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15x02 - Just Fabulous!

Episode transcripts for the TV show, "Project Runway". Aired: December 1, 2004 – present.*
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Contestants compete with each other to create the best clothes and are restricted by time, materials and theme.

15x02 - Just Fabulous!

Post by bunniefuu »

HEIDI:
Previously on Project Runway...

I want to welcome all of you to
season 15 of Project Runway.

[cheering]

-It is an unconventional
materials challenge.

-Whatever we decorated
this beautiful party with

are your materials.

Let's go!

[upbeat music]

[laughing]
Oh, my God.

♪ ♪

-Wow.
-I got the color that I wanted.

-You certainly did.

Think about expanding this.

-I hate volume.

-There you go.
-I'm panicking.

♪ ♪

-It was a runway piece.
-And it worked.

ZAC: This was one of my favorite
pieces I've seen

in many seasons.
HEIDI: Erin...

congratulations,
you are the winner

of the first challenge.
-Thanks, guys.

-Brik, there was a big
disconnect to your look.

Ian, the final look was
uninspiring and underwhelming.

Sorry, that means you're out.

♪ ♪

SARAH:
I am so excited that we are in

this room with Erin because
she is our good-luck charm.

This is the winner's room.
-[whooping]

We are all gonna win
a challenge.

ERIN:
It feels like it's, like,

so cool to be able to, like,

kick off a season
with first win.

It is so wild
being the first winner.

It wasn't, like, this,
like, amazing surprise,

but I was up against
some other people where

their stuff was good, too,
but either way,

I'm very honored.
[chuckles]

-I'm just glad we're all
still in here...

ALEX:
Definitely.

-I don't know
about the other ones, but...

-I was happy to be safe.

-I don't think safe is bad.
-It's not an option for me,

I'm sorry to say it.

That's ridiculous.

Safe is better than going home,

but being on the top
is even better than that.

♪ ♪

-Good morning,
designers.

ALL:
Good morning.

-I am delighted to welcome
a very special guest,

the chief marketing officer
of JustFab,

Traci Inglis. Traci, welcome.
[applause]

We're thrilled to have you here.
-Thank you.

Hi, designers.
I'm so excited to be here

in New York City,
presenting you with your

JustFab challenge.

-JustFab is my jam.

-JustFab.

-On the island of Manhattan,

there are four million women
and more who are getting dressed

every single morning.

-JustFab's goal is
to make women of every age,

every height, every size,
look and feel fabulous.

And today, designers,

that's where you come in.
-Indeed.

[contestants murmuring]

CORNELIUS: What's going on?
-Oh, wow.

There's a lot of them.
-Hey, ladies.

TASHA: Here comes
this army of women.

I mean, it's women coming
from the left, from the right,

from the north side,
south side,

women coming everywhere,

looking like a video.
-Yes.

-Oh, snap.

BRIK: Oh, my.
KIMBER: These ladies, like,

came out of nowhere,
even some of the women

that was sitting on a bench
started getting up.

I was like, "Oh, [bleep]."
[chuckles]

I knew these women had something
to do with it, I knew it.

-Here we have 100 women
of all ages, all sizes,

and they are all fabulous.

[applause]

TRACI: These are the kinds
of women who shop at JustFab.

All women.
We are fab for all.

-Your challenge is to create
a look that could make

any of these women, any size,
any shape, any age,

feel like the most fabulous
version of herself.

MAH-JING: The challenge is
to create a look that

can speak
to a variety of ladies.

-Wow.

The everyday woman is

a woman who is on the go.

A mom, a businesswoman,
a wife.

In a lot of ways,
it's--it's myself.

-Please remember
that versatility

and diversity
among your clientele

does not mean humdrum.

You are creating fashion.

All right?
TRACI: That's the key,

because...

we are going to reproduce
and sell the winning look

on JustFab.com.
-Oh, my God...

[cheers, applause]

-I just graduated college,
and to get my outfit

featured in JustFab
would be absolutely amazing.

BRIK: I'm excited about this
challenge.

At the same time,
I'm wary, you know?

Like, if--if I understand
the meaning of that word,

'cause I can't Google right now.

-So, designers,
you have 30 minutes to sketch,

and then we're making
our first trip to Mood,

where you will
have a budget of $150.

And this is a one-day challenge.

You will be presenting your work
to the judges tomorrow.

TRACI: Good luck, designers.
I can't wait to see

what you come up with.
-Let's get sketching!

[upbeat music]

ALEX: There's nothing
more spectacular

to me, as a designer,

than working with
the everyday woman.

I think of my mom,
I think of my stepmother.

So, I start sketching
a pair of pants

with more of a designed pleat,

and a basic tank top
with a great sheer top.

I am simply pumped.

♪ ♪

LAURENCE:
I'm designing a jumpsuit.

