Previously on Project
Runway...
Welcome to Petland Discounts.
This is the source for the
materials for your next
challenge.
Agh!
I wouldn't say that I'm
trying to win this challenge as
much as I am trying to just get
by.
I don't want to go on this
show and make these costumes.
I think that Bert has kind of
a crummy attitude.
♪ I'm glad I've got ♪
♪ immunity ♪
♪ do-dah, do-dah ♪
[Upbeat music]
♪ ♪
Bert, you are so lucky that
you have immunity.
It's interesting and
exciting, but it's actually
beautiful.
Oliver, you're the winner of
this challenge.
[Exhales]
She looks like she's from the
Blue Man Group.
You've gotta have, like,
candy corn teeth to wear that
dress.
And this just tried to play
it too safe.
It really misses the mark as
far as thinking outside the box.
Josh...You're out.
This...
This...
This...
This...
This is the search for the
next big fashion designer.
Yes.
16 designers.
It's about style.
Fashion.
Attitude.
How do I have attitude?
Attitude.
Three finalists.
I would wear that.
I think it's fantastic.
Let me see you put it on.
Keep me out of this.
And one winner.
This is for real.
Be good.
Be great.
This is Project Runway.
The winner of Project Runway
will receive $100,000 from
L'Oreal Paris to start their
own line...
A fashion spread in Marie Claire
magazine...
A $50,000 technology suite from
HP and Intel to enable their
creativity and run their
business, and the opportunity to
design and sell an exclusive
collection on Piperlime.com.
The model paired with the winner
of Project Runway will receive a
fashion spread in Marie Claire
magazine and $25,000 from
L'Oreal Paris Studio Secrets
Professional.
Original Air Date on August 11, 2011
I wasn't ready for Josh to
go.
He has so much talent, and
there's people like Fallene that
don't even know really what
their direction is at this
point.
She talks to much about being
a hairstylist, I'm not even sure
if she's a designer, you know?
Mm-hmm.
[Yawning] Oh, man.
I'm just freakin' nervous for
today.
I'm like, maybe I'm too much of
a normal person.
I never thought I would be
normal, but...
[Laughing]
My way of designing is a lot
more artistic than what we have
to do here.
I'm glad they gave me a second
shot.
I'm gonna be after you today,
Oliver.
I feel pretty good so far.
I mean, being in the top three
the past two times...
The judges notice who I am now.
I'm looking for that first win.
You ready?
Let's go.
Good-bye!
Oh, my God.
[Laughs]
All: Hi!
[Laughter]
[All exclaiming]
You're kidding.
What?
[Laughter]
Heidi comes out on these
stilts.
It's hilarious.
Hi, guys.
All: Hi.
You grew.
[Laughter]
How's everything going down
there?
All: Great.
There's a reason that I am
this tall right now.
Oh, my God, we're going to
the circus.
Oh, [bleep], I am scared.
For your next challenge, we
want you to think big.
Really big.
Uh-oh, there's more.
Oh, my God.
Oh, lord.
Who are these people?
Holy crap.
The stilts models, they're
kind of scary.
Ohh.
This is so freaky.
Oh, my God.
Meet your models for your
next challenge.
All: Hi, ladies.
For your next runway show, we
want you to think outside of the
box.
We want you to create a look
that is eye-catching,
imaginative, and truly larger
than life.
We have to dress stilt
walkers.
You will be divided into
teams of two.
Oh, no.
Now we have to work with
somebody else.
And each team will have a
stilt walker as your model.
I will choose a team from the
button bag.
Hi, button bag.
Hi, button bag.
The first one is...
Bert.
Fabulous.
Teamed up with...
Viktor.
I do not want to be on a team
with Bert.
Viktor, you look funny.
My heart dropped.
[Laughter]
I think Bert is a difficult
person.
He is just saying the wrong
things at the wrong time.
It annoys me.
He acted in such a childish
way.
"Oh, gee, look who I'm stuck
with."
I don't appreciate it, and I
don't think it's professional.
Anthony Ryan...
Teamed up with...Laura.
[Laughter]
[Overlapping chatter]
Joshua McKinley...
With Julie.
[Kiss]
Here we go.
I'm a little nervous being
paired with Julie.
I've seen her last two garments
for the challenges.
It seems as though she's a
little bit lost.
Danielle...
With Cecelia.
Anya...Teamed up with...
Oliver.
[Indistinct chatter]
I totally lucked out.
Kimberly...
With...Becky.
Ohh.
Hmm.
I am not that inspired by
Becky's designs.
They are very plain.
That means Bryce and fallene.
I wanted to [bleep] my pants.
I just had this crazy challenge,
and now I have to pair up with
somebody that also had bad
results.
There's a big bull's-eye on
the two of us.
For the first time ever on
Project Runway, your fashion
show will take place outside, in
front of a live audience and the
press.
[All gasp]
Whoa.
I got goosebumps.
Just the bigness of it is very,
very exciting to me.
So your job is to make sure
that your look will stand out...
But be in at the same time.
Good luck, everybody.
And we all will see you on the
outdoor runway.
[Cheers and applause]
Let's go, girls.
[Laughter]
Bye, guys!
All: Bye!
Have fun! Think big!
Okay.
Whoo!
[Indistinct chatter]
I really like color.
And I really like pattern.
I think of crazy things
sometimes.
You know, obviously, sometimes--
no, yeah, keep going.
You know?
Talk to me, because if you
talk and I can draw--
but sometimes, we can have
them like they're coming out of
something, you know?
Right.
I was thinking more like old
Hollywood.
Something more classic, so...
Mae West?
Yeah, like, even Mae West.
Exactly.
Like it's a--it's--
you can make it have pants.
Mae West never wore pants.
Her entire life.
No, she didn't.
She wore skirts.
Bert is too defensive.
He needs to calm down.
[Indistinct chatter]
Good morning, designers.
Good morning.
How excited are you about
this challenge?
It's completely thrilling.
I want you to think
about a couple of things.
Think about Paris Couture Week.
It causes you to question what's
real and what isn't.
Very much like this challenge.
I'm always looking at fashion
illustrations, which I happen to
love, but I always say, "These
aren't real women."
Well, for this challenge, they
are.
Everyone always says that
when I draw my fashion figures,
they're so, like, long.
It's kind of like our fashion
illustrations get to come to
life.
It's a pretty exciting
challenge, I think, for all the
designers.
I am bringing in your
stilt walker models.
