03x04 - A Tender Betrayel

[bunniefuu]

-Did you arrest Norman Bellarie?
-Yeah, we got the whole clan.

sh*t.

[Norman] Ray, Ray, Ray.

If you don't want this
coming back in your face,

you gonna get rid of this sh*t quick.

Norman!

[in singsong] She's here for you.

-I do gotta get Sylvie out of here.
-Why? Is she trippin'?

She's talking about she wanna tell
the people you did it, and--

-What?
-[Horace] I've got a g*n.

Why don't you just take it
and blow your f*cking brains out?

-[Mallory] Charles, no!
-[Varney] Charles!

[clattering]

[dramatic music plays]

[music stops]

Charles, no. What are you doing?

Charles!

Why did you do that, Charles?

[Varney whispering] Charles. Oh, sh*t.

Char…

-[Mallory gasps]
-[Varney] Charles!

Charles, no!

Charles!

[tense music playing]

Do it.

Do it!

[Mallory whispers] Don't do it.

I knew you couldn't do it.

[exhales deeply]

Little b*tch.

The next time you try and do this, do it.

Why do you hate me so much?

Look in the mirror.

Is it because I'm g*y?

Among many things.

Is that at the top of the list?

What does it matter?

[Horace] Hm?

You're just f*cked up.

Got this big-a*s n*gga.

Mr. Bellarie…

What?

[Charles] No.

No, no, no.

Don't leave.

[tense music continues]

-[Charles] Mm.
-Hey, hey, hey.

-Kiss me. Kiss me, Varney.
-Charles.

-Hey, hey, hey.
-[Charles] Kiss me. f*ck him.

-[Charles] Kiss me.
-[Varney] Charles.

Charles, not now.

Don't do this.

-Don't do--
-f*ck him.

-[Varney] Hey.
-f*ck me?

Yes. You and the horse you rode in on.

You don't get to make me feel bad anymore.

All you gotta do is look in the mirror.

Get the f*ck out of my house.

Charles.

Get out.

Your house?

[Charles] Yes.

My house.

The one that you…

You don't have the shares
to pay the bills for?

Still my house.

Kiss me, Varney.

No, Charles, come on.

[Horace] You so damn stupid.

He's got a little b*tch
sitting out in his car right now.

-[Mallory] Can you just-- Guys--
-f*ck you, Dad!

[Varney whispering] Hey.

Kiss my a*s.

I don't need you in my life.

[tense music continues]

Good.

'Cause I don't need you either.

Look, can we stop this, please?

I've stopped everything.

Mr. Bellarie…

Welcome to the "you just f*cked around
and found out" part of your life.

[tense music continues]

[dramatic sting]

{\an8}[music fades]

{\an8}[bugs chirring]

{\an8}What happened?

{\an8}Just, uh… take the keys and go.

{\an8}-[car engine starts]
-You're staying here?

{\an8}[Varney sighs]

{\an8}[Varney] Yeah,
I'm gonna need to stay here tonight.

{\an8}[Evan] Papi…

{\an8}Just do this for me. Take the keys.

{\an8}All right?

{\an8}Okay.

{\an8}-[Varney] Let me get her to move her car.
-[Evan] Okay.

[tense music playing]

{\an8}[Mallory sighs]

{\an8}[Mallory] Damn.

{\an8}That was horrible.

{\an8}I felt like it was my fault.

{\an8}It is.

{\an8}Mallory…

{\an8}You should've kept your d*ck
in your pants.

{\an8}[Varney] Not that.

{\an8}That his father hates him.

{\an8}Okay, that's between them.

{\an8}-sh*t.
-Look, I'm going home.

{\an8}Y'all can have this drama.

{\an8}sh*t.

{\an8}[Varney sighs]

{\an8}[tense music continues]

{\an8}[door shuts]

{\an8}[car engine starts]

{\an8}[Varney sighs]

{\an8}[ethereal music playing]

{\an8}Leave.

No.

