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06x07 - The Sky Is the Limit

Episode transcripts for the TV show, "Project Runway". Aired: December 1, 2004 – present.*
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Contestants compete with each other to create the best clothes and are restricted by time, materials and theme.

06x07 - The Sky Is the Limit

Post by bunniefuu »

Previously on Project Runway...

For this challenge,
you will select a film genre

and invent a character
who lives in that genre.

I have to do Western.
We don't even have a cowboy hat.

- Tell me your story.
- There's three sort of queens,

and one of them wants
to rule the whole universe.

- Is that your girl?
- Yeah, that's my girl.

Oh, I don't think
this is gonna work out.

This is looking very
Kermit the Frog gone wrong.

Nicolas, you are the winner
of this challenge.

I'm here to win this competition,
and nothing's gonna stop me.

Ra'mon, it's just a hot green mess.

You're out.

This is Project Runway.

- Of course I'm the best.
- Let's do this.

The search for the next
big fashion designer.

- I have to win.
- You better watch out.

Sixteen designers.

- I'm in. You're out.
- Don't get cut.

Three finalists will make it
to Mercedes-Benz Fashion Week.

I'm the best designer here.

I have no fear.

- Make it work.
- That's my line.

But only one can be the winner.

This is my dream.

For these 16 designers,

Project Runway
is the chance of a lifetime.

The winner of Project Runway will receive

a fashion spread
in marie claire magazine,

a Paris vacation courtesy of Evian,

and $100,000 from L'Oréal Paris
to start their own line.

It's going to be so weird
not to have Ra'mon here.

But at this point, it's gonna
be weird when anybody leaves.

Yeah, it really is.

[Gordana]
Everyone of us deserves to be here.

It really is like the Olympic games.

They are all perfect athletes,

but it's like one comes two seconds
or one second before the other.

- Ra'mon is gone.
- Yeah, and we have a new roommate.

- Welcome, Logan.
- Welcome, Logan.

I'm still unpacking.

I don't really know their normal
procedures in the morning or whatever,

so it's interesting.

I take long showers.

- I'm a cuddler.
- [Laughter]

I truly did not want to go home.

Well, I'm glad you're still here.

In the last challenge,
I was in the bottom three.

I'm definitely going to try to go a little
more over the top with my designs,

because I certainly don't want
to have another snooze-fest.

Oh, my God. This is it.
The four boys.

This is it. So we have to make a pact.

Yes. We gotta get rid
of some of the girls.

- Shirin, you're out.
- [Laughter]

Hello.

[All]
Hi.

Nicolas, you won
the last challenge,

so you have immunity this week
and you cannot be eliminated.

- That feels good, no?
- Yeah.

You are probably wondering what we
have in store for you this week, right?

Mm-hmm.

All I can tell you
is that your next challenge

will be quite colorful.

I don't know what it's gonna be.

We could be making garments

out of big colorful parachutes
for all I know.

Tim is waiting for you in the workroom
to tell you all about it.

Good luck,
and I'll see you on the runway.

Bye.

[All]
Bye.

Designers, I am delighted
to introduce Martine Reardon,

Macy's executive vice president
of corporate marketing.

Martine's gonna tell you
about your challenge.

Hello, designers.

Your challenge is all-around color,
and it is the color blue.

The great thing about the color blue

is it's got
the very soft romantic hues,

and it goes all the way
to the very electric kind of blues.

INC is all about fashion.

And the best thing about this brand
is that it's only available at Macy's.

So your challenge is to create two looks

that are blue and that are
very consistent with the INC brand.

[Tim]
The winner of this challenge

will be commissioned
by Macy's and INC

to design a holiday dress
that will be sold

in select Macy's stores
and on Macys. Com.

- So good luck to all of you.
- [No audible dialogue]

You get to have a garment
in a mainstream store.

And that's what we all want.
We all want to say,

"I made that" to that girl
walking down the street.

For this challenge,
you will be working in teams of two.

It's a one-day challenge.

As soon as they say it's a team challenge,
I'm thinking, Wah-wah-wah.

There is a Macy's dossier
for each of you at your worktable.

You will have 15 minutes to sketch,

and each of the ten of you
will be pitching your ideas

to Martine who, in turn, will choose
five of you to be team leaders,

and those five team leaders
will then choose their teammates.

So... your 15 minutes
to sketch starts right now.

Okay?

This is huge. If I win this challenge,

I'll get to design
a holiday dress for Macy's.

This is the best challenge
any designer could ever, ever hope for.

