03x04 - Episode 4

[bunniefuu]

[MUSIC - PERRY COMO, "CATCH A FALLING STAR"]

Hey!

Yes.

That's bouncy.

Let's do this.

[cooing]

[grunts]

[SINGING] Never let it fade away.

Catch a falling star and put it in your pocket,

save it for a rainy day.

Oh, love me.

Come and tap you--

Come with me.

[SINGING] --on the shoulder some starless night.

Look at that.

[SINGING] And just in case--

WILLIAM: [whistles]

[SINGING] --you feel you want to hold her

- Terence. - Yeah, what?

Terence, where's Brendan?

Do I look like my brother's keeper?

I don't know, do I?

With Kate or something. - Oh, thanks for that.

TERENCE: Yeah, I'm coming out now.

[SINGING] Oh love me, come and tap you on the shoulder--

This is the fancy bit.

[SINGING] --some starless night.

[cooing]

[SINGING] And just in case you feel you want to hold her--

RICK: Don't you want to try this?

MOLLY: Well, I've seen it myself.

Yeah.

Are you up for this, Mol?

Yeah, I'm up for it.

No, I'm following you.

Just do it again.

You look lovely, Molly.

You can't see a tuft of hair, can you?

No, no.

You just, you just look lovely.

Here, let's go to lovely Molly.

Has anyone seen Brendan?

MRS. BALL: He's out. - What?

Went out at 3:00.

[phone ringing]

Didn't go to school all day.

Brendan? Where are you?

You're supposed to be here.

You're looking after Thomas.

Yeah, I know.

I, I will be.

But I'm a bit help up, you know?

I've got to go out now, Brendan.

Um, where are you?

Anywhere near the flyover?

Because I've got a meeting with someone about a funeral.

No, I'm, I'm not.

Look, William.

Where are you meeting mum?

Because I-- I'll pick up Thomas from there.

Look, where are you meeting?

I know it.

William, you have pointed that out.

It is where you first met.

Yes, which is the whole bloody point of this evening, Brendan.

So get in the minicab and be there by 8:00.

Do you want, um-- do you know, you know, do you want

me and Arnold to do the bikers?

Because it's on our way.

No, you can't see a client dressed like that.

[MUSIC - PERRY COMO, "CATCH A FALLING STAR"]

[SINGING] Catch a falling star and put it in your pocket.

Oh, look at Arnold, Thomas.

Have a good one.

And you.

[SINGING] Catch a falling star and put it in your pocket,

save it for a rainy day.

OK.

That's better.

It's coming down.

Does that mean I have to go out?

It does, doesn't it?

No, Pauline.

You're in for the night.

So you have a nice rest.

[inaudible] thinking I might with the kids--

feeding them, bathing them, putting them to bed.

None of which happens, of course, when he's in charge.

I'll see you in the morning.

Hiya.

Uh, oh, um--

yeah.

[sigh]

Big Pauline staying in?

High blood pressure if you want to go and say hello.

No.

I'm early for Amon for once.

And I want to keep it that way.

How do I look?

Because tonight's the night.

NURSE: Baby catcher in number one, please.

Great, yeah.

You look, you look great.

Tonight's the night for what?

What are you doing?

They want a baby catcher.

No, you're finished.

You're leaving.

It's not your problem.

You're going out.

Dougie's leathers.

Dougie's helmet.

Dougie's boots.

Don't know if you've spoken the Lord

Narrington about the funeral.

Not today, no.

I saw him yesterday, though.

We were siting the grave.

Right.

Well, you know the, the drive that goes from the road

all the way up to the big house?

The one that goes right across the estate?

Yes.

We were thinking, Dougie does one last turn.

Dougie does?

Dougie does.

On his bike.

No, we'll put his bike on a rig.

I mean, we would do that.

But Dougie will still be doing his last turn.

And we don't want him coming off, do we?

So if you could fix it, it would be the send-off.

It would be more than Dougie asked for.

So what do you think?

Night.

NURSE: Night, Mary.

[cooing]

[babbling]

What do you mean, you don't know who done this?

Terence.

TERENCE: Look, they've ruined it.

Wankers, huh?

Yeah, but you leave it, yeah?

You just let it go.

Let it go?

WILLIAM: Let it go, let it go.

All right, look.

Let it-- let it go.

Let it go.

Let it go.

That's it.

Here.

What about these?

[babbling]

Ooh, that's nice, isn't it?

[babbling]

You play with that.

