No, no, no, I unequivocally vote
that we not alert
the authorities.
It's a crime scene, Fredwynn.
They're the police.
It looks like a crime scene,
I grant you that.
But as a youngish male
of a certain heritage,
I harbor a deep distrust
of law enforcement,
which I ask you all now
to respect.
And also,
I may be on some watch lists.
Well, should we be worried?
I-I always felt
I didn't know enough,
and now all of a sudden
I know too much.
I mean, do you think
they'll come for us?
They know
that we're onto them, yes.
Oh, that's certainly reassuring.
Okay, guys, I think we should
just get out of here
because this place is
really creeping me out.
[ Elevator bell dings ]
[ Slurps ]
Hey!
Hey!
Hey! Assface!
Where is Clara Torres?!
Ah, the point of no return.
That crucial moment in which
it becomes all too clear
that the only remaining path is
the one that leads forward.
No matter what perils
may lie in wait,
there is, as they say,
no turning back now.
At this point
in our entertainment,
it's possible
that you, too, dear viewer,
are experiencing
that inexorable tug,
that you feel, in the parlance
of bettors and gamblers,
"pot committed."
It is, I assure you,
a false construct.
There's always a choice.
Even now, at this rousing
narrative fulcrum,
there's nothing stopping you
from returning to life
as you previously knew it.
The mere push of a button
will set you free
to read a book, tend a garden,
or perhaps make love
to your spouse
while reading a book
in your garden.
Of course, should your curiosity
get the better of you,
should you, like our heroes,
foolhardy and unflinching,
forge onward
in search of answers,
I will not try to stop you.
At this point,
some of you are very much
a part of this story yourselves.
But be forewarned, when you heed
the hunter's horn
and set off on the chase,
be it white rabbits, waterfalls,
dragons, or dreams,
two vital questions will
inevitably arise --
How far are you willing to go
in pursuit of your query?
And what happens
if you actually catch it?
Oh!
Okay, well, this has been fun,
but I'm gonna see you guys
around, I guess.
Wait. No.
We can't just walk away.
The first 48 hours
are the most important.
Dude, I just wanted
to talk to dolphins.
I just wanted to dance.
No, that is not true.
That's a lie.
Gravity-free dance salon,
dolphin communication system,
they're excuses.
We all pulled a tab
for the same reason --
because we had nothing to lose.
And now there's someone
down there who needs our help,
and you're just --
you're just gonna walk away?!
Maybe I'm wrong.
I would rather believe too much
than go back to not believing
anything at all.
- Peter!
- Ohh!
- Peter! Peter, are you okay?
- Oh! Oh, gosh! Peter!
- FREDWYNN: Peter!
- SIMONE: Peter! Peter!
FREDWYNN:
Peter! Are you concussed?
Bear in mind
that you've sustained
several blows to the head
already.
[ Breathing heavily ] Okay.
That was a mistake.
Don't fall asleep!
I repeat, whatever you do,
don't fall asleep!
God. Oh, God.
CLARA: [ Echoing ] Peter.
Ohh! It's you.
No. It's not really you.
It's not. I know that now.
I need you
to remember that, Peter.
No matter what comes next.
Promise me, Peter.
I promise.
Promise me
you'll remember the truth.
SIMONE: Peter.
- Peter!
- Simone.
SIMONE:
Oh, thank God you're okay.
We couldn't find you,
and then I thought
I heard you scream, and --
Don't do that again!
- Sorry.
- God!
The Milkman. He's down there.
This way.
Ah, here it is.
Okay.
Uh, Peter! Peter! Wait.
D-Don't you think we should
arm ourselves with something?
W-We don't know
what we're walking into.
- Yes. Good thinking.
- PETER: Agreed.
- I have Mace on my key chain.
- Good. Good.
JANICE:
There must be something. Okay.
[ Glass breaks ]
- Great.
This cannot possibly surprise
any of you.
Okay.
I'll go first.
- Okay.
- Okay.
You're all just gonna say okay?
Alright.
If I don't make it back,
thanks for being my friends.