I think that this challenge
is really interesting

because you wanna
give a little of yourself,

but you have to look at
what's happening already in the line.

I think one of the advantages
I have in this challenge

is that I'm really
down to earth about fashion.

I can relate to the Macy's shopper.

I can see what they're looking for.

I'm surprised at how very simple
a lot of the clothing is.

I'm not really gonna be able

to go too crazy with this challenge
like I'd planned on.

Designers,
your sketching time is up,

and the first person
to pitch is Althea.

I actually enjoy pitching ideas.

I feel really confident about my work,
so I like turning that on.

The first one here is denim,
wide leg, high-waisted pants.

The second look... I wanted to do
sort of like a suiting look.

Something she can wear to work
but manipulate to going out.

I wanted to do one look that was a little
bit more dressy... day to night...

and then one look
that was a little more casual.

But my goal is
for each of these pieces

to work into the woman's wardrobe
that she currently already has.

I'm thinking more of doing
some sort of sweater dress.

I wanted to do, like,
a sweater dress.

This piece right here...
this is a cape.

I definitely want to do, like, a vest,
possibly made out of leather.

This piece can go from
the workplace to happy hour,

and it's a play on a men's shirt.

Well, that's exciting.

This would be, like,
a simple cotton dress

with kind of a tuxedo ruffle effect,

and then this one
would have appliqué rosettes

- all along the neckline and down the front.
- Very pretty.

First of all,
I'm a very big customer of INC.

Oh, good.

And I created a little bit
of inspired '70's look.

I really wanted to do
this patchwork, maybe a sort...

- Very nice.
- The second look...

I wanted to do something that, you know,
maybe she could wear to work.

That's great. Good luck to you.

Thanks. I'm looking forward to it.

You know, it was one of
those weird job interviews

where you don't know
if they're gonna call or not

because they just smiled and nodded.

Designers, Martine
has made her decisions.

Who are our team leaders?

[Martine]
Irina is our first one.

- Congratulations.
- Congratulations.

Althea.

For every team challenge I've had,
I've been a team leader.

So I've been loving it,
because it's my ideas,

and I'm kind of, like, the boss,
and I've got, like, a helper.

So it kind of works out well for me.

Carol Hannah is our third choice.

- Christopher.
- Thank you.

Congratulations.

And Louise.

[Tim]
Wow.

Congratulations
to our team leaders.

So, the first team leader
to choose is... AIthea.

Oh. Logan, if you wanna
work with me, I guess. Please?

- Say yes.
- I don't know if I have a choice.

- [Laughter]
- Christopher.

I would be honored
to work with Epperson.

Thanks.

Louise.

Nicolas.

It doesn't worry me
that Nicolas has immunity.

My two designs are so strong

that I'm very confident
that we will be in the top.

- Irina.
- Oh, wow. Uh...

Who wants to work with me?

[Laughter]
How about I let you guys decide?

- I like working with you.
- All right. Gordana, let's go.

I mean, I don't really care.
You know, it's a team challenge.

I only care who's gonna
get the work done.

Well, this makes it easy.

- Whoo!
- [Chattering]

All right, designers.
We're going to head off to Mood

with $100 budget per team.

I'm gonna say one thing before we go.
Owing to how huge this win is,

there will be no immunity
for this challenge.

- So you ready to go to Mood?
- [Designers] Yes.

Let's head out.

All right, teams.
You have 20 minutes.

- Go, go, go.
- [Chattering]

They're off. Sort of.

What about this one?

How do you feel about
these two going together?

- I like it.
- Okay. So this is this dress.

For the last couple of challenges,

she was told that she's very basic.

What are you making
the flowers out of?

- Do you want to do it out of crepe chiffon?
- Chiffon?

I mean, I'm trying to figure out,
like, what kind of fabric

we can use to make them
a little bit more luxurious.

Denim! Where's the denim?

We're trying to find lighter-washed
stretch denim, which they don't have.

Eventually,
we just grab a lot of colors,

throw them on the table, and just buy
way more fabric than we need.

We'll figure it out later.

Take it. Take it. This is crazy.

Being at Mood with a partner
is definitely a lot more challenging

than being at Mood
trying to shop by yourself.

You have this train of thought,

and you're trying to figure it out.

Then she runs over...
"Oh, how about this?"

She tells me,
"You're stressing me out."

I'm not stressed.
I'm just thinking of things

that we shouldn't forget.

What else do we need?

- Elastic zipper...
- A tranquilizer.

