck up.

Let me sh**t this piece of sh*t.

What would you guys do if

you were in my position?

Don't do this, please.

You're wasting my

m*therf*cking time.

What's up hijo.

Dad, I want you

to read my paper.

Please, dad.

My kids are in the room.

So today's your lucky

m*therf*cking day.

Get your f*cking

a*s out of my house.

Get the f*ck out of my house.

I'll get your a*s next

time, m*therf*cker.

I'll get your a*s next.

Now get the f*ck out of here.

Good luck on your presentation.

Daniel!

Look at this.

Your expression here.

And my sister saw it.

She thought it's real.

What do you think about

the image quality though?

Doesn't that look a

little cheap to you?

Well, it does.

But if that little thing

throws the audiences off,

then we're never going to

be professional filmmakers,

you know.

Your patient needs to see you.

I'll be there in a minute.

OK?

All right, Mr. Morris.

Then we'll see you on Monday.

All right.

Have a nice day.

Hey, Jenny.

Hi.

Can you give me

Casey's files, please?

Sure.

Busy day today?

No, not really.

There you go.

Perfect.

Do you have a pen?

Yes.

Here you go.

Beautiful.

Thank you.

Doing anything for vacation?

My sister's coming--

Code blue!

Status?

14 year-old kid, car

accident, unresponsive.

Take him to trauma

room three All right.

Let's go, guys.

Go right to here.

Come.

Excuse me, sir.

Are you his father?

Yes.

Do you know if he has

any kind of allergies?

Dust mites and pollen.

How about penicillin?

No.

Is there any medical conditions

I should be aware of?

No.

Blood pressure 150 over 110.

Let's give him ml's

of nitroglycerin.

And guys, let's prepare

him for CT scan, OK?

Quickly.

What's your name, sir?

Carlos.

Carlos, we're going to get

your son upstairs right now.

And we're going to do Cscan and ultrasound, which

means we're going to be

looking for internal bleedings

and for damaged organs.

Slight increase in BP.

But for us to operate

to maximum capacity,

I would ask you to

wait in the lobby.

Take care of my son.

We'll do our best, sir.

Dr. Rivero, Dr. Rivero, please.

Oh, Atilla, you

forgot your phone.

Thanks, Jenny.

Thank you.

Mm-hmm.

Excuse me, sir.

Can you come with me

for a second please?

He's in that room over there.

He's going to be OK.

So luckily, there is

no internal bleedings.

All of his organs are fine.

And he has some minor fractures.

But luckily, all

of his fractures

are stable, which means

your son will fully recover.

Dang.

Thanks, dog.

So that's a great

news, absolutely.

What's your name?

- Atilla.

- Atilla.

- Nice to meet you, Carlos.

- Thank you.

You're welcome.

I owe you one.

- Thank you.

- Thank you.

Anything you need.

I'm sorry.

Oh, just a second, guys.

My sister's been

calling me all day.

Hello,?

Talk on English.

- I don't want him

to understand.

- OK.

Atilla, dad won't let me go.

He said-- he said, there is no

way he's going to let me go.

- He--

- Slow down for a second.

You have to tell me

exactly what happened.

She went farther

along into the forest

and found herself

at a crossroads.

There was a branch in her path.

Should she move the

branch or should she not?

She decided she would

move the branch.

For reasons beyond understanding

and out of anyone's control,

her seemingly insignificant

decision to move that branch

started a series of

intersecting events.

In her dying moments,

she couldn't help

but wonder what her life would

have been like had she not

moved that branch.

What would life have been

like if they had never met?

What would life have been

like if he never got hit?

Good luck on your presentation.

All right, Andrew.

I'll see you later on today.

Hey, Jay.

Hi.

Can you give me

Casey's files please?

Sure.

Busy day today?

No, not really.

There you go.

Perfect.

Do you have a pen?

Yes.

Here you go.

Beautiful.

Thank you.

Doing anything for vacation?

My sister's coming.

Oh, that's nice.

Yeah.

I'm pretty excited about that.

It should be fun.

Hey, give

me just a second, Jimmy.

My sister's calling me.

Talk on English.

I don't want him to understand.

What happened?

He said-- he said, there's no

way he's going to let me go.

Aida, calm down.

He doesn't want me to go.

He said, he already

canceled my flight.

You have to tell me

exactly what happened.

Chuck Taylor's hanging

on the telephone line.

Ah, the city hear the noise

, graffiti on the walls.