[ Door opens loudly ]
[ Peter screaming ]
- Oh! Peter!
- Peter?!
[ Pounding on door ]
- Peter!
PETER: You guys,
please don't leave me here!
- I'm being attacked!
- JANICE: Peter! Peter!
PETER: I'm being attacked!
- SIMONE: What's happening?
- JANICE: Peter! Oh, my God!
Peter, open the door!
Open the door, Peter!
- Peter!
- SIMONE: Peter!
JANICE: Peter! Peter!
- SIMONE: Peter!
- JANICE: He's being attacked!
SIMONE: Are you okay?
FREDWYNN: Fight, Peter! Fight!
Don't let them win, Peter!
Fight them! Fight!
Bite their necks! Fight them!
JANICE: Ohh.
PETER: Guys, you can come in.
Listen, um, I was wrong.
I wasn't being attacked.
Also, I never want
to talk about it ever again.
SIMONE: Okay.
- JANICE: Oh!
- FREDWYNN: What is this?
What the...
- FREDWYNN: HQ.
- JANICE: Yes.
- Heart of darkness.
- PETER: Guys, we are close.
- We're close. I can feel it.
- FREDWYNN: Wow!
JANICE: Look, dossiers.
- FREDWYNN: Let me see this.
- On the players.
FREDWYNN: I knew it. They must
have them on every player.
On all of them?
Strengths, weaknesses,
personality, topology,
medical records.
Wow! This person
does not like his mother.
- Let me see that.
- There must be hundreds of them.
Oh, my God.
They don't just have Clara.
- They have all of us.
- PETER: Hey.
We have to keep moving.
ALL: Dominae in artibus.
Omnes ave auctor est.
Dominae in artibus.
JANICE: [ Whispering ]
Fredwynn! Fredwynn!
ALL: Omnes ave auctor est.
Dominae in artibus.
Omnes ave auctor est.
Dominae in artibus.
ALL: Omnes ave auctor est.
Dominae in artibus.
Omnes ave auctor est.
Dominae in artibus.
Omnes ave auctor est.
Dominae in artibus.
Omnes ave auctor est.
Dominae in artibus.
Omnes ave auctor est.
Dominae in artibus.
Omnes ave auctor est.
Dominae in artibus.
- Hey. Psst. Hey.
- Janice.
- What is this?
- I don't know.
Someone grabbed me
and told me to put it on.
What's happening? What is this?
Is this the finale?
I don't know.
We have to stay focused.
This is about
finding the real Clara.
I say we wait here
till things heat up
and then we make our move.
Use the diversion against them.
ALL: Dominae in artibus.
Omnes ave auctor est.
[ Clears throat ]
We have brought
the Stone of Soteria,
a ransom worthy of our Queen.
Relinquish Clara now,
and all will be forgiven.
[ Chuckles ]
Nice try,
but Clara's worth more to us
than any earthly treasure.
Our silence cannot be bought.
We will chase you
to the ends of the Earth
until Clara is returned to us.
What the hell
are you talking about?
You -- You guys are the ones
who have Clara.
We're here to get her back.
Um, if we did have Clara,
do you really think
the Cage of Illumination
would just be
sitting there empty?
You're gonna keep her in a cage?
Just give us Clara, man!
She's gonna help us change
the world! She belongs to us!
Clara belongs to everyone.
She's an artist, not an asset.
MAN: Losers!
- Screw you, parasite!
- Lowlife!
- Lowlife!
[ All shouting indistinctly ]
- This is it.
- This is it?
- Now.
- Now?
That's it. Go.
[ Shouting continues ]
[ Thudding ]
[ Tone plays ]
[ Dolphin chattering ]
FEMALE VOICE:
Valkommen. Welcome.
Finally.
FEMALE VOICE:
And congratulations.
Look what you've become,
simply because a month ago,
you chose a color.
Tonight marks the culmination
of a profound journey
of mind, body, and soul.
To borrow a phrase, what
a long, strange trip it's been.