When I do sketch,
it's just to give me

an idea of where I will go,

but I sketch and then I drape.

It changes all the time.

♪ ♪

-I'm seeing all these
architectural wonders.

The coat I'm gonna make
is transparent, but also

represents us being
in New York.

That's kind of influencing
the decisions I'm making

for my garment.

-All right, designers,
we are headed to Mood.

[contestants whooping]
Our first trip.

Follow me, everyone.

♪ ♪

All right, designers,
You have your budget of $150,

and you have 30 minutes to shop.
And your time starts...now!

♪ ♪

-I really wanted
to go for volume

with this dress,
so I got neoprene

in the two colors
that I wanted:

this beautiful coral red...

And then also, I guess,
this one, too.

And then this, sort of,
baby blue

for the base of the dress.

-I like this.
-[chuckles]

♪ ♪

-Wait, are these real fur?
CLERK: A fox.

Real fox.
-They're...Oh.

Hmm, okay.

I'm like
a dog that sees a squirrel.

Squirrel? Squirrel?

I had to make sure
to stay focused.

Oh, thank you very much.

And I didn't even have time
to really...

have a backup plan
or anything like that.

♪ ♪

-Thank you.
TIM: Time is up!

-Thank you so much.
-Have a great day.

TIM: Swatch, eyes here.
[all laugh]

All right, designers,
let's head back to the workroom.

[contestants cheering]

TIM: Thank you, Mood.
-Thank you.

♪ ♪

-Wow.
-Let's do this.

♪ ♪

TIM: All right, you have a lot
of work ahead of you, everyone.

I will be back later
for critiques.

You will have a model fitting
after that,

and remember, you have until


All right?
And tomorrow is our runway.

-Wow.
-I will see you

for critiques later.
Work, work, work.

And enjoy
the Brother sewing room.

Thank you.
ALL: Thank you.

JENNI:
How's your ankle?

-My ankle is actually,
good, man.

-It's bossin', bossin' out?
-I don't even know how,

it's [bleep] good,
'cause it was so bad last night.

-Right, maybe because you
slept on it and weren't...

-I did a African prayer.

-Right.
[both chuckle]

LAURENCE:
I went to school for fashion

in Paris for about six years.

And I stopped,
I went on a modeling career

for 15 years,
and, uh, I restarted

designing about five years ago.

I think I was, like, eight
months pregnant when I, uh...

when I entered fashion school.
Nobody knew.

And having a kid at 16 was
the craziest experience

of my life.
It was tough.

So my dad actually,
um, find out

couple weeks before
I give birth, and, um,

I was no longer his daughter,
so he cut me off.

He passed away in '07.

We never talked.

We never talked again,
since I was 16.

I had to make peace with that.

My dad was my best friend.

Had to let him go.

[somber music]

But it's all good today.

Me and my daughter,
we close.

So, I guess it was worth it.

♪ ♪

LINDA:
Oh, yeah?

CORNELIUS: Hey, Tim.
-Hi.

ALL:
Hi.

-How is everyone?
ALL: Great.

-I'm eager to see
what you're doing.

TRACI: Me, too.

-So, Alex, you were
the first designer

finished at Mood.

-Yeah,
I ran through that place.

-But you really knew
what you were doing.

You were dogged
and determined.

And this list is fantastic.

-Color-coded everything.

-Is this how you always work?
-Yeah.

-Well, my hat's off to you.

-I'm very OCD.
If it's not perfect, it's not...

it's not good to me.

I wanted to kind of
make a play of, like,

a nice, tapered pant.
-Uh-huh.

That had a little bit of
a structural quality to it.

-Okay.
-And then I'm doing

a chiffon button-down,

and just a basic camisole
underneath.

-Okay.
I think it's a really great

pant design.
-Thank you.

-What concerns do you have?

-I wasn't happy
with my construction

on the last challenge.
-Where did you see the flaws?

-I'm just a...a critical, I--
-All right, but be careful.

I mean,
these are one-day challenges.

-I know.
-There's only so much

you can achieve.

How's our winner?

-How are you?
-I'm good.

I'm eager to hear
what you're doing.

Who do you see
the JustFab woman being?

-So, I was a--
I was really inspired

by all of the women
there today.

The first thing
I thought about was,

like, how to kind of,
like, maybe change,

like, a garment so it could be
two--like, worn two ways.

So, I kind of wanted to take
this fitted top.

-Okay.
-And then, like, it could be,

like, this sort of,
like, tent dress,

but then have this,
uh, mechanism,

where, like, it'll be like
a snap underneath this panel,

pull it over...
-Oh, so you could--

-You can wear it two ways.
-All right.

I mean, I like your explanation,
I-I get it.

Tasha.
-Hey, boss man.

-[laughs]
Is that my nickname?

-That's your nickname.
-Thank you, I'm very flattered.

