-This b*tch k*lled my two bottom b*tches?
-[g*nsh*t]
I asked you to help me
set this m*therf*cker up.
-And you do this?
-[g*nsh*t]
I am really gonna miss f*cking you.
I just sent you a picture of a kid.
-He goes by Angel.
-[siren wailing]
I just wanna talk to him.
License and registration?
You find Rain.
She's probably with that b*tch Kimmie.
I think your father is trying to cut you,
your mother, and brother out of the will.
I didn't tell him nothing.
-[Mallory] What are you doing here?
-Are you f*cking my wife?
[Kimmie] I'mma ask you one more time,
and I don't have much more patience.
[Kimmie yells]
[suspenseful music playing]
[dog barking in the distance]
[clattering]
[sighs]
[cupboard door opens, closes]
[suspenseful music continues]
[car approaching]
[dog barking]
[car door closes]
[dog continues barking]
Oh sh*t.
[ominous music playing]
Damn.
It's a mess in here.
Kimmie did all this?
[Trackson chuckles]
[Trackson] Whew. Yeah.
Like a gangster b*tch.
Yeah. Damn.
-What did the DA say?
-[Alex] Pssh.
I don't know. Jules is talking to her.
[Trackson] Hm.
I mean, what did she do
to make her sh**t her like this?
Man, you know exactly how they treat them.
What's wrong with the way they treat them?
[Alex scoffs]
-Get the f*ck out of here with that.
-[Trackson] What are you saying?
Come on, man.
You know exactly how it goes.
[chuckles]
I don't see nothing,
and I don't know nothing.
All I do is get my money
and shut the f*ck up.
[Alex kisses teeth]
[Alex] Well, she f*cked up
when she took her sister.
Pssh. Told them it was a bad idea.
Well…
now she knows.
-Yes, she…
-[Trackson chuckles]
Yep.
[Trackson] Come on, man.
Let's get out of here.
Hold on, man.
-Gotta find something for Jules.
-We not gonna be able to find nothing.
-[phone ringing]
-Look at this place.
Oh sh*t.
What?
What's that?
It's Jules.
-Damn. Pick it up.
-[phone beeps]
-Hello?
-[Jules on phone] What's going on?
Yeah, we're here, boss.
[Alex] This place a mess.
Yeah, she was always nasty.
Yeah, but we're trying to find something.
What about Angel?
I hate to tell you this,
but he was wearing a scrambler.
Yeah, 'cause he knows
Horace will k*ll him.
Yeah.
What you think that was about?
[Alex] Like you said,
we don't know a thing.
All right.
All right, find what you can
and head back to the club.
Yeah, we're on it.
-[phone beeps]
-What'd he say?
Nothing, man.
We just gotta find something.
[Trackson] How we gonna
find something in here?
Our officers were here already, a'ight?
I'm out.
[Trackson sighs]
Damn.
sh*t.
[dogs barking in the distance]
[suspenseful music playing]
[dramatic sting]
[Horace] And that's it?
That's everything.
You caused all this.
I-- I got caught up,
and I got them caught up too.
Tell me why I would let you live.
Please, man. I-- I--
I'll do whatever you want, I promise.
"Please" is not an answer.
I promise, man. I promise.
Come on, yo.
[ominous music playing]
Look, you not even into this.
I'm not, but, uh, I am for you.
No. You mean for your life.
Well, yeah, yeah, for--
For my life, I'll do it.
Nah.
-Please, man.
-You--
You-- You had a really good situation
you could've had.
I-- I-- I want that situation, I do. I…
-I want it.
-Yeah.
[sighs]
Nah.
You tried to rob me.
I didn't. I-- I sw--
I don't even know who those dudes were.
-My guys didn't even show up.
-Yeah, I know, I know.
-You know?
-Yeah.
I know they weren't with you.
Well, you-- You see?
Yeah, but you tried to rob me.
I didn't, man. I…
I just want a better life.
I got a kid.
I just wanna pay them off
and get out of this sh*t, a'ight?
Like Kimmie and Rain. We just want out.
Please, man.
So all this is happening at the club?
Yes.
And if I go to Rain,
is she gonna tell me
the same thing you sayin'?
Nah.
She won't?
Nah, nah, Rain, she's…
She's a ride-or-die.
She ain't gonna tell you sh*t.
[Horace scoffs]
You just some little b*tch
that'll tell everything.