But please, don't think of this
as the end of your adventure.
What happens next
is entirely up to you.
Your future begins
in 5, 4, 3, 2, 1.
[ Crowd booing, cheering ]
Hello again, friends.
You are friends.
Even those of you who hate me
and everything I stand for,
perhaps you most of all.
Hello, Janice.
Wonderful to see you again.
Oh, Peter, Simone, Fredwynn,
so glad you could join us.
Now, for those of you
who regard me with distaste
or perhaps
something even stronger,
please allow me one last time
to plead my case.
I created my Institute
all those many years ago
with a singular purpose --
to promote
the betterment of mankind
through rigorous inquiry
and tireless industry.
I stand for the advancement
of the human race.
That's big talk.
[ Crowd booing, cheering ]
But that's all you con men have,
isn't it?
Empty words and empty hearts.
The Elsewhere Society
strives to liberate mankind
from the constraints
of consumerism and greed.
He wants to put a fence
around every idea
and charge admission for the
carnival of human experience.
And he wants to lead you
into the abyss.
Idealism without purpose
is the enemy of progress.
Invention.
Freedom.
Enterprise.
Anarchy!
Inspiration!
Joy!
DOLPHIN:
Since the dawn of time,
from the Stone Age
to the Space Age,
conflict has plagued mankind,
a constant
in all human endeavors,
pitting brother and brother,
sister against sister.
But now we must ask the most
important question of all --
Is there another way?
[ Loud thud ]
[ Crowd murmuring ]
Whaaaat?
He's a clone.
You know, 30% of twins
have a third sibling
that they absorb in the womb.
What?!
Loyal Jejune Associates...
Agents of Elsewhere,
we ask you now to turn,
look upon your fellows,
and think of them...
- as you.
- As you.
COMMANDER 14:
One side wants to worship Clara.
The other, to enslave her.
We must smash
these pernicious precepts.
That is your final task.
You heard him!
Let's smash this sh*t!
[ Crowd cheering ]
[ Cheering stops ]
Excellent.
Now, in the inner pocket
of your tunic,
you will find a Memory to Media
facilitation disc.
Please remove it and adhere it
firmly to your temple.
[ Electronic pulsing ]
Now concentrate.
Think of
your most enjoyable experience
on this whole journey,
your favorite memory,
favorite memories
of working together.
COMMANDER 14:
Ladies and gentlemen,
welcome to Radio Marshall House
Dispatches From Elsewhere.
Take a moment
to look around you
at the faces
of the other intrepid souls
you can now call family.
Fear not.
The Elsewhere Society is here.
I am Commander 14.
You've all been selected
as agents of Marshall House.
The keys to your cell
rest at your feet.
Reach down and unlock the door.
Emerge as free men and women!
CLARA: [ Echoing ] Promise me
you'll remember the truth.
Janice. Janice, stop it.
By working together, we will
water the soils of the spirit
and strengthen the roots
of our families and communities.
Oh, my God.
This whole thing
was a lesson in cooperation.
Barf.
S-Simone, look.
Ohh!
JANICE: Microfilm machine.
This, I can do.
Oh, we were a great team.
- FREDWYNN: That was impressive!
- PETER: Uh-huh.
FREDWYNN: Just wanted
to let you know that
just in case you bleed out
before we get there.
- PETER: Okay.
- FREDWYNN: Okay?
PETER: Yeah.
Uh, hang on a sec.
If all of that was part
of the game, then that means --
That means we've been playing
this whole time.
[ Electronic pulsing ]
But one will rise
above them all!
[ "Don't Stop Believin'" plays ]
♪ Just a small-town girl ♪
♪ Livin' in a lonely world ♪
♪ She took the midnight train
goin' anywhere ♪
Wait, where's Peter?
[ Crowd murmuring ]
- [ Grunts ]
No, Peter. No.
Oh, God! Aah!
Stop the music!
- Give me this!
[ Microphone feedback ]
Stop the music!
Please stop the music!
- That's not Clara.
[ Music stops ]
There is a real Clara.