Why are you doing this?

'Cause I love you.

Varney, you don't love me.

Wrong.

You can sit here and say that to me
with that b*tch in the car?

The b*tch is in the car

because I don't have you.

[Charles scoffs]

Charles, I could have tangled you up

with your family in all of this mess.

But I didn't because I love you

and I care.

You'd be the only one.

And one is enough.

-Is it?
-Yeah.

When it's real.

[ethereal music continues]

When I saw you hanging…

When I saw you hanging in that garage…

I can't take that.

I can't go to jail, Varney.

[Varney sighs]

I'mma give you the money.

What?

I'm gonna go see your mom tomorrow.

I need to know where she put those bodies.

That's the only way.

You'd do that for me?

[Varney scoffs]

Yes.

But…

I need you to promise me…

you gonna go get some help.

[Charles clicks tongue]

Varney, you the one that needs help.

Hey…

promise me.

[inhales sharply] And you'll do it?

Promise me.

So this is conditional?

You damn right it's conditional.

-[chuckles softly]
-You would really let me go to jail?

I'm gonna help you save your life.

So…

promise me.

[ethereal music continues]

I promise.

Thank you.

[horses neighing]

[music fades]

Rain.

-What?
-Wake up.

[Rain scoffs]

What, Angel?

-I just went to sleep.
-Yeah, yeah, like three hours ago.

-Who… who cares?
-What is it, Angel?

sh*t.

This sh*t isn't working out.

[tense music playing]

I know that already.

All right, so can I go back to sleep now?

How… how was the club?

[hesitates] Was it good?

Yes.

Everybody keeping their money
and just tipping the house, right?

You are working my nerves.

Yes, Angel.

Well, sh*t, I'm coming back then.

What? No, you not.

Yes, I am.

Horace wants you here.

Okay, and I just said
this sh*t isn't working out. Okay?

[Rain sighs]

Besides, that n*gga doesn't want me here.
He just wanna…

I don't know,
t*rture me and treat me like sh*t.

Well, you did it to yourself.

I didn't do sh*t.

All that money you just spent?

I'm about to go to the store
and take it all back.

[Rain scoffs]

Yeah, they are not
taking all that sh*t back.

[Angel] Well, I don't wanna be
in this n*gga's debt.

I'm good.

You know what you need to do, Angel?

What?

Go in there

and get on them knees.

[Rain slurps]

You know what?

Get the hell out.

And close my door.

[slurps]

[tense music playing]

[front door closes]

[birds chirping]

Jules got fired.

What the hell are you doing here?

I don't work for Jules, ma'am.

I work for the company.

Open the damn door.

-Yes, ma'am.
-And why am I walking in front of you?

This is how this goes,
little clumsy b*tch.

Yes, ma'am.

[sighs] I need you to take me
to this address first.

And then to my father-in-law's house.

Yes, ma'am.

[tense music continues]

[Mallory] Don't touch me.

You see this skin and these legs?
Don't f*cking touch me.

Yes, ma'am.

Close the damn door.

And watch my coat. sh*t.

[Roy humming]

[Paul] So…

you ready to talk?

Man, I told that b*tch
I need something for this pain, man.

She already gave you a large enough dose
to k*ll a horse.

f*ck a horse, I'm a stallion.

Right, okay.

Look, make this easy on yourself
so we can let you go.

-Let me go?
-[Paul] Yeah.

Tell us everything.

[tense music playing]

I ain't got nothin' to say.

[inhales sharply] Okay, um…

how about this?

I'll talk,

and you go from there.

The floor's yours.

So you, and Jules, and your uncle

were in the business of prostitution,
trafficking, and money laundering?

[tense music continues]

I didn't do sh*t.

Do you have any idea
how much they were banking?

Enlighten me.

Millions.

[Paul] And they gave you nothing.

I mean, I'm sure it was probably pennies.

What you talking about?

Yeah, I got all the records
and books to prove it.

