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02x13 - Finale: Part 1

Episode transcripts for the TV show, "Project Runway". Aired: December 1, 2004 – present.*
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Contestants compete with each other to create the best clothes and are restricted by time, materials and theme.

02x13 - Finale: Part 1

Post by bunniefuu »

[Heidi] Previously on Project Runway...

The next challenge you'll be designing an evening gown.

Oh, my God.

I have a big surprise.

It's [indistinct]

[gasps]

[designers] Oh, my God.

Everybody's [bleep] garment.

-It was f*cked up. -No, it wasn't.

-Yeah, it was. -No, it wasn't.

Daniel's fool of[bleep].

It's like straight up just jealousy.

What's really special about it?

You need to think about how to respond to that.

You just have to [indistinct]

Nina, I [indistinct] she had a big fat a*s.

Uh-huh.

[upbeat music playing]

Daniel, you're the winner.

Thank you so much.

[Heidi] Chloe and Santino...

you are to Olympus Fashion Week.

Auf Wiedersehen.

This is Project Runway.

[man] Let's get it on.

[Heidi] The search for the next big fashion designer.

[man] This is a dream come true.

I'm going to do whatever it takes to win.

Sixteen designers.

Everyone here is crazy.

Drama has to happen.

Yes, I'm a competitive person.

[Heidi] Three finalist will make it to Olympus Fashion Week.

You will see me at Fashion Week.

[Heidi] But only one can be the winner.

Heck yeah, I'm gonna win this.

For these 16 designers,

Project Runway is a chance of a lifetime.

[upbeat music playing]

Hello.

-Hey, Heidi. -Hello.

-[Heidi] Congratulations. -Thanks, Heidi.

Our three finalists.

And now you face your biggest challenge.

A 12-piece collection

for Olympus Fashion Week.

I'm giving each of you $8,000

and the next few months

to do your collection at home.

The winner will get a spread in ELLE magazine,

a mentorship with the Banana Republic design team,

a year of representation from Designers Management Agency,

a 2007 Saturn Sky Roadster...

and $100,000, courtesy of Saturn, to start your own line.

Wow.

Got it?

-Yeah. -[Heidi] Good.

So there's only four models left.

And there's three of you there.

So let's bring them out.

[suspenseful music playing]

[Heidi] Models, this also is a competition for you as well.

The model paired with the winner of Project Runway

will get a fashion spread in ELLE magazine.

Daniel.

You were the winner of the last challenge.

Your model was Rebecca.

If you decide to stay with her,

Eden will be out.

What do you want to do?

I'm going to stay with Rebecca.

Congratulations.

Rebecca...

Heather, and Grace, you guys will be featured

at Olympus Fashion Week...

and one of you...

will get the spread in ELLE magazine.

Congratulations. You can leave the runway.

[all saying good-bye]

[Heidi] That means you're out.

Mwah. You did a great job.

-Thank you. -Auf Wiedersehen.

[all saying good-bye]

[Heidi] All right.

Head back to your apartments

at Gotham City's Atlas New York.

And Tim and I will meet you there...

to wave you all good-bye.

Bye.

[designers saying good-bye]

-Ahh! -Whoo!

[Tim] This is your last reprieve.

So look around New York and take all of this in.

There's a lot ahead of you guys.

While you guys all are having fun with the champagne,

I'm having the lovely apple cider, but anyway,

I have to say, we have a good bunch over here.

-Excellent bunch. -[Heidi] Right?

It's a good season.

And here's to your success at Olympus Fashion Week.

And Project Runway!

-[designers] Project Runway! -[Heidi] Project Runway.

-Cheers. -Cheers.

[Santino] Later.

I made it.

I feel so good.

I wanna blow out eardrums.

With how loud, I can [bleep] scream.

Whoo!

Three...

Daniel...

[makes squeaking sound]

Chloe...

[makes squeaking sound]

Santino.

Whoo!

[Daniel V.] No matter how much Santino pisses me off,

the arrogant prick is extremely talented.

And I have to say I am excited to see

what he's going to show during Fashion Week.

Goodbye Atlas.

You were good to me.

It kinda just dawned on me, like, wow...

I'm in the final three.

This is really cool.

Mwah!

Okay, I see you in what? Five months?

Good luck with everything.

You too. Bye!

[Daniel V.] I don't think it's really, truly spoken to me

how big this opportunity is.

I'm so grateful for- for this chance.

[upbeat music playing]

[Tim] I'm traveling to check on the collections

of our three finalists.

First up, I'm going to visit Santino Rice,

who's been working on his collection in Los Angeles.

[knocks on door]

[laughs]

-Oh. -Santino.

-Tim. -Can you believe this?

-It's good to see ya. -It's good to see you too.

Oh, my God.

It's surreal seeing Tim again.

Right when I came home, I--

There was a period of time where I couldn't believe

that I'd just...done the show.

Right now, I'm renting a house in Hollywood.