Everyone, one minute.

Need a cutter!

- Do it, Carol Hannah!
- [Laughter]

All right, everybody.

Go, go, go!

That's it. Time's up.

Do you have the money?
The envelope?

Oh, my God.
Did I leave it on a table? Oh, God.

When I get pressured
or rushed into something,

it tends to, like, blow my brains.

Well, I was mostly over here.

A little freaked out.
I just started retracing my steps

and trying to figure out
where all I had been.

Oh, here it is. Good Lord.
I even forgot my drawing. Yes!

I'd say it's a Project Runway first.

All right, everybody.
Let's go back to the workroom.

- [Designers] Thank you.
- [Tim] Thank you, Mood.

Coming up on Project Runway...

Oh, the seam came open.

The look Gordana's working on
is a disaster.

This is gonna have ruffles on it.

I hate ruffles.
Ruffles make me sick.

I hate this part of the night
where you, like, freak out.

Oh, man.

The new challenge is for us

to create two looks
for INC, a clothing line.

Every piece has to be in blue.

It's so hard for me to work
with, like, colors this bright.

So we're making a high-waisted
pencil skirt

and a chiffon ruffle blouse,

and then we're making
kind of, like, a sweater dress

with some cute leggings
and a leather belt.

I don't know. I wouldn't have designed it,
but I'll help her make it.

All right. So I'm thinking,
like, low back.

Whatever you wanna do.

I'm really excited
about being a team captain.

But now I have to delegate
to someone else,

and that's not something
I'm used to.

I've never had
anybody work for me.

[Shirin]
He's still messing with the slides.

- I just don't know what I want here yet.
- Shh.

That's the weird thing
about group challenges...

people start paying attention
to how you work.

About this long? Or do you
want it all the way down?

- No, all the way down.
- But this is going to be straight.

Okay, do the sides,
and I'll show you the front.

Team challenges
are a pain in the neck just because...

I don't know. I feel like I have to
do my portion of the work

and sort of look over
the other person's shoulder.

It's just so much work,
I'd rather just do it myself.

[Louise] Nicolas is working
on the dark navy blue dress

with the ruffles down the front.

One of the things
that I hate the most is ruffles.

And a lot of the designers,
when they get stumped,

put more ruffles on the dress.

So I'm kind of nervous for her now.

I'm just really worried, because, like,
when I saw her designs,

I was, like, "Oh, God,
not another one."

This whole project

is totally... totally different
from the other situation.

But it's amazing,
because here I am,

working with a designer
that I totally respect.

I totally get you.

[Epperson]
The last team challenge with Qristyl...

We had no direction,
so I had to make it work.

We have to understand each other.
We can't make a mistake.

Why does a mistake
have to be on my part?

We have to understand each other.

This time I don't have to make it work.
I just have to make the garment.

I'm happy to work with you.
Like I said, I wanted to.

We're gonna rock it.

Absolutely. Absolutely.

Epperson and I have
a great way of communicating.

We're able to consult
with each other back and forth.

He's adding elements that
he would put in his designs,

and it's gonna be better now.

He talked about putting pockets
in the shirtdress.

I love the idea.

I'm so glad that you give
your kind of take on it.

- 'Cause it's us.
- Right on.

I'm gonna start cutting out
these shapes,

and then we can both
place them on there

just so we can kind of see
which way you wanna go.

- Okay.
- All right?

Generally, working with Louise
is pretty good.

She's very nice. She's calm.

She makes really fabulous
little noises when she works.

[Clucking, squeaks, blows raspberry]

I don't know. It's just something
that kind of relieves stress

and helps me to focus.

- [Chirping]
- [Laughter]

Where did you learn bird noises?

- [Louise] We had, like, 25 pets.
- Oh, wow.

So there was always, like,
animal noises all the time.

So you probably did bird noises
before you even talked.

[Clucking]

Color where you want to line the pockets.

[AIthea]
Maybe. Keep it all in the family.

I like working with Logan.

He is really kind of chill.

I thought I was supposed to be
just like a robot.

You're my seamstress.

- Ohh!
- [Laughing]

- I prefer "seamster."
- Sorry.

[Gordana]
Logan is full of surprises.

He's a good-Iooking guy.
He's nice guy.

We all think he's hot.
The boys like him as well.

So many people here
have such big personalities.

It's kind of nice to, like,
get away from all the drama.

We really have to, like,
do something else to that top.

I feel like it's too plain.

But the sleeve is going to give it...