-I need to see that, then.
-[Paul] They played you, Roy.

You give 'em up…

and you can get out of here.

[tense music continues]

Look, we can talk about all you want,
the millions in prostitution,

just give me some more drugs
so I can feel better.

Like I said, man, with that kind of dose--

Double the dose, bro, I can handle it.

All right, well, tell me,

how big a dose can you take, huh?

Like a big dose? One that'll k*ll ya?

See, the problem with that
is that you're either gonna die,

or you can claim
that you're under the influence.

So why don't you tell me now?

-Not until you get me what I want.
-This isn't a negotiation.

Well, I ain't saying sh*t.

[tense music continues]

[inhales sharply] Then you're gonna
suffer in silence, my friend.

f*ck, man. Golly, bro.

Yeah, man, I can see that you're all
whacked out of your head, so…

I'm gonna talk to Jules,
see what he has to say.

He ain't gonna say a damn thing either.

Yeah, you're probably right.

But it's worth a shot.

[tense music continues]

Rest up.

[door closes]

[R&B beat playing]

[horns honking]

[music ends]

[Lee] So this is the spot.

You know, we gonna get the sign right.

I see a lot of potential here.
The kids are gonna love it.

[pensive music playing]

Ma'am, shall I go with you?

Did I ask you to go with me?

-No.
-Then get out of my face.

Yes, ma'am.

You came.

[gentle music playing]

[Mallory] Here.

Thank you. Thank you.

Don't thank me.

You did a shitty job on the drywall.

What can I say? We were moving fast.

But… but don't worry about that.
I can fix it.

Well, I want it done right.

Absolutely. I'll do that.

And again, thank you so much, Mallory.

Mrs. Bellarie.
My bad, Mrs. Bellarie. [chuckles]

You left the bathroom a mess too.

Well, I'll… I'll fix that too. No worries.

[chuckles] I'm just so happy
you came and paid.

Be at my house at five o'clock.

You got it.

Everything okay?

Come here.

Come here.

n*gga, don't talk to me.

You sit in the front of that car
and you drive.

You got it?

Yes, ma'am.

Now take me to my father-in-law's house.

-Yes, ma'am.
-Did… did… sh*t.

Didn't I say shut up?

That's talking.

[tense music playing]

[Lee] I guess you do have a heart, huh?

[music fades]

Morning.

Hi.

So…

I'm going to see your mother today.

Okay.

And I want you to go with me.

What?

I want you to be there.

[tense music playing]

I don't wanna see her.

Charles, I want her to tell you
where the bodies are buried.

She not gonna tell me.

I want you to tell her…

what you tried to do
to yourself last night…

and how your father talked to you.

I'm also gonna tell her
you going to get help,

and that you're going to rehab.

So go get dressed.

Okay.

Good boy.

[tense music continues]

I'm doing this because you want me to.

No, you're doing this…

because of us.

And then we going to your house,
and we gonna put that b*tch out.

All right.

And then I want you to delete
all his social medias

and… and… and all that--

And… [scoffs]

Okay.

Go get dressed.

But you are definitely

going into this program.

Okay, but before that,
we're going to confront my father.

-Charles…
-No, no, no, Varney.

We're doing it. All right?

All right, all right. Okay.

At this point, it don't matter anyway.

-He's probably fired me.
-[Charles] Mm.

Which means having no job.

That makes this a big, big deal
that I'm giving you this money.

[Charles] He won't fire you.

You know where all the bodies are buried.

Except for the bodies
we looking for today.

So… go get ready.

[tense music continues]

Come on.

[music stops]

Sir, Dr. Bernardi's on the line.

[in Italian] Hello, doctor.

[Dr. Bernardi] Hello, sir.

How are you?

-[Dr. Bernardi] I should be asking you that.
-[Horace chuckles]

I'm feeling great.

[Dr. Bernardi] That's good.

[in English] I was just about to head
down to Stanley Heart and have them--

[Dr. Bernardi in Italian] No.
Excuse me, sir, don't do that.