And that's where I have my studio set up.

All right, let's look at the clo--at the collection.

Okay.

[Tim] So Santino, what's the theme of the collection?

[Santino] '40s glamour, Hollywood boudoir...

publicity stills.

This piece is almost pretty fully realized.

-[Tim] It's beautiful. -I had it sunburst pleated.

I get a little bit of a rock and roll feel

-in a way from it, you know? -Yeah.

[Tim] Well, you're taking a risk with this too, which I applaud.

-But--yeah. -It's not safe.

This is a work in progress.

So, um, just trying to mix this vintage feel

with something more contemporary as well.

Right. And that's the challenge.

I'm totally disarmed by this dress.

It's still you, but it has a refinement

that, frankly, I didn't see from you in the show.

[laughing] Well, that's good.

No, you took me to another dimension of you.

That's good.

I wish I was further along.

[Tim] You know, I have to tell you,

I'm really pleased with where you are.

I--I'm freaking out, really.

-Yeah, okay. -I mean, I'm--I wish--

You got a lot of work to do, but you know what you're doing.

Right, right.

You know, I've just recently quit my job

designing for my friend's label.

As far as, you know, my finances are concerned,

I'm broke.

It's scary.

I wanted to bring Tim to Venice Beach

because it's a place where I spent a lot of time.

So you were here for two and a half years?

-Yeah. -And you were--

Did you stay in the same place?

Um, no, I moved around quite a bit.

It was difficult to move here from Missouri...

um, all by myself.

I grew up in Saint Charles, a relatively small town.

My mother was a school teacher,

and my father was a disabled veteran.

I grew up with a lot of adversity a lot of people

that didn't understand me.

All my life, I knew I wanted to be a fashion designer.

I sacrificed quite a lot.

You withstood a tremendous amount,

-because you have to do this. -Right.

A few years back, I had designed a line

which fell apart and basically left me

pretty much homeless.

[Tim] So you had this really hard time.

Yeah. [laughing]

That--I definitely, just I was--

I was embarrassed about my situation, you know?

And I, and--

And really, in this-- in this life, you know,

you--you need help.

I come across as arrogant.

But I feel...

major insecurity.

If you think you have something to say about the way I look

or what I do or--

or what I say or what my voice sounds like

or any of that, like, you--

you can't imagine that I've--I've--

I've thought it, and I've thought it, you know,

ten times, you know, more in-depth

than you have, you know?

My friend Tony and his wife, they were worried about me.

And they--they, um,

asked me if--if, uh, I'd like to stay with them,

and--and, you know, be able to save up money.

-That's wonderful. -Be able to, like, you know...

So they understood, and they wanted to help.

Yeah, yeah.

It's a tribute to you, to your character.

And I have to say, it's also a tribute to your good friends.

[Santino] Yeah.

[Tim] Wow, look at that sunset.

[Santino] Another thing I wanted to do was

bring Tim to my friend Tony's house.

[knocking at door]

-[Santino] Hey. -Hi.

-How you doing? -Hey.

-How you doing, dog? -I'm good, man.

[Santino] Tony's my best friend.

He knows me the best.

He's an accomplished model

and accomplished photographer.

Tony's an awesome individual.

These guys are my family.

-Yeah. -It's...

So you guys, I wanted to, um...

share with you some news.

I made it to the final three designers on Project Runway.

-I'll be doing my own-- -Dude!

What the [bleep], man!

[laughter]

[Tony] Sorry about that.

[laughter]

[Tim] Thrilling though, isn't it?

-It's really exciting. -I can't believe it.

I wouldn't be here, um,

if--if it wasn't for your guys' hospitality, you know?

-And your friendship. -[Tony] Whatever, dude.

Really.

I love you guys.

You guys, um...

you helped me out when I--

I needed it the most, you know?

So...

I don't know if I could ever repay him.

I'm gonna keep living my dream.

for myself and--and for--

for my friends and the people around me.

-Olympus Fashion Week. -[girl] No!

-No. -Yes!

-[girls] No! -Yes!

I see people give up their dreams every day...

and I'm not ever gonna do that.

I'll...really, I'll die trying.

-No! -[laughter]

[Heidi] Coming up on, Project Runway...

I don't want it to be safe.

-Neither do I. -No.

-Hello. -Chloe.

You have sketches of the rest of [indistinct]?

I don't do sketches.

What's in your head? I wanna know.

[Tim] Next up, I'll visit Daniel Vosovic...

who's been working on his collection in New York City.

-Tim! -[Tim] How are ya?

-I'm fine, how are you? -I'm just great, thanks.

I'm glad you made it all the way up here.

-I did indeed. -You didn't get shot

-or anything? -Hey, you look terrific.

Thank you. Got a little haircut.

-Yeah. -Come on in, come on in.

-Thanks for letting me come. -Yeah.

Having as many weeks as I've had

to prepare this collection

that I've had time to sort through the doubts

push away all the--[bleep]

and I'm left with just solid gold.