You will have 30 minutes to
consult with them as a team.
We're going shopping at Mood,
and each team will have a budget
of $500.
Whoo!
And you have one day for this
challenge.
So it's today.
No way.
Way.
Are you crazy?
So I'm sending in your
models.
Have fun!
Does it have to be pants?
I would imagine.
Probably.
So that you can--
the dress would get tangled.
Yeah, yeah.
That'd be a disaster.
Oh, great, I have never even
talked to her.
She's never really talked to me.
But we agreed on kind of a look
and a style, and realized, "Oh,
she makes great pants."
And I make great tailored
jackets, so...That's what we're
doing.
Yes.
Hey, ladies.
Over here.
Hi, how are you?
[Overlapping chatter]
Sit here.
Okay.
I can crouch all the way down
to, like...Like that, or--
what about sleeves?
Does that bother you?
How is it, walking in
something...Long and full?
It is important that it's not
below where my feet fasten into
my stilts.
Where your stilt is.
Because it causes you to
tumble.
Our inspiration for this
design, we're thinking Parisian
couture.
Just a really flattering
silhouette, and not make her
look like she's in the circus,
walking down a runway.
The way--I'm thinking drapey.
Okay, real drapey. Okay.
I'm thinking like this.
But think circus-y too.
Oh, I--I am.
Like, think about it moving back
behind her.
Like, it's gonna be like flowing
and moving.
So Fallene and I know that we
want to do a big, full skirt.
And we're inspired by our model.
She has been a ballerina
forever.
She's got tattoos, funky hair.
We definitely want to go with
this kind of dark ballerina.
Kind of like Queen Victoria a
little bit, like, just...
Oh, that's very good.
A little bit big here.
Nice, big, like, open here.
But maybe a big collar.
But it's sexy here.
Uh-huh.
Queen Victoria was in
mourning for 50 years.
I don't think that's a sexy
direction I would like to go
into.
If you do a dress that's like
a bust like here, her boobs are
gonna be showing like this.
That's not Victorian.
That's Elizabethan.
Well, whatever.
Well, there's a difference.
Bert is a know-it-all.
He's just very obnoxious.
Viktor really needs to do a
little bit of book reading.
Designers...
Say good-bye to your models.
They will be back later today
for a fitting.
[Indistinct chatter]
Bye!
Thank you, ladies.
All right, let's head out to our
first trip to Mood.
So follow me.
Design teams, here we go.
Your 30 minutes begins...
Right now.
A little bit here, here,
here, and more here,
and then boom.
Viktor.
Bert, darling.
Where are you?
Where are you?
Back here. Look.
Follow my voice.
I want to to, like, a kimono
with this, and then have big
sleeves, and not go--
so big sleeves mean couture?
I literally had to bite my
tongue.
How much training do you have in
couture?
What's this?
Our game plan is to just pull
every red shade that we like.
We have our grocery list.
So it's just a matter of
executing it.
Yeah, I like this pattern
better.
But as far as that, I feel
like it should be more modern.
Are you two all right?
Yes, we're great.
Okay.
You're kind of a dream team.
So...
We're having a good time.
We have high expectations.
I was looking forward to a
team challenge, and to have one
with Oliver, it is a dream.
Can this be pleated?
Ugh.
Julie, anything in life can
be pleated.
She was rockin' my nerves.
Ooh, I like the texture of
this.
Chiffon is the lightest of all
the fabrics you can grab.
It's like this...
[Exhales]
Of silk.
So I think it'd be cool to do
something that's almost a muted,
like, really muted polka dot.
This is way too [bleep]--
instead of the denim?
Yeah.
Okay, go find it.
I'm not settling for all
black.
We're not creating a freakin'
gothic...stilt walker.
You have two minutes
remaining.
Oh! Okay.
So we need to hurry up.
Yes, we need to hurry up.
Thank you.
There is nothing like it, so
I'm just grabbing anything.
Get a lot of it.
All right, designers.
Time is up.
Design teams at the register.
Anya, you're walking the wrong
way.
So let's head back to Parsons.
Thank you, Mood!
All: Thank you!
Hey.
Yeah, let's not focus so much
on this.
Well, that's part of the
dress.
I'm not saying we're
building a--
no, I'm not disagreeing with
anything you're saying, though.
I just want to make sure we
know what we're going as far as
units.
We've agreed on the silhouette.
It's going to be a strapless
bustier piece, and then there'll
be this full skirt.
May I have your attention,
just for a moment?
You have until 9:00 tonight.
All right, work hard.
I will see you later.
Thank you.
Do you feel comfortable
making very well-fitting pants?
I'm comfortable with pattern
making, so...
Okay, for your...Other looks,
were you happy with the fit?
Lady, I make custom-made
clothing for people with all
kind of bodies.
I know how to fit pants.
You know that I wanted the
other prints, right?
Like a more modern print.
They might say it might be
dated, 'cause it's a little bit
too flowery.
It's gonna be definitely a
challenge to work with that ugly
fabric.
I think it's beautiful.
I think this fabric is
genius.
As soon as he found the
fabric, I knew the idea.
Josh and myself are doing a
romantic matador stilt walker.
I mean, you colored it, not
me.
But if you don't put it
underneath the whole dress and
the jacket, then you're gonna--
it's gonna be messy.
What do you mean, messy?
I thought the shape was
supposed to be kind of roundish.
I feel this direction we're
taking is absolutely wrong.
It's not what we need to be
presenting in 2011.
Why don't you finish this,
since you have the whole idea?
No, I don't have the whole
idea.
This is a design that we're
working on together.
No, I know.
I'm not saying that.
I'm saying--no, no, no.
You need to hold on.
You need to hold on.
Let me finish.
I'll be back.
Okay, you come back.
I can't deal with you.
It's like you act like a small
kid, like, you--you don't
let me talk.
No, 'cause you're getting
confused.
No, it's not a question.
It's not a question.
It was a comment.
Okay, well, I'm making a
statement.
Save it for the judge.
He's, like, so immature.
He's like a 57-year-old kid.
It's only his way or the
highway.
It's kind of difficult to make
sense with somebody who's crazy.
[Whistling]
Coming up on
Project Runway...
You really don't think that
looks good?
No, I do not.
We're all feeling tense.
Anyone could go down because of
their teammate.
That's very immature.
What's immature is you're not
letting me finish.
[Clears throat]
]]What was that about?
What?
What are you talking about?
[Both laugh]
I just think he kind of just
gets defensive right away.