[in Italian] I'm sorry?

[Dr. Bernardi] I would advise against that.

[tense music playing]

Why not?

[Dr. Bernardi] I am actually
in the States. Can I come see you?

This conversation
shouldn't be over the phone.

Yes, right, right.

[Dr. Bernardi in English] Okay.

[Horace in English] I'll have James
send you the address.

[in Italian] All right, sir.

[in English] I'll see you soon.

[Horace] Hi.

Hi.

Uh, you don't look very happy
to see me. [chuckles]

Oh, I'm sorry. Um…

So…

the treatment worked?

Yes. Yes, it did, and, uh, you were right.

Good.

Are you looking for someone?

No.

You know… [sighs]

I owe you.

-You probably saved my life.
-No--

No, you don't owe me anything.

[Horace] Listen,

I am someone
who you want to have in your favor.

Is that right?

[Horace] Yeah.

Why do you keep looking at the door?

[Sylvie] No reason.

[tense music continues]

-You want some breakfast?
-No, no. I'm… I'm good.

What is wrong with you, little girl?

Nothing.

Good morning. [sighs]

[kisses]

Really?

-What?
-[Sylvie] Okay.

Okay, you're pretending.

You and this attitude
is getting disrespectful, Sylvie.

Yes, we're pretending.

[tense music continues]

I'm going to the office.

I'll be there in about an hour or two.

And tell them I need them
to set you up an office.

Excuse me?

I'm coming back to it.

-Horace…
-What is not clear about that?

Fine.

[tense music continues]

[horses neighing]

Morning.

Oh, I thought you would still be asleep.

[scoffs] Angel woke me up.

Where is he?

[Rain] I don't know.

I saw him leave in a car earlier.

My car?

I don't know.

[Horace] James.

[James] Yes, sir.

[Horace] Did Angel leave in my car?

No, sir. In fact, he took a cab.

I ain't even know they still had cabs.

Can I get you anything?

Uh, yeah, let me get some chicken wings
and a mimosa.

Yes, ma'am.

[tense music continues]

For breakfast?

-You judging me?
-Yeah, I am.

Look, little girl, you doing way too much.

You're a k*ller.

[Rain] What'd you say?

Say it again. What… [splutters]

She k*lled Glen.
Just pushed him off the balcony!

-You need to cut this sh*t out.
-You weren't even surprised!

-[Kimmie] Nah.
-What kind of place is this?!

You need to stop, okay?

[Kimmie] Stop!

[voice trembling] And I mean right now.

[tense music continues]

[horses neighing]

[tense music continues]

[tense music continues]

[Mallory sighs]

What did I just walk in on?

[Kimmie] Nothing.

Well, I figured that we could share
a ride this morning.

[hesitates] Ye-- Uh, sure.

[tense music continues]

[horses neighing]

n*gga, I can't wait.

I wanna cap yo a*s right now.

[James] I'm sorry, sir.

Yes.

Mrs. Bellarie, your mother and Frank
are at the gate.

[tense music continues]

[Kimmie] What the hell
are they doing here?

I'm not sure.

Let them in.

Do not let them in.

I'll meet them at the gate.

-Let them in.
-Horace!

Kimmie, I know how you feel about her.

Let her in so she can see
how you're livin'.

It'll eat her alive.

I don't want her to see sh*t.

[Horace] I do.

Look, I'll see you at the office.

It looks like your hands are full.

Yep.

[tense music continues]

[Kimmie whispers] sh*t.

So… you're looking well.

-I am well.
-[Mallory] That's good to hear.

[Horace] Yes.

So the treatments went great?

Yes.

[tense music continues]

[Mallory] How's everything else?

Stop beating around the bush.

Are you asking about last night?

Yes.

I just don't wanna upset you.

[Horace] You're not upsetting me.

I don't give a damn.

Matter of fact, I'm coming in there today
to fire that m*therf*cker.