Everything was spawned between this fusion of

this military influence and Japanese culture.

So, um--

-This is a beautiful detail. -Thank you.

-This is actually -That's wonderful.

reoccurring throughout, um, the collection

in different ways in pants, um...

and everything.

So this is this kind of flop collared jacket.

This is more of what it's going to look like.

-[Tim] That jacket? -[Daniel V.] Yes.

[Tim] All right, I can see it now.

You can see here, um--

God, this is beautiful.

Love it.

-This back is wonderful. -And the fact is, like...

a woman could literally put a blazer on over this...

-Uh-hmm. -...and wear it fine.

[Tim] I guess one of the things I wanna say--

The easy part is steps one through nine out of ten.

-Exactly. -The hardest is what happens

-between nine and ten. -That last--

And buttons and those details--

Those decisions can make it or break it for you.

Exactly, and that's-- that's where I'm at right now.

The biggest challenge that I have right now is that

a lot of those nit-picking details have to be decided.

[Tim] I mean, I think that there's

really something very special

-very unique about this. -Do you?

-Yeah, and I have to say-- -'Cause that's the whole point

-of this. -I think there's an element

of risk in this that I want you to have.

I don't want it to be safe.

-Neither do I. -No.

-[Tim] Push the risk factor. -[Daniel V.] Okay.

Then that answers that.

How do you feel about coming shopping with me?

I would like to pick up a new jacket.

[Tim] Oh, great. Let's go shopping.

-So let's go downtown. -I love the city.

I'll have the limo pick us up. Come on. Let's go.

-If only. -Yeah.

Maybe next year.

[Daniel V.] Designers don't always look their best.

We put so much into making other people look good.

So I want to take Tim to go shopping

and maybe get a new outfit for the, uh, finale show.

I'd love to find a new fitted-- I need a slim blazer.

-Okay. -I was thinking

for the final look, to do some--

You don't wanna call Nick?

Sorry.

[makes slashing sound]

I'm extremely excited about Fashion Week.

It's been a long time coming.

I grew up in Michigan in a very, very small town.

And it's hard to--

to be an individual, and I think

every g*y man can feel that--that--the pressure

of being different.

For me personally, to be a designer...

you're labeled a f*g.

Fortunately, I have the best family.

My mother and my father were very supportive and encouraging

about me coming out.

And I finally just said to myself...

when you stop worrying

about all the things that you can't control...

you then can then focus on...

just who you are and what you love to do.

And that's made me a better designer.

See, I like the fit of this.

[Tim] I really have to say

I think this look

is very appropriate for the occasion.

-I'll get this. -[Tim] Okay.

-Thank you. -Thank you.

At this point in my life...

I love my life right now, and...

I just think this is the beginning.

Bottom line, I think this is the beginning.

[Tim] And finally, I'll visit Chloe Dao

as she works on her collection in Houston, Texas.

-Hello! -Chloe!

-Hi Tim. -I'm so excited to see you.

-Hello, I'm Tim Gunn. -This is my mom.

Lovely to meet you. Thank you for letting us come.

[Chloe] I was so excited to see Tim.

Honestly, I'm so excited.

I mean, he's such an amazing person.

Can you take me on a little tour?

-Yes, definitely. -Great.

Well, this is, um...

I guess a little painting of my sister and I.

There's all eight of us, eight girls.

-You have seven sisters? -Uh-huh.

I have seven sisters, so there's eight girls.

And that's why my store's called Lot 8.

Are all of you living in the Houston area?

All in Houston, Texas.

-That's great. -Can you believe it?

We wanted to take this picture

when we were all in our 30s.

[Tim] You're gorgeous, all of you.

[Chloe] Thirty nine to thirty, right there.

So...that was, like, last year.

-[Tim] That's great. -This is a baby picture of me

I guess when I was in my-- at the refugee camp.

I was born in Park Laos.

When the whole Vietnam w*r was starting...

I guess my family knew before it actually started

that we needed just get out of there, get out of Laos.

My mom actually hired some people to, like...

take us through the night through the village

and to the beach or something.

But we got caught by the Laos police.

And then so we were in, like, family prison.

We were actually, we were in a family prison

for a few years in Laos.

And we eventually got to United States.

And we flew over and, you know...

stayed with my uncle in Dallas.

We had it so very lucky.

Imagine eight girls and mom and dad--

we all got here all safe.

-Well, that's wonderful. -Yeah. It's amazing.

We had a lot of cavities, but that was it.

[laughter]

Well, should we go to the workroom?

-Sure. Let's go. -Great.

So...

I wanna hear what you've been doing.

I wanna hear about the whole concept of the collection.

I don't know if I have a real concept, I'll be honest.

I've been thinking about it, thinking about it.

But I'm the kind of designer that doesn't, like...

think of a theme.

I kind of think about my customer

-and what they need this season. -[Tim] Okay.