-My JustFab girl
is the girl that's on a budget.

-What's the shape
of the skirt?

-Just a straight skirt.
-I'm just wondering,

is this personal enough?
-Hmm.

-I was gonna do
a play on menswear.

-Okay.
-And then just do, like,

a button-up, um,
shirt dress.

-Well, I-I have to tell you,
I have a-a personal

fondness for the shirt dress.
-Mm-hmm.

-And I love this riff on it.

-I don't know, like,
the drop crotch thing

is totally my thing.
I'm just worried how the judges

are gonna perceive that.
-As they say, throw the dice.

If you play it safe,
no one ever wins.

-Right. Got to take a chance.
-Right.

-I'm arrested immediately.
-[chuckles]

-You have a knit.
-My idea is, um...

urban kimono.

I find, in my own life,
that I need

versatile clothing.
-I use that word repeatedly.

"Versatile."

-This is gonna be
underneath a coat.

-Oh.
-A sheer kimono jacket.

I'm going to have almost
mimicking this hole,

a very small opening here.
-Mm-hmm.

-It gives it a little bit of...
drama.

I'm hoping my design
will stand out to the judges,

and I also hope the versatility
of my design

and my coat will be appealing
to a lot of women.

-So, um, it's going
to be a dress.

I wanted it to have this
structural piece in the back,

so from the side,

the judges will get,
like, a visual of maybe

even like a hood,
but it's really not.

-Right.

-'Cause I don't want to
be safe anymore.

I have to,
like, get up there.

-I think that
this black and white piece

should be a separate.
-Mm-hmm.

-It just gives them more
options.

Given the innovation
of the jacket,

is the skirt too basic?

-Having this skirt
that has this

very screaming pattern,
it's...

-You're--
-I-I think it's very busy.

-That is the right answer.

-I was going to do it
in red, like,

a reddish-orange, but the denim
was speaking to me more.

-This design
is so much more impactful

ex*cuted in this denim.

-Okay.
-You have the potential here

to really knock
people's socks off.

♪ ♪

Laurence,
how are you doing?

-Hi.
-Hi.

Made a lot of progress.

Yeah, I'm making a jumpsuit.

-How flattering will it be on

someone who's petite,

someone who's larger
than a twelve?

[dramatic music]

-That's a good question.
Um...

[upbeat music]

-How will women of
different sizes wear this?

-Um...

I have to think
about that one.

-Think about it.
LAURENCE: I've decided to

go back and redesign
my jumpsuit.

I'm going to change
the fashion of the sleeves

and the bottom
and change the drop crotch.

It was still a little drop,
but a little less.

-Brik.

-Hi, Tim.
-Hi.

How are you handling
this challenge?

-So far, I'm--I'm plowing
through it, I think.

-Okay.

BRIK: Being on the bottom
last week

helped me understand
my weaknesses more.

What I want to do
while I'm here is grow.

-How would you describe
your JustFab woman?

-Funky, casual,

not trying too hard.
-Okay.

-And modern.

This is, like,
the base of a jacket.

I also have this leather

that I was thinking of using
as a shoulder treatment.

And then a pant,
I wanted to do a,

a firm knit pull-on pant.
-Ah.

-You look worried.

-I think less is more
with this.

All right.
-All right.

-I'm gonna let you
get back to work.

-Thank you, Tim.

-So, I want to do, like,
an elongated, uh, b*mber

with a backwards kimono sleeve
and then a dress.

-Could you see this
as a coat dress?

-Yes.
-Why don't you?

-Okay.

-I'm making a jacket
and some leggings.

This mesh back--
-So, it's an open back.

-Because I plan on doing
a sports bra,

with some straps
in the back.

-Are you overdesigning this?
-I don't think so.

-It's just looking a little
like a cartoon.

[dramatic music]

Can I ask you...

to hold
this black textile up?

-Yeah.
-To cover up the green?

-Oh, yes, okay.

-It looks more modern.

-Would you mind
repeating that?

-It looks more modern.

-Hi, Tim.
-Good heavens, Kimber,

you're all organized.
Talk to me.

-I am not ready to meet Tim

and listen to him critique
what I'm doing.

I am so not ready.

This is what I'm gonna do.

A high-waist pant.
-Okay.

-And an asymmetric
high-low top.

These are options,
as far as my top is concerned.

-Okay.
-This is for the pant.

It's stretch denim.
-This is a great marriage.

And you've already drafted
your patterns?

-Started draping
the pattern for my pants.

I know once it's time for me to
put it together, it's...[snaps]

I sew really quick.
-All right, good.

-Good, then, I'm gonna
let you do that.

KIMBER:
We have a long day

and I'm not worried
about time at all.

I'll have it all done.

-All right, designers,

I am very excited
about what you're doing.