[dramatic music playing]
-[sighs]
-You were gonna k*ll me, man.
Don't know why
I got the craziest crush on you.
That's a good thing, right?
So come on, man. Come on.
Come on.
Such a pretty face to k*ll.
Please don't. Please, please.
Hey, where you goin'?
[dramatic music continues]
sh*t.
[knocking on door]
[knocking on door]
-What do you want?
-I need to come in.
-I thought you said you wasn't coming.
-Listen, this is serious. Damn. Move.
sh*t.
-[door closes]
-sh*t.
sh*t.
f*ck. [exhales]
[exhales]
Ah, F-- Man.
[sighs]
[rain pattering]
What do you want?
I think your brother's
gonna tell your father.
-What, about us?
-No, about me and Mallory.
You and Mallory?
-[thunder crashing]
-Don't look at me like that.
He came in, and he accused me
of sleeping with Mallory.
-Really?
-Yes.
[tense music playing]
Why are you here?
'Cause I needed to tell you.
So you just wanted to blow this up for me?
What the f*ck are you talking about?
You are f*cking Mallory.
No.
-Varney…
-Come on.
Charles, you know me.
-Yeah, I do.
-Yeah.
And I know you'd do
whatever you gotta do to get ahead.
Now what the f*ck
is that supposed to mean?
It means I don't believe
you're not f*cking my brother's wife.
You really believe that?
Yeah, I do.
Fine. Then go ask her.
Okay, I will.
No, don't go ask her.
I don't want you to ask her, 'cause then
she'll wonder why you're asking.
[Varney sighs]
Well, I wanna know, so…
Well, you should know
because I'm telling you.
[kisses teeth] That don't mean sh*t.
Are you really saying this to me?
Look, if you don't mind, I'm f*cking
something in the other room, so…
[thunder rumbling]
Go away.
-Charles.
-Listen.
I'm trying to finish getting laid.
Then I'm going back up to that club
to find out who the f*ck that was
that stole my car.
I ain't leavin'.
Okay, well, just stand there, then.
Charles…
who's in that room?
Just listen.
Charles.
Where were we…
[thunder rumbling]
…lover?
Oh f*ck.
Yeah.
-Mm, mm, mm, mm, mm, mm.
-[flesh pounding]
Ooh!
[suspenseful music playing]
-[dog barking]
-[car approaching]
-[woman yelling indistinctly]
-[siren wailing]
[music intensifies]
[keys jangling]
[lock clicks]
[dramatic sting]
[gasps] sh*t. You scared the sh*t
out of me, you stupid m*therf*cker.
I saw you come in. Can you get these off?
-What?
-Get the cuffs off.
-What the hell happened?
-I got handcuffed.
-The keys are in my bag.
-What bag?
-My f*cking duffel bag right there.
-Oh God.
-[Kimmie sighs]
-[keys jangling]
What kind of funky…
sh*t.
-Just do it.
-[duffel bag zipping]
[handcuffs clicking]
[Kimmie] Here.
-I gotta go.
-Wait, wait. What the hell happened?
-I gotta go find my sister.
-You know where she's at?
No. But I'm gonna find her.
-[car door closes]
-Kimmie, wait.
-[footsteps]
-What?
-[pounding on door]
-Hide.
No, no, no, no, no. Not there.
Under the bed or something.
[pounding continues]
-Angel.
-Yeah?
[door closes]
[ominous music playing]
What's going on?
Nothing. Why?
[Jules] Isn't this Kimmie's place?
Yeah.
So, what you doing here?
Uh, I've been crashing here.
Where's she at?
[Angel] Uh, I don't know.
[ominous music continues]
[closet door opens]
[baby crying in the distance]
You know she k*lled two people?
Yeah, I don't… I don't know…
Know what she's--
She's been doing or anything like that.
[Angel gasps]
[coughing]
Come on, little n*gga.
Don't play with me. You know something.
Yeah, I know, I know.
[Angel coughing]
So…
where is she?
Hm?
[coughs] She's…
She's… She said she's getting out of here.
[coughing]
She under the bed? Hm?
Nah, but you can look.
[g*nshots]
[baby screaming in the distance]
Guess it won't matter now, will it?
No.
Come here, n*gga.
[tense music playing]
Why'd that old man wanna see you?
What? What man?
Don't make me repeat myself.
Oh, you mean Horace, that old man?
Yeah.
I, uh, stole his watch.
How you do that?