[Chloe] My collection...

I'll be honest, it's, like,

not completely done in my head yet.

But it's the way I work.

I'm still very confident that it's gonna be

one of the best work that I've ever done.

This collection is definitely--

I know--I thought about the visual aspect of it.

And I think once I have the styling and everything together

I think it could be pretty strong.

[Tim] Well, for me, this is about the print.

-[Chloe] It is. -[Tim] All right.

[Chloe] Yeah.

-Mm-hmm. -And do you have sketches--

I don't do sketches. I know.

So how is this developing?

It's just organically, honestly, I'm just going through

feeling if I did this piece, what's next should I do.

[Tim] How about your fabrics?

I'm--They're right here.

This is part of this too.

-[Tim] This is part of it? -Mm-hmm.

All right, what's in your head? I want to know.

What's in my head? I don't know, honestly.

It's just slowly--It has to develop piece by piece.

He was concerned that I didn't have sketches

for him to see the complete

theme or idea of the collection, which I don't blame him.

I would be concerned too in that position.

I want to encourage you to just start

working with these fabrics.

[Chloe] No, no, I'm gonna-- Yeah, actually I'm gonna drape.

-[Tim] Okay. -[Chloe] Then I'll see.

Okay.

All right.

[Chloe] Yeah, mm-hmm.

[man] Ready, guys?

[woman] Okay, oh, okay.

[man] One...two...three.

[Chloe] I have so much work to do, and I'm not kidding myself.

I'm probably just gonna, like, hide

for the next seven week and not see anyone.

Bye, guys! Take good care of Aunt Chloe.

-[kids] Bye! -[Tim] Bye-bye.

[Chloe] I have a lot of work, I'm not kidding myself.

I'm definitely worried.

I'm gonna work on it until the last minute.

I'm gonna work on it until the model walk off the dang runway.

[Heidi] Coming up on, Project Runway...

You know, a little nervous about seeing Santino.

Screw you. You don't really know me.

[Santino] There is a lot of animosity from Chloe.

I'll get that for you.

Great.

-How was your trip? -Uh, good.

Not far. Came from uptown, so.

Fashion Week has begun.

And I have dedicated so much damn time to this collection.

I started as soon as we got our money.

And I'm still sewing. And I'm still not finished.

Oh, my gosh.

I find it a little amusing

how I used to sneak into Fashion Week, um...

a few years ago, and then...

now I'm actually showing in the tents.

And hopefully, people will be trying to sneak into my show.

Check this out, check it out.

[gasping]

Oh, you didn't know I designed bags too, did ya?

Well, I do.

Oh! I love it.

Gotta keep that secret hidden...

because you know Santino is gonna be all over this one.

I think I do have a very good chance of--of winning.

I love it.

[Chloe] The last time I saw Tim was when he came to my house.

He was definitely nervous for me, and I don't blame him.

I was nervous for myself.

But it's done now, and, um, I actually love my collection.

But I think I'm so exhausted right now.

I haven't slept for two days.

[sighing] Please take me to Penn.

Sure.

[laughing]

There was a question of me being passionate about this.

I am passionate. I do want to win.

If I win, it's validation that I am a good designer.

Anybody home?

[Daniel V.] Where's that hot little Asian girl?

-How are you? -How are you? Mwah!

Oh, it's so good to see you!

Is this all you got?

-Some dead body. -No!

This is so cool.

No, this is nothing.

There's, like, a whole nother wing.

-Are you kidding me? -Yeah.

[Santino] Coming back to New York, I'm, uh...feeling

a little nervous, you know?

Mostly just because since the show started airing...

Santino Rice is the man you love to hate.

I'm curious to see Daniel and Chloe...

because you never know how people are gonna react.

As far as-- as Chloe is concerned...

I mean, I've read some things that she's said where she...

doesn't really, uh, care for me too much.

♪ Bow chicka chicka Reowr reowr ♪

I'm so tired, I'm so tired.

I'm excited, just, like, to get to talk to you before.

I know.

Before Santino comes.

Those comment sometimes.

It's amazing.

Just the littlest comment

can still stick in you.

Uh-hmm.

You know, a little nervous about seeing Santino

just because I don't think he and I got along that well.

Just to what he said about me not being a designer

but a pattern maker.

I'm pissed. I'm still pissed about it.

Part of the time I say, screw you, you don't really know me.

But then it still hurts, you know?

-Yeah. -Yeah.

-Yeah. -I'm like...

Um, sorry, wrong room.

Um...crap.

Man...

How fast did the time go?

It felt like it took a long time, and then--

Till the show started and then--

And then-- [blowing out]

Yeah, my first reaction was

don't watch the show, and--but I--

-You know, of course. -[Daniel V.] It sucks you in.

-I've read every-- -It sucks you in.

-[bleep] Blog. -Yeah.

[Santino] It's been hard.