That's not her,
but there is a real Clara,
and she is out there
and she is in trouble.
So, who's with us?!
Who's with us?!
Looks like
you've gotten carried away.
You seem to be confused.
Oh, I'm not confused.
I was confused.
I was. But now I'm awake.
I'm awake, and I am pissed off.
I'm pissed off because
I want to know the truth!
Calm yourself.
It's just a game, son.
Where is she, Octavio?
Jenny, lights, please.
[ Thudding, lights power up ]
[ Crowd murmuring ]
Oh.
No.
No, no, no. No.
Would someone tell me
what's going on?!
What is happening?!
What is happening?!
Someone tell me
what is going on!
Peter, stop.
I'm so sorry, Peter.
We were wrong.
No, guys.
Fredwynn, Janice, Janice,
Janice, please, come up.
Janice, I need a partner.
- I can't.
- Ja--
It's over, man. Come on.
Please.
No.
You told me I was special.
I said that to everyone.
You did a great job!
You were marvelous!
[ Clapping ]
[ Microphone thuds, feedback ]
[ Siren wailing ]
[ "You Shot Me
Through the Grease" plays ]
♪ In the morning,
when the sun comes up ♪
♪ I bring you coffee
in your favorite cup ♪
♪ In the evening,
when the sun go down ♪
♪ I was somewhere
hanging around ♪
♪ Four, five, six,
you put me in a trick ♪
♪ Seven, eight, nine,
you messed up my mind ♪
♪ Texas teaser
as a one, two, three ♪
♪ You shot me
through the grease ♪
OTHER PLAYER:
Check it out. It's the guy.
OTHER PLAYER #2: No way.
That guy definitely died
of humiliation.
[ Both chuckle ]
OTHER PLAYER:
Maybe it's his ghost.
- Ooooh!
- Stop.
I can hear you.
♪ Papers on our wedding day ♪
♪ I tried to treat her
like a lover should ♪
[ Laughing ]
It's fun! Hey, hey.
Alright, so, look, look, I'm not
saying that it wasn't great.
I'm asking, was it too great?
It's a valid question.
Yeah. I loved Smash Room.
- [ Gasps ] Me too!
- Yes, yes, yes, yes!
Yes.
I loved the sloth backpack.
[ Laughs ] Oh, yes, yes, yes,
and the dolphin was
so adorable and articulate.
Please.
That was obviously a puppet.
They really should have used
a more producible animal.
- Well, yeah.
- You're the Wedding Lady, right?
Yes!
- Yes.
- Oh, yeah, that's right!
Hi! Hi! I-I'm Janice.
Nice to meet you all.
Ohh, I think it's really cool
that you made it
all the way to the end.
Yes. Cool. I'm cool.
My grandma
can barely make it through
an episode of "Wheel of Fortune"
without falling asleep.
[ Chuckles ]
Good for you, Janice.
So, anyway, I agreed with most
of the thematic commentary,
but at the same time,
I deeply resent --
So, I have so loved
this conversation.
Just loved it.
But I-I've got to go.
My friends are
probably looking for me.
So, enjoy
the rest of your evening.
I-I've loved talking to you.
- See you around! Bye!
- Bye.
So, by "friends," can I assume
you mean the other young people
randomly assigned
to tolerate you?
Stop it. They're my friends.
Right. Sorry.
So, where are they?
You know,
since you're such good friends.
OCTAVIO: Honestly,
my agent had reservations,
but I said, "Stu, this is
the role of a lifetime!"
[ Laughter ]
So, are -- are you the one
that played Octavio
or Commander 14?
Do you mind?
We have business to discuss.
Sorry.
Thank you.
Truthfully,
we switched back and forth.
But between you, me,
and the six other people
I've said this to so far,
my Octavio...
just had a touch more gravitas.
I like to think of him
as Octavio Prime.
I'm Chucks Dorp.
- Chucks?
- Correct.
My brother and I
are both called Chuck,
so professionally,
we go by the plural "Chucks."
Hmm. So, are --
are you just an actor,
- or are you involved in --
- Just an actor?!