Yeah, but still...

[Gordana]
She doesn't give me any direction.

She just says, "I don't like it."

So, of course,
I'm, like, stressing out.

Oh, my God!
I've been French seaming

for five hours now.

I just really hate the idea
of just, like, a blue dress.

You just feel like
you're a walking color.

So I decided to do
a patchwork of stripes.

- Hi, everybody.
- Hey, Tim.

I'm here to check up on your progress.

And I'm going to start
with Team Carol Hannah.

Also known as Team Awesome!

- We shall see.
- [Laughter]

So this is look one.

That one has leggings.

- I made leggi...
- I know. Never mind.

Don't get me on leggings.
What's that?

We're kind of both
not liking this color that much.

I'm not a fan of that.

- Do you have other options?
- We have this color.

This is stunning. I mean,
I would say you're 80% there.

- Okay.
- But you've got the potential here

- to knock people's socks off.
- Yay!

Knock their leggings off.

Knock those leggings off. Exactly.

- Thank you.
- All right?

- Work, work, work.
- All right.

- Louise, Nicolas.
- Hi, Tim.

- Hi, Tim.
- Talk to me about what you're doing.

This is a fitted look
that Kojii will be wearing.

The one comment I will make
is this ice blue charmeuse

in relation to this matte fabric...

it's so abruptly different.

I had, like, this inkling
of going with something a little darker.

And then, I didn't want it
to get, like, lost...

- I'm with you. I'm with you.
...down the runway,

because they keep doing that
to me every time.

But are you happy with this so far?

I'm excited by the potential that I see,

and I trust that you'll see anything
that goes awry and fix it.

Oh, yeah.

- Carry on, both of you.
- Thanks.

- Thank you very much.
- Thank you, Tim.

- Hi, Logan.
- Hi, Tim.

- Hi, Althea.
- Hey.

- So talk to me.
- For this look, we're going to do

a simple skirt that is
neither short nor long.

- That's a good skirt.
- Yeah, well...

What I love about this is that
you're taking a suit

and you're making it modern

and you're not holding on
to those stereotypes

that we associate
with women in suits.

- Cool.
- All right. Thank you both.

- Thank you very much.
- Thank you, Tim.

Irina.

- Hi, Tim.
- Gordana.

Talk to me about this.

We really wanna do
sort of a romantic top.

And is this a waistband?
How does this work?

I was thinking
we can just attach it to the blouse.

[Irene]
I'd actually like to keep it separate.

- Then does she tie it?
- Yes.

I don't know if I would tie it.

I would maybe just have
a little way of closing it.

Really? I don't know.

All right. You two have a lot to discuss

- and to work out.
- Yeah.

- Thank you.
- [Irina, Gordana] Thank you, Tim.

- Christopher.
- Hey, Tim.

- Epperson.
- Yes.

Talk to me.

Well, this is the first look,
and it's really based on a men's shirt.

- It's a shirtdress.
- Yeah. Exactly.

And I love a shirtdress.

And Epperson found this fantastic

- shimmer in a stripe.
- Mm-hmm.

I guess my conundrum is the textiles.

- I just don't get them together.
- Yeah... No.

- That's what we're dealing with right now.
- But I will tell you,

you really have potential here
for serious reinvention.

- And it's very exciting.
- Mm-hmm. Great.

All right. Work, work, work.

- We're working.
- Good.

Reinvent.

We reinvented the shirtdress.
That's pretty cool.

Designers, I just have to tell you,
there are ten of you remaining,

and I believe in all of you,
and I don't want anyone to go home.

But it's Project Runway
musical chairs. Someone is.

So, I'm going to send in your models.

- They're here for a fitting.
- [Designers] Thanks, Tim.

Oh, my God, I hear them.
Here they come.

[Chattering]

Hi.

Is the theme blue?

I love it.

[Shirin]
Wow.

- It's certainly tight. It's like...
- Like a glove.

When we finally get
to put it on the model,

we put the skirt on Ebony first,
and it's actually kind of tight.

We can let it out a little.

No, it looks good, though.

It looks really good. Look at my booty.

She's walking around, like,
"I like it! It's perfect!"

And me and Carol Hannah
are, like, "No, it's too tight."

Katie's looking okay in my dress.

However, the look Gordana's
working on is sort of a disaster.

- Oh, the seam came open.
- This top just bothers me.

By now, that outfit should've
been close to completion,

and it still has, like, kinks everywhere.

Finish the top today
because the skirt's quick.

