Sadali (2026)

[bunniefuu]

My name is Sadali.

I paint with words.

Sometimes color is not enough

to express everything.

I was born in Bukitinggi.

A cold town, with a warm heart.

That's where I met my first love.

Arnaza.

Sadali, will you be my son-in-law?

Then I went to Jogja,

where they say dreams

can flourish like flowers.

I'm looking for a room, not a house.

I'm renting out a house, not rooms.

- May I look around?

- For what?

Maybe I'll find what I'm looking for.

How did you know this house is for rent?

From the campus' bulletin.

You're the institute of arts kid?

I'm my parents kid.

Your joke is so old-fashioned.

My name is Mera.

I was planting hopes,

but got a new love instead.

Mera.

That woman, who's complex and strong,

she became my inspiration

Of painting, writing, and also hope.

Arnaza, I hope it doesn't take a million

years for my letter to reach you.

What are you talking about, dear?

You know that light from a star

will arrive on earth

after traveling for a million years.

By the time the light arrives on earth,

the star itself has died.

TO LOVE WITH SURRENDER

Reality didn't walk

hand in hand with hope.

Mera disappeared

from the face of the earth.

I looked for her,

and every trace of her ended in silence.

It's as if

she didn't want to be found.

Now, here I am,

wishing for time to help me forget.

Though I know in my heart,

the ones I want to forget

are the ones who stay.

This is your first

solo exhibition, Sadali?

You never had one before.

I've never had a solo exhibition.

Usually, it's with other painters

because I fear being alone.

What will you express in your exhibition?

It's still a secret.

The late Mr. Jim would be sad

if he could see

his favorite painter like this.

AN OLD LOVE THAT NEVER ENDS

I've forgotten how to feel uneasy.

I've stopped feeling restless,

stopped hoping.

Eventually, I stopped feeling anything.

Anything.

EVERY PLACE YOU'RE WITH ME

BECOMES THE SAFEST PLACE IN THE WORLD

SADALI

Arnaza, what are you doing here?

Mr. Akbar, your boss

He's into paintings, isn't he?

Yes. He's about to make his speech.

Come.

He's a partner.

Mustofa.

- How are you?

- Good, sir. My wife, sir.

Hello, sir.

Ma'am.

- Hello, ma'am.

- What do you think?

Nice? Lively?

- Very lively.

- Yes.

- How is it so far?

- It's been very fun.

Yes.

- Shall we go inside?

- Yes. Please, sir.

- Ma'am.

- Come!

TWILIGHT ALMOST CAME

EVERY PLACE YOU'RE WITH ME

BECOMES THE SAFEST PLACE IN THE WORLD

Here you go.

You'll make the table thin, Sadali.

You paint on it, then you erase it,

and then you paint again, and erase again.

So don't erase it.

Sadali's work is expensive.

Say that to my boss.

Latifah, how far have you come

with your painting class?

I barely started.

Sir, please.

You should drop by at my place.

When I have a day off.

- Sadali.

- Budi.

- You're okay, Budi?

- Healthy and good.

Latifah.

Some beer for you?

I can't, my friend.

I've been sober for some time.

Just water.

Just a moment.

Since when have you

stopped drinking, Budi?

An hour ago?

Living in Jakarta has made me

a better man, Sadali.

- Please.

- Thank you.

You've always been a better man,

even when you're boozing, Budi.

I met Mera in Jakarta.

She's living in Jakarta now?

Maybe.

I didn't ask.

We just saw each other briefly.

Mother!

Mother!

Hi.

You come home so late, my dear.

Yes.

-Mother, guess.

-Okay.

Who won the painting competition

at school today?

- Not you, right?

- It's me, Mother.

- Where's the painting?

- Displayed at school.

Wow!

What did you paint?

My favorite object.

Favorite object? What could it be?

Guess.

A pineapple tree?

- It's you.

- Me?

- Yes.

- Sure?

You're the source of endless inspiration.

- Says who?

- Somebody.

- Want something to drink?

- Yes.

- It's very hot, isn't it?

- It is.

- Kikan?

- Hi, Jessica.

Hi, Kikan. Hi, ma'am.

What happened with your face?

- The usual stuff.

- Had a fight with your father?