And it's unnecessary.
He's shaking in his boots.
He doesn't have immunity this
time.
Here's the skirt.
And I was just saying, like,
since you have the idea how
you're doing this--
that's fine, but you switched
fabrics on us a couple times.
It's mostly your design.
I'm just kind of following you.
No, it isn't.
But we could go on and on and
talk about--
no, I'm just getting that--
clarifying what I understood we
said in the store.
Okay, so, you want to talk--
that was my understanding.
Well, no, but it...
Bert will fight you on
anything, even if there is
nothing to fight about.
I don't want to debate that.
I just wanna do this.
Maybe I do.
That's very immature.
No, it's not.
What's immature is you're not
letting me finish.
Okay, it's--let me hear you.
That's all I'm saying.
You know, I don't know what
Bert has in his mind.
I almost feel like he does
things on purpose to sabotage
me, or maybe it's a strategy.
I don't--I have no idea.
Working, working, working,
working.
The hardest part of designing
a garment for a stilt walker is
figuring out how to make her
look as chic as possible,
and also to make it safe.
Yeah, but this is what I'm
envisioning.
Fullness, we want at the bottom.
So we need a hoop, right?
Right.
Laura and I agree on making a
cage for a big hoop skirt.
Almost like an old Alabama
plantation girl.
This will be an old
petticoat?
Yes.
Just allow for some volume on
the bottom to get that dramatic
effect, but so it didn't get
caught under the model's stilts.
So I'm cutting all this boning
and gluing and circles.
And...A lot of math.
[Singsong] Teamwork.
What do you think
the color should be?
Well, just something high
around the neck.
Either wrapping or, like--
we want dramatic.
I think, when it comes to
group challenge, it's not about
how brilliant or how amazing you
can do by yourself.
It's much more about the
collaboration and communication
between the two people.
No, I wanna do, like, a
little bullfighter jacket.
But--but the sleeves so you can
hold it and be, like...
Right.
Does that make sense?
And then, if you made a
bustier--
but, like, does that make
sense?
Does that make sense?
Do you need to poke me?
Quit poking me.
You're like a poker and a
puncher.
You're such a rough chick.
I'm the man here.
Me and Julie could basically
flop genders.
[Laughter]
So once you make this
pattern, you think you can base
all the other ones off of this,
right?
Yeah.
Okay, good.
A lot of teams thought that we
were crazy for working with
chiffon.
And, yeah, it's a little bit of
a risk.
Okay.
Most designers consider
chiffon difficult.
Danielle and I are very
comfortable with those fabrics.
And we love how it flows
and how it moves.
The thing about Becky's
personality is I really can't
read it.
She stares a lot.
She just stares.
So you just wonder what's going
through her mind.
What? What?
I think we're all feeling tense
because anyone could go down
because of their teammate.
So it's not just about one
person anymore.
So it's anybody's game today.
[Sighs]
You making a giant tutu?
[Chuckles] Yeah.
Awesome.
Becky sounded scared when she
said that.
"You're making a black tutu?"
You were in the bottom last
time, right?
It's pretty important for me
and Bryce to do well.
We were both in the bottom, and
we both got paired up together.
We need to have something
that is a thin line between
costume and fashion.
Bryce, I just want to look at
this real quick with you.
This bodice with that is, like,
pretty blah.
And I really feel like that
turquoise as a waistband would--
no.
Why?
Absolutely not.
Why not?
Dude, it's too much.
You really don't think that
looks good?
No, I do not.
This is way too much pop.
No, I am not doing the
turquoise.
Okay.
Bryce is taking over all the
control, so I'm feeling like I
can't have any input because
he'll probably bite my head off.
Just get the bodice done
first, and then we'll worry
about this stuff later.
Okay.
I think he trusts me with
the style that I'm doing.
Yeah. Yeah, yeah.
Working with Josh is actually
surprisingly really smooth.
Was this a team challenge?
[Laughs]
'Cause I'm working alone.
[Laughter]
No, where is she?
It's fine.
It's quiet over here.
Ooh, drama on 34th street.
[Laughter]
So a couple hours into this
challenge, Anthony's been trying
to make this cage that we had a
great idea for.
This is literally gonna take
hours.
I mean, what do you think
about that?
'Cause if you think this
isn't working, we can't spend
any time on it.
This isn't gonna work.
Okay. Problem solved.
We need to scratch it and
move forward.
So it might just look
awesome, because then we have to
put the pants everywhere.
All the layers, yeah.
Kimberly, what do you think?
I have a collar on here.
Uh...
I think it's not too
Star Trek-y, it's, uh--
I think we definitely need
something here.
You know, everybody's going big
and elaborate; We gotta--
get some sparkle.
We gotta get something.
Kimberly and I are getting
along fine.
But I wasn't gonna let her
put gold lame on that thing.
Sorry. Gross.
[Sighs]
I just want to make sure
that...I'm, like, cutting it on
the right grain.
I feel like I am, though.
Well, you should be matching
it, sweetheart.
Any piece of fabric, you have
threads that are going this way
and threads that are going this
way.
So you should have your grain
on your drape.
Right, yeah.
It's really important to line
up your fabric on grain, meaning
grain line that matches up with
this thread.
If it doesn't, then it can skew
the whole thing.
Yeah, you need to be careful.
'Cause it's--if it gets off
grain, you're screwed.
Okay.
I just got out of school, so
it's all fresh in my head.
Did you ever go to school?
No.
You never went to school?
Hm-mmm.
Oh.
Fallene has no training.
She is self-taught.
And I'm worried about that.
I feel like I have to confirm
everything with you right now,
because I'm totally lost.
No, if it makes you feel
good, I don't mind being
comforting.
I just could not see the
grain line on that fabric.
[Sighs] Oh, God.
I'm glad we have a good
relationship, Bryce.
[Softly] She didn't know how
to cut it on-grain.
[Loudly] What?
On grain.
So did she, like, take the
fabric and was like, "wah!"
It's just a difference of
being self-taught and going
to school.
She's trying, but...
Right.
I've been turning into the
boss.
Which then will put a lot of
responsibility on your
shoulders, though.
'Cause then, at the end, if it
comes down to they still didn't
like it, then they're like,
"Well, who led?"
It's hard.
Hello, designers!
All: Hi, Tim.
Joshua and Julie.
Hi, Tim.
How are you all?
We're definitely helping each
other out, and I think our
styles will collide.
Collide...Or converge?
Both: Converge.
