Welcome to our World! Where we serve you cookies to ensure you get the best viewing experience on our site.

Did you know that you can remove censorship board-wide, use our advanced search functions, be notified when new content is posted, join our memberships, set episodes to show in any order you want & more if you are logged into your account?

Register or sign in here: ucp.php?mode=register

01x02 - Episode 2

Episode transcripts for the TV show, "The Sister". Aired: 26 October – 29 October 2020.*

01x02 - Episode 2

Post by bunniefuu »

If somebody knows

what happened to Elise,

if anyone has any idea

where Elise might be,

we beg you to please get in contact.

There must be somebody who can help.

'Three years ago,

I lost my little sister, Elise.

'She went out one night to a party,

and she never came home.'

They're digging up the woods.

So, who was that?

Er, Bob.

'You might remember Bob

as the expert

'on all things that go

bump in the night.'

'Call me back

when you've given it a listen.'

ELISE ON RADIO: 'I'm not dead!'

Is she breathing?

Stand back! Stand over there.

What did you do?!

We have to move it.

I can't

And what about Holly?

Oh, you stay away from Holly.

If you're here, do something.

You sure you don't mind?

Why would I mind?

I dunno Some people might.

You should talk about her.

I talk about her all the time.

You think about her all the time.

Oh

I dunno.

It's not a words thing.

I'm not good with words.

I just

I just like feeling

like she's around.

Does that make sense?

Yeah.

I talk to her sometimes.

Yeah?

Quite a lot, actually.

When mum's getting on my nerves.

Problems at work. You.

She was the first to know about you.

Ah!

Seriously. I told her,

"I met this bloke today.

"He was like an abandoned puppy

that needed rescuing."

Wow You were probably right.

Yeah, I know.

So do you feel rescued?

I do. I feel rescued.

Good.

PHONE DIAL TONE

ANSWER PHONE:

'Hi, you've reached Holly.

'I'm sorry I can't take your call

right now,

'but if you leave a message,

'I'll get back to you

as soon as possible. Bye.'

BEEP

Babe, it's me.

Er

I don't want to seem an old woman,

but it's ten past nine,

and you said

Listen, I hope you're OK.

Just give me a call

to let me know you're OK.

DOOR BANGS

I'm so sorry!

Jesus Christ. Where have you been?

With Dave Sarkissian.

He swears he's about to make an

offer on those bloody retail units.

You said seven o'clock!

I know. I know, I'm sorry.

I've been texting.

I bet you have!

It's not funny.

Too bloody right, it's not.

I lost my phone, by the way.

Lost it where?

If I knew that, it wouldn't be lost,

would it?

Honestly, what a night.

Dave Sarkissian's late,

then he goes on for hours and hours

and hours.

By the time I get away and

Are you OK?

I'm good. I was just a bit worried.

And I knew you

wanted to have this talk, so

Yeah.

So

..are you still OK to do that?

We can wait.

No, it's fine. Now's good.

So, yeah I got my period.

I had a good feeling.

I thought, this time, it would take.

"Take". Jesus. What a word.

And there's the money.

Oh, the money doesn't matter.

We'll get the money. We can

I I dunno. We can keep trying.

Honestly?

I'm not sure I can.

Oh, OK.

I mean, every time, it feels like

I don't know. Bereavement's

probably too strong a word.

I know it's stupid.

Because they were never real.

They were never really there.

But you were hoping so much.

It was like you could feel them.

It's like you've lost something.

Does that make sense?

It does, yeah. It makes sense.

And I just I can't keep

putting us both through it!

Just hoping so much,

then losing them.

I just can't do it.

SHE SOBS

If you want to stop, we can stop.

But if you just wanna, like,

just take a breath,

we can do that, too.

We can go on holiday. Go to Greece.

Bit of sun. Drink Retsina.

Throw up in a bidet.

We can do whatever you like.

All I care about is you.

I just want you to be happy.

It's the only thing I care about.

MUSIC: 'Ooh La La'

by Goldfrapp

Hello, gin and tonic. Please?