And I'll ring you big brother.

Brendan.

Where are you?

It's 8:15.

Yeah, I'm here, William.

I'm here.

What do you mean, you here?

I'm here.

And you're quite definitely not here.

Ow!

Oh.

Ay.

Oh. Yeah.

Yeah, yeah.

It's all right.

Perhaps a, a cold--

I'm here.

--towel or something. Oh.

Here we are.

Hello, Thomas.

[grunting] There you go.

Oh, that's a good boy.

What did you do to daddy, Thomas?

Huh?

What did you do to daddy?

Silly boy.

Brendan?

Put a seat belt on Thomas.

Yeah, it just really, really hurt.

Perhaps I can get some more sake?

[interposing voices]

What happened?

Oh, I got a chopstick in the eye, courtesy of Thomas.

Yeah, I saw him outside.

Let me have a look.

No, I'll be all right.

Just, um, just imagine that I'm winking at you all night.

Oh.

My very own King Harold.

Yeah.

[rock music]

Oy!

Come here!

What are you doing?

There he goes!

Get him!

Come back here!

[inaudible] Come on!

Get him!

So this is where we first met.

Yeah.

[blowing nose loudly]

How's the eye?

Uh, Feels like somebody stuck a chopstick in it.

Mary.

Brendan say why he was late?

No.

Oh.

I think he's splitting up with Poppy, you know.

[beeping]

I think it's a--

you know, a-- a shock wave from, um, Kate chucking Callum--

oh, and, uh, Amon has just ditched Doris.

Must be something in the air.

Everyone's doing it.

Well, let's reverse the trend, shall we?

I never asked you this, because you did the asking last time.

And I think the time is right.

And I love you.

And it's about us and no one else.

And I think we need that at the moment.

So it's, um, new ring for a new proposal.

Will you marry me, Mary?

Thanks.

[music playing]

[shouts]

It's a beautiful ring, William.

No it's not.

It's too big.

Well, that can be fixed.

William.

Of course I'll marry you.

You don't-- you don't sound like it's what you want to do.

[sigh]

Because it isn't.

But only because of what happened.

Because of Reuben.

And if I could erase that, and, and, and you

know I will one day, but--

then yeah.

Yeah, yeah.

Of course I want to get married.

But if you-- if you really feel that you can't wait, then--

[beeping]

It's Doris again.

Do you think you could switch that off?

Yeah.

Yeah, of course.

[phone ringing]

[phone ringing]

Oh.

Mine's Brendan.

Mine's Julia.

- Hello? - Hello?

- Mum? - Dad?

BRENDAN: Terence got into a bit of a scrap.

JULIA: Sorry about this, but I think you should get back.

BRENDAN: And well-- JULIA: Something's happened.

BRENDAN: He's kind of brought it home with him.

Did Terence tell you what he actually

did to deserve all this?

No.

But I've got him phoning around to find out how to get it off,

though.

Oh, I'm going to phone him.

No.

Let him do it.

And let him pay.

Because dad gave us money.

See you later, mum. - Oh.

- Mwah. - See you later.

See you.

I'm off to work.

Yeah.

Me, too.

Mary.

How about we do a deal?

You want another baby.

And I want to get married.

William, do you know how that sounds?

Oh.

Don't forget, we've got [inaudible] dancing tonight.

Terence?

Oy, what you hiding up here for?

What-- what are you doing?

[sigh] Go away.

No, just give me that.

You idiot.

Look, what's this about?

Nothing you'd know about.

No, just stay there!

[phone ringing]

Brendan!

Hey, it's your big bro, baby.

Say hello to your big bro Brendan.

Say hiya.

Say hiya.

Hey, Bren.

What's up?

Where is she?



Mary.

Mary.

Did you get my texts? - Yeah.

Yeah, I did.

Well, what do you think?

Should I call him or should I leave it?

I think I'll call him, yeah? - Look, Doris.

I'm just taking over here.

PAULINE: Doris.

Doris.

And the bike's mounted on what?

Um, on a customized, uh, you know, chassis of a sidecar.

They're going to show us when they bring the bike in later.

Well, here we go.

It's what I've come up with so far.

Right. Good.

Uh, it's great for the burial.

One question-- several parts to the question.

That goes inside Dougie's leathers,

securing Dougie to his bike.

Uh-huh.

Could Dougie then travel at 100 miles an hour

without falling off?

This is their latest request.

Is this the weirdest funeral you've ever done?

It's romping home.