The Virgin Mary pleading,

Jesus bleeding on the cross.

Sticks and stones

will break your bones.

But these clips are strong,

and then you split your tone.

That m*therf*cker's

got my money.

f*ck!

I got to use the restroom.

Hey!

Hey!

Aah!

Astronauts make good--

astronauts make good impact

and make good money.

And I can help my neighbor--

my neighbors-- my neighborhood.

My grandfather told me it was

hard for me to be an astronaut

because my family is poor.

But I know living in the

United States of America,

dreams like this can come true.

Great job, Daniel.

Good job.

Good job.

All right, precious,

you're up next.

You a junior?

Very good presentation today.

Thank you, Mr. Ishaan.

So you want to be an astronaut?

Yeah.

I heard that you're

good at math,

which makes you a step closer.

Look at that

caterpillar over there.

Wow.

Isn't it special?

You want to touch it?

No, it's nasty.

You might be right.

But you know what?

This same exact

caterpillar will eventually

turn into an amazing butterfly.

You know, Daniel, you

could achieve great things

in this country.

It all starts with this.

And why didn't you

accept the offer?

Mom and dad were so hopeful.

They thought finally you were

going to have a real job.

Why do you want me to

commit to something

that I don't want to do?

And what exactly

do you want to do?

I told you.

I'm working on a film

project with Atilla.

I just don't want you

to do anything stupid

and end up like the last time.

I was expecting more

support from my brother.

I need to talk to Tony, man.

I'm his homie.

I just need to--

OK, look at me.

Tony.

Tony.

Tony.

Stop the car.

Stop the car.

Hey.

You promised.

You promised.

I did everything you wanted.

I did everything I was asked.

No, no!

Where's my backpack at?

Hey, guys.

Hey, Anita.

What time is it?

Where have you been?

Anita?

It's almost midnight.

Where have you been?

Atilla, come here for a second.

I'll be right back

Where have you been?

I told you I'm going to

get some food quickly.

It's 30 for $100 in cash.

How did you give this?

You see this?

This is the most

popular game in America.

How did you get this?

It's a jailbreak copy from home.

It sells for like 70 bucks here.

I sell it for 20.

I already have another

250 orders for next week.

I can't believe

what you're doing.

By the time I go

home, I have enough

to buy a brand new

car, just like yours.

What the f*ck are

you doing, Anita?

This is not acceptable.

What are you talking about?

What the f*ck are you

doing with-- this is trash.

You know how many people

do ill*gal things here?

Yeah, but you're

making money out of it.

It's a different ballgame.

No, it's not.

Finally I have

something good going on.

Why do you want to

ruin this for me.

Because people take things

like this seriously here.

Well, you know what I think?

I think you're just

trying to scare me

because you're jealous.

This is my chance

to prove myself now.

I mean, you say, successful

people break the rules.

They break the rules,

but not the law.

And you are breaking the law.

You want to buy a new car?

Good.

But go and work for it.

My God, this is bullshit.

Bullshit.

Hey, Anita, come back here.

Anita, wait.

See, like you, I'm the

second child in my family.

And I have a strong

desire to prove myself.

My parents want me to

be like my brother.

They want me to follow

in his footsteps.

But me, see, I've

always kind of known

that there's something more

out there, something different.

My parents, they

think it's impossible.

My brother thinks

it's impossible.

But Atilla believes.

He believes in himself.

And he also believes in me.

And that's powerful.

You know, that makes

me feel closer to him

than to my own brother.

So trust me when I

say this, he just

wants you to be successful.

But he wants you to earn

it the right way, not

mess around with

this stupid sh*t.

Here.

Put this jacket on.

Aah!

Get out!

Now!

Oh!

It feels good, huh?

The funny one.

Hello,.

Who?

Who is this?

Excuse me.

What happened, man?

Anita is in jail.

You think stealing

is not serious?

I'm sorry.

So sorry means nothing now.

You already done it.

Since this was

committed in the US,

she will be subject to all

the US laws and regulations

that apply to a US citizen.

So that means five

years in federal prison

or paying the $250,000 fine.

It's not like she did

something terrible.

She didn't k*ll anybody.

Are they really going

to take it this far?

Usually they wouldn't.

But it seems they want to make

an example out of Anita's case.

You sure about this?

I'm positive.

If you connect me

with Tony, I can

get money for Attila's sister.

You are living in a

dream world, my friend.

You are thinking like a

10-year-old kid, like a child.