-Who?
-Varney.

[Kimmie] Wait. Wait.

What?

-Stay out of this.
-No, what happened?

I said stay out of this.

[tense music continues]

You really f*cking betrayed me.

Jules is on the wrong side of this,

and I'm telling you,
you're gonna go down too.

So you…
You telling me you gave Jules up, huh?

I didn't do sh*t.

Then why you loyal to this b*tch?

I'm loyal to me.

[tense music continues]

I see that.

Yeah, I'm glad.

I'm gonna f*cking k*ll you.

[Alex] Yeah, you tried that.

How them ribs doing?

[music fades]

[unsettling music playing]

What the hell is this?

What the hell is this?

[tense music playing]

[Leslie] Damn.

[Frank] What the hell?

[tense music continues]

Why are y'all here?

I called them.

What?

I'm going home.

-Sylvie…
-[Sylvie] No.

This place is crazy. What you did to Glen…

-[Rain] Sylvie--
-I'm gonna tell the police.

-[Rain] Sylvie.
-[Kimmie] Nah, I got this.

You are not going anywhere.

She is a minor.

You want me to tell the police
what you do to minors, Frank?

You're lying.

She told me everything.

Kimmie, you still telling
the same damn lies.

-Come on, Sylvie, let's go.
-[Kimmie] No.

-[Kimmie] No.
-I don't wanna hear it.

You can't go with them.

I could get you in trouble for the things
she's told me about this place.

Like what?

Who are you?

What did Sylvie say?

[tense music continues]

We're leaving.

-Come on, Frank.
-Horace, you can't let them go with her.

If she goes to the police…

-Sylvie's her child.
-[door shuts]

[crying] But the things
that he does to her.

[thumps cane]

Like I said…

she's your mother's child.

But, Horace, you can stop them.

So you just gonna leave?

That's what you gonna do? You gonna leave?

Huh?

That's what you gonna do?

Look, I'm sorry.

Just do what I do.

Put it into the work.

James, my coat, please.

[James] Here you go, ma'am.

[tense music continues]

[Trackson] Piece of sh*t.

[Mallory sighs]

So I was thinking you could ride with me.

[Alex] No, no.

I need you both to ride with me.

[Mallory] Excuse me?

[Alex] Ma'am, I insist.

Ma'am, I'm here to drive you.

[dramatic music playing]

[Mallory] What was that about?

[tense music playing]

He's down with Jules.

Well, we know that.

Nah, even still.

Oh, sh*t.

You know, big n*gg*s with no brains,
they're easily brainwashed.

I can't believe she left with them.

[tense music continues]

I'm sorry, Kimmie.

He…

[shuddering] He r*pes her.

Look, I… Do you…
I mean, if you want, we can…

We can't.

If we do, then she may…

She may what?

There was a situation with Rain and Jules.

Kimmie.

He… He already knows everything.

Really?

[Kimmie] He covered for us.

Okay, I see.

[Kimmie] So it is what it is.

I want that n*gga dead.

[dramatic sting]

-Kimmie.
-You got a good look at his face?

Yeah, I did.

I'm about to send you an address.

It's where he works.
Make it look like an accident.

I got it.

And just like that?

[tense music continues]

Don't act like
you don't have no bodies on you.

[Mallory] I don't.

You put Felicia in the hospital
with third-degree burns.

Oh, yeah, I forgot about that.

What about Norman's wife?

Oh, you know about that?

You're not above it, so don't come for me.

I wasn't.

Thank you.

Okay.

[tense music continues]

Well…

Why don't we talk about work?

Seems as though you had a…

A tough start. Hm?

Tell me about it.

-[door buzzes]
-[Olivia sighs]

Ah, hell.

They said my lawyer was here.

I'm your lawyer.

Well, then yo punk a*s
needs to get me out of here.

[chuckles] Oh, yeah, but, that's right.
You the b*tch who put me in here.

And… and you,

you better tell me
that you got that money,

'cause it needs to be paid
by five o'clock today,

or you know what.