Oh, definitely. WILLIAM: Yeah.

Yeah. Uh, right.

OK.

Uh, well, I used to be a bit of a biker-- well, I had a bike.

And I'd say 100 miles an hour--

[panting]

Well done.

Just try and relax now.

OK?

Here we go.

You think I'm mad not having my husband here.

No.

No.

I wish more husbands were banned.

I mean, some are great.

But others are--

[beeping]

Look, I'm so--

I'm so sorry about this. - It's all right.

I don't mind.

No.

No, we mustn't, um--

we mustn't have them on in case they

mess up hospital equipment.

[beep]

Sorry.

[music playing]

You've got that set.

[indistinct muttering]

That's it.

[interposing voices]

- You all right? - Yeah.

[inaudible] this leg up.

All right then.

Oh.

OK.

Watch your leg.

[indistinct]

[panting]

Do you know where I am?

I'm in a hop garden just north of [inaudible]..

And all around me they're picking hops.

And I've just stopped for this.

Well, it's working a treat.

That's it.

We're picking hops.

[shouting]

Mary, I-- oh.

NURSE: Doris!

[shouting]

OK.

Back to the field.

Come on.

We're picking hops.

That's it.

We're hop picking.

Come on, Clare.

WILLIAM: Mary.

Hi, it's William.

I just wanted to apologize about this morning--

about last night, actually.

I just want to tell you that I love you.

RICK: William. So-- oh, sorry.

- No, no, no. - So-- sorry.

That's not, no, no, no, to I love you.

I love you very much.

I'll call you later.

Bye.

I'm sorry.

Um, I had this idea, right?

This notion, right? - William.

- That-- - Come on.

We need to make a decision.

Yeah, I'm coming.

You see, what I thought was-- and tell me if you mind--

but, um, I--

Dougie's gloves.

We forgot Dougie's gloves.

I don't know if you've got a policy about it.

I might call him Kent.

Kent?

Well, that's where the hops grow.

You can't call him Kent.

Oh, imagine.

Here, I'll leave you to it.

CLARE: Mary.

Thank you.

You're welcome.

You were fantastic.

What happened?

Pre-eclampsia.

Mother and baby are OK.

They did a Cesarean.

Doris has been set home.

We think she's been suspended.

Why?

Pauline was suddenly having a seizure.

Well, no, not suddenly.

Because I was there when Doris told the doctor it was coming.

He did nothing.

And then as soon as she has the fit, he's blaming Doris.

Who's the doctor?

That young one.

Ugh.

I mean, it hasn't got the connotations that it used to.

But, um, I didn't know whether, you know,

you would think it was not appropriate for the job.

No.

Um, yeah, yeah-- I mean, yes, of course.

Oh, great great.

Because Molly loves the idea.

You know, I called her.

And, um, she's been so hit up about her hair and, you know,

self-conscious.

Well you would be, wouldn't you?

And when I told her my idea, she loved it.

Because it's honest.

And she would look beautiful and--

and we both just went, yeah.

Oh, well, that's marvelous.

But, uh, can we now perhaps deal with the matter in hand?

Because once we made a start on Dougie here, we're committed.

And we don't know how long it's going to take.

And Rick and me are dancing tonight.

Yeah, yeah.

Well, obviously we can't embalm him right now.

Well, we also can't leave it till the morning,

because the funeral's at midday.

And he might not be ready in time.

Right. Well.

Right-o.

Then we'll just have to do it tonight after the dancing.

Yeah. - Yeah.

Tonight it is.

Slow, slow, quick, slow, slow, quick.

[sigh]

MARY: Look, come on.

I've spoken to a midwife who heard Doris tell

you that she was pre-eclamptic.

Oh, bloody hell.

Um, uh, yes.

Y-- yes. OK.

Yes, she-- she did.

She, she warned me, uh, more than once.

So why didn't you do anything?

Well, because I didn't want it to be that.

Ugh.

No.

I, I didn't want to have to deal with that.

I-- look, I, I don't want to have to deal with anything.

Look.

I don't think I can do this job.

I mean, I don't think I should do it.

I-- I'll write to Doris.

In the meantime, maybe you could tell her

that I'll put everything right. - OK.

OK.

Just, just-- just wait a minute.

Look.

The mother and baby are going to be fine.

OK?

So, so why can't we all just learn from this?

I have.

And once and for all, I've learned--

I'm scared.

William.

Yeah, right.

Yeah, right.

You still hate me.