Okay.
I think we'll...
They've collided a little
bit, but...
We're gonna go for this
little Spanish feel.
She's a bullfighter?
Both: Yes.
Ole!
Pshew!
Julie has been working on
that jacket forever.
But it's cute.
Look at this beautiful...
We found this great fabric.
And I think it's gonna create
like a great--
I think it's smashing.
Smashing.
I love Joshua M's pants.
It reminds me of Beetlejuice.
Carry on.
Appreciate it.
Cecelia and Danielle, how are
you doing?
Good.
We're doing sort of a tailored
blouse with a teal chiffon with
a big, huge, billowy sleeve.
Okay.
And these are our fabrics.
We're using a lot of materials
that we both like.
So when she walks, you know,
these sleeves will billow back.
And it's all about movement.
Yeah.
Well, it's all about the
proportion of the bottom
garment to the top garment.
And it just needs--needs to
work.
The proportions are so
different, we are unfamiliar
with how this look will fit.
Viktor and Bert.
Talk to me.
I guess we wanted to start
with a bodice and do something
very tight.
And also, a little bit of
structure, just to create the
drama.
Drama's important.
But this isn't intended to be a
costume.
No, no. No.
Good Lord.
That thing is ghastly.
I think he was thinking of
doing it this way, and I was
thinking of doing it the other
way.
I wanted to do a contemporary
look, and he was at, "Well, I
really think we should do this."
And I had some other ideas, and,
no, this is what we have to do.
No, that's not true.
Whenever I suggest, "that
doesn't work; Maybe we could do
something like this," and
automatically, he goes, "That's
not gonna work.
This won't work."
So right now, I'm in the point
where I'm just kind of trying to
get it done.
Well, getting it done is
important.
Yeah, and I'm trying--
and you can't do that if you
walk away and walk out of the
room when someone doesn't agree
with you.
Coming up on
Project Runway...
Are you worried?
It's nerve-racking, because
this thing might fall apart.
No, no, like this.
I mean, this is [bleep] up
because I listened to you.
Fallene, you need to own this
look.
I'm just kind of trying to
get it done.
Well, getting it done is
important.
Yeah, and I'm trying to--
and you can't do that if you
walk away and walk out of the
room when someone doesn't agree
with you.
Can I tell you what concerns
me about our conversation?
I don't think I've heard either
of you say "We."
This has to be a "We."
Yeah.
It needs to be.
Yeah.
Well, earlier, he said,
"This is your design," and I
said, "No, it's not."
No, I didn't say that.
You did.
Whatever you're going to do,
you need to do it now.
Laura and Anthony Ryan.
Wow, color.
Red.
Red.
When you said "Paris," that's
the big key word, that did it
for me, having that dramatic
feel to it.
These shoulder pads are very
on trend for fall.
We're making the skirt out of
this.
Then we're lining it with the
charmeuse that we made these out
of, so I'm--
and you feel you can control
this well enough?
Yeah.
Okay.
I mean, if you can pull this
off, I think it's a wow moment.
That's what we want to
hear, right?
Yeah.
Becky and Kimberly.
Becky kind of thought of
military, and I kind of was like
punk, which the model was
totally for and about.
And she has a tattoo on her
collarbone.
Mm-hmm.
And so we went with a
one-shoulder so we could see
this great tattoo over here.
Oh.
I just made the green sleeve
and now I'm gonna make one in
the stripe to see which one we
like better.
I'm hoping that this works in
the stripe.
Yeah.
You've worked well together?
Yeah.
She makes good pants, I make
good jackets.
We divide and conquer.
Great. Thank you.
Thanks, Tim.
I feel like I have a black
cloud over me.
Fallene, you need to own this
look.
How are you feeling?
I--I'm good.
I'm--
you are?
I'm just worried it's getting
too big.
Heidi said, "Go big."
I was gonna keep going.
This is my gut telling me to
stop.
You listen to your gut,
both of you.
Yeah.
Yeah.
What is this textile being
used for?
Um, so this is gonna be the
bodice.
I liked the polka dot because I
felt that it gave some color and
some pop, which is me.
Right now, I really want
Fallene to get this bodice done
so that we can worry about the
pants.
Okay, go. Go, go, go.
Thank you.
Anya and Olivier.
I'd love to hear what you're
doing.
Well, the idea was, uh,
because Olivier's really
menswear and I do womens wear,
we have this polar opposite way
of working and way of seeing
things.
I think this makes you a
great team.
Yeah, and so it's gonna have
this tight feeling of, like,
things holding her.
Uh-huh.
And this going on top of
this.
I'll be blunt.
I think it's unexpected.
Tim seems a little thrown off
by our fabric selections.
Maybe he just doesn't know how
to say, "I don't like it."
[Laughs]
Bye, everybody.
All: Bye, Tim.
Have a good night.
Thanks.
You too.
Bertzilla.
Bertzilla, you said?
Yeah.
Is that my new name?
I'm gonna cut this so it
won't be boggy.
Yeah, yeah, cool.
Unless you want that.
No, it's cool.
Beautiful.
Tim did mention all he heard
was "I, I, I," which is true,
but I am willing to just start
again, like, leave that behind
and enjoy the moment.
Because of that, this is
taking forever.
I'm sorry.
Just get it done.
I will.
I think Bryce and Fallene are
in trouble because even though
they have this great, voluminous
tutu that's really impressive
looking, there's nothing else
that they have.
And I know Fallene's having
trouble getting the bodice done.
Is it almost done?
It's done, but what else do
we need to sew?
The cincher that I was gonna
have you do, it's basically
here's the two pieces together.
I'm showing Julie a quick and
effective way to get a ruching
effect for the waistband.
Leave these two ends open and
stitch this one side down.
And then you're gonna have to
grab this.
Oh, yeah, yeah.
Bring it all the way over to
here, and then it's all gonna
shrink into itself and it's just
gonna make, like, a great cover
belt.
Perfect.
I'm in such bad shape with
this.
We don't have time.
No, go like this, go like
this.
Here. Go just like--
no, no.
Like this.
I made this is [bleep]ed up
because I listened to you.
No, I really don't care about
[bleep] anymore.
I'll make interfacing.
I'm sorry.
It is what it is, Danielle.
At the end of the night, I'm
already concerned because it's
a one-day challenge and chiffon
takes double the time.
Hello.
[Overlapping chatter]
This is so weird.
How do you put pants on?
Pants first, then stilts.