You could do it tomorrow.

I'm still not happy
with the way the dresses look.

They're both very unfinished.

I'm gonna just start altering this, okay?

- So...
- Okay.

I'm just gonna go ahead
and plow through this dress.

I'm not a really good judge
of time, unfortunately.

That always comes back
to bite me in the butt.

- Bye. See you tomorrow.
- Bye-bye.

- Bye, guys.
- Bye.

I'm gonna have to stuff
her breasts in here,

'cause she obviously
doesn't fit the mannequin.

Well, this is gonna have ruffles on it,

- so it's not gonna be so noticeable.
- Right.

I hate ruffles.

I've said it before, and I'll say it again,

I believe that ruffles were created
to hide flaws.

Ruffles make me sick.

- That should be enough.
- Yeah. It will be.

Epperson and I come up
with a couple solutions

to tie the two pieces together.

We have some details
that we have to finish up in the morning,

but right now,
I think we'll sleep easy.

I hate this part of the night
where you, like, freak out.

Every single challenge,
about halfway through,

I have a mini-breakdown
and freak out in my head.

It's like this fashion Olympics
that we're in right now.

Yeah. It really is, isn't it?

We're going through
this extremely stressful,

emotional time
and trying to do our best

and trying to keep it together
and trying to stay awake.

[Irina]
Shirin and Carol Hannah...

their stuff looks like it was just bought
in, like, a discount store.

It's very, like, "$10 shirt on sale
for, like, 5.99" kind of thing.

I don't know
what's gonna happen with that.

We have a half an hour left.

Right about now,
Ra'mon would be starting over.

He'd be, like, "I hate it.
Another unitard. No more unitards."

[Laughter]

Bye, workroom.

Coming up on Project Runway...

I don't know if we're gonna have time
to put the second ruffle on.

We're not going to be sending
finished garments down the runway.

You don't think it's too, like, plain?

She told me, "Oh, I don't like it."

Oh, my God. So much stress.

[Irina]
This challenge really tested

a designer's sort of flexibility
to do different things

other than what
you were used to doing.

But I'm in a good position at this point,

so I'm not worried.

[Sighs, groans]

This morning, I'm kind of feeling

very tense about
what I have to accomplish,

especially since Nicolas has immunity.

If we're in the bottom,
I'll most certainly be out.

I'm gonna try to help Louise
as much as I can on the runway.

When she gets up in front of the judges,

she needs to know who the person
that she's selling for, and...

I don't think she really has a clue.

[Muttering]
...on my face.

- I'm ready.
- Yeah.

- [Epperson] "Think blue."
- [Laughter]

[Epperson]
Just the way we left it.

I thought somebody
would come in and finish it.

This morning, I'm a little worried
because we still have more work.

I think that we have solid pieces,

but I'm a little concerned
that maybe the fit won't be perfect.

Althea and I had
a few more details to do.

We still need to finish
the main top for my look.

What the hell is wrong
with this machine?

It does not like you.

We're doing pretty well on time,
so we're not really,

really stressing out
like maybe some other people.

Do you like it?

I like it.
And it's simple, but it's elegant.

It's a day look.
You don't want to overdo it.

As I'm looking at all this blue,
I'm thinking

it's so sad and depressing-Iooking,

and I really need to sort of liven it up.

- You don't think it's too, like, plain?
- I don't think so.

Irina doesn't tell me, "Can you use
your own design," or anything.

She just says, "I don't like it."

I didn't get any direction.
None whatsoever.

I was so frustrated.

I would leave it.

Hi.

- Good morning, everybody.
- Hey, Tim.

It's a big day.

Team challenge.
So I'm about to send in your models.

You will have two hours to send them
to the Garnier hair studio

and the L'Oréal Paris makeup room.

Please use the Macy's accessory wall.
It is our Macy's challenge.

And I want you to know
that the wall has been stocked

with shoes from the INC brand.

All right? So it fits in nicely
with what you're doing for this challenge.

- All right?
- All right.

- I'm sending in your models. Thank you.
- Thank you, Tim.

- Hi.
- [Both] Hey.

- Hi.
- Hey, hey.

This is ready to go.
They could put it in the store right now.

I worked on, like,
an oxford shirtdress.

It was really...
It was a challenge.

It's something totally different
from what I've done.

And it looked like a real shirt.

So I was just, like, "Wow."
You know, big pat on my back.

Big curls. Sort of...

Like a fashion-forward
real woman.

Sort of silverish, blueish hint...