Hardly!
I'm into a lot of areas,
a lot of zones.
No, I mean in the game.
Were you part of the design
and the concept?
Because I have some questions.
One, were we the only team
to discover the m*rder track?
And if not,
exactly how many other teams
were able to reach
that level of game play?
And two, for what purposes
was our data mined?
And as a follow-up question,
to whom should my attorney
address all lawsuits
and injunctions
regarding said collected data?
- And three --
- Whoa, whoa, partner. Whoa.
- Are you okay?
- Yes.
I was wrong,
which very rarely happens,
so when it does, the only way
that I'm able to move on
is I have to know exactly what
I got wrong, when, and why.
Sounds like you should talk
to The Architect.
They came up with
this whole deal, man.
Yes. Who is this Architect,
and where do I find them?
Dunno.
Dunno anybody who does.
If I knew who they were,
I would have said
you should just talk to Pam
or Steve or whoever.
Now, let me ask you a question.
You know
where I can get some nitrous?
♪ No matter where you are ♪
- ♪ I'll be there in your heart ♪
- Running off.
Scotch.
Look, Elegant 'Squatch gets
that he was on your team
and all, but, um...
I am serious. I think what Peter
did was, like, really brave.
Dude straight-up ruined
the big Clara number
and then basically
started crying.
Admit it, that guy sucks.
Okay, for your information,
he opposite of sucks.
He blows.
Okay, well,
I walked right into that one.
But, no, Peter --
Peter's awesome.
He's funny...
and thoughtful and kind,
and he really listens to people
when they talk,
which, if I'm honest,
is a little unnerving at first,
but then it's just nice.
And it makes you realize
how few people
actually do that, you know?
[ Chuckles ]
And he's gentle.
Like, when he leans
on something,
he does it all careful-like,
like he wants to be sure
he's not gonna break it.
Geez.
Why don't you just
go marry the guy already?
What?!
No, it's not like that.
- I mean --
- Come on.
- No, no, no, no, it's --
- You're obviously into him.
Clearly,
this isn't gonna happen.
So, if it's all the same to you,
Elegant 'Squatch
is gonna circulate.
Um, wait.
Um, excuse me. Excuse me.
Hi. First of all,
this not happening
has nothing to do with Peter.
I mean, look,
was there, like, a split second
where maybe, possibly,
something could have happened
between Peter and I?
Yeah. Okay, fine. Maybe.
But it doesn't matter
because I told him
that I just wanted
to be friends.
And Peter is very literal.
Besides, he probably
just got, like...
caught up in the moment
or something.
You know, that happens.
Moments happen.
It doesn't mean
they, like, mean something.
I guess what I'm trying to say
is it's complicated.
You dig him.
He digs you.
Seems pretty simple
to Elegant 'Squatch.
♪ Moving this direction ♪
♪ So close ♪
JANICE: Fredwynn! Fredwynn!
Oh, Fredwynn!
- Hey.
- Hi.
Hey, does "The Architect"
mean anything to you?
No.
Okay.
Wait, wait, wait.
W-Where are you going?
The creator of the game,
the wizard behind the curtain,
I need to speak to them
because I have to understand.
And they're here.
I know they're here.
They have to be.
Did you know
that you can predict 99%
of all human behavior
if you ask one single question?
What's that?
"What would a serial k*ller do?"
And in this case,
they would lurk.
They would lurk around
to admire their handiwork.
- I see.
- So, they are here.
Fredwynn,
no, uh, uh, look, I'm...
I know we've had our differences
in -- in the past,
but maybe we could go together
to find this Architect person.
Well, if we split up,
we may cover more ground.
So why don't we just reconvene
in -- in an hour?
- Oh.
- Yeah.
Great.
Great.
[ Laughter echoing ]
[ Sighs ]
[ Sighs ]
♪ Don't change the plan ♪
♪ We made for two ♪
'Sup, P?
You got a hot sec to chat?