You have done a lot of work,
and you have a lot more to do.

Your models will be coming in

very shortly, all right?

And you know you have
until 1:00 a.m.

And we'll have our regular

rhythm and beats
tomorrow morning, okay?

And I will see you
in the morning, all right?

ALL: Bye, Tim.
-Work hard.

-Thank you.
-See you tomorrow.

Bye-bye.

ROBERI: What time is it?
ALEX: 4:30.

-I have a lot of work.

♪ ♪

-See?

♪ ♪

-What's your name again?
-Lais.

-Lais.
La isla bonita.

-Can't even believe
I get you again.

-[squealing]
-I know!

-Yes.
Yes, for sure.

-Awesome.

-There you go.
-Thank you.

-I'll press everything out.

Nothing's pressed
at the moment.

CORNELIUS:
Bye, thank you!

♪ ♪

Down to the wire,
five minutes.

♪ ♪

ERIN:
Okay, guys. Time to go home.

-All right.
[all agreeing]

-Oh, God.

-♪ Ah. ♪

[indistinct chatter]

[upbeat music]

-All right,
let's get back to work.

♪ ♪

I just have, like, so much
[bleep] to finish.

-I just want my [bleep]
to be right, I don't--

I don't care
about anything else.

I actually sewed my top
inside out, and I'm like,

"What the [bleep]
am I gonna do now?"

I don't have time
to make another top.

I'm so crazy at this moment,
'cause I still

got to do my pants.

Ugh!
[bleep]

-Hi, Tim.
-Good morning, designers.

ALL:
Good morning, Tim.

-Another quiet room,
which I love.

But is everyone all right?

[clamoring in agreement]
Your models will come in soon.

You will have
two hours to send them

through the Sally Beauty studio

and the Mary Kay color
design studio, all right?

This is our JustFab challenge.

So use the JustFab
accessories wall

very thoughtfully, okay?

And I will see you
a little later.

-Thank you.
-All right? Thank you.

-Bye, Tim.
-Thank you, Tim.

♪ ♪

NATHALIA:
The models are here, guys.

ROBERI: Morning! Mwah.

-How are you?
-Great.

-Almost done, look at this.

[whistles]
Think it's perfect, yeah.

I'm happy.

LINDA: I think we'll have you
put on the dress.

Perfect.
Okay.

-Just want to see
where the pockets fall.

Laurence's
jumpsuit is the b*mb.

I would wear it,
my daughters would wear it.

It's really cool.
Just like her.

[upbeat dance music]

♪ ♪

LUIS:
What do you think, for the lip?

BRIK:
I'm thinking all-in lip.

-This is amazing.
This gel, matte lipstick,

'cause it's, like,
the color of her skin, almost.

-Yeah, perfect.

-Nice, I like it.
-Thank you so much.

-I want it to look like
it's achievable at home.

-Using just the black pencil

like this...in two seconds,

it starts to create
that-that little smoke.

-ALEX: I love that.
-I want to focus on the eyes--

I think that's, like, my thing.
-Yeah.

ERIN:
My dress is, like, a teal.

-This is called "azure."
-That's awesome.

♪ ♪

GREGORY: Okay, so who
is your JustFab girl?

-The cool, hipster
fashion intern.

-Just some strands of hair
hanging, 'cause she's wearing

a skullie.
-She has a little beanie on.

-Yeah, a beanie on, and I want
a braid to the side.

-So, let's do a fat fish tail,
kind of break it up.

-Yup.
-Beautiful, I love this.

♪ ♪

-I love all the curls up
right about there.

GREGORY:
No problem.

-A center part slicked
back into a low bun.

-Off her face, okay.
-Off her face.

-'Cause she has that structure.
-I would use this texture here.

-Right.
-And let's just contain it.

JENNI:
Yeah, perfect.

KIMBER:
I feel good about it.

-It look good, yes.

KIMBER: I know the construction
isn't the best,

but I know it's not the worst.

I really feel good about it.

-Designers,
you and your models and I

are going down to the runway,
all right, everyone?

-Okay.
-Off we go.

Laurence, you ready?
All right, done.

♪ ♪

[dramatic music]

[all oohing and ahhing]

-Hello.
-Hello, everybody.

ALL:
Hi.

-And welcome to the runway.

As you know, in fashion,
one day you're in,

and the next day,
you're out.

There are 15 of you here,
and after tonight,

there will be 14.

For this challenge,
JustFab asked you

to create looks
that would make any woman

feel like a million dollars.

And you were to design
a fashionable look

that would be fab for all.

And the winner of today's
challenge will have their look

reproduced and sold
on JustFab.com.

All right, let's say hello
to our judges.

First, we have creative director
of Brooks Brothers Women

and fashion designer,
Zac Posen.

-Hello, designers.
[overlapping hellos]

-Creative director for
Marie Claire magazine,

Nina Garcia.
-Hi, everyone.