I, uh…
I was at the hospital visiting somebody.
-[coughing]
-What hospital?
[coughing] S-- Stanley Heart.
Mm.
Nice place.
Yeah.
When I saw him on the elevator,
I lifted it.
Really?
Yeah.
Who were you visiting?
[tense music continues]
Ju… Just went to steal a couple things.
You know me.
Oh really?
Yeah.
I think you f*cking lying to me.
I swear I'm not.
So you don't know him?
I nev-- I never met him before.
Okay.
Well, uh,
I gotta get in the shower
to get ready to get to the club, so…
I gotta-- I gotta get you paid, Jules.
You gotta do what?
Gotta get you paid.
Yeah, you do that.
Okay.
[g*n clicking]
[coughing]
[dramatic music playing]
-[car door closes]
-sh*t.
-[car engine starts]
-sh*t, sh*t.
-Oh f*ck.
-[Kimmie sighs]
-Shh.
-I gotta get out of here.
Just give it a minute.
m*therf*cker shot the bed. Just--
Just be glad he didn't sh**t this sh*t.
I know.
I know.
-[woman speaking indistinctly]
-[dog barking]
[sinister music playing]
[phone ringing]
-[line ringing]
-[line clicks]
-[Kimmie on phone] Hey.
-Kimmie.
What, so you playing me now?
No. No, I'm not playing you.
Why you didn't come over here?
-Look, I couldn't. I--
-Did you go over there?
Yeah, I did.
Kimmie.
What did you do?
I pushed him out the window.
[sighs]
What?
They keep f*cking with me.
They won't tell me where my sister is.
All right, you know what?
I'm 'bout to get out of this
damn hospital. I gotta find a doctor.
You can't leave, Rain.
I can't leave you out there by yourself.
No.
Then come here.
I can't leave right now.
I'm at the motel.
And I think either Jules is watching me,
or he got somebody out there
waiting for me.
[Rain] This sh*t is wild.
Can I help you?
[Horace] Oh, well, hello.
[Rain] Um…
Yeah, John.
No need to come. I'll call you back later.
[Kimmie] Rain?
Rain, I know that's Horace's voice.
Let me listen.
I'll call you back, John.
Yeah, yeah, no reason to come.
[tense music playing]
Did Kimmie tell you about me?
I'm sorry, who are you again?
Oh, I'm Horace.
I'm the one that, uh,
got you in this room.
Are you now?
Yeah.
[exhales] Uh, Kimmie, um,
she said you were in a little trouble
and, uh, asked if I would move you here.
Okay, well, thank you for that.
Yeah. Sure, it's just okay. [inhales]
So is everything okay?
Yeah.
You seem a little skeptical.
Yeah.
Kimmie, uh, she told me
you and her were close.
Yeah.
Yeah, that's good.
That's good.
Uh, how long have you known each other?
Not long.
Now you're lying to me.
Look, mister, I'm…
I'm on a lot of drugs, so…
Yeah, they told me
that, uh, you were doing better,
and that, uh, they're just waiting
to watch out for blood clots.
[Horace inhales]
And the thing about blood clots
is, uh, they're dangerous and, uh,
they can k*ll you at any moment.
Yeah, they told me that.
Yeah.
Funny thing about death is, uh…
it's always waiting for us.
Do you wanna die?
Who wants to die?
[chuckles] You'd be surprised
how many people aren't afraid of death.
Until it's, uh, staring them in the face.
Then they give a f*ck.
Okay, um, like I said,
it was nice you coming and everything,
but I think I need to get some rest now.
In peace.
[menacing music playing]
[alarm beeping]
They're never gonna come.
[clattering]
Tell me everything you know about Kimmie.
Look, man,
you might as well just k*ll me now,
'cause I ain't telling you sh*t.
Pain has a way of changing people's minds.
[Rain yells]
[Rain screams] Stop!
Stop!
No! [sobbing]
[line clicks, disconnects]
[Kimmie] sh*t!
[dramatic music playing]
[exhales]
[Trackson] Hey!
Bring yo a*s here. Right now.
-Come on, come on. Get yo a*s here.
-[Kimmie grunts]
-[Kimmie] Get off me!
-The f*ck is wrong with you?
Get yo a*s here.
-Why the f*ck you running?
-[Kimmie grunts]
Why you running? Come on.
-[Kimmie grunts]
-Get yo a*s in the car.