Yes.

- Okay, I'm going to the front office.

- Yes.

Arnaza.

You miss Bukittinggi, don't you?

You want to go there tomorrow?

I will always miss Bukittingi, dear.

But no need to go there.

You're busy with work also.

What about a holiday?

Hmm?

Aren't you busy with work, dear?

See? You do want to go on holiday.

Your face is beaming with joy.

When?

I'll let you know.

I must wait until Mustofa

gets permission from his office.

Why don't you come here first?

We'll go sightseeing.

Your husband can come later.

Interesting.

Will he let me, though?

Ask his permission, Arnaza.

Okay, then.

Listen to the sound of your sigh.

Why?

The sigh of someone

in need of entertainment.

Ah, Latifah.

I have to go.

Oh, okay. Go ask.

Sadali?

Sadali?

Sadali?

THIS HOUSE IS SADALI'S STUDIO. IT MAY BE

SMALL, BUT AT LEAST IT'S HIS OWN PLACE

The first one. The rest will follow.

HOLDING ON FOR WHO KNOWS HOW LONG

Is this really your painting?

I can't see your personality in here.

Two months.

You have two months.

It's not a short time.

I'm warning you.

Let me.

Thank you.

Latifah?

Arnaza!

I missed you.

I also missed you. You look so beautiful.

And so are you.

- Please, Arnaz.

- Thank you, Latifah.

We have just a short time

before Mustofa arrives?

Yes.

Why don't you take a day off tomorrow

so we can hang out and sight see?

Say yes.

Well Come on.

You still act like a spoiled kid.

I wonder how you're allowed

to travel on your own.

Mustofa was actually about to go with me,

but then his work interfered.

He asked me to postpone the trip.

Of course, I disagreed.

And I pulled out that spoiled kid act.

You know, Sadali still drops by

from time to time.

I almost lost it.

I had to restrain myself.

"Hey!

It's my friend whom you've hurt!"

I've let go of my pain.

Are you sure?

I know you so well.

That's why I was confused

when you accepted Mustofa's proposal.

Please eat.

Thank you.

Mera asked for my number.

She said in case she needs someone

to photograph her wedding.

I've been looking for her

for so long, Budi.

So it's been that long also to not

explain what happened three years ago?

Check it out. Latifah,

take a picture over there.

Okay.

Excuse us.

Let me take your picture.

Take my picture in this spot.

One, two, three

Change pose.

So pretty.

- Mother.

- Hmm?

I read in the paper today.

There's news about Uncle Sadali.

He'll hold a solo exhibition here.

- Mother?

- What?

Yes, I heard you.

Latifah?

- Good afternoon.

- Good afternoon.

You're finally here.

- Hello.

- Hello.

Can we take a painting class now?

Oh, sure you can. Can do.

- Come, follow me.

- Please

I can't draw.

You can learn.

This one is good.

You must draw with conviction, miss.

Yes.

- Complete the drawing, okay?

- Yes.

You're here, still bringing

that aroma of confusion.

- Brother?

- Yes.

You have any plans tonight? I want

to come along and have some booze.

You take one gulp and then vomit.

I want to search again, brother.

The anger, the longing,

feelings of insecurity.

My problem is

I've once decided to stop searching,

I stopped getting angry,

and I've stopped longing.

So how do I start all over again?

It's difficult, Sadali.

If you believe she will not return,

then she won't.

Who's talking about a woman?

What else can make you like this?

A cat could.

Or a worm.

Let me ask you.

Do you love the worm?

Or do you hate the worm?

- I don't know.

- You're hopeless.

No wonder Bayu is restless. He thinks his

artist is not ready to have an exhibition.

Love

And hate are different, Sadali.

You couldn't even answer my questions.

Yes.

But the difference between them

is just a few millimeters.

Okay.

Here we go

Would you prefer to go by online taxi?

You'll be late.

The Darsana painting course

is open all day.

We can just go and enroll.

Okay.

Tomorrow, why don't you drive me

using the car from the farm?

Okay, then. Now what?

Sadali, please don't paint

on the furniture.

Have some pity for the staff.

Their boss was scolding them.

Besides, you need to sign your work,

so your work is worth something

Be quiet, Sunar.