And it's not going to

happen for you like that.

Chuck Taylor's hanging

on the telephone line.

Ah.

Yo, hold up.

Call me as soon as

you get this message.

That'll be like the

third message I left you.

I've been calling

you all day, dawg.

The f*ck you at.

Get out here as soon as

you get this message, dawg.

Straight up.

I ain't gonna call

you again, dawg.

Get out at me asap.

I ask myself, will

I survive or will I die?

Yo, kid.

You looking for that ball?

Yeah.

I just threw it up to your boy.

All right.

Thanks.

All right, bro.

Hey yo, Dan.

Yeah.

Call your pops.

All right.

You have a spirit, kid.

And I like that.

But you know,

there's no such thing

in life as something

for nothing.

You know, well,

your actions have

to reflect something tangible.

You know, otherwise

it's just a fairy tale.

You know, I mean, I'm

going to work with--

could you hold on a second?

Hey, what's going on?

What's up, mijo?

Yeah?

I'll be right back.

No way.

You're doing a good job.

The bigger banks, break

this up and then put

this in the shoe box.

You have the other banks?

What the f*ck?

Ortega?

Hey, fool.

Where the f*ck you at?

Hey, Carlos!

Carlos!

Hey, fool!

Listen to this sh*t?

It's Ortega, fool.

Sorry about the inconvenience.

Ask him where he's at, dude.

What the f*ck happening?

What the f*ck?

Ortega?

So, you were saying.

Whatever it takes.

Tony, I don't care.

Whatever it takes.

Then I shall meet you my friend.

How far are you willing to

go to bail your sister out?

Once again, the caterpillar

faces the decision

to move or not to

move the branch.

This time, she chooses

to go the long way.

Seeing the branch unmoved, the

kitten falls back into sleep.

Along slithers the hungry snake.

But the mother's fangs and sharp

claws keep the kitten safe.

Noticing the caterpillar,

from a learning of her dream,

the snake promises a shortcut

if she willingly cooperates.

At first, the

caterpillar worries.

Then her ambition gives

way to justify the deed

and lure the kitten away.

The blood on her hands bothers

her not, a worthy sacrifice,

she thinks.

Off she goes to spin herself

into her glorious dream.

At long last, she found what

she had been looking for,

the flower of dreams.

But the path she embarked

on to get there was not pure

and it led to her

worst nightmare.

She became an ugly moth.

This song is dedicated

to my homey and that gangsta

lean.

Why'd you have to go so soon?

Seems like yesterday we

were hanging round the hood.

Now I'm gonna to keep

your memory alive

like a homey should.

Rest in peace, G. Can't

believe he's gone, G.

Some bullshit.

Why is it always

blood in our house?

I don't know.

But I can tell you this.

We're going to fix it.

Because my teacher said,

anything I want to do,

I can do it.

But maybe he's lying.

He's not.

You see that up there, Angel?

I want to go up there.

I want to go too.

You will.

Hey.

The boss back yet?

Yeah, but he's in a meeting.

Don't bother him.

It's feeding time.

You're very ambitious.

And I like that.

But too much ambition

clouds the mind.

When life is thrown

into chaos, the brain--

it tends to focus

so much on finding

a solution that it

fails to consider

the potential consequences.

And Lord knows there

are always consequences.

Once the rat is free

and his heart is gone,

would he still

remember the deal?

Look, we understand the risk.

And we will execute.

Show me.

Sado!

What?

Come on.

On three, ready?

Three, two--

Cut the bullshit, man.

One.

Don't f*cking

underestimate us, Tony.

We are here to do business,

do you understand?

You guys are too tight, man.

You need to relax.

Daniel, Angel,

you're up for tacos?

Hell, yeah.

Come on, Angel.

Let's go.

No, I want to stay.

You shouldn't have--

OK.

If we go through this, we'll

be there in five minutes.

Uh-huh.

Otherwise, it's going to

take us an extra 15 minutes.

Your call.

Let's just get this over with.

Ain't got no wings.

You in the City of Angels

and you ain't got no wings.

I'm going in slow.

I close my eyes and

pray for my sins.

But I ain't scared of the

devil, because I'm a--

Do you want to eat here,

or do you want to go home?

I ask myself, will

I survive or will I die?

For here.

Location, I think we are here.

I'm going to go in.

I'll leave the g*n.

I don't think we need this.

Take this.

Hey, 10 minutes

and I'm coming in.

OK.