-And today's guest judge,
actress Nina Dobrev,

starring in the upcoming
xXx: Return of Xander Cage.

Welcome.
-Thank you.

Hey, guys.
[applause]

-And as you know,
Tim is your mentor

and will not be
judging your looks.

We have an anonymous
runway show,

so we, the judges,
will not know

who made which look,
all right?

Let's start the show.

[upbeat dance music]

♪ ♪

LAURENCE:
My heart is just pounding.

But I think she looks dope.

She looks how I wanted her
to look, so I feel good.

♪ ♪

RIK: I'm feeling very confident
about the look.

She's working the runway.

I feel my garment
definitely is something that

a normal woman would wear.

-I like your play
with the pattern.

♪ ♪

I feel that my pants
are absolutely on point.

I know that
this is the JustFab woman.

I couldn't be happier.

♪ ♪

JENNI:
I feel great about this.

It has just enough street funk,
but it also has

enough structure
for someone who is kind of

scared to try
something different.

♪ ♪

-I love that.

♪ ♪

KIMBER: I'm loving it.
It's really girly.

She could put on sneakers,
she could put on heels.

Whichever one
she choose to do.

♪ ♪

I think it really does
represent me

and the everyday woman.

She looks amazing.

♪ ♪

LINDA:
She's so gorgeous.

I'm feeling like the design
actually might work.

♪ ♪

I know it doesn't look great,
but I hope to slide by,

because at least I took a risk.

♪ ♪

NATHALIA: I'm hoping that the
judges see my aesthetic.

I think it looks clean
and polished.

I love the jacket.
It's very androgynous.

♪ ♪

SARAH: The combination of
the two pieces

and the way
I accessorized it,

it really is about
the complete look,

and that's what
the JustFab woman want.

I think
the look is amazing.

♪ ♪

MAH-JING:
It is sexy, confident,

my styling is on point.

The clutch adds
just a mite of texture,

and it picks up
on the tangerine stitching,

as well as the shoes.
I'm very happy.

♪ ♪

-I want that dress.

♪ ♪

CORNELIUS: She's very modern,
she's very hip.

I do have a pop of color
in there

that hopefully the judges
will notice.

I actually feel really good
about this look.

♪ ♪

TASHA:
I'm loving the look.

I'm loving how I did
all the navies on top.

The look is good.
I'm confident in what I made.

I love it.

-The beanie is all that.

♪ ♪

BRIK: I made a look that I feel
a lot of women

could incorporate
into their wardrobe.

I feel good about it.

♪ ♪

DEXTER: I'm sending out
something that feels

"me" and "everyday girl."

♪ ♪

It's nice, it's clean.
I feel good about it.

♪ ♪

ROBERI:
The movement of the jacket

against the contrast
of the two pieces,

are, for me,
just amazing.

-Looks like a handmade,
delicious print.

ROBERI: It's simplicity,
but at the same time,

it's complex.
It's absolutely wearable

and beautifully made.

♪ ♪

ERIN: I think that I have
the craziest look on the runway

just because of color.

I'm feeling very confident.

We slayed this.

♪ ♪

[dramatic music]

-Tonight, we saw some looks
that we really liked

and some that we didn't as much.

We have just learned which
designer created which look.

If I call your name,
please step forward.

Erin.

Kimber.

Alex.

Laurence.

Linda.

Brik.

If I have not called your name,
congratulations.

Your scores have qualified you
to move on

to the next round.
You can leave the runway.

♪ ♪

-The six of you have
the highest

and the lowest scores.

One of you will be
named the winner...

and one of you will be out.

Let's bring out your models.

[dramatic music]

♪ ♪

Hi, Alex.
-Hi.

Tell us about your look.

-My woman in my head
has always kind of been,

like, this Upper East girl

that's not afraid to get
on a motorcycle,

and because we were looking
at all body shapes

and all types of women,
I went natural waist,

and it actually has a little bit
of an elastic back.

I really wanted to go
with the sheer top

so somebody can make it
their own,

with a color underneath.

-I really like this look, Alex,
I gave it a high score.

I think it looked,
from head to toe,

really polished.

-Thank you.
-I do love the bow

very, very much.
-Yes, me, too.

-I do love the pants
with the pockets.

-Yes.
-Very, very much.

-Yeah.
-I also like the sleeves.

Just the way
it drapes over and falls.

-It's really pretty.
HEIDI: Mm-hmm, it's nice.

-Yeah, it's very,
you know, Uptown,

Upper East Side fantasy.

I like the mystery
that you created

with textures
and proportions

and volumes there.

-Kimber,
tell us about your look.

-With this being, um,
A-line and high-low,

I thought of this being
the everyday woman.