He gets the message.

Does he?

[Varney] Yes.

Did you get my package last night?

[Varney] He got it.

Why are you not talking?

Because it shook him up
so bad, Miss Olivia,

that he tried to hang himself.

-What?
-[Varney] Yeah.

And if I hadn't found him,

he'd be dead.

[tense music playing]

I don't… I don't believe that.

Show your neck.

Damn.

[Varney] And then Mr. Bellarie came over

and berated him.

[Olivia] That son of a b*tch.

It's all his fault that you so f*cked up.

[Varney] Miss Olivia.

What?

I came here today to tell you
that I'm gonna give Charles the money.

-Really?
-[Varney] Yeah.

First we need to know…

where to send it.

Okay.

And then we need to know
where all the evidence is,

so we can go pick it up.

Well, how am I gonna know
that you gonna do that?

Because I'm telling you.

[tense music continues]

Well, he ain't saying sh*t.

Charles.

He's gonna do it.

[Olivia sighs]

[Varney] Miss Olivia, come on.

I don't trust you, big g*y.

Well, maybe you trust the people
that are looking for you.

Trust that they'll do
what they said they're gonna do to you.

And Charles will go to jail.

And he will be dead.

[tense music continues]

Oh, well.

[dramatic sting]

So that's all you got?

"Oh well"?

Miss Olivia, this is your son.

[Olivia chuckles] sh*t,
lots of people got sons.

At least I got a spare,

with his triflin'-a*s self.

[Varney] Miss Olivia,
when I was at the club,

and I was going to my car,

the guy that stopped me

was the same guy that pretended
to be a cop at the house.

And I know he works at the club.

[tense music continues]

[Varney] I know
you put all this together too.

Time is running out.

[Olivia] Not for me,

but it certainly is for this little n*gga.

Come on.

Wait, wait!

So talk.

I can't talk in here.

I'm an attorney.

They can't listen in.

Talk.

[tense music continues]

[Olivia sighs]

[music fades]

Here you are, sir.

Thank you.

[tense music playing]

[footsteps approaching]

You don't speak?

[tense music continues]

I returned everything.

They said they'll credit it
back to your card.

What about the things you can't return?

Nothing I can do about that,

but, you know,
I'll try and sell 'em or somethin'.

What is that supposed to be?

What do you mean?

Is that supposed to make me…

forgive you or somethin'?

Whether it does or not,
I don't know, that's on you.

Who the hell do you think
you're talking to?

You, n*gga.

[dramatic sting]

You got ba*ls.

Yeah, well, you ought to know.
You've seen 'em.

Yeah, but they're not that big.

Big enough for you to like 'em.

Keep this sh*t up.

[tense music continues]

I'm not gonna keep living like this.
Yo, I'm not.

-"Yo"?
-You heard me.

I'm not.

This, it's too stressful for me.

Let me get this right.

You spend all my money

out there in them streets.

You embarrass me in front of my staff,
and I'm the problem?

So that's what this is about?

You're embarrassed
'cause James and Whitman know?

-Angel, look--
-No, no, no, no, no, no, no. You look.

I wasn't trying to hurt
or… or disrespect you.

I already told you that.

I was just…

[tense music continues]

I was just free.

I was free for the first time
in my life, Horace,

and it felt so good to be able to do that.

You finished?

See?

You still on that bullshit.

Again,

are you finished?

Yeah, uh-huh, good and finished.

Then why are you still standin' here?

So you putting me out, huh?

You damn right.

[tense music continues]

[Angel sighs]

[voice trembling] I mean, I… I…
I can leave today, but I was gonna ask if

you can at least let me stay

till I, you know, get back in the club
and get some rent money.

[Horace chuckling]

All of a sudden, your voice trembling
like a little b*tch. [scoffs]

[sarcastically] Oh, you the big man.
You the man, right?

You the m*therf*cking man.

What happened to the big ba*ls?