If there's a lesson I've definitely learned, it's that

I definitely think twice before I say something...

about someone I don't know.

Everything comes off as, like...

really, like, I'm like a crazy egomaniac.

I mean, you did say, day one, "This is the Santino show".

I'm like, ooh! You know?

I only said that as, like, a friggin' joke.

No, but you said something to me--

you actually said, "You're just a pattern maker."

I'm not wowed by people who are basically, like...

maybe brilliant pattern makers, but not necessarily

brilliant designers.

I said what I said in the moment...

but it looked so mean and bad.

I mean, that's great you're saying that now, but...

during the show I don't think you were coming off that way.

Right, yeah.

[Daniel V.] I know you've gotten the [bleep] end of the deal

well, granted, you made your bed, lie in it, so.

[Chloe] Yeah. Bottom line.

[dramatic music playing]

[Daniel V.] I think it's been quite a sobering experience

for Santino whether it's short-term or long-term...

if this will affect him for the rest of his life.

Uh, I guess we'll all have to wait and see.

Thanks.

[Daniel V.] When all-- all of us designers

were taking out our collections

from the garment bags and unpacking...

I had Santino behind me.

And I kept thinking to myself, like, don't turn around.

Like, I wonder if he's pulling, like...

a dildo dress out of his-- out of his bag.

We're all trying to not look at each other's garments.

One eyeball is going this way,

one eyeball is going the other way.

[Santino] I feel like Chloe's collection--

Just looked like a couch was coming at ya.

Good morning, everybody.

How are you?

I'm thrilled to see you.

I can't believe this.

-Wow. -[Tim] Can I ask you all

to gather round-- as you have not done for me

for a while.

So welcome to your new workroom, courtesy of Banana Republic.

Are you ready for a really extraordinary week?

I mean, you are going to Olympus Fashion Week.

And not only to Fashion Week, but to the Bryant Park tents.

There will be a thousand people there.

-[gasping] -[Santino] Nice.

Oh, insane. Insane.

And on that note...

I'm very anxious to see where your collections are right now.

Are you feeling good?

-Yeah. -[Chloe] Mm-hmm.

So can I see what you're doing?

-Sure. -You wanna start?

-Sure. -Great.

[Tim] This is the dress I saw...

-[Santino] Right, right. -...in Los Angeles.

-So... -Santino, it's a beauty.

This is a really

simple, you know... but it's totally elegant.

And the fullness of the skirt is really dramatic.

[Tim] It's a simple silhouette...

but it's not simple to make.

It's beautifully, beautifully done.

Right. No, not at all.

[Tim] This is beautiful. Great.

It's incredibly impressive, and you should feel very proud.

-Thank you. -You really should.

-Thank you. -It's great work.

I feel proud.

Chloe.

This is the first piece out.

Wow. Talk about Balenciaga.

You know, this is my-- I did this two days ago.

-You're kidding? -Yesterday. No.

This really could wrap.

It's voluminous.

Yes, it is.

And this goes underneath it. It's very simple.

Just a little bit of the gold's gonna show when it wraps over.

This is very pretty though too, all on its own.

I know, it's so simple.

When Tim visited me, I had pretty much nothing.

But I just seriously

didn't leave the garage for, like, two months.

I just worked. I worked and I work.

And I think I, you know, I did a pretty good job.

This is a fairly simple silhouette, but the way

in which you're innovating with the construction

is really brilliant.

Thank you.

-Good work. -Thank you. You like it?

Good work. Yeah.

-Okay. -Yeah, I do.

Thank you.

-Daniel. -Helloo.

What are you up to?

Um...

-Collection. -Great.

It's Fashion Week. Did you know?

-[laughing] Yes, I know. -Okay.

I love my collection.

I think it's [bleep] hot.

I expect Tim to just be like...

"Oh, my gosh, this is, like, the best collection ever."

I have, like, this double-breasted cashmere...

which still doesn't have buttons yet.

I work with hems.

Okay.

Very cute. Um...

I have this fun little number.

Uh, this is being worn under this piece.

Which is going to be with this.

Okay.

Okay.

As I'm showing Tim my collection...

I was thinking to myself like...

why--why doesn't he say anything more?

Like, why isn't he piddling in his panties over excitement?

These I had designed.

-[Tim] Looks a little crafty. -[Daniel V.] Hmm.

Looks a little like your dad this in the garage.

-Hmm. Really? -It looks like woodshop.

-Okay. -It bothers me.

Hmm. 'Cause I like that.

If that's what you wanted, then you got it.

Good.

-[Tim] All right. -[Daniel V.] Okay?

I have to say, in all my time

with the challenges and all the time that we've spent together

this is probably the least that you've ever said anything.

So...

I'm--I'm...

I'm...

-waiting. -Okay.

I'm gonna see how they look on the girls.

That's fine.

Um, and I'm actually quite confident in the clothes.

I--I love the clothing, so...

-Right, all right. Keep going. -Well, good.