Girls and women that,

either if they're slim
or if they're heavyset

or whatever, a lot of times,
the midsection is always

a part that a woman wants
to cinch in,

so I love making
the high-waist pant.

-I think that
when the coolest thing

on your outfit
is the model's hair,

we have a problem.

In terms of fashion,
it's okay.

It shouldn't be okay.
It needs to be fantastic.

-You know, as much as I agree

with a lot of the things
that you guys are all saying,

I do disagree
on a couple of things.

Yes, it is hard to wear
crop-tops in general.

She was considerate enough
to put the pant higher.

Also, the fact that there
was a pattern on top,

it does pop a little bit more,
with the darker pant.

It looks stunning.

-Laurence,
tell us about your look.

-I was thinking
about something cool

that every woman can wear,

and so I came up
with a jumpsuit.

Not too fitted.

I figured, if you have
a little booty to hide,

you could hide it in it,
or a little bit of belly.

And I did a little opening,

like, a little color
in the back,

and, uh, pockets,
and a drop crotch.

-Laurence, it is so easy,
and I feel like

that is something that really
any woman could wear.

Yes, I mean,
jumpsuits are no

new invention,
but at the same time,

you did bring
a lot of new little

design elements
to your jumpsuit.

You know, I love having
the little color in the back.

I love the pockets.

I love how you styled it
with the pumps.

That is my kind of girl.

-I think you had some really
interesting proportion play.

You took something
very utilitarian,

you know,
and played with themes.

I think it's very fresh
and current to the eye.

-It looks polished and sharp.

Even the detail of the bottom,
the ruching at the ankle,

it just gives it
that little bit of edge.

-Thank you.

-Linda,
tell us about your look.

-I was thinking
about the urban woman.

The woman who may
have had children,

and wants to make sure she shows
the best parts of her body.

I have three kids.

I know my body's changed
quite a bit.

I was going for
an urban kimono,

uh, look, and so,
on the underneath,

I chose a gray knit,

which I thought
was really beautiful,

and I put a little peekaboo

in the top
just to give some relief.

-Ms. Garcia,
what do you think?

-Um, hmm.

I do have a problem
with your color palette.

I also have a problem

with your fabric
for the kimono,

because it looks really shabby.

I think a knit dress
is a very...

hard item to wear.

No matter what your figure is.

-I agree with you.
Knit is so hard.

-Knit is so hard!
-I would not wear knit, either.

-Really? I really--
I disagree.

The knit gives some curves that
I think look really beautiful.

-Can she turn around
and take off the kimono?

HEIDI: Exactamundo.
It's already droopy butt.

-It is all--
This is a model.

And she's got a problem.

HEIDI: It grows.
Who is this girl?

Where is she wearing this to?

To the office?
-Where is she wearing it?

Yeah. I mean, going to the
office, and then picking up

her kids afterwards and going
out to dinner...

-Really?
-With her husband, sure.

-No one is going to lunch
in this and picking up

her kids at school.
-You know, I--

I was going for it.
Sometimes things don't work;

you got to try those things.

-Brik,
tell us about your look.

-The first thing that I thought
about was the girl.

And I thought of one
of my friends back home.

She works nine-to-five,

and she has a really good,

funky, eclectic aesthetic.

And it's always hard for her
to find a blazer to wear.

So I thought, "Huh, what if
I made just a really sharp,

"like, fit and flare jacket
with flattering lines that

"would work on a variety
of body types,

"and a pull-on pant
that is like a chic knit,

and a graphic print?"

-Well, last episode,

you had many personalities
in one design.

This time
you have no personality.

And the number one thing
less flattering

than a knit dress
is knit pants.

-I thought these were cute.

I would wear those.
-It's just hard to wear.

ZAC:
Can I see the back?

I have so little to say.

-[sputters]
God.

ZAC: I don't know.
DOBREV: The first thing

that popped into my head was,
"Mullet?"

Business in the front,
party in the back.

And it feels like
it's business in the top,

and then couch party
on the bottom.

-Yeah, she cannot make up her
mind whether to go to work

or be a couch potato.

-[laughs]

-Erin, please tell us
about your look.

-It was really amazing to see
these hundreds of women.

I really took off on
when Tim said, "Versatility."

And I was thinking about
different body shapes.

So, I kind of thought
it'd be cool if there was,

like, an outfit
that could change.

So, what I did is,
I made these flaps adjustable.

So you can...
-Oh, wow.

Yeah. You can cinch it...

ZAC: Very smart.
DOBREV: Wow. Yeah.

HEIDI: Yeah, you can cinch it
at the waist.

Charming.
ZAC: Very. Really well done.

I mean, I love the
transformative quality of it.

I think it's effective,
in the neoprene.

Not the easiest fabric to wear,
for all body types.

But I think, you know,
it feels very high fashion.

And I think you've made
something very wearable.