-Why you running? Huh?
-[Kimmie panting]
Come on, get in the car.
In there.
-Get over.
-[Kimmie grunts]
[Trackson grunts, exhales]
[keys jangling]
[phone buzzing]
[phone clicks]
Yeah.
[Trackson on phone] Jules, I got her.
Where was she?
At the motel.
Dumb as f*ck.
Yeah.
-Where do you want her?
-Bring her to me.
Okay.
Ma-- Matter-- Matter--
Matter of fact, put her on the phone.
I wanna talk to her.
[tense music playing]
He wants to talk to you.
Take the phone.
-What?
-What?
-Who do you think you're talking to?
-You heard me, I'm talking to you.
Oh.
So you big and bad now, huh?
Jules, where is my sister?
Your sister? What sister?
Body had her first.
I know you have her.
I don't know what you talking 'bout.
He 'bout to bring me to see you?
-Uh-huh. Yeah, he is.
-Cool.
No, no, no, but let's get back
to the important part
of who you think you talking to.
All I want is my sister, okay?
She don't have nothing to do with this.
Yeah, well, I think anybody
got something to do with you
got something to do with this.
I'm sorry, Jules, okay?
Mm.
You know, you take out
two of my top allies.
-I don't know what you talking about.
-Body and Delinda.
-I don't--
-Yeah? Now I got nobody to run my front!
I saw them with her.
[woman] Honey? Everything okay?
I'm good, babe.
Ha.
[woman] We're getting ready for the party.
-[Jules] Mm-hm.
-[woman] Hurry up.
You know what?
Maybe your sister
could pay me what you owe me.
No. Do not touch her.
You better have some answers for me
when I see you.
All right.
[woman] Jules,
what are you doing? Hurry up.
Yeah, babe.
I'm coming to change right now.
[tense music continues]
[music fades]
[inhales deeply]
[exhales]
[phone ringing]
-[sighs]
-[phone beeps]
[sighs] And to whom I owe this call?
[Charles on phone] Where you at?
I'm still at the office.
Yeah, okay.
You're always working late, huh?
Yes, I do.
Why don't you come out
have a drink with me?
Charles…
What?
Look, I can't. I have to--
I know, I know.
You're running the company.
Somebody has to do it.
-'Cause me and my brother ain't doing--
-Look, I didn't say that. You did.
-Well, you know I don't give a sh*t, so…
-Look, I know, but--
Ooh, let's go to the strip club.
Charles, the last thing I need
is to be seen on a blog in a strip club.
Mallory, I need to talk to you.
What is it, Charles?
It's just about all this drama.
Look, we certainly can't talk about it
at the strip club.
We're supposed to be meeting for lunch.
Mallory, I really need to talk to you.
Look, fine.
Okay.
You have 40 minutes to meet me
at Stein and Stag, and then I'm going home.
I've had a long day, Charles.
See you soon.
-[water running]
-[phone beeps]
Hey, bro, you gotta hurry up, okay?
Wasting all my soap and sh*t.
[phone clatters]
Gillian.
[footsteps approaching]
[Gillian] Ma'am?
-Get my things ready.
-Yes, ma'am.
-I'm going to Stein and Stag.
-Okay.
Um, did you want me to go ahead
and get the table ready for you?
-Yeah, a table for two.
-Yes, ma'am.
[dramatic music playing]
-I'll be out in a minute.
-Okay.
[Mallory] And give me a change of dress.
[Gillian chuckling]
[Gillian] So you pissed her off, huh?
What?
[Gillian] She wants me
to go with her tonight.
Okay.
Yeah, you pissed her off.
Whatever you gotta tell yourself
to get through.
I mean, if she wanted you to go with her,
she could've easily
been alone with you, hm?
Tell yourself whatever
you gotta tell yourself. Good.
-I know what's going on.
-[Calvin sighs]
There are so many drugs you can take
to help your mental state.
[Gillian scoffs]
Well, I can't wait for this ride home.
It's gonna be so entertaining.
Toodle-oo, Calvin.
[Gillian cackling]
♪ And stunt on h*s who tryna get in free ♪
♪ 'Cause my hair did ride clean
No chain on, but I'm shining ♪
♪ Burberry my lining
No days off 'cause I'm grinding… ♪
You here now?
Just doing security for the night.
Where's, uh…
Where's-- Where's Delinda at?
I don't know.
They just told me to sit here.
They said y'all know what to do though.