Latifah?

You want to order

something to drink or to eat?

- One juice for him.

- Juice?

Odd. Usually, you don't order anything

to drink or eat. You just paint.

Mango juice then.

Why is she so certain I'd have that juice?

- You don't like mango juice?

- One mango juice, please.

- Arnaza?

- It's okay.

Arnaza.

How are you, Arnaza?

I'm good.

You?

I'm good.

Your father and mother? How are they?

They're well.

Did you travel here on your own?

Arnaza?

Yes.

- What happened three years ago...

- I don't want to talk about it.

- We haven't talked about it.

- Talk about something else, Sadali.

Okay.

The price of chilies has gone up.

Yes.

The price of rice too.

Everything is expensive now.

That wouldn't be a problem for you, right?

You have to sell one painting,

then you can buy everything.

I'd be grateful

if I could buy myself chilis

because Sunar, my assistant,

doesn't like spicy food.

What does he like?

He likes bitter food.

That's why he sucks oranges.

Orange peels.

Just got inspiration?

So many things in my life

don't have closure, Sunar.

They all need to be concluded

on the canvas.

LOOKING INTO THE PREPARATION OF THE SOLO

EXHIBITION OF THE TALENTED SADALI

- Good morning.

- Morning.

That's odd. You're reading the paper.

You said it's filled with politics.

Yesterday's paper.

Thus said Sadali when interviewed in

Darsana Art Community House.

This is why you suddenly want to take

a painting course after school?

I might run into him.

It's about missing.

You miss him?

No.

You know-it-all

Why are you reading an old newspaper?

To find something about Uncle Sadali?

Am I right?

You're just a child.

You don't know anything.

I was a younger child three years ago,

but I've been learning.

- Kikan

- Mother

Very well. If you want

to learn to paint in Darsana,

just go on your own, okay?

I'm not driving you there.

I'll go with Jessica.

Okay.

- Kikan.

- Yes.

Let us meet through our own paths, okay?

- You understand, don't you?

- No, I don't.

You're a big girl. You should understand.

How did it end up like this, Mera?

Everything feels wrong now.

- Which one is wrong?

- Everything.

Who? What?

Is it us? We're wrong?

I don't want to use you

to fill the void in me, Sadali.

I don't feel I'm being used, Mera.

You will be trapped in my life,

which is already tangled and complicated.

Yet I willingly offer myself

to be trapped.

Who knows, maybe I can

untangle the mess, Mera.

You won't be able to.

At least let me try.

- Thank you.

- Yes.

Three years of effort to forget Sadali,

all gone to waste in one night?

Why did you come to Jogja?

Not because you miss me, right?

For three years, my heart

has been beating, Latifah.

To a beat that feels very uncomfortable.

Cut to the chase.

I already know everything.

I'm here to escape that heartbeat, Latifa.

Yet you know,

in here, close to you, there's Sadali.

What kind of escape is that?

I just need closure from Sadali.

Why didn't you get the closure last night?

You were beating around the bush.

You're running from memories of the past.

Yet you bring all the memories with you.

I need to leave for the airport soon.

To pick up Mustofa.

So your husband immediately left

after he arrived?

I don't know.

He said it has to do with his boss's wish.

He didn't ask you to come along?

It's me who didn't want to go along.

I'm not comfortable when he's at work.

Very well. I have to go back to work.

Mmm

Sunar, how could you forget

to tell me that Mr. Akbar called?

Oh. My apology.

And to you too Mr. Mustofa, right?

It's all right. I still could come inside.

- Please take a seat.

- Come.

How long have you worked for Mr. Akbar?

For the last three years.

I first met him during

a collective exhibition in Singapore.

He bought some paintings.

Including mine.

Therefore, when he found out

I was going to Jogja,

he asked me to go to Magelang,

to meet you.

And also to look around, in case

there are some paintings he might like.

- He asked you to be his eyes?

- No.

He asked to take pictures of your work.

If it's okay with you.

I can invite him to my solo exhibition.

Two months from now.

Yes. There are two months to go

before your exhibition.

- Have a drink, sir.

- Thank you.

So, you don't have anything

I can show to Mr. Akbar?

Give me a few days.