Can she turn?
I want to see how it looks

with the belt closed
from the back.

NINA: It's very...
ZAC: Oh, I think it's excellent.

NINA: Yes. Even...
ZAC: Excellent. Even better.

-Even better.
For me, this look really

stood out when I saw it,
and right--

seeing it right here,
in this sea of black and gray...

and you brought us color.

And I think that's a fun dress.
ZAC: Yeah.

NINA: And if I were
shopping online,

that look would go on my cart.

Immediately.
-[softly] Yes.

That's my goal.
[chuckles]

DOBREV: A lot of--a lot of
women--I would wear that.

HEIDI: Thank you, Erin.
-Thanks.

Okay, we've heard
what you had to say.

We're gonna bring out
your models, have a little chat,

and then I call you back
onto the runway.

Now you can leave the runway.
Thank you.

[dramatic music]

♪ ♪

HEIDI: The winner
of Project Runway

will receive $100,000
to launch their line,

a year's supply
of Sally Beauty products,

along with $25,000 in cash.

Travel and hotel accommodations
to inspiring destinations

around the world from
Best Western Hotels & Resorts.

A new Lexus IS,
from Mary Kay,

an entire year's
worth of beauty products

for their fashion shows,

and professional makeup
artist services

for their debut show.

A complete sewing
and crafting studio

from Brother Sewing
and Embroidery.

And the winning designer
and model will receive

a fashion spread
in Marie Claire magazine.

[dramatic music]

Hi, Tim!
-Hi, Heidi.

-Hello.
-Hello, Zac. Hello, Nina.

-Hi, Tim.
-And Nina!

HEIDI: Hello, ladies.

TIM:
So, Sherica, wearing Erin.

HEIDI: Wow.
ZAC: Really cool.

HEIDI: I mean, it does look
great close-up.

I wish she would've done this
on the runway. I really do.

That was a great surprise.

ZAC: Well, what I thought
was really cool,

when she did belt it,
is I thought

there was a really fun play,

and something inventive
with silhouette.

-It's adorable.

-We have Tirzah,
wearing Laurence.

DOBREV: I love this. Love.
-Yeah. This is cool.

-I...
I want it. Can I...

take it off your body,
right now? You want to switch?

I love this.

HEIDI: Also, look how slick
and well made this is.

Really nice.
TIM: She's very talented.

ZAC: Very talented. Very.
HEIDI: Very talented.

♪ ♪

TIM:
And we have Britt, wearing Alex.

HEIDI: I love that.
I mean, this boy can sew.

NINA: Wouldn't it have been
so much nicer

to put a little sparkle
somewhere?

TIM: Yes.
ZAC: Yeah.

-You know, like in a bodysuit

or something that would,
kind of, catch...

-He just didn't have it.
ZAC: Right.

-But it's, you know,
it's kind of...

-That's good, it works,
it's effective.

-It's beautiful, actually.

♪ ♪

-Paola is wearing Kimber.
Paola, come on out.

-Yeah.
-Mm. I don't like that.

HEIDI: I mean, the hemline is...
ZAC: It doesn't look so...

well made.
-What happened with that hem?

Why is it so curly
and wavy, and...

ZAC: It's warped.
-And what size are you, on top?

-Eight.
-So, imagine, a B or C.

-That's what I said,
a woman with a larger bust...

-It looks like a tent.
-It's gonna be hard.

♪ ♪

TIM: And we have Meandra,
wearing Linda.

-To me,
this is the worst.

-Yeah.
-Yeah, it's pretty, uh...

high up there.
-This is the absolute worst.

-I have a question.
Was thi--is this on purpose?

-Shredded?
TIM: Actually, I think it is.

ZAC: Yes.
TIM: Yes, it is.

-Oh. I mean,
it is god-awful.

ZAC: She sewed the seam
to the outside.

-Touch this.
-She worked with it as a--

-Who wants to wear that?
-I know. Ooh.

ZAC: Well,
she was trying to add a--

a modernity to it,
and something--

TIM: She thought.

-She thought,
but it's really unfortunate.

This is--
this is bad costume.

Strange choices of fabric.
NINA: Yeah.

-Why would you pick this knit?
NINA: Fabric. And this color.

That was not
a good choice of fabric.

Not the smartest move.

ZAC: Not the right choice
of fabric.

TIM:
We have Keke, wearing Brik.

DOBREV: I don't know, I like,
maybe, from here up, on its own,

and then--I didn't realize this
was the material, but...

-What is the material?
-It's--

ZAC: It's a jersey.
A jacquard jersey.

It's just very lackluster.
-I mean, the only thing

I would say is, at least
these two pieces look well made.

-But, I have to say, Heidi--
-I know.

this is the second time
we see him.

-No, I know,
but when I look at this--

-And there is no--
-Next to this...

to me, this is worse.
ZAC: I agree.