-Yeah, we do.
-[Alex] All right. Well, get to it, then.
♪ And now it seems as though
We getting closer ♪
♪ Why don't cha? ♪
♪ Here we go, go, go, go, go ♪
♪ Baby, can we go, go, go, go, go? ♪
[music continues in the background]
Where that b*tch at?
-Who?
-Don't play with me.
You be with her all the time.
[Angel] I don't know
what you talking about.
Where is she?
Girl, get the f*ck up out of here.
n*gga, you know damn well you know.
b*tch, f*ck.
-What the hell's wrong with her?
-You don't know?
What?
Some strange sh*t
going on around here, bro.
Like what?
Delinda ain't here.
Body ain't show up either.
-That ain't like them.
-Not at all.
Yeah, I know.
[tense music playing]
[Angel sniffles]
What the f*ck?
-[Dustin] You heard yet?
-Heard what?
About your boy, Salvo.
What about him?
[Dustin] The n*gga tried to rob
this dude last night.
-You know the dude in the yellow Lambo?
-Yeah, the yellow one. Yeah, I know.
Yeah, he had that n*gga's keys,
had his car, and wrecked the damn thing.
Yeah, I was following right behind him.
Next thing I know,
g*nshots started popping off.
Wait, wait, wait. What?
Look, all I know
is the car caught on fire,
and I got the f*ck out of there.
Wait, you didn't try
to get him out of the car?
Hell nah.
-What the f*ck is wrong with you, bro?
-It was bad. I had to go, man.
Damn, man.
[Dustin] But…
[Angel] But what?
Say it. What?
I got that n*gga's address, bro.
-What does that mean?
-That means we need to go get that money.
What are you talking about?
That n*gga that be driving
the yellow Lambo.
He be in here talking about
how much money he got.
You know he keep his stash at the crib.
We need to go get that.
Nah, man. I'm cool. I'm not-- Nah.
What are you talking about?
We was this close.
Look, you left me hanging on my last sh*t.
-I'm not f*cking with you.
-We was coming to come get you.
I'm good.
[tense music playing]
[Charles laughing]
[Charles] Oh, you crazy
as hell, boy. Come here.
You all right? Come on. Oh, I got you.
Nah, don't pay him no mind.
Watch that, watch that, watch that.
Okay, come on.
Call me when you get home, okay?
All right.
You good? Huh?
[door opens]
[door closes]
[Charles] Did you enjoy the show?
[curious music playing]
Look, man,
go be with my sister-in-law, okay?
-You know that's not true.
-[Charles] Mm.
-What I know is that you're a climber--
-You know that's not true!
But you just gonna
make it hard for me, right?
[exhales sharply]
-Varney?
-What?
I just came over here
to ask for your help.
You know how important
your family is to my business.
Important enough for you to f*ck me
and my sister-in-law, huh?
See? There you go.
Making it bad for me, right?
It is bad.
It's a lie.
Yeah, sure.
-And you know it is.
-Okay.
Fine.
[melancholy music playing]
I don't wanna do this.
-What?
-This. Us, like this. No more.
-Okay, n*gga, well, leave.
-See?
S--
You said you don't
wanna be here, so leave.
I said I don't want to do this,
like this, no more!
When I thought I was gonna lose you,
when I thought I lost you, I lost my mind!
Man, Varney, come on.
Why you acting like this?
[melancholy music continues]
I'm just being honest.
Don't nobody give a f*ck
about anybody around here.
[sighs]
Is that how you really feel?
Yeah, that's how I feel, pretty much.
I love you.
But not enough to tell my parents, huh?
I will go and tell them right now.
-Go do it.
-Wait.
-Mm-hm. See?
-Nah.
If I go do this,
then that means you and me are committed.
Well, I mean…
Exactly.
Oh, no, no, no, no, no.
See, you don't wanna do that.
-Man, I ain't ready for all that.
-But you ready to get f*cked every day.
f*cked day in and day out by just anybody.
Strangers and sh*t.
On the regular, baby.
Varney, you can leave.
[exhales] You know what?
Sometimes,
you are the worst man,
and all I've ever tried to do
was love you.
You're not trying to love me,
you're trying to possess me,
and I don't wanna be your possession.
Okay.
Thank you.
I'm gonna just let you go do
whatever you wanna do, then.
[scoffs]
Oh, I was gonna do that either way.
Yeah.
All right, then.