♪ I was meant for you ♪
Yo, Petri Dish,
remember when you said
that you saw me
and you heard music
and I said
that I couldn't handle that?
[ Chuckling ] Well, psych!
Okay.
I can do this.
It's okay. I can do this.
[ Chuckles ]
What?
I am a boundary-busting woman
making her way in the world.
I'm sure you are.
♪ Don't fool around
until it's too late ♪
♪ Don't hesitate ♪
Okay.
It's now or never.
Hey.
Petes.
Hey. Hey. Hey.
Do you have a second to, um...
dance?
Oh. Okay. Okay.
♪ Until it's too late ♪
♪ Don't hesitate ♪
♪ To show me
it's for lovin' you appreciate ♪
♪ Baby, don't fight ♪
♪ I wanna see you move tonight ♪
♪ Turn out the lights ♪
♪ Dancing is a human right ♪
♪ Baby, don't fight ♪
♪ I wanna see you move tonight ♪
- ♪ Turn out the lights ♪
- Come on!
♪ Dancing is a human right ♪
Come on! I know you got moves.
Let's see 'em.
I have one move.
This is -- This is my move.
♪ You've been trying
to fight that sound ♪
♪ You can't fight the beat ♪
♪ Ah, and I can tell
that you're here for help ♪
♪ Ooh, girl,
you're not foolin' me ♪
Chardonnay but nothing oaky.
♪ You've been bound
and broken down ♪
♪ Told who you were
meant to be ♪
How exactly
did you come to be here?
My mom is out of her depth
as my business manager,
and we're having
liquidity problems.
Plus, they guaranteed me
two solo numbers.
That isn't what I meant.
Who hired you?
I dunno.
You'd have to ask Jill.
- Who's Jill?
- My mom.
She's not here.
She's visiting my little brother
in rehab.
♪ I wanna see you move tonight ♪
How does a serial k*ller m*rder
and leave no trace?
♪ Dancing is a human right ♪
Easy.
Talk them into
k*lling themselves.
Not applicable but interesting.
Why aren't you
with your friends?
Oh, I don't have any friends.
People are too jealous
of my talents.
In my case,
people are intimidated
by my superior intellect.
Look, the way I see it,
if people can't handle this,
that's their problem.
So what if I'm challenging?
♪ Moving is the only way
to heal your heartbreak ♪
"So what if I'm challenging?"
So what?
"So what if I'm challenging?"
[ Children cheering ]
[ Laughs mockingly ]
WOMAN:
We have 10 minutes left.
Make sure
you use your time wisely.
Double-check your work.
When you're done,
please take your pencil
and your test exam booklet
and set them on my desk.
Yes. Yes, Comman--
I was just -- I was joking.
- I got you.
- Stop playing games!
Can we agree that I'm right?
I take that as a yes.
Let's go.
- Show me where! Where, where?!
- Fredwynn. Fredwynn!
[ Echoing ] You know what fun
is, don't you, Fredwynn?
CLARA:
If people can't handle this,
that's their problem.
What if it's not?
What if it's our problem, too?
Excuse me.
I have to go find someone.
Simone.
I know what you're trying to do.
And it just doesn't --
it doesn't make me feel good.
Okay. Uh...
[ Chuckles nervously ]
So...
you think it's over
between you two?
- Over over?
- [ Chuckles nervously ]
'Cause if you're not
gonna hit that,
Elegant 'Squatch
is all about the rebound.
She was taking pity on me.
She was just trying
to make me feel better.
Simone and I are -- are just...
- Just friends?
- Yes.
Jesus Christ.
What is it with you two?
It's like some kind of
psychosexual "Gift of the Magi"
but, like, even sadder.
News flash, buddy.
She's into you.
Wait, so, she --
- And then I --
- Yeah. Pretty much.
What do I do?
- What do I do?
- I don't know, man.
That was some stone-cold
rejection right there.
It's gonna take a hell of a move
to make up
for something like that.