And hate me with a cause.

And I hate the me I was, too.

But I've changed, William.

I've heard that before, Reuben.

Yeah. But no, William.

This time it's so for real.

Right.

If I tell you that I now drive a Vauxhall Cavalier,

and I've got a wife, and a three-month-old baby--

You're married?

Yeah.

You're standing there and you're telling me

that you got married?

And guess what she does.

She's a midwife.

What's her name?

Mary?

No.

But it's close.

Maria.

She's Spanish.

Ha.

The joys of the EU.

You want to see a picture? Because--

No, I don't.

Just tell me why you're here, Reuben.

As if I didn't know.

I am here because Brendan called me.

Because last night you had a spot of bother, innit?

But this morning, Brendan found Terence packing a knife.

They was meant to go out together,

and Brendan found him taking a knife.

Now, I don't know what this is about.

Except my son called me and told me that maybe you know

what trouble Terence is in.

No.

Well, neither do I. So I've come to ask

your permission to go in.

Because I don't think we should worry Mary with this, yeah?

Because you and me as the men, we can sort this out.

But I need your consent if I'm to have this out with Terence.

Oh, thank you.

Oh.

Oh, God.

Mary, thank you.

Oh.

Oh.

What?

What? What?

What?

Oh, Doris, you know.

If you thought Pauline had pre-eclampsia, you know,

the doctor ignores you, you-- you, you go above him.

You go to the registrar.

You go to the consultant.

But you were preoccupied.

But I know you were, because you were texting me.

You know, we could have lost a mother and a baby--

a mother with three children.

Yeah, well.

I'm a mess.

Well, you know, we're all a mess, Doris.

But we were doing our job.

Yeah, well OK.

OK.

You know, it's all right for you.

You know, you've got your man.

Mine's off and away.

Amon's gone and I'm pregnant.

What?

Yeah.

I-- I've scared him off.

Go whenever you're ready.

Yeah. whenever you're ready.

[inaudible] on go.

Give us the [inaudible]

Go on, go.

Do it.

[laughter]

[phone ringing]

JULIA: Aw.

Yo.

What, now?

All right. Hold on.

Hold on.

What?

Terence, follow me. Terence.

Uh, Brendan?

BRENDAN: Yeah, I'll be right back.

[trimmer buzzing]

Molly?

JULIA: Go on there, Molly.

What are you doing?

JULIA: Go on.

Oh.

Where are we going?

Wait, what are we doing?

What is this?

Get in.

Thanks.

You'd better tell me, boy.

And you'd better tell me now why you were carrying a knife.

Look at me when I'm talking to you.

I'm here with William's permission.

OK?

And he knows what I know.

And I swear to God, if you don't start talking,

I'm going to wait here till Mary gets home

and we can have this out with her, as well.

Now, is that what you want? - No.

No.

So you'd better start telling me what's what.

[beeping]

Stop playing with that.

I'm showing you something.

I do graffiti.

For real, yeah?

Not just tags.

Look.

"Eracism."

See?

And these crude boys tagged over this one.

So I went in and tagged over their rubbish.

And they came after me.

I got away, but--

well.

Have you seen the house?

Yeah.

They did that.

And that's it.

I just have to take it.

And it's-- it's over.

And I will take it.

So-- so why were you packing a knife?

Did you have it last night? - No.

So why pack one this morning?

Because I was stupid.

I was thinking stupid.

Yeah.

Well, I'm worried, boy.

Because carrying knives leads to one thing.

And I'm thinking-- we should go to the police on this one.

No, dad.

No.

I know these boys.

They don't care about police.

Let's just going to--

that is asking for trouble.

I just have to take my-- my dose of humiliation and let it go.

Please don't tell mum.

Nothing more is going to happen.

I pro-- I promise.

OK.

What was that for?

That?

That is for doing damn stupid, dangerous

graffiti on railway lines.

What you-- you mad or something?

Come here.

Hey.

Want to go and get something to eat?

Spend some time with your dad?

Hm?

ANNOUNCER: Ladies and gentlemen, welcome to the Southwest

London Ealing Division Ballroom Dancing Competition.

And without further ado, please put

your hands together for the open foxtrot contestants.

[applause]

[lively band music]

Hey, go on, Arnold!

Get stuck in!

TERENCE: Mrs. Ball!

Excuse me, it's not a football match.

I mean, where's Rick and Molly?

Have they even turned up?

I mean, has anyone actually seen them?

No, they're here.

Yeah I've seen them.