Huh?

What happened to the big ba*ls?

b*tch-a*s n*gga.

[electronic music playing]

[music stops]

-My office?
-Yeah.

[tense music playing]

Hey, n*gga.

What the hell are you doing here?

Don't you need to go to the bathroom? Hm?

I'm already looking at a piece of sh*t.

[Trackson laughs sarcastically]

You got jokes, huh?

-Trackson--
-Jules, when he gets out…

He ain't gettin' out.

How can you be so sure, huh?

Just trust me.

[sarcastically] Yeah, okay.

[Trackson scoffs]

I could sh**t yo a*s right now.

Go ahead and do it.

Nah.

When I'm done,
it's gonna look like an accident.

I'm already looking at an accident.

Keep it up, smartass. You just…
Just keep it up.

[cell phone buzzing]

-Get the f*ck out of here.
-[Trackson scoffs]

[dramatic sting]

[muttering] Piece of sh*t.

-Hello? It's Alex.
-[Rain] Alex.

Yeah, we might have a little problem
I need to talk to you about.

What's that?

It's Sylvie.

[Alex] What about her?

She's talking about
going to the police about Glen.

What?

[Alex] That's not good.

[scoffs] Uh, no, it's not.

We need to keep that contained.

[Rain] Yeah, we do.

[Alex] So how we gonna do it?

[sighs] I don't know, Alex.
That's why I'm calling you.

-Well, you know I'm in on that too.
-[Rain] Yeah, I know.

[tense music continues]

-Is she there?
-[Rain sighs] No.

She had her mom come pick her up.

-[Alex] What?
-Yeah.

They went back to their house.

[Alex sighs]

That's not good.

We need to figure something out.

All right.

[under breath] sh*t.

[dramatic sting]

[music fades]

What, Angel?

I need to talk.
I'm comin' to the club tonight to work.

No, you ain't finna come in there
doing all that bullshit you used to be on.

Yeah, yeah, yeah, we was all on bullshit.

I'm trying to run
a legitimate business here.

That's fine. I'm still comin'.

Who do you think you are?

[tense music playing]

Your friend.

-[scoffs] Angel--
-[Angel] No, no, no.

Wait, wait, Rain,
I don't think you get it, a'ight?

This n*gga's kicking me out.

A'ight? I just asked him to let me stay
long enough till I get back in the club

and get some rent money.

So you really leaving?

Yeah.

Well, okay.

What? Why you say it like that?

Do you?

This m*therf*cker is crazy, a'ight?

[scoffs] He's mad
'cause he's crazy about you.

What?

[Rain] You know that.

[R&B beat playing]

No, he's not.

He's obviously jealous. Are you stupid?

You're not playing this the right way.

That n*gga is loaded.

All you gotta do is be nice to him
and give him what he want.

[scoffs] Nah, nah, nah, nah, f*ck that.

-[scoffs] No.
-[Rain] All right.

Then take yo a*s down to the club

and strip for pennies
when this n*gga got millions.

[scoffs] That's so stupid.

If I was you,
I would be trying to make this work.

No, I'm not.

Fine. You do you.

It's probably for the best anyway.

The way Kimmie acting all crazy and sh*t.

What?

[Rain sighs]

She feeling him.

You kidding me, right?

[scoffs] No.

Is that why she was in that lingerie?

[titters] Yeah.

[both chuckling]

He don't want her.

I don't know about all that.

She said he f*cked her in the car
and it was the best she ever had.

You've gotta be kidding me.

You ain't hear it from me.

Then what the hell does he want with me?

He's human.

[Angel sighs]

This sh*t is crazy, yo.

[Rain] Well, you work that out.

I'm going back to sleep.

[Rain clears throat]

[dreamy music playing]

And don't come back in here either.

[music stops]

[ethereal music playing]

[both chuckling]

-[in Italian] There he is!
-There he is!

[both laughing]

-How are you?
-How are you?

-[in English] You look so well.
-As well. It's very good to see you.