I've never, like--
never hemmed a giant before.
I think it's beautiful.
It's like Alice in Wonderland.
This is a fantasy.
It's not a costume, okay?
That's the word.
It's fantasy.
How long do we have?
Ten minutes?
Why are you worried?
Well, I want to see it come
together.
Now it looks like a mess.
Yeah.
Oh, my God.
It's gonna come out okay.
Do you have a bodice to fit
on her?
Yeah.
Oh, good.
Hold that and, like...
Is it?
I'll re-cut it.
I know, it's--it's looking
weird.
It's off-grain.
It's looking weird.
[Bleep].
Okay.
Once I put the bodice onto her,
I thinking, oh, why is this all
wonky?
And didn't even realize that I
didn't cut it on-grain.
I just feel like I can't do
simple things right now 'cause
I'm, like, so tired and on edge.
When Fallene cuts the bodice
off-grain, it's a big deal, and
you have to immediately re-cut.
I'm worried that she won't have
enough time to do something like
that.
I just--I don't know how this is
gonna go.
See you tomorrow.
Ciao.
Bye.
It looks okay.
Actually, this looks nice.
[Both laugh]
I'm sorry, I don't mean to snap
at you, it's just there is no
time for getting fancy at this
point.
Oh, Bryce.
What happened to me today?
This is really bad.
I have a feeling we're gonna
be in the bottom two or the
bottom three.
It just--it's just really
disappointing.
I let Bryce down 'cause I just
could not finish my garment, so
it's...
I'm sorry.
It's okay.
It's really gonna look bad
for you.
I'm so sorry.
[Sniffles]
All right, guys, let's move.
[Alarm beeps]
Are you excited for today?
I'm wondering where we're
going.
That's the exciting part.
[Laughter]
I think our outfit looks
good.
I think it looks very, very
good.
It's--it's definitely what
you and I put together.
I think now I'm okay with it.
Yesterday, I was a little bit
hoping for a thunderstorm.
Everyone was intense
yesterday.
Some people here, they can whip
[bleep] up so fast, you know?
Like, I feel like I'm not at
that level to do that.
Do the best you can.
Just do the best you can.
I wish I had my soul right
now.
I feel like I'm kind of--
well, maybe you'll find it in
the workroom today.
Maybe it's sitting under a
table just waiting for you.
All right.
Later.
Let's go.
[Overlapping chatter]
Well, since we finished on
time, we can chill.
Maybe glue some of the fabric
from here?
Sure.
I'm gonna figure out whether
or not we can do, like, a tube
top or something like that.
We still have a lot of this
left.
I'm nervous about what people
are gonna think.
The bodice is cut off-grain, so
it's a mess.
We could send it down but I feel
like it's too bad.
Bryce decides last minute to
just put together a tube top,
and I just let him take over at
that point.
Fallene is sweet.
Bryce really pushed her around a
bit.
He's very sort of a bossy kid.
Oh, you changed the top?
It was not cut on-grain.
Oh, right.
Like, it looked like it was
melting or something awful.
I think that looks--that'll
look nice.
Yeah.
Okay, we're done talking about
it.
It needs to be sewn, because
this jacket has taken you over
it looks great.
Oh, Julie.
Oh!
Oh, Julie. [Growls]
Did you--did you--did you
manage to stitch some of the
shoulder last night?
No, it was so tight to the
mannequin.
I didn't have time to sew
everything perfectly.
It's nerve-racking because I'm
worried that this thing might
fall apart.
Good morning, designers.
Good morning.
This is going to be a hugely
jam-packed morning.
In an hour and a half, we are
leaving the workroom for our
outdoor runway.
It hasn't been done on the
show before, and to be a part of
the first public runway makes me
completely speechless.
I feel like I'm running
around with my head cut off,
'cause I don't think that I'm
gonna have enough time to sew up
a new top.
Coming up on project
runway...
The hair looks like a
pumpkin.
I know we both don't think
this is our best work.
We're headed to our first
outdoor runway ever.
I'm sort of freaking out.
No, you're gonna be fine.
I don't think there's any
making this attractive.
[Sighs]
Son of a b*tch.
Bryce is completely stressed
out, and I felt bad but after
seeing what he's producing, I'm
sort of freaking out.
I don't know.
Maybe I should put the zip in.
I don't feel that's right.
I don't know.
I'm just--I'm honestly so
frustrated right now.
I mean, I know we both don't
think this is our best work.
Like, if we just add, like, a
couple little--
for your jacket.
It's major.
If Josh wants to bedazzle,
I'm gonna let him do it.
[Laughs]
We have a lot more to do--
all the finishing work on the
skirt and then attach it to the
bodice.
I'm just hoping we have enough
time.
I knew I wanted to create a
headpiece, knowing that this is
a team effort and I didn't
create anything.
And so I got the red feathers.
I broke 'em up with some of the
fabric to kind of bring
something interesting to this
garment.
It's beautiful.
It's really stunning.
This is the Josh side.
And you sewed it beautifully.
It's sewn beautifully.
With Julie, I knew it could go
one of two ways--completely
horrible or amazing between both
of us, and I think that we're
gonna do something that might
shock a lot of people.
Designers, I am sending in
your models.
You will have an hour to send
your models to the L'Oreal Paris
makeup room and the Garnier hair
studio.
The Piperlime wall, of course,
is important here.
I'm being very strict about the
schedule this morning because we
have a curtain call, everyone.
Right.
All right?
Thank you.
[Overlapping chatter]
Make it just a tad bit
tighter.
Josh, you want to do makeup?
I think you're gonna be better
at that than I will.
I'll wager you that.
[Laughs]
A really red, rich lip.
I don't know, maybe a little bit
whiter face.
I don't want it to look Asian,
though.
We're not going to kabuki.
Yeah, I don't want kabuki.
This is the color of our
dress.
Just a dusting of your--
just a dusting of this, yeah.
Smoky eye is looking awesome.
The only red I can think of
is frosty and futuristic.
Otherwise, it's gonna be a
white lip, white lashes.
Got it.
Great.
Thanks so much.
Thank you.
This is our illustration.
It's kind of a romantic matador.
Like a finger wave kind of
look?
Yeah, yeah.
That's good, thank you.
A big roll in the front.
You don't want it to be
mohawky.
Not retro.
Not retro?
Futuristic.
I would love it if it was
pulled back.
Not a ponytail, but--
a phony tail.
We sort of want to do
royalty.
What era royalty?