I was surprised how little Tim said

about my collection.

And I was slightly...

offended.

[Heidi] Coming up on Project Runway...

[Santino] If Daniel doesn't recognize,

you know, anything's wrong with his collection, then...

I'm kinda worried for him.

We have one final surprise.

Dear God.

[Daniel V.] So we're heading out to go see Michael Kors

and to do our model casting.

When I showed Tim my collection...

I thought he was gonna have a lot more to say.

I think he needs to see it on an actual human being.

So finding the best models is important.

Hey, guys.

-Hi, Michael. -Hey, Michael.

-How you doing? -[Daniel V.] Great. How are you?

[Michael] Come on back, guys.

-[Santino] All right. -[Chloe] Awesome.

So, uh, it's time for model selection.

Putting the right girl in the right dress

with the right hair...

the right fit.

Don't settle.

Get it perfect.

It's like I always tell everyone,

I've got 12 minutes

to last me six months.

Now, for you guys, this is, like, you know, this is

a nanosecond to last for your life.

So don't settle.

No matter what you do, don't settle.

All right, guys, well, I'm excited.

I can't wait to see the show.

Come on, let's get going.

[Daniel V.] Let's go shopping.

-Let's go shopping. -Shopping for girls.

-Girl shopping. -[Michael] Girl shopping.

[Daniel V.] Can we see you walk?

[Chloe] My line's really about being sexy and strong.

I want a little bit sexier...

a little bit curvier.

[Daniel V.] I love the lips.

The girls I was looking for

was very fresh-faced, just someone who

gave off a level of sexiness, but not of vulgarity.

[Santino] I'm looking for my models to have high energy...

to exude confidence.

[Daniel V.] She's got the face.

I think we have a winner.

[Santino] This morning...

we're gonna go to the workroom...

and, uh, possibly have some fittings.

You never know with the fittings.

Um, things can change drastically

depending on the girls.

-[Chloe] Thank you. -[Santino] You're welcome.

-We got mirrors. -It's nice and cozy.

Mmm.

[Daniel V.] Where's the hotties?

[Chloe] Oh, my God!

[Daniel V.] Babies!

[laughter]

-Hey, beauty. -Hi.

-[Santino] How you been? -I'm good.

[all talking at once]

[model] Is it all coming together?

Yeah, it's definitely all coming together.

It's um, Tim just came in was like, mm, yeah.

Mm. Mm.

And I was like, what?!

So I love it, I love it.

-So. -Okay.

Grace, I'm so freaking happy with it.

-Do you like it? -I love it.

Daniel, how's it progressing?

When I first showed Tim my collection...

I was actually quite surprised, because he...

wasn't very vocal about it.

But I think when he sees it all pulled together

on a body, I think he'll really, um, be blown away.

Wow. Tim.

See, this is what I keep getting, and it freaks me out.

No, I'm very--

It's so--what?

I'm ju--I'm very thoughtful about it...

and I'm trying-- I'm trying to take it all in.

No, I mean, I guess I--I always appreciate what you say.

Um...

What do you think?

I love it. I think it's amazing.

[Daniel V.] Again, he kinda held back.

And it's a little nerve-racking.

'Cause usually you'd love people to fawn over your stuff.

Would you mind if I asked you

if Rebecca could put on something else too?

If--so be it. Okay.

[Santino] I think Daniel was a little upset

the way Tim didn't respond to his collection very well.

[Tim] Daniel, details are really what hold it together.

And you have a lot of issues.

Do you see how uneven it is at the bottom?

Just get to-- get down here. See?

'Cause everyone on the runway's gonna see that.

And your, um, lining is showing.

Right there. Yep.

[Santino] If Daniel doesn't recognize

anything's wrong with his collection, then...

I'm kinda worried for him.

Okay, everybody, Chloe, Santino...

You have until midnight tonight.

As we say, you need to make it work.

-Thanks, Tim. -Okay. I'll be back.

[Daniel V.] Okay.

Tim hates me.

[Chloe laughing] Daniel.

So we went to see Nathaniel at TRESemmé.

-Hello. -Hello.

[Santino] Nathaniel's great.

And I was able to explain to him briefly

what I was looking for.

A lot of bounce. Nothing too stiff.

[Chloe] The fabric is actually really strong and structured,

so I want the hair really soft.

My collection, I had a pretty specific idea

of how my hair should be.

Pouf it a little more.

-A young sophistication. -Right.

In regards to the hair...

I wanted to keep it very, very young.

Oh yeah. I love it, I love it.

[upbeat music playing]

-Excuse me. I'm coughing. -Yeah, you coughed

right in my face.

Oh, someone finished all my stuff.

- That's so nice. -[Santino] Awesome.

[Daniel V.] I definitely can admit

that I'm slightly nervous

about finishing everything on my to-do list.

Things like pant lengths, hems on sleeves.

A lot of my stuff is still raw-edged.

You add all of those little things up.