Bye.
f*ck.
[Varney exhales]
[door opens]
[door closes]
♪ I'll make you feel my groove ♪
♪ All right ♪
[Mallory] Make sure
you have that ready by 8 a.m.
Yes, ma'am. I'm on it.
[band continues playing]
♪ Girl, you drive me crazy ♪
Hello.
Hi.
[Mallory] Hi.
Ooh, I love seeing your driver.
He is so cute.
And he's so straight.
Nobody's straight, Mallory.
I think there's a lot of people
that are straight, Charles.
-Yeah, okay.
-[Mallory chuckles]
Trouble in your little paradise?
Gillian, what the hell
are you talking about?
-She didn't wanna be alone with you.
-Oh, girl, please.
I told you she would get tired of you.
You done?
[laughs] Oh no. No, no, no.
I'mma stand right here,
and I'mma rub this sh*t all the way in.
Go right on ahead.
You know a woman like Mallory
don't want you.
What can you give her?
You don't have sh*t, Calvin.
Says who?
I know her.
And what's your point?
I told you everything about her…
[Calvin] Mm-hm.
…and you used it to get with her. Oh--
-You are delusional.
-You knew she was lonely.
-You're paranoid.
-Damn.
-[Charles] Mm.
-[Mallory clears throat]
[Charles] Mm.
[Mallory] So, what's this all about?
Ooh, right down to business, huh?
So, what is it? [chuckles]
It's about Attorney Varney.
Okay, what about him?
Mallory…
What? [chuckles]
-Man, come on.
-What are you talking about?
What is Roy saying?
Oh gosh.
Okay, Roy told you about Varney.
-Yes, he did.
-Okay, you know your brother.
-What does that mean?
-You know he's a damn fool.
Okay, but why would he say that?
Because you know
he creates chaos, Charles.
I mean, come on,
Attorney Varney is handsome.
Oh-- Yeah, and?
-Come on, I mean, you don't ever want to?
-No.
First of all, I'm married to your brother.
You don't never think about it?
Look, if you're gonna go down this
ridiculous road, I'm leaving, Charles.
-Seriously.
-Okay, fine.
Okay, so stop it.
-I'm sorry, I just wanted to know--
-Look, just stop it.
You know Varney's
always professional anyway.
But do you always want him
to be professional is what I'm at?
Charles, I'm gonna leave.
-Okay.
-Enough. You know now.
And I hope your brother's
not telling your father this bullshit.
Well…
-Well what?
-I don't know.
First off, what kind of woman
do you think I am?
-I know, I'm sorry.
-No.
-[Charles sighs]
-You got a little hyped up about this.
I just wanted to know, that's all.
-Mm, you were a little turned up.
-Mm.
[inhales deeply] I can't believe
I ever fell for your bullshit.
Yeah, well, I can.
You're easy like that.
[band playing in the background]
Calvin?
[Calvin] Hm?
I could f*ck your life up
in ways like nobody else can.
-Can you?
-You know I can.
-Stop threatening me and do it.
-Okay, bet.
Okay, cool. Can we just stay here
and you shut the f*ck up?
-Not a chance in hell, buddy.
-All right, I'll be outside.
-Oh, then I'll be outside too.
-Keep pushing me.
Oh, that's the plan, baby.
[Mallory sighs]
Another person I have to worry about.
This is…
You guys are so crazy.
So how's everyone else doing?
-I'm leaving.
-Wait, what?
No, first off, you don't wanna know
how everyone is doing.
You only wanted to know about Varney.
And now you know. I'm going home.
-Sis-in-law, finish your drink at least.
-Mm-mm.
First off, this sh*t is cheap,
and it's burning my throat.
I'm going home.
[glass clattering]
Fine.
Want to know about the family…
[Charles muttering]
Why you get all hyped up?
Now you do look good though.
I'll give you that.
-You not go-- You still gonna leave me?
-No.
-Okay. All right.
-I'm done. Good night.
-[Mallory] Enjoy. Don't drink too much.
-Mm-hm. Mm-hm.
Mm. I'll see you later.
-[Mallory chuckles]
-Ooh! Oh, b*tch!
Mm. I'm coming with you. What's happening?
Wait a minute, I'm going to the stage.
Ooh! Who's singing? I can't hear it.
I can hear the music.
Come on, give me something.
Give me something.
Ah!
Yes! We're not dancing?
What's happening, people?