You wouldn't mind going back to Magelang?

Sure. We'll see each other again.

My father wouldn't believe

that I can paint.

Well, he doesn't believe in me

for so many things.

This is good.

FINISHED OR NOT, THOSE FEELINGS

STILL HAVE TO BE GATHERED

NO MATTER HOW

This is fine. Wrap it up.

It's done?

That's it?

What else?

Continue, Sadali.

You don't want to comment

on something? Elaborate?

My job is to convince

the gallery and buyers,

not the artist.

FEELINGS MUST BE COLLECTED

WHETHER THEY'RE DONE OR NOHello, Mera?

Hi.

So this is what it means by "going solo"?

- You and your stalking attempts.

- Hush.

- Hello, Uncle Sadali.

- Hi, Kikan.

There's my father's car.

Yes. You don't want to be all alone

with your father.

Ma'am?

Uncle Sadali, once the car is fixed,

you will take Mother home, right?

I'm going home with Jessica.

Kikan!

Mother

Go home. Be careful.

Bye.

- Bye, Mera.

- Bye.

Bye.

- Bye, Mother.

- Bye, my dear.

- Who are they?

- My neighbors.

Kikan and Jessica have been friends

since we moved here.

Kikan thinks she's Jessica's soul mate.

Jessica lives with her father,

and Kikan lives with her mother.

How are you, Mera?

Sadali.

Once my car is fixed,

I can go home by cab.

You don't need to wait for me.

I'll accompany you.

And I'll drive you home.

My house is near Jogja. It's quite far.

Which one is further away?

Your house or your past?

Not now, Sadali.

Not now, indeed. Later we can, right?

Your car will be fixed in one hour.

Can I bum one cigarette?

- Help yourself.

- Thank you.

Since when do you smoke?

Since I skipped meals.

And since when have you skipped meals?

Since I couldn't taste anything.

And since when

couldn't you taste anything?

Since

You must stop indulging in bad habits.

Smoking is a bad habit?

And so is skipping meals.

You'll be famished.

Not to mention getting lung disease.

How about thinking about you, Mera?

Is it a bad habit?

You're still thinking about me?

Thinking about you won't hurt my lungs.

It hurts somewhere else.

You probably won't let me in.

It's late. Kikan might wake up.

How about yourself, Mera?

What?

You ever thought about me?

Not anymore.

Sadali, remember.

It's best for you

to stop all your bad habits.

That includes thinking about me.

That's the first thing I did.

That's why I couldn't

feel anything afterwards.

Your reason is so petty.

You fell into slumber because of a woman?

Mera You

You are the reason I do everything.

And you're not petty.

If it makes you like this, it's pathetic.

It's better if we don't

see each other again, Sadali.

Mera.

There's something I want to say to you.

I don't want you to cancel your wedding.

Mera, I don't want that wedding to happen.

- Mera

- Wait!

Mera Mera, listen to me.

- I

- Sadali, stop.

She chose you.

She chose you.

Where are we going today, dear?

I still have to go through

these documents, Arnaza.

May I work today, dear?

You can go sightseeing with Latifah.

Will you?

Latifah is busy.

I'm going out, dear.

I feel lonely, Latifah.

You're on holiday, Arnaza.

Yet I'm lonely.

Come and hang out here, then.

Have lunch here, while accompanying me.

- Yes?

- Everyone around me looks just fine.

Painting, ma'am?

- Painting?

- No, thank you.

I know.

Why don't you find Sadali?

Do you approve of me finding him?

To finish the loose ends.

Promise me to finish it for good, Arnaza.

So Any problem?

I actually cannot draw.

It's all right.

You're here not to learn to draw,

but to express your emotions

through drawings.

There's no good-bad, right-wrong.

- Go on.

- Sure.

Where do I put it?

You didn't tell me you're going

to use the studio.

I'm giving these to the community kids.

There's no place to put them at home.

I see.

Thank you, Sadali.

Arnaza?

You're here?

Yes.

I smell the aroma of a complicated past.

You mistakenly smelled paint.

Over there, shall we?

Okay.

I want to paint the petals in red.

You don't like flowers, right?

Yes.

It's easier to draw

than to take care of them.

Thank you.

Why so quiet?