Oh, yeah, here they come.

Oh, my--

God.

She looks beautiful.

[MUSIC - PERRY COMO, "CATCH A FALLING STAR"]

[SINGING] Catch a falling star and put it in your pocket,

never let it fade away.

Catch a falling star and put it in your pocket,

save it for a rainy day.

For love may come and tap--

Mum finished her radiotherapy today.

No, Rick said.

[SINGING] And just in case you feel you want to hold her,

you'll have a pocket full of starlight.

Catch a falling star and put it in your pocket,

never let it fade away.

Catch a falling star and put it in your pocket,

save it for a rainy day.

For when your troubles started multiplying,

and they just might, it's easy--

I'm very proud of you.

[SINGING] Forget them without trying with just

a pocket full of starlight.

I love you, Molly.

[SINGING] Catch a falling star and put it in your pocket,

never let it fade away.

To Molly!

Cheers!

Molly.

Molly.

Molly.

Yeah, that's Molly.

To half of the fifth best foxtrotters

in Southwest London.

Thank you, thank you, thank you.

MARY: Yeah, I'll drink to that.

Next year we'll go for gold.

KATE: Jules, could you pass the gravy?

Can I ask?

What--

MARY: Oh, um, she can only eat if she can't smell the food.

MRS. BALL: Yes.

Unfortunately it means we have to have

roast lamb a la Vic inhalant.

It's eucalyptus.

Nouvelle cuisine.

BRENDAN: Thomas, man, you're so messy.

What are you doing?

Doris.

Can I say how well you look?

Oh, thank-- thanks.

MOLLY: No, you look-- you look lovely.

You look, um, blooming.

Is eucalyptus hallucinogenic then?

No, no.

I, I, I've really never seen you look so good.

You know, and if I didn't know you better, I'd say--

I wonder how the men are getting on?

[clattering]

You bring that up at lunch.

It's-- it's--

[sigh] well, it shouldn't be allowed.

They stuffed this man.

They haven't stuffed him.

Well, they're putting him on his bike.

See you [inaudible].

Yeah, right-o, mate.

Ready, Dave?

DAVE: Yes.

This is going to be brilliant.

WILLIAM: Rick.

You know you said you were a bit of a biker once.

Sh.

Boo!

Look, there's Molly.

I'm addicted.

Got an addiction.

I'm hunting for competitions now.

Oh.

I know. sorry.

Shall I give him a bath?

Oh, would you?

Yeah.

[babbling]

That's OK.

I'm coming back.

[babbling]

Dave.

Your Lordship.

My gift.

When Dougie hits 100, I'll raise my hand, and we'll lock it off.

This goes in the grave with him to record the event, man.

Yes.

Rick, they've got a speed g*n.

Oh, well, um, yeah.

Right-h*.

Uh, uh, fine.

Yeah, good.

You all right?

WILLIAM: Rick. Rick.

Listen.

Don't k*ll yourself.

Rick.

We have the off, gentlemen.

We have the off!

[cheering]

Here we go!







Go on, boy, you'll run out of tarmac!



Go on!



[screaming]



[cheering]

[screaming]

Yes!

Yes!

Come on!

Go on!

Yes!

[applause]

[babbling]

You all right? Want me to take him off you?

Oh, no.

No, we're having fun.

Aren't we, smelly bum?

Yeah?

[splashing]

TERENCE: Mum, where are the others?

They're on the common.

Mum?

Stem cell treatment?

TERENCE: Mum!

Maybe.

It's the only thing left if burning off my armpit

hasn't worked.

And maybe it has.

But if it hasn't, I've got to look ahead.

It's the only way I can do this.

OK?

OK.

TERENCE: Mum!

They're on the common.

[splashing]

[MUSIC - GRATEFUL DEAD, "I KNOW YOU RIDER"]

[SINGING] I know you, rider, gonna miss me when I'm gone.

I know you, rider, gonna to miss me when I'm gone.

[inaudible]

[SINGING] Gonna miss your baby from rolling in your arms.

Laid down last night, but I could not take my rest.

Laid down last night, but I could not take my rest.

My mind was wandering like the wild geese in the west.

[inaudible]

MARY: Doris.

Oh.

Mum really has no idea that you're pregnant.

Really.

You do just look lovely.

I feel like sh*t.

Well, not physically.

This is what I've always wanted--

always.

But not on my own.

Yeah, but is it on your own?

Well, Amon's run a mile.

Run a marathon.