Thank you very much.

Designers and models,

in ten minutes,

you and I are going
to the runway, all right?

Ten minutes, everyone.
Thank you.

I don't know if we're gonna have time
to put the second ruffle on.

Definitely feeling the time crunch.

I'm not getting the appliqués
finished like I want them.

They're just kind of shredded
and tattered.

I'm a little worried
we're not going to be sending

finished garments
down the runway.

[Irina] Gordana could've
been more proactive.

But the dress looks
a lot better on the model

than on the mannequin.

I have to say that I did save my a*s
with the top that I created,

because she could have
completely, like, as they say,

thrown me on the bus.

Designers and models, this is it.

Follow me, please.

Fluff this like this.

I think Epperson and I
are the dream team.

As a team leader, I know
that my name is on the line

more than his is.

But we're gonna show the judges
wearable pieces,

and I think we might take this one.

I'm very, very lucky
that I won the last immunity,

because we completely
ran out of time.

Designers and models,
gotta go, go, go.

That's it.

Coming up on Project Runway...

One or more of you will be out.

Did you really think they went together?
They don't.

Honestly, I don't know what is worse...

the pumpkin disco ball
or the shower curtain nightie.

Hello.

[All]
Hi.

Welcome to the runway.

As you know, in fashion,
one day you're in,

and the next day, you're out.

This week you worked in pairs
to design two cohesive looks.

Your designs must incorporate
the color blue

and match the style of the INC brand.

The winner of this challenge will be
commissioned by Macy's and INC

to design a holiday dress
to be sold in select Macy's stores.

Okay, let's meet the judges.

Top American designer Michael Kors.

- Hey, guys.
- Hi.

Senior fashion editor for marie claire
Zanna Roberts.

- Hi, guys.
- Hi.

And executive vice president
from Macy's corporate marketing,

Martine Reardon.

- Hi, everyone.
- Welcome.

One of you will be named the winner,

and one or more will be out.

Let's start the show.

So Katie's coming
down the runway,

and I think she looks so adorable

and flirty and elegant
in the dress.

I was completely content
and happy with it.

And I think she did a great job,

you know, sort of showing it.

So I feel good.

The most important to me
in this competition

is that I send down the runway
something I believe in.

I am very confident,
and I am very happy with the outcome.

[Logan]
Tara comes out first,

and as she comes walking
across the stage,

the skirt just keeps getting
higher and higher and higher.

At that point,
there's nothing you can do

but kind of just laugh about it.

The two looks... I think
they look great together.

I think they are saying something.

Everything's wearable,
and we definitely wanted

to work on making sure
that the jacket could go with the jeans,

you could switch the tops.

So I hope that that's recognized.

There are a lot of really
simple pieces in the room,

and I'm hoping that maybe,

because I went
the opposite direction

and went a little too crazy
with some of the stuff,

that maybe some of
the more simple designs

will be too boring,

and they'll be the ones
that'll be in the bottom.

As our garments
go down the runway,

I'm not happy at all
with the dress that Louise made.

That ruffle thing
just looks weird and strange.

And I just really wish that Louise
really knew what she wanted.

I definitely think
that Shirin and I's looks

could be sold in Macy's.

That's one of my strengths
is that my work

is sellable, it's marketable.

I'm really confident when
our stuff walks down the runway.

We both did it together.
And I like it.

And I think that we did a good job.

I think we'll be in the top.

Tanisha's wearing the shirtdress,

and she's really working it.

You can see that she's going from

the workplace to happy hour
in a heartbeat.

I think it's gonna be an INC product.

When you design something
that can be mass-produced,

you have to take yourself out of it

and do what the majority
of the people would want.

So I think we did well.

[Heidi]
Althea and Logan, please step forward.

Congratulations.
Your scores have qualified you

to move on
to the next challenge.

- You can leave the runway.
- [Both] Thank you.

The eight of you have the highest
and the lowest scores.

One of you
will be named the winner,

and one or more of you
will be out.

Louise and Nicolas,
and Christopher and Epperson,

your teams have the lowest scores.

We're gonna talk to the teams
with the highest scores first.

And then I'm gonna bring you back.

You can leave the runway. Thank you.

Let's bring out your models.

All right. I would like to talk
to Carol Hannah and Shirin first.

Carol Hannah, you were
the team leader, right?

So tell us a little bit
about your designs.

This one is more of the day-to-night,

kind of work appropriate,

but also can be kind of fun at night,

if you throw on
some different shoes and accessories.