Sounds good.

I'll see you soon.

Good luck.

Thanks, man.

Hello?

Hello?

Come on!

Atilla!

Atilla!

Open the door!

Now, m*therf*cker.

Mijo!

He's shot.

He's shot.

Meet me at the car.

Go! Go!

At the car. At the car!

Mijo!

Daddy.

Just lay down.

Just lay down.

Daddy.

You're going to be OK.

Lay there.

You're all right.

Daddy.

Buckle up and

don't dirty my car.

We brought this for Tony.

Come on.

Wake up.

Jefe, I'm tracking them down.

Get everyone home.

Come get them.

My baby.

Oh my God.

Wake up.

Dad, I'm going with

you, all right?

Smell that.

Smell our blood.

Hey.

You feel like a man now.

Gentlemen, you survived.

Come on, guys,

show some appreciation.

Holy sh*t.

You did it.

Whoa.

Woo!

This is for you, Tony.

Aw, you shouldn't have.

Holy sh*t.

sh*t.

You did a

phenomenal job, man.

How the f*ck did

you pull this off?

Now it's your turn, Tony.

My turn?

Whoa, gentlemen,

what's the rush?

I thought maybe we'd

celebrate first.

Celebrate what, Tony?

New members of our family.

What do you mean?

Don't f*ck with us.

Do you know what we

had to go through?

Are you in any position

to negotiate, boy?

You got an emotional one here.

Hey, I'm sorry, Tony.

Yeah.

But we honored our part.

And we delivered what

you asked us for.

You did.

I know.

I understand.

I mean, I've been

where you've been.

I know what it's like to be

a victim of your own success.

It sucks, right?

Doesn't it?

Ah!

And it hurts, a lot!

You're going to bleed

out in about 20 minutes.

There's a hospital

just around the corner.

So I ask you one more time.

Can I count on

you in the future?

OK.

Got it.

Hey.

Take this.

All in one shot.

Here's the address

to that doctor.

He's the only one you can see.

You got it?

Oh.

I gotcha, man.

Dad.

What's up m*therf*cker.

Huh?

You f*cking remember me?

Yeah.

This the m*therf*cker

that k*lled your brother.

But I know living in the United

States of America, dreams

like this kind of come true.

Great job, Daniel.

Great job.

Ah!

Your call.

Oh!

Your call.

Let's just turn around.

Let's go.

I'm still beating you.

I'm going to get you, bro.

I'm going to get you.

No!

No.

You k*lled me.

Hey.

Yeah.

10 minutes and I'm coming in.

Excuse me?

Excuse me, sir.

f*ck you want, man?

It's a delivery for Carlos.

It's good, my name is Attila.

f*ck you, man.

I will k*ll you.

No, you're not.

I am. Right there.

Kids, get under the bed.

Make sure he doesn't come out.

Get under the bed.

Turn around.

Excuse me?

I said, turn around.

I'm really only here

to do a delivery for--

Give a f*ck why

you're here, man.

Get upstairs.

Let's go, man.

Think you're a f*cking

classy white boy?

Get upstairs, man.

Get the f*ck, upstairs.

f*ck off.

Yo, G. Got a delivery.

Let's go.

Hello, man.

Slow the f*ck down.

Slow the f*ck down.

All right.

Hey, we got a delivery, G.

f*ck down.

Delivery G.

Chill out, home.

Yo, G, we got a

delivery, G. Stop

f*cking looking at me, home.

I'll tell you, man, I'm gonna

blow your m*therf*cking head

off you keep looking at me.

Stand still, m*therf*cker.

Before I blow your head off.

What do you got for me?

f*cking suitcase, G. I got--

What's in there?

It's worth 10 kilos of cocaine.

What the f*ck you looking at me?

Stop looking at me.

This some type of game?

You're trying to be funny.

Take care of him.

f*ck off, I'll blow your

m*therf*cking head off.

Shut the f*ck up home.

Atilla!

Atilla!

Atilla! Atilla!

- Atilla!

- Ishaan, they wanna

k*ll us man.

Get this homie.

OK.

Whatever.

I gotcha b*tch.

f*ck.

God damn m*therf*cking b*tch.

Hold on.

Oh.

Put the f*cking knife down.

Breathe, don't f*cking move.

Mr. Sean?

I'm his teacher.

What do I do G?

What do I do, G?

Nobody's going to--

Shut the f*ck up.

Put the f*cking knife down.

You don't want to do this.