Continue.

CALL FROM MUSTOFA

It's very late, Arnaza.

Yes, dear.

I went to Magelang.

Then I helped Latifah at the restaurant.

It was packed with customers.

Why didn't you answer your phone?

Did you call me?

I'm sorry, dear. I didn't notice.

Latifah's place was so crowded, so

I didn't hear my phone ringing.

It's all right.

I'm sorry.

I also miss you. I want to go with you.

Forgive me, Arnaza.

Enjoy.

- Thank you.

- My pleasure.

Arnaza.

You went to Magelang with your husband?

So, where is he?

Completing his boss's assignment.

Give my regards to Mr. Akbar.

I will.

- Sadali?

- Yes.

What is it?

My wife's photograph.

I want you to make a painting of her.

I'm sorry. I don't do commissions.

Sadali

I just want to make my wife happy.

Sadali?

You have progressed?

I have a visitor, not progress.

- Banyu.

- Mustofa.

I'll be on my way.

- Take care.

- Yes.

Who is that?

Someone who really loves his wife.

Sunar!

Someone is looking for you.

Sir, you wanted to see me?

He left something.

- I'll go directly to the cafe, okay?

- Yes.

Your husband?

He should arrive any minute.

There.

Yes, sir. Okay.

Yes.

Yes. Maybe later, sir.

Yes. We'll meet later.

We can.

Yes, sir.

Yes.

- I'll be on my way.

- Yes, sir.

Yes.

Ooh

Yes, sir. Right. Right.

Yes, sir.

So

What do you think about the painting?

It's very Sadali!

It's very Sadali?

What do you mean?

I see

Confusion

And agony!

Only you, Banyu,

who can translate it.

You're the best

at translating Sadali's work.

To me, it can be seen as

A painting in progress.

It's very Sadali, right?

Yes. Yes.

Right, sir. Right. I will immediately send

the document, yes.

Yes, sir. Right, sir.

Yes, sir. Thank you.

I'm sorry, Arnaza.

It's a long call from Mr. Baim.

How is it?

Mmm

Arnaza.

Tomorrow, I need to complete

some assignments.

Then in the afternoon,

we can go sightseeing.

I want to go on my own tomorrow.

Where to?

There's something I have to take care of

before leaving the day after tomorrow.

The day after tomorrow?

We still have a few more days here.

The number of days don't matter.

I feel like I'm not on holiday.

Arnaza.

I promise.

Tomorrow will be the last day

I'm taking care of things.

- Afterwards...

- Don't bother.

Arnaza.

Are you upset?

I apologize.

- I promise I will...

- Stop!

Stop making promises. Stop it.

I'm sorry, dear.

Arnaza!

Arnaza!

Arnaza!

I know I've disappointed you a bit

since I haven't been able to go

to Bukittinggi as I have promised.

I've found what I've been looking for.

New dreams and new hope.

It's hard to leave them all now.

I'm sorry that I haven't been able

to write to Arnaza.

If she can't bear to wait for me,

it's okay if she wants

to cancel our wedding.

Where are you going?

Hi! I have a meeting

with the restaurant owner.

One of our clients.

Ma'am.

Holiday, Bali. Having fun.

Oh. He didn't ask you to go along?

He did. I refused.

Better than fighting all day there.

Besides, I have school.

Okay.

Okay, bye.

- Take care, Mother.

- Yes!

Why do you ask?

- After meeting Uncle Sadali, you...

- Shush!!

Don't elaborate.

You don't need to elaborate with me.

But maybe you can elaborate

with Uncle Sadali?

You became so wise. Who taught you?

- Mom!

- Oh, really?

- Bye!

- Bye!

Okay, okay.

Okay, okay.

Sadali!

Chandra called just now.

He says someone

is waiting for you at Darsana.

The name is

Arnazha, if I'm not mistaken.

She's been waiting for quite some time.

- Someone is waiting for you. Upstairs.

- Okay.

Arnaza.

Let's talk about the unfinished things.

Now?

Tomorrow Tomorrow I'll be gone.

What's the rush?

For me, it's too long already.

I apologize for what I did

three years ago.

I'm sorry.

I'm sorry for ruining everything.

That's it?

Yes.