Well, thank you!

Mate! How are you?

I didn't know you were coming.

Oh, I know. Neither did I, really.

What made you come along?

Erm, well, I was meant to go to

this other thing I was invited to,

but my ex-girlfriend was going

with her fiance, and yeah.

So, here I am. Billy No Mates.

Right. Ouch.

Yeah, well. Er, cheers.

To be honest,

I'm not even sure I like parties.

I don't think anyone does.

Not really.

Do you know what helps with that?

Not liking parties?

No. What?

Drugs.

Yeah?

All right.

So you do believe it all?

You really believe in ghosts?

Like, actually believe.

It depends what you mean

by "believe".

About 80% of the recently bereaved

experience what's called

a "post-bereavement

hallucinatory experience".

Eight out of ten people

will see the ghost

of a person they lost.

Their mother, their father,

their wife, their child.

Now, they could be experiencing

an objective phenomenon.

Or it could be purely psychological.

Or it could be something in-between,

who knows?

Either way, the question

is not whether ghosts exist -

of course they exist.

They're part of our experience.

We see them, we hear them.

We sense them.

The only question is

..what are they?

We ask only to be reassured,

about the noises in the cellar

and the window

that should not have been open.

So, where does all this come from?

How did you get into it?

Ah, the most predictable way

possible, I suppose.

Yeah, what's that?

When I saw one.

One what?

One what do you think?

HE EXHALES DEEPLY

What? Actually?

Actually.

Shall we head back then?

Back to the party, show our faces?

MUSIC: 'Over And Over'

by Hot Chip

MAN: 'Seriously?'

BOB: He's a professor at Copenhagen.

Basically,

reproduces poltergeist phenomena,

right there in his lab.

Things levitate,

fly across the room.

It's like

It's like he's built a room

inside a kind of

electro-magnetic chamber.

MAN: 'Here we go, ladies and

gentlemen, is everybody ready?

CHEERING

CROWD: 'Five four three

two one'

CHEERING

Happy New Year!

Hello.

Hello.

Erm, boss, before we step inside

Is everything OK?

I, er

I actually know

the missing woman's family.

OK.

Well, the sister, really.

She and I were

in the same year at school.

Is it gonna be a problem?

Absolutely not. No, not for me.

Then I think we're probably good,

don't you?

OK Cheers, boss.

So, Mr Redman,

I expect you'll have gathered

why we're all here?

We're investigating

the disappearance of Elise Fox.

So, if you wouldn't mind

taking us through

exactly what happened that night?

Absolutely, please. Of course.

So, what took you to the party?

Ah, the host. My boss.

It's sort of an annual fixture.

He invites all the other DJs

and their staff

and basically

everyone in his village.

It's sort of a thing.

Annual thing.

Since the '80s, I think.

And while you were there,

did you see or speak to Elise Fox?

Not that I know of.

That you "know of"?

Well, there's there's, like,

a million people there,

so, all night, you're like,

"Hello this, excuse me that,"

so, you know

I could've, you know, whatever,

said hello or something.

But if I did, I don't

I don't know.

So, how come you're, er

Leaving?

Yeah.

Oh, it's, er it's my ex, Richard.

Your ex.

Yeah. Although

he's not actually

getting that message.

He thinks we're more like

Ross and Rachel.

Oh, right.

Yeah.

But we're not,

we're more like Rachel and Gunther.

OK.

Let's go over there.

Happy New Year.

Happy New Year.

Er, Bob, this is Elise. Elise, Bob.

Hello, Elise. Happy New Year.

Happy New Year.

So, where are you two thrill kids

headed?

Just y'know home, really.

Home? Oh, come on.

The night's young, surely?

There must be somewhere local

we can grab a drink?

I mean, The Wheatsheaf's

got a late licence.

We could go in there

and see if we could get something,

if you fancy it?

The Wheatsheaf.

Excellent idea.

So, who's up for The Wheatsheaf?

Come on, it's a bit embarrassing,

going home this early

on New Year's Eve.

Now, that's two for The Wheatsheaf.