'Cause there's a whole bunch of
royalty.
Yeah, um, up and off to the
side a little bit?
So very dramatic.
Do you think you've got it?
It's kind of vague, but
we'll--we'll kind of work with
it.
I'm so tired.
Oh, no.
That's not what they want.
Thanks for that.
The hair looks like a huge
pumpkin on her head.
There was nothing we could do at
this point because we had to
walk out of there.
Designers and models, let's
go.
We're headed to our first
outdoor runway ever and we're
gonna have a blast.
I'm not excited for the
runway show.
No, I'm terrified.
I'm thinking, like, that I could
have made this work but instead
I just let him take over and
we're in trouble.
Here we go.
[Overlapping chatter]
Where's my big leopard bag?
Thank you, Tim.
Ooh!
We have this huge event,
bigger than actually I think any
of us really thought it was
going to be, and it's all taking
place in battery park.
It still does not feel real.
I have to say that if I had
to have my show out in the
middle of New York Harbor, I'd
be a little nervous.
I'm just overjoyed by this,
being outdoors as well as all
the press and it being the first
time this has ever happened,
everything is just exhilarating.
And right down here.
Behind the stage at the
runway show, it's just madness.
Backstage, I'm panicked.
After seeing all the fans and
press and seeing my garment, I
just fell apart.
I'm disappointed that I
didn't make anything.
But listen, it's a
collaboration between the two of
you and you're responsible for
the entire look.
We do the best we can under the
conditions.
We do the best we can, all
right?
I feel like I'm not even a
designer right now.
I'm just, like, really
disappointed.
Don't be.
No, you're gonna be fine.
Coming up on Project
Runway...
It's so unbelievably tacky.
It looks like a bad costume.
And then the hair is crazy!
We still have to know,
though, who is responsible for
this mess.
Hi, everybody.
[Cheering]
It's been my dream to do this
show once outside in front of
all of our fans.
Thank you very much for coming,
everybody.
[Cheering]
This is our first Project Runway
live show outside, and we're
very excited.
These are all of our new
designers.
Welcome.
[Cheering]
Our judges--fashion designer
Michael Kors.
[Cheering]
And of course the lovely Nina
Garcia.
[Cheering]
And our guest judge today, Kim
Kardashian.
Welcome.
[Cheering]
Okay, everybody, enjoy the show.
[Cheering]
I feel really proud to be
seeing my garment on my model.
It's just a surreal moment for
me, and I hope that it's the
first of many to come.
She looks like a bedazzled
Spanish matador.
I mean, yeah, it was a
little showy, but I thought it
was appropriate for the event.
[Cheering]
It's big and dramatic, but
the stilt models really freak me
out.
They look like aliens or
something.
I have a feeling of regret
that I was encumbered with
Viktor.
If I'd been by myself, my design
would have been amazing in this
setting, and I believe it would
have been a knockout.
[Cheers and applause]
I'm excited but also worried,
because I wasn't so confident in
what we had done.
Had we finished that bodice, we
would have had a really cute
look.
Now I'm just kind of worried
about it.
I'm thinking, it's amateur
hour.
We both feel that we are gonna
be on the chopping block.
I'm, like, super emotional right
now.
[Cheering]
My model was a little awkward
in her walking.
It's just really strange, but
she was wearing borrowed stilts.
Maybe that had something to do
with it.
I'm very pleased with our
look and I think it will go over
really well.
The only think I would change is
the pointed collar that Becky
put on the shoulder pad.
I told her that it was too Star
Trek looking, but I think we
fulfilled the challenge.
[Cheering]
I think it's a very cool
garment, but if we could have
speeded things up, we probably
could have done a better job.
I'm pleased that it looks
beautiful but I really feel that
this could have been super
dynamic.
Regardless of how simple the
dress is, it's still a pretty
sight.
[Cheering]
I'm thinking, like, this is
beautiful.
The pants and the top fit
perfectly, and they're flowing
beautifully.
But then, when you get up to the
hair, we were like, uh-oh.
She looks great.
You couldn't see any
resemblance of a stilt in there,
and I was afraid of that.
But I know that they are gonna
hit me hard with the
hairstyling.
It's just traumatic.
[Cheering]
I really think that Anthony
and I have a really good chance
in having the winning design.
It's chic, it's Parisian
couture, just like Tim said, but
yet it's got drama involved.
The charmeuse skirt is flying,
the pants look beautiful and
full.
It's just perfect.
I'm super proud of just what
Laura and I have accomplished.
Ours is definitely the wow
dress.
I'm amazed at how the fabric
just went.
It's just phenomenal.
[Cheers and applause]
[Applause]
Did you enjoy showing off
your work to a live audience
today?
Very much.
We expected to see
show-stopping garments today,
and we were very impressed by
some of your designs, but others
didn't do as well as we
expected.
The winner of this challenge
will receive immunity and cannot
be eliminated for next week.
Olivier, you won the last
challenge, so today you cannot
be eliminated.
We scored your designs as they
came down the runway.
One of you will be named the
winner and one of you will be
out.
Olivier, Anya, your scores have
qualified you to move on to the
next challenge.
You can leave the runway.
Thank you.
Anthony, Laura, Danielle,
Cecilia, Kimberly, Becky, your
teams had the highest scores.
Yes.
Joshua and Julie, Bert and
Viktor, Fallene and Bryce, your
teams had the lowest scores.
We're going to talk to the team
with the highest scores first
and then we'll bring you back
out.
You can leave the runway.
It was a mess.
It really was a mess, I'm sorry
to say this.
I feel like ours is--they're
gonna say harsh things.
Well, here's the funny thing.
If you look at it, costume,
costume, costume.
Yeah.
Who's on the runway?
Ready to wear, ready to wear,
ready to wear.
It just feels very horrible,
the wait, like somebody punched
you in the stomach and threw you
down on the stage.
Anthony, Laura, tell us about
your look.
We decided on the color red.
You know, we wanted a wow.
Carla was gonna just, when she
walked out, it was like, whoa.
I liked it a lot.
I think it was dramatic enough.
I loved all those little pieces.
You know, you can always tell
when designers do that,
it means so much work.
I guess most people probably
think it's just, like, thrown on
there and glued together.
I did not hand-sew any of
that.
It is all with a hot glue g*n.
Scrap what I said before.
[Laughter]
Well...
I loved this look.
I love that color.
I love the detailing of the
little black belt.
This looked so elegant, not
costumey at all.
It looks amazing.
I really like this.