It can seem a little daunting.

It's just those damn details.

[upbeat music playing]

[Santino] We all have work to do.

Daniel has a lot of finishing, a lot of hems...

and a lot of sewing linings in, and buttonholes.

That stuff takes time.

[Chloe] Sylvinia?

Hi, I'm Chloe. I'm your designer.

Nice to meet you.

[Chloe] In the beginning, I was pretty lucky...

'cause all the other designers' models didn't show up.

And I fitted five of them.

-Hi, Megan. -Hi.

[Chloe] Hi, Jordan.

But I think I had the most alterations

because my style has a lot of seams into it.

I'm gonna pin this down.

If I have enough time, I'm gonna open this up.

[upbeat music playing]

I was happy for Chloe that she was getting a lot done.

But I hope that all of my models show up too.

And, um, get this show on the road.

-How are you? Daniel. -Fine. How are you?

[bleep] dude.

Thank you, again.

[Santino] I don't really know what to say about

the fact that models aren't showing up.

But I'm gonna be cool until tomorrow.

And then I'm gonna start cracking skulls.

We're 48 hours from the runway show.

I still have a lot of work to do.

I'll probably be sewing until the models

go out on the runway

but that's just the way it goes.

I can sleep when I'm dead.

I had alterations to do.

Not just tweaking, but alterations, you know?

Seriously, I'm designed out.

I cannot design another piece.

In two days, I have to have stuff ready.

And it wasn't until this morning--

and I pray that it doesn't get worse--

There's that--there's, like, that little knot in my stomach.

And it just started today.

[dramatic music playing]

-[Daniel V.] No, it's fine. -[Chloe] Thank you.

Man, it's warm in here.

Good morning.

-[designers] Hi. -Hi.

-Hi, everybody. -[Heidi] Hello.

Welcome back to New York.

Very nice to see you guys again.

Come a little closer

so I can see

all your lovely faces.

[Daniel V.] Tim and Heidi come in.

They were gonna rain on our parade.

You could just tell.

[tense music playing]

Well, Tim and I, we have something

very important to tell you guys.

[Tim] When we first began

thousands of talented designers

from around the country auditioned to be part

of Project Runway.



The three of you emerged from a very select group

owing to your creativity, your technical skill,

and your ability to improvise.

You are going to need

to draw upon all of those abilities,

because we have one final surprise.

-Dear God. -[Chloe] No, come on.

The surprise is...

you have one more final look that you have to create.

And that look will have to be shown

on your final runway show.

[Daniel V.] It was a ball of emotions, to say the least.

And at that point

I really just wanted to punch someone.

Why couldn't you have come by yesterday?

If I had a cardiac arrest

or had a brain aneurysm right now

I--I wouldn't be surprised.

Uh!

This is impossible for us to do another piece.

Impossible. There is no way.

Oh...

My God.

[Santino] Chloe was distraught.

She was pretty upset about it.

She was ready to throw in the towel.

There's more.

Uh!

Okay.

[Tim] In order to help you complete this look,

we're giving you an extra set of hands.

[Santino] Okay.

Who?

Who?

[Santino] Oh, wow.

-What?! -[Santino] Wow.

[Chloe] Totally. That's all of them.

- [Santino laughing] -Oh, God.

[Santino] Wow. Hi.

-My gosh. -[designer] Hello.

-Was I not saying... -[Daniel V.] Oh, my gosh.

[Tim] Designers, we've just informed

the final three that they must each

create an additional look for their collection.

[Nick] Oh!

-[Tim] Now -- -[Chloe] And I started crying.

Now each of them will choose one of you

to help them execute the final look.

[laughter]

Oh...

Yes, and what I'm gonna do is I'm gonna randomly

pick your name out of this bag.

You love this game.

And then you can choose

who you would like to work with.

The first one to choose is...

-Daniel. -Oh, thank God.

[laughter]

Um...

Nick.

I don't know if it's a good or bad thing.

The next one to choose is...

Santino.

Oh, my...

[sighing]

Um...

[Santino as Tim] Andrae.

Come here.

-Andrae. -Hello.

Help me out. Will you help me out?

[Andrae] Oh, nag, man.

Ohh!

[laughing] I'm sorry.

Chloe.

That means--leaves you out. Who you gonna pick?

[tense upbeat music playing]

Miss Diana.

Oh, wow.

[laughter]

You won the pageant that you didn't know you were gonna win.

[laughter]

[Heidi] I'm gonna wish you good luck.

Tim will fill you in on the rest of the details.

And I'll see you on the runway.

-[laughter] -Designers.

Follow me. Let's go.

[all] Bye.

-Bye. -[designers] Auf Wiedersehen.

All right, designers,

final three...

you have chosen wonderful and very capable assistants.

So you have 30 minutes to caucus among you

and to make some very deft

and strategic decisions

about what this 13th look will be like.

You have $250.

And we will go shopping

-after that 30 minutes. -Oh, my God.