Nathan?

Yeah, all right, sod it.

Three for The Wheatsheaf.

OWL HOOTS

THEY LAUGH

So, you can't get taxi,

you're walking to the train station.

This bloke, Bob, comes driving past.

Er, yeah. He was just on his way

home, and he stopped to pick me up.

And you were alone at his point?

Absolutely, yes. Just

Just me and Bob.

SHE LAUGHS

I'll drink to that.

Does The Wheatsheaf

have any drug-taking facilities?

Erm, not as such, no.

But they'll do you

a Cumberland sausage.

Then how about we stop off en route

for a nice little top-up?

Yeah, just to backtrack a bit

you're absolutely sure you

didn't see Elise Fox at this time?

Yeah, well, like I said,

I don't know if I saw her or not.

I-I-I don't know.

It was really busy,

and there were so many people there.

And how do we know this place?

Locals call it "The Hollow".

It's like lovers' lane or something.

In the summer, anyways.

Yeah, why? Why only in summer?

Cos it's haunted.

Haunted? By whom?

A grey lady.

Like a witch or something.

Yeah?

Mm-hm.

She's got this awful expression

on her face, like she's terrified.

You ever seen her?

Yeah, right!

SHE LAUGHS

I bet there's a river nearby,

though.

How'd you know that?

There's usually running water

near haunted lanes.

Oh, and he's off!

Wait, what? Shh.

Why is that? The water?

Who knows?

Maybe electrical currents

interfering with brain activity,

especially the temporal lobe.

Could be infrasound.

Mm-hm.

Yeah. How come?

It's pretty cool.

Exposure to low-frequency sound.

I'm talking around

18 cycles a second.

That's roughly the frequency

of a tiger's growl.

It causes a sort of

prey response in us.

Gives rise to a lot of unpleasant

physiological effects -

shivering, anxiety, breathlessness.

A sense of unseen danger,

of being watched.

Like we're being hunted.

All you need to create the effect

is to make

the right kind of standing wave.

Like when you do this.

LOW-PITCHED HUMMING

HE SNORTS,

THEY GIGGLE

It's a bad joke.

No, I don't mind.

A little reckless?

Yeah.

Yeah?

Mm-hm.

My bladder's gonna explode.

I'm going for a slash.

Grey Lady.

Yeah, yeah, all right.

WHISPERS: Witch.

Leave some for me. Back in a tick.

Actually, I might be a while,

so y'know, whatever.

Is he gone?

Yeah.

THEY GIGGLE

SHE SNIFFS

SHE SNIFFS AND EXHALES

Happy New Year.

Her ex told us

she may have taken drugs,

so is there any possibility,

during the course of the evening,

that you sold ill*gal drugs,

or gave ill*gal drugs

to a woman

who might have been Elise Fox?

Absolutely not.

No, why, why would you even

Why would you even think that?

Do I need to call someone?

Do I need a lawyer or something?

You're absolutely free

to call counsel, of course.

But you're not really

in trouble here.

We traced your movements.

You what? I'm sorry?

This is you and Mr Morrow,

on your way home at 4:12am.

OK.

Elise Fox was last reported alive

around 4:30am.

That's 18 minutes later

and 30 miles away.

I'm sorry?

Elise Fox was heard banging on

her ex-boyfriend's bedroom window.

Crying, demanding to be let inside.

Apparently, very distressed

and confused.

Sorry, I don't understand.

W-What do you mean?

What are you saying?

That she was alive, Nathan.

Long after you got home,

she was alive.

So you're not a suspect

in her disappearance.

HOLLY, IN HIS HEAD:

'I'm really sorry.'

'I don't know what to say.'

'Don't worry, no one ever does.

Thanks for the drink.'

I'll give you a call.

Look, erm, best not.

Mr Fox?

Yes?

Er, hi, I'm Nathan.

I'm a friend of Holly's.

Oh, ah

..I'm afraid she's not at home.

Oh, OK. OK, right.

Come a long way?

Ah, no, not really. Not too far.