I thought it was very beautiful,
the way it flowed and the way
the wind made it move was
beautiful.
My only worry--and Anthony,
we've had this on two occasions
with you--is it's a little
referential to me.
It looks like something that
I've seen, so please try to be
original when you design.
But other than that, it is
absolutely beautiful.
I think the trickiest thing
to do is, if you scaled it down
and she wasn't on stilts, would
it still be fabulous?
And I think it would still be
fabulous.
But who takes more
responsibility for this gorgeous
look?
Well, I told her before we
got here, I was like, if we get
up there, I want you to take it.
That's nice.
All right, Danielle, Cecilia,
tell us about your look.
It reflects very much what we
do.
Uh, we wanted to create
elegance.
So, who did what exactly?
When we saw the stiltwalkers,
I instantly thought of doing a
huge sleeve, so I was really
married to the blouse idea and
then Cecilia came up with the
pants.
I like this look.
I like the blouse.
I like the color combination.
I like the brown pants and I
like the way you constructed
them.
I like the sheerness, that you
can see through.
I think that's very nice.
What ruins it for me is her
head.
The hair is crazy!
I mean, my God!
I love this look.
I think this is so chic, and I
love bling, and I do love that
detailing, and I think the thing
that stood out to me the most
was just that color, I think, is
so rich.
Thank you.
Thank you, Kim.
It's a very pretty outfit.
I thought you picked a
beautiful fabric, but it's about
drama, and it's too quiet.
Listen, you picked the
trickiest fabric in the world.
I mean, chiffon, and to do it
impeccably is--it takes so much
time.
We were very comfortable
using chiffon, which everybody
thought it was a bit crazy,
given the restraint on time.
Mm-hmm.
And it was actually a crazy
idea.
Because you can do a chiffon
pant like that and make someone
just look like a mess, and she
doesn't.
Kimberly and Becky, tell us
about your look.
We knew instantly when we got
our model that we wanted to do
something edgy.
We wanted to play on each
other's strengths.
So she's strong in jackets.
I like structure, so I wanted to
do a tailored pant.
I was very impressed when I
saw this outfit.
You tailored the pants and it
still is a showstopper because
it is so sharp, because it is
almost perfect.
Thank you.
I think you guys are kick-a*s
tailors.
I mean, you really cut a mean
pant.
Thank you.
Thanks.
Thank you.
It'll make every woman who
wants to wear it want to get
that tattoo.
[Laughter]
You need the tattoo.
I love the pants.
Oh, thank you.
Love the pants.
My only detail that I feel could
have been edited is that
half-collar.
It just looks a little circusy.
But all in all, it was one of my
favorite looks too.
Thank you.
Now we're going to talk to
the designers with the lower
scores.
Thank you very much.
You can leave the runway.
Bert, Viktor, tell us about your
look.
I chose the bottom part
'cause I wanted it to be a
little bit more modern and thin.
And Bert chose the top part.
We did--had our little
struggles, and we did--had
miscommunications and things
like that.
To me, it's like the
wallpaper and curtains at a
really tacky catering hall.
Mm-hmm.
I hate that dust ruffle of
gold on the top of it.
It's just, it's really old.
It's almost like in the movie
The Sound of Music, when they
took the drapes off and made
their clothes, but like Marie
Antoinette days.
It really does look like
curtains.
I think it looks like a bad
costume.
It's terrible.
I don't believe that this was
what I wanted to present.
So you think it's his
responsibility.
I didn't create this.
Okay.
Viktor, what do you think?
I own it.
I think we both worked at it at
the end and we finished it and--
So when you say, "I own it,"
it means that it was your idea.
I mean, I own the work with
him because we both did very
much 50-50.
"I own it"?
No, like, no, not own it.
I guess I'm being responsible
for it.
So that means if this outfit
today is the worst look, you
would be the one to go home?
Oh, no.
[Laughs]
No, no.
Well, then, that's not owning
it.
Bert, you're turning slightly
lobster color.
Oh, am I? Sorry.
He was very emphatic about, "I
want to do this, we need to do a
Victorian," and I found it
unusual that he wouldn't sketch.
He said, "Well, you sketch it.
You sketch better."
Why would you not sketch
something?
No, I-I--no, I did sketch.
No, you told me, "Bert, you
sketch, you sketch."
It's in my HP computer.
It seems like you two had a
lovely day yesterday.
Yes.
All right, from one strange
look to the next, Fallene and
Bryce, tell us about your
outfit.
I had the idea, because we
were working with such long
legs, that we could do a really,
really big, kind of full tulle
skirt and then we were gonna
have cute little details up on
the top.
But literally, you gave her a
Black Swan.
Yeah.
I don't get it.
This has no effort put into
it.
It does look like just a tank
top that I wear to bed and it
looks like a tie wrapped around
the waist a couple times.
This just looks like you could
have done this in 15 minutes.
You know, I think the idea
had so much promise.
However, there's nothing.
There's no detail.
It's just the beginning of
something.
It's--it's--like you said,
it's, like, half done.
So it's like none done, then.
Yeah.
I love her headpiece.
I think the headpiece is nice.
Well, I'm so glad I made
something.
I think the headpiece is
great.
Listen, to me, it's like she's
got every dance reference and it
ends up just looking like
nothing because they don't meld.
So Bryce, if this was the
worst look, who do you think
should go home?
Um, I think both of us.
I think that--I think this was a
team effort.
Unfortunately, it would be
only one.
I think I should be able to
stay.
I did my best.
I would say myself.
I would say Fallene.
Josh, Julie, tell us about
your look.
Well, I came up with the
concepts.
And the concept was circus?
No, it was matador.
Ole, ole, ole!
I mean, guys, you know, drama
doesn't mean tacky.
Spanish matador, you can be
inspired by that, you know, and
that could be really chic.
You know, we've seen it.
I just think it's yet another
Halloween costume.
It's the weirdest hybrid I've
ever heard of.
And she's got these tiny arms
and these extremely long legs.
[Laughter]
It gives her a very bizarre--
when she walked out, I was like,
huh.
Forget the matador, circus, and
all that.
The only positive thing that
I could say about this outfit
is, it looks well made.
I agree.
I mean, it is sharp.
That it is, definitely.
So if we decide that this is the
worst look for today, who should
go home?
Well, it was my idea, and I'm
not gonna throw Josh under the
bus.
What do you think, Josh?
I would hope not to go home,
and I would not choose myself.