[dramatic music playing]
Do you know where they took my sister?
What? What's that look for?
I don't know sh*t.
Come on, man.
You like Jules's right-hand man.
You the big man.
-I know he tell you everything.
-I'm not the big man.
How much they paying you?
Why you ask me that?
-I know where a lot of money is at.
-Oh.
Then you should've took that money
and gave it to Jules, right?
Oh, he got you caught up too?
[Trackson chuckles]
What the hell
are you talking about, Kimmie?
See, I knew it. I knew it.
You one of them.
He don't got you caught up.
-Nobody's got me caught up.
-Exactly. I know that.
-You just like him. Just--
-Come on, Kimmie.
-What?
-I know what you're doing.
I'm not doing anything.
I don't know where your sister is,
but I'm taking you to Jules.
All right, whatever.
-You're right.
-Yeah.
I know I'm right.
Whatever you thinking about doing,
Kimmie, would be a mistake.
I'm not thinking about doing anything.
-Yeah, okay.
-I'm just trying to be safe.
What you gonna do? Grab the wheel? Huh?
-No.
-You do that, we'll both die.
Why you driving so fast?
[dramatic music playing]
Ah, sh*t! What you doing?
[brakes screeching]
sh*t! Kimmie, what you doin'? Ah!
[metal clanging]
[unsettling music playing]
[both grunting]
You stupid b*tch!
[dramatic music playing]
[creaking]
♪ Ooh-wee ♪
♪ Uh ♪
♪ Uh ♪
♪ Ooh ♪
♪ Uh ♪
♪ I always succeed in spite of setbacks ♪
♪ Always looking fly
It's like I'm jet-lagged ♪
♪ Never following, I plot my own maps ♪
♪ They call my girls chain show
'Cause you can get your chain snatched ♪
♪ Ooh, I know they love me
And too many wanna wife me ♪
♪ I'm a danger to the game
Even the police tryna fight me ♪
♪ They could go bowlin'
But they rather would strike me ♪
♪ These haters movin' left
But they know that I'm a righty ♪
♪ I go with my gut, f*ck a tummy tuck ♪
♪ Bringing all this fire
I need a fire truck ♪
♪ All my money green
I don't run out of luck ♪
♪ Tell 'em I'm a virgin
'Cause I do not give a f*ck ♪
♪ Ain't no stopping me, yo
All I see is green light ♪
♪ Green light ♪
♪ Ain't no blocking me, yo
All I see is green light ♪
♪ Green light ♪
♪ Ain't no one like me
'Cause there's only one of me, right? ♪
♪ Right? ♪
♪ Ain't no blocking me, yo
All I see is green light ♪
♪ Green light ♪
-♪ Ooh-wee ♪
-♪ Flex, flex, flex, flex ♪
♪ Flex, flex ♪
♪ All I see is green light ♪
-♪ Ooh-wee ♪
-♪ Flex, flex, flex, flex ♪
♪ Flex ♪
♪ All I see is green light ♪
♪ I face my fears and my challenges ♪
♪ Self-discovered
I know what my talent is ♪
♪ Livin' how I wanna handlin' my biz ♪
♪ I'm living my best life
Man, you should get like this ♪
♪ I don't work for money
Money work for me ♪
-♪ Cha-ching ♪
-♪ Was already poppin' in 2003 ♪
♪ It's like A, B, C, D, E
I'm a real G ♪
♪ F is for "f*ck you" if you disagree ♪
-♪ Mm-hm ♪
♪ Ain't no stopping me, yo
All I see is green light ♪
-♪ Green light ♪
-♪ Green light ♪
♪ Green light ♪
♪ Ain't no blocking me, yo
All I see is green light ♪
-♪ Green light ♪
-♪ Green light ♪
♪ Green light ♪
♪ I mean, ain't no one like me
'Cause there's only one of me, right? ♪
-♪ Right? ♪
-♪ Right? ♪
♪ Right? ♪
♪ Ain't no stopping me, yo
All I see is green light ♪
♪ Flex, flex, flex, flex ♪
♪ Flex ♪
♪ All I see is green light ♪
♪ Flex, flex… ♪
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01x12 - Hot Seat
Watch/Buy Amazon
Two women with contrasting lives become connected. One fights for survival after her mother forces her out while the other runs a prosperous company.
Two women with contrasting lives become connected. One fights for survival after her mother forces her out while the other runs a prosperous company.