Just Just from town, so

Well, she she shouldn't be long.

She's just running an errand.

Why don't you come inside and wait?

Well, are you sure?

I don't want to impose.

No. No, no, no, it's no trouble.

Be glad of the company.

Darling?

Darling, this is Nathan.

Nathan, this is Holly's mum, June.

Oh. Aren't those lovely?

Shall I put them in water?

Please, thank you.

She shouldn't be long. She's, um,

just getting Hetty seen to.

Hetty?

Our daughter's cat.

Oh Right.

Oh, er

Sit, please.

So how do you and Holly

know one another?

Nathan was looking to buy a house,

darling. They met that way.

Oh, I see.

We actually we went for a drink

a few weeks back.

Well sort of.

It didn't didn't go too well,

if I'm honest.

I'm sorry. The thing is, she's

been having a difficult time

of it lately.

Well, I-I know some of it.

It's just that she

DOOR OPENS

She told me, she mentioned it.

HOLLY: Who's car is that

in the drive?

Tea, darling?

Gasping.

Oh

Go on.

Darling, why don't you

show Nathan the garden?

What did you think you were doing?

What could I do? They asked me in.

But why are you even here?

Look, I'm really sorry. It's

It's just,

you wouldn't take my calls.

So you come to my house?!

Not with any expectations.

And that's OK, is it?

I didn't mean to upset you.

Look you can see, right?

Why it might be upsetting for me,

to have someone do what you did?

We're not a normal family.

Things aren't normal for us.

Yeah, I'm really sorry.

It was stupid.

Yeah, it really was.

I'm sorry I didn't take your calls.

Doesn't matter.

Of course it matters.

Oh, my God.

What?

If I don't ask you to Sunday lunch,

they'll never forgive me.

Oh, here he is, then. The groom!

ALL: Hey!

Hello, hi.

Er, these are for Jacki.

He hasn't met Jacki yet.

She's not here yet.

She's always late.

She'll be late for the wedding.

It's all right.

Sit down. I'll take these.

Come, sit.

Oh, hey.

Hey, how are you doing?

We work together.

Hey, nice to meet you.

Hi, nice to meet you, too.

Oh, at last!

The maid of honour

makes an entrance!

CHEERING

Sorry, sorry, sorry, sorry.

Nathan?

Jacki?

GLASS CLINKING

So, I'm smoking. Is anyone smoking?

Nathan? Are you are you smoking?

Er, actually, I'm all right.

It's cold out.

OK. Er, let me say it another way.

Erm please join me outside

for the bit where the Best Woman

delivers a warning speech

ALL: Ooh!

..to the groom.

ALL: Ooh!

You're in trouble, mate!

She doesn't know.

No.

You have to tell her.

Tell her what?

Oh, ah that you were there.

That night.

Well, yeah, me and about

300 other people.

Yeah, that.

And what's it gonna achieve?

It's not about achieving anything,

it's about her knowing the truth.

But why?

Because you're lying to her.

Look, when I met her,

she didn't talk about it.

Obviously,

I knew she had this thing,

that something had happened,

but I didn't know what it was,

cos she didn't talk about it.

And by the time she did,

it was too late.

I didn't want to ruin it.

Me and her.

I wasn't trying to deceive her,

for Christ's sake.

I just I didn't wanna hurt her.

Look, all I want to do

is to make her happy.

Literally, honestly,

that is all I want in the world.

And she is! She's happy.

You saw her in there.

She's happy.

I won't let you hurt her.

I won't. And I couldn't.

Cos if you do I'll bury you.

PHONE VIBRATES

Hello?

Nathan?

NATHAN:

'How did you get that phone?'

Chicken balance box

and the double espresso?

Magic.

Bob, I swear to God. I swear

I told you, it can't wait any more.

It has to be tomorrow.

'We have to move her, Nathan.

We have to.'

CAMERA SHUTTER CLICKS

CAR REVS

Who is that?

REVS

Here's Graham.

Bob. Please don't.

Who is it? Can you see?

No.

Call the police.

I'll go and have a word.