I didn't know
you were coming to the States.

Well, like I said, uh, I did not want
to share this news over the phone.

[Horace] Okay.

I could've sent someone
to draw your blood,

but I needed to tell you this myself.

[tense music playing]

Yeah.

Okay.

[Dr. Bernardi] The reason we were
so successful with your cancer is because…

To be honest, signore,
I do not know how to say this.

No, just tell me.

You were being given cancer cells.

[scoffs] What?

[Dr. Bernardi] When you were in the hospital,

they were poisoning you.

[spluttering] No, that… that can't be.

[Dr. Bernardi] I thought the same thing.

But after I analyzed your lab work,

there is no other information.

Were you given injections?

[Horace sighs]

Yes.

That makes sense to me.

No, but I… I built
that hospital. [chuckles]

[Dr. Bernardi] Yes, I am aware.

I'm so sorry.

Some-- Someone there wa…

Was making me sick?

Yes.

[dramatic music playing]

Who would do that?

Sorry.

Well…

Well, it's good to know that, right?

Yeah.

So…

how would you like to handle it?

["50" by Zelly Ocho
ft. Trippie Redd playing]

I'm gonna burn that m*therf*cker down.

{\an8}♪ Posted at the hideout ♪

{\an8}♪ Yo b*tch at the tryout ♪

{\an8}♪ I got nothing to lie about ♪

{\an8}♪ You want smoke, then ride out ♪

♪ 50 g*ons, slide out ♪

♪ That's something to cry about ♪

♪ We was always on that block ♪

♪ Posted with that fire out ♪

♪ Talking out the side and then ♪

♪ That's what them boys gon' die about ♪

♪ F.N., not no .9 now ♪

♪ You want smoke? Then try it out ♪

♪ Don't got time to fight it out ♪

-♪ Hunnid bands ♪
-♪ Rrr, rrr ♪

-♪ Smoking 50 strands ♪
-♪ Rrr, rrr ♪

-♪ In a Lamb' truck ♪
-[dog growling]

-♪ I'm a big dog ♪
-[dog snarling]

♪ Every day I'm getting this green
Why the hell would I f*ck with y'all? ♪

♪ I ain't worried about yo p*ssy a*s n*gga
Man, f*ck it we ball ♪

♪ I been stacking up these green
Since a kid, lil n*gga, we tall ♪

♪ I was that dark spot in that room
Lil b*tch, big dog ♪

[lighter flicking]

[fire crackling]

[inhaling deeply]

[exhaling]

♪ Yeah, and I just pulled up
In the black ♪

♪ Got all these g*ns in the back ♪

♪ If you're my bro got your back
I got my bro right here in the trap ♪

♪ Got my bro right in the back
With the mac ♪

♪ Don’t get your bro
Get rolled up in the matt ♪

♪ Slapping a 50 right on my slatt ♪

♪ Brr ♪

♪ Parking lot ♪

♪ I don’t got a heart and that's why
Imma keep spending the racks I got ♪

["50" continues playing]

♪ I hit from the back
I gotta remind her ♪

♪ I still got a 50 when I rock designer ♪

♪ You thought you were Vlad
But you’re not 50 ♪

♪ And I’m allergic to cats
But I still want her kitty ♪

♪ Can't go back to your city ♪

♪ I’m living this life like really ♪

♪ There ounce in my cup when I’m sipping
I’m in the Bentley with Trippie ♪

♪ I don’t f*ck with you I got Trippie ♪

[dog snarling]

♪ Every day I'm getting this green
Why the hell would I f*ck with y'all? ♪

♪ I ain't worried about yo p*ssy a*s n*gga
Man, f*ck it we ball ♪

♪ I been stacking up these green
Since a kid, lil n*gga, we tall ♪

♪ I was that dark spot in that room
Lil b*tch, big dog ♪

[lighter flicking]

[fire crackling]

[inhales deeply]

[exhales]

[music fades]