And then this one over here

is more of our weekend,
going out, more playful look.

I think she's done a very good job
of interpreting the INC brand.

I think the tunic is great.

And it could look great
in a hundred colors.

It could be longer as a dress.

It's a beautiful neckline,
and it doesn't look cheap.

This one had instant appeal.

I think it was very chic.
I like the attention to detail.

I think both tops look great,
so job well done overall.

- Thank you.
- Thank you.

All right. Irina and Gordana.

Tell us about your look.

And, Irina, I think that
you are the team leader.

We wanted sort of
a very business day look almost

and a weekend evening look.

And how was it working together?

It was a little bit of a challenge,

but I'm happy with
what we came up with.

I think, Gordana, you were a little bit,
um, shy as a designer.

You know, I trusted you,
and I said,

you know, "Take care of that,"

and I felt like you should've
taken that on

and, you know, "take care of it"
kind of thing, so...

- Yeah, but I wanted to please you, too.
- No, of course. I understand.

But, you know, you're a designer, too,
just like I am.

No, even though you're a team,
you're up here as individuals.

- So next time...
- Okay.

I really, really love this dress.

I would totally wear that dress.

- Really?
- Yeah. I think it's really, really nice.

Success!

I, too, love the dress.

Love the top of the dress particularly.

[Roberts] I'm with you guys on
this dress. I think it's beautiful.

If I walked into Macy's and saw it,
it would have stand-out appeal.

I do love this top, too.

I love that it is sheer,
but then it's not.

You're the only people
who gave us a pattern.

And you actually
created the pattern.

- Right.
- The blouse is a very pretty blouse.

- Thank you.
- Thank you.

We've heard what you had to say.

One of you will be
the winner of this challenge.

You can leave the runway.
Thank you.

Let's bring out the designers
with the lowest scores.

Your teams had the lowest scores.

One or more of you will be out.

Louise and Nicolas,
tell us about your look.

And, Louise,
you were the team captain.

I wanted to create two pieces
that had some versatility.

This one could be worn, you know,

as daywear to the office
and then go into evening.

This is more of, like,
a c*ck or, like, party dress.

I thought, you know,
I'd add something to spice it up a bit.

And that was ruffles?

- Who wears this today?
- [No audible dialogue]

I like ruffles. What can I say?

I, like, happen to like ruffles.

I think it's the way
the ruffles were done.

They're very overstated.

If I walked into Macy's
and saw racks of this,

I would walk straight back out.

I mean, I'd think I walked
into a bad bridal shop.

I mean, this truly looks
like a bridesmaid's dress

with a shower loofah
ruched up the front of it.

I mean, no modern girl
wants to wear that dress.

I mean, you wouldn't.

Nicolas, you're awfully quiet.
What are your thoughts?

Ruffles were never my thing,

but I was here to help her
create her vision, so...

- Did you win the last challenge?
- I did.

Aren't you lucky?

Because don't you have immunity
for this week?

- I do.
- Aren't you lucky?

I am lucky.

Epperson and Christopher,
please tell us about your look.

I chose kind of pretty
simple silhouettes

and made them kind of
fresh and updated

for the INC brand.

Christopher,
you were the team leader.

I was.

I was looking at this,
and I was just blown away.

I just have no idea
what modern girl of today

would want to wear
any of these outfits.

I'm troubled with...

What is this thing up here?

It was kind of like
she was eating lobster,

and she put this in there,
and she forgot to take it out.

It's... It's too much up here.

I look at the shirtdress,
which just literally looks like

a librarian's shirtdress,
you know, from 1979.

The fabric has the shine.
I guess maybe you guys thought

that was a little bit of a twist.

I actually think it just
looks like a tablecloth.

Then, all of a sudden,

I swap over,

and I get to this kind of teal charmeuse
disco pumpkin.

And, you know,
I just think that you...

I don't know.
Did you really think they went together?

They don't.

We...

We had... We both ran into the store,

and we both grabbed fabrics.

- Separately.
- Separately.

But then we came together.

I think this is
a really good example

of how hard it is to make
a very successful commercial piece.

The fabric doesn't appeal to me...

the shininess of the fabric.

If you're gonna do a shirtdress,
it should be, you know,

in a neutral or a white
or a cream or a black.

I struggled with that piece of it.

Okay, we've heard
what you had to say.

We're gonna have a little chat,

and then we're gonna
call you back,

and one of you will be out.

You can leave the runway.

Okay, let's talk about the ones
that we didn't like.