Put the g*n down.

Shut the f*ck up.

- No.

- Put it down.

Hey, hey.

Nobody's going to get hurt.

Blow your f*cking head off.

Shut the f*ck up.

Nobody's going to get hurt.

Sir.

You don't want to do this.

Your son has a

very bright future.

I'm his teacher.

Dad, please.

Here's 10 kilos of cocaine.

That's what Tony wanted, right?

Yeah.

I'm going to give this

to you, and you're

going to deliver it to him.

Won't that look suspicious?

Not really.

You're doing what

he asked you to do.

And what if he asks how we

managed to pull this off?

You guys are wise guys.

Figure it out.

I'm giving you the tools

to get your sister back.

You want your

sister back, right?

And I want Tony.

Hey.

We brought this for Tony.

Here.

Take the case.

Aah!

Yo.

It's done.

Go back to Carlos's

house and wake them.

What about the money?

We got your money.

All right.

Beautiful.

Keep walking this way.

Great.

Looking sexy.

Right over here.

Let me have you go

over here by the door.

Turn around, look at me.

All right.

In the back.

d watch where you're going.

All right.

Looking good.

Beautiful, sexy.

Look at me.

Eyes right here.

Great.

One leg forward.

Looking great.

That's beautiful.

Beautiful.

The moon, the first

step to the stars.

But how to get there

when born with a scar?

A coincidence, or luck,

or perhaps destiny.

If kept pondering,

there goes opportunity

to bloom into the mighty

eye, a fierce rocket

ship aiming for the stars.

If allowed, the

fuel can burn low.

The journey is lengthy and far.

Call it a fairy tale or reality.

You decide.

Well, you get your case

and do some federal time.

Because the Chuck Taylor's

hanging on the telephone line.

The city at a loss,

graffiti on the walls.

The Virgin Mary pleading,

Jesus bleeding on the cross.

Sticks and stones

will break your bones,

but these clips are so long

and they an split your bones.

The home of the gangs

and cop killings.

Always knew life was a b*tch,

so I never got feelings.

It's game four at the staples,

man, you ain't got no wings.

You in the City of Angels,

and you ain't got no wings.

I'm going in so I close my

eyes and pray for my sins.

But I ain't scared of the

devil, cause I'm a LA King.

I close my eyes and pull

my head up to the sky.

I ask myself will I

survive or will I die.

I close my eyes and pull

my head up to the sky.

I ask myself, will I

survive or will I die?

This pain though, still

f*cked up in the game.

They stay broke, stay stable,

staying in the same hole.

This ain't no game.

But the snap what they'll

have, you think dough is big.

No.

Breaking your back to

make your bank bro.

Flame throw, two points

and one had the game go.

Laid low or tried to give up.

But the stage

won't hatin' on me.

When I only like to dank

smoke, say throw reps.

Give the people

what they came for.

Can't go now.

I just got started

on this game show.

Suckers trying to test me.

I'm ready for the wait though.

Wait low, lacing the cut.

I got the game sold.

Cocaine life, with the

money of a fake row.

Everything I touch

make the peso spill.

sh**t this m*therf*cker

up, Pecos Bill.

They say I'm ill, a foot away,

I can't go replacing skills.

Sip and drink, drip and

drain, n*gga, take the wheel.

I close my eyes and pull

my head up to the sky.

I ask myself will I

survive or will I die?

I close my eyes and put

my head up to the sky.

I ask myself will I

survival or will I die?

Fresh out of the joints,

mine don't point like back

on the block, chasing the corn.

I grind all day, I

got a paper to make.

If the streets don't pay,

I'm supplying the weight.

JJ Jake's on the move.

If you snooze, you lose.

Some Top g*n, risky business.

Young Tom Cruise,

the color of money

is like the tang in my sweet.

Crushed ice, white cup,

Sprite cease the pain.

Too deep in the whip.

It's just me and my 40.

I'm married to the game.

So I just f*ck down Shorty.

Game pimp tight.

This is all real life.

I guess.

I grew up in a w*r-torn country.

We are always playing

with little tanks,

like we were pretending

we are armies.

And then before you know it,

like you hear boom, boom, boom,

boom.

And you turn left and a whole

bunch of real tanks, 50 or 60

of them are actually on

the street next to you

and going into the w*r.

And then you hear

the sirens going on.

And you see your

parents are panicking.

Hey, come toward the house.

Come inside. Hurry. Hurry.

Hurry.