[ "On My Own" plays ]
♪ And now I'm all alone again ♪
♪ Nowhere to turn,
no one to go to ♪
♪ Without a home,
without a friend ♪
♪ Without a face
to say hello to ♪
♪ But now the night is near ♪
♪ And I can make-believe
he's here ♪
♪ Sometimes
I walk alone at night ♪
♪ When everybody else
is sleeping ♪
[ Crowd murmuring ]
♪ I think of him, and then I'm
happy with the company I'm -- ♪
[ Microphone feedback ]
- Oh, not you again!
PETER: I need this.
You're gonna have to pry it out
of my adorable little hands...
- I don't want to have to --
- ...in front of all these --
[ Crowd murmuring ]
Sorry.
Hi.
[ Exhales sharply ]
♪ On my own ♪
♪ Pretending she's beside me ♪
♪ All alone ♪
♪ I walk with her till morning ♪
♪ Without her,
I feel her arms around me ♪
♪ And when I lose my way ♪
♪ I close my eyes ♪
♪ She has found me ♪
♪ In the rain ♪
♪ The pavement shines
like silver ♪
♪ All the lights ♪
♪ Are misty in the river ♪
[ Imitates river rushing ]
♪ In the darkness ♪
♪ The trees
are full of starlight ♪
♪ And all I see is her and me
forever and forever ♪
♪ And I [ Falsetto ] know ♪
♪ It's only in my mind ♪
♪ That I'm talking to myself ♪
♪ And not to her ♪
♪ And although I know
that she is blind ♪
♪ Still I say ♪
[ Normal voice ]
♪ Say, say, say ♪
♪ There --
There's a way for us ♪
♪ I love her ♪
♪ But when the night is over ♪
♪ She is gone ♪
♪ The river's just a river ♪
♪ Without her ♪
♪ The world around me changes ♪
♪ The trees are bare
and everywhere ♪
♪ The streets
are full of strangers ♪
♪ I love her ♪
♪ And every day I'm learning ♪
♪ All my life ♪
♪ I've only been pretending ♪
♪ Without her,
this world would go on turning ♪
♪ A world
that's full of happiness ♪
♪ That I have never kno-o-o-wn ♪
♪ I love her ♪
♪ I love her ♪
♪ I love her ♪
♪ But only ♪
♪ On my ♪
♪ Own ♪
I'm really, really sorry
about before.
I thought you were trying
to make me feel better and --
Shut up, Peter.
[ Slow piano music plays ]
Have you seen Janice?
Actually, I know you haven't
because she's not here.
I looked.
In conclusion,
Janice is missing.
Oh.
I mean, maybe she just left
without saying goodbye.
No way.
Janice wouldn't ghost.
So, we're gonna
go find her, right?
We're friends.
That would be
a friend thing to do.
Definitely.
And a friend
would do it quickly.
Oh.
Oh. Okay.
Driver, are you getting closer
or further away?
Hi.
Hey. Hey, sorry.
Um, have you seen
my friend Janice?
Hey. Sorry to interrupt.
Um, I'm Peter.
I'm the guy who sang.
Um, have you guys
seen my friend Janice?
The old lady.
Have you seen the old lady?
You all look old to me.
Unh-unh.
- No.
- No.
Hello.
Hello!
Hello! Hey!
Hey, hello!
Hello, Janice.
Hi.
It's you, isn't it?
You're The Architect.
How did you know?
I don't know how I know.
I just know.
I'm sorry we ruined your game.
What is it you want, Janice?
I guess
I just want to find Clara
and her friends and Elsewhere.
I-I know. I know.
They were all
just a part of the game,
but Clara Torres was real,
wasn't she?
I guess I just wanted the --
the truth.
I suppose you deserve that much,
at least.
The truth is that Clara is dead,
and it's all my fault.
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01x07 - Cave of Kelpius
Watch/Buy Amazon
The series, set in Philadelphia, Pennsylvania, follows "a group of ordinary people who stumble onto a puzzle hiding just behind the veil of everyday life.
The series, set in Philadelphia, Pennsylvania, follows "a group of ordinary people who stumble onto a puzzle hiding just behind the veil of everyday life.