Let's talk about Louise and Nicolas.

[Michael] I just couldn't understand
these two ruffled dresses.

I didn't think
there was anything there

that would attract
your customers' eye at all.

I completely agree.

It's not reflected at all
in these designs.

I wouldn't even say hard to wear.
I would say unwearable.

They got stuck in an idea,
and they just completely

lost track of the customer and the store.

Let's move on to Christopher
and Epperson.

These two outfits have nothing

- to do with one another.
- Right.

One is an unattractive
kind of nightshirt riff on Americana,

and then the other is this kind of disco
satin bubble dress.

That was not sexy. It wasn't chic.

It wasn't fun.

It was so badly made.

Honestly, I don't know
what is worse...

the pumpkin disco ball
or the shower curtain nightie.

Let's rather move on
to the ones that we did like.

Irina and Gordana.

That was a really lovely dress,
I think, that they've made.

It was pretty.

[Michael]
That striped dress was cut well.

It moved. And it also...

If you were walking
through a Macy's floor,

- it would stop you.
- Yes. Yes.

It would really stand out
in a sea of clothing.

And I think there was
something there with the blouse.

The top was very dressy and romantic.
Blue was a tough challenge.

All right. Let's move on
to Carol Hannah and Shirin.

They've also done a nice job.

They did,
you know, more pieces.

They did have instant appeal.
As soon as it walked out,

I thought,
"That's a chic little number."

The skirt with the blouse...
it was cute.

I think that they were pieces
that women would really love to wear

and would integrate
into their wardrobes.

They would hang on the floor
really well together, and they would sell.

All right.
So, we've made our decision?

Yes.

Okay, let's bring them back out.

Okay.

Your teams had the highest
and the lowest scores.

One of you
will be named the winner,

and one or more of you will be out.

Your teams had the highest
and the lowest scores.

One of you
will be named the winner,

and one or more of you will be out.

Shirin, you're in.

- You can leave the runway.
- Thank you.

Irina, you are the winner
of this challenge.

Thank you.

- Congratulations.
- Thank you.

Your looks, especially the dress,

were really well done.

They were flirty, feminine,

and had stand-out appeal
for the INC customer.

Also, you're going to design
a holiday dress for the INC line.

It will be sold in select Macy's stores
across the country.

Congratulations.

Thank you.

You can leave the runway.

Winning twice definitely feels good.

I mean, it's a confirmation
that I am going in the right direction.

I obviously want to be in Bryant Park.

I mean, it feels amazing.

Gordana, Carol Hannah, good job.

- You can leave the runway.
- Thank you.

Thank you very much.

Epperson, you're in.

You can leave the runway.

Nicolas,

you have immunity this week.

Again, you're very lucky.

- You can leave the runway. You're in.
- [No audible dialogue]

Louise...

Christopher...

one or both of you will be out.

Louise, your two ruffled dresses
were so far away

from anything a woman of today
would want to wear.

They're like bad, overworked
bridesmaids dresses...

not flattering, not well made,

and not sellable.

Christopher,

your two outfits had nothing
in common with each other...

except how clueless they both were.

The outfit was badly made,
terribly styled,

and it is a stretch to think

that any customer
would want to buy them.

Louise...

you're out.

Christopher...

you're in.

- You can leave the runway, Christopher.
- Thank you.

- Auf Wiedersehen.
- Thank you.

It's been fun, you guys.

I'm just really, you know, honored
to have been part of all this.

I certainly made it a lot further
than I had expected.

I have to send you to the workroom
to clean up your space.

- Okay?
- Okay.

I'm gonna come away from this
a better designer,

and I'll work much more efficiently

under pressure, I would imagine.

This holiday season,

Irina's dress will be sold
in select Macy's stores

and at macys. Com/projectrunway.

Next week on Project Runway...

I think it's time to hear
about your next challenge.

And I have a little surprise for you...
new models.

I got a lot of work to do.

People aren't going home
for lack of talent, that's for sure.

I mean, this looks
very lab coaty to me.

- It has to work. There's no excuses.
- What's the look?

It is one of the most
hideous things I've ever made.

[Shirin]
It's like a bad Vegas outfit.

- I don't want to get kicked off.
- [Line ringing]

I just miss you guys so much.

I thought I made myself very clear

when I gave you guys the challenge.

This, to me, is a tragedy.

It looks like a garbage bag
that you just cinched in the waist.

Well, it was double ugly.



about the fashion you've seen
on tonight's show.