10 seconds later there's

like a big expl*si*n

happens like two miles

from you, like boom.

You don't know what it is.

I remember, I found

salvation in watching movies.

I went to my parents

and I said, you know,

Dad, I want to be a filmmaker.

You know, Mom, I'm going to

do this and that action movie,

and thriller, and crime, and

comedies, and everything.

And they were just

like looking at me

and what's wrong with this kid?

You know, don't think

about filmmaking

because it's impossible.

People just don't have

ambition-- no ambition

during w*r.

Everybody just

wanted to survive.

For me to make

movies, I understood

that I have to find a

way to come to the United

States of America.

But how can I get to the States?

My family has no money.

We don't have any relatives

living in the States.

And during the w*r, the

people of my country

burned down the US embassy.

How to go to America?

It's impossible, you know?

One day I learned

that US universities

are offering full scholarship

for prospective student

athletes.

So I understood for me

to become a filmmaker,

I first had to

become an athlete.

The biggest race of my life.

And this is the chance for

me to run a fast time to get

the attention from America.

But two weeks before my race,

I completely tore my ligaments.

I remember the doctor

looking at my ankle.

And I was like, in two

weeks I have to run.

And he looks at me.

And he said, this guy is crazy.

You're not going to run.

He says, if you can

walk within two months,

you should consider

yourself lucky.

That night I go home.

I place my ankle in 90 degrees.

And I press my ankle

against the wall.

And I start talking to my ankle.

You know, I'm

talking to my ankle.

I want to become a

friend with my ankle.

You know, my life

depends on this.

I want to convince my

ankle that we can do it.

Two or three days later, I

go and I run for one hour.

After that I couldn't

walk the whole day.

I go back home and I

ice it, massage it.

14 days after my

injury, I ran a race.

I came first place.

I ran a personal record.

And thanks to that race,

I got the scholarship.

I came to America without

speaking any English

and without knowing anybody.

If I say that I need $10

million to make a movie,

that it's just an excuse.

I should be able to create

something just relying

on my creativity and willpower.

David.

How's it going, man.

- Looking good.

- Yeah.

Thanks. Thanks.

Well, you know, I was

looking for opportunities,

how to utilize the resources

that I have available.

And I was very lucky

when I met David.

Because not only does

he has everything,

but he's also a police officer.

LAPD.

Put your hands up

where we can see them.

Where's your permit.

That's what I like to ask.

Right.

you got a permit

to be out here--

Look at this face, man.

I can't do this.

This is amazing, man.

Thanks, David.

The actors in the

movie, they grew up

in very harsh circumstances.

I was like a soldier,

you know, in a w*r.

I dreamed about it, you know?

Getting shot, people

sh**t out with people.

I became a g*ng member

like at 13 years old.

I got incarcerated

at 13 years old.

And it's not

because I wanted to.

I think it's because

I was kind of limited

of what I could really be.

All the effort, the

details, the raw emotions

we put into this film.

Like we shot in East LA.

I remembered it!

Remember this?

I remember this!

Yeah!

We spent lots of

times in a family

that lives in a neighborhood

where your only option

to be safe is to join the g*ng.

They shot in their house.

This is the Angel.

He's the big star

of the film, right?

Remember?

He like did amazing work.

Sara.

Hi.

She's the boss of the house.

She helped tremendously.

Jacob, he's a little bit shy.

But once he warms

up, he's amazing.

And Precious, beautiful.

She's in a classroom

scene, and she did so well.

They invited me to

film in their house.

They went above and beyond

to help me to make a movie.

There's like 20 people

living in one house.

They're like g*nshots outside,

car chase, the helicopter,

the police chase.

But inside, it's so warm,

such a family atmosphere.

It really reminded

me of a bond that I

had with my neighbors

during the w*r.

I noticed how people

reacted to you, you know,

and they seem genuinely

pleased with your presence

and accepted you.

And I think it's

because of who you are.

Awesome.

Oh my God.

Thank you guys for

this opportunity.

See you guys.

- Bye.

- See ya.

Bye.

It was a pleasure.

Thank you.

See you soon, OK?

It was, bro.

Like you did it.

You get what I'm saying?

Like that's a huge

accomplishment, bro.

I'm an actor.

But striving to be a

filmmaker, I could do nothing

but think of you as an

inspiration, you know?

Because you did it, bro.

When I decided to

make this movie,

I wanted to create such a

visual experience that

can compete with studio

level movies.

And I wanna win!