Do we have to do shopping?

[Tim] All right?

Go to your corners.

Start to work.

And I'll be back with you in 30 minutes, okay?

And we'll go out.

All right, carry on.

[designer] Thank you.

Yeah, we totally don't have time

-to play catch-up. -No, no, no, no.

It was a lot of different emotions

kind of rolled into one big ball of--[bleep].

I don't have all those patterns, but...

Um...

But you still see the shape of the female.

I mean, I'm always female conscious.

I've been saying since day one, I cannot design another piece

if my life depended on it.

And ironically, my life depends on it.

[tense music playing]

I have pieces of this.

-I have a lot more of this. -Okay.

[Daniel V.] We had two days before the runway show...

and Heidi drops the b*mb that there would have to be

a 13th outfit shown on the runway.

Because I have a lot of separates...

-Yeah. -...I'm actually okay

-with showing a dress. -A dress.

I had wanted to bring in

a certain element of fun, of whimsy.

I was looking for that piece--

that kind of sandwich right in between.

-Sleeveless. -Sleeveless. Exactly.

Daniel and I are trying to realize time-wise

what garment can we do that will sort of seamlessly

work itself into the collection.

This is definitely where I want to go.

We gotta do something that

is not gonna take us forever.

You have any more of the gold fabric?

Is the gold-- is this the only gold one?

Well, I could make another gold.

[Chloe] I really didn't wanna do it

'cause I felt like all my creative juice was gone.

But based on that challenge,

I said I need a baby doll dress.

Because I need another young, happy, easy, flirty dress.

On the waist, I want really high up

and really full, yeah.

[Diana] Okay, so is it gonna be pouffed out?

-Pouf out, exactly. -[Diana] Okay.

[Diana] I think I'm truly Chloe's assistant.

And I'm just helping out anywhere that I can.

Thank you for thinking, 'cause my mind is, like...

Is there anything missing

that you wish you'd had time to do?

One thing we could do is, um...

[Santino] I really, at that point,

I was spent, and I was tired.

I wasn't really solid about what I was gonna make.

If this is some sort of top and skirt...

You could do a real simple bias-cut dress.

[Andrae] Santino is a totally different type of artist.

So it's always a matter of trial and error a little bit.

Everybody, can I have your attention?

We're going to go shopping.

[Andrae] I know how you work.

You have to see it.

And then the ideas start coming.

I went out shopping not knowing what I was going to design.

-[Tim] Let's go, follow me. -[Chloe] Sorry.

[indistinct chatter]

So designers, here we are at Mood.

And you have $250.

We have a total of an hour to shop.

So let's go, go, go.

[Chloe] I have three silk charmeuse.

-White? -[Daniel V.] Yes.

It's like a winter white, yeah.

[Chloe] I say let's go for the lighter one.

Winter white double-faced cashmere here?

Would bring an extra detail to it.

I don't like that one. I like that one.

-[Tim] You're buying more gold? -[Chloe] No, no, no, no.

I look at that and I think, wow.

No, no, don't worry. I'm not worried.

-You're not worried? Okay. -Mm-mm,

'cause the design is actually very youthful.

-And it works with the thing. -All right, I'm backing away.

All right.

[Santino] Let's just go through the whole store.

[Tim] This is an opportunity to really

do something that brings more of it together.

Any of the, like, pleated netting or tulle or...

[gasping] Could we...

Could we make a coat?

[dramatic music playing]

I can't take this anymore. I can't take any more.

At this point, I don't really care.

I have a lot of great pieces.

I tried really hard to make

some really amazing garments.

So it's kinda like, you know,

trying to disguise a piece of [bleep]

amongst a bunch of, uh, diamonds.

Go for it, and don't overthink this.

You look like you're overthinking it.

-Don't. -No. Yeah.

Whatever-- even if you put pasties

on a friggin' maxi-pad on the 13th model

and send her down the runway,

it's like, who gives a [bleep] at this point?

Help me out here, 'cause I'm just--I'm over it.

I'm really spent. I'm just spent.

-Just take some of it. -Look into my eyes.

There's nothing going on inside of my brain.

It's a dress. Right?

Yeah.

It's like one of those scenes in a movie

when you just, like, look up into the sky and you just go...

[yelling]

[Heidi] Next on Project Runway...

Santino, I still have four girls

that are unaccounted for.

Miss Diana, she's k*lling me.

I'm freaking out, Andrae.

Let's go, guys.

[Daniel V.] I'm so excited.

[upbeat music playing]

I just realized I'm missing a garment bag.

No! Who did your makeup?

And that's not the hair I want either.

[Tim] Andrae he's not even here?

I kept thinking to myself,

he hasn't seen these things on a person.

-Really? -All I wanna do is rip

that patch right off of her chest.

I do have to say, I have problems with your tops.

Visit bravotv.com to learn more about

the fashions you've seen on today's show.

[theme music playing]