Darling, you should call the police.

And say what?

Be careful.

I think Graham's on his way down

to have a word with me.

'What should I say to him

when he gets here?

'What should I tell him?'

Bob, stop.

'Do you want me to tell them,

Nathan?

'Do you want me to tell them

what you did?

'That you buried Elise?

'That you put her in the ground?'

Bob, please!

You've got about five seconds.

GRAHAM: 'Can I help you?'

HE SIGHS

Bob, come on!

Hello?

Four seconds.

Just, Bob, stop! Just

Just leave it alone!

Two

'This is my property.'

One

Argh! All right!

All right! All right!

Tomorrow night?

Yeah Yeah, tomorrow night.

Tomorrow night.

Now, just leave him alone!

Excuse me, can I help?

So, where did you tell her you'd be?

Let's get this straight.

If you threaten my family again,

I'll k*ll you.

I'll wipe you from the face

of the f*cking earth.

They'll never find you.

All right?

It'll be over soon.

Is she breathing? Is she breathing?!

Stand back! Stand over there.

What did you do?

What did you do? What did you do?!

BOB: 'Look at her!

What did you do?!'

I used to come here sometimes.

Why?

You never did?

No, Bob. I never did.

Why would anyone?

I don't know.

To make it real?

That's the thing

I don't want it to be real.

So, when's Nathan joining us?

Oh, he's not tonight.

He's dealing with

a bit of a situation.

Oh, really? What situation?

He's had this old mate turn up

out of the blue.

Work friend?

No, someone from the old days,

I think. Nathan hardly knows him.

But this bloke's

in pretty dire straits.

Mentally sort of thing.

Oh, poor old Nathan.

Well, that's all well and good,

but we're in schtuck

without a fourth.

Oh, didn't I say?

Jacki's stepping in.

Oh, lovely! How's she keeping?

She's good. Much the same.

Still no boyfriend in the picture?

Honestly, Mum, I really don't think

that's gonna happen, do you?

Well, you never know.

But as long as she's happy.

Hi. So sorry I'm late.

Lovely to see you.

So, who's my partner in crime

for the evening?

It hurts you even have to ask.

Oh, come here! Good to see you.

Where shall I sit?

I'd sit

OK. Wine?

Was it true?

Did you see her? Elise?

Standing at the end of your bed?

Come on. Give me a hand.

Thank you.

Are you OK?

Course. Why?

You've been checking your texts

every five seconds.

SHE CHUCKLES

Bloody hell, Inspector Morse.

It's just Nathan,

hasn't been himself.

He's on edge.

Actually, his nightmares are back,

and that's always a sign.

Nightmares about what?

It's just a thing with him.

It happens when he's stressed out.

He talks in his sleep.

Sometimes, he cries.

Sometimes, he, like

sits bolt upright,

and I'm like, "Whoa!"

And he'll look at you

..but nobody's home.

He never remembers it

in the morning.

Well, has he seen a doctor?

Yeah, about a million times.

He's got sleeping pills,

but he doesn't like to take them.

Why not?

In case there's a fire

and I'm unconscious,

and he has to rescue me.

No.

SHE SNIGGERS

Yeah.

He might seem pretty sane

on the outside.

Underneath, he's basically mental.

And there's also this bloke.

What bloke?

Nathan's mate. Bob.

And who's Bob?

Some bloke from years ago,

apparently.

He basically

turns up at the door one night.

And since then

He's got a few issues mentally,

or whatever,

so it's sad, really.

But he's really getting to Nathan.

What is it?

NATHAN'S VOICE: 'Yeah,

he was just on his way home,

'and he stopped and picked me up.

'Well, like I said,

I don't know if I saw her or not.

'I-I don't know,

it was really busy'

JACKI: 'And this bloke Bob

comes driving past?

'Yeah, he was just

on his way home,

'and he just stopped to pick me up.'

'And you were alone at that point?'

'Absolutely, yeah.

'It was just me and Bob.

'Just me and Bob.'

VIDEO REWINDING

'Just me and Bob.'