Still running.

He-- he won't come back.

He hates kids.

BRENDAN: Throw it, then. - All right, I'm passing it.

Pass the ball.

JULIA: Come on, Terence.

Go on. JULIA: All right.

All right.

Whoa.

That is so stupid.

Hey, Julia, pass it.

Yeah, pass me the ball.

Hey, Julia, what was that? JULIA: Sorry.

Can you get that?

KATE: Jules, who was that to?

Kate, throw it.

[vehicle approaching]

Go on, Terence.

BRENDAN: What's going on?

[interposing voices]

KATE: What do you want?

Julia, come here. Julia.

[interposing voices]

Put your knife down, man!

What are you doing?

[shouting]

JULIA: Help me.

KATE: Terence!

Julia, come here!

BRENDAN: Terence!

TERENCE: Brendan!

KATE: Julia, just get away.

BRENDAN: Terence!

Terence!

TERENCE: Brendan!

Terence, move!

Terence!

[shouts]

How many single midwives bringing up a baby on their own

do you know?

None.

It's just not possible in our job.

It might be.

Mary, I don't have your backup.

But you do. That's what I'm saying.

You do.

Look, I want another baby.

OK?

Well, and even if I don't have one, what's mine is yours.

You know we've got Mrs. Ball, and, and we've got my mum.

Doris, my mum will be here.

KATE: Mary!

What's that?

KATE: Mary!

Mary!

Mary!

M-- Mary, Terence!

Terence!

Oh, Jesus.

Oh, my God.

What?

What?

No.

If anything happens to him--

He's going to be all right.

I know he is.

Come on, Mary.

No.

You all knew that knives were involved.

And you-- and you don't tell me.

We thought it was for the best.

Oh, this is the best?

This?

SURGEON: Ms. Gilcrest.

Um, excuse me.

Um, we're looking for Terence.

T-- Terence Gilcrest.

He's, um, he's-- ward four?

Uh, yeah.

[inaudible] lift up to the first--

Thanks.

SURGEON: He's been cut badly, and the cuts are extensive.

But they're also superficial.

There are no stab wounds.

So why is he in theater?

It was a precaution, Ms. Gilcrest.

OK.

I want to see him.

Can I see him?

Well, let me go and see.

Well, that's good news, isn't it, Mary?

It's good news.

Where is he?

Where is he?

Mary.

Where's my boy? - Mary.

How is he? How's my boy?

Mary!

[sobbing]

Just tell-- Mary, just tell me he's OK.

Hey.

Just, just tell me.

Just tell--

He's OK.

He's going to be OK.

Oh, good.

But they cut him, Reuben.

They cut him.

They-- they just-- they--

they cut my baby.

They cut him.

SURGEON: Ms. Gilcrest.

Terence wants to see you.

REUBEN: William.

I'm taking him with me.

I'm taking my Terence home with me, away from this.

Well, wait, wait--

No, listen, William.

You don't understand.

William, the boys who do this, they don't care.

And they come back again--

What, Reuben-- Reuben, what, w-- what--

Just check it out, man.

You check it out, because next time we might

be gathering for his funeral.

I'm taking him with me.

He's-- we're taking him out of this.

Just-- just wait a minute.

Excuse me.

I'm sorry, mum.

Shh.

Hush now.

Your dad was here.

OFFICER: OK, look.

We'll go after these kids.

Of course we will.

And we'll get a few, maybe more.

But-- but what Reuben says is right.

It's true.

They don't care.

And what with most of the witnesses being

in your family--

well, in court, my guess is they'll get off.

Sorry.

They'll get off?

So-- Terence comes home with me.

If I was in your shoes, I would

take him out of the situation.

MARY: No.

No, no, no, no. REUBEN: Mary.

No.

No, do you hear me?

No.

I've taken advice.

Taken advice?

You've taken advice?

Who do you think you are?

What, you think you can just cut me out of everything?

I am his mother.

Terence goes back with Reuben-- just for now.

I spoke to the police.

It's not forever.

It's just till the heat's taken out of the situation.

Keep the heat. Keep it.

In fact, turn it up.

I want them put away.

Have you seen what they've done to him?

Yeah, I have. I have seen, Mary.

I've seen what they've done to him.

Which is why for Terence's sake, he's

got to go back with Reuben.

I want to be with him.

WILLIAM: It's not forever.

Just for now, not forever.

Nothing is, William.

Nothing is forever.

[clattering]

Got to see my boy.

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