-This has absolutely
no personality.

This one, at least, I can sort
of see her personality.

-There was risk here, at least.

-There--this is, like,
uh...Nowhere's Land.

HEIDI: Which one,
today, is worse to you?

-I think they're equally bad.

♪ ♪

TIM:
Thank you, judges.

HEIDI AND ZAC:
Thank you, Tim!

HEIDI: So, is it between
Laurence and Erin?

-Laurence...
-Laurence and Erin.

-And Erin.
-I love Laurence's look.

I mean, hers looks
like a designer jumpsuit.

-This made me sing.

-I thought it was very special.
I would totally wear it.

-She got the versatility,
she got the different

body shapes and ages.
It just looks so cool.

-But I think Erin
was the only person that we saw,

that was
a transformable piece.

-She was a standout color
with the most memorable piece

on the runway today.
-On the runway, right.

-So, let's talk about
the two worst,

Brik and Linda.
To me, Linda is the worst.

-Honestly, I really just
don't even think

there's much to talk about
within these two looks.

-It just--this cover,
on--on Linda's.

I'm--I'm not sure what to think
about the cover.

-Burn it.
-Linda's looks like

someone just made it
in an hour.

At least Brik's, sad as it is,
at least it looks well-made.

-I don't know.
It's a armhole and a dart.

-Brik designed
another Sybil outfit.

-Okay.
So, we've made our decision?

♪ ♪

Let's bring them back out.

♪ ♪

Designers, some of you did
an excellent job today.

And as you know, only one of you
will be the winner

of the JustFab challenge.

And to deliver the fabulous
news, please welcome back

Traci Inglis.

TRACI: Hi, everyone.
ALL: Hi.

-We are thrilled
that you took this challenge

and really created looks
that are fab for all.

So, it's my pleasure
to announce

that the winner
of today's challenge...

♪ ♪

Is Laurence.

-Thank you.

[applause]

TRACI: Laurence,
your look will be reproduced

and sold on JustFab.com.
-[exhales]

[all laugh]

I feel fabulous.
I feel JustFab.

[all laugh]
Thank you so much.

I'm lost for words.
It feels surreal.

-Congratulations, Laurence,
your look was the most fab

of them all
and as you know,

you will have immunity
for the next challenge

and cannot be eliminated.
You can leave the runway.

-Thank you.
Thanks.

Seriously, I'm--
I'm super happy and I know

you can see it on the outside,
but, um,

it's just a confirmation that
I made the right move

coming into this competition.

-Are you the winner?
-Well...

-You gonna be selling
on JustFab?

[cheering]

-Get over here!
-Congratulations!

-You did it!
-Thank you. I just...

I just need a minute
to take it in.

-Yes!
-Yeah.

-Erin...
Alex....

You're both in.
Congratulations.

You can leave the runway.

♪ ♪

Kimber...

You're in.

You can leave the runway.
-Thank you.

♪ ♪

-Linda...
Brik...

One of you will be out.

♪ ♪

Brik...

You're in.
Barely.

You can leave the runway.

-Thank y'all so much.

[somber music]

♪ ♪

-Linda, I'm sorry,
that means you're out.

-Thank you very much
for the opportunity.

And I will take your criticisms,
I really will.

Thank you.
-Auf Wiedersehen.

-Thank you.
Thank you very much.

-Good luck to you.
-Thank you.

You know,
it just wasn't enough.

I'm disappointed
more in myself,

that I--I should've
ex*cuted it better.

I made a series of decisions
that...

were not
the right decisions.

-Aw.

[contestants moaning]

[overlapping chatter]

-No, no, no.

-Aw.

-Thank you guys so much.

-Come here.
-Thank you!

[applause]

-We're gonna miss you
terribly, Linda.

-I will miss you guys.
Thank you guys so much.

Mwah. Thank you.
-All right.

So, I'm gonna send you
to the workroom

to clean up your space.
-Ooh!

ALL: Bye!

LINDA:
I came to Project Runway

because I really believe
that my second career

is a fashion designer
and I still believe that.

I mean, I--I'm really
disappointed

that I'm going home,
but I would not change

this experience for anything.

HEIDI:
Next time on Project Runway...

Hi, guys.
TIM: Your looks will be

presented to the judges in the
nighttime black-light lighting.

It's stunning.

TASHA: Oh, man.
ROBERI: Oh, that looks dope.

[upbeat music]

-Sex b*mb.
-Figure it out.

-I will.
-Really?

-Oh, my God.
What am I gonna do now?

-Oh, oh, oh, oh, oh.

Damn.
-That is beyond tacky.

-I cannot go home yet.
[crying]

-Really fantastic.

-Whoa.
-Oh.

-I don't even know
what it is I'm looking at.

-Forensic disaster.
-Oh.