So you're saying you would
choose Julie.
Yes, I would choose Julie.
Okay, so we've heard what
you had to say.
We're gonna have a little chat
and then I'll call you back out.
You can leave the runway.
Thank you.
Thank you.
Let's talk about the designs
and the designers that we did
like today.
Laura and Anthony Ryan.
The garment really looked
modern, dramatic, exciting.
Well, it was the right choice
of color, it was the right way
to do the pants, and it still
looks like a gown.
I thought it was beautiful on
the model wearing stilts, and I
could picture it on a woman
without the stilts.
That was pretty.
Then we have Danielle and
Cecilia.
I happened to like that
outfit.
I think it's just really chic.
And the beading was
beautiful.
The plus here is to take that
chiffon and make something that
is finished beautifully.
The chiffon, if you make a
mistake, she's in a rag.
Danielle and Cecilia, they
both know how to sew.
Oh, yeah.
They do.
You saw it here.
Becky and Kimberly.
The simple truth is, they
sent out something impeccably
tailored.
The pants were fantastic.
And the proportions were
right.
Yes.
It also didn't look like two
designers did something and they
stuck it together.
But realistically, they had a
very cohesive look.
Yeah, I thought that it
looked like it was done by one
person.
Me too.
Let's talk about the
designers that we didn't like.
Even though it was Julie's idea
to make this circus matador
outfit, I can still see Josh's
bedazzling in there.
They're an odd team, when you
think about Julie and Josh.
Julie is, you know, rocky, you
know, mountain woman, and Josh
is like, bedazzle it,
glamorous, and kind of those
two things together ended up
with this insane, very tacky
matador outfit.
Yeah.
You are a designer.
You're selling design, you're
selling taste.
I mean, there was like so
many details, you didn't know
where to look.
It was crazy.
Bryce and Fallene.
You get to the Black Swan/Bob
Fosse combo.
I mean, the hat was the only
thing that had any bit of charm
or, I don't know, personality.
It looked like two different
eras.
It was like showgirl hat,
ballerina--I--you know, it
didn't go together at all.
Yeah.
Dance hall girl, modern dance,
and ballet, all combined.
What if they hadn't had--
an inspiration.
There was nothing.
It was a promise of an idea, but
they couldn't deliver anything.
I mean, I'm not defending Bryce,
but I think at least he's got a
little more spunk.
But the only thing that we
did like was the hat, and she
made the hat.
If the hat wasn't there, you
really would have fallen asleep.
Viktor totally threw Bert
under the bus.
He didn't really say it, but he
did.
Well, Bert threw Viktor under
the bus too.
I just think that Viktor is
full of it, and he just--
I do too.
You know, I believe Bert when
he says he didn't do a drawing
and all of that stuff.
Shouldn't Bert have said,
"You know what?
I think this thing is not
working."
It's ugly drapes.
I mean, they're ugly drapes.
Awful fabric.
Everything bad in the house
on your body.
So we've made our decision?
Okay, let's bring them back out.
Your teams represent the highest
and the lowest scores.
One designer will be the winner
of this challenge and one
designer will be out.
Anthony Ryan and Laura, you
two did a great job.
Laura, congratulations.
You're the winner of this
challenge.
[Applause]
That means that you have
immunity next time.
Anthony Ryan, we think that you
also did a great job.
Laura and Anthony Ryan, you can
leave the runway.
Thank you.
Thank you.
Winning is awesome, but it's
also wonderful winning with such
a great partner that was so
gracious.
Oh! I knew it.
[Applause]
So who won?
I did.
Oh! Congratulations.
Thank you.
I'm gonna win the next one too.
[Laughs]
Congratulations.
Thank you.
Immunity, yay, but I want to
kick a*s.
[Laughter]
Becky and Kimberly, you're
in.
You can leave the runway.
Both: Thank you.
Danielle, Cecilia, you're in.
You can leave the runway.
Both: Thank you.
Josh, Julie, you're in.
You can leave the runway.
Thank you very much.
Thank you.
Bert, Viktor, you have to
remember that dramatic does not
mean costumey.
Your fabric choice was so very
wrong that almost anything that
you would have done with it
would have been bad.
Bert, you're in.
You can leave the runway.
Thank you.
Bryce and Fallene, your look
was boring ballerina.
It looked like there was no
effort put into it.
Bryce, you're in.
You can leave the runway.
[Exhales]
Fallene, Viktor, one of you
will be out.
Fallene, you're out.
Viktor, that means you're in.
You can leave the runway.
Thank you.
Thank you, guys.
I'm sorry.
Thank you so much.
Auf wiedersehen.
Thanks.
All the best to you.
Thanks.
Bye.
I'm happy that I tried this
out.
It's something that I've always
wanted to do and I'm happy and
proud that I made it this far.
Hi, guys.
We're here.
It's okay, to be honest.
[Laughs]
You're the sweetest person
ever.
It's something that I'm
passionate about, but I kind of
take it to the more playful, fun
side.
Hi, everybody.
All: Hi, Tim.
Fallene, we're gonna miss
you.
[Laughs]
Not my craziness, I'm sure.
No.
Aw.
Eccentricities.
[Laughter]
It was fun.
So I have to send you to the
workroom to clean up your space.
That's cool.
Okay?
That's cool.
Thank you so much.
We're gonna miss you.
Thank you, guys.
Bye, Fallene.
Now you get to hang out with
other people.
The workroom's never gonna be
the same.
Aw.
Bye.
Bye.
Good luck.
Thank you.
Right now, I'm having a
breakdown, but when I get home,
things are gonna be different
and I hope that I do inspire
people to always go with their
heart.
== sync, corrected by [font color="#00ff00"]elderman[/font] ==
Next time on Project
Runway...
All: Oh!
So you're designing for me.
I am terrified.
I'm gonna be very tough on
this.
Oh, [bleep].
You're so very different,
Julie.
I know, and I'm just trying
to be normal.
The judges are always giving me
a second chance and I think
I'm running out of chances.
Would this ever be an
option for you?
No.
I could do that in black.
No.
It's just looking a little sad.
It doesn't look sharp.
The fabric is a disaster.
The choice of color is very
sad.
I mean, it's depressing.
Visit Mylifetime.com to learn
more about the fashion you've
seen on tonight's show.
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09x03 - Go Big or Go Home
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Contestants compete with each other to create the best clothes and are restricted by time, materials and theme.
Contestants compete with each other to create the best clothes and are restricted by time, materials and theme.