The pain I inflicted on you

may not be healed.

If today

we hadn't met

You wouldn't have apologized to me, right?

Yes.

I am that coward of a man, Arnaza.

Who was that woman?

Are you still in a relationship

with her?

I really can't

wish for you to forgive me so soon.

If you are angry with me,

you can hit me.

Hit me.

I'm sorry, Arnaza.

Having a drink?

It's just mango juice.

I once told you.

I don't need alcohol when I am

already sick of this world.

This is still

the continuation of your story?

You are the reason for everything, Budi.

Why me?

Yes.

You came and brought everything.

Mera

Arnaza.

Arnaza

Who is Arnaza?

Mr. Kholid's daughter.

Oh, gosh.

She's the one who got matched

with you, and you left her.

All the planets are circling me, Budi.

So great of you.

I'm very angry.

With whom?

With myself.

Ah, so

It should've been like that.

Maybe I need to be angry,

so I can keep painting.

That's good.

Life is filled with so much of you.

Are you referring to Mera?

Or what's her name?

Arnaza?

Mango juice.

Hello, Arnaza.

Won't you come here?

Sadali is in the house.

Are you in Jogja?

- You're in a club?

- I need some time on my own.

Why did you go to a club?

You never like to go there.

I'm coming over.

No need, dear.

I will go home on my own.

Once you're done,

please come back to the hotel.

I'm waiting.

Already the fifth round.

Anything excessive will make you drunk.

Same goes with love.

No need to continue. Old news.

Mera?

I see you two

are still very much attached.

Is this a dream or what?

You like to spend time here also?

My first time.

I had a meeting with the owner.

I'll be on my way.

- See you, Budi.

- See you, Mera.

Mera.

Mera.

Mera.

You told me not to see you again.

Yes.

You could've passed Budi and me,

and yet you stopped to say hi.

I just wanted to see how Budi's doing.

And yet you haven't asked how he's doing?

Can we talk outside for a while?

Lately, things I haven't resolved

from my past have been reappearing.

Like a series of planned coincidences.

Who is planning?

The universe?

The universe's plan has always been

the great secret, Sadali.

You told me that, right?

I did.

We shouldn't be curious about what

the universe has in store.

Then what do you want?

I want to apologize.

For what happened three years ago.

I've forgiven you.

I heard you want to remarry?

Yes.

Who's the man?

I haven't found him yet.

So I might stand a chance

to be found by you?

I guess we'll see.

It's too early to decide now.

Let's wait for the universe's plan.

I'm used to waiting.

I guess it's okay

to wait a few more years.

You'll get older, Sadali.

It's okay.

Let my age move closer to yours.

I bet in a few years,

you'd still be like this.

You're talking such nonsense.

Okay then

I'm going home.

I promised Kikan I'll bring her some food.

Jessica is staying over at my place.

- Sadali

- Mera

Stop flirting with me.

Then stop making me want you.

So stop wanting me.

I did.

But then half of me died.

You still have half.

The remaining half was mourning

for the dead half.

You're a man. Don't be a crybaby.

What's wrong with being a crybaby?

As long as I have a strong reason to cry.

You're still the same old you.

Always finding ways to justify your acts.

Only when I fell in love with you, Mera.

Sadali.

Mera.

There was an incident.

A gruesome incident in Bali. A b*mb blast.

- Are you serious, Budi?

- Yes.

- A b*mb?

- Yes.

This series of bombs

triggered a fire at Sari Club,

Paddy's Pub, and the Panin Bank building,

which were located

right in front of Sari Club.

Additionally, dozens of buildings

within a 10-to-20-meter radius of the site

suffered severe damage.

BALI BOMBINGS

Excuse me, sir. Your flowers.

- Just a minute.

- Okay.

- Thank you.

- Thank you.

The third expl*si*n occurred

about 100 meters

from the United States consulate office.

The explosions at Sari Club

and Paddy's Pub

-claimed 200 lives

-Mera?

And injured 211 people.

- Kikan

- Mother, Jessica's father

- Are you okay?

- Papa

Dear.

Arnaza.

Where have you been?

I was so worried.

I LOVE US

- Sadali.

- No need to wake him.

He must be exhausted from creating this.

This

This is Sadali.

While the world got destroyed

in front of our eyes,

I suddenly felt foolish

to think my life was the most miserable.

When I was just too busy thinking

about myself,

I forgot who

I've been ignoring in my path.

Arnaza, Mera, now I know.

It's not about going back in time.

It's about finishing that last brush

in the painting of us.

Are you okay, Arnaza?

I'm fine.

How about the cafe?

The bombing affected us, Arnaza.

The cafe is empty.

You're not considering going back

to Bukittinggi?

Think about it.

You two know each other?

We're friends from high school.

Can we talk, Arnaza?

I'll be in the cafe, Arnaza.

You're not going back?

The flights are full.

We couldn't get tickets.

"We"

Can you give this to your husband?

BUT EVERYTHING IS A MEMORY

BUT EVERYTHING IS HISTORY

For you

To keep me in your heart.

So beautiful, dear.

Thank you so much.

But

I don't like this line.

BUT EVERYTHING IS A MEMORY

BUT EVERYTHING IS HISTORY

Which one?

This?

Who wrote this?

Just a minute.

How about this?

Yes.

My parting gift for you.

Mustofa asked me

to make a painting of his wife.

He wants to make her happy.

I don't know

whether I'm happy or not.

I accepted Mustofa's proposal,

hoping he could mend my broken heart.

A marriage isn't a hospital.

It can't cure the pain inside.

You speak as if you know about marriage.

What do you think marriage is?

A home.

With plenty of rooms

And cupboards

And drawers.

To store the heartbreak.

When you get back home,

leave the heartbreak outside.

Don't bring it inside.

Especially the heartbreak caused by me.

Put it under the mat.

Every day you go out,

step on it until it's ruined.

Maybe heartbreak can be covered.

- But my love for you...

- Please take it easy.

It can also be ruined and then vanish.

But what if

I don't harbor any feelings of love

for Mustofa?

Ask him.

He has so much love for you.

Till we meet again

Arnaza!

Sorry if I came without notice.

You always come out of the blue.

Your exhibition's preparation?

Postponed.

What happened in Bali has affected

the whole nation.

The whole world, even.

Even I can feel this plant is mourning

like the rest of the world.

Paul, Jessica's father

is one of the victims.

Kikan and I will take Jessica

back to France.

To her grandparents' place.

And then?

You will come back here, right?

No idea yet.

It all depends on Kikan.

Jessica and her father didn't get along.

Yet his death shocked her.

Which in turn made Kikan

- Afraid.

- Afraid of?

Not being able to see her father again.

From France, Kikan will go to America

to meet her father.

To search for him, to be exact.

So?

So

I will go with her.

I'll accompany Kikan in her search.

And once you find him?

Her search is not merely to find him.

It has broader meaning.

I'm sure you understand.

Don't ask me to forget you, Mera.

It's my biggest task,

trying to forget you.

Why didn't you get married, Sadali?

I chose you.

I will disappoint you.

In Jogja

I met a woman whom I really love.

What about Arnaza?

I will call off my wedding with her.

I went back to Jogja.

But I couldn't find you.

To choose

Between two women at the same time.

You're so great, Sadali.

Stupid.

Not great.

Yes. Stupid.

And selfish.

So what's your plan now, Sadali?

I will stay here.

So you know where to pretend

not to search for me.

It's impossible to ask you to forget me.

But I ask you

Not to wait for me.

I might be old when I decide to come back.

How old do you think?

Ninety?

If you're 90, I'd be around 80.

I'd be old too.

Not much of a difference.

You would introduce me to your wife,

children, and grandchildren?

Yes!

Let me introduce you to Mera.

She's a woman who

Had

Let me introduce you to Sadali.

The man who

Almost.

I'M HERE TRYING NOT TO MISS YOU

BUT YOU DISTURB MY SOLITUDE

I DON'T WANT TO KNOW HOW YOU'VE BEEN

BUT YOU KEEP BREAKING MY SILENCE

Sorry to intrude. I need to borrow Sadali.

I will return him.

The media is ready for the interview.

I'll be back shortly.

Life is filled with too much of you.

Now, you're stored neatly in my mind.

What stays inside me